Yamaha Htr 5760 Owners Manual 00_HTR 5760_U_EN

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HTR-5760_U_cv.fm Page 1 Thursday, January 15, 2004 5:56 PM

U

HTR-5760
AV Receiver

© 2004
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD18 7GQ, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

All rights reserved.

OWNER’S MANUAL
Printed in Malaysia

WC85600

00_HTR-5760_U_EN.book Page i Tuesday, February 17, 2004 10:47 AM

IMPORTANT SAFETY INSTRUCTIONS

IMPORTANT SAFETY INSTRUCTIONS
10
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.

•

Explanation of Graphical Symbols

The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert you to the
presence of uninsulated “dangerous voltage” within
the product’s enclosure that may be of sufficient
magnitude to constitute a risk of electric shock to
persons.
The exclamation point within an equilateral triangle
is intended to alert you to the presence of important
operating and maintenance (servicing) instructions in
the literature accompanying the appliance.

1
2
3
4
5

6
7

8

9

i

11

Read Instructions – All the safety and operating instructions
should be read before the product is operated.
Retain Instructions – The safety and operating instructions
should be retained for future reference.
Heed Warnings – All warnings on the product and in the
operating instructions should be adhered to.
Follow Instructions – All operating and use instructions
should be followed.
Cleaning – Unplug this product from the wall outlet before
cleaning. Do not use liquid cleaners or aerosol cleaners. Use
a damp cloth for cleaning.
Attachments – Do not use attachments not recommended by
the product manufacturer as they may cause hazards.
Water and Moisture – Do not use this product near water –
for example, near a bath tub, wash bowl, kitchen sink, or
laundry tub; in a wet basement; or near a swimming pool;
and the like.
Accessories – Do not place this product on an unstable cart,
stand, tripod, bracket, or table. The product may fall,
causing serious injury to a child or adult, and serious
damage to the product. Use only with a cart, stand, tripod,
bracket, or table recommended by the manufacturer, or sold
with the product. Any mounting of the product should
follow the manufacturer’s instructions, and should use a
mounting accessory recommended by the manufacturer.
A product and cart combination should be moved with care.
Quick stops, excessive force, and uneven
surfaces may cause the product and cart
combination to overturn.

12

13

14

15

16

17

18

19

Ventilation – Slots and openings in the cabinet are provided
for ventilation and to ensure reliable operation of the
product and to protect it from overheating, and these
openings must not be blocked or covered. The openings
should never be blocked by placing the product on a bed,
sofa, rug, or other similar surface. This product should not
be placed in a built-in installation such as a bookcase or rack
unless proper ventilation is provided or the manufacturer’s
instructions have been adhered to.
Power Sources – This product should be operated only from
the type of power source indicated on the marking label. If
you are not sure of the type of power supply to your home,
consult your product dealer or local power company. For
products intended to operate from battery power, or other
sources, refer to the operating instructions.
Grounding or Polarization – This product may be equipped
with a polarized alternating current line plug (a plug having
one blade wider than the other). This plug will fit into the
power outlet only one way. This is a safety feature. If you
are unable to insert the plug fully into the outlet, try
reversing the plug. If the plug should still fail to fit, contact
your electrician to replace your obsolete outlet. Do not
defeat the safety purpose of the polarized plug.
Power-Cord Protection – Power-supply cords should be
routed so that they are not likely to be walked on or pinched
by items placed upon or against them, paying particular
attention to cords at plugs, convenience receptacles, and the
point where they exit from the product.
Lightning – For added protection for this product during a
lightning storm, or when it is left unattended and unused for
long periods of time, unplug it from the wall outlet and
disconnect the antenna or cable system. This will prevent
damage to the product due to lightning and power-line
surges.
Power Lines – An outside antenna system should not be
located in the vicinity of overhead power lines or other
electric light or power circuits, or where it can fall into such
power lines or circuits. When installing an outside antenna
system, extreme care should be taken to keep from touching
such power lines or circuits as contact with them might be
fatal.
Overloading – Do not overload wall outlets, extension
cords, or integral convenience receptacles as this can result
in a risk of fire or electric shock.
Object and Liquid Entry – Never push objects of any kind
into this product through openings as they may touch
dangerous voltage points or short-out parts that could result
in a fire or electric shock. Never spill liquid of any kind on
the product.
Servicing – Do not attempt to service this product yourself
as opening or removing covers may expose you to
dangerous voltage or other hazards. Refer all servicing to
qualified service personnel.
Damage Requiring Service – Unplug this product from the
wall outlet and refer servicing to qualified service personnel
under the following conditions:
a) When the power-supply cord or plug is damaged,
b) If liquid has been spilled, or objects have fallen into the
product,
c) If the product has been exposed to rain or water,

00_HTR-5760_U_EN.book Page ii Tuesday, February 17, 2004 10:47 AM

IMPORTANT SAFETY INSTRUCTIONS

d)

20

21

22

23

If the product does not operate normally by following
the operating instructions. Adjust only those controls
that are covered by the operating instructions as an
improper adjustment of other controls may result in
damage and will often require extensive work by a
qualified technician to restore the product to its normal
operation,
e) If the product has been dropped or damaged in any
way, and
f)
When the product exhibits a distinct change in performance - this indicates a need for service.
Replacement Parts – When replacement parts are required,
be sure the service technician has used replacement parts
specified by the manufacturer or have the same
characteristics as the original part. Unauthorized
substitutions may result in fire, electric shock, or other
hazards.
Safety Check – Upon completion of any service or repairs to
this product, ask the service technician to perform safety
checks to determine that the product is in proper operating
condition.
Wall or Ceiling Mounting – The unit should be mounted
to a wall or ceiling only as recommended by the
manufacturer.
Heat – The product should be situated away from heat
sources such as radiators, heat registers, stoves, or other
products (including amplifiers) that produce heat.

24

Outdoor Antenna Grounding – If an outside antenna or
cable system is connected to the product, be sure the antenna
or cable system is grounded so as to provide some
protection against voltage surges and built-up static charges.
Article 810 of the National Electrical Code, ANSI/NFPA 70,
provides information with regard to proper grounding of the
mast and supporting structure, grounding of the lead-in wire
to an antenna discharge unit, size of grounding conductors,
location of antenna discharge unit, connection to grounding
electrodes, and requirements for the grounding electrode.
EXAMPLE OF ANTENNA GROUNDING

MAST

ANTENNA
LEAD IN
WIRE

GROUND
CLAMP

ANTENNA
DISCHARGE UNIT
(NEC SECTION 810–20)

ELECTRIC
SERVICE
EQUIPMENT

GROUNDING CONDUCTORS
(NEC SECTION 810–21)
GROUND CLAMPS

Note to CATV system installer:
This reminder is provided to call the CATV system installer’s
attention to Article 820-40 of the NEC that provides
guidelines for proper grounding and, in particular, specifies
that the cable ground shall be connected to the grounding
system of the building, as close to the point of cable entry as
practical.

POWER SERVICE GROUNDING
ELECTRODE SYSTEM
(NEC ART 250. PART H)

NEC – NATIONAL ELECTRICAL CODE

FCC INFORMATION (for US customers)
1 IMPORTANT NOTICE: DO NOT MODIFY THIS
UNIT!
This product, when installed as indicated in the
instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC, to
use the product.
2 IMPORTANT: When connecting this product to
accessories and/or another product use only high quality
shielded cables. Cable/s supplied with this product MUST
be used. Follow all installation instructions. Failure to
follow instructions could void your FCC authorization to
use this product in the USA.
3 NOTE: This product has been tested and found to comply
with the requirements listed in FCC Regulations, Part 15
for Class “B” digital devices. Compliance with these
requirements provides a reasonable level of assurance that
your use of this product in a residential environment will
not result in harmful interference with other electronic
devices.
This equipment generates/uses radio frequencies and, if
not installed and used according to the instructions found
in the users manual, may cause interference harmful to the
operation of other electronic devices.

Compliance with FCC regulations does not guarantee that
interference will not occur in all installations. If this
product is found to be the source of interference, which
can be determined by turning the unit “OFF” and “ON”,
please try to eliminate the problem by using one of the
following measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient
the antenna. If the antenna lead-in is 300 ohm ribbon lead,
change the lead-in to coaxial type cable.
If these corrective measures do not produce satisfactory
results, please contact the local retailer authorized to
distribute this type of product. If you can not locate the
appropriate retailer, please contact Yamaha Electronics
Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA
90620.
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.

ii

00_HTR-5760_U_EN.book Page iii Tuesday, February 17, 2004 10:47 AM

CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.

CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.
1 To assure the finest performance, please read this
manual carefully. Keep it in a safe place for future
reference.
2 Install this sound system in a well ventilated, cool,
dry, clean place — away from direct sunlight, heat
sources, vibration, dust, moisture, and/or cold.
Allow ventilation space of at least 30 cm on the top,
20 cm on the left and right, and 20 cm on the back of
this unit.
3 Locate this unit away from other electrical
appliances, motors, or transformers to avoid
humming sounds.
4 Do not expose this unit to sudden temperature
changes from cold to hot, and do not locate this unit
in a environment with high humidity (i.e. a room with
a humidifier) to prevent condensation inside this
unit, which may cause an electrical shock, fire,
damage to this unit, and/or personal injury.
5 Avoid installing this unit where foreign object may
fall onto this unit and/or this unit may be exposed to
liquid dripping or splashing. On the top of this unit,
do not place:
– Other components, as they may cause damage
and/or discoloration on the surface of this unit.
– Burning objects (i.e. candles), as they may cause
fire, damage to this unit, and/or personal injury.
– Containers with liquid in them, as they may fall
and liquid may cause electrical shock to the user
and/or damage to this unit.
6 Do not cover this unit with a newspaper, tablecloth,
curtain, etc. in order not to obstruct heat radiation. If
the temperature inside this unit rises, it may cause
fire, damage to this unit, and/or personal injury.
7 Do not plug in this unit to a wall outlet until all
connections are complete.
8 Do not operate this unit upside-down. It may
overheat, possibly causing damage.
9 Do not use force on switches, knobs and/or cords.
10 When disconnecting the power cord from the wall
outlet, grasp the plug; do not pull the cord.
11 Do not clean this unit with chemical solvents; this
might damage the finish. Use a clean, dry cloth.
12 Only voltage specified on this unit must be used.
Using this unit with a higher voltage than specified
is dangerous and may cause fire, damage to this
unit, and/or personal injury. YAMAHA will not be
held responsible for any damage resulting from use
of this unit with a voltage other than specified.

13 To prevent damage by lightning, disconnect the
power cord from the wall outlet during an electrical
storm.
14 Do not attempt to modify or fix this unit. Contact
qualified YAMAHA service personnel when any
service is needed. The cabinet should never be
opened for any reasons.
15 When not planning to use this unit for long periods
of time (i.e. vacation), disconnect the AC power plug
from the wall outlet.
16 Be sure to read the “TROUBLESHOOTING” section
on common operating errors before concluding that
this unit is faulty.
17 Before moving this unit, press STANDBY/ON to set
this unit in the standby mode, and disconnect the
AC power plug from the wall outlet.

WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN
OR MOISTURE.
This unit is not disconnected from the AC power source as
long as it is connected to the wall outlet, even if this unit itself
is turned off. This state is called the standby mode. In this
state, this unit is designed to consume a very small quantity of
power.

FOR CANADIAN CUSTOMERS
To prevent electric shock, match wide blade of plug to
wide slot and fully insert.
This Class B digital apparatus complies with Canadian
ICES-003.
IMPORTANT
Please record the serial number of this unit in the space
below.
MODEL:
Serial No.:
The serial number is located on the rear of the unit.
Retain this Owner’s Manual in a safe place for future
reference.

We Want You Listening For A Lifetime
YAMAHA and the Electronic Industries Association's Consumer
Electronics Group want you to get the most out of your
equipment by playing it at a safe level. One that lets the sound
come through loud and clear without annoying blaring or
distortion - and, most importantly, without affecting your
sensitive hearing.

iii

Since hearing damage from loud sounds is often
undetectable until it is too late, YAMAHA and the
Electronic Industries Association’s Consumer
Electronics Group recommend you to avoid
prolonged exposure from excessive volume levels.

00_HTR-5760_U_EN.book Page 1 Tuesday, February 17, 2004 10:47 AM

CONTENTS
INTRODUCTION

INTRODUCTION

SOUND FIELD PROGRAMS

FEATURES............................................................. 2
GETTING STARTED............................................ 3

SOUND FIELD PROGRAM
DESCRIPTIONS...............................................44

Supplied accessories .................................................. 3
Installing batteries in the remote control ................... 3

For movie/video sources.......................................... 44
For music sources .................................................... 47

CONTROLS AND FUNCTIONS ......................... 4

PREPARATION
SPEAKER SETUP ............................................... 11
Speaker placement ................................................... 11
Speaker connections ................................................ 12
Before connecting components................................ 15
Connecting video components................................. 16
Connecting audio components................................. 19
Connecting the antennas .......................................... 21
Connecting the power supply cord .......................... 22
Turning on the power............................................... 24

ADVANCED OPERATIONS ..............................48
Selecting the OSD mode.......................................... 48
Using the sleep timer ............................................... 48
Manually adjusting speaker levels........................... 49
Using the test tone ................................................... 50

SET MENU ............................................................51
Using SET MENU................................................... 52
1 SOUND MENU.................................................... 53
2 INPUT MENU...................................................... 57
3 OPTION MENU................................................... 58

BASIC
OPERATION

CONNECTIONS .................................................. 15

ADVANCED OPERATION
PREPARATION

Front panel ................................................................. 4
Remote control........................................................... 6
Using the remote control ........................................... 7
Front panel display .................................................... 8
Rear panel ................................................................ 10

REMOTE CONTROL FEATURES ...................60
Control area ............................................................. 60
Setting manufacturer codes...................................... 61
Controlling other components ................................. 62
Clearing setup manufacturer codes.......................... 63

AUTO SETUP....................................................... 25

ADDITIONAL INFORMATION
SOUND FIELD
PROGRAMS

Introduction.............................................................. 25
Optimizer microphone setup.................................... 25
Starting the setup ..................................................... 26

EDITING SOUND FIELD PARAMETERS ......64
What is a sound field ............................................... 64
Changing parameter settings ................................... 64

BASIC OPERATION
PLAYBACK.......................................................... 30
Basic operations....................................................... 30
Selecting sound field programs ............................... 32
Selecting input modes.............................................. 36
Automatic and manual tuning.................................. 38
Presetting stations .................................................... 39
Selecting preset stations........................................... 41
Exchanging preset stations ...................................... 42

Audio formats .......................................................... 76
Sound field programs............................................... 77
Audio information ................................................... 77
Video signal information ......................................... 78

ADVANCED
OPERATION

TUNING ................................................................ 38

SOUND FIELD PARAMETER
DESCRIPTIONS...............................................66
TROUBLESHOOTING .......................................70
RESETTING THE FACTORY PRESETS ........75
GLOSSARY...........................................................76

SPECIFICATIONS...............................................79

RECORDING ....................................................... 43

ADDITIONAL
INFORMATION
English

1

00_HTR-5760_U_EN.book Page 2 Tuesday, February 17, 2004 10:47 AM

FEATURES

FEATURES
Built-in 7-channel power amplifier

Other features

◆ Minimum RMS output power
(0.06% THD, 20 Hz – 20 kHz, 8Ω)
Front: 95 W + 95 W
Center: 95 W
Surround: 95 W + 95 W
Surround back: 95 W + 95 W

◆ YPAO: YAMAHA Parametric Room Acoustic
Optimizer for automatic speaker setup
◆ 192-kHz/24-bit D/A converter
◆ A SET MENU which provides you with items for
optimizing this unit for your audio/video system
◆ 8 additional input jacks for discrete multi-channel input
◆ On-screen display function helpful in controlling this
unit
◆ S-Video signal input/output capability
◆ Component video input/output capability
◆ Video signal conversion (Composite video ↔ S-Video)
capability for monitor out
◆ Optical and coaxial digital audio signal jacks
◆ Sleep timer
◆ Cinema and music night listening modes
◆ Remote control with preset manufacturer codes

Sound field features
◆ Proprietary YAMAHA technology for the creation of
sound fields
◆ Dolby Digital/Dolby Digital EX decoder
◆ DTS/DTS-ES Matrix 6.1, Discrete 6.1, DTS Neo:6,
DTS 96/24 decoder
◆ Dolby Pro Logic/Dolby Pro Logic II/Dolby Pro Logic
IIx decoder
◆ Virtual CINEMA DSP
◆ SILENT CINEMA™

Sophisticated AM/FM tuner
◆ 40-station random access preset tuning
◆ Automatic preset tuning
◆ Preset station shifting capability (preset editing)

• y indicates a tip for your operation.
• Some operations can be performed by using either the buttons on the main unit or on the remote control. In cases when the button
names differ between the main unit and the remote control, the button name on the remote control is given in parentheses.
• This manual is printed prior to production. Design and specifications are subject to change in part as a result of improvements, etc. In
case of differences between the manual and product, the product has priority.

Manufactured under license from Dolby Laboratories.
“Dolby”, “Pro Logic”, “Surround EX”, and the double-D symbol
are trademarks of Dolby Laboratories.

“SILENT CINEMA” is a trademark of YAMAHA
CORPORATION.

2

“DTS”, “DTS-ES”, “Neo:6” and “DTS 96/24” are trademarks of
Digital Theater Systems, Inc.

00_HTR-5760_U_EN.book Page 3 Tuesday, February 17, 2004 10:47 AM

GETTING STARTED

GETTING STARTED
INTRODUCTION

Supplied accessories
Please check that you received all of the following parts.
Remote control
CODE SET

Batteries (4)
(AAA, R03, UM-4)

AM loop antenna

Optimizer microphone

TRANSMIT
SYSTEM

POWER

TV

POWER

STANDBY

POWER

AV

CD

MD/CD-R

TUNER

SLEEP

DVD

DTV/CBL

V-AUX

MULTI CH IN

VCR 1

DVR/VCR2

AMP

TV VOL

TV CH

TV MUTE

TV INPUT

STEREO

HALL

JAZZ

1

2

3

4

MUSIC

ENTERTAIN

TV THTR

MOVIE

5

6

7

8

q/DTS

NIGHT

EX/ES

STRAIGHT

9

0

VOLUME

MUTE

10

ROCK

Indoor FM antenna
(U.S.A., Canada and
China models)

ENTER
EFFECT

PRESET/CH

LEVEL
TITLE

Indoor FM antenna
(Australia and Korea
models)

SET MENU
MENU
A/B/C/D/E

SELECT
ON SCREEN

TEST
RETURN

DISPLAY

REC
AUDIO
DISC SKIP

FREQ/RDS

MODE

PTY SEEK START

EON

Installing batteries in the remote
control

2
1
3

Notes on batteries
• Change all of the batteries if you notice the following
conditions; the operation range of the remote control decreases,
the indicator does not flash or its light becomes dim.
• Do not use old batteries together with new ones.
• Do not use different types of batteries (such as alkaline and
manganese batteries) together. Read the packaging carefully as
these different types of batteries may have the same shape and
color.
• If the batteries have leaked, dispose of them immediately. Avoid
touching the leaked material or letting it come into contact with
clothing, etc. Clean the battery compartment thoroughly before
installing new batteries.

If the remote control is without batteries for more than
2 minutes, or if exhausted batteries remain in the
remote control, the contents of the memory may be
cleared. When the memory is cleared, insert new
batteries, set up the manufacturer code and program
any acquired functions that may have been cleared.
Press the
part and slide the battery
compartment cover off.

2

Insert four supplied batteries (AAA, R03,
UM-4) according to the polarity markings
(+ and –) on the inside of the battery
compartment.

3

Slide the cover back until it snaps into place.

English

1

3

00_HTR-5760_U_EN.book Page 4 Tuesday, February 17, 2004 10:47 AM

CONTROLS AND FUNCTIONS

CONTROLS AND FUNCTIONS
Front panel
1

2

3 4 5

6

7

8

9

0
(U.S.A. model)

VOLUME

STANDBY
/ON

PRESET/TUNING

OPTIMIZER
MIC

FM/AM

A/B/C/D/E

l PRESET/TUNING h

MEMORY

TUNING MODE

LEVEL

MAN'L/AUTO FM

AUTO/MAN'L MONO

NEXT

EDIT

PROGRAM

PHONES

SPEAKERS
A
B

INPUT

VIDEO AUX
TONE CONTROL

STRAIGHT

INPUT MODE

MULTI CH
INPUT

EFFECT

S VIDEO

SILENT CINEMA

A

B

CD

E

F

1 STANDBY/ON
Turns on this unit or sets it to the standby mode. When
you turn on this unit, you will hear a click and there will
be a 4 to 5-second delay before this unit can reproduce
sound.
Note
In standby mode, this unit consumes a small amount of power in
order to receive infrared-signals from the remote control.

2 OPTIMIZER MIC jack
Use to connect and input audio signals from the supplied
microphone for use with the AUTO SETUP function (see
page 25).

G

H

I

VIDEO

L

AUDIO

R

OPTICAL

J

6 A/B/C/D/E (NEXT)
Selects one of the 5 preset station groups (A to E) when
the unit is in tuner mode.
Selects the speaker channel to be adjusted when the unit is
not in tuner mode.
7 PRESET/TUNING l / h (LEVEL –/+)
Selects preset station number 1 to 8 when the colon (:) is
displayed next to the band indication in the front panel
display when the unit is in tuner mode. Selects the tuning
frequency when the colon (:) is not displayed.
Adjusts the level of the speaker channel selected using
A/B/C/D/E (NEXT) when the unit is not in tuner mode.

3 Remote control sensor
Receives signals from the remote control.

8 MEMORY (MAN’L/AUTO FM)
Stores a station in the memory. Hold down this button for
more than 3 seconds to start automatic preset tuning.

4 Front panel display
Shows information about the operational status of this
unit.

9 TUNING MODE (AUTO/MAN’L MONO)
Switches the tuning mode between automatic (AUTO
indicator on) and manual (AUTO indicator off).

5 FM/AM
Switches the reception band between FM and AM.

0 VOLUME
Controls the output level of all audio channels.
This does not affect the REC OUT level.

4

00_HTR-5760_U_EN.book Page 5 Tuesday, February 17, 2004 10:47 AM

CONTROLS AND FUNCTIONS

INTRODUCTION

A
PHONES (SILENT CINEMA) jack
Outputs audio signals for private listening with
headphones. When you connect headphones, no signals
are output to the OUTPUT jacks or to the speakers.
All Dolby Digital and DTS audio signals are mixed down
to the left and right headphone channels.
B SPEAKERS A/B
Turns on or off the set of front speakers connected to the A
and/or B terminals on the rear panel each time the
corresponding button is pressed.
C PRESET/TUNING (EDIT)
Switches the function of PRESET/TUNING l / h
(LEVEL –/+) between selecting preset station numbers
and tuning.
D STRAIGHT (EFFECT)
Switches the sound fields off or on. When STRAIGHT is
selected, input signals (2-channel or multi-channel) are
output directly from their respective speakers without
effect processing.
E PROGRAM
Use to select sound field programs or adjust the bass/treble
balance (in conjunction with TONE CONTROL).
F TONE CONTROL
Use to adjust the bass/treble balance for the front left and
right, center, presence and subwoofer channels (see
page 31).
G INPUT MODE
Sets the priority (AUTO, DTS, ANALOG) for the type of
signals received when one component is connected to two
or more of this unit’s input jacks (see page 36).
H INPUT selector
Selects the input source you want to listen to or watch.
I MULTI CH INPUT
Selects the source connected to the MULTI CH INPUT
jacks. When selected, the MULTI CH INPUT source takes
priority over the source selected with INPUT (or the input
selector buttons on the remote control).
J VIDEO AUX jacks
Input audio and video signals from a portable external
source such as a game console. To reproduce source
signals from these jacks, select V-AUX as the input
source.

English

5

00_HTR-5760_U_EN.book Page 6 Tuesday, February 17, 2004 10:47 AM

CONTROLS AND FUNCTIONS

Remote control
This section describes the function of each control on the
remote control used to control this unit. To operate other
components, see “REMOTE CONTROL FEATURES” on
page 60.

1
2

3

9
CODE SET

TRANSMIT
SYSTEM

STANDBY

POWER

MD/CD-R

TUNER

SLEEP

DVD

DTV/CBL

V-AUX

MULTI CH IN

VCR 1

DVR/VCR2

TV VOL

TV CH

TV MUTE

TV INPUT

POWER

POWER

TV

AV

CD

0
A

AMP

B
C
D
E

VOLUME

F

MUTE

4

STEREO

HALL

JAZZ

1

2

3

4

MUSIC

ENTERTAIN

TV THTR

MOVIE

5

6

7

8

q/DTS

NIGHT

EX/ES

STRAIGHT

9

0

5
6

10

ENTER

G
H

EFFECT
PRESET/CH

LEVEL
TITLE

SET MENU
MENU
A/B/C/D/E

7
8

ROCK

I

TEST

ON SCREEN
DISPLAY

J

REC
AUDIO
DISC SKIP

FREQ/RDS

MODE

PTY SEEK START

4 Sound field program / numeric buttons (1 - 8)
Use to select sound field programs.
Use numbers 1 through 8 to select preset stations when the
unit is in tuner mode.
5 NIGHT
Turns on or off the night listening modes (see page 35).
6 LEVEL
Selects the speaker channel to be adjusted and sets the
level.
7 Cursor buttons u / d / j / i / SELECT
Use to select and adjust sound field program parameters or
SET MENU items.
Press u / d to select preset station numbers when the unit
is in tuner mode.
8 TEST (RETURN)
Outputs the test tone to adjust the speaker levels.
Returns to the previous menu level when adjusting the
SET MENU parameters.
9 TRANSMIT indicator
Flashes while the remote control is sending signals.
0 STANDBY
Sets this unit in the standby mode.
A SYSTEM POWER
Turns on the power of this unit.

SELECT

RETURN

3 Input selector buttons
Select the input source and change the control area.

EON

B SLEEP
Sets the sleep timer.
C MULTI CH IN
Selects MULTI CH INPUT when using an external
decoder (etc.).
D AMP
Selects the AMP mode. You must select the AMP mode to
control the main unit.
E VOLUME –/+
Increases or decreases the volume level.

1 Infrared window
Outputs infrared control signals. Aim this window at the
component you want to operate.
2 CODE SET
Use to set up manufacturer codes (see page 61).

6

F MUTE
Mutes the sound. Press again to restore the audio output to
the previous volume level.
G EX/ES
Switches between 5.1 or 6.1/7.1-channel playback of
multi-channel software.

00_HTR-5760_U_EN.book Page 7 Tuesday, February 17, 2004 10:47 AM

CONTROLS AND FUNCTIONS

I SET MENU (A/B/C/D/E)
Activates the SET MENU function.
Selects preset station groups when the unit is in tuner
mode.

Using the remote control
The remote control transmits a directional infrared beam.
Be sure to aim the remote control directly at the remote
control sensor on the main unit during operation.

VOLUME

STANDBY
/ON

PRESET/TUNING

J ON SCREEN
Selects the display mode of the on-screen display (OSD)
this unit sends to your video monitor.

OPTIMIZER
MIC

A/B/C/D/E

FM/AM

l PRESET/TUNING h

NEXT

EDIT

LEVEL

PROGRAM

PHONES

MEMORY

TUNING MODE

MAN'L/AUTO FM

AUTO/MAN'L MONO

INTRODUCTION

H STRAIGHT (EFFECT)
Switches the sound fields off or on. When STRAIGHT is
selected, input signals (2-channel or multi-channel) are
output directly from their respective speakers without
effect processing.

