Yamaha PSR4000E1 PSR 4000 Owner's Manual PSR4000E

Yamaha Corporation PSR-4000 Owner's Manual psr4000e Yamaha Corporation - PSR-4000 - Owner's Manual

User Manual: Yamaha PSR-4000 Owner's Manual

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ENVIRONMENTAL ISSUES: Yamaha strives to produce

products that are both user safe and environmentally

friendly. We sincerely believe that our products and the

production methods used to produce them, meet these goals.

In keeping with both the letter and the spirit of the law, we

want you to be aware of the following:

Battery Notice: This product MAY contain a small non-

rechargable battery which (if applicable) is soldered in

place. The average life span of this type of battery is ap-

proximately five years. When replacement becomes neces-

sary, contact a qualified service representative to perform

the replacement.

Warning: Do not attempt to recharge, disassemble, or incin-

erate this type of battery. Keep all batteries away from chil-

dren. Dispose of used batteries promptly and as regulated by

applicable laws. Note: In some areas, the servicer is required

by law to return the defective parts. However, you do have

the option of having the servicer dispose of these parts for

you.

Disposal Notice: Should this product become damaged

beyond repair, or for some reason its useful life is consid-

ered to be at an end, please observe all local, state, and fed-

eral regulations that relate to the disposal of products that

contain lead, batteries, plastics, etc.

NOTICE: Service charges incurred due to lack of knowl-

edge relating to how a function or effect works (when the

unit is operating as designed) are not covered by the manu-

facturer’s warranty, and are therefore the owners responsi-

bility. Please study this manual carefully and consult your

dealer before requesting service.

NAME PLATE LOCATION: The graphic below indicates

the location of the name plate. The model number, serial

number, power requirements, etc., are located on this plate.

You should record the model number, serial number, and the

date of purchase in the spaces provided below and retain this

manual as a permanent record of your purchase.

PRODUCT SAFETY MARKINGS: Yamaha electronic

products may have either labels similar to the graphics

shown below or molded/stamped facsimiles of these graph-

ics on the enclosure. The explanation of these graphics ap-

pears on this page. Please observe all cautions indicated on

this page and those indicated in the safety instruction section.

IMPORTANT NOTICE: All Yamaha electronic products

are tested and approved by an independent safety testing

laboratory in order that you may be sure that when it is prop-

erly installed and used in its normal and customary manner,

all foreseeable risks have been eliminated. DO NOT modify

this unit or commission others to do so unless specifically

authorized by Yamaha. Product performance and/or safety

standards may be diminished. Claims filed under the ex-

pressed warranty may be denied if the unit is/has been modi-

fied. Implied warranties may also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The infor-

mation contained in this manual is believed to be correct at

the time of printing. However, Yamaha reserves the right to

change or modify any of the specifications without notice or

obligation to update existing units.

SPECIAL MESSAGE SECTION

The exclamation point within the equilat-

eral triangle is intended to alert the user to

the presence of important operating and

maintenance (servicing) instructions in

the literature accompanying the product.

The lightning flash with arrowhead sym-

bol within the equilateral triangle is in-

tended to alert the user to the presence of

uninsulated “dangerous voltage” within

the product’s enclosure that may be of

sufficient magnitude to constitute a risk of

electrical shock.

92-469 1

Model _____________________________________

Serial No. __________________________________

Purchase Date ______________________________

R L/L+R

AUX OUT

AC INLET

FOOT SWITCH

IN MIDI

OUT THRU FOOT VOLUME

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

AVIS:

RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR.

WARNING:

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,

DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

English

Owner’s Manual

Deutsch

Bedienungsanleitung

Français

Mode d’emploi

Español

Manual de instrucciones

Contents

Congratulations!

You are the proud owner of an extraordinary electronic keyboard. The Yamaha

PSR-4000 PortaTone combines the most advanced AWM tone generation technol-

ogy with state-of-the-art digital electronics and features to give you stunning sound

quality with maximum musical enjoyment. The advanced Auto Accompaniment and

One Touch Setting features, in particular, are brilliant examples of how Yamaha

technology can significantly expand your musical horizons. A new large-size

graphic display and easy-to-use interface also greatly enhance the operability of

this advanced instrument.

In order to make the most of your PortaTone’s features and vast performance

potential, we urge you to read the manuals thoroughly while trying out the various

features described. Keep the manuals in a safe place for later reference.

Taking Care of Your PortaTone 2

Floppy Disks & the Disk Drive ........... 3

Panel Controls 4

Connections & Music Stand 6

The Demonstration 8

The Random & Single Demo Play

Modes ...................................................... 9

The PSR-4000 Display &

Display-based Controls 10

The Display & Multi-function

Controls ................................................ 10

■The [MIXER] Button ........................ 10

■The [LIST HOLD] Button ................. 11

■The [LCD CONTRAST] Control ...... 11

Playing the PSR-4000 12

■ Before You Begin ............................. 12

Selecting & Playing Voices ............. 12

Keyboard Percussion ....................... 15

Changing the “L” Split Point .......... 16

Transposition, Tuning, &

Octave Change 17

TRANSPOSE & TUNE........................ 17

OCTAVE CHANGE.............................. 18

Using the Accompaniment

Section 19

■Fade-ins and Fade-outs .................. 26

■Accompaniment Volume ................. 26

■The Auto Mute Function .................. 26

Changing the “A” Split Point .......... 27

The Chord Assist Function ............. 28

The Arranger Buttons ....................... 30

One Touch Setting 31

■THE TEMPO SET FUNCTION........ 32

Expression & Effects 33

■Harmony.......................................... 33

■Sustain ............................................ 33

■Touch Response ............................. 33

■Reverb............................................. 34

■Chorus............................................. 34

■DSP Effects ..................................... 34

■Left Hold .......................................... 35

■Pitch Bend Wheel............................ 35

■Modulation Wheel ........................... 35

The Multi Pads 36

The PHRASE/CHORD Mode ............ 36

The PHRASE Pads (pads 1 … 4)...... 36

■Recording Phrases.......................... 37

■Phrase Playback ............................. 38

The CHORD Pads (pads 5 … 8) ....... 38

■Recording Chords ........................... 38

■Chord Playback ............................... 39

■The Repeat & Chord Match Settings40

●REPEAT ...................................... 40

●CHORD MATCH ......................... 40

The PERCUSSION Mode .................. 41

■Assigning Different Instruments

To the PERCUSSION Pads ............ 41

■Playing the Percussion Pads .......... 42

Registration Memory 43

Registering the Panel Settings....... 43

Entering a Registration Name.......... 44

Recalling the Registered Panel

Settings ................................................. 45

The Freeze Function.......................... 46

The Freeze Group Settings .............. 46

Song Playback & Recording 47

Song Playback .................................... 47

■Pause, Fast Forward & Reverse ..... 48

Chain Playback ................................. 49

Volume & Mute/Solo Settings .......... 50

Song Recording .................................. 52

Quick Record..................................... 54

■THE TRACK INDICATORS............. 56

■TRACK DELETE ............................. 56

■PLAYBACK ..................................... 56

■EXITING .......................................... 56

Chord Step Recording ...................... 57

■DELETING EVENTS ....................... 58

Quick Record Mode Edit Functions ...