INPUT

VIDEO AUX

SPEAKERS
A
B

STRAIGHT

TONE CONTROL

INPUT MODE

MULTI CH
INPUT

EFFECT

S VIDEO

SILENT CINEMA

30

30
CODE SET

VIDEO

L

AUDIO

R

OPTICAL

Approximately 6 m (20 ft)

TRANSMIT
SYSTEM

POWER POWER STANDBY POWER

TV
CD

DVD

AV
MD/CD-R TUNER

SLEEP

DTV/CBL V-AUX MULTI CH IN

VCR

AMP

TV VOL

TV CH

TV MUTE

TV INPUT

VOLUME

MUTE

STEREO

HALL

JAZZ

1

2

3

MUSIC ENTERTAINTV THTR

5

6

7

q/DTS

NIGHT

9

0

ROCK

4
MOVIE

8

EX/ES STRAIGHT

10

ENTER
EFFECT

LEVEL

PRESET/CH

TITLE

SET MENU
MENU
A/B/C/D/E

SELECT
TEST
RETURN

DISPLAY

REC
AUDIO
DISC SKIP

■ Handling the remote control
• Do not spill water or other liquids on the remote
control.
• Do not drop the remote control.
• Do not leave or store the remote control in the
following types of conditions:
– high humidity such as near a bath
– high temperature such as near a heater or stove
– extremely low temperatures
– dusty places

English

7

00_HTR-5760_U_EN.book Page 8 Tuesday, February 17, 2004 10:47 AM

CONTROLS AND FUNCTIONS

Front panel display
1

2

t

96
24

q EX

q PL

q PL

q PL x

3
VCR

SILENT CINEMA
MATRIX DISCRETE VIRTUAL
SP
AB
q DIGITAL

4

5

V-AUX

6
DTV/CBL

78
MD/CD-R

DVD

NIGHT

90

TUNER

CD

SLEEP

HiFi DSP

PS

TUNED STEREO MEMORY MUTE VOLUME
OPTIMIZER
PTY RT CT EON
dB

ft
mS
dB

D

E

F G

1 Decoder indicators
When any of this unit’s decoders function, the respective
indicator lights up.
2 SILENT CINEMA indicator
Lights up when headphones are connected and a sound
field program is selected (see page 31).
3 NIGHT indicator
Lights up when you select night listening mode.
4 Input source indicators
A cursor lights to show the current input source.
5 Sound field indicators
Light to indicate the active DSP sound fields.
Presence DSP sound field
Listening position
Left surround
DSP sound field

Right surround
DSP sound field

Surround back DSP sound field

6 CINEMA DSP indicator
Lights up when you select a CINEMA DSP sound field
program.
7 AUTO indicator
Lights up when this unit is in automatic tuning mode.
8 TUNED indicator
Lights up when this unit is tuned into a station.
9 STEREO indicator
Lights up when this unit is receiving a strong signal for an
FM stereo broadcast while the AUTO indicator is lit.

8

B

PTY HOLD AUTO

PCM

C

A

H

I

96/24

L C R

LFE SL SB SR

J K LM

N

0 MEMORY indicator
Blinks to show that a station can be stored.
A MUTE indicator
Blinks while the MUTE function is on.
B VOLUME level indication
Indicates the volume level.
C PCM indicator
Lights up when this unit is reproducing PCM (pulse code
modulation) digital audio signals.
D VIRTUAL indicator
Lights up when Virtual CINEMA DSP is active (see
page 36).
E Headphones indicator
Lights up when headphones are connected.
F SP A B indicators
Light up according to the set of front speakers selected.
Both indicators light up when both sets of speakers are
selected.
G SLEEP indicator
Lights up while the sleep timer is on.
H HiFi DSP indicator
Lights up when you select a HiFi DSP sound field
program.
I Multi-information display
Shows the current sound field program name and other
information when adjusting or changing settings.
J OPTIMIZER indicator
Lights up during the auto setup procedure and when the
auto setup speaker settings are used without any
modifications.

00_HTR-5760_U_EN.book Page 9 Tuesday, February 17, 2004 10:47 AM

CONTROLS AND FUNCTIONS

K 96/24 indicator
Lights up when a DTS 96/24 signal is input to this unit.
INTRODUCTION

L LFE indicator
Lights up when the input signal contains the LFE signal.
M Input channel indicators
Indicate the channel components of the current digital
input signal.
N Presence and surround back speaker
indicators
Indicate the connection of presence and/or surround back
speakers when using the SPEAKER LEVEL setting (see
page 55).

English

9

00_HTR-5760_U_EN.book Page 10 Tuesday, February 17, 2004 10:47 AM

CONTROLS AND FUNCTIONS

Rear panel
1

2

3

4

COMPONENT VIDEO
PR
PB

5

6

TUNER
Y
75Ω UNBAL.

DVD

FM
ANT

GND

AM
ANT

DTV
/CBL

AUDIO

VIDEO

AUDIO
VIDEO

DIGITAL
INPUT

S VIDEO
MONITOR
OUT

DVD

COAXIAL
CD

CD

DVD

IN

DTV
/CBL

(PLAY)

PRE OUT

AC OUTLETS

CENTER

SWITCHED

MD
/CD-R
OPTICAL
DTV/CBL

OUT

IN

(REC)

VCR 1
FRONT
DVD

MD/CD-R

FRONT

SURROUND

SUB
WOOFER

SURROUND

PRESENCE

SURROUND
BACK

SPEAKERS

OUT

IN

A

DVR/
VCR 2
SURROUND
BACK

MD/CD-R
OPTICAL

DIGITAL
OUTPUT

SURROUND

B

OUT

MONITOR OUT

FRONT
SUB
WOOFER

CENTER

VIDEO

CENTER

SURROUND BACK

S VIDEO

MULTI CH INPUT

IMPEDANCE SELECTOR

(U.S.A. model)

7

8

9

0

1 DIGITAL INPUT jacks
See pages 16, 18 and 19 for details.

7 DIGITAL OUTPUT jack
See page 19 for details.

2 Audio component jacks
See page 19 for connection information.

8 MULTI CH INPUT jacks
See page 17 for connection information.

3 Video component jacks
See pages 16 and 18 for connection information.

9 PRE OUT jacks
See page 20 for connection information.

4 Antenna terminals
See page 21 for connection information.

0 Speaker terminals
See page 13 for connection information.

5 PRESENCE speaker terminals
See page 13 for connection information.

A IMPEDANCE SELECTOR switch
See page 23.

6 AC OUTLET(S)
Use to supply power to your other A/V components (see
page 22).

10

A

00_HTR-5760_U_EN.book Page 11 Tuesday, February 17, 2004 10:47 AM

SPEAKER SETUP

SPEAKER SETUP
Surround speakers (SR and SL)

Speaker placement
The speaker layout below shows the standard ITU-R
speaker setting. You can use it to enjoy CINEMA DSP and
multi-channel audio sources.

The surround speakers are used for effect and surround
sounds. Place these speakers behind your listening
position, facing slightly inwards, about 1.8 m (6 ft) above
the floor.

Surround back speakers (SBR and SBL)
PL

PR

C
FR

FL

SL

SR
60˚

SL

80˚

SBL

SR
SBR

more than 30 cm (12 in)

PREPARATION

30˚

The surround back speakers supplement the surround
speakers and provide for more realistic front-to-back
transitions. Place these speakers directly behind the
listening position and at the same height as the surround
speakers. They should be positioned at least 30 cm (12 in)
apart. Ideally, they should be positioned at the same width
as the front speakers.

Subwoofer
The use of a subwoofer, such as the YAMAHA Active
Servo Processing Subwoofer System, is effective not only
for reinforcing bass frequencies from any or all channels,
but also for high fidelity reproduction of the LFE (lowfrequency effect) channel included in Dolby Digital and
DTS software. The position of the subwoofer is not so
critical, because low bass sounds are not highly
directional. But it is better to place the subwoofer near the
front speakers. Turn it slightly toward the center of the
room to reduce wall reflections.

Presence speakers (PR and PL)
1.8 m (6 ft)
1.8 m (6 ft)

Front speakers (FR and FL)

Presence speakers supplement the sound from the front
speakers with extra ambient effects produced by CINEMA
DSP (see page 44). These effects include sounds that
filmmakers intend to locate a little farther back behind the
screen in order to create more theater-like ambience. Place
these speakers at the front of the room about 0.5 - 1 m
(1 - 3 ft) outside the front speakers, facing slightly
inwards, and about 1.8 m (6 ft) above the floor.

The front speakers are used for the main source sound plus
effect sounds. Place these speakers an equal distance from
the ideal listening position. The distance of each speaker
from each side of the video monitor should be the same.

Center speaker (C)
The center speaker is for the center channel sounds
(dialog, vocals, etc.). If for some reason it is not practical
to use a center speaker, you can do without it. Best results,
however, are obtained with the full system. Align the front
face of the center speaker with the front face of your video
monitor. Place the speaker centrally between the front
speakers and as close to the monitor as possible, such as
directly over or under it.
English

11

00_HTR-5760_U_EN.book Page 12 Tuesday, February 17, 2004 10:47 AM

SPEAKER SETUP

Speaker connections

5

Tighten the knob to secure the wire.

Be sure to connect the left channel (L), right channel (R),
“+” (red) and “–” (black) properly. If the connections are
faulty, no sound will be heard from the speakers, and if the
polarity of the speaker connections is incorrect, the sound
will be unnatural and lack bass.
CAUTION
• If you will use 6 ohm speakers, be sure to set
this unit’s speaker impedance setting to 6
ohms before using (see page 23).
• Before connecting the speakers, make sure that the
power of this unit is off.
• Do not let the bare speaker wires touch each other or do
not let them touch any metal part of this unit. This
could damage this unit and/or speakers.
• Use magnetically shielded speakers. If this type of
speakers still creates the interference with the monitor,
place the speakers away from the monitor.
A speaker cord is actually a pair of insulated cables
running side by side. One cable is colored or shaped
differently, perhaps with a stripe, groove or ridges.
Connect the striped (grooved, etc.) cable to the “+” (red)
terminals on this unit and your speaker. Connect the plain
cable to the “–” (black) terminals.

3
4
5
Red: positive (+)
Black: negative (–)

■ Connecting to PRESENCE speaker
terminals

3
1

Open the tab.

2

Insert one bare wire into the hole of each
terminal.

3

Return the tab to secure the wire.

10 mm (3/8")

1

2

1

2

■ Banana plug connections

1

Remove approximately 10 mm (3/8") of
insulation from the end of each speaker
cable.

2

Twist the exposed wires of the cable together
to prevent short circuits.

3

Unscrew the knob.

4

Insert one bare wire into the hole in the side
of each terminal.

First, tighten the knob and then insert the banana plug
connector into the end of the corresponding terminal.

Banana plug

y
You can also use banana plugs with the PRESENCE speaker
terminals. Open the tab, then insert one banana plug connector
into the hole of each terminal. Do not attempt to close the tabs
after connecting the banana plugs.

12

00_HTR-5760_U_EN.book Page 13 Tuesday, February 17, 2004 10:47 AM

SPEAKER SETUP

Subwoofer
system

Presence speakers
Right
Left

1

2

3

Surround speakers
Right
Left

4

5

PREPARATION

PRE OUT
CENTER

FRONT

SURROUND

SUB
WOOFER

PRESENCE

SURROUND
BACK

SPEAKERS

A
SURROUND

B

FRONT

CENTER

SURROUND BACK

(U.S.A. model)

6

7

Front
speakers
(B)

8

10

9
Center
speaker

Right
Left
Surround back
speakers

Right
Left
Front speakers (A)

You can connect both surround back and presence speakers to this unit, but they do not output sound simultaneously.
• The surround back speakers output the surround back channel included in Dolby Digital EX and DTS-ES software and only
operate when the Dolby Digital EX or DTS-ES decoder is turned on.
• The presence speakers output ambient effects created by the DSP sound fields. They do not output sound when other sound fields
are selected.

English

13

00_HTR-5760_U_EN.book Page 14 Tuesday, February 17, 2004 10:47 AM

SPEAKER SETUP

■ FRONT terminals
Connect one or two speaker systems to these terminals. If
you use only one speaker system, connect it to either the
FRONT A or B terminals.
Note

2

The Canada model cannot output to two separate speaker systems
simultaneously.

■ CENTER terminals

3

6
8

Connect a center speaker to these terminals.

■ SURROUND terminals

7

1

4

Connect surround speakers to these terminals.

■ SUBWOOFER jack
Connect a subwoofer with built-in amplifier, such as the
YAMAHA Active Servo Processing Subwoofer System,
to this jack.

■ SURROUND BACK terminals
Connect surround back speakers to these terminals. If you
only connect one surround back speaker, connect it to the
left (L) terminals.

■ PRESENCE terminals
Connect presence speakers to these terminals.

14

5

Speaker layout

10

9

00_HTR-5760_U_EN.book Page 15 Tuesday, February 17, 2004 10:47 AM

CONNECTIONS

CONNECTIONS
Before connecting components
CAUTION
Do not connect this unit or other components to the mains
power until all connections between components are
complete.

Dust protection cap
Pull out the cap from the optical jack before you connect
the fiber optic cable. Do not discard the cap. When you are
not using the optical jack, be sure to put the cap back in
place. This cap protects the jack from dust.

■ Video jacks

For analog signals
left analog cables

L

right analog cables

R

For digital signals
optical cables

O

coaxial cables

C

This unit has three types of video jacks. Connection
depends on the availability of input jacks on your monitor.
The signals input through the S VIDEO jacks on this unit
are automatically converted for output through the VIDEO
jacks. When V CONV. is set to ON (see page 58), signals
input through the VIDEO jacks can be output through the
S VIDEO jacks.

For video signals

VIDEO

video cables

V

S-Video cables

S

V
V

■ Analog jacks

S VIDEO

PREPARATION

■ Cable indications

COMPONENT VIDEO
PR
PB
Y

VIDEO jack
For conventional composite video signals.

V

You can input analog signals from audio components by
connecting audio pin cable to the analog jacks on this unit.
Connect red plugs to the right jacks and white plugs to the
left jacks.

S VIDEO jack
For S-Video signals, separated into luminance (Y) and
color (C) video signals to achieve high-quality color
reproduction.

■ Digital jacks

COMPONENT VIDEO jacks
For component signals, separated into luminance (Y) and
color difference (PB, PR) to provide the best quality in
picture reproduction.

This unit has digital jacks for direct transmission of digital
signals through either coaxial or fiber optic cables. You
can use the digital jacks to input PCM, Dolby Digital and
DTS bitstreams. When you connect components to both
the COAXIAL and OPTICAL jacks, priority is given to
the input signals from the COAXIAL jack. All digital
input jacks are compatible with 96-kHz sampling digital
signals.
Note
This unit handles digital and analog signals independently. Thus
audio signals input to the analog jacks are only output to the
analog OUT (REC) jacks. Likewise audio signals input to the
digital (OPTICAL or COAXIAL) jacks are only output to the
DIGITAL OUTPUT jack.

Signal flow inside this unit
Input

Output
(MONITOR OUT)

COMPONENT
VIDEO
S VIDEO

VIDEO

Only when V CONV. is set to ON
(see page 58).

Note

15

English

When signals are input through both the S VIDEO and VIDEO
jacks, signals input through the S VIDEO jack have priority.

00_HTR-5760_U_EN.book Page 16 Tuesday, February 17, 2004 10:47 AM

CONNECTIONS

Connecting video components
■ Connections for DVD playback

Optical out
Coaxial out

Video out

DVD player

Audio out
O

C

R

L

COMPONENT VIDEO
PR
PB

Y

DVD

VIDEO

AUDIO
VIDEO

DIGITAL
INPUT
DVD

S VIDEO
MONITOR
OUT

Video in

DVD

OPTICAL

DVD

MONITOR OUT

VIDEO

S VIDEO

(U.S.A. model)

16

Video
monitor

00_HTR-5760_U_EN.book Page 17 Tuesday, February 17, 2004 10:47 AM

CONNECTIONS

■ Connecting to the MULTI CH INPUT jacks
This unit is equipped with 8 additional input jacks (left and right FRONT, CENTER, left and right SURROUND, left and
right SURROUND BACK and SUB WOOFER) for discrete multi-channel input from a multi-format player, external
decoder, sound processor or pre-amplifier.
Connect the output jacks on your multi-format player or external decoder to the MULTI CH INPUT jacks. Be sure to
match the left and right outputs to the left and right input jacks for the front and surround channels.
For 6-channel input

For 8-channel input

(U.S.A. model)

(U.S.A. model)
FRONT

SURROUND

SURROUND

PREPARATION

FRONT

SURROUND
BACK

SUB
WOOFER

SUB
WOOFER

CENTER

MULTI CH INPUT

R

L

Subwoofer
out

R

L

R

L

Center
out

Front
out

Multi-format player/
External decoder

CENTER

MULTI CH INPUT

Subwoofer
out

R

L

R

L

Center
out

Surround
out

Front
out

Multi-format player/ Surround
External decoder
back out

Surround
out

Notes
• When you select MULTI CH INPUT as the input source, this unit automatically turns off the digital sound field processor, and you
cannot select sound field programs.
• This unit does not redirect signals input to the MULTI CH INPUT jacks to accommodate for missing speakers. We recommend that
you connect at least a 5.1-channel speaker system before using this feature.
• When headphones are used, only front left and right channels are output.

English

17

00_HTR-5760_U_EN.book Page 18 Tuesday, February 17, 2004 10:47 AM

CONNECTIONS

■ Connections for other video components

Optical out

Video out

Cable TV or
satellite tuner

Audio out
O

R

L

(U.S.A. model)
COMPONENT VIDEO
PR
PB

Y

DTV
/CBL

VIDEO

AUDIO
VIDEO

DIGITAL
INPUT

S VIDEO

DVD

DTV
/CBL

OPTICAL
DTV/CBL

IN
VCR 1
OUT

R

L

R

L

Audio in
Audio out

Video in

DVD recorder
or VCR

Video out

■ VIDEO AUX jacks (on the front panel)
Use these jacks to connect any video source, such as a
game console or video camera, to this unit.

VIDEO AUX

S VIDEO

VIDEO

L

S

V

L

AUDIO

R

OPTICAL

R

O

Optical out
Audio out R
Audio out L
Video out
S-Video out

18

Game
console or
video
camera

00_HTR-5760_U_EN.book Page 19 Tuesday, February 17, 2004 10:47 AM

CONNECTIONS

Connecting audio components
■ Connections for audio components

(U.S.A. model)

CD player

DIGITAL
INPUT
CD

L
R

COAXIAL

IN
CD

OPTICAL

C

L

MD
/CD-R

R

OUT
(REC)

Coaxial out

Audio out

(PLAY)

L

MD recorder or
tape deck

PREPARATION

AUDIO

Audio out

R

Audio in
MD/CD-R

Optical out
O

Optical in
O
MD/CD-R
OPTICAL

DIGITAL
OUTPUT

English

19

00_HTR-5760_U_EN.book Page 20 Tuesday, February 17, 2004 10:47 AM

CONNECTIONS

■ Connecting to an external amplifier
If you want to increase the power output to the speakers,
or want to use another amplifier, connect an external
amplifier to the PRE OUT jacks as follows.
Notes
• When audio pin plugs are connected to the PRE OUT jacks for
output to an external amplifier, do not make connections to the
corresponding SPEAKERS terminals. Set the volume of the
amplifier connected to this unit to the maximum.
• The signals output through the FRONT PRE OUT and
CENTER PRE OUT jacks are affected by the TONE
CONTROL settings.
• If SPEAKERS A is turned off and SP B is set to ZONE B (see
page 59), signals will only be output from the FRONT PRE
OUT jacks.

1

23

4

PRE OUT
CENTER

L

R
FRONT

SURROUND

SUB
WOOFER

SURROUND
BACK

5
1 FRONT PRE OUT jacks
Front channel line output jacks.
2 SURROUND PRE OUT jacks
Surround channel line output jacks.
3 CENTER PRE OUT jack
Center channel line output jack.
4 SURROUND BACK PRE OUT jacks
Surround back or presence channel line output jacks.
5 SUB WOOFER PRE OUT jack
Connect a subwoofer with built-in amplifier, such as the
YAMAHA Active Servo Processing Subwoofer System,
to this jack.
Notes
• Each PRE OUT jack outputs the same channel signals as the
corresponding speaker terminals.
• Adjust the volume level of the subwoofer with the control on
the subwoofer. It is also possible to adjust the volume level
using the remote control (see “Manually adjusting speaker
levels” on page 49).
• Some signals may not be output from the SUB WOOFER PRE
OUT jack depending on the SPEAKER SET (see page 53) and
LFE/BASS OUT (see page 54) settings.

20

00_HTR-5760_U_EN.book Page 21 Tuesday, February 17, 2004 10:47 AM

CONNECTIONS

Connecting the antennas
Both AM and FM indoor antennas are included with this
unit. In general, these antennas should provide sufficient
signal strength. Connect each antenna correctly to the
designated terminals.
Indoor FM antenna
(included)

AM loop antenna
(included)

Notes
• The AM loop antenna should be placed away from this unit.
• The AM loop antenna should always be connected, even if an
outdoor AM antenna is connected to this unit.
• A properly installed outdoor antenna provides clearer reception
than an indoor one. If you experience poor reception quality, an
outdoor antenna may improve the quality. Consult the nearest
authorized YAMAHA dealer or service center about outdoor
antennas.

PREPARATION

■ 75-ohm/300-ohm antenna adapter
(U.K. model only)

TUNER
75Ω UNBAL.
FM
ANT

GND

AM
ANT

1

Open the cover of the
included 75-ohm/300-ohm
antenna adapter.

2

Cut the external sleeve
of the 75-ohm coaxial
cable and prepare it for
connection.

Ground (GND terminal)
For maximum safety and minimum
interference, connect the antenna GND
terminal to a good earth ground. A good
earth ground is a metal stake driven into
moist earth.

3

11 (7/16)
8 (5/16)
6 (1/14)

Cut the lead wire and
remove it.

Unit:
mm (in)

Lead wire

■ Connecting the AM loop antenna

1

Set up the AM loop antenna, then connect it
to the terminals on this unit.

4

Insert the cable
wire into the slot,
and clamp it with
pliers.

Clamp

Clamp

Insert the wire
into slot.

5

Press and hold the tab to
insert the AM loop antenna
lead wires into the AM ANT
and GND terminals.

3

Orient the AM loop antenna
for the best reception.

English

2

Snap the cover
into place.

21

00_HTR-5760_U_EN.book Page 22 Tuesday, February 17, 2004 10:47 AM

CONNECTIONS

Connecting the power supply cord
■ Connecting the AC power cord
Plug the power cord into an AC wall outlet.

■ AC OUTLET(S) (SWITCHED)
Australia model .............................................. 1 OUTLET
Korea model ..............................................................None
Other models .................................................2 OUTLETS
Use these outlets to connect the power cords from your
other components to this unit. Power to the AC
OUTLET(S) is controlled by this unit’s STANDBY/ON
(or SYSTEM POWER and STANDBY). The outlet(s)
supply power to any connected component whenever this
unit is turned on. The maximum power (total power
consumption of components) that can be connected to the
AC OUTLET(S) is:
Korea model ............................................................... N/A
China model ............................................................. 50 W
Other models ...........................................................100 W

■ Memory back-up
The memory back-up circuit prevents the stored data from
being lost even if this unit is in the standby mode.
However if the power cord is disconnected from the AC
wall outlet, or the power supply is cut for more than one
week, the stored data will be lost.

22

00_HTR-5760_U_EN.book Page 23 Tuesday, February 17, 2004 10:47 AM

CONNECTIONS

■ IMPEDANCE SELECTOR switch
(U.S.A. model)

CAUTION
Do not change the setting of the IMPEDANCE
SELECTOR switch when the unit power is switched on,
as doing so may damage the unit.
If this unit fails to turn on when STANDBY/ON is pressed
on either the front panel or remote control, the
IMPEDANCE SELECTOR switch may not be fully slid to
either position. If this is the case, slide the switch all the
way to either position when this unit is in standby mode.
PREPARATION

Select the switch position (left or right) according to the
impedance of the speakers in your system.
SET BEFORE POWER ON

IMPEDANCE SELECTOR

IMPEDANCE SELECTOR switch

Switch position

Speaker

Impedance level
If you use one set (A or B), the impedance of each speaker must be
4 Ω or higher.

Front
If you use two sets (A and B), the impedance of each speaker must be
8 Ω or higher.

Left
Center, Surround, Surround back,
Presence

The impedance of each speaker must be 6 Ω or higher.
If you use one set (A or B), the impedance of each speaker must be
8 Ω or higher.

Front
If you use two sets (A and B), the impedance of each speaker must be
16 Ω or higher.*

Right
Center, Surround, Surround back,
Presence
*

The impedance of each speaker must be 8 Ω or higher.

The Canada model cannot use two separate speaker systems (A and B) simultaneously when the switch is set to the right position.

English

23

00_HTR-5760_U_EN.book Page 24 Tuesday, February 17, 2004 10:47 AM

CONNECTIONS

Turning on the power
When all connections are complete, turn on the power of
this unit.

1
(U.S.A. model)
VOLUME

STANDBY
/ON

PRESET/TUNING

OPTIMIZER
MIC

FM/AM

l PRESET/TUNING h

A/B/C/D/E

NEXT

EDIT

LEVEL

PROGRAM

PHONES

MEMORY

TUNING MODE

MAN'L/AUTO FM

AUTO/MAN'L MONO

INPUT

VIDEO AUX

SPEAKERS
A
B

INPUT MODE

TONE CONTROL

STRAIGHT

MULTI CH
INPUT

EFFECT

S VIDEO

SILENT CINEMA

CODE SET

VIDEO

L

AUDIO

R

OPTICAL

TRANSMIT
SYSTEM

1

STANDBY

POWER

POWER

POWER

TV

AV

CD

MD/CD-R

TUNER

SLEEP

DVD

DTV/CBL

V-AUX

MULTI CH IN

VCR 1

DVR/VCR2

TV VOL

TV CH

TV MUTE

TV INPUT

1

AMP

VOLUME

Press STANDBY/ON (SYSTEM POWER on the
remote control) to turn on the power of this
unit.
SYSTEM

POWER
STANDBY
/ON

Front panel

2

24

or

Remote control

Turn on the video monitor connected to this
unit.

00_HTR-5760_U_EN.book Page 25 Tuesday, February 17, 2004 10:47 AM

AUTO SETUP

AUTO SETUP
Introduction

1

Connect the supplied optimizer microphone
to the OPTIMIZER MIC jack on the front
panel.
(U.S.A. model)

PREPARATION

This receiver employs YAMAHA Parametric Room
Acoustic Optimizer (YPAO) technology which lets you
avoid troublesome listening-based speaker setup and
achieves highly accurate sound adjustments. The supplied
optimizer microphone collects and analyzes the sound
your speakers produce in your actual listening
environment.

Optimizer microphone setup

STANDBY
/ON

Notes

PRESET/TUNING

OPTIMIZER
MIC

• Please be advised that it is normal for loud test tones to be
output during the auto setup procedure.
• If auto setup stops and error messages appear on the screen,
follow the troubleshooting on page 29.

FM/AM

A/B/C/D/E

l PRESET/TUNING h

NEXT

EDIT

LEVEL

PROGRAM

PHONES

SPEAKERS
A
B

STRAIGHT

TONE CONTROL

INPUT MODE

EFFECT

SILENT CINEMA

YPAO performs the following checks and makes
appropriate adjustments to give you the best possible
sound from your system.
WIRING/LEVEL:
Checks which speakers are connected and the polarity of
each speaker. Also checks and adjusts the sound level
(volume) of each speaker so that the sound level of each
speaker is the same when heard from the listening
position.
DISTANCE/PHASE:
Checks the distance of each speaker from the listening
position and adjusts the delay of each channel so that the
sound from each speaker reaches the listening position at
the same time. Also checks the phase of each speaker.
SIZE:
Checks the speakers frequency response and sets the
crossover/high cut frequency for the subwoofer to improve
the sound relationship between the speakers and the
subwoofer.

Notes
• After you have completed the auto setup procedure, be sure to
disconnect the optimizer microphone.
• The optimizer microphone is sensitive to heat.
– Keep it away from direct sunlight.
– Do not place it on top of this unit.

2

Place the optimizer microphone on a flat
level surface with the omni-directional
microphone head upward, at your normal
listening position.
If possible, use a tripod (etc.) to affix the optimizer
mic at the same height as your ears would be when
you are seated in your listening position.
Optimizer microphone position

English

25

00_HTR-5760_U_EN.book Page 26 Tuesday, February 17, 2004 10:47 AM

AUTO SETUP

Starting the setup

6

For best results, make sure the room is as quiet as possible
during the auto setup procedure (YPAO). If there is too
much ambient noise, the results may not be satisfactory.

Press u / d to select SETUP, then press j / i
to select the desired setting.

1 AUTO:MENU

y

p

If your subwoofer has adjustable volume and crossover/high cut
frequency controls, set the volume between 9 and 11 o’clock (as
viewed on a conventional clockface) and set the crossover/high
cut frequency to the maximum.
CROSSOVER/
HIGH CUT

VOLUME

AUTO
RELOAD

MIN

MAX

MIN

MAX

Subwoofer

UNDO

1

Switch on this unit and your video monitor.
Make sure the OSD is displayed.

2

Press AMP.

DEFAULT
y

7
Press SET MENU.
SET MENU
MENU
A/B/C/D/E

4

To perform the auto setup procedure
(YPAO).
To reload the last auto setup (YPAO)
settings to override any manual
changes.
To undo the last auto setup (YPAO) and
restore the previous settings.
To restore the factory preset (default)
setup parameters.

You can choose RELOAD or UNDO only if you have
already performed auto setup.

AMP

3

p

. SETUP;;;;;;;AUTO
START

Automatic
processing
of all items
[ ]/[ ]:Up/Down
[<]/[>]:Select

Press d to select START, then press SELECT
to start the setup procedure.
• If you selected AUTO in step 6, loud test tones will
be output from each speaker in turn; WAIT appears
during the auto setup procedure.
• If you selected DEFAULT, RELOAD or UNDO in
step 6, no test tones are output.

Press u / d to select AUTO SETUP.

1 AUTO:MENU
PRESET/CH

SET MENU
.;AUTOSETUP
;MANUALSETUP

SELECT

p

p

p

p

[ ]/[ ]:Up/Down
[SELECT]:Enter

SETUP;;;;;;;AUTO
.START

Automatic
processing
of all items
[]/[]:Up/Down
[SELECT]:Start

The RESULT:WIRING screen appears after all items
have been measured and set.

5

Press SELECT to enter AUTO SETUP.

RESULT:WIRING
PRESET/CH

FRONTL;;;;;;;OK

SELECT

[<]/[>]:Select
[SELECT]:Return

• If an ERROR screen appears, see “If an error
screen appears” on page 27.
• If a WARNING screen appears, see “If a warning
screen appears” on page 28.

26

00_HTR-5760_U_EN.book Page 27 Tuesday, February 17, 2004 10:47 AM

AUTO SETUP

■ If an error screen appears

8

Use the cursor buttons to display the results.
• Press u / d to display information about
individual results.
• Press j / i to switch between each result list.

1

Press SELECT to display detailed
information about the error.

ERROR

RESULT:WIRING

.E-5:NOISY

FRONTL;;;;;;;OK

When finished, press SELECT.
The RESULT:EXIT screen appears.

10

Press u / d to select SET or CANCEL.

PREPARATION

2

9

p

p

)RETRYEXIT
[]/[]:Up/Down
[SELECT]:Enter

[<]/[>]:Select
[SELECT]:Return

Press j / i to switch between error
messages.
For details about each message, see page 29.

ERROR: E-5
<

NOISY
>

RESULT:EXIT


Keep
SILENT

SET
CANCEL

11


[SELECT]:Return

p

p

NOWARNING
RESULTLIST

.)SETCANCEL
[]/[]:Up/Down
[SELECT]:Enter

To apply the auto setup (YPAO)
settings.
To cancel the auto setup (YPAO)
without making any changes.

3

When finished, press SELECT to return to
the main error screen.

4

Press u / d to select RETRY or EXIT, then
press SELECT.

Press SELECT to set or cancel the auto
setup settings.

ERROR
E-5:NOISY


y
If you are not satisfied with the result or want to manually adjust
each setup parameter, use the manual setup parameters (see
page 51).

p

• If E-10 appears during testing, restart the procedure from step 3.
• To cancel the auto setup procedure before completion, press
SET MENU.

RETRY
EXIT

p

Notes

.)RETRY
EXIT

[
]/[
]:Up/Down

[SELECT]:Enter

To retry the auto setup procedure.
To exit auto setup.

English

27

00_HTR-5760_U_EN.book Page 28 Tuesday, February 17, 2004 10:47 AM

AUTO SETUP

■ If a warning screen appears

1

Press j / i to display detailed information
about each warning.
For details about each message, see page 29.

WARNING:W-1

ReverseChannel
FLFR
----------[<]/[>]:Select
[SELECT]:Return

y
Warnings let you know about potential problems detected
during auto setup. Warnings will not cancel the auto setup.

2

When you are finished, press SELECT.
The RESULT:EXIT screen appears.

3

Press u / d to select RESULT LIST, then
press SELECT.

RESULT:EXIT
WARNINGLIST
.RESULTLIST

p

p

)SETCANCEL
[]/[]:Up/Down
[SELECT]:Enter

The RESULT:WIRING screen appears.

RESULT:WIRING
FRONTL;;;;;REV.

[<]/[>]:Select
[SELECT]:Return

Continue from step 8 on page 27 to display
each result.
Notes
• If you change speakers, speaker positions, or the layout of your
listening environment, perform auto setup again to re-calibrate
your system.
• If SWFR PHASE:REV appears in RESULT:WIRING, the SET
MENU “SUBWOOFER PHASE” parameter is automatically
set to REVERSE (see page 55).
• In the DISTANCE results, the distance displayed may be longer
than the actual distance depending on the characteristics of your
subwoofer.

28

00_HTR-5760_U_EN.book Page 29 Tuesday, February 17, 2004 10:47 AM

AUTO SETUP

■

Troubleshooting for auto setup procedure

Before auto setup
Error message

Cause

Remedy

Connect MIC!

Optimizer microphone is not connected.

• Connect the supplied optimizer microphone to the
OPTIMIZER MIC jack on the front panel.

Unplug HP!

Headphones are connected.

• Unplug the headphones.

Errors during auto setup
Press SELECT to display detailed information about individual errors. Press j / i to switch between error messages.
Cause

Remedy

PREPARATION

Error message

E-1:NO FRONT SP

Front L/R channel signal(s) is (are) not
detected.

• Select the front speakers with SPEAKER A or B.
• Check the front left and right speaker connections.

E-2:NO SURR.SP

A surround channel signal is not detected.

• Check the surround speaker connections.

E-3:NO PRES. SP

A presence channel signal is not detected.

• Check the presence speaker connections.

E-4:SBR->SBL

Only right surround back channel signal is
detected.

• Connect the surround back speaker to the LEFT
SURROUND BACK SPEAKERS terminal if you
only have one surround back speaker.

E-5:NOISY

Background noise is too loud.

• Try the auto setup procedure in a quiet environment.
• Turn off noisy electric equipment like air conditioners
(etc.) or move them away from the optimizer
microphone.

E-6:CHECK SURR.

Surround back speaker(s) is (are) connected,
though surround L/R speakers are not.

• Connect surround speakers when you use (a)
surround back speaker(s).

E-7:NO MIC

The optimizer microphone was unplugged
during the auto setup procedure.

• Do not touch the optimizer microphone during the
auto setup procedure.

E-8:NO SIGNAL

The optimizer microphone does not detect test
tones.

• Check the microphone setting.
• Check the speaker connections and placement.

E-9:USER CANCEL

The auto setup procedure was cancelled due to
user activity.

• Perform the auto setup procedure again. Do not adjust
VOLUME (etc.) during the auto setup procedure.

E-10:OTHER ERROR

A DSP communication error or hangup
occurred.

• Perform the auto setup procedure again.

Warnings after auto setup
Press j / i to display detailed information about individual warnings.
Warning message

Remedy

W-1:OUT OF PHASE

Speaker polarity is not correct. This message
may appear depending on the speakers even
when the speakers are connected correctly.

• Check the speaker connections for proper polarity
(+ or –).

W-2:OVER 24m
(80ft)

The distance between the speaker and the
listening position is over 24 m (80 ft).

• Bring the speaker closer to the listening position.

W-3:LEVEL ERROR

The difference of volume level among speakers
is excessive. (No level correction is made.)

• Readjust the speaker installation so that all speakers
are set in locations with similar conditions.
• Check the speaker connections.
• Use speakers of similar quality and efficiency.
• Adjust the output volume of the subwoofer.

If the ERROR or WARNING screens appears, check the cause of the problem, then perform the auto setup procedure again.
If warning W-1 appears, corrections are made, but they may not be optimal.
If warning W-2 or W-3 appears, no corrections are made.
If error E-10 occurs repeatedly, please contact a qualified YAMAHA service center.

English

•
•
•
•

Cause

29

00_HTR-5760_U_EN.book Page 30 Tuesday, February 17, 2004 10:47 AM

PLAYBACK

PLAYBACK
Basic operations

4
(U.S.A. model)

Select the input source.
Use INPUT (or press one of the input selector buttons
on the remote control) to select the input you desire.
INPUT

VOLUME

CD

MD/CD-R

TUNER

SLEEP

DVD

DTV/CBL

V-AUX

MULTI CH IN

VCR 1

DVR/VCR2

STANDBY
/ON

PRESET/TUNING

OPTIMIZER
MIC

A/B/C/D/E

FM/AM

l PRESET/TUNING h

MEMORY

TUNING MODE

LEVEL

MAN'L/AUTO FM

AUTO/MAN'L MONO

NEXT

EDIT

PROGRAM

PHONES

or

INPUT

VIDEO AUX

SPEAKERS
A
B

TONE CONTROL

STRAIGHT

INPUT MODE

MULTI CH
INPUT

AMP

EFFECT

S VIDEO

SILENT CINEMA

VIDEO

L

AUDIO

R

OPTICAL

Front panel

1

3
1
4
7

7
CODE SET

4

The current input source name and input mode appear
in the front panel display and video monitor for a few
seconds.

6

TRANSMIT
SYSTEM

POWER

POWER

TV

AV

CD

MD/CD-R

DVD

DTV/CBL

VCR 1

DVR/VCR2

TV VOL

Remote control

STANDBY

POWER

TUNER

SLEEP

TV VOL

V-AUX

TV CH

TV CH

VOLUME

TV MUTE

TV INPUT

STEREO

HALL

MULTI CH IN

6

t

q EX
q PL
q PL
q PL x
PCM

MUTE

AMP

VOLUME

JAZZ

ROCK

1

2

3

4

MUSIC

ENTERTAIN

TV THTR

MOVIE

5

6

7

8

q/DTS

NIGHT

EX/ES

STRAIGHT

9

0

10

96
24

DVR/VCR2

VCR-1

SILENT CINEMA
MATRIX DISCRETE VIRTUAL
SP
AB
q DIGITAL

7

V-AUX

DTV/CBL

DVD

NIGHT ZONE2
SLEEP

MD/CD-R
PTY HOLD AUTO

HiFi DSP

PS

TUNER

EON

10 D VD D AUTOO00

Selected input source

CD

TUNED STEREO MEMORY MUTE VOLUME

PTY RT CT

dB

ft
mS
dB

96/24

L C R

LFE SL SB SR

Input mode

ENTER
EFFECT

PRESET/CH

1

5

Start playback or select a broadcast station
on the source component.
Refer to the operating instructions for the component.

6

Adjust the volume to the desired output level.

Press STANDBY/ON (SYSTEM POWER on the
remote control) to turn on the power.
SYSTEM

POWER
STANDBY
/ON

or

VOLUME

Front panel

Remote control
or

2

Turn on the video monitor connected to this
unit.

3

Press SPEAKERS A or B on the front panel.
Each press turns the respective speakers on or off.
SPEAKERS
A
B

30

Front panel

VOLUME

Remote control

00_HTR-5760_U_EN.book Page 31 Tuesday, February 17, 2004 10:47 AM

PLAYBACK

7

Select a sound field program if desired.
Use PROGRAM (or press AMP to select the AMP
mode, then press one of the sound field program
buttons repeatedly) to select a sound field program.
See page 44 for details about sound field programs.
PROGRAM
AMP

or

Front panel
STEREO

HALL

JAZZ

1

2

3

ROCK

4

MUSIC

ENTERTAIN

TV THTR

MOVIE

5

6

7

8

q/DTS

NIGHT

EX/ES

STRAIGHT

9

0

10

ENTER

To adjust the tone
You can adjust the tonal quality
TONE CONTROL
of your front left and right,
center, presence and subwoofer
speakers or headphones (when
connected).
Press TONE CONTROL on the
PROGRAM
front panel repeatedly to select
TREBLE or BASS, then rotate
PROGRAM to the right or left to
increase or decrease.
• Select TREBLE to adjust the
high frequency response.
• Select BASS to adjust the low frequency response.
To cancel the tone control, press TONE CONTROL
repeatedly to select BYPASS.
y
Speaker and headphone adjustments are stored independently.

EFFECT

Remote control

Notes
• This unit will not be set to “SILENT CINEMA” when MULTI
CH INPUT is selected as the input source.
• “SILENT CINEMA” is not effective when the Direct Stereo or
2ch Stereo program is selected, or in STRAIGHT mode.

TONE CONTROL is not effective with the Direct Stereo program
(page 35) or MULTI CH INPUT.

To mute the sound
Press MUTE on the remote control.
The MUTE indicator blinks in the
front panel display.
To resume the audio output, press
MUTE again (or press VOLUME –/+).
The MUTE indicator disappears from
the display.

BASIC
OPERATION

To listen with headphones (SILENT CINEMA)
“SILENT CINEMA” allows you to enjoy multi-channel
music or movie sound, including Dolby Digital and DTS
surround, through ordinary headphones. “SILENT
CINEMA” activates automatically whenever you connect
headphones to the PHONES jack while listening to
CINEMA DSP or HiFi DSP sound field programs. When
activated, the “SILENT CINEMA” indicator lights up in
the front panel display.

Note

MUTE

y
You can adjust the muting level (see page 56).

English

31

00_HTR-5760_U_EN.book Page 32 Tuesday, February 17, 2004 10:47 AM

PLAYBACK

■ Selecting MULTI CH INPUT
Press MULTI CH INPUT so that “MULTI CH INPUT”
appears in the front panel display and video monitor.
MULTI CH
INPUT

Selecting sound field programs
■ Front panel operation

MULTI CH IN

or

VOLUME

STANDBY
/ON

Front panel

Remote control
PRESET/TUNING

OPTIMIZER
MIC

FM/AM

A/B/C/D/E

l PRESET/TUNING h

NEXT

EDIT

LEVEL

PROGRAM

PHONES

MEMORY

TUNING MODE

MAN'L/AUTO FM

AUTO/MAN'L MONO

INPUT

VIDEO AUX

SPEAKERS
A
B

TONE CONTROL

STRAIGHT

INPUT MODE

MULTI CH
INPUT

EFFECT

S VIDEO

SILENT CINEMA

MULTI CH INPUT

VIDEO

L

AUDIO

R

OPTICAL

(U.S.A. model)
PROGRAM

Note
When “MULTI CH INPUT” is shown in the front panel display,
no other source can be played. To select another input source with
INPUT (or one of the input selector buttons), press MULTI CH
INPUT to turn off “MULTI CH INPUT” in the front panel
display.

Rotate PROGRAM to select the desired program.
The name of the selected program appears in the front
panel display and video monitor.
PROGRAM

■ Playing video sources in the
background
You can combine a video image from a video source with
sound from an audio source. For example, you can enjoy
listening to classical music while viewing beautiful
scenery from the video source on the video monitor.
Use the input selector buttons on the remote
control to select a video source, then select an
audio source.
CD

MD/CD-R

TUNER

SLEEP

DVD

DTV/CBL

V-AUX

MULTI CH IN

VCR 1

DVR/VCR1

Audio sources

AMP

Video sources

Note
If you want to enjoy audio from the MULTI CH INPUT jacks
together with a video source, first select the video source, then
press MULTI CH INPUT.

32

t

96
24

DVR/VCR2

VCR-1

SILENT CINEMA
MATRIX DISCRETE VIRTUAL
SP
AB
q DIGITAL
q EX
q PL
q PL
q PL x
PCM

V-AUX

DTV/CBL

SLEEP

MD/CD-R

DVD

NIGHT ZONE2

PTY HOLD AUTO

HiFi DSP

PS

TUNER

EON

10 DJAZZACLUBO00
Program name

CD

TUNED STEREO MEMORY MUTE VOLUME

PTY RT CT

dB

ft
mS
dB

96/24

L C R

LFE SL SB SR

00_HTR-5760_U_EN.book Page 33 Tuesday, February 17, 2004 10:47 AM

PLAYBACK

■ Remote control operation
CODE SET

TRANSMIT

■ Enjoying multi-channel software

TV VOL

TV CH

TV MUTE

TV INPUT

STEREO

HALL

JAZZ

1

2

3

4

MUSIC

ENTERTAIN

TV THTR

MOVIE

5

6

7

8

q/DTS

NIGHT

EX/ES

STRAIGHT

9

0

If you connected a surround back speaker, use this feature
to enjoy 6.1/7.1-channel playback for multi-channel
sources using the Dolby Pro Logic IIx, Dolby Digital
Surround EX or DTS-ES decoders.

VOLUME

SYSTEM

AMP

POWER

POWER

TV

AV

STANDBY

POWER

CD

MD/CD-R

TUNER

SLEEP

DVD

DTV/CBL

V-AUX

MULTI CH IN

VCR 1

DVR/VCR2

MUTE

AMP

ROCK

10

ENTER
EFFECT

TV VOL

TV CH

VOLUME

PRESET/CH

LEVEL

SET MENU

TITLE

MENU

Sound
field
program
buttons

Press AMP to select the AMP mode, then press
EX/ES on the remote control to switch between
5.1 and 6.1/7.1-channel playback.

A/B/C/D/E
TV MUTE

TV INPUT

SELECT

EX/ES

10

Press AMP to select the AMP mode, then press
one of the sound field program buttons
repeatedly to select the desired program.
The name of the selected program appears in the front
panel display.

To select a decoder, press j / i repeatedly when
PLIIxMusic (etc.) is displayed.
PRESET/CH

AMP

HALL

JAZZ

ROCK

1

2

3

4

MUSIC

ENTERTAIN

TV THTR

MOVIE

5

6

7

8

q/DTS

NIGHT

EX/ES

STRAIGHT

9

0

10

SELECT

ENTER
EFFECT

t

96
24

q EX

q PL

DVR/VCR2

VCR-1

SILENT CINEMA
MATRIX DISCRETE VIRTUAL
SP
AB
q DIGITAL
q PL
q PL x
PCM

V-AUX

DTV/CBL

SLEEP

MD/CD-R

DVD

NIGHT ZONE2

PTY HOLD AUTO

HiFi DSP

PS

TUNER

CD

TUNED STEREO MEMORY MUTE VOLUME

PTY RT CT

EON

10 DJAZZACLUBO00

dB

ft
mS
dB

96/24

L C R

LFE SL SB SR

Program name

y
Choose a sound field program based on your listening preference,
and not on the name of the program.

Notes
• When you select an input source, this unit automatically selects
the last sound field program used with that source.
• Sound field programs cannot be selected when MULTI CH
INPUT is selected.
• Sampling frequencies higher than 48 kHz (except for DTS 96/
24 signals) will be sampled down to 48 kHz, then sound field
programs will be applied.

AUTO (AUTO)
When a signal (flag) that can be recognized by the unit is
input, the unit selects the optimum decoder for playing
back the signal in 6.1/7.1 channels.
If the unit cannot recognize the flag or no flag is present in
the input signal, it cannot automatically be played in 6.1/
7.1 channels.

BASIC
OPERATION

STEREO

Decoders (select with j / i)
You can select from the following decoders depending on
the format of the software you are playing.
PLIIxMovie
For playing back Dolby Digital or DTS signals in 6.1/7.1
channels using the Pro Logic IIx movie decoder.
PLIIxMusic
For playing back Dolby Digital or DTS signals in 6.1/7.1
channels using the Pro Logic IIx music decoder.
EX/ES
For playing back Dolby Digital signals in 6.1/7.1 channels
using the Dolby Digital Surround EX decoder.
DTS signals are played back in 6.1/7.1 channels using the
DTS-ES decoder.
EX
For playing back Dolby Digital or DTS signals in 6.1/7.1
channels using the Dolby Digital Surround EX decoder.
OFF (OFF)
Decoders are not used to create 6.1/7.1 channels.
y

33

English

When “SURR B L/R SP” is set to SMLx1 or LRGx1 (see
page 54), the surround back channel will be output from the left
SURROUND BACK speaker terminals.

00_HTR-5760_U_EN.book Page 34 Tuesday, February 17, 2004 10:47 AM

PLAYBACK

Notes
• Some 6.1-channel compatible discs do not have a signal (flag)
which this unit can automatically detect. When playing these
kinds of discs with 6.1-channel, select a decoder (PLIIx Movie,
PLIIx Music, EX/ES or EX) manually.
• 6.1-channel playback is not possible even if EX/ES is pressed in
the following cases:
– When “SURR L/R SP” (see page 53) or “SURR B L/R SP”
(see page 54) is set to NONE.
– When the source connected to the MULTI CH INPUT jack is
being played.
– When the source being played does not contain surround left
and right channel signals.
– When a Dolby Digital KARAOKE source is being played.
– When “2ch Stereo” or Direct Stereo is selected.
• When the power of this unit is turned off, the input mode will be
reset to AUTO.
• When the DTS-ES decoder is applied to DTS 96/24 signals, you
cannot use the DTS 96/24 decoding feature.
• The Pro Logic IIx decoder is not available when “SURR B L/R
SP” is set to NONE (see page 54).
• PLIIxMovie cannot be selected when “SURR B L/R SP” is set
to SMLx1 or LRGx1 (see page 54).

■ Enjoying 2-channel software
Signals input from 2-channel sources can also be played
back on multiple channels.
Press q/DTS on the remote control to select the
decoder.
q/DTS

9

You can select from the following decoders depending on
the type of software you are playing and your personal
preference.
PRO LOGIC SUR. STANDARD
Standard processing for Dolby Surround sources.
PRO LOGIC SUR. ENHANCED
CINEMA DSP enhanced processing for Dolby Surround
sources.
PRO LOGIC IIx Movie*
Dolby Pro Logic II/IIx processing for movie software.
PRO LOGIC IIx Music*
Dolby Pro Logic II/IIx processing for music software.
PRO LOGIC IIx Game*
Dolby Pro Logic II/IIx processing for game software.
DTS Neo:6 Cinema
DTS processing for movie software.
DTS Neo:6 Music
DTS processing for music software.
*

Use the PLII/PLIIx parameter to select the Pro Logic II or Pro
Logic IIx decoders (see page 69).

Note
The Pro Logic IIx decoder is not available when “SURR B L/R
SP” is set to NONE (see page 54).

34

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PLAYBACK

■ Listening to high fidelity stereo sound
(Direct Stereo)
Direct Stereo allows you to bypass this unit’s decoders and
DSP processors to enjoy pure high fidelity sound from 2channel PCM and analog sources.
Rotate PROGRAM (or press AMP to select the
AMP mode, then press STEREO repeatedly) to
select “Direct Stereo”.

■ Night listening modes
The night listening modes are designed to improve
listenability at lower volumes or at night. Choose either
NIGHT:CINEMA or NIGHT:MUSIC depending on the
type of material you are playing.
Press NIGHT on the remote control repeatedly to
select cinema or music.
When night listening is selected, the NIGHT indicator in
the front panel display lights up.

PROGRAM
NIGHT
AMP

0

or

Remote control
Front panel
STEREO

HALL

JAZZ

ROCK

1

2

3

4

MUSIC

ENTERTAIN

TV THTR

MOVIE

5

6

7

8

q/DTS

NIGHT

EX/ES

STRAIGHT

9

0

10

ENTER
EFFECT

Remote control

Press j / i to adjust the effect level while
NIGHT:CINEMA or NIGHT:MUSIC is displayed.
This adjusts the level of compression.

Direct Stereo

PRESET/CH

Notes
• To avoid unexpected noise, do not play DTS-encoded CDs in
this mode.
• When multi-channel signals (Dolby Digital and DTS) are input,
this unit automatically switches to the corresponding analog
input. (When DTS is selected as an input mode, no sound will
be heard.)
• No sound will be output from the subwoofer.
• CONTROL (page 31) and SET MENU (page 51) settings are
not effective.
• The front panel display automatically dims.

BASIC
OPERATION

• Select NIGHT:CINEMA when watching films to
reduce the dynamic range of film soundtracks and
make dialog easier to hear at lower volumes.
• Select NIGHT:MUSIC when listening to music sources
to preserve ease-of-listening for all sounds.
• Select OFF if you do not want to use this function.

SELECT

Remote control

Effect.Lvl:MID
• Select MIN for minimum compression.
• Select MID for standard compression.
• Select MAX for maximum compression.
y
NIGHT:CINEMA and NIGHT:MUSIC adjustments are stored
independently.

Notes
• You cannot use the night listening modes with the Direct Stereo
program or MULTI CH INPUT (even though the NIGHT
indicator lights up when Direct Stereo is selected).
• The night listening modes may vary in effectiveness depending
on the input source and surround sound settings you use.

English

35

00_HTR-5760_U_EN.book Page 36 Tuesday, February 17, 2004 10:47 AM

PLAYBACK

■ Downmixing to 2 channels
You can enjoy 2-channel stereo playback even from multichannel sources.
Rotate PROGRAM (or press STEREO on the
remote control) to select 2ch Stereo.
STEREO

HALL

JAZZ

ROCK

1

2

3

4

MUSIC

ENTERTAIN

TV THTR

MOVIE

PROGRAM

or

5

6

7

8

q/DTS

NIGHT

EX/ES

STRAIGHT

9

0

10

Front panel

Selecting input modes
This unit comes with a variety of input jacks. Do the
following to select the type of input signals you want to
use.

1

Rotate INPUT to select the input source.
INPUT

ENTER
EFFECT

Remote control

2
2ch Stereo

Press INPUT MODE to select an input mode.
In most cases, use AUTO.

y

INPUT MODE

You can use a subwoofer with this program when SWFR or
BOTH is selected in “BASS OUT”.

■ Listening to unprocessed input signals
In STRAIGHT mode, two channel stereo sources are
output from only the front left and right speakers. Multichannel sources are decoded straight into the appropriate
channels without any additional effect processing.

t

96
24

q EX

q PL

q PL
q PL x
PCM

Press STRAIGHT (EFFECT) to select STRAIGHT.

EFFECT
EFFECT

Front panel

V-AUX

Remote control

DTS

ANALOG

STRAIGHT
Press STRAIGHT (EFFECT) again so that “STRAIGHT”
disappears from the display when you want to turn the
sound effect back on.