■SONG DELETE............................... 59

Multitrack Record.............................. 60

■THE TRACK INDICATORS............. 62

■TRACK DELETE ............................. 62

■RECORDING & EFFECTS ............. 62

■PLAYBACK ..................................... 63

■EXITING .......................................... 63

Punch-In Recording .......................... 63

Track Volume Control....................... 66

Multitrack record Mode

Edit Functions ................................... 66

■QUANTIZE ...................................... 66

■TRACK COPY/MIX ......................... 67

■INITIAL EDIT ................................... 68

■SONG DELETE............................... 68

Custom Accompaniment 69

Effects ................................................ 73

■REVERB DEPTH ............................ 73

■CHORUS TYPE & DEPTH.............. 74

■PAN ................................................. 74

Edit ..................................................... 75

■QUANTIZE ...................................... 75

■COPY .............................................. 75

■REMOVE EVENT............................ 76

Store/Clear ......................................... 77

■STORE ............................................ 77

■CLEAR CUSTOM STYLE ............... 77

Custom Voice Edit 78

Engaging the Easy/Full Edit Mode 78

■EXITING .......................................... 78

The Easy Edit Parameters ............... 79

EDIT .................................................... 79

■NAME .............................................. 79

■PAN ................................................. 79

■VIBRATO ........................................ 79

■TONE .............................................. 80

■ENVELOPE ..................................... 80

STORE/CLEAR .................................. 81

■STORE ............................................ 81

■CLEAR CUSTOM VOICE ............... 81

The Full Edit Parameters.................. 82

E1:BASIC ........................................... 82

■NAME .............................................. 82

■WAVE (except for the DRUM KITS) ........... 82

■TUNE (except for the DRUM KITS) ............ 83

■VOLUME (except for the DRUM KITS) ...... 83

■KEY ON DELAY

(except for the DRUM KITS) ...................... 83

■PAN ................................................. 83

E2:CONTROLLER ............................. 83

■PITCH BEND WHEEL..................... 83

■MODULATION WHEEL .................. 84

■INITIAL TOUCH CURVE................. 84

E3:ENVELOPE ................................... 85

■AMPLITUDE ENVELOPE ............... 85

■FILTER ............................................ 86

E4:EFFECTS ...................................... 87

■LFO ................................................. 87

■DELAY VIB...................................... 87

■REVERB DEPTH ............................ 87

■CHORUS DEPTH ........................... 87

■DSP EFFECT .................................. 87

STORE/CLEAR .................................. 88

■STORE ............................................ 88

■CLEAR CUSTOM VOICE ............... 88

The Drum Kit Edit Mode ................... 89

Disk Operations 90

Load From Disk .................................. 90

Save To Disk ........................................ 92

Rename File/Song .............................. 93

Delete File/Song.................................. 95

Format FD ............................................. 96

Song Copy ............................................ 96

The PSR-4000 “Functions” 98

General Function Selection &

Editing Procedure .............................. 98

■The [EXIT] Button............................ 99

F1: Scale (Arabic)/Voice Part 100

■SCALE (ARABIC).......................... 100

■VOICE PART ................................ 100

●PART TUNE .............................. 100

●OCTAVE ................................... 101

●PAN ........................................... 101

F2: Split Point/ABC Mode/

Multi Pad 102

■SPLIT POINT/ABC MODE ............ 102

●SPLIT POINT ............................ 102

●ABC MODE ............................... 102

■MULTI PAD ................................... 103

●REPEAT .................................... 103

●CHORD MATCH ....................... 103

F3: Controller 104

■FOOT CONTROLLER................... 104

●VOLUME ................................... 104

●SW1 (FOOTSWITCH 1) &

SW2 (FOOTSWITCH 2) ............ 104

■PANEL CONTROLLER ................. 106

●SUSTAIN BUTTON ................... 106

●PITCH BEND WHEEL ............... 106

●MODULATION WHEEL............. 106

●INITIAL TOUCH ........................ 107

F4: Style Revoice 108

●VOLUME OFFSET .................... 108

●VOICE ....................................... 108

●REVERB DEPTH ...................... 109

●CHORUS DEPTH...................... 109

F5:

Reverb/Chorus/DSP Effect

110

■REVERB TYPE & DEPTH ............ 110

●REVERB TYPE ......................... 110

●REVERB PARAMETER EDIT ... 111

●REVERB DEPTH ...................... 111

■CHORUS DEPTH ......................... 112

■DSP EFFECT TYPE & DEPTH ..... 112

●DSP EFFECT TYPE ................. 112

●

DSP EFFECT PARAMETER EDIT .

113

●DSP EFFECT DEPTH ............... 113

F6: Harmony/Registration 114

■HARMONY .................................... 114

■REGISTRATION ........................... 114

●NAME ........................................ 114

●FREEZE GROUP SETTING ..... 114

F7: Utility 115

■MEMORY BACKUP ...................... 115

●MEMORY BACKUP .................. 115

●DISPLAY - MIDI BANK SEL. &

PROG. CHANGE #, TIME ......... 115

■RECALL PRESET DATA .............. 115

F8: MIDI 116

SYSTEM .............................................. 116

■LOCAL CONTROL ........................ 116

■CLOCK & TRANSPOSE ............... 117

●CLOCK ...................................... 117

●TRANSPOSE ............................ 117

■MESSAGE SWITCH ..................... 117

●START/STOP ............................ 117

●EXCLUSIVE .............................. 118

TRANSMIT..................................... 118

●TRANSMIT MONITOR .............. 118

●CHANNEL ................................. 118

●PART ......................................... 118

●NOTE, CONTROL CHANGE, PRO-

GRAM CHANGE, & PITCH BEND

SWITCH .................................... 119

RECEIVE ....................................... 120

●RECEIVE MONITOR................. 120

●CHANNEL ................................. 120

●MODE ....................................... 120

●NOTE, CONTROL CHANGE, PRO-

GRAM CHANGE, & PITCH BEND

SWITCH .................................... 120

PANEL CONTROL ........................ 121

●OCTAVE ................................... 121

●NOTE ........................................ 121

●TYPE SELECT & SUB ............. 121

Troubleshooting ............................... 123

Index .................................................... 124

Voice List ............................................ 126

Percussion Kit List .......................... 129

Style List ............................................. 130

Setup Parameters............................. 131

Fingering Chart ................................. 134

The DSP Effects & Parameters..... 143

MIDI Implementation Chart ............ 149

MIDI Data Format .............................. 152

Specifications.................................... 157

Taking Care of Your PortaTone

Your PortaTone will give you years of playing pleasure if you follow

the simple rules given below:

■Location

Do not expose the instrument to the following conditions

to avoid deformation, discoloration, or more serious dam-

age.

●Direct sunlight (e.g. near a window).

●High temperatures (e.g. near a heat source, outside, or

in a car during the daytime).

●Excessive humidity.

●Excessive dust.

●Strong vibration.

■Power Supply

●In some areas the PSR-4000 will

have a voltage selector on the bot-

tom panel. Make sure that the volt-

age selector is set for the AC mains

voltage in your area. The voltage

selector can be set (rotated) by us-

ing a screwdriver. If in doubt, con-

tact your Yamaha dealer.

●Turn the power switch OFF when the instrument is not

in use. (The PSR-4000 uses a very small amount of

power to maintain the internal memory contents even

when no batteries are installed and the power is turned

off.)

●The power supply cord should be unplugged from the

AC outlet if the instrument is not to be used for an

extended period of time.

●Unplug the instrument during electric storms.

●Avoid plugging the instrument into the same AC outlet

as appliances with high power consumption, such as

electric heaters or ovens. Also avoid using multi-plug

adapters since these can result in reduced sound

quality, operation errors, and possibly damage.

■Memory Backup Batteries

The PSR-4000 requires four 1.5 V C size (LR14) batteries

for memory backup power. If no backup batteries are

installed, the memory contents will be lost when then

instrument is unplugged from the AC mains supply. Please

use alkaline batteries. The average life of a set of alkaline

batteries is about 12 months.

1. Open Battery Compartment Cover

Open the battery compartment cover — located on the

instrument’s bottom panel — by pressing on the two

latches on the cover and pulling outward, as shown in

the illustration.

2. Insert Batteries

Insert the four batteries, being careful to follow the

polarity markings on the bottom panel.

3. Replace Cover

Replace the compartment cover, making sure that it

locks firmly in place.

NOTES

•Never mix old and new, or different type of batteries!

•To prevent damage due to battery leakage, it is a good idea

to remove the batteries from the PSR-4000 (after saving any

important data to disk) if it is not to be used an extended

period of time. (YAMAHA is not responsible irretrievable

internal data.)

■

Turn Power OFF When Making Connections

●To avoid damage to the instrument and other devices

to which it is connected (a sound system, for example),

turn the power switches of all related devices OFF prior

to connecting or disconnecting audio and MIDI cables.

■Handling and Transport

●Never apply excessive force to the controls, connec-

tors or other parts of the instrument.

●Always unplug cables by gripping the plug firmly, not by

pulling on the cable.

●Disconnect all cables before moving the instrument.

●Physical shocks caused by dropping, bumping, or

placing heavy objects on the instrument can result in

scratches and more serious damage.

■Cleaning

●Clean the cabinet and panel with a dry soft cloth.

●A slightly damp cloth may be used to remove stubborn

grime and dirt.

●Never use cleaners such as alcohol or thinner.

●Avoid placing vinyl objects on top of the instrument

(vinyl can stick to and discolor the surface).

■Electrical Interference

●This instrument contains digital circuitry and may cause

interference if placed too close to radio or television

receivers. If this occurs, move the instrument further

away from the affected equipment.

■Data Backup

●Save all important data to disk before turning off for

longer periods.

●Internal data (e.g. Registration data) is retained in

memory even if the power switch is turned OFF when

backup batteries are installed as described above. If

you do not intend to use the PSR-4000 for an extended

period of time, it is a good idea to unplug the instrument

from the AC outlet and remove the batteries.

240V

130V

110V

220V

Taking Care of Your PortaTone

●Internal memory data can be corrupted due to incor-

rect operation. Be sure to “save” important data to a

floppy disk frequently so you have a backup to revert to

if something happens to damage the data in memory.

Also note that magnetic fields can damage data on the

disk, so it is advisable to make a second back-up copy

of disks that contain very important data, and keep

backup disks in a safe place away from stray magnetic

fields (i.e. away from speakers, appliances containing

motors, etc.).

■Service and Modification

●The PSR-4000 contains no user serviceable parts.

Opening it or tampering with it in anyway can lead to

irreparable damage and possibly electric shock. Refer

all servicing to qualified YAMAHA personnel.

■Type of Disk

Use only 3.5-inch 2DD or 2HD floppy disks.

■Disk Insertion & Removal

●To insert a floppy disk in the disk drive, hold the disk

with the label side facing up and the sliding shutter

facing the disk drive door, then insert carefully until the

disk clicks into place.

ing Disk to clean the head about once a month. Ask your

Yamaha dealer about the available of head-cleaning

disks.

■Floppy Disk Handling & Storage

The actual recording medium inside a floppy disk has a

fine coating of magnetic particles in which the data is

“stored”. To protect this coating as well as the disk drive’s

delicate read-write head, please observe the following:

●Always keep floppy disks in their case when they are

not in use. Never place heavy objects on a disk or bend

the disk in any way. Also keep disks away from liquids

and dust.

●Never open the disk’s shutter and touch the exposed

surface of the disk.

●Keep floppy disks away from strong magnetic fields

such as those produced by television sets, speakers,

motors, etc.

●Never leave floppy disks in areas exposed to strong

direct sunlight, excessively high or low temperature, or

high humidity.

●Never use a floppy disk with a deformed shutter or

housing.

●Do not attach anything other than the provided labels

to a floppy disk. Also make sure that labels are at-

tached in the proper location.

■Protecting Your data

●To prevent accidental erasure of important data you

have saved to floppy disk, be sure to slide the disk’s

write-protect tab to the “write protect” position (the tab

window should be open). When this is done the disk

cannot be written to.

●Make regular backup copies of important data to a

separate floppy disk, and keep your backup disks in a

separate, safe place.

●To ensure the safety of your data (and of the disk drive

itself) always use floppy disks from a well-known,

reliable manufacturer. “No-brand” disks can cause

trouble.

●To remove a floppy disk from the disk drive, make sure

the “DISK IN USE” light is not lit and press the disk

eject button firmly as far as it will go and then, when the

disk is full ejected, remove it by hand.

If the eject button is only partially pressed or pressed

too quickly the eject mechanism may not function

properly, leaving the disk stuck halfway. Do not attempt

to remove the disk forcefully if this happens, since

excess force can damage the disk and/or the drive

mechanism. Try either pressing the eject button care-

fully again, or push the disk all the way back into the

drive and repeat the eject procedure.

●Never attempt to remove a floppy disk during a record

or playback operation!! This can corrupt the data on the

disk, and actually damage the disk drive!

●Be sure to remove the floppy disk from the disk drive

before turning off the power. A floppy disk left in the

drive for extended periods can easily pick up dust and

dirt that can cause data read/write errors.

■Clean the Read/Write Head Regularly

This instrument employs a precision magnetic read/write

head which, after an extended period of use, will pick up

a layer of magnetic particles from the disks used that will

eventually cause read and write errors. To maintain the

disk drive in optimum working order we recommend that

you use a commercially-available Dry-type Head Clean-

Write protected Write enabled

Floppy Disks & the Disk Drive

YAMAHA is not responsible for damage caused by improper handling or operation.

YAMAHA provides no guarantee against disk damage.

Panel Controls

1POWER Button .......................................... page 8

2DEMO Button ............................................. page 8

3MASTER VOLUME Control........................ page 8

4ARRANGER Buttons ............................... page 30

PHRASE, PAD, CHORD, BASS, RHYTHM

5ACCOMPANIMENT Buttons .................... page 22

6ONE TOUCH SETTING Button................ page 31

7AUTO BASS CHORD Button ................... page 19

8ACCOMPANIMENT DIRECTOR Buttons

........................................................pages 23 – 26

FADE IN/OUT, INTRO/FILL to A/B, MAIN A/B,

ENDING/rit., SYNCHRO START, START/STOP

9LEFT ORCHESTRA Buttons ............pages 13, 14

0LEFT HOLD Button .................................. page 35

!SONG PLAY Button ................................. page 47

@CUSTOM VOICE EDIT Button ................. page 78

#FUNCTION Button ................................... page 98

$SONG RECORD Button .......................... page 52

%CUSTOM ACCOMP. REC Button............. page 69

^DISK Button ............................................. page 90

&TEMPO [–] and [+] Buttons ...................... page 22

*MULTI PAD Buttons ................................. page 36

REC/STOP, PHRASE/CHORD-PERCUSSION,

1 — 8

ARRANGER

PHRASE

PAD

CHORD

BASS

RHYTHM

MASTER VOLUME

MIN •• MAX

SONG

PLAY CUSTOM

VOICE EDIT FUNCTION

SONG

RECORD CUSTOM

ACCOMP. REC DISK

MIXER

LIST

HOLD

TEMPO

–

FADE

IN / OUT INTRO/

FILL to MAIN ENDING/

rit. SYNCHRO

START START/STOP

ACCOMPANIMENT DIRECTOR

ABAB

REC/STOP

PERCUSSION

PHRASE/CHORD

PLAYING

PHRASE CHORD

MULTI PAD

12345678

PIANO/

ORGAN

STRINGS /

CHOIR

BRASS/

WOODWIND

SYNTH /

PAD

GUITAR/

PERCUSSIVE

CUSTOM

VOICE

LEFT ORCHESTRA

LEFTLEFT HOLD

ROCK /

ROCK’N’ROLL

JAZZ

POP / BEAT

BALLAD

DANCE

DISCO

RHYTHM &

BLUES

LATIN

COUNTRY&

WESTERN

MARCH /

WALTZ

CUSTOM

STYLE

BALLROOM

ONE TOUCH

SETTING

ACCOMPANIMENT

AUTO BASS CHORD

PITCH BEND MODULATION

DOWN MIN

MAX

PHONES

U I

9! @ #

(

)

% ^

Panel Controls

(Liquid Crystal Display (LCD) .................... page 10

)LCD Buttons............................................. page 10

qMIXER Button .......................................... page 10

wLIST HOLD Button ................................... page 11

eLCD ▲/▼ Controls ................................... page 10

rEXIT Button.........................................pages 9, 99

tHARMONY Button ................................... page 33

ySUSTAIN Button ...................................... page 33

uTOUCH RESPONSE Button .................... page 33

iREVERB Button ....................................... page 34

oCHORUS Button ...................................... page 34

pDSP EFFECT Button ............................... page 34

QLCD CONTRAST Control ........................ page 11

WREGISTRATION Buttons ......................... page 43

FREEZE, MEMORY, BANK 1~16 [–] and [+],

1 — 8

EPART SELECT Buttons............................ page 14

R1, R2

RRIGHT ORCHESTRA Buttons ..........pages 13, 14

TLEAD Buttons ...................................pages 13, 14

YDisk Drive....................................pages 47, 52, 90

UPITCH BEND Wheel ................................ page 35

IMODULATION Wheel .............................. page 35

HARMONY SUSTAIN TOUCH

RESPONSE

REVERB CHORUS DSP

EFFECT

LCD

CONTRAST

DEMO POWER

PSR-4000

DISK IN USE

EXIT

FREEZE MEMORY

BANK 1~16

–

12345678

REGISTRATION

R 1

R 2

PIANO

ORGAN

STRINGS/

CHOIR

SAX/

WOODWIND

TRUMPET/

BRASS

GUITAR/

BASS

RIGHT 1

ACCORDION/

WORLD

SYNTH/

PAD

SOUND

EFFECT

PERCUSSIVE

DRUM KIT

CUSTOM

VOICE

PART SELECT

RIGHT ORCHESTRA

RIGHT 2

TRUMPET/

BRASS

SAX/

WOODWIND

STRINGS/

CHOIR

GUITAR/

BASS

SYNTH/

PERCUSSIVE

CUSTOM

VOICE

LEAD

t y u

R T

o p

Connections & Music Stand

PHONES

■Check the Voltage (Before you connect the AC cord).........................................................................

In some areas the PSR-4000 will have a voltage

selector on the bottom panel. Make sure that the

voltage selector is set for the AC mains voltage in

your area. The voltage selector can be set (rotated)

by using a screwdriver. If in doubt, contact your

Yamaha dealer.

3FOOT SWITCH 1 and 2 Jacks.........................................................................................................................................

One or two optional Yamaha FC5 footswitches

connected to these jacks can be used to control

sustain and a range of other important functions.

Refer to the “FOOT SWITCH 1” and “FOOT SWITCH

2” functions described on page 104.

FOOT SWITCH

The rear-panel AUX OUT L/L+R and R jacks

deliver the output of the PSR-4000 for connection to

a keyboard amplifier, stereo sound system, a mixing

console, or tape recorder. If you will be connecting

the PSR-4000 to a monaural sound system, use only

the L/L+R jack. When a plug is inserted into the L/

L+R jack only, the left- and right-channel signals

are combined and delivered via the L/L+R jack so

you don’t lose any of the PSR-4000 sound.

2The AUX OUT L/L+R and R Jacks .............................................................................................................................