DTV/CBL

DVD

NIGHT ZONE2
SLEEP

MD/CD-R
PTY HOLD AUTO

HiFi DSP

PS

TUNER

CD

TUNED STEREO MEMORY MUTE VOLUME

PTY RT CT

EON

10 D VD D AUTOO00

AUTO

ENTER

or

VCR-1

Input source

STRAIGHT

STRAIGHT

DVR/VCR2

SILENT CINEMA
MATRIX DISCRETE VIRTUAL
SP
AB
q DIGITAL

dB

ft
mS
dB

96/24

L C R

LFE SL SB SR

Input mode

Automatically selects input signals in
the following order:
1) Digital signals*
2) Analog signals
Selects only digital signals encoded in
DTS. If no DTS signals are input, no
sound is output.
Selects only analog signals. If no
analog signals are input, no sound is
output.

* If this unit detects a Dolby Digital or DTS signal, the
decoder automatically switches to the appropriate sound
field program.

■ Virtual CINEMA DSP

y

Virtual CINEMA DSP allows you to enjoy the CINEMA
DSP programs without surround speakers. It creates
virtual speakers to reproduce the natural sound field.
If you do not connect surround speakers, Virtual CINEMA
DSP activates automatically whenever you select a
CINEMA DSP sound field program.

You can adjust the default input mode this unit selects when the
power is turned on (see page 58).

Note
Virtual CINEMA DSP will not activate, even when “SURR L/R
SP” is set to NONE (see page 53) in the following cases:
– When MULTI CH INPUT is selected as the input source.
– When headphones are connected to the PHONES jack.

36

00_HTR-5760_U_EN.book Page 37 Tuesday, February 17, 2004 10:47 AM

PLAYBACK

Notes

3

• When you play DTS-encoded CD/LDs with the input mode set
to AUTO:
– This unit automatically switches to the DTS decoding mode.
The unit remains in DTS mode (and the t indicator may
flash) for up to 30 seconds after playback of the DTS source is
complete. To manually release the DTS mode, press INPUT
MODE to reselect AUTO.
– The DTS decoding mode may be released if search or skip
operations are performed for more than 30 seconds. To
prevent this, press INPUT MODE to select DTS.
• If the digital output data of the player has been processed in any
way, you may not be able to perform DTS decoding even if you
make a digital connection between this unit and the player.

Displaying information about the input
source

Press u / d to display the following
information about the input signal.
PRESET/CH

SELECT

(Format)

in

You can display the type, format and sampling frequency
of the current input signal.

1

CD

MD/CD-R

TUNER

SLEEP

DVD

DTV/CBL

V-AUX

MULTI CH IN

VCR 1

DVR/VCR2

AMP

rate
flg

BASIC
OPERATION

2

fs
Select the input source.

Signal format display. When the unit
cannot detect a digital signal it
automatically switches to analog input.
Number of source channels in the input
signal. For example, a multi-channel
soundtrack with 3 front channels, 2
surround channels and LFE, is
displayed as “3/2/LFE”.
Sampling frequency. When the unit is
unable to detect the sampling
frequency “Unknown” appears.
Bit rate. When the unit is unable to
detect the bit rate “Unknown” appears.
Flag data encoded with DTS or Dolby
Digital signals that cue this unit to
automatically switch decoders.

Press AMP to select the AMP mode, then
press STRAIGHT (EFFECT) so that
“STRAIGHT” appears in the display.
STRAIGHT

AMP

then

ENTER
EFFECT

STRAIGHT

English

37

00_HTR-5760_U_EN.book Page 38 Tuesday, February 17, 2004 10:47 AM

TUNING

TUNING
Automatic and manual tuning

3

There are 2 tuning methods; automatic and manual.
Automatic tuning is effective when station signals are
strong and there is no interference.

Press TUNING MODE (AUTO/MAN’L MONO)
so that the AUTO indicator lights up in the
front panel display.
TUNING MODE

■ Automatic tuning

AUTO

Lights up

AUTO/MAN'L MONO

(U.S.A. model)

If a colon (:) appears in the front panel display, tuning
is not possible. Press PRESET/TUNING (EDIT) to
turn the colon (:) off.

VOLUME

STANDBY
/ON

PRESET/TUNING

OPTIMIZER
MIC

FM/AM

A/B/C/D/E

l PRESET/TUNING h

NEXT

EDIT

LEVEL

PROGRAM

PHONES

SPEAKERS
A
B

MEMORY

TUNING MODE

MAN'L/AUTO FM

AUTO/MAN'L MONO

PRESET/TUNING

INPUT

VIDEO AUX
STRAIGHT

TONE CONTROL

INPUT MODE

MULTI CH
INPUT

EDIT

EFFECT

S VIDEO

SILENT CINEMA

3 2

4

1

VIDEO

L

AUDIO

R

OPTICAL

3

R/VCR2

VCR-1

T CINEMA
SP
TUAL

V-AUX

DTV/CBL

MD/CD-R

DVD

NIGHT ZONE2

AB

PTY HOLD AUTO

HiFi DSP

SLEEP

PS

TUNER
TUNED STEREO MEM

PTY RT CT

EON

1A -AAM11440kkHz
1

Rotate INPUT to select TUNER as the input
source.
INPUT

4

Press PRESET/TUNING l / h once to begin
automatic tuning.
Press h to tune into a higher frequency, or press l
to tune into a lower frequency.
l PRESET/TUNING h

LEVEL

2

Press FM/AM to select the reception band.
“FM” or “AM” appears in the front panel display.
R/VCR2

FM/AM

FM

or

AM

VCR-1

T CINEMA
SP
TUAL

AB

V-AUX

DTV/CBL

DVD

NIGHT ZONE2
SLEEP

MD/CD-R
PTY HOLD AUTO

HiFi DSP

PS

TUNER
TUNED STEREO MEM

PTY RT CT

EON

1A -AAM11530kkHz
When tuned into a station, the TUNED indicator
lights up and the frequency of the received station is
shown in the front panel display.

38

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TUNING

■ Manual tuning
If the signal from the station you want to select is weak,
tune into it manually. Manually tuning into an FM station
will automatically switch the tuner to monaural reception
to increase the signal quality.

1

Select TUNER and the reception band
following steps 1 and 2 as described in
“Automatic tuning”.

2

Press TUNING MODE (AUTO/MAN’L MONO)
so that the AUTO indicator disappears from
the front panel display.

Presetting stations
■ Automatically presetting FM stations
You can use the automatic preset tuning feature to store
FM stations. This function enables this unit to
automatically tune into FM stations with strong signals,
and to store up to 40 (8 stations in 5 groups, A1 through
E8) of those stations in order. You can then recall any
preset station easily by selecting the preset station number.
(U.S.A. model)
VOLUME

STANDBY
/ON

PRESET/TUNING

OPTIMIZER
MIC

TUNING MODE

Disappears

AUTO/MAN'L MONO

DTV/CBL

DVD

MD/CD-R
PTY HOLD AUTO

HiFi DSP

PS

TUNER
TUNED STEREO MEM

PTY RT CT

EON

1A -AAM11440kkHz
3

AUTO/MAN'L MONO

MULTI CH
INPUT

S VIDEO

1

Press PRESET/TUNING l / h to tune into
the desired station manually.
Hold down the button to
l PRESET/TUNING h
continue searching.
LEVEL

2

VIDEO

L

AUDIO

R

OPTICAL

3 2
BASIC
OPERATION

V-AUX

TUNING MODE

Press FM/AM to select the FM band.
FM/AM

NIGHT ZONE2
SLEEP

MEMORY

MAN'L/AUTO FM

INPUT

INPUT MODE

EFFECT

EDIT

VCR-1

LEVEL

TONE CONTROL

STRAIGHT

SILENT CINEMA

1

PRESET/TUNING

AB

l PRESET/TUNING h

NEXT

VIDEO AUX

SPEAKERS
A
B

If a colon (:) appears in the front panel display, tuning
is not possible. Press PRESET/TUNING (EDIT) to
turn the colon (:) off.

T CINEMA
SP
TUAL

A/B/C/D/E

PROGRAM

PHONES

R/VCR2

FM/AM

EDIT

AUTO

FM

Press TUNING MODE (AUTO/MAN’L MONO)
so that the AUTO indicator lights up in the
front panel display.
TUNING MODE

AUTO

Lights up

AUTO/MAN'L MONO

If a colon (:) appears in the front panel display, tuning
is not possible. Press PRESET/TUNING (EDIT) to
turn the colon (:) off.
PRESET/TUNING

EDIT

R/VCR2

VCR-1

T CINEMA
SP
TUAL

AB

V-AUX

DTV/CBL

DVD

NIGHT ZONE2
SLEEP

MD/CD-R
PTY HOLD AUTO

HiFi DSP

PS

TUNER
TUNED STEREO MEM

PTY RT CT

EON

1A -AAM11440kkHz

English

39

00_HTR-5760_U_EN.book Page 40 Tuesday, February 17, 2004 10:47 AM

TUNING

■ Manually presetting stations

3

Press and hold MEMORY (MAN’L/AUTO FM)
for more than 3 seconds.
The preset number, the MEMORY and AUTO
indicators flash. After about 5 seconds, automatic
presetting starts from the frequency currently
displayed and proceeds toward the higher
frequencies.

You can also store up to 40 stations (8 stations in 5 groups,
A1 through E8) manually.
(U.S.A. model)
VOLUME

STANDBY
/ON

PRESET/TUNING

OPTIMIZER
MIC

FM/AM

A/B/C/D/E

l PRESET/TUNING h

NEXT

EDIT

LEVEL

PROGRAM

MEMORY

PHONES

MEMORY

TUNING MODE

MAN'L/AUTO FM

AUTO/MAN'L MONO

INPUT

VIDEO AUX

SPEAKERS
A
B

TONE CONTROL

STRAIGHT

INPUT MODE

MULTI CH
INPUT

EFFECT

S VIDEO

SILENT CINEMA

VIDEO

L

AUDIO

R

OPTICAL

MAN'L/AUTO FM

t

96
24

DVR/VCR2

VCR-1

SILENT CINEMA
MATRIX DISCRETE VIRTUAL
SP
AB
q DIGITAL
q EX
q PL
q PL
q PL x
PCM

V-AUX

DTV/CBL

DVD

NIGHT ZONE2
SLEEP

MD/CD-R
PTY HOLD AUTO

HiFi DSP

PS

TUNER

3 4

CD

2,5

TUNED STEREO MEMORY MUTE VOLUME

PTY RT CT

EON

1A 1:FM187.5kMHz

dB

ft
mS
dB

96/24

L C R

LFE SL SB SR

1

When automatic preset tuning is completed, the front
panel display shows the frequency of the last preset
station.

Tune into a station.
See page 38 for tuning instructions.
t

96
24

DVR/VCR2

VCR-1

SILENT CINEMA
MATRIX DISCRETE VIRTUAL
SP
AB
q DIGITAL
q EX
q PL
q PL
q PL x
PCM

V-AUX

DTV/CBL

DVD

NIGHT ZONE2
SLEEP

MD/CD-R
PTY HOLD AUTO

HiFi DSP

PS

TUNER

CD

TUNED STEREO MEMORY MUTE VOLUME

PTY RT CT

EON

1A 1:AM18630kkHz

dB

ft
mS
dB

96/24

L C R

LFE SL SB SR

Notes
• Any stored station data existing under a preset number is
cleared when you store a new station under that preset number.
• If the number of the received stations does not reach 40 (E8),
automatic preset tuning has automatically stopped after
searching all stations.
• Only FM stations with sufficient signal strength are stored
automatically by automatic preset tuning. If the station you
want to store is weak in signal strength, tune into it manually,
and store it by following the procedure in “Manually presetting
stations”.

When tuned into a station, the front panel display
shows the frequency of the station received.

2

Press MEMORY (MAN’L/AUTO FM).
The MEMORY indicator flashes for about 5 seconds.
MEMORY

MEMORY
MAN'L/AUTO FM

Flashes

Automatic preset tuning options
You can select the preset number from which this unit will
store FM stations and/or begin tuning toward lower
frequencies.
After pressing MEMORY in step 3:
1 Press A/B/C/D/E, then PRESET/TUNING l / h to
select the preset number under which the first station
will be stored. Automatic preset tuning will stop when
stations have all been stored up to E8.
2 Press PRESET/TUNING (EDIT) to turn off the colon
(:) and then press PRESET/TUNING l to begin
tuning toward the lower frequencies.
Memory back-up
The memory back-up circuit prevents the stored data
from being lost even if this unit is set in the standby
mode, the power cord is disconnected from the AC
outlet, or the power supply is temporarily cut due to
power failure. However, if the power is cut for more
than one week, the preset stations may be cleared. If
so, store the stations again by using the presetting
station methods.

40

3

Press A/B/C/D/E repeatedly to select a preset
station group (A to E) while the MEMORY
indicator is flashing.
The group letter appears. Check that the colon (:)
appears in the front panel display.
A/B/C/D/E

NEXT

t

96
24

q EX

q PL

DVR/VCR2

VCR-1

SILENT CINEMA
MATRIX DISCRETE VIRTUAL
SP
AB
q DIGITAL
q PL
q PL x
PCM

V-AUX

DTV/CBL

DVD

NIGHT ZONE2
SLEEP

MD/CD-R
PTY HOLD AUTO

HiFi DSP

PS

TUNER

EON

1C 1:AM18630kkHz

Preset group

CD

TUNED STEREO MEMORY MUTE VOLUME

PTY RT CT

dB

ft
mS
dB

96/24

L C R

LFE SL SB SR

00_HTR-5760_U_EN.book Page 41 Tuesday, February 17, 2004 10:47 AM

TUNING

4

Press PRESET/TUNING l / h to select a
preset station number (1 through 8) while the
MEMORY indicator is flashing.
Press h to select a higher preset station number.
Press l to select a lower preset station number.

Selecting preset stations
You can tune any desired station simply by selecting the
preset station number under which it was stored.
(U.S.A. model)

l PRESET/TUNING h

VOLUME

LEVEL

STANDBY
/ON

PRESET/TUNING

OPTIMIZER
MIC

l PRESET/TUNING h

A/B/C/D/E

FM/AM

NEXT

EDIT

LEVEL

PROGRAM

PHONES

MEMORY

TUNING MODE

MAN'L/AUTO FM

AUTO/MAN'L MONO

INPUT

VIDEO AUX

SPEAKERS
A
B

INPUT MODE

TONE CONTROL

STRAIGHT

MULTI CH
INPUT

EFFECT

S VIDEO

SILENT CINEMA

t

96
24

DVR/VCR2

VCR-1

SILENT CINEMA
MATRIX DISCRETE VIRTUAL
SP
AB
q DIGITAL
q EX

q PL

q PL

q PL x

PCM

V-AUX

DTV/CBL

DVD

NIGHT ZONE2
SLEEP

MD/CD-R
PTY HOLD AUTO

HiFi DSP

PS

TUNER

VIDEO

L

AUDIO

R

OPTICAL

CD

TUNED STEREO MEMORY MUTE VOLUME

PTY RT CT

EON

dB

1C 3:AM18630kkHz

ft
mS
dB

96/24

L C R

LFE SL SB SR

2

1

Preset number

q/DTS

NIGHT

9

0

EX/ES

10

STRAIGHT
ENTER
EFFECT

LEVEL

PRESET/CH

TITLE

5

MAN'L/AUTO FM

t

96
24

q EX

q PL

DVR/VCR2

VCR-1

SILENT CINEMA
MATRIX DISCRETE VIRTUAL
SP
AB
q DIGITAL
q PL
q PL x
PCM

V-AUX

DTV/CBL

DVD

NIGHT ZONE2
SLEEP

MD/CD-R
PTY HOLD AUTO

HiFi DSP

PS

TUNER

A/B/C/D/E
SELECT

96/24

DISPLAY

When performing this operation with the remote
control, first press TUNER to set the remote to
tuner mode.

1

dB

ft
mS
dB

ON SCREEN

AUDIO

CD

EON

1C 3:AM18630kkHz

TEST
RETURN

REC

TUNED STEREO MEMORY MUTE VOLUME

PTY RT CT

1
2

MENU

L C R

LFE SL SB SR

Shows the displayed station has been stored as C3.

Press A/B/C/D/E to select the preset station
group.
The preset group letter appears in the front panel
display and changes each time you press the button.
SET MENU

A/B/C/D/E

or

MENU
A/B/C/D/E

NEXT

6

Repeat steps 1 to 5 to store other stations.

Notes
• Any stored station data existing under a preset number is
cleared when you store a new station under that preset number.
• The reception mode (stereo or monaural) is stored along with
the station frequency.

Front panel

2

BASIC
OPERATION

Press MEMORY (MAN’L/AUTO FM) on the
front panel while the MEMORY indicator is
flashing.
The station band and
MEMORY
frequency appear in the front
panel display with the preset
group and number you have
selected.

SET MENU

Remote control

Press PRESET/TUNING l / h (PRESET/CH
u / d on the remote control) to select a
preset station number (1 through 8).
The preset group and number appear on the front
panel display along with the station band, frequency
and the TUNED indicator lights up.
PRESET/CH

l PRESET/TUNING h

or

SELECT

LEVEL

Front panel
Remote control

VCR-1
AB

x

V-AUX

DTV/CBL

DVD

NIGHT ZONE2
SLEEP

MD/CD-R
PTY HOLD AUTO

HiFi DSP

PS

TUNER

English

DVR/VCR2

SILENT CINEMA
SP
VIRTUAL

CD

TUNED STEREO MEMORY M

PTY RT CT

EON

1E 1:FM187.5kMHz

ft
mS
dB

9

41

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TUNING

Exchanging preset stations

4

You can exchange the assignment of two preset stations
with each other. The example below describes the
procedure for exchanging preset station “E1” with “A5”.

Press PRESET/TUNING (EDIT) again.
The stations stored at the two preset assignments are
exchanged.
PRESET/TUNING

EDIT

(U.S.A. model)
VOLUME

DVR/VCR2

STANDBY
/ON

VCR-1

SILENT CINEMA
SP
VIRTUAL
PRESET/TUNING

OPTIMIZER
MIC

A/B/C/D/E

FM/AM

l PRESET/TUNING h

NEXT

EDIT

LEVEL

PROGRAM

PHONES

MEMORY

TUNING MODE

MAN'L/AUTO FM

AUTO/MAN'L MONO

AB

x

INPUT

VIDEO AUX

SPEAKERS
A
B

TONE CONTROL

STRAIGHT

INPUT MODE

MULTI CH
INPUT

EFFECT

S VIDEO

SILENT CINEMA

2,4

VIDEO

L

AUDIO

R

OPTICAL

1,3 1,3

1

Select preset station “E1” using A/B/C/D/E
and PRESET/TUNING l / h.
See “Selecting preset stations”.

2

Press and hold PRESET/TUNING (EDIT) for
more than 3 seconds.
“E1” and the MEMORY indicator flash in the front
panel display.
PRESET/TUNING

EDIT

DVR/VCR2

VCR-1

SILENT CINEMA
SP
VIRTUAL

x

3

V-AUX

DTV/CBL

DVD

NIGHT ZONE2

AB

SLEEP

MD/CD-R
PTY HOLD AUTO

HiFi DSP

PS

CD

EON

1E 1:FM187.5kMHz

ft
mS
dB

9

Select preset station “A5” using A/B/C/D/E
and PRESET/TUNING l / h.
“A5” and the MEMORY indicator flash in the front
panel display.
l PRESET/TUNING h

A/B/C/D/E

LEVEL

NEXT

DVR/VCR2

VCR-1

SILENT CINEMA
SP
VIRTUAL

AB

x

42

TUNER

TUNED STEREO MEMORY M

PTY RT CT

V-AUX

DTV/CBL

DVD

NIGHT ZONE2
SLEEP

MD/CD-R
PTY HOLD AUTO

HiFi DSP

PS

TUNER

CD

TUNED STEREO MEMORY M

PTY RT CT

EON

1A 5:FM190.6kMHz

ft
mS
dB

9

V-AUX

DTV/CBL

DVD

NIGHT ZONE2
SLEEP

MD/CD-R
PTY HOLD AUTO

HiFi DSP

PS

TUNER

CD

TUNED STEREO MEMORY M

PTY RT CT

EON

1E EDIT18E1-A5Hz

ft
mS
dB

9

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RECORDING

RECORDING
Recording adjustments and other operations are
performed from the recording components. Refer to the
operating instructions for those components.
(U.S.A. model)
VOLUME

STANDBY
/ON

PRESET/TUNING

OPTIMIZER
MIC

l PRESET/TUNING h

A/B/C/D/E

FM/AM

NEXT

EDIT

LEVEL

PROGRAM

PHONES

SPEAKERS
A
B

MEMORY

TUNING MODE

MAN'L/AUTO FM

AUTO/MAN'L MONO

INPUT

VIDEO AUX
TONE CONTROL

STRAIGHT

INPUT MODE

MULTI CH
INPUT

EFFECT

S VIDEO

SILENT CINEMA

1

VIDEO

L

AUDIO

R

OPTICAL

2
CODE SET

TRANSMIT
SYSTEM

POWER

POWER

TV

AV

CD

MD/CD-R

TUNER

SLEEP

DVD

DTV/CBL

V-AUX

MULTI CH IN

VCR 1

DVR/VCR2

TV VOL

TV CH

TV MUTE

TV INPUT

1

AMP

VOLUME

1

Turn on the power of this unit and all
connected components.

2

Select the source component you want to
record from.
INPUT

If you playback a video source that uses scrambled or
encoded signals to prevent it from being dubbed, the
picture itself may be disturbed due to those signals.

CD

MD/CD-R

TUNER

SLEEP

DVD

DTV/CBL

V-AUX

MULTI CH IN

VCR 1

DVR/VCR2

or

Front panel

BASIC
OPERATION

2

STANDBY

POWER

Notes
• When this unit is set in the standby mode, you cannot record
between other components connected to this unit.
• The setting of TONE CONTROL, VOLUME, “SPEAKER
LEVEL” (page 55) and programs does not affect recorded
material.
• A source connected to the MULTI CH INPUT jacks of this unit
cannot be recorded.
• S-Video and composite video signals pass independently
through this unit’s video circuits. Therefore, when recording or
dubbing video signals, if your video source component is
connected to provide only an S-Video (or only a composite
video) signal, you can record only an S-Video (or only a
composite video) signal to your VCR.
• Digital signals input to the DIGITAL INPUT jacks are not
output to the analog AUDIO OUT (L/R) jacks for recording.
Likewise, analog signals input to the AUDIO IN (L/R) jacks are
not output to the DIGITAL OUTPUT jack. Therefore, if your
source component is connected to provide only digital (or
analog) signals, you can only record digital (or analog) signals.
• A given input source is not output on the same REC OUT
channel. (For example, the signal input from VCR 1 IN is not
output on VCR 1 OUT.)
• Check the copyright laws in your country to record from
records, CDs, radio, etc. Recording of copyrighted material may
infringe copyright laws.

AMP

Remote control

3

Start playback (or select a broadcast station)
on the source component.

4

Start recording on the recording component.

■ Special considerations when recording
DTS software
The DTS signal is a digital bitstream. Attempting to
digitally record the DTS bitstream will result in noise
being recorded. Therefore, if you want to use this unit to
record sources that have DTS signals recorded on them,
the following considerations and adjustments need to be
made.
For DVDs and CDs encoded with DTS, when your player
is compatible with the DTS format, follow its operating
instructions to make a setting so that the analog signal will
be output from the player.

y
Do a test recording before you start an actual recording.

English

43

00_HTR-5760_U_EN.book Page 44 Tuesday, February 17, 2004 10:47 AM

SOUND FIELD PROGRAM DESCRIPTIONS

SOUND FIELD PROGRAM DESCRIPTIONS
This unit is equipped with a variety of precise digital decoders that allow you to enjoy multichannel playback from
almost any sound source (stereo or multichannel). This unit is also equipped with a YAMAHA digital sound field
processing (DSP) chip containing several sound field programs which you can use to enhance your playback experience.
Most of these sound field programs are precise digital recreations of actual acoustic environments found in famous
concert halls, music venues, and movie theaters.
y
The YAMAHA CINEMA DSP modes are compatible with all Dolby Digital, DTS, and Dolby Surround sources. Set the input mode to
AUTO (see page 36) to enable this unit to automatically switch to the appropriate digital decoder according to the input signal.

Notes
• This unit’s DSP sound field programs are recreations of real-world acoustic environments made from precise measurements taken in
the actual hall, etc. Thus you may notice variations in the strength of the reflections coming from the front, back, left and right.
• Feel free to choose a sound field program based on your listening preference, and not purely on the name of the program itself.

For movie/video sources
You can select from the following sound fields when playing movie or video sources. The sound fields marked “MULTI”
can be used with multi-channel sources, like DVD, digital TV, etc. Those marked “2-CH” can be used with 2-channel
(stereo) sources like TV programs, video tapes, etc.
Program

Features

STEREO:
2ch Stereo

Downmixes multi-channel sources to 2 channel (left and right) or plays back 2-channel
sources as is.

MUSIC VIDEO

This program lends an enthusiastic atmosphere to the sound, giving you the feeling you are at
an actual jazz or rock concert.

ENTERTAINMENT:
Game

This program adds a deep and spatial feeling to video game sounds.

TV THEATER:
Mono Movie

This program is provided for reproducing monaural video sources (such as old movies). The
program produces the optimum reverberation to create sound depth using only the presernce
sound field.

TV THEATER:
Variety/Sports

Though the presence sound field is relatively narrow, the surround sound field employs the
sound environment of a large concert hall. This effect enhances the experience of watching
various TV programs such as news, variety shows, music programs or sports programs.

MOVIE THEATER:
Spectacle

CINEMA DSP processing. This program creates the extremely wide sound field of a 70-mm
movie theater. It precisely reproduces the source sound in detail, making both the video and the
sound field incredibly real. This is ideal for any kind of video source encoded with Dolby
Surround, Dolby Digital or DTS (especially large-scale movie productions).

MOVIE THEATER:
Sci-Fi

CINEMA DSP processing. This program clearly reproduces dialog and sound effects in the
latest sound form for science fiction films, thus creating a broad and expansive cinematic space
amid silence. You can enjoy science fiction films in a virtual-space sound field that includes
Dolby Surround, Dolby Digital and DTS-encoded software employing the most advanced
techniques.

MOVIE THEATER:
Adventure

CINEMA DSP processing. This program is ideal for precisely reproducing the sound design of
the newest 70-mm and multichannel soundtrack films. The sound field is made to be similar to
that of the newest movie theaters, so the reverberations of the sound field itself are restrained
as much as possible.

MOVIE THEATER:
General

CINEMA DSP processing. This program is for reproducing sounds from 70-mm and
multichannel soundtrack films, and is characterized by soft and extensive sound field.

44

Sources

MULTI
2-CH

00_HTR-5760_U_EN.book Page 45 Tuesday, February 17, 2004 10:47 AM

SOUND FIELD PROGRAM DESCRIPTIONS

Program

Features
Standard 5.1-channel processing for Dolby Digital sources.

DOLBY DIGITAL:
SUR. ENHANCED

CINEMA DSP enhanced processing for Dolby Digital sources.

q D+PLIIx Movie:
SUR. STANDARD

Standard 6.1/7.1-channel processing (Dolby Pro Logic IIx Movie) for Dolby Digital sources.

q D+PLIIx Movie:
SUR. ENHANCED

CINEMA DSP enhanced 6.1/7.1-channel processing (Dolby Pro Logic IIx Movie) for Dolby
Digital sources.

DOLBY D EX:
SUR. STANDARD

Standard 6.1-channel processing for Dolby Digital sources.

DOLBY D EX:
SUR. ENHANCED

CINEMA DSP enhanced 6.1-channel processing (Dolby Digital EX) for Dolby Digital
sources.

DTS:
SUR. STANDARD

Standard 5.1-channel processing for DTS sources.

DTS 96/24:
SUR. STANDARD

Standard 5.1-channel processing for 96-kHz/24-bit DTS sources.

DTS:
SUR. ENHANCED

CINEMA DSP enhanced processing for DTS and 96-kHz/24-bit DTS sources.