AUX OUT

L/L+RR

Stereo System

1The PHONES Jack......................................................................................................................................................................

A standard pair of stereo headphones can be

plugged in here for private practice or late-night

playing. The internal stereo speaker system is auto-

matically shut off when a pair of headphones is

plugged into the PHONES jack.

240V

130V

110V

220V

Connections & Music Stand

4FOOT VOLUME Jack ................................................................................................................................................................

An optional Yamaha FC7 Foot Controller can be

connected to this jack to allow foot volume (expres-

sion) control. The foot controller can be assigned to

control overall volume or the volume of individual

accompaniment and/or voices via the “FOOT VOL-

UME” function — page 104.

5MIDI IN, THRU and OUT Connectors ......................................................................................................................

The MIDI IN connector receives MIDI data

from an external MIDI device (such as a MIDI

sequencer) which can be used to control the PSR-

4000. The MIDI THRU connector re-transmits any

data received at the MIDI IN connector, allowing

“chaining” of several MIDI instruments or other

devices. The MIDI OUT connector transmits MIDI

data generated by the PSR-4000 (e.g. note and

velocity data produced by playing the keyboard).

More details on MIDI are provided on page 116.

MIDI

OUT THRUIN

Tone Generator

Music

Computer

The Music Stand

The PSR-4000 is supplied with a music stand

that can be attached to the instrument by inserting it

into the holes at the rear of the speaker panel.

FOOT VOLUME

R L/L+R

AUX OUT

AC INLET

FOOT SWITCH

IN MIDI

OUT THRU FOOT VOLUME

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

AVIS:

RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR.

WARNING:

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,

DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.

53 4

The Demonstration

ZSwitch ON............................................................................................................................................................................................

To give you an idea of the PSR-4000’s sophisticated capabilities, it

is programmed with 14 demonstration sequences which can be played

in a number of ways.

Plug the AC power cord into a convenient AC

outlet, then press the [POWER] button to turn the

PSR-4000 ON.

XSet an Initial Volume Level ................................................................................................................................................

Set the [MASTER VOLUME] control to a

position about a quarter of the way toward the

highest setting. You can re-adjust the [MASTER

VOLUME] control for the most comfortable over-

all volume level after playback begins.

CPress the [DEMO] Button...................................................................................................................................................

Press the [DEMO] button and the PSR-4000

demo display will appear.

BExit When Done ..........................................................................................................

Press either the [DEMO] button or the [EXIT]

button to exit from the demo mode and return to the

normal play-mode display when you’ve finished

playing the demo songs.

VStart & Stop Playback as Required

Press the START LCD button to start playback of

all demo songs. Press the STOP LCD button when

you want to stop playback.

DEMO

EXIT

DEMO POWER

MASTER VOLUME

MIN •• MAX

DEMO POWER

The Random & Single Demo Play Modes

If you play the demo as described above, you’ll hear all 14 demo songs played in random order. By selecting

an appropriate play mode you can also play back all the songs sequence, or play a single specified song.

The Demonstration

ZSelect a Play Mode ....................................................................................................................................................................

Use either of the LCD [▲/▼] controls under

MODE on the display to select one of the available

play modes.

ALL All 14 demo songs are played

back in sequence.

RANDOM All 14 demo songs are played back

in random order. This is the default

mode.

SINGLE SONG Only the selected song is played.

XSelect a Song .........................................................

Press the LCD button corresponding to the type

of demo song you want to play, then use the same

LCD button to select either of the two demo songs

in that group. You can also use either of the LCD [▲/

▼] controls under SONG on the display to select any

of the 14 demo songs.

VStart & Stop Playback as Required.........................................................................................................................

Press the START LCD button to start playback of

the selected demo song(s). Press the STOP LCD

button when you want to stop playback.

CTurn the Repeat Mode ON or OFF.............................................................................................................................

Use the REPEAT LCD [▲/▼] control to turn

repeat playback ON or OFF as required (when ON,

the selected song or sequence of songs will be

repeated until the STOP LCD button is pressed)

BExit When Done ............................................................................................................................................................................

Press either the [DEMO] button or the [EXIT]

button to exit from the demo mode and return to the

normal play-mode display when you’ve finished

playing the demo songs.

DEMO

EXIT

The PSR-4000 Display & Display-based Controls

The Display & Multi-function Controls

The PSR-4000 makes general operation and program-

ming easier than ever with a large backlit LCD display

panel and multi-function controls. The 8 LCD selectors

— four on either side of the display panel — and 8 LCD

[▲/▼] controls below the display perform the function

indicated by the adjacent section of the display. In the

example display shown here, for example, the LCD [▲/

▼] control immediately below LEAD on the display can

be used to adjust the volume of the LEAD voice. Press the

[▲] end of the control to increase the volume, or the [▼]

end of the control to decrease the volume. In the same

way, the LCD button immediately to the right of LEAD on

the display is used to set the normal octave for the lead

voice (“0”), shift it one octave up (“+1”), or one octave

down (“–1”).

■The [MIXER] Button..................................................................................................................................................................

The lower section of the normal play mode

display, shown above, provides individual volume

controls for the PSR-4000’s song, multi pad, accom-

paniment, left, right 1, right 2, and lead sound.

Pressing the ACCOMP. VOLUME LCD button

switches to the individual auto-accompaniment part

volume controls: rhythm 1, rhythm 2, bass, chord 1,

chord 2, pad, phrase 1, and phrase 2. This is essen-

tially a “mixer” that you will use the achieve the best

overall balance for your musical needs. The mixer

controls will disappear when functions which have

different displays are selected, but can be instantly

recalled without exiting from the current display

mode by pressing the [MIXER] button. Pressing the

[MIXER] button a second time (or the [EXIT]

button) causes the mixer controls to disappear.

MIXER

LIST

HOLD

■The [LIST HOLD] Button......................................................................................................................................................

When selecting voices (page 14) or accompani-

ment styles (page 22), or using the ONE TOUCH

SETTING feature (page 31), the voice, style, or

ONE TOUCH SETTING list will appear on the

display, but will automatically disappear after a few

seconds if no selections are made. The list can be

kept on the display for as long as required by

pressing the [LIST HOLD] button so that its LED

lights. Press [LIST HOLD] a second time (the LED

will go out) to disengage the list hold function.

NOTES

•If the [LIST HOLD] button is engaged when a list is not

showing, the list will not appear even when a voice group,

style group, or ONE TOUCH SETTING button is pressed.

The PSR-4000 Display & Display-based Controls

■The [LCD CONTRAST] Control.....................................................................................................................................

The PSR-4000 display panel is a liquid-crystal

type which features a [LCD CONTRAST] control.

Use the [LCD CONTRAST] control to set the

display for optimum legibility.

MIXER

LIST

HOLD

LCD

CONTRAST

■ Before You Begin

Before playing your PSR-4000 for the first

time, it might be a good idea to re-initialize it to

the original factory settings just in case these have

been changed at some point before you receive

the instrument. To do this, turn the [POWER]

switch ON while holding the [DEMO] and [EXIT]

buttons.

When the display shown to the right appears

press the OK LCD button.

•When the above initialization procedure is carried

out, all internal data (e.g. REGISTRATION, CUS-

TOM ACCOMP, CUSTOM VOICE, MULTI PAD) will

also be initialized and therefore lost!

Playing the PSR-4000

Selecting & Playing Voices

The PSR-4000 allows you to individually select and play up to four “orchestra parts” at the same time in a number

of ways. A range of voices can be assigned to each orchestra part.

RIGHT ORCHESTRA 1

RIGHT ORCHESTRA 2

Both the RIGHT 1 and RIGHT 2 voices are polyphonic voices which can be played over

the entire keyboard or to the right of a specified split point. The default split point is the F#2

key. Either voice can be played alone, or both can be played simultaneously. The RIGHT 1

and RIGHT 2 voices can be selected from a range of 243 voices organized in 12 groups.

LEAD This is a monophonic voice which can be played over the entire keyboard or to the right of

a specified split point. The default split point is the F#2 key. The LEAD voice can be played

alone, or simultaneously with either or both of the RIGHT ORCHESTRA voices. The LEAD

voice can be selected from a range of 110 voices organized in 6 groups.

When only the LEAD voice is being played it has “last note priority”. That is, only the last

note played will sound. When the LEAD voice is being played with a RIGHT ORCHESTRA

voice it has “highest note priority” —the highest note is played by the LEAD voice.

LEFT ORCHESTRA A polyphonic voice which can be played to the left of a specified split point while the

RIGHT 1, RIGHT 2, and/or LEAD voices are played to the right of the split point. The de-

fault split point is the F#2 key. The LEFT voice can be selected from a range of 200 voices

organized in 6 groups.

DEMO POWER

EXIT

* Voice numbers include Custom Voice.

Playing the PSR-4000

ZSet Initial Volume Levels .....................................................................................................................................................

Set the [MASTER VOLUME] control to an

appropriate level, and make sure that the LEFT, R1,

R2, LEAD volume levels in the MIXER MAIN

VOLUME display are set to their maximum “100”

levels (use the corresponding LCD [▲/▼] controls

to set these volume levels if necessary). You can set

the [MASTER VOLUME] control for the most

comfortable overall volume level after beginning to

play.

NOTES

•No sound will be produced if all volume levels other than

the [MASTER VOLUME] control are set to their minimum

values.

MASTER VOLUME

MIN •• MAX

X Select the Orchestra Parts You Want To Play................................................................................................

Press the [RIGHT 1], [RIGHT 2], [LEAD], and/or [LEFT] button(s), turning on the

indicators corresponding to the parts you want to play.

Each time you turn a part on or off, the EASY SETTING LCD button for that part will

appear on the LCD for a few seconds.

R 1

R 2

PIANO

ORGAN

STRINGS/

CHOIR

SAX/

WOODWIND

TRUMPET/

BRASS

GUITAR/

BASS

RIGHT 1

ACCORDION/

WORLD

SYNTH/

PAD

SOUND

EFFECT

PERCUSSIVE

DRUM KIT

CUSTOM

VOICE

PART SELECT

RIGHT ORCHESTRA

RIGHT 2

TRUMPET/

BRASS

SAX/

WOODWIND

STRINGS/

CHOIR

GUITAR/

BASS

SYNTH/

PERCUSSIVE

CUSTOM

VOICE

LEAD

PIANO/

ORGAN

STRINGS/

CHOIR

BRASS/

WOODWIND

SYNTH /

PAD

GUITAR/

PERCUSSIVE

CUSTOM

VOICE

LEFT ORCHESTRA

LEFTLEFT HOLD

Playing the PSR-4000

If you press the EASY SETTING LCD button

before it disappears, the easy-setting display for that

part will appear providing access to the split point

parameters as well as the individual octave, pan, and

tune parameters for that part. These same param-

eters can be accessed via the FUNCTION displays

(page 98), but the easy-setting displays offer an

easier, more efficient way to set these parameters

when selecting parts. The easy setting display for a

part that is already on can be accessed by pressing

the EASY SETTING LCD button while holding the

corresponding part button (in this case the part

button indicator will not go out when the button is

released). See the following pages for details on

each of the orchestra part easy setting parameters:

NOTES

•The more parts you play simultaneously, the fewer the

total number of notes that can be played on the keyboard

at the same time.

•When the RIGHT 1 and RIGHT 2 parts are both on and the

same voice is selected for both parts, the sound may be

slightly different from the normal voice.

•When the LEFT part is on, the left voice will automatically

be transposed up one octave.

CSelect a Voice or Voices........................................................................................................................................................

To select a RIGHT 1 or RIGHT 2 voice use the RIGHT ORCHESTRA voice selectors, to select a LEAD

voice use the LEAD voice selectors, and to select a LEFT voice use the LEFT ORCHESTRA voice selectors.

When selecting a RIGHT 1 or RIGHT 2 voice it is also necessary to press the [R1] or [R2] PART SELECT

button prior to actually selecting the voice, according to whether you want to select a RIGHT 1 or RIGHT

2 voice (this is not necessary if the [R1] or [R2] indicator for the part you want to select is already lit).

Use the voice group buttons to select the group from which you want to select a voice. The corresponding

voice display will appear.

NOTES

•The display will automatically revert to

the main display after a few seconds if

the [LIST HOLD] button is not en-

gaged (page 11).

•Custom voices which can be selected

via the RIGHT ORCHESTRA, LEFT

ORCHESTRA, and LEAD [CUSTOM]

buttons can be created via the CUS-

TOM VOICE EDIT mode described on

page 78, or loaded from disk.

SPLIT POINT [L] Page 16

SPLIT POINT [A] Page 27

OCTAVE Page 101

PAN Page 101

TUNE Page 100

R 1

R 2

PIANO

ORGAN

STRINGS/

CHOIR

SAX/

WOODWIND

TRUMPET/

BRASS

GUITAR/

BASS

RIGHT 1

ACCORDION/

WORLD

SYNTH/

PAD

SOUND

EFFECT

PERCUSSIVE

DRUM KIT

CUSTOM

VOICE

PART SELECT

RIGHT ORCHESTRA

RIGHT 2

TRUMPET/

BRASS

SAX/

WOODWIND

STRINGS/

CHOIR

GUITAR/

BASS

SYNTH/

PERCUSSIVE

CUSTOM

VOICE

LEAD

PIANO/

ORGAN

STRINGS/

CHOIR

BRASS/

WOODWIND

SYNTH /

PAD

GUITAR/

PERCUSSIVE

CUSTOM

VOICE

LEFT ORCHESTRA

LEFTLEFT HOLD

Playing the PSR-4000

Use the page-number LCD [▲/▼] controls the

select the page containing the voice you want if

more than one page is available, then press the LCD

button corresponding to the desired voice. You can

also use either of the SELECT LCD [▲/▼] controls

to select any of the voices within the selected group.

VPlay & Adjust Volume..............................................................................................................................................................

You can now play the selected voice or voices on

the keyboard. Use the [MASTER VOLUME] con-

trol to adjust the overall volume level, and the

MIXER MAIN VOLUME LCD [▲/▼] controls to

set the desired balance between the parts.

Keyboard Percussion

When one of the RIGHT ORCHESTRA [DRUM KIT]

voices is selected, you can play 61 different drums and

percussion instruments on the keyboard. The drums and

percussion instruments played by the various keys are

marked by symbols above the keys. Some of the instru-

ments in the different drum kit voices sound different

even though they have the same name, while others are

essentially the same.

NOTES

•When the DRUM KIT voice OCTAVE parameter is set to “–1”, 11

different instruments are available in the lowest octave.

•The Transpose, Tune, Sustain, Harmony, Left Hold, Modula-

tion, and Pitch Bend functions do not affect the DRUM KIT

voices.

•See page 129 for a complete listing of the keyboard percussion

drum instrument assignments.

Changing the “L” Split Point

The PSR-4000 has two programmable split points — one which divides the LEFT and RIGHT/LEAD orchestra

parts, and one which divides the auto-accompaniment and manual sections of the keyboard when AUTO BASS

CHORD accompaniment (page 27) is engaged. In the split point displays accessed by the EASY SETTING LCD

button described below, and the FUNCTION displays (page 102), the former is indicated by the “L” marker and the

latter by the “A” marker above the graphic keyboard. The current split points are indicated on the display both by

the split markers and the “splits” in the graphic keyboard. We’ll look at the ABC (“A”) split point in more detail in

“Using the Accompaniment Section”, page 27. For now, here’s how you can change the “L” split point via the

orchestra part easy-setting displays to suit your own playing requirements.

Playing the PSR-4000

CReturn to the Previous Display

When Done .......................................

ZSelect an Orchestra Part Easy Setting Display ..........................................................................................

Select an orchestra part easy-setting display ei-

ther by turning a part on or off and pressing the

EASY SETTING LCD button before it disappears,

or by pressing the EASY SETTING LCD button

while holding an orchestra part button that is already

on.

XSet the Split Point.......................................................................................................................................................................

The split point can be set in two ways: either use

the SPLIT POINT L LCD [▲/▼] controls, or press

the desired key on the keyboard while holding the L

DIRECT SETTING LCD button (or vice-versa).

The new split point will be indicated on the graphic

keyboard in the LCD.

NOTES

•The “L” split point cannot be set lower than the “A” split

point.

•When the “L” and “A” split points are set at different keys,

the LEFT voice can be played between the “A” and “L” split

points when the AUTO BASS CHORD function on. When

the “L” and “A” split points are set to the same key, the

LEFT voice can be played anywhere to the left of the “L”

and “A” split points.

Press the EXIT LCD button or [EXIT] panel

button to return to the previous display when done.

Press a key while holding the

L DIRECT SETTING LCD but-

ton.

Transposition, Tuning,

& Octave Change

The most important and fundamental adjustment for any musical

instrument is tuning. The TRANSPOSE, TUNING, and OCTAVE

CHANGE functions described below let you control the pitch of the

PSR-4000 in a number of ways.

TRANSPOSE & TUNE

These functions allow the overall pitch of the PSR-4000 to be transposed up or down in semitone steps, and fine-

tuned in 0.2 Hertz steps.

ZPress the TRANSPOSE/TUNE LCD Button .....................................................................................................

Select the transpose and tune functions from the

normal play mode display by pressing the TRANS-

POSE/TUNE LCD button.

XSet the Transposition and/or Tuning As Required...................................................................................

Use the TRANSPOSE LCD [▲/▼] controls to

set the desired degree of transposition, and the

TUNE LCD [▲/▼] controls to set the desired de-

gree of tuning.

The transpose range is from –24 to +24, allow-

ing a maximum upward or downward transposition

of 2 octaves. A setting of “0” produces the normal

pitch.