DTS+PLIIx Movie:
SUR. STANDARD

Standard 6.1/7.1-channel processing (Dolby Pro Logic IIx Movie) for DTS sources.

DTS+PLIIx Movie:
SUR. ENHANCED

CINEMA DSP enhanced 6.1/7.1-channel processing (Dolby Pro Logic IIx Movie) for DTS
sources.

DTS+DOLBY EX:
SUR. STANDARD

Standard 6.1-channel processing (Dolby Digital EX) for DTS sources.

DTS+DOLBY EX:
SUR. ENHANCED

CINEMA DSP enhanced 6.1-channel processing (Dolby Digital EX) for DTS sources.

DTS ES Mtrx6.1:
SUR. STANDARD

Standard 6.1-channel processing (DTS-ES Matrix) for DTS sources.

DTS ES Mtrx6.1:
SUR. ENHANCED

CINEMA DSP enhanced processing (DTS-ES Matrix) for DTS sources.

DTS ES Disc6.1:
SUR. STANDARD

Standard 6.1-channel processing (DTS-ES Discrete) for DTS sources.

DTS ES Disc6.1:
SUR. ENHANCED

CINEMA DSP enhanced processing (DTS-ES Discrete) for DTS sources.

MULTI

SOUND FIELD
PROGRAMS

DOLBY DIGITAL:
SUR. STANDARD

Sources

English

45

00_HTR-5760_U_EN.book Page 46 Tuesday, February 17, 2004 10:47 AM

SOUND FIELD PROGRAM DESCRIPTIONS

Program

Features

PRO LOGIC:
SUR. STANDARD

Standard processing for Dolby Surround sources.

PRO LOGIC:
SUR. ENHANCED

CINEMA DSP enhanced processing for Dolby Surround sources.

PRO LOGIC IIx:
PLIIx Movie

Dolby Pro Logic IIx processing for movie software.*

PRO LOGIC II:
PLII Movie

Dolby Pro Logic II processing for movie software.*

PRO LOGIC IIx:
PLIIx Game

Dolby Pro Logic IIx processing for game software.*

PRO LOGIC II:
PLII Game

Dolby Pro Logic II processing for game software.*

DTS: Neo:6 Cinema

DTS processing for movie software.

* You can select either Pro Logic IIx or Pro

46

Logic II processing using the PLII/PLIIx parameter on page 69.

Sources

2-CH

00_HTR-5760_U_EN.book Page 47 Tuesday, February 17, 2004 10:47 AM

SOUND FIELD PROGRAM DESCRIPTIONS

For music sources
You can select from the following sound fields when playing music sources, like CD, FM/AM broadcasting, tapes, etc.
Program

Features

CONCERT HALL

HiFi DSP processing. A classic shoe-box type concert hall with approximately 1700 seats.
Pillars and ornate carvings create extremely complex reflections which produce a very full,
rich sound.

JAZZ CLUB

HiFi DSP processing. This is the sound field at stage front in “The Bottom Line”, a famous
New York jazz club. The floor can seat 300 people to the left and right in a sound field offering
a real and vibrant sound.

ROCK CONCERT

HiFi DSP processing. The ideal program for lively, dynamic rock music. The data for this
program was recorded at LA’s “hottest” rock club. The listener’s virtual seat is at the centerleft of the hall.

ENTERTAINMENT:
Disco

HiFi DSP processing. This program recreates the acoustic environment of a lively disco in the
heart of a big city. The sound is dense and highly concentrated. It is also characterized by highenergy, “immediate” sound.

q D+PLIIx Music:
SUR. STANDARD

Standard Dolby Digital and Dolby Pro Logic IIx processing for music sources.

q

D+PLIIx Music:
SUR. ENHANCED

CINEMA DSP enhanced Dolby Digital and Dolby Pro Logic IIx processing for music sources.

DTS+PLIIx Music:
SUR. STANDARD

Standard DTS and Dolby Pro Logic IIx processing for music sources.

DTS+PLIIx Music:
SUR. ENHANCED

CINEMA DSP enhanced DTS and Dolby Pro Logic IIx processing for music sources.

STEREO:
2ch Stereo

2-channel (left and right) playback.

STEREO:
Direct Stereo

Use to output stereo sources to only the front left and right speakers without any processing.

STEREO:
7ch Stereo

Use to increase the output stereo sources (in stereo) from all speakers. This provides a larger
sound field and is ideal for background music at parties, etc.

PRO LOGIC IIx:
PLIIx Music

Dolby Pro Logic IIx processing for music software.*

PRO LOGIC II:
PLII Music

Dolby Pro Logic II processing for music software.*

DTS: Neo:6 Music

DTS processing for music software.

Sources

MULTI
2-CH

MULTI

SOUND FIELD
PROGRAMS

* You can select either Pro Logic IIx or Pro

2-CH

Logic II processing using the PLII/PLIIx parameter on page 69.

English

47

00_HTR-5760_U_EN.book Page 48 Tuesday, February 17, 2004 10:47 AM

ADVANCED OPERATIONS

ADVANCED OPERATIONS
Selecting the OSD mode
You can display this unit’s operating information on a
video monitor. If you display the SET MENU and sound
field program parameter settings on a monitor, it is much
easier to see the available options and parameters than it is
by reading this information on the front panel display.

1

Turn on the video monitor connected to this
unit.

2

Press ON SCREEN repeatedly to change the
OSD mode.
The OSD mode changes in the
ON SCREEN
DISPLAY
following order: full display, short
display, and display off.

Using the sleep timer
Use this feature to automatically set this unit in the
standby mode after a certain amount of time. The sleep
timer is useful when you are going to sleep while this unit
is playing or recording a source. The sleep timer also
automatically turns off any external components
connected to the AC OUTLET(S).

■ Setting the sleep timer
CODE SET

Full display
Always shows the sound field program parameter settings
as well as the contents of the front panel display.
Short display
Briefly shows the contents of the front panel display at the
bottom of the screen each time you operate this unit.
Display off
Only operations performed using ON SCREEN are
displayed. The OSD is displayed when using SET MENU
or the test tone feature, settings are displayed, even if the
OSD mode is set to “Display off”.

TRANSMIT
SYSTEM

STANDBY

POWER

POWER

POWER

TV

AV

CD

MD/CD-R

TUNER

SLEEP

DVD

DTV/CBL

V-AUX

MULTI CH IN

VCR 1

DVR/VCR2

TV VOL

TV CH

TV MUTE

TV INPUT

2

AMP

VOLUME

1

Select a source and start playback on the
source component.

2

Press SLEEP repeatedly to set
the amount of time.
Each time you press SLEEP, the front
panel display changes as shown
below. The SLEEP indicator flashes
while switching the amount of time
for the sleep timer.

SLEEP

P08 MOVIE THEATER
SLEEP 120min

.General
DSPLEVEL;;;;0dB
P.INIT.DLY;;15ms
P.ROOMSIZE;;1.0
S.INIT.DLY;;20ms
S.ROOMSIZE;;1.0

SLEEP OFF
P08MOVIETHEATER
General

Full display

Short display

Notes
• The OSD signal is not output to the REC OUT jack, and will
not be recorded.
• You can set the OSD to turn on (gray background) or off when a
video source is not being reproduced (or the source component
is turned off) by using “DISPLAY SET” (see page 58).

t

96
24

DVR/VCR2

q EX
q PL
q PL
q PL x
PCM

V-AUX

DTV/CBL

DVD

NIGHT ZONE2
SLEEP

SLEEP 60min
MD/CD-R

PTY HOLD AUTO

HiFi DSP

PS

TUNER

CD

TUNED STEREO MEMORY MUTE VOLUME

PTY RT CT

EON

1E SLEEP8120minz

dB

ft
mS
dB

96/24

L C R

LFE SL SB SR

The SLEEP indicator lights up in the front panel
display, and the display returns to the selected sound
field program.
SLEEP indicator
t

96
24

q EX

q PL

DVR/VCR2

VCR-1

SILENT CINEMA
MATRIX DISCRETE VIRTUAL
SP
AB
q DIGITAL
q PL
q PL x
PCM

48

SLEEP 30min

VCR-1

SILENT CINEMA
MATRIX DISCRETE VIRTUAL
SP
AB
q DIGITAL

SLEEP 90min

V-AUX

DTV/CBL

DVD

NIGHT ZONE2
SLEEP

MD/CD-R
PTY HOLD AUTO

HiFi DSP

PS

TUNER

CD

TUNED STEREO MEMORY MUTE VOLUME

PTY RT CT

EON

1E CONCERT2HALLz

dB

ft
mS
dB

96/24

L C R

LFE SL SB SR

00_HTR-5760_U_EN.book Page 49 Tuesday, February 17, 2004 10:47 AM

ADVANCED OPERATIONS

■ Canceling the sleep timer
Press SLEEP repeatedly until “SLEEP OFF” appears in
the front panel display.
After a few seconds, “SLEEP OFF” disappears, and the
SLEEP indicator goes off.
SLEEP

SLEEP OFF

y

Manually adjusting speaker levels
You can adjust the output level of each speaker while
listening to a music source. This is also possible when
playing sources through the MULTI CH INPUT jacks.
Please note that this operation will override the level
adjustments made in “AUTO SETUP” (page 25),
“SPEAKER LEVEL” (page 55) and “Using the test tone”
(page 50).

The sleep timer setting can also be canceled by pressing
STANDBY on the remote control (or STANDBY/ON on the front
panel) to set this unit to the standby mode.

VCR 1

DVR/VCR2

TV VOL

TV CH

AMP

1

VOLUME

TV MUTE

TV INPUT

STEREO

HALL

JAZZ

1

2

3

4

MUSIC

ENTERTAIN

TV THTR

MOVIE

5

6

7

8

q/DTS

NIGHT

EX/ES

STRAIGHT

9

0

MUTE

10

ROCK

ENTER
EFFECT

2

LEVEL

PRESET/CH

TITLE

SET MENU
MENU
A/B/C/D/E

SELECT
TEST

ON SCREEN

RETURN

DISPLAY

REC
AUDIO

4
3

1

Press AMP.

2

Press LEVEL repeatedly to select the
speaker you want to adjust.
Front left speaker level
Center speaker level
Front right speaker level
Surround right speaker level
Surround back right speaker level
Surround back left speaker level
Surround left speaker level
Subwoofer level
Presence speaker level

y
Once you press LEVEL, you can also select the speaker by
pressing u / d.

3

Press j / i to adjust the speaker output level.
The control range is from +10 dB to –10 dB.

4

Press SELECT when you have completed
your adjustment.

ADVANCED
OPERATION

FRONT L
CENTER
FRONT R
SUR.R
SUR.B.R
SUR.B.L
SUR.L
SWFR
PRES

y
This operation can also be performed using the controls on the
front panel. Press NEXT repeatedly to select the speaker you
want to adjust, then press LEVEL –/+ to adjust the output level.

English

49

00_HTR-5760_U_EN.book Page 50 Tuesday, February 17, 2004 10:47 AM

ADVANCED OPERATIONS

■ Outputting the test tone from the
PRESENCE speakers

Using the test tone
You can use the test tone feature to manually balance your
speaker levels. Please note that this operation will override
the level adjustments made in “AUTO SETUP” (page 25),
“SPEAKER LEVEL” (page 55) and “Manually adjusting
speaker levels” (page 49). Use the test tone to set speaker
levels so that the volume from each speaker is identical
when heard from your listening position.
Note
You cannot activate the test tone if headphones are connected to
the PHONES jack. Remove the headphones from the PHONES
jack.
VCR 1

DVR/VCR2

TV VOL

TV CH

AMP

1

VOLUME

TV MUTE

TV INPUT

STEREO

HALL

JAZZ

1

2

3

4

MUSIC

ENTERTAIN

TV THTR

MOVIE

5

6

7

8

q/DTS

NIGHT

EX/ES

STRAIGHT

9

0

MUTE

10

ROCK

ENTER
EFFECT

LEVEL

PRESET/CH

TITLE

SET MENU
MENU
A/B/C/D/E

SELECT

2,5,8

TEST
RETURN

ON SCREEN
DISPLAY

REC
AUDIO

3,4,6,7

1

Press AMP.

2

Press TEST.
The unit outputs a test tone.

3

Press u / d repeatedly to select the speaker
you want to adjust.
TEST
TEST
TEST
TEST
TEST
TEST
TEST
TEST

LEFT
CENTER
RIGHT
SUR.R
SUR.B.R
SUR.B.L
SUR.L
SUBWOOFER

Front left speaker
Center speaker
Front right speaker
Right surround speaker
Right surround back speaker
Left surround back speaker
Left surround speaker
Subwoofer

4

Press j / i to adjust the speaker volumes.

5

Press TEST when you have completed your
adjustment.
The test tone stops.
If PRESENCE SP in “SPEAKER SET” is set to YES,
you can adjust the presence speaker volumes
(proceed to step 6).

50

6

Press u / d repeatedly to select the speaker
from which you want to output the test tone.
TEST
TEST
TEST
TEST

FRONT
PRESENCE
PRES L
PRES R

Front speakers
Presence speakers
Left presence speakers
Right presence speakers

7

Press j / i to adjust the presence speaker
volumes.

8

Press TEST when you have completed your
adjustment.
The test tone stops.

00_HTR-5760_U_EN.book Page 51 Tuesday, February 17, 2004 10:47 AM

SET MENU

SET MENU
You can use the following parameters in SET MENU to adjust a variety of system settings and customize the way this
unit operates. Change the initial settings (indicated in bold under each parameter) to reflect the needs of your listening
environment.

■ AUTO SETUP
Use to specify which speaker parameters auto setup will adjust, and to activate the auto setup procedure (see page 25).

■ MANUAL SETUP
Use to manually adjust speaker and system parameters.
1 SOUND MENU
Use to manually adjust any speaker setting, alter the quality and tone of the sound output by the system or compensate for
video signal processing delays when using LCD monitors or projectors.
y
Most of the parameters described in SOUND MENU are set automatically when you run auto setup (see page 25). You can use SOUND
MENU to make further adjustments, but we recommend running auto setup first.
Item

Features

Page

A)SPEAKER SET

Selects the size of each speaker, the speakers for low-frequency signal output, and the cross over
frequency.

53

B)SPEAKER LEVEL

Adjusts the output level of each speaker.

55

C)SP DISTANCE

Adjusts the delay time of each speaker.

55

D)CENTER GEQ

Adjusts the tonal quality of the center speaker.

56

E)LFE LEVEL

Adjusts the output level of the LFE channel for Dolby Digital or DTS signals.

56

F)DYNAMIC RANGE

Adjusts the dynamic range for Dolby Digital or DTS signals.

56

G)AUDIO SET

Customizes the muting level, audio delay and height of the front and center channel sounds.

56

H)PR/SB SELECT

Selects priority to either surround back or presence speakers when both sets of speakers are
connected to this unit.

57

Item

Features

Page

A)I/O ASSIGNMENT Assigns jacks according to the component to be used.

57

B)INPUT MODE

58

Selects the initial input mode of the source.

ADVANCED
OPERATION

2 INPUT MENU
Use to reassign digital input/outputs and select the input mode.

3 OPTION MENU
Use to adjust the optional system parameters.
Item

Features

Page

Adjusts the brightness of the display and converts video signals.

58

B)MEMORY GUARD

Locks sound field program parameters and other SET MENU settings.

59

C)PARAM. INI

Initializes the parameters of a group of sound field programs.

59

D)ZONE SET

Specifies the location of the speakers connected to the SPEAKERS B terminals.

59

English

A)DISPLAY SET

51

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SET MENU

Using SET MENU

4

Use the remote control to access and adjust each
parameter.

Press SELECT to enter MANUAL SETUP.
1 SOUND MENU appears on the front panel display.

;MANUAL SETUP

PRESET/CH

VCR 1

DVR/VCR2

TV VOL

TV CH

TV MUTE

TV INPUT

AMP

.1SOUNDMENU
2INPUTMENU
3OPTIONMENU

1
SELECT

VOLUME

p

p

[]/[]:Up/Down
[SELECT]:Enter
MUTE

STEREO

HALL

JAZZ

ROCK

1

2

3

4

MUSIC

ENTERTAIN

TV THTR

MOVIE

5

6

7

8

q/DTS

NIGHT

EX/ES

STRAIGHT

9

0

10

ENTER
EFFECT

LEVEL

PRESET/CH

TITLE

SET MENU
MENU
A/B/C/D/E

2,8

5

Press u / d to select the desired menu.

6

Press SELECT to enter the selected menu.

SELECT
TEST
RETURN

ON SCREEN
DISPLAY

REC
AUDIO

3-7

1 SOUND MENU 1/2

PRESET/CH

y
You can change SET MENU parameters while the unit is
reproducing sound.

SELECT

p

Note

p

.A)SPEAKERSET
B)SPEAKERLEVEL
C)SPDISTANCE
D)CENTERGEQ
[]/[]:Up/Down
[SELECT]:Enter

You cannot change some SET MENU parameters while the unit
is in either cinema or music night listening mode.

1

7
Press AMP.
AMP

Press u / d to select the item you want to
adjust, then press j / i to change the setting
of the item.

B)SPEAKER LEVEL
2

-+
.FR
C
SL

Press SET MENU.
SET MENU
MENU
A/B/C/D/E

3

Press u / d to select MANUAL SETUP.
PRESET/CH

Repeat this operation to select and adjust each setting.
To return to the previous menu level, press RETURN.

SET MENU



;AUTOSETUP
.;MANUALSETUP
SELECT

8

To exit, press SET MENU when finished.

p

p

[]/[]:Up/Down
[SELECT]:Enter
SET MENU
MENU
A/B/C/D/E

Memory back-up
The memory back-up circuit prevents the stored data
from being lost even if this unit is in the standby mode.
However, if the power cord is disconnected from the
AC outlet, or the power supply is cut for more than one
week, the stored data will be lost. If so, adjust the
items again.

52

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SET MENU

1 SOUND MENU
Use to manually adjust any speaker setting or compensate
for video signal processing delays when using LCD
monitors or projectors. Most of the SOUND MENU
parameters are set automatically when you run auto setup
(see page 25).

Front speakers FRONT SP
Choices: SMALL, LARGE

FRONT SP

SMALL)LARGE

1 SOUND MENU 1/2
p

p

.A)SPEAKERSET
B)SPEAKERLEVEL
C)SPDISTANCE
D)CENTERGEQ
[]/[]:Up/Down
[SELECT]:Enter

■ Speaker set A)SPEAKER SET
Use to manually adjust any speaker setting.
y
If you are not satisfied with the bass sounds from your speakers,
you can change these settings according to your preference.

Center speaker CENTER SP
Choices: NONE, SML, LRG

CENTER SP

NONE)SMLLRG

Surround left/right speakers SURR L/R SP
Choices: NONE, SML, LRG

SURR L/R SP

NONE)SMLLRG

• Select NONE if you do not have surround speakers.
This will set the unit to the Virtual CINEMA DSP
mode (see page 36) and automatically set the surround
back speaker setting (SURR B L/R SP) to NONE.
• Select SML if you have small surround left and right
speakers. The low-frequency signals of the surround
channel are directed to the speakers selected with
“LFE/BASS OUT”.
• Select LRG if you have large surround left and right
speakers. The entire range of the surround channel
signal is directed to the surround left and right
speakers.

ADVANCED
OPERATION

• Select NONE if you do not have a center speaker. The
unit directs all of the center channel signal to the front
left and right speakers.
• Select SML if you have a small center speaker. The
unit directs the low-frequency signals of the center
channel to the speakers selected with “LFE/BASS
OUT”.
• Select LRG if you have a large center speaker. The unit
directs the entire range of the center channel signal to
the center speaker.

• Select SMALL if you have small front speakers. The
unit directs the low-frequency signals of the front
channel to the speakers selected with “LFE/BASS
OUT”.
• Select LARGE if you have large front speakers. The
unit directs the entire range of the front left and right
channel signals to the front left and right speakers.

English

53

00_HTR-5760_U_EN.book Page 54 Tuesday, February 17, 2004 10:47 AM

SET MENU

Surround back speakers SURR B L/R SP
Choices: NONE, SMLx1, SMLx2, LRGx1, LRGx2

SURR B L/R SP

Bass out LFE/BASS OUT
Low-frequency (bass) signals can be directed to the
subwoofer and/or the front left and right speakers
according to the characteristics of your system. This
setting also determines the routing of the LFE (lowfrequency effect) signals found in Dolby Digital or DTS
sources.
Choices: SWFR, FRNT, BOTH

SMLx1)SMLx2

• Select NONE if you do not have a surround back
speaker. The unit directs all of the surround back
channel signal to the surround left and right speakers.
• Select SMLx1 if you have a small surround back
speaker. The low-frequency signals of the surround
back channel are directed to the speakers selected with
“LFE/BASS OUT”, and the rest of the frequency
signals are directed to the left surround back speaker.
• Select SMLx2 if you have 2 small surround back
speakers. The low-frequency signals of the surround
back channels are directed to the speakers selected with
“LFE/BASS OUT”.
• Select LRGx1 if you have a large surround back
speaker. The unit directs the entire range of the
surround back channel signal to the left surround back
speaker.
• Select LRGx2 if you have 2 large surround back
speakers. The unit directs the entire range of the
surround back channel signal to the surround back
speakers.
Note
If you select SMLx1 or LRGx1, connect the speaker to the left
SURROUND BACK speaker terminals.

Presence speakers PRESENCE SP
Choices: NONE, YES

LFE/BASS OUT

SWFRFRNT)BOTH

• Select SWFR if you connect a subwoofer. LFE and
low-frequency signals from other channels are directed
to the subwoofer according to the speaker settings.
• Select FRNT if you do not use a subwoofer. LFE and
low frequency signals from other channels are directed
to the front speakers according to the speaker settings
(even if you have previously set front speakers to
SML).
• Select BOTH if you connect a subwoofer and you want
to output low-frequency signals from front channels to
both the front speakers and subwoofer. LFE and lowfrequency signals from other channels are also directed
to the subwoofer according to the speaker settings. Use
this function to reinforce low-frequency signals using
the subwoofer when playing back sources such as CDs.
Cross over CROSS OVER
Use this feature to select a cross-over (cut-off) frequency
for all low-frequency signals. All frequencies below the
selected frequency will be sent to the subwoofer.
Choices: 40Hz, 60Hz, 80Hz, 90Hz, 100Hz, 110Hz,
120Hz, 160Hz, 200Hz

PRESENCE SP
CROSS OVER
)NONEYES
FREQ;;;80Hz

• Select NONE if you do not have presence speakers.
• Select YES if you have presence speakers.

54

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SET MENU

Subwoofer phase SUBWOOFER PHASE
If bass sounds are lacking or unclear, use this feature to
switch the phase of your subwoofer.
Choices: NORMAL (normal), REVERSE (reverse)

02ASUBWOOFER PHASE

■ Speaker distance C)SP DISTANCE
Use this feature to manually input the distance of each
speaker and adjust the delay applied to respective channel.
Ideally, each speaker should be the same distance from the
main listening position. However, this is not possible in
most home situations. Thus, a certain amount of delay
must be applied to the sound from each speaker so that all
sound will arrive at the listening position at the same time.

C)SP DISTANCE

)NORMALREVERSE

■ Speaker level B)SPEAKER LEVEL
Use these settings to manually balance the speaker levels
between the front left or surround left speakers and each
speaker selected in SPEAKER SET (page 53).
Choices: –10.0 dB to +10.0 dB

B)SPEAKER LEVEL
-+
.FR
C
SL

*

SB will be displayed if you selected only one surround back
speaker in SURR B L/R SP (page 54).

Unit UNIT
Choices: meters (m), feet (ft)
Initial setting:
U.S.A. and Canada models: feet (ft)
Other models: meters (m)
• Select meters to input speaker distances in meters.
• Select feet to input speaker distances in feet.
Speaker distances
Choices: 0.3 to 24.00 m (1 to 80 ft)
• FRONT L adjusts the distance of the front left speaker.
Initial setting: 3.0 m (10.0 ft)
• FRONT R adjusts the distance of the front right
speaker. Initial setting: 3.0 m (10.0 ft)
• CENTER adjusts the distance of the center speaker.
Initial setting: 3.0 m (10.0 ft)
• SURR L adjusts the distance of the surround left
speaker. Initial setting: 3.0 m (10.0 ft)
• SURR R adjusts the distance of the surround right
speaker. Initial setting: 3.0 m (10.0 ft)
• SB L* adjusts the distance of the surround back left
speaker. Initial setting: 2.10 m (7.0 ft)
• SB R* adjusts the distance of the surround back right
speaker. Initial setting: 2.10 m (7.0 ft)
• SWFR adjusts the distance of the subwoofer. Initial
setting: 3.0 m (10.0 ft)
• PRES L adjusts the distance of the presence left
speaker. Initial setting: 3.0 m (10.0 ft)
• PRES R adjusts the distance of the presence right
speaker. Initial setting: 3.0 m (10.0 ft)
*

ADVANCED
OPERATION

• FR adjusts the balance of the front left and front right
speakers.
• C adjusts the balance of the front left and center
speakers.
• SL adjusts the balance of the front left and surround
left speakers.
• SBL* adjusts the balance of the surround left and
surround back left speakers.
• SBR* adjusts the balance of the surround left and
surround back right speakers.
• SR adjusts the balance of the surround left and
surround right speakers.
• SWFR adjusts the balance of the front left speaker and
subwoofer.
• PRES adjusts the balance of the front and presence
speakers.

p

• Select NORMAL if you do not want to reverse the
phase of your subwoofer.
• Select REVERSE to reverse the phase of your
subwoofer.

p

. UNIT;;;;;;meters
FRONTL;;;;3.00m
FRONTR;;;;3.00m
CENTER;;;;;3.00m
[]/[]:Up/Down
[<]/[>]:Adjust

SURR B will be displayed if you selected only one surround
back speaker in SURR B L/R SP (page 54).

y
To calibrate, use the test tone feature (see page 50).

English

55

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SET MENU

■ Center graphic equalizer D)CENTER GEQ

■ Dynamic range F)D.RANGE

Use this feature to adjust the built-in 5-band graphic
equalizer for the center channel so that the tonal quality of
the center speaker matches that of the front speakers.
You can make adjustments listening to the currently
selected source component or a test tone.
You can adjust 5 frequency bands: 100Hz, 300Hz, 1kHz,
3kHz, 10kHz
Choices: –6 to +6 dB

Use to select the amount of dynamic range compression to
be applied to your speakers or headphones. This setting is
effective only when the unit is decoding Dolby Digital and
DTS signals.
Choices: MIN (minimum), STD (standard), MAX
(maximum)

D)CENTER GEQ

p

p

[]/[]:Up/Down
[<]/[>]:Select

p

p

.TEST)OFFON
-+
100Hz0dB
300Hz0dB
1kHz0dB
3kHz0dB
10kHz0dB
[]/[]:Up/Down
[<]/[>]:Adjust

F)DYNAMIC RANGE
.SP:MINSTD)MAX
HP:MINSTD)MAX

• Select ON to output test tones from the front left and
center speakers, and adjust the tonal quality of the
center speaker.
• Select OFF to stop the test tone and output the
currently selected source component.
• Press u / d to select a frequency band.
• Press j / i to adjust the selected frequency band.

Headphone HP
Select to adjust the headphone compression.
• Select MIN if you regularly listen at low volume levels.
• Select STD for general use.
• Select MAX to preserve the greatest amount of
dynamic range.

■ Audio set G)AUDIO SET
Use to customize this units overall audio settings.