The tuning range is from 414.6 Hertz to 466.8

Hertz, adjustable in 0.2-Hertz steps. A3 = 440.0

Hertz is “normal” pitch.

CReturn to the Main Display When Done..............................................................................................................

Press the MAIN VOLUME LCD button to exit

from the transpose and tune functions and return to

the main display.

OCTAVE CHANGE

Transposition, Tuning, & Octave Change

This function allows the LEFT, RIGHT 1, RIGHT 2, and LEAD voices to be independently transposed up or down

by one octave.

The LEFT, R1, R2, and LEAD LCD buttons directly

set the octave of the corresponding voice. Pressing one of

these buttons changes the corresponding octave setting to

“+1”, “–1”, and then “0”, in sequence. “+1” shifts the

voice up one octave “–1” shifts the voice down one

octave, and “0” sets the voice to its normal octave.

NOTES

•These parameters are also available in the F1 VOICE PART

function display — page 101.

•Some voices may suddenly shift octaves when played at the

extreme ends of the keyboard if they are set to a lower or higher

octave than normal. This can also occur when the PITCH BEND

wheel is used on extremely low or high notes.

• If you change the transpose, octave change, or tuning settings

while playing one or more notes on the keyboard, the new octave

change settings will take effect from the next notes played while

tune and transpose settings take effect immediately.

Using the Accompaniment Section

The PSR-4000 has 120 different preset accompaniment “styles”

and up to 12 custom accompaniment styles that can be used to pro-

vide fully-orchestrated or rhythm-only accompaniment. The PSR-

4000’s sophisticated Auto Bass Chord accompaniment system can

provide automated bass and chord backing that is perfectly matched

to the selected accompaniment style.

ZTurn ABC ON....................................................................................................................................................................................

Press the [AUTO BASS CHORD] button so that

its indicator lights, thereby turning the ABC mode

on.

NOTES

•Rhythm-only accompaniment will be produced if you don’t

turn the [AUTO BASS CHORD] button on.

•The maximum number of notes that can be played simul-

taneously on the PSR-4000 keyboard is reduced when

the Auto Bass Chord feature is used.

•The PSR-4000 employs “last-note priority”, which means

that when the number of notes played on the keyboard

exceeds the total number that can be produced by the

PSR-4000 at that time, the last notes played take priority.

ROCK /

ROCK’N’ROLL

JAZZ

PO P / BEAT

BALLAD

DANCE

DISCO

RHYTHM &

BLUES

LATIN

COUNTRY&

WESTERN

MARCH /

WALTZ

CUSTOM

STYLE

BALLROOM

ONE TOUCH

SETTING

ACCOMPANIMENT

AUTO BASS CHORD

XSelect the Desired ABC Mode .......................................................................................................................................

Press the ABC EASY SETTING LCD button

immediately after pressing the [AUTO BASS

CHORD] button to select the ABC MODE and

SPLIT POINT display. Use the ABC MODE LCD

[▲/▼] controls to select the SINGLE FINGER,

FINGERED 1, FINGERED 2, FULL KEYBOARD,

AUTO MIDI BASS, or MANUAL MIDI BASS

mode. If you select the MANUAL MIDI BASS

mode, and press the BASS VOICE LCD button

which appears, you can use the GROUP LCD [▲/

▼] controls to specify the bass voice to be used.

Press the ABC MODE LCD button to return to the

ABC MODE display as required.

Press the EXIT LCD button or [EXIT] panel

button to return to the main display when done.

The SINGLE FINGER, FINGERED 1, FIN-

GERED 2, FULL KEYBOARD, AUTO MIDI BASS

and MANUAL MIDI BASS modes function as

follows:

Using the Accompaniment Section

CGF

Cm C7Cm7

●SINGLE FINGER (SF)

Single-finger accompaniment makes it simple to

produce beautifully orchestrated accompaniment

using major, seventh, minor and minor-seventh chords

by pressing a minimum number of keys on the left-

hand section of the keyboard. The abbreviated chord

fingerings described below are used:

■For a major chord, press the root key only.

■For a minor chord, simultaneously press the root

key and a black key to its left.

■For a seventh chord, simultaneously press the root

key and a white key to its left.

■For a minor-seventh chord, simultaneously press

the root key and both a white and black key to its

left.

●FINGERED 2 (FC2)

This mode accepts the same fingerings as the

FINGERED 1 mode, but the lowest note played in

the ABC section of the keyboard is used as the bass

root, allowing you to play “on bass” or “fraction”

chords (in the FINGERED 1 mode the root of the

chord is always used as the bass root).

●FINGERED 1 (FC1)

This is the default ABC mode. The FINGERED

1 mode lets you finger your own chords on the ABC

section of the keyboard (i.e. all keys to the left of and

including the split-point key — normally F#2),

while the PSR-4000 supplies appropriately orches-

trated rhythm, bass, and chord accompaniment in

the selected style.

The FINGERED 1 mode will accept the 34 chord

types.

●FULL KEYBOARD

When this advanced auto-accompaniment mode

is engaged the PSR-4000 will automatically create

appropriate accompaniment while you play just

about anything, anywhere on the keyboard: chords,

a bass line, arpeggiated chords, a melody line. The

name of the detected chord will appear on the

display. You don’t have to worry about specifying

the accompaniment chords. Although the FULL

KEYBOARD mode is designed to work with many

songs, some arrangements may not be suitable for

use with this feature. Try playing a few simple songs

in the FULL KEYBOARD mode to get a feel for its

capabilities.

NOTES

•Chord detection occurs at approximately 8th-note inter-

vals. Extremely short chords — less than an 8th note in

length — may therefore not be detected.

Using the Accompaniment Section

●AUTO MIDI BASS

In this mode all accompaniment parts except the

bass part respond to the chord played on the key-

board. Fingering is the same as in the FINGERED 1

mode. If more than three notes are played on the

ABC section of the keyboard in this mode, and if the

chord played is not recognized by the PSR-4000,

only the top three are used for chord recognition. All

others are ignored. The bass part is determined by

the note played on an external MIDI bass keyboard

connected to the MIDI IN terminal and assigned to

the MIDI Bass channel (page 120).

●MANUAL MIDI BASS

In this no chord recognition occurs. All accom-

paniment parts other than the rhythm part are muted,

and a MIDI bass keyboard connected to the MIDI IN

connector and assigned to the MIDI Bass channel

(page 120) directly plays the bass voice selected via

the BASS VOICE parameter that appears when the

MANUAL MIDI BASS mode is selected in the ABC

easy-setting display.

Using the Accompaniment Section

CSelect a Style ...................................................................................................................................................................................

The PSR-4000 has 120 preset styles organized in

11 groups (see the “Style List” on page 130).

Use the ACCOMPANIMENT group buttons to

select the group from which you want to select a

style. The corresponding style display will appear.

NOTES

•The display will automatically revert to the main display

after a few seconds if the [LIST HOLD] button is not

engaged (page 11).

•For easy selection some styles are repeated in different

groups.

•Custom styles which can be selected via the ACCOMPA-

NIMENT [CUSTOM] button can be created via the CUS-

TOM ACCOMPANIMENT RECORD mode described on

page 69, or loaded from disk.

ROCK /

ROCK’N’ROLL

JAZZ

PO P / BEAT

BALLAD

DANCE

DISCO

RHYTHM &

BLUES

LATIN

COUNTRY&

WESTERN

MARCH /

WALTZ

CUSTOM

STYLE

BALLROOM

ONE TOUCH

SETTING

ACCOMPANIMENT

AUTO BASS CHORD

Use the page-number LCD [▲/▼] controls to

select the page containing the style you want if more

than one page is available, then press the LCD

button corresponding to the desired style. You can

also use either of the SELECT LCD [▲/▼] controls

to select any of the styles within the selected group.

The PSR-4000 automatically determines the voices

to be used for the accompaniment bass and chords

according the accompaniment style you select.

NOTES

•Also see “Custom Accompaniment” on page 69.

•The custom style button can be used to access SFF

(optional style file format) disks that have been loaded.

VSet the Tempo .................................................................................................................................................................................

When you select a different style while the ac-

companiment is not playing, the “default” tempo for

that style is also selected, and the tempo is displayed

on the display in quarter-note beats per minute. If

the accompaniment is playing, the same tempo is

maintained even if you select a different style.

You can change the tempo to any value between

32 and 280 beats per minute, however, by using the

TEMPO [–] and [+] buttons. This can be done either

before the accompaniment is started or while it is

playing. To use the [–] and [+] buttons, press either

button briefly to decrement or increment the tempo

value by one, or hold the button for continuous

decrementing or incrementing.

NOTES

•The default tempo for the selected style can be recalled at

any time by pressing both the TEMPO [–] and [+] buttons

simultaneously.

TEMPO

–

Tempo

Using the Accompaniment Section

BStart the Accompaniment..................................................................................................................................................

There are several ways to start the accompani-

ment:

●Straight start: Press the [START/STOP] but-

ton. If you press the [START/STOP] button, the

rhythm will begin playing immediately without

bass and chord accompaniment.

NOTES

•It is also possible to select one of the several variations

available prior to a straight start — refer to “7. Select

Variations as Required,” below.

●Start with an introduction followed by the

MAIN A variation: press the [INTRO A/FILL

to A] button.

FADE

IN / OUT INTRO/

FILL to MAIN ENDING/

rit. SYNCHRO

START START/STOP

ACCOMPANIMENT DIRECTOR

ABAB

FADE

IN / OUT INTRO/

FILL to MAIN ENDING/

rit. SYNCHRO

START START/STOP

ACCOMPANIMENT DIRECTOR

ABAB

●Start with an introduction followed by the

MAIN B variation: press the [INTRO B/FILL

to B] button.

FADE

IN / OUT INTRO/

FILL to MAIN ENDING/

rit. SYNCHRO

START START/STOP

ACCOMPANIMENT DIRECTOR

ABAB

●Synchronized start: Any of the above start

types can be synchronized to the first note or

chord played on the ABC section of the keyboard

(i.e. keys to the left of and including the split-

point key — normally F#2) by first pressing the

[SYNCHRO START] button. Pressing the

[SYNCHRO START] button alone causes a

straight start to occur when the first note or chord

is played. Press [SYNCHRO START] and the

appropriate INTRO button (or vice-versa) for a

synchronized introduction start. The first dot of

the TEMPO display will flash at the current

tempo when a synchronized start mode has been

selected.

NOTES

•If you press the [SYNCHRO START] button while the

accompaniment is playing, the accompaniment will stop

and the synchro start mode will be engaged.

•The four LED dots of the TEMPO display provide a visual

indication of the selected tempo as shown to the left.

•A Yamaha FC5 footswitch plugged into a rear panel

FOOT SWITCH jack can also be used to start the accom-

paniment if the appropriate function is assigned to the

footswitch using the FOOT SWITCH functions described

on page 104.

1st Beat

2nd Beat

3rd Beat

4th Beat

TEMPO TEMPO

3/4 Time4/4 Time

FADE

IN / OUT INTRO/

FILL to MAIN ENDING/

rit. SYNCHRO

START START/STOP

ACCOMPANIMENT DIRECTOR

ABAB

Using the Accompaniment Section

NPlay On the ABC Section Of the Keyboard.....................................................................................................

As soon as you play any chord that the PSR-4000

can “recognize” on the ABC section of the keyboard

in one of the FINGERED modes or the AUTO MIDI

BASS (see fingering chart on page 134), an abbre-

viated chord in the SINGLE FINGER mode, or just

about anything anywhere on the keyboard in the

FULL KEYBOARD mode, the PSR-4000 will auto-

matically begin to play the chord along with the

selected rhythm and an appropriate bass line. The

accompaniment will continue playing even if you

release the left-hand keys.

If the MANUAL MIDI BASS mode is selected

only the rhythm accompaniment will play automati-

cally, and selected bass voice can be played via a

MIDI bass keyboard.

NOTES

•The appropriate chord and bass note will sound if you play

in the ABC section of the keyboard while the ABC function

is on but the accompaniment is stopped (but not in the

FULL KEYBOARD and MANUAL MIDI BASS modes).

Please note that the Left Hold function (page 35) cannot

be applied to these chord and bass notes.

Melody Section

ABC Section

Split Point

▼

MSelect Sections as Required...........................................................................................................................................

Each accompaniment style has two sections:

MAIN A and MAIN B. There is also an ENDING

section which is described in step >. The INTRO A

and B sections can be used to start the accompani-

ment as described in the preceding step. The MAIN

A and B sections can be selected manually by

pressing the corresponding section button.

NOTES

•Some INTRO and ENDING sections have their own chord

progressions which play in the current accompaniment

key — the current chord is shown below the style name in

the LCD display.

FADE

IN / OUT INTRO/

FILL to MAIN ENDING/

rit. SYNCHRO

START START/STOP

ACCOMPANIMENT DIRECTOR

ABAB

Using the Accompaniment Section

<Use Fill-ins..........................................................................................................................................................................................

The PSR-4000 provides two types of automatic

breaks or “fill-ins.”

●FILL to A: Press the [INTRO A/FILL to A]

button to produce a fill and go (or return) to the

MAIN A section.

FADE

IN / OUT INTRO/

FILL to MAIN ENDING/

rit. SYNCHRO

START START/STOP

ACCOMPANIMENT DIRECTOR

ABAB

FADE

IN / OUT INTRO/

FILL to MAIN ENDING/

rit. SYNCHRO

START START/STOP

ACCOMPANIMENT DIRECTOR

ABAB

●FILL to B: Press the [INTRO B/FILL to B]

button to produce a fill and then go (or return) to

the MAIN B section.

It is possible to change the section that will play

after the fill-in by pressing the appropriate section

button while the fill-in is playing.

NOTES

•A Yamaha FC5 footswitch plugged into a rear panel

FOOT SWITCH jack can also be used to activate the intro

and fill-in functions if the appropriate function is assigned

to the footswitch using the FOOT SWITCH functions

described on page 104.

>Stop the Accompaniment...................................................................................................................................................

The accompaniment can be stopped at any time

by pressing the [START/STOP] button. Press the

[ENDING/rit.] button if you want to go to the

ending section and then stop. Press the [ENDING/

rit.] button while the ending section is playing to

produce a “ritardando” ending — i.e. the tempo

gradually slows down during the ending.

FADE

IN / OUT INTRO/

FILL to MAIN ENDING/

rit. SYNCHRO

START START/STOP

ACCOMPANIMENT DIRECTOR

ABAB

Using the Accompaniment Section

■Fade-ins and Fade-outs .......................................................................................................................................................

FADE

IN / OUT INTRO/

FILL to MAIN ENDING/

rit. SYNCHRO

START START/STOP

ACCOMPANIMENT DIRECTOR

ABAB

The [FADE IN/OUT] button can be used to

produce smooth fade-ins and fade-outs when start-

ing and stopping the accompaniment.

To produce a fade-in, press the [FADE IN/OUT]

button so that its indicator lights before starting the

accompaniment. Then when the accompaniment is

started the sound will gradually fade in. The [FADE

IN/OUT] indicator will flash during the fade-in,

and then go out when full volume has been reached.

To produce a fade-out press the [FADE IN/

OUT] button while the accompaniment is playing.

The indicator will flash during the fade out, then the

accompaniment will stop when the fade-out is com-

plete. The [FADE IN/OUT] button indicator will

remain lit after the fade-out, indicating that the fade-

in mode is engaged. Press the [FADE IN/OUT]

button so that its indicator goes out if you want to

disengage the fade-in mode.

■The Auto Mute Function ......................................................................................................................................................

When the EASY SETTING ABC display is se-

lected, or when the F2 SPLIT POINT/ABC MODE

display is selected, the AUTO MUTE LCD button

will appear as long as the MANUAL MIDI BASS

ABC mode is not selected. When this function is

turned ON certain AUTO BASS CHORD parts will

either stop playing or play with reduced volume

whenever the right-hand keys are played — so that

the accompaniment does not “get in the way” of

what you play on the keyboard. Normal accompani-

ment playback resumes when no right-hand keys are

being played.

NOTES

•The AUTO MUTE function will not work with some styles.

■Accompaniment Volume .....................................................................................................................................................

Use the various LCD [▲/▼] controls in the

MIXER ACCOMPANIMENT VOLUME display

to set the best balance between the corresponding

accompaniment parts, and the optimum volume of

the accompaniment parts in relation to the orchestra

part voices.

NOTES

•A Yamaha FC5 footswitch plugged into a rear panel FOOT

SWITCH jack can also be used to activate the fade-ins and fade-

outs functions if the appropriate function is assigned to the

footswitch using the FOOT SWITCH functions described on

page 104.

Using the Accompaniment Section

Changing the “A” Split Point

The “L” split point has already been described on page 16. The “A” split point divides the auto-accompaniment

and manual sections of the keyboard when AUTO BASS CHORD accompaniment (page 19) is engaged. Like the

“L” split point, the “A” split point can be changed as required via the ABC EASY SETTING display, or the SPLIT

POINT/ABC MODE/M. PAD function display (pages 102). The current split points are indicated on the display

both by the split markers and the “splits” in the graphic keyboard.

ZSelect the ABC EASY SETTING Display ............................................................................................................

XSet the Split Point .......................................................................................................................................................................

CReturn to the Previous Display When Done..................................................................................................

Press the EXIT LCD button or [EXIT] panel

button to return to the previous display when done.

Select the AUTO BASS CHORD easy-setting

display either by turning the [AUTO BASS CHORD]

button on and pressing the EASY SETTING LCD

button before it disappears, or by pressing the EASY

SETTING LCD button while holding the [AUTO

BASS CHORD] button.