G)AUDIO SET
.AUDIOMUTE;;MUTE
AUDIODELAY;;0ms
DIALG.LIFT;;;OFF

p

[]/[]:Up/Down
[<]/[>]:Selet

p

■ Low-frequency effect level E)LFE LEVEL
Use to adjust the output level of the LFE (low-frequency
effect) channel according to the capacity of your
subwoofer or headphones. The LFE channel carries lowfrequency special effects which are only added to certain
scenes. This setting is effective only when this unit
decodes Dolby Digital or DTS signals.
Choices: –20 to 0 dB

Speaker SP
Select to adjust the speaker compression.

E)LFE LEVEL
.SPEAKER;;;;;;0dB
HEADPHONE;;;;0dB

p

p

[]/[]:Up/Down
[<]/[>]:Adjust

Speaker SPEAKER
Select to adjust the speaker LFE level.
Headphone HEADPHONE
Select to adjust the headphone LFE level.
Note
Depending on the settings of “LFE LEVEL”, some signals may
not be output from the SUB WOOFER OUTPUT jack.

56

Audio mute AUDIO MUTE
Use to adjust how much the mute function reduces the
output volume.
Choices: MUTE, –20 dB
• Select MUTE to completely halt all output of sound.
• Select –20 dB to reduce the current volume by 20 dB.
Audio delay AUDIO DELAY
Use to delay the sound output and synchronize it with the
video image. This may be necessary when using certain
LCD monitors or projectors.
Choices: 0 to 160 mS

00_HTR-5760_U_EN.book Page 57 Tuesday, February 17, 2004 10:47 AM

SET MENU

Dialog lift DIALG.LIFT
Use to turn on and off the DIALG.LIFT parameter (see
page 69). This parameter adjusts the height of the front
and center channel sounds (dialog, vocals, etc.) by
assigning some of the front and center channel elements to
the presence speakers.
Choices: OFF, ON
• Select OFF to turn off DIALG.LIFT effect.
• Select ON to turn on DIALG.LIFT effect.

2 INPUT MENU
Use to reassign digital input/outputs and select the input
mode.

2 INPUTMENU

 

.A)I/OASSIGNMENT
B)INPUTMODE

p

p

[]/[]:Up/Down
[SELECT]:Enter

Note
“DIALG.LIFT” appears only when “PRESENCE SP” is set
to YES (see page 54).

■ Presence/surround back channel select
H)PR/SB SELECT
You can select to prioritize either the surround back or
presence speakers when playing sources that contain
surround back channel signals using CINEMA DSP sound
field programs.
Choices: PRch, SBch

H)PR/SBSELECT



PRch)SBch

ASSIGNMENT
You can assign jacks according to the component to be
used if this unit’s initial settings do not correspond to your
needs. Change the following parameters to reassign the
respective jacks and effectively connect more components.
Once the inputs have been reassigned, you can select the
corresponding component by using INPUT on the front
panel or the input selector buttons on the remote control.
For COMPONENT VIDEO jacks A and B
Choices: DVD, V-AUX, DTV/CBL, VCR 1, DVR/VCR2

p

p

[]/[]:Select
[SELECT]:Return

■ Input/output assignment A)I/O

CMPNT-VINPUT



For OPTICAL OUTPUT jack 1
Choices: MD/CD-R, CD, V-AUX, DTV/CBL, VCR 1,
DVD, DVR/VCR2
ADVANCED
OPERATION

• Select PRch to use presence speakers even when
surround back channel signals are input. The signals
for the surround back channel will be output from
surround speakers.
• Select SBch to use surround back speakers when a
surround back channel signal is detected in a CINEMA
DSP program. Presence channel signals will be output
from front speakers.

.[A];;;;;DVD
(DVD)
[B];;;;;DTV/CBL
(DTV/CBL)

OPTICALOUT



.(1);;;;;MD/CD-R
(MD/CD-R )

For OPTICAL INPUT jacks 2, 3 and 4
Choices: CD, DTV/CBL, VCR 1, DVD, DVR/VCR2,
MD/CD-R

OPTICALIN



English

.(2);;;;;MD/CD-R
(MD/CD-R)
(3);;;;; DVD
(DVD )
(4);;;;;DTV/CBL
(DTV/CBL )

57

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SET MENU

For COAXIAL INPUT jacks 5 and 6
Choices: CD, V-AUX, DTV/CBL, VCR 1, MD/CD-R,
DVD, DVR/VCR2

3 OPTION MENU
Use to adjust the optional system parameters.

COAXIALIN



3 OPTIONMENU1/2

 
.(5);;;;;
CD
(
CD
)
(6);;;;; DVD
(DVD )

Notes

p

p

.A)DISPLAYSET
B)MEMORYGUARD
C)PARAM.INI
D)ZONESET
[]/[]:Up/Down
[SELECT]:Enter

■ Display set A)DISPLAY SET

• You cannot select a specific item more than once for the same
type of jack.
• When you connect a component to both the COAXIAL and
OPTICAL jacks, priority is given to the input signals from the
COAXIAL jack.

A)DISPLAYSET



.DIMMER;;;;;;;;;0
VCONV;;;;;;;;ON
OSDSHIFT;;;;;;0
GRAYBACK;;;AUTO

■ Input mode B)INPUT MODE

[<]/[>]:Select
[SELECT]:Return

• Select AUTO to allow this unit to automatically detect
the type of input signal and select the appropriate input
mode.
• Select LAST to set this unit to automatically select the
last input mode used for that source.
Note
Even if LAST is selected, the last setting for the EX/ES button
will not be recalled.

p

B)INPUTMODE



)AUTOLAST

[]/[]:Up/Down
[<]/[>]:sELECT

p

Use this feature to designate the input mode for sources
connected to the DIGITAL INPUT jacks when you turn on
this unit (see page 36 for details about the input mode).
Choices: AUTO, LAST

Dimmer DIMMER
Use to adjust the brightness of the front panel display.
Choices: –4 to 0
Video conversion V CONV.
Use this feature to turn on/off conversion of composite
(VIDEO) signals to S-Video signals. This allows you to
output converted video signals from the S VIDEO jacks
when no S-Video signals are input.
Choices: ON, OFF
• Select OFF not to convert any signals.
• Select ON to convert composite signals to S-Video
signals.
Note
Converted video signals are only output to the MONITOR OUT
jacks. When recording you must make the same type of video
connections (i.e., S-Video) between each component.

OSD shift OSD SHIFT
Use to adjust the vertical position of the OSD.
Choices: +5 (downward) to –5 (upward)
• Press + to lower the position of the OSD.
• Press – to raise the position of the OSD.
Gray back GRAY BACK
Selecting AUTO for the on-screen display setting displays
a gray background when there’s no video signal input.
Nothing is displayed if OFF is selected.
Choices: AUTO, OFF
Note
If “GRAY BACK” is set to OFF, no information will be
displayed on the screen when video signals are not being input.

58

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SET MENU

■ Memory guard B)MEMORY GUARD

■ Zone set D)ZONE SET

Use this feature to prevent accidental changes to DSP
program parameter values and other system settings.
Choices: OFF, ON

Use to specify the location of speakers connected to the
SPEAKERS B terminals.

D)ZONESET



B)MEMORYGUARD

SPB;;;;;;FRONT



)OFFON
[<]/[>]:Select
[SELECT]:Return
[<]/[>]:Select
[SELECT]:Return

Select ON to protect:
• DSP program parameters
• All SET MENU items
• All speaker levels
• The on-screen display (OSD) mode
Note
When “MEMORY GUARD” is set to ON, you cannot use the test
tone or select any other SET MENU items.

■ Parameter initialization C)PARAM. INI
Use this feature to initialize the parameters for each sound
field program within a sound field program group. When
you initialize a sound field program group, all of the

parameter values within that group revert to their initial
settings.
Press the corresponding numeric button for the sound field
program that you want to initialize.
An asterisk (*) next to a program number means that the
parameter values have been changed from their initial
settings.

Speaker B set SP B
Use this feature to select the location of the front speakers
connected to the SPEAKERS B terminals.
Choices: FRONT, ZONE B
• Select FRONT to turn on/off SPEAKERS A and B
when the speakers connected to the SPEAKERS B
terminals are set in the main room.
• Select ZONE B if the speakers connected to the
SPEAKERS B terminals are set in another room. If
SPEAKERS A is turned OFF and SPEAKERS B is
turned ON, all the speakers including the subwoofer in
the main room are muted and the unit outputs sound
from SPEAKERS B only.
Notes
• If you connect headphones to the PHONES jack on the unit
when “SP B” is set to ZONE B, the sound is output from both
headphones and SPEAKERS B.
• If a DSP program is selected when “SP B” is set to ZONE B,
the unit automatically enters the Virtual CINEMA DSP mode.

C)PARAM.INI



1234

ADVANCED
OPERATION

567*8
9

Notes
• You cannot automatically revert to the previous parameter
settings once you initialize a sound field program group.
• You cannot separately initialize individual sound field
programs.
• You cannot initialize any program groups when “MEMORY
GUARD” is set to ON.

English

59

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REMOTE CONTROL FEATURES

REMOTE CONTROL FEATURES
In addition to controlling this unit, the remote control can also operate other A/V components made by YAMAHA and
other manufacturers. To control other components, you must set up remote control with the appropriate manufacturer
codes.

Control area
■ Controlling this unit

■

The shaded areas below can be used to control this unit
when the AMP mode is selected. Press AMP to activate
the AMP mode.

The shaded areas below can be used to control other
components. Each button has a different function
depending on the selected component. Select the
component you want to control by pressing an input
selector button.

CODE SET

TRANSMIT
SYSTEM

STANDBY

POWER

MD/CD-R

TUNER

SLEEP

DTV/CBL

V-AUX

MULTI CH IN

POWER

POWER

TV

AV

CD

DVD

AMP

VCR 1

DVR/VCR2

TV VOL

TV CH

TV MUTE

TV INPUT

STEREO

HALL

JAZZ

ROCK

1

2

3

4

MUSIC

ENTERTAIN

TV THTR

MOVIE

5

6

7

8

q/DTS

NIGHT

EX/ES

STRAIGHT

9

0

VOLUME

The buttons in the
dotted lines
(SYSTEM
POWER,
STANDBY,
SLEEP, MULTI CH
IN, VOLUME +/–
and MUTE)
function in any
mode.

Controlling other components

The
button and input
selector buttons switch the
function of the component
control area below.
* Use the
button to
control other components
regardless of whether they
are connected to this unit.

CODE SET

TRANSMIT
SYSTEM

STANDBY

POWER

MD/CD-R

TUNER

SLEEP

DVD

DTV/CBL

V-AUX

MULTI CH IN

VCR 1

DVR/VCR2

POWER

POWER

TV

AV

CD

AMP

MUTE

10

VOLUME
TVTV
VOL
TVTV
CHCH
VOL
TV
VOL
TVTV
CHCH
TV
VOL
TV
VOL
TVTV
CHCH
TV
VOL
TV
VOL
TVTV
CHCH
TV
VOL
TV
VOL
TVTV
CHCH
TV
VOL
TV
VOL
TV CH

Press AMP
to control
this unit.

TVTV
MUTE
TVTV
INPUT
MUTE
INPUT
TV
MUTE
TV
INPUT
TV
MUTE
TV
INPUT
MUTE
TV
MUTE
TV
INPUT
TV
MUTE
TV
INPUT
TV
MUTE
TV
INPUT
TV
MUTE
TV
INPUT
TV
MUTE
TV
INPUT
TV
MUTE
TV
INPUT
TV
MUTE
TV
INPUT

ENTER
EFFECT

LEVEL

PRESET/CH

TITLE

SET MENU
MENU
A/B/C/D/E

SELECT
TEST

ON SCREEN

RETURN

DISPLAY

REC
AUDIO
DISC SKIP

60

Component control
area
You can control up to 9
different components by
setting appropriate
manufacturer codes (see
page 61).

STEREO
HALL
JAZZ
ROCK
STEREO
HALL
JAZZ
ROCK
STEREO
HALL
JAZZ
ROCK
HALL 3 JAZZ
JAZZ 4 ROCK
1STEREO
22HALL
ROCK
1STEREO
44ROCK
HALL 33 JAZZ
ROCK
1STEREO
22HALL
JAZZ
1STEREO
33JAZZ
HALL
JAZZ 44 ROCK
1STEREO
22HALL
STEREO
HALL
ROCK
1STEREO
3
4 ROCK
HALL 3 JAZZ
11STEREOTV
22
33JAZZ 444ROCK
MUSIC
ENTERTAIN
THTR
MOVIE
1
2
MUSIC
ENTERTAIN
TV
THTR
MOVIE
1
2
33
44
MUSIC
ENTERTAIN
TV
THTR
MOVIE
1
2
ENTERTAIN
TV
THTR
MOVIE
MUSIC
ENTERTAIN
TV
THTR
MOVIE
55MUSIC
6
7
8
MUSIC
ENTERTAIN
TV
THTR
MOVIE
66ENTERTAIN
77 TV THTR
88 MOVIE
55 MUSIC
ENTERTAIN
THTR
66
77TVTV
88 MOVIE
MUSIC
ENTERTAIN
THTR
MOVIE
55MUSIC
ENTERTAIN
THTR
77TVTV
88 MOVIE
MUSIC66
ENTERTAIN
THTR
MOVIE
55MUSIC
6
7
8
q/DTS
NIGHT
EX/ES
STRAIGHT
55
66
77
88
q/DTS
NIGHT
EX/ES
STRAIGHT
q/DTS
NIGHT
EX/ES
STRAIGHT
5
6
7
8
q/DTS
EX/ES
STRAIGHT
q/DTS
NIGHT 10
EX/ES ENTER
STRAIGHT
99
00NIGHT
q/DTS
STRAIGHT
ENTER
q/DTS
NIGHT10
EX/ES
STRAIGHT
ENTER
99
00NIGHT
10EX/ES
q/DTS
EX/ES
STRAIGHT
ENTER
q/DTS
NIGHT10
EX/ES
STRAIGHT
ENTER
99
0 NIGHT
10
q/DTS
EX/ES
STRAIGHT
ENTER
10
EFFECT
q/DTS00 NIGHT
EX/ES
STRAIGHT
ENTER
99
EFFECT
ENTER
00NIGHT 10
10
EFFECT
ENTER
99
10
EFFECT
ENTER
00
10
EFFECT
PRESET/CH
ENTER
9
10
EFFECT
LEVEL
SET
MENU
PRESET/CH
EFFECT
LEVEL
SET
MENU
PRESET/CH
EFFECT
LEVEL
SET
MENU
PRESET/CH
EFFECT
LEVEL
SET
MENU
PRESET/CH
EFFECT
LEVEL
SET
MENU
TITLE
MENU
PRESET/CH
EFFECT
LEVEL
SET
MENU
TITLE
MENU
PRESET/CH
LEVEL
SET
MENU
TITLE
MENU
PRESET/CH
LEVEL
SET
MENU
TITLE
MENU
PRESET/CH
LEVEL
SET
MENU
TITLE
MENU
A/B/C/D/E
PRESET/CH
LEVEL
SET
MENU
TITLE
MENU
A/B/C/D/E
PRESET/CH
LEVEL
SET
MENU
TITLE
MENU
A/B/C/D/E
TITLE
MENU
A/B/C/D/E
TITLE
MENU
A/B/C/D/E
TITLE
MENU
A/B/C/D/E
SELECT
TITLE
MENU
A/B/C/D/E
SELECT
A/B/C/D/E
SELECT
A/B/C/D/E
SELECT
A/B/C/D/E
SELECT
A/B/C/D/E
SELECT
TEST
ON SCREEN
SELECT
TEST
SELECT
TEST
SELECT
TEST
SELECT
RETURN
DISPLAY
TEST
SELECT
RETURN
DISPLAY
TEST
RETURN
DISPLAY
TEST
RETURN
DISPLAY
TEST
RETURN
DISPLAY
TEST
RETURN
DISPLAY
TEST
RETURN
DISPLAY
TEST
ON SCREEN
RETURN
DISPLAY
REC
RETURN
DISPLAY
REC
RETURN
DISPLAY
REC
RETURN
DISPLAY
REC
AUDIO
REC
AUDIO
REC
AUDIO
REC
AUDIO
REC
AUDIO
REC
DISC
SKIP
AUDIO
REC
DISC
SKIP
AUDIO
REC
DISC
SKIP
AUDIO
DISC
SKIP
AUDIO
DISC
SKIP
AUDIO
DISC
SKIP
AUDIO
DISC
SKIP
DISC
SKIP
DISC
SKIP
DISC
SKIP
DISC
SKIP

00_HTR-5760_U_EN.book Page 61 Tuesday, February 17, 2004 10:47 AM

REMOTE CONTROL FEATURES

Setting manufacturer codes

1

You can control other components by setting the
appropriate manufacturer codes. Codes can be set up for
each input area. For a complete list of available
manufacturer codes, refer to “LIST OF
MANUFACTURER CODES” at the end of this manual.

Press an input selector button or
to
select the component you want to set up.

The following table shows the factory preset component
(Library: component category) and the manufacturer code
for each area.
Input area

2

Component
category
(Library)

Manufacturer

Code

CD

CD

YAMAHA

0005

MD/CD-R

MD

YAMAHA

0024

TUNER

TUNER

YAMAHA

0003

DVD

DVD

YAMAHA

0098

DTV/CBL

–

–

–

V-AUX

–

–

–

VCR 1

–

–

–

DVR/VCR2

–

–

–

–

–

–

CD

MD/CD-R

TUNER

SLEEP

DVD

DTV/CBL

V-AUX

MULTI CH IN

VCR 1

DVR/VCR2

AMP

Press CODE SET using a ballpoint pen or
similar object.
The TRANSMIT indicator on the remote control
flashes twice.
TRANSMIT
CODE SET

3

Press the numeric buttons to enter the four
digit manufacturer’s code for the component
to be used.
Refer to “LIST OF MANUFACTURER CODES” at
the end of this manual.

Note
You may not be able to operate your YAMAHA component even
if a YAMAHA manufacturer code is initially set as listed above.
In this case, try to set other YAMAHA manufacturer code(s).

STEREO

HALL

JAZZ

1

2

3

ROCK

4

MUSIC

ENTERTAIN

TV THTR

MOVIE

5

6

7

8

q/DTS

NIGHT

EX/ES

STRAIGHT

9

0

10

ENTER
EFFECT

The TRANSMIT indicator on the remote control
flashes twice.

• If the manufacturer of your component has more than one code,
try each of them until you find the correct one.
• If you wait for more than 30 seconds during step 3, the setup
process is canceled. If this happens, start over from step 2.

ADVANCED
OPERATION

Notes

English

61

00_HTR-5760_U_EN.book Page 62 Tuesday, February 17, 2004 10:47 AM

REMOTE CONTROL FEATURES

Controlling other components
Once you set the appropriate manufacturer codes, you can
use this remote to control your other components. Note
that some buttons may not correctly operate the selected
component. Use the input selector buttons to select the
component you want to operate. The remote control
automatically switches to the appropriate control mode for
that component.

1
2

CODE SET

TRANSMIT

STEREO

HALL

JAZZ

1

2

3

4

MUSIC

ENTERTAIN

TV THTR

MOVIE

SYSTEM

POWER

POWER

TV

AV

CD

MD/CD-R

DVD

DTV/CBL

VCR 1

DVR/VCR2

POWER

STANDBY

TUNER

7

SLEEP

5

6

7

8

q/DTS

NIGHT

EX/ES

STRAIGHT

9

0

MULTI CH IN

V-AUX

ROCK

10

ENTER

B

EFFECT

8
9
0

AMP

3
4

TV VOL

TV CH

VOLUME

LEVEL

PRESET/CH

SET MENU

TITLE

MENU
A/B/C/D/E

C

SELECT
TEST

ON SCREEN

RETURN

DISPLAY

D

REC

5
6

1
2
3
4
5
6
7
8
9

0
A

B
C
D
*1

TV MUTE

A

TV INPUT
MUTE

STEREO

HALL

JAZZ

ROCK

1

2

3

4

DVD player/
DVD recorder

VCR

Digital TV/
Cable TV

CD player

AV POWER

Power *1

Power *1

VCR power *3

TV POWER

TV power *2

TV power *2

TV power

TV CH +

TV channel up *2

TV channel up *2

TV CH –

TV channel down *2

TV channel down *2

TV VOL +

TV volume up *2

TV volume up *2

AUDIO
DISC SKIP

MD/CD
recorder

Tuner

Power *1

Power *1

Power *1

TV power *2

TV power *2

TV power *2

TV channel up

TV channel up *2

TV channel up *2

TV channel up *2

TV channel down

TV channel down *2

TV channel down *2

TV channel down *2

TV volume up

TV volume up *2

TV volume up *2

TV volume up *2

TV VOL –

TV volume down *2

TV volume down *2

TV volume down

TV volume down *2

TV volume down *2

TV volume down *2

TV MUTE

TV mute *2

TV mute *2

TV mute

TV mute *2

TV mute *2

TV mute *2

TV INPUT

TV input *2

TV input *2

TV input

TV input *2

TV input *2

TV input *2

1-9, 0, +10

Numeric buttons

Numeric buttons

Numeric buttons

Numeric buttons

Numeric buttons

Preset stations (1-8)

TITLE

Title

PRESET/CH u Up

VCR channel up

Preset up

PRESET/CH d Down

VCR channel down

Preset down

PRESET/CH j

Right

PRESET/CH i

Left

RETURN

Return

REC/DISC
SKIP

Disc skip (player)
Rec (recorder)

p

Play

Play

VCR play *3

Play

w

Search backward

Search backward

VCR search
backward *3

Search backward

f

Search forward

Search forward

VCR search forward *3 Search forward

Pause

VCR pause *3

Rec

VCR rec *3

Rec (MD)
Play
Search backward
Search forward

AUDIO

Audio

e

Pause

b

Skip backward

a

Skip forward

Skip forward

Skip forward

s

Stop

Stop

VCR stop *3

Stop

Stop

ENTER

Title/Index

Enter

Enter

Index

Index

MENU

Menu

DISPLAY

Display

Display

Display

Display

Pause

Pause

Skip backward

Skip backward

A/B/C/D/E

This button functions only when the original remote control of the component has a POWER button.
These buttons can operate your TV without switching the input if the manufacturer code is set in DTV/CBL or
. When the
manufacturer code for your TV is set up in both the DTV/CBL and
areas, priority is given to the signal in the DTV/CBL area.
*3 These buttons can operate your VCR without switching the input to VCR 1 if the manufacturer code is set in VCR 1.
*2

62

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REMOTE CONTROL FEATURES

Clearing setup manufacturer codes
■ Clearing a setup manufacturer code for
component control

1

2

Press an input selector button or
to
select the component control for which you
want to clear the manufacturer code.
CD

MD/CD-R

TUNER

SLEEP

DVD

DTV/CBL

V-AUX

MULTI CH IN

VCR 1

DVR/VCR2

AMP

Press CODE SET using a ballpoint pen or
similar object.
The TRANSMIT indicator on the remote control
flashes twice.
TRANSMIT
CODE SET

3

If you do not press any button within 30
seconds after step 2, the clearing process is
canceled. If this happens, start over from
step 1.

4

Enter the code number “0000”.
The TRANSMIT indicator on the remote control
flashes twice, and the manufacturer code for the
selected component is cleared.
ADVANCED
OPERATION

y
You can clear all setup manufacturer codes at once by entering
the code number “9990”.

English

63

00_HTR-5760_U_EN.book Page 64 Tuesday, February 17, 2004 10:47 AM

EDITING SOUND FIELD PARAMETERS

EDITING SOUND FIELD PARAMETERS
What is a sound field
What really creates the rich, full tones of a live instrument
are the multiple reflections from the walls of the room. In
addition to making the sound “live”, these reflections
enable us to tell where the player is situated, and the size
and shape of the room in which we are sitting.

Changing parameter settings
You can enjoy good quality sound with the factory preset
parameters. Although you do not have to change the initial
settings, you can change some of the parameters to better
suit the input source or your listening room.
MUTE

■ Elements of a sound field

CODE SET

TRANSMIT
SYSTEM

POWER

In any environment, in addition to the direct sound coming
straight to our ears from the player’s instrument, there are
two distinct types of sound reflections that combine to
make up the sound field:

1

POWER

STANDBY

POWER

TV

AV

CD

MD/CD-R

TUNER

SLEEP

DVD

DTV/CBL

V-AUX

MULTI CH IN

STEREO

HALL

JAZZ

1

2

3

4

MUSIC

ENTERTAIN

TV THTR

MOVIE

5

6

7

8

q/DTS

NIGHT

EX/ES

STRAIGHT

9

0

10

VCR 1

AMP

DVR/VCR2

PRESET/CH

LEVEL
TITLE

Direct sound, early reflections and subsequent
reverberation taken together help us to determine the
subjective size and shape of the room, and it is this
information that the digital sound field processor
reproduces in order to create sound fields.

SET MENU
MENU
A/B/C/D/E

SELECT

TV CH

VOLUME

2
4,5

ON SCREEN

TEST

Reverberations
These are caused by reflections from more than one
surface — walls, ceiling, the back of the room — so
numerous that they merge together to form a continuous
sonic “afterglow”. They are non-directional, and lessen
the clarity of the direct sound.

3

ENTER
EFFECT

TV VOL

Early reflections
Reflected sounds reach our ears extremely rapidly (50 ms
– 100 ms after the direct sound), after reflecting from one
surface only — for example, from the ceiling or a wall.
Early reflections actually add clarity to the direct sound.

ROCK

RETURN

DISPLAY

REC
TV MUTE

AUDIO

TV INPUT
DISC SKIP

1

Press AMP.
AMP

2

3

Turn on the video monitor and
press ON SCREEN repeatedly
to select the full display
mode.

ON SCREEN
DISPLAY

Select the sound field program you want to
adjust.

If you could create the appropriate early reflections and
subsequent reverberations in your listening room, you
would be able to create your own listening environment.
The acoustics in your room could be changed to those of a
concert hall, a dance floor, or virtually any size room at
all. This ability to create sound fields at will is exactly
what YAMAHA has done with the digital sound field
processor.

STEREO

HALL

JAZZ

1

2

3

ROCK

4

MUSIC

ENTERTAIN

TV THTR

MOVIE

5

6

7

8

q/DTS

NIGHT

EX/ES

STRAIGHT

9

0

10

ENTER
EFFECT

Program No.

Program name

P08 MOVIE THEATER
Cursor

.General
DSPLEVEL;;;;0dB
P.INIT.DLY;;15ms
P.ROOMSIZE;;1.0
S.INIT.DLY;;20ms
S.ROOMSIZE;;1.0

Parameters

64

Parameter values

00_HTR-5760_U_EN.book Page 65 Tuesday, February 17, 2004 10:47 AM

EDITING SOUND FIELD PARAMETERS

4

Press u / d to select
the parameters.

PRESET/CH

SELECT

5

6

Press j / i to change
the parameter value.
When you set a parameter
to a value other than the
factory-set value, an
asterisk mark (*) appears
by the parameter name on
the front panel display.

PRESET/CH

SELECT

Repeat steps 3 through 5 as necessary to
change other program parameters.

Note
You cannot change parameter values when “MEMORY GUARD”
is set to ON. If you want to change the parameter values, set
“MEMORY GUARD” to OFF (see page 59).

Memory back-up
The memory back-up circuit prevents the stored data
from being lost even if this unit is set in the standby
mode, the power cord is disconnected from the AC
outlet, or the power supply is temporarily cut due to
power failure. However, if the power is cut for more
than one week, the parameter values will return to the
factory settings. If this happens, edit the parameter
value again.

■ Resetting parameters to the factory
presets
To reset a certain parameter
Select the parameter you want to reset, then press j / i
repeatedly until the asterisk mark (*) next to the parameter
name disappears.

ADDITIONAL
INFORMATION

To reset all parameters
Use PARAM. INI (see page 59).

English

65

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SOUND FIELD PARAMETER DESCRIPTIONS

SOUND FIELD PARAMETER DESCRIPTIONS
You can adjust the values of certain digital sound field parameters so the sound fields are recreated accurately in your
listening room. Not all of the following parameters are found in every program.

■ DSP LEVEL
Function:
Description:
Control range:

This parameter adjusts the level of all the DSP effect sounds within a narrow range.
Depending on the acoustics of your listening room, you may want to increase or decrease the DSP
effect level relative to the level of the direct sound.
–6 dB – +3 dB

■ INIT. DLY (Initial delay)
Function:
Description:
Control range:

This parameter changes the apparent distance from the source sound by adjusting the delay between the
direct sound and the first reflection heard by the listener.
The smaller the value, the closer the sound source seems to the listener. The larger the value, the farther
it seems. For a small room, set to a small value. For a large room, set to a large value.
1 – 99 msec
Source Sound

Level

Level

Level

Early
Reflections

Time

Time

Time

INIT. DLY

INIT. DLY

INIT. DLY
Sound Source

Reflection Face

Small value = 1 ms

Large value = 99 ms

■ ROOM SIZE/P. ROOM SIZE (Room size)
Function:
Description:

Control range:

This parameter adjusts the apparent size of the surround sound field. The larger the value, the larger the
surround sound field becomes.
As the sound is repeatedly reflected around a room, the larger the hall is, the longer the time between
the original reflected sound and the subsequent reflections. By controlling the time between the
reflected sounds, you can change the apparent size of the virtual venue. Changing this parameter from
one to two, doubles the apparent length of the room.
0.1 – 2.0

Time

Early
Reflections
Time

Level

Level

Level

Source Sound

Time

Sound Source

Small value = 0.1

66

Large value = 2.0

00_HTR-5760_U_EN.book Page 67 Tuesday, February 17, 2004 10:47 AM

SOUND FIELD PARAMETER DESCRIPTIONS

■ LIVENESS
Function:
Description:

Control range:

This parameter adjusts the reflectivity of the virtual walls in the hall by changing the rate at which the
early reflections decay.
The early reflections of a sound source decay much faster in a room with acoustically absorbent wall
surfaces than in one which has highly reflective surfaces. A room with acoustically absorbent surfaces
is referred to as “dead”, while a room with highly reflective surfaces is referred to as “live”. The
LIVENESS parameter lets you adjust the early reflection decay rate, and thus the “liveness” of the
room.
0 – 10
Source Sound

Time

Small Reflected
Sound

Small value = 0

Level

Dead

Level

Level

Live

Time

Time

Large Reflected
Sound

Large value = 10

■ S. INIT. DLY (Surround initial delay)
Function:

This parameter adjusts the delay between the direct sound and the first reflection on the surround side of
the sound field. You can only adjust this parameter when at least two front channels and two surround
channels are used.
Control Range: 1 – 49 msec

■ S. ROOM SIZE (Surround room size)
Function:
This parameter adjusts the apparent size of the surround sound field.
Control Range: 0.1 – 2.0

■ S. LIVENESS (Surround liveness)
Function:
This parameter adjusts the apparent reflectivity of the virtual walls in the surround sound field.
Control Range: 0 – 10

■ SB INIT. DLY (Surround back initial delay)
Function:

This parameter adjusts the delay between the direct sound and the first reflection in the surround back
sound field.
Control Range: 1 – 49 msec

■ SB ROOM SIZE (Surround back room size)
Function:
This parameter adjusts the apparent size of the surround back sound field.
Control Range: 0.1 – 2.0
ADDITIONAL
INFORMATION

■ SB LIVENESS (Surround back liveness)
Function:
This parameter adjusts the apparent reflectivity of the virtual wall in the surround back sound field.
Control Range: 0 – 10

English

67

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SOUND FIELD PARAMETER DESCRIPTIONS

■ REV.TIME (Reverberation time)
Function:

This parameter adjusts the amount of time it takes for the dense, subsequent reverberation sound to
decay by 60 dB (at 1 kHz). This changes the apparent size of the acoustic environment over an
extremely wide range.
Description:
Set a longer reverberation time for “dead” sources and listening room environments, and a shorter time
for “live” sources and listening room environments.
Control Range: 1.0 – 5.0 sec
Source Sound

Reverberation

Reverberation

Early Reflections
60 dB

60 dB

REV.TIME
Sound Source

REV.TIME

60 dB

REV.TIME
Long
Reverberation

Short
Reverberation

Large value = 5.0 s

Small value = 1.0 s

■ REV.DELAY (Reverberation delay)
This parameter adjusts the time difference between the beginning of the direct sound and the beginning
of the reverberation sound.
Description:
The larger the value, the later the reverberation sound begins. A later reverberation sound makes you
feel like you are in a larger acoustic environment.
Control Range: 0 – 250 msec
Level

Function:

Source Sound

(dB)

60 dB

Reverberation
Time
REV.DELAY

REV.TIME

■ REV. LEVEL (Reverberation level)
Function:
This parameter adjusts the volume of the reverberation sound.
Description:
The larger the value, the stronger the reverberation becomes.
Control Range: 0 – 100%
Level

Source Sound

REV. LEVEL

Time

68

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SOUND FIELD PARAMETER DESCRIPTIONS

■ DIALG.LIFT (Dialog lift)
Function:
Description:
Choices:

This parameter adjusts the height of the front and center channel sounds by assigning some of the front
and center channel elements to the presence speakers.
The larger the parameter, the higher the position of the front and center channel sound.
0/1/2/3/4/5, initial setting is 3.

For 7ch Stereo
Function:
These parameter adjusts the volume level for each channel in 7-channel stereo mode.
Control Range: 0 – 100%

■ CT LEVEL (Center level)
■ SL LEVEL (Surround left level)
■ SR LEVEL (Surround right level)
■ SB LEVEL (Surround back level)
■ PR LEVEL (Presence level)

For PRO LOGIC IIx Music and PRO LOGIC II Music
■ PANORAMA
Function:
Choices:

Extends the front stereo image to include the surround speakers for wraparound effect.
OFF/ON, initial setting is OFF.

■ DIMENSION
Function:
Control range:

Gradually adjusts the sound field either towards the front or towards the rear.
–3 (towards the rear) to +3 (towards the front), initial setting is STD (standard).

■ CT WIDTH (Center width)
Function:
Control range:

Adjusts the center image from all three front speakers to varying degrees. A larger value adjusts the
center image towards the front left and right speakers.
0 (center channel sound is output only from center speaker) to 7 (center channel sound is output only
from front left and right speakers), initial setting is 3.

For PRO LOGIC IIx Movie, Music and Game
■ PLII/PLIIx (Pro Logic II/Pro Logic IIx)
Function:
Choices:

Switches the type of Pro Logic decoding to be used. PLII decoding creates 5.1-channel sound from 2channel sources. PLIIx decoding creates 6.1/7.1-channel sound from 2-channel sources.
PLII, PLIIx
ADDITIONAL
INFORMATION

For DTS Neo:6 Music
■ C. IMAGE (Center image)
Function:
Control range:

This parameter adjusts the center image from all three front speakers to varying degrees.
0 – 0.5

English

69

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TROUBLESHOOTING

TROUBLESHOOTING
Refer to the chart below when this unit does not function properly. If the problem you are experiencing is not listed below
or if the instruction below does not help, set this unit to the standby mode, disconnect the power cord, and contact the
nearest authorized YAMAHA dealer or service center.

■ General
Problem
This unit fails to turn
on when STANDBY/
ON (or SYSTEM
POWER) is pressed,
or enters in the
standby mode soon
after the power has
been turned on.

On-screen display
does not appear.

No sound

No picture

70

Cause

Remedy

Refer to
page

The power cord is not connected or the
plug is not completely inserted.

Connect the power cord firmly.

—

The impedance setting is incorrect.

Set the impedance to match your speakers.

23

The protection circuitry has been
activated.

Make sure all speaker wire connections on this unit
and on all speakers are secure and that the wire for
each connection does not touch anything other than
its respective connection.

This unit has been exposed to a strong
external electric shock (such as lightning
and strong static electricity).

Set this unit in the standby mode, disconnect the
power cord, plug it back in after 30 seconds, then use
it normally.

—

The setting for the on-screen display is set
to “DISPLAY OFF”.

Select the full display or short display mode.

48

“GRAY BACK” in SET MENU is set to
OFF, and no video signal is currently
being received.

Set “GRAY BACK” to AUTO to always show the
OSD.

58

Incorrect input or output cable
connections.

Connect the cables properly. If the problem persists,
the cables may be defective.

The optimizer microphone is connected.

Disconnect the optimizer microphone.

25

The input mode is set to DTS or
ANALOG.

Select AUTO.

36

No appropriate input source has been
selected.

Select an appropriate input source with INPUT,
MULTI CH INPUT or the input selector buttons.

30

Speaker connections are not secure.

Secure the connections.

12

The front speakers to be used have not
been selected properly.

Select the front speakers with SPEAKERS A and/or
B.

30

The volume is turned down.

Turn up the volume.

—

The sound is muted.

Press MUTE or any operation buttons of this unit to
cancel a mute and adjust the volume.

31

The input mode is set to ANALOG while
playing a source encoded with a DTS
signal.

Set the input mode to AUTO or DTS.

36

The signals this unit cannot reproduce are
being received from a source component
e.g.: a CD-ROM.

Play a source whose signals this unit can reproduce.

—

The output and input for the picture are
connected to different types of video
jacks.

Turn on the video conversion function.

58

12-14

16-19

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TROUBLESHOOTING

Problem
The sound suddenly
goes off.

Cause

Remedy

Refer to
page
23

Check that the speaker wires are not touching each
other and then turn this unit back on.

—

The sleep timer has turned the unit off.

Turn on the power, and play the source again.

—

The sound is muted.

Press MUTE to cancel a mute.

31

Only the speaker on
one side can be
heard.

Incorrect cable connections.

Connect the cables properly. If the problem persists,
the cables may be defective.

12

Incorrect balance settings in SET MENU.

Adjust the SPEAKER LEVEL settings.

55

Only the center
speaker outputs
substantial sound.

When playing a monaural source with a
CINEMA DSP program, the source signal
is directed to the center channel, and the
front and surround speakers output effect
sounds.

No sound from the
effect speakers.

The sound field programs are turned off.

Press STRAIGHT (EFFECT) to turn them on.

36

You are using a source or program
combination that does not output sound
from all channels.

Try another sound field program.

44

The output level of the center speaker is
set to minimum.

Raise the level of the center speaker.

55

“CENTER SP” in SET MENU is set to
NONE.

Select the appropriate setting for the center speaker.

53

One of the Hi-Fi DSP programs (except
for 7ch Stereo) has been selected.

Try another sound field program.

44

The output level of the surround speakers
is set to minimum.

Raise the output level of the surround speakers.

55

“SURR L/R SP” in SET MENU is set to
NONE.

Select the appropriate setting for the surround left and
right speakers.

53

A monaural source is being played with
STRAIGHT.

Press STRAIGHT (EFFECT) to turn on the sound
fields.

—

Presence speakers are selected.

Select surround back speakers in PR/SB SELECT.

57

“SURR L/R SP” in SET MENU is set to
NONE.

If the surround left and right speakers are set to
NONE, the surround back speaker setting is
automatically set to NONE. Select the appropriate
setting for the surround speakers.

53

“SURR B L/R SP” in SET MENU is set to
NONE.

Select LRGx1 or SMLx1.

54

“LFE/BASS OUT” in SET MENU is set
to FRNT when a Dolby Digital or DTS
signal is being played.

Select SWFR or BOTH.

54

“LFE/BASS OUT” in SET MENU is set
to SWFR or FRNT when a 2-channel
source is being played.

Select BOTH.

54

No sound from the
center speaker.

No sound from the
surround speakers.

No sound from the
surround back
speakers.

No sound from the
subwoofer.

ADDITIONAL
INFORMATION

Check that the impedance selector setting is correct.

The protection circuitry has been activated
because of a short circuit, etc.

The source does not contain low bass
signals.

English

71

00_HTR-5760_U_EN.book Page 72 Tuesday, February 17, 2004 10:47 AM

TROUBLESHOOTING

Problem

Cause

Remedy

Refer to
page

Dolby Digital or DTS
sources cannot be
played. (Dolby Digital
or DTS indicator on
the front panel
display does not light
up.)

The connected component is not set to
output Dolby Digital or DTS digital
signals.

Make an appropriate setting following the operations
instructions for your component.

—

The input mode is set to ANALOG.

Set the input mode to AUTO or DTS.

36

A “humming” sound
can be heard.

Incorrect cable connections.

Firmly connect the audio plugs. If the problem
persists, the cables may be defective.

—

The volume level
cannot be increased,
or the sound is
distorted.

The component connected to the OUT
(REC) jacks of this unit is turned off.

Turn on the power to the component.

—

The sound effect
cannot be recorded.

It is not possible to record the sound effect
with a recording component.

A source cannot be
recorded by a digital
recording component
connected to this
DIGITAL OUTPUT
jack.

The source component is not connected to
this unit’s DIGITAL INPUT jacks.

A source cannot be
recorded by an
analog component
connected to the
AUDIO OUT jacks.

Connect the source component to the DIGITAL
INPUT jacks.

16-19, 43

The source component is not connected to
this unit’s analog AUDIO IN jacks.

Connect the source component to the analog AUDIO
IN jacks.

16-19, 43

The sound field
parameters and some
other settings on this
unit cannot be
changed.

“MEMORY GUARD” in SET MENU is
set to ON.

Select OFF.

59

This unit does not
operate properly.

The internal microcomputer has been
frozen by an external electric shock (such
as lightning or excessive static electricity)
or by a power supply with low voltage.

Disconnect the AC power cord from the outlet and
then plug it in again after about 30 seconds.

—

“CHECK SP WIRES”
appears in the front
panel display.

Speaker cables are short circuited.

Make sure all speaker cables are connected correctly.

12

72

Some components cannot record the
Dolby Digital or DTS sources.

00_HTR-5760_U_EN.book Page 73 Tuesday, February 17, 2004 10:47 AM

TROUBLESHOOTING

Problem

Cause

Remedy

There is noise
interference from
digital or highfrequency equipment,
or this unit.

This unit is too close to the digital or highfrequency equipment.

The picture is
disturbed.

The video source uses scrambled or
encoded signals to prevent dubbing.

This unit suddenly
turns into the standby
mode.

The internal temperature becomes too
high and the overheat protection circuitry
has been activated.

Refer to
page

Move this unit further away from such equipment.

—

Wait about 1 hour for this unit to cool down and then
turn it back on.

—

■ Tuner
Problem
FM stereo reception is
noisy.

FM

AM

Cause

Remedy

Refer
to page

The characteristics of FM stereo
broadcasts may cause this problem
when the transmitter is too far away or
the antenna input is poor.

Check the antenna connections.
Try using a high-quality directional FM
antenna.

21

Use the manual tuning method.

39

There is distortion, and
clear reception cannot
be obtained even with a
good FM antenna.

There is multipath interference.

Adjust the antenna position to eliminate
multipath interference.

—

The desired station
cannot be tuned in with
the automatic tuning
method.

The signal is too weak.

Use a high-quality directional FM antenna.

21

Use the manual tuning method.

39

Previously preset
stations can no longer
be tuned in.

This unit has been disconnected for a
long period.

Preset the stations again.

39

The desired station
cannot be tuned in with
the automatic tuning
method.

The signal is weak or the antenna
connections are loose.

Tighten the AM loop antenna connections
and orient it for best reception.

—

Use the manual tuning method.

39

There are continuous
crackling and hissing
noises.

Noises result from lightning,
fluorescent lamps, motors, thermostats
and other electrical equipment.

Use an outdoor antenna and a ground wire.
This will help somewhat, but it is difficult to
eliminate all noise.

—

There are buzzing and
whining noises.

A TV set is being used nearby.

Move this unit away from the TV.

—

ADDITIONAL
INFORMATION
English

73

00_HTR-5760_U_EN.book Page 74 Tuesday, February 17, 2004 10:47 AM

TROUBLESHOOTING

■ Remote control
Problem
The remote control
does not work nor
function properly.

Cause

Refer to
page

Wrong distance or angle.

The remote control will function within a maximum
range of 6 m (20 ft) and no more than 30 degrees offaxis from the front panel.

7

Direct sunlight or lighting (from an
inverter type of fluorescent lamp, etc.) is
striking the remote control sensor of this
unit.

Reposition this unit.

—

The batteries are weak.

Replace all batteries.

3

The manufacturer code was not correctly
set.

Set the manufacturer code correctly using the “LIST
OF MANUFACTURER CODES” at the end of this
manual.

61

Try to set another code for the same manufacturer
using the “LIST OF MANUFACTURER CODES” at
the end of this manual.

61

Even if the manufacturer code is correctly
set, there are some models that do not
respond to the remote control.

74

Remedy

00_HTR-5760_U_EN.book Page 75 Tuesday, February 17, 2004 10:47 AM

RESETTING THE FACTORY PRESETS

RESETTING THE FACTORY PRESETS
If you want to reset all of your unit’s parameters for any
reason, do the following. This procedure completely resets
ALL parameters, including the SET MENU, level, assign
and tuner presets.
Be sure this unit is in standby mode.
(U.S.A. model)
VOLUME

STANDBY
/ON

PRESET/TUNING

OPTIMIZER
MIC

FM/AM

A/B/C/D/E

l PRESET/TUNING h

NEXT

EDIT

LEVEL

PROGRAM

PHONES

SPEAKERS
A
B

MEMORY

TUNING MODE

MAN'L/AUTO FM

AUTO/MAN'L MONO

INPUT

VIDEO AUX
STRAIGHT

TONE CONTROL

INPUT MODE

MULTI CH
INPUT

EFFECT

SILENT CINEMA

STANDBY/ON

1

S VIDEO

VIDEO

L

AUDIO

R

OPTICAL

STRAIGHT (EFFECT)

Hold down STRAIGHT (EFFECT) on the front
panel and press STANDBY/ON.
“FACTORY PRESET” appears in the front panel
display.
y
To cancel the initialization procedure without making any
changes, press STANDBY/ON.

2

Press STRAIGHT (EFFECT) to select the
desired setting.
Reset
Cancel

3

To reset the unit to its factory presets.
To cancel without making any changes.

Press STANDBY/ON to confirm your
selection.
If you selected “Reset”, the unit is reset to its factory
presets and switches to standby mode.
If you selected “Cancel”, the unit switches to standby
mode and nothing is reset.

ADDITIONAL
INFORMATION
English

75

00_HTR-5760_U_EN.book Page 76 Tuesday, February 17, 2004 10:47 AM

GLOSSARY

GLOSSARY
Audio formats
■ Dolby Digital
Dolby Digital is a digital surround sound system that gives
you completely independent multi-channel audio. With 3
front channels (left, center, and right), and 2 surround
stereo channels, Dolby Digital provides 5 full-range audio
channels. With an additional channel especially for bass
effects, called LFE (low frequency effect), the system has
a total of 5.1-channels (LFE is counted as 0.1 channel). By
using 2-channel stereo for the surround speakers, more
accurate moving sound effects and surround sound
environment are possible than with Dolby Surround. The
wide dynamic range (from maximum to minimum
volume) reproduced by the 5 full-range channels and the
precise sound orientation generated using digital sound
processing provide listeners with previously unheard of
excitement and realism.
With this unit, any sound environment from monaural up
to a 5.1-channel configuration can be freely selected for
your enjoyment.

■ Dolby Digital Surround EX
Dolby Digital EX creates 6 full-bandwidth output
channels from 5.1-channel sources. This is done using a
matrix decoder that derives 3 surround channels from the
2 in the original recording. For the best results, Dolby
Digital EX should be used with movie sound tracks
recorded with Dolby Digital Surround EX. With this
additional channel, you can experience more dynamic and
realistic moving sound especially with scenes with
“flyover” and “fly-around” effects.

■ Dolby Pro Logic II
Dolby Pro Logic II is an improved technique used to
decode vast numbers of existing Dolby Surround software.
This new technology enables a discrete 5-channel
playback with 2 front left and right channels, 1 center
channel, and 2 surround left and right channels (instead of
only 1 surround channel for conventional Pro Logic
technology). Music and Game modes are also available for
2-channel sources in addition to the Movie mode.

■ Dolby Pro Logic IIx
Dolby Pro Logic IIx is a new technology enabling discrete
multi-channel playback from 2-channel or multi-channel
sources. There is a Music mode for music, a Movie mode
for movies and a Game mode for games.

76

■ Dolby Surround
Dolby Surround uses a 4 channel analog recording system
to reproduce realistic and dynamic sound effects: 2 front
left and right channels (stereo), a center channel for dialog
(monaural), and a surround channel for special sound
effects (monaural). The surround channel reproduces
sound within a narrow frequency range.
Dolby Surround is widely used with nearly all video tapes
and laser discs, and in many TV and cable broadcasts as
well. The Dolby Pro Logic decoder built into this unit
employs a digital signal processing system that
automatically stabilizes the volume on each channel to
enhance moving sound effects and directionality.

■ DTS 96/24
DTS 96/24 offers an unprecedented level of audio quality
for multi-channel sound on DVD-Video, and is fully
backward-compatible with all DTS decoders. “96” refers
to a 96 kHz sampling rate (compared to the typical 48 kHz
sampling rate). “24” refers to 24-bit word length. DTS 96/
24 offers sound quality transparent to the original 96/24
master, and 96/24 5.1-channel sound with full-quality fullmotion video for music programs and motion picture
soundtracks on DVD-video.

■ DTS (Digital Theater Systems)
Digital Surround
DTS digital surround was developed to replace the analog
soundtracks of movies with a 6-channel digital sound
track, and is now rapidly gaining popularity in movie
theaters around the world. Digital Theater Systems Inc.
has developed a home theater system so that you can enjoy
the depth of sound and natural spatial representation of
DTS digital surround in your home. This system produces
practically distortion-free 6-channel sound (technically, a
left, right and center channels, 2 surround channels, plus
an LFE 0.1 channel as a subwoofer, for a total of 5.1channels). The unit incorporates DTS-ES decoder that
enables 6.1- channel reproduction by adding the surround
back channel to existing 5.1-channel format.

■ Neo:6
Neo:6 decodes the conventional 2-channel sources for 6
channel playback by the specific decoder. It enables
playback with the full-range channels with higher
separation just like digital discrete signal playback. Two
modes are available; “Music mode” for playing music
sources and “Cinema mode” for movies.

00_HTR-5760_U_EN.book Page 77 Tuesday, February 17, 2004 10:47 AM

GLOSSARY

Sound field programs

Audio information

■ CINEMA DSP

■ ITU-R

Since the Dolby Surround and DTS systems were
originally designed for use in movie theaters, their effect
is best felt in a theater having many speakers and designed
for acoustic effects. Since home conditions, such as room
size, wall material, number of speakers, and so on, can
differ so widely, it’s inevitable that there are differences in
the sound heard as well. Based on a wealth of actually
measured data, YAMAHA CINEMA DSP uses
YAMAHA original sound field technology to combine
Dolby Pro Logic, Dolby Digital and DTS systems to
provide the visual and audio experience of movie theater
in the listening room of your own home.

ITU-R is the radio communication sector of the ITU
(International Telecommunication Union). ITU-R
recommends a standard speaker placement which is used
in many critical listening rooms, especially for mastering
purposes.

■ SILENT CINEMA
YAMAHA has developed a natural, realistic sound effect
DSP algorithm for headphones.
Parameters for headphones have been set for each sound
field so that accurate representations of all the sound field
programs can be enjoyed on headphones.

■ Virtual CINEMA DSP
YAMAHA has developed a Virtual CINEMA DSP
algorithm that allows you to enjoy DSP sound field
surround effects even without any surround speakers by
using virtual surround speakers.
It is even possible to enjoy Virtual CINEMA DSP using a
minimal two-speaker system that does not include a center
speaker.

■ LFE 0.1 channel
This channel is for the reproduction of low bass signals.
The frequency range for this channel is 20 Hz to 120 Hz.
This channel is counted as 0.1 because it only enforces a
low frequency range compared to the full-range
reproduced by the other 5/6 channels in Dolby Digital or
DTS 5.1/6.1-channel systems.

■ PCM (Linear PCM)
Linear PCM is a signal format under which an analog
audio signal is digitized, recorded and transmitted without
using any compression. This is used as a method of
recording CDs and DVD audio. The PCM system uses a
technique for sampling the size of the analog signal per
very small unit of time. Standing for “pulse code
modulation”, the analog signal is encoded as pulses and
then modulated for recording.

■ Sampling frequency and number of
quantized bits
When digitizing an analog audio signal, the number of
times the signal is sampled per second is called the
sampling frequency, while the degree of fineness when
converting the sound level into a numeric value is called
the number of quantized bits.
The range of rates that can be played back is determined
based on the sampling rate, while the dynamic range
representing the sound level difference is determined by
the number of quantized bits. In principle, the higher the
sampling frequency, the wider the range of frequencies
that can be played back, and the higher the number of
quantized bits, the more finely the sound level can be
reproduced.

ADDITIONAL
INFORMATION
English

77

00_HTR-5760_U_EN.book Page 78 Tuesday, February 17, 2004 10:47 AM

GLOSSARY

Video signal information
■ Component video signal
With the component video signal system, the video signal
is separated into the Y signal for the luminance and the PB
and PR signals for the chrominance. Color can be
reproduced more faithfully with this system because each
of these signals is independent. The component signal is
also called the “color difference signal” because the
luminance signal is subtracted from the color signal.
A monitor with component input jacks is required in order
to use the component signal for output.

■ Composite video signal
With the composite video signal system, the video signal
is composed of three basic elements of a video picture;
color, brightness and synchronization data. A composite
video jack on a video component transmits these three
elements combined.

■ S-Video signal
With the S-Video signal system, the video signal normally
transmitted using a pin cable is separated and transmitted
as the Y signal for the luminance and the C signal for the
chrominance through the S-Video cable. Using the
S VIDEO jack eliminates video signal transmission loss
and allows recording and playback of even more beautiful
images.

78

00_HTR-5760_U_EN.book Page 79 Tuesday, February 17, 2004 10:47 AM

SPECIFICATIONS

SPECIFICATIONS
AUDIO SECTION

VIDEO SECTION

• Minimum RMS Output Power for Front, Center, Surround,
Surround back
20 Hz to 20 kHz, 0.06% THD, 8 Ω .......................................95 W

• Video Signal Type ...........................................................PAL/NTSC

• Maximum Power (EIAJ)
[China and Korea models]
1 kHz, 10% THD, 8 Ω .........................................................135 W
• Dynamic Power (IHF)
8/6/4/2 Ω .........................................................130/165/195/240 W
• Damping Factor (IHF)
20 Hz to 20 kHz, 8 Ω .................................................. 100 or more
• Frequency Response
CD terminal to Front L/R .......................10 Hz to 100 kHz, –3 dB
• Total Harmonic Distortion
CD, etc. to Front L/R (20 Hz to 20 kHz, 50 W, 8 Ω) .......... 0.06%
• Signal to Noise Ratio (IHF-A Network)
CD (250 mV) to Front L/R, Effect Off ............................... 100 dB

• Signal to Noise Ratio ...............................................................50 dB
• Frequency Response (MONITOR OUT)
Composite, S-Video ..................................5 Hz to 10 MHz, –3 dB
Component ................................................5 Hz to 60 MHz, –3 dB

FM SECTION
• Tuning Range
[U.S.A. and Canada models] ............................87.5 to 107.9 MHz
[Other models] ............................................. 87.50 to 108.00 MHz
• Usable Sensitivity (IHF) ........................................1.0 µV (11.2 dBf)
• Signal to Noise Ratio (IHF)
Mono/Stereo ...............................................................76 dB/70 dB
• Harmonic Distortion (1 kHz)
Mono/Stereo ................................................................. 0.2%/0.3%
• Stereo Separation (1 kHz) ........................................................42 dB

• Residual Noise (IHF-A Network)
Front L/R ................................................................ 150 µV or less

• Frequency Response ...........................20 Hz to 15 kHz, +0.5, –2 dB

• Channel Separation (1 kHz/10 kHz)
CD (5.1 kΩ terminated) to Front L/R ........................ 60 dB/45 dB

AM SECTION

• Tone Control (Front L/R)
BASS Boost/Cut ........................................................ ±6 dB/50 Hz
BASS Turnover Frequency ................................................. 350 Hz
TREBLE Boost/Cut ................................................. ±6 dB/20 kHz
TREBLE Turnover Frequency ........................................... 3.5 kHz
• Phones Output ........................................................... 150 mV/100 Ω
• Input Sensitivity/Input Impedance
CD, etc. .................................................................. 200 mV/47 kΩ
MULTI CH INPUT ................................................ 200 mV/47 kΩ
• Output Level/Output Impedance
REC OUT ............................................................. 200 mV/1.2 kΩ
PRE OUT ......................................................................2 V/1.2 kΩ
SUB WOOFER .............................................................4 V/1.7 kΩ

• Tuning Range
[U.S.A. and Canada models] ............................... 530 to 1710 kHz
[Other models] .................................................... 531 to 1611 kHz
• Usable Sensitivity .............................................................. 300 µV/m

GENERAL
• Power Supply
[U.S.A. and Canada models] ...............................AC 120 V, 60 Hz
[Australia model] ................................................AC 240 V, 50 Hz
[China model] ......................................................AC 220 V, 50 Hz
[Korea model] .....................................................AC 220 V, 60 Hz
• Power Consumption
[U.S.A. and Canada models] .................................. 400 W/500 VA
[Other models] .................................................................... 440 W
• Standby Power Consumption .................................................. 0.1 W
• AC Outlets
[U.S.A. and Canada models] ............... 2 (Total 100 W maximum)
[Australia model] ................................ 1 (Total 100 W maximum)
[China model] ........................................ 2 (Total 50 W maximum)
• Dimension (W x H x D) ................................... 435 x 171 x 420 mm
(17-1/8” x 6-3/4” x 16-1/2”)
• Weight .............................................................. 12.5 kg (27 lbs 9 oz)

ADDITIONAL
INFORMATION
English

79

00_HTR-5760_U_EN.book Page i Tuesday, February 17, 2004 10:47 AM

LIST OF MANUFACTURER CODES

TV
A TANDY
0941
ABEX
1151
ADMIRA
1141
ADVENTURA 1131
AIKO
1121
AIWA
1481
AKAI
0331, 1101, 1111
ALBA
0431
ALLERON
1091
AMBASSADOR
1081
AMSTRAD
0481, 1081
ANAM
0251, 1041, 1051,
1061, 1071
ANAM NATIONAL 1041
AOC
0361, 1021, 1031,
1111, 1161
ARCHER
1161
AUDIOSONIC 1001
AUDIOVOX
1051, 1161
BAUER
0441
BAUR
1001
BEIJING
1511, 1551, 1561
BELCOR
1031
BELL & HOWELL 0981, 0991
BEON
1001
BRADFORD 1051
BROCKWOOD 1031
BROKSONIC 1161
BUSH
1001
CANDLE
0351, 0361, 0961,
0971, 1111, 1131
CAPEHART
1021
CARVER
0101
CATHAY
1001
CELEBRITY 0951
CENTURION 0411
CHANGHONG 1541, 1551, 1561,
1621
CITIZEN
0351, 0361, 0921,
0931, 0941, 0961,
0971, 1111, 1121,
1131
CLAIRTONE 1011
CLARIVOX
1001
CONCERTO 0351, 0971
CONROWA
1751
CONTEC
0901, 0911, 1011,
1051
CORANDO
0941
CRAIG
0251, 1051
CROWN
0941, 1051
CURTIS MATHES
0161, 0361,
0931, 0941,
0981, 1111
CXC
1051
DAEWOO
0291, 0301, 0331,
0721, 0941, 1001,
1031, 1121, 1191,
1531, 1581, 1591,
1601
DANSAI
1001

i

DAYTRON
0941, 1031
DECCA
0271, 1001
DIXI
0331, 1001, 1071
DUMONT
0891, 1031
DYNATECH 0881
ELECTROBAND
0951, 1011
ELECTROHOME
0941
ELECTRON
0941
ELIN
1001
ELTA
0331
EMERSON
0001, 0021, 0061,
0071, 0081, 0091,
0111, 0811, 0821,
0831, 0841, 0851,
0861, 0871, 0901,
0921, 0941, 0981,
1011, 1031, 1051,
1081, 1091
ENVISION
0361, 1111
ERRES
1001
ETRON
0331
FERGUSON 1001
FINLUX
1001
FISHER
0171, 0801, 0981
FORMENTI
0441
FORMONTI
1001
FORTRESS
1141
FUJITSU
1091
FUNAI
1051, 1091, 1501,
1521
FUTURETECH 1051
GE
0131, 0161, 0201,
0751, 0761, 0771,
0781, 0791, 0811,
0861, 1041
GEC
0271, 1001
GEMINI
0391
GENEXXA
0431
GIBRALTER 0891, 1031, 1111
GOODMANS/TASHIKO
0271, 0661, 1001
GRANADA
1001
GRUNDIG
1781, 1791, 1801,
1811, 1821, 1831,
1841, 1851, 1861,
1871, 1881
GUNPY
1051, 1091
HARMAN/KARDON 0721
HALLMARK 0861
HANSEATIC 1001
HARVARD
1051, 1061
HINARI
1001, 1091
HITACHI
0181, 0351, 0671,
0681, 0691, 0701,
0711, 0871, 0941,
0971, 1351
HYPSON
1001
IMA
1051
INDIANA
1001
INFINITY REFERENCE
0101
INTERFUNK 1001
ITT
0611
JANEIL
1131

JBL
JCB
JENSEN
JINXING

0101
0951
0311
1531, 1541, 1551,
1561, 1571, 1621,
1631, 1641, 1651,
1691, 1731
JVC (VICTOR) 0261, 0281, 0641,
0651, 0661, 0841
KAWASHO
0901
KAYPANI
1021
KENWOOD
0361, 1031, 1111
KLOSS
0631, 0721, 1131
KTV
0921, 0941, 1011,
1051, 1111
LEYCO
1001
LG (GOLDSTAR)
0031, 0121,
0351, 0411, 0731,
0741, 0861, 0941,
0971, 1001, 1031,
1111, 1151
LIESENK & TTER 1001
LLOYTRON 0941
LOEWE
1001
LOGIK
0991, 1771
LUXMAN
0351, 0971
LXI
0101, 0621, 0761,
0861, 0981
MAGNAVOX 0101, 0341, 0391,
0401, 0411, 0421,
0581, 0591, 0601,
0611, 0631, 0661,
0961, 1111
MAJESTIC
0991
MARANTZ
0101, 0221, 0361,
1001, 1111
MARK
1001
MATSUI
0271, 0331, 1001
MEDIATOR
1001
MEGATRON 0691, 0861, 1161
MEI
1011
M-ELECTRONIC
1001
MEMOREX
0331, 0571, 0861,
0971, 0981, 0991,
1771
METZ
1791, 1831, 1891,
1901, 1911, 1921,
1931, 1941
MGA
0361, 0561, 0571,
0861, 1031, 1111
MIDLAND
0751, 0761, 0891,
0941, 1151
MITSUBISHI 0221, 0321, 0561,
0571, 0661, 0861,
1031, 1101, 1381
MONTGOMERY
1091
MOTOROLA 1041, 1141
MTC
0351, 0361, 0881,
0931, 0971, 1011,
1031, 1111
MULTITECH 0881, 1051
NAD
0551, 0621, 0861
NEC
0241, 0351, 0361,
0661, 0971, 1031,
1111, 1321, 1711

NECKERMANN
1001
NEI
1001
NIKKAI
0271, 0431, 1001,
1151
NIKKO
0861, 1111, 1121
NOVABEAM 0721
NTC
1121
ONWA
1051
OPTIMUS
0551
OPTONICA
0541, 1141
ORION
0831, 1001
OSAKI
0271, 1151
OTTO VERSAND
1001
PANASONIC 0101, 0191, 0251,
0751, 1041, 1311,
1371, 1431
PANDA
1541, 1721
PENNY
0161, 0361, 0521,
0531, 0621, 0731,
0751, 0761, 0781,
0791, 0861, 0931,
0941, 1031, 1041,
1111, 1151, 1161
PEONY
1561, 1621
PHILCO
0361, 0581, 0591,
0601, 0611, 0631,
0961, 1031, 1111
PHILIPS
0101, 0401, 1001
PHONOLA
1001
PILOT
0941, 1031, 1111
PIONEER
0511, 0551, 0871
PORTLAND 0941, 1031, 1121
PRICECLUB 0931
PRISM
0751
PROSCAN
0761
PROTECH
1001
PROTON
0501, 0861, 0941,
1021, 1161
PULSAR
0891
PULSER
1031
QUASAR
0251, 0751, 1041
QUELLE
1001
RADIO SHACK
0541, 0941,
1031, 1051,
1151
RADIOLA
1001
RCA
0051, 0141, 0151,
0181, 0411, 0491,
0531, 0761, 0771,
0871, 1031
REALISTIC
0541, 0861, 0941,
0971, 0981, 1031,
1051, 1111, 1151
RHAPSODY 1011
R-LINE
1001
RUNCO
0891, 1111
SAISHO
0331, 1081
SAMPO
0361, 0941, 1021,
1111, 1151
SAMSUNG
0331, 0341, 0351,
0361, 0861, 0931,
0941, 0971, 1001,
1031, 1111, 1151
SAMSUX
0941

00_HTR-5760_U_EN.book Page ii Tuesday, February 17, 2004 10:47 AM

SANYO

0171, 0231, 0271,
0661, 0801, 0911,
0981, 1231, 1251,
1261
SBR
1001
SCHEIDER
1001
SCIMITSU
1031
SCOTCH
0861
SCOTT
0831, 0861, 0941,
1031, 1051, 1091
SEARS
0101, 0161, 0171,
0351, 0481, 0521,
0621, 0761, 0801,
0861, 0971, 0981,
1091
SHANGHAI
1561, 1681
SHARP
0461, 0471, 0541,
0661, 0911, 0941,
1141
SHOGUN
1031
SIGNATURE 0991, 1771
SIMPSON
0581, 0961
SOLAVOX
1151
SONOKO
1001
SONTEC
1001
SONY
0371, 0451, 0661,
0841, 0951, 1281,
1441
SOUNDESIGN 0861, 0961, 1051,
1091
SOUNDWAVE 1001
SPECTRICON 1161
SQUAREVIEW 0481
SSS
1031, 1051
STAR-LITE
1051
SUPREM
0951
SUPRE-MACY 1131
SURPA
0351, 0971
SYLVANIA
0101, 0361, 0441,
0581, 0591, 0601,
0611, 0631, 0961,
1111
SYMPHONIC 0481
SYSLINE
1001
TANDY
0271, 0431, 1141
TATUNG
0271, 0881, 1001,
1041, 1161
TCL
1561, 1631, 1701
TECHNICS
0751
TECHWOOD 0351, 0751, 0971
TEKNIKA
0101, 0351, 0571,
0931, 0941, 0961,
0971, 0991, 1031,
1051, 1091, 1121,
1131, 1771
TELETECH
0331
TERA
0501
THAKRAL
1671
THORM
1001
TMK
0351, 0861, 0971,
1081
TOSHIBA
0381, 0521, 0621,
0661, 0931, 0981,
1301
TOSONIC
1011
TOTEVISION 0941
TRICAL
0911
UNIVERSAL 0781, 0791
UNIVERSUM 1001

VECTOR RESEARCH
0361, 1111
VESTEL
1001
VIDEO CONCEPT 1101
VIDIKRON
0101, 0211
VIDTECH
0861, 1031
VIKING
1131
WARDS
0101, 0361, 0451,
0541, 0581, 0591,
0601, 0611, 0771,
0781, 0791, 0861,
0971, 0991, 1031,
1091, 1111, 1771
WATSON
1001
XOGEGO
1611, 1621, 1661,
1741, 1761
YAMAHA
0361, 1031, 1111
YOKO
1001
ZENITH
0011, 0041, 0891,
0991, 1771
ZONDA
1161

CABLE TV
ABC
0256, 0376
ANTRONIX
0136
ARCHER
0136, 0286
BBT
0076
CABLETIME 0166
CABLEVISION
0196
COLOUR VOICE
0306, 0346
COMTRONICS
0216, 0276
EAGLE COMTRONICS
0276
EASTERN
0066
ELECTRICORD
0206
ELECTUS
0266
GE
0116, 0126
GEC CABLE SYSTEM
0196
HAMLIN H5 0676
HAMLIN H6 0666
HAMLIN H6S 0656
HAMLIN H8 0646
HAMLIN H9 0636
JERROLD
0256
JERROLD 400L
0626
JERROLD 450L
0616
JERROLD 550
0606
JERROLD OSD CATV
0596
JERROLD SPRUCER
0436
MAGNAVOX/PHILIPS
0416, 0426
MAMM
0296
MEMOREX
0386
MOVIE TIME 0146, 0206
NORTHCOAST
0016
NSC
0146
OAK
0106
OAK SIGMA 450
0546
OAK SIGMA 550
0536
PANASONIC TZ 120/130
0476
PANASONIC TZ 170/180
0446
PANASONIC TZ140 0466
PANASONIC TZ150/160
0456

PARAGON
PHILIPS

0386
0036, 0216, 0306,
0316, 0326, 0336,
0346
PIONEER
0006, 0086
PIONEER BR50
0846
PIONEER BR60/70/80/81/82
0696
PIONEER BR90
0556
PULSAR
0386
RCA DIGITAL SATELLITE
SYSTEM
0396, 0406
REALISTIC
0136
REGENCY/EASTERN0686
RUNCO
0386
SAMSUNG
0276
SCIENTIFIC ATLANTA 175/475
0576
SCIENTIFIC ATLANTA 75
0366, 0586
SCIENTIFIC ATLANTA 8650
0566
SIGNAL
0276
SL MARX
0276
SPECTAVISION
0236
STANDARD COMPONENTS
0186
STARCOM V 0256
STARGATE
0276
SYLVANIA/TEXSCAN
0376, 0496
TEKNIKA
0176
TELESERVICE
0056
TELEVIEW
0276
TEXSCAN
0186, 0376
TFC
0026
TOCOM
0226, 0356
TOCOM 5503A 0526
TOCOM 5503VIP/5507
0516
TOCOM TC56 0506
TOSHIBA
0386
TUDI
0046
UNIKA
0136
UNIVERSAL 0136, 0156, 0206,
0286
VIDEOWAY
0096
VIEWSTAR
0216
ZENITH
0246, 0386, 0486

SATELLITE TUNER
ALPHA STAR 0826
CHAPARRAL 0756
ECHOSTAR
0836
GENERAL INSTRUMENT
0776, 0876
HTS
0836
HUGHES NETWORK SYSTEMS
0816
JERROLD
0776, 0786
PANASONIC 0806
PRIMESTAR 0776, 0786
RCA
0766
SONY
0796

(DBS)
HITACHI
MAGNAVOX
MEMOREX
PANASONIC
PHILIPS
SONY
STAR CHOICE
TOSHIBA
UNIDEN

0856
0886
0886
0896
0886
0906
0876
0866, 0916
0886

VCR
A TANDY
ADVENTURA
AIKO
AIWA
AKAI

0902
0992
0982
0992
0262, 0942, 0952,
0962, 0972
AMERICAN HIGH 0932
AMSTRAD
0992
ASA
0002, 0912
ASHA
0922
AUDIO DYNAMICS 0202
AUDIOVOX
0912
BEAUMARK 0922
BELL & HOWELL 0902
BLAUPUNKT 0412
BROKSONIC 0872, 0882, 0892
BUSH
0852
CALIX
0912
CANON
0862, 0932
CCE
0852, 0982
CITIZEN
0912, 0982
COLT
0852
CRAIG
0832, 0842, 0852,
0912, 0922
CURTIS MATHES
0662, 0822,
0932
CYBERNEX 0922
DAEWOO
0802, 0812, 0982
DBX
0202
DYNATECH 0472, 0992
ELECTROHOME
0912
ELECTROPHONIC 0912
EMEREX
0792
EMERSON
0072, 0132, 0142,
0152, 0162, 0172,
0182, 0192, 0212,
0702, 0712, 0722,
0732, 0742, 0752,
0762, 0772, 0782,
0872, 0882, 0892,
0912, 0952, 0992,
1072
FINLUX
0002, 0992
FISHER
0682, 0692, 0842,
0902
FUJI
0672, 0932
FUNAI
0992
GARRARD
0992
GE
0662, 0822, 0932
GO VIDEO
0642, 0652
GOODMANS 0402
GRADIENTE 0992
GRANDA
0612, 0902
GRUNDIG
0002
HARLEY DAVIDSON
0992

ii

00_HTR-5760_U_EN.book Page iii Tuesday, February 17, 2004 10:47 AM

HARMAN/KARDON
0632, 1082
HARWOOD
0752, 0852
HEADQUARTER
0612
HI-Q
0842
HINARI
0852
HITACHI
0102, 0562, 0572,
0582, 0592, 0602,
0992
ITT
0942
JVC (VICTOR) 0202, 0522, 0532,
0542, 0552
KENWOOD
0202, 0542, 0612,
0632, 0902
KLH
0852
KODAK
0912, 0932
LG (GOLDSTAR)
0082, 0632,
0912
LLOYD
0992
LOGIK
0852
LUXOR
0942
LXI
0022, 0912
MAGNAVOX 0002, 0482, 0492,
0502, 0512, 0932
MAGNIN
0922
MARANTZ
0002, 0202, 0402,
0632, 0932
MARTA
0912
MATSUSHITA 0932
MATSUI
0722
MEI
0222, 0932
MEMOREX
0232, 0242, 0472,
0512, 0612, 0842,
0902, 0912, 0922,
0932, 0992
MGA
0762, 0952
MGA TECHNOLOGY
0922
MINOLTA
0592, 0602
MITSUBISHI 0452, 0462, 0542,
0762, 0952, 1082
MOTOROLA 0472, 0932
MTC
0922, 0992
MULTITECH 0852, 0992
NAD
0442
NEC
0122, 0202, 0292,
0422, 0432, 0542,
0632
NIKKO
0912
NOBLEX
0922
OLYMPUS
0412, 0932
OPTIMUS
0442, 0472, 0912
OPTONICA
0402
ORION
0212, 0722, 0742,
0772
OSAKI
0912
PANASONIC 0012, 0052, 0092,
0222, 0372, 0382,
0392, 0412, 0932
PENNY
0202, 0432, 0602,
0632, 0692, 0912,
0922, 0932
PENTAX
0592, 0602
PERDIO
0992
PHILCO
0002, 0932
PHILIPS
0002, 0282, 0402,
0492, 0932
PILOT
0912
PIONEER
0442, 0542

iii

PROSCAN

1002, 1012, 1022,
1032, 1042, 1052,
1062
PULSAR
0512
QUARTER
0612
QUARTZ
0272, 0612
QUASAR
0382, 0392, 0932
RADIO SHACK
0912, 0992
RADIX
0912
RANDEX
0912
RCA
0112, 0382, 0392,
0482, 0592, 0602,
0662, 0822, 0942
REALISTIC
0402, 0472, 0612,
0682, 0842, 0902,
0912, 0922, 0932,
0992
RICOH
0352, 0362
SAISHO
0212, 0582, 0722,
0732, 0742, 0772
SALORA
0612, 0762
SAMSUNG
0212, 0312, 0922,
0962
SANKY
0472, 0512
SANSUI
0292, 0542, 0832
SANYO
0242, 0612, 0842,
0902, 0922
SBR
0002, 0282
SCHEIDER
0852
SCOTT
0342, 0712, 0762,
0872, 0882, 0892
SEARS
0302, 0592, 0602,
0612, 0682, 0692,
0842, 0902, 0912,
0932
SHARP
0402, 0472
SHINTOM
0852
SHOGUN
0922
SINGER
0852
SONY
0032, 0332, 0352,
0362, 0672, 0792,
0932
STS
0602
SUNPAK
0352
SYLVANIA
0002, 0492, 0502,
0762, 0932, 0992
SYMPHONIC 0992
TANDY
0992
TASHIKO
0712, 0992
TEAC
0992
TECHNICS
0932
TEKNIKA
0322, 0912, 0932,
0992
TELEFUNKEN 0252
TMK
0212, 0732, 0772,
0922
TOSHIBA
0062, 0302, 0342,
0622, 0682, 0712,
0762
TOTEVISION 0912, 0922
UNITECH
0922
VECTOR RESEARCH
0202, 0432, 0632
VIDEO CONCEPTS
0202, 0432, 0632,
0952
WARDS
0322, 0402, 0472,
0482, 0602, 0712,
0842, 0852, 0922,
0932, 0992

YAMAHA
ZENITH

0202, 0632
0042, 0362, 0512,
0672

DVD PLAYER
AKAI
0058
AIWA
0218
DENON
0188
HITACHI
0198
JVC (VICTOR) 0088, 0178
KENWOOD
0148
LG (GOLDSTAR)
0228
MAGNAVOX 0128
MITSUBISHI 0138
ONKYO
0068, 0128
PANASONIC 0028
PHILIPS
0098, 0128
PIONEER
0108, 0118
PROSCAN
0158
RCA
0158
SAMSUNG
0078
SHARP
0038
SONY
0018
TECHNICS
0028
THOMSON
0168
TOSHIBA
0048, 0128
YAMAHA
0008, 0028, 0098
ZENITH
0128

DVD RECORDER
PANASONIC
PHILIPS
PIONEER
TOSHIBA
YAMAHA

0238, 0248, 0258
0208
0278, 0288, 0298
0268
0208

LD PLAYER
AIWA
0157
DENON
0147
DISCO VISION0017
FUNAI
0157
HITACHI (E) 0017
KENWOOD
0087, 0107
MAGNAVOX 0027
MARANTZ
0027
MITSUBISHI 0137
NAD
0137
PANASONIC 0077, 0177
PHILIPS
0027
PIONEER
0017, 0037, 0137
RCA
0167
REALISTIC
0157
SHARP
0127
SONY
0047, 0057, 0117
VICTOR
0097
YAMAHA
0007, 0067

CD PLAYER
ACOUSTIC RESEARCH
1295
ADC
0025, 0065
ADCOM
0205, 0255, 1015
ADS
0265
AIWA
0295, 0945, 1035,
1055
AKAI
0175, 0485, 0535

ALPINE
1215, 1305
AUDIO-TECHNICA 0545
BSR
0245, 0655, 0775
CALIFORNIA AUDIO LAB
0055
CAPETRONIC 1205
CARRERA
0245
CARVER
0285, 1135
CASIO
0345
CROWN
0185
CURTIS MATHES
0345
DENON
0275, 0875, 0885
DEUAL (E)
0505
DYNAMIC BASS (H)
0555
EMERSON
0205, 0325, 1105
EROICA
1275
FISHER
0095, 0555, 0925,
1005
GARRARD
0365
GENEXXA
0305, 0325, 1105
HARMAN/KARDON 0105, 0175,
0465, 0995
HITACHI
0195, 0205, 0505,
0815
INKEL
0115, 0395
JVC (VICTOR) 0315
KENWOOD
0045, 0095, 0405,
0585, 0725, 0735,
0745, 0755, 0895
KYOCERA
0025
LG (GOLDSTAR)
1135, 1225,
1265, 1335
LUXMAN
0075, 0425, 0675,
0705, 0715, 0985
MAGNAVOX 0165, 0215, 0645,
0955
MARANTZ
0215, 0235, 0375,
0785, 1345
MCINTOSH
0355, 1085
MCS
0905, 1315
MEMOREX
0205, 0225, 0235,
0305, 0325, 1105
MGA
0135
MISSION
0215
MITSUBISHI 0135, 0445
MTC
1255
NAD
0035, 0615, 0685,
0695
NAKAMICHI 0125, 0435, 0515
NEC
0255, 0905, 0965
NIKKO
0545, 1005
ONKYO
0155, 0455, 0495,
0805, 1155
OPTIMUS
0225, 0245, 0555,
0595, 0845, 0855,
0865, 0895, 0935
PANASONIC 0055, 0825, 1095,
1125
PENNY
0905
PHILIPS
0165, 0215
PIONEER
0305, 0935, 1045
PROTON
0215, 1185
QUASAR
0055
RCA
0205, 0915, 1115
REALISTIC
0205, 0225, 0235,
0325, 0555, 0845
REVOX
1175
ROTEL
0215
SABA TELECOMMANDER (E)
0505

00_HTR-5760_U_EN.book Page iv Tuesday, February 17, 2004 10:47 AM

SAE
SAMSUNG
SANSUI

0215
1285
0215, 0625, 0975,
1025, 1105
SANYO
0145, 0555, 0635,
0765
SCOTT
0325, 1105
SEARS
0345
SHARP
0235, 0665, 0895,
1065, 1075
SHERWOOD 0115, 0235, 0395,
0475
SIEMENTS GARRARD
1245
SIGNATURE 0175
SONTEC
1165
SONY
0065, 0565, 0865,
1145
STARON
1235
STS
0025
SYLVANIA
0215
SYMPHONIC 0335
TANDY
0305
TANGBERG 1195
TEAC
0235, 0335, 0385,
0525, 0795, 0835,
1355
TECHNICS
0055, 0605, 1095
TECHWOOD 1325
TELEFUNKEN (E) 0505
THOMSON (E) 0505
TOSHIBA
0035, 0685
VECTOR RESEARCH
0065, 1135
WARDS
0175
YAMAHA
0005, 0015, 0085,
0415, 0545, 0575,
1065

OPTIMUS
ONKYO
PHILIPS
PIONEER
REVOX
SANSUI
SHARP
SHERWOOD
SONY
TEAC
TECHNICS
WARDS
YAMAHA

0034, 0064, 0204,
0334
0364, 0374
0094
0034, 0044, 0064
0354
0094, 0344
0264
0334
0054, 0084, 0324
0194, 0254
0074, 0314
0034
0004, 0014, 0104,
0114, 0164, 0174,
0264

CD RECORDER
HITACHI
JVC (VICTOR)
MARANTZ
PHILIPS
PIONEER
YAMAHA

0474
0504
0484, 0494
0444
0454, 0464
0414

MD RECORDER
KENWOOD
PIONEER
SHARP
SONY
YAMAHA

0384
0424
0434
0394
0024, 0394, 0404,
0514

TAPE DECK
AIWA
AKAI
CARVER
DENON
FISHER
GARRARD
JVC (VICTOR)
KENWOOD
MAGNAVOX
MARANTZ
MITSUBISHI

0094, 0214, 0224
0184
0094
0304
0144
0194, 0204
0274, 0284, 0294
0124, 0134, 0154,
0234, 0244, 0264
0094
0094, 0344
0184

iv

HTR-5760_U_cv.fm Page 1 Thursday, January 15, 2004 5:56 PM

U

HTR-5760
AV Receiver

© 2004
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD18 7GQ, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

All rights reserved.

OWNER’S MANUAL
Printed in Malaysia

WC85600



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File Type Extension             : pdf
MIME Type                       : application/pdf
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Modify Date                     : 2004:02:23 18:38:05+09:00
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Page Count                      : 88
Creation Date                   : 2004:02:17 10:45:40Z
Mod Date                        : 2004:02:23 18:38:05+09:00
Producer                        : Acrobat Distiller 5.0.5 (Windows)
Author                          : WiseStep
Metadata Date                   : 2004:02:23 18:38:05+09:00
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