The split point can be set in two ways: either use

the SPLIT POINT A LCD [▲/▼] controls, or press

the desired key on the keyboard while holding the A

DIRECT SETTING LCD button. The new split

point will be indicated on the graphic keyboard in

the LCD.

NOTES

•The “A” split point cannot be set higher than the “L” split

point.

•When the “L” and “A” split points are set at different keys,

the LEFT voice can be played between the “A” and “L” split

points when the AUTO BASS CHORD function on. When

the “L” and “A” split points are set to the same key, the

LEFT voice can be played anywhere to the left of the “L”

and “A” split points.

Using the Accompaniment Section

The Chord Assist Function

The Chord Assist function is essentially an electronic “chord book” that will show you appropriate fingerings for

chords you enter via the display. The fingerings are indicated by dots on the graphic keyboard in the display, and

correspond to those recognized in the ABC FINGERED 1 mode. You can also play chords on the keyboard in the

same way as in the ABC FINGERED 1 mode.

ZSelect the Chord Assist Function .............................................................................................................................

Select the CHORD ASSIST display either by

turning the [AUTO BASS CHORD] button on and

pressing the CHORD ASSIST LCD button before it

disappears, or by pressing the CHORD ASSIST

LCD button while holding the [AUTO BASS

CHORD] button.

When the CHORD ASSIST function is selected

the ABC FINGERED 1 mode will automatically be

selected and the split point will be set at C#3.

XStart the Accompaniment ..................................................................................................................................................

Start the accompaniment by using any of the

methods described on page 23.

CSelect the Chord Root and Type.................................................................................................................................

Use the ROOT LCD [▲/▼] control to select the

desired chord root.

Use the TYPE LCD [▲/▼] control to select the

chord type.

The selected chord root and type will appear on

the graphic keyboard display, and the same chord

will appear in notation form on the musical staff

under “selected CHORD” in the upper half of the

display.

Using the Accompaniment Section

VHear the Chord...............................................................................................................................................................................

At this point you can “play” and hear the speci-

fied chord by pressing the ENTER LCD button —

i.e. the specified chord accompaniment will sound

and the chord will appear in notation form on the

musical staff under “played CHORD” in the upper

half of the display.

NOTES

•Chords which are recognizable by the PSR-4000 CHORD

ASSIST function can also be entered by playing them on

the ABC section of the keyboard. The chord will appear in

notation form on the musical staff under “played CHORD”

in the upper half of the display.

BInvert the Fingering as Necessary ...........................................................................................................................

Use the INVERSION LCD [▲/▼] controls to

shift the fingering up or down the keyboard. Each

time an INVERSION LCD [▲/▼] control is pressed

the next viable fingering (inversion) appears on the

graphic keyboard display and the musical staff be-

low “selected CHORD”.

NStop the Accompaniment...................................................................................................................................................

Press the [START/STOP] button to stop the

accompaniment.

MExit When Done ............................................................................................................................................................................

Press the EXIT LCD button or the panel [EXIT]

button to exit from the Chord Assist function.

Using the Accompaniment Section

The Arranger Buttons

The ARRANGER buttons make it possible to indi-

vidually mute accompaniment parts to create the

blend and accompaniment “size” you want. When

an ARRANGER button is pressed so that its indica-

tor goes out, the corresponding accompaniment

part(s) are muted. Muted parts can be turned back on

by pressing the appropriate ARRANGER button so

that its indicator lights. The ARRANGER buttons

correspond to the following accompaniment parts:

ARRANGER

PHRASE

PAD

CHORD

BASS

RHYTHM

PHRASE PHRASE 1, PHRASE 2

PAD PAD

CHORD CHORD 1, CHORD 2

BASS BASS

RHYTHM RHYTHM 1, RHYTHM 2

One Touch Setting

The PSR-4000’s 120 internal styles each have 4 different preset

“panel setups” that can be selected via the [ONE TOUCH SETTING]

buttons to create different musical textures — e.g. different voices for

the accompaniment parts.

ZEngage the One Touch Setting Feature ..............................................................................................................

The ONE TOUCH SETTING feature can be

used either while an accompaniment is playing or

prior to starting an accompaniment by simply press-

ing the [ONE TOUCH SETTING] button and

selecting the desired ONE TOUCH SETTING setup

by pressing the appropriate LCD button.

ROCK /

ROCK’N’ROLL

JAZZ

PO P / BEAT

BALLAD

DANCE

DISCO

RHYTHM &

BLUES

LATIN

COUNTRY&

WESTERN

MARCH /

WALTZ

CUSTOM

STYLE

BALLROOM

ONE TOUCH

SETTING

ACCOMPANIMENT

AUTO BASS CHORD

One Touch Setting

XAdjust The Settings If Necessary ..............................................................................................................................

■THE TEMPO SET FUNCTION ..........................................................................................................................................

The TEMPO SET LCD [▲/▼] controls in the

ONE TOUCH SETTING display can be used to turn

the ONE TOUCH SETTING TEMPO SET function

ON or OFF. When ON the tempo will change ac-

cording to the tempo setting included in each ONE

TOUCH SETTING setup whenever a different setup

is selected. When OFF the tempo will not change

when a different setup is selected, regardless of the

tempo setting it includes.

Any of the parameters set by the ONE TOUCH

SETTING feature can be adjusted to create the

desired sound after a ONE TOUCH SETTING setup

has been selected.

NOTES

•See page 131 for a complete listing of the ONE TOUCH

SETTING setup parameters

•One Touch Settings can also be stored in the REGISTRA-

TION memory.

•ONE TOUCH SETTING cannot be used with accompani-

ment styles created using the Custom Accompaniment

feature described on page 69. An error message will

appear on the display if a Custom Style is selected.

Expression & Effects

■Harmony................................................................................................................................................................................................

HARMONY SUSTAIN TOUCH

RESPONSE

REVERB CHORUS DSP

EFFECT

Press the [HARMONY] button to turn the HARMONY effect on or

off. When HARMONY is on (indicator lit), playing single notes or

chords on the right-hand section of the keyboard produces automatic

harmony matched to the accompaniment chords. The harmony function

can be turned on when AUTO BASS CHORD accompaniment is off, but

in this case the harmony produced will consist only of unison and/or

octave notes.

NOTES

•The type of harmony produced can be selected via the HARMONY EASY

SETTING display, or via the HARMONY function display. See page 114 for

details.

•The harmony is based on the ABC chords, and is added to the highest note played

except when only the LEAD voice is on, in which case the harmony notes are

added to the last note played.

•The HARMONY feature cannot be turned on when the FULL KEYBOARD ABC

mode is selected.

■Sustain....................................................................................................................................................................................................

HARMONY SUSTAIN TOUCH

RESPONSE

REVERB CHORUS DSP

EFFECT

Press the [SUSTAIN] button to turn the sustain effect on or off. When

on (indicator lit), extra sustain is applied to the selected voice. When

sustain is applied via a footswitch, however, the panel [SUSTAIN]

button will not function.

NOTES

•Sustain can be applied to any combination of the LEFT, RIGHT 1, RIGHT 2 and

LEAD voices via the SUSTAIN BUTTON parameter available via the SUSTAIN

EASY SETTING display or the CONTROLLER function display. See page 104 for

details.

•The sustain effect may not produce the same effect for all voices.

■Touch Response ..........................................................................................................................................................................

HARMONY SUSTAIN TOUCH

RESPONSE

REVERB CHORUS DSP

EFFECT

The touch response function turns the PSR-4000’s keyboard velocity

response on or off. Normally, touch response should be turned on — the

[TOUCH RESPONSE] button indicator should be lit — to allow

normal dynamic control via the keyboard (i.e. the harder the keys are

played, the louder the sound). In some cases, however, you might want

to turn touch response off (indicator off). For example, most organs have

no keyboard velocity response, so touch response can be turned off for

greater realism when playing organ type voices. Touch response can also

be turned off to create a constant-volume sound with any voice.

Use the [TOUCH RESPONSE] button to turn touch response on or

off as required.

NOTES

•Touch response sensitivity, off level, and voice assignments can be set via the

TOUCH EASY SETTING display, or via the CONTROLLER function display. See

page 107 for details.

Expression & Effects

■Reverb .....................................................................................................................................................................................................

HARMONY SUSTAIN TOUCH

RESPONSE

REVERB CHORUS DSP

EFFECT

Press the [REVERB] button to apply the reverb effect specified by

the REVERB TYPE and DEPTH functions described on page 110. The

[REVERB] button alternately turns the reverb effect on (indicator lit) or

off (indicator out).

NOTES

•Reverb type and depth settings are available via the REVERB EASY SETTING

display, or via the REVERB/CHORUS/DSP EFFECT function display. See page

110 for details.

•Reverb type changes will apply to the note currently being played, while reverb

ON/OFF and depth changes will apply to the next note played.

•Although the [REVERB] indicator will go out, the reverb effect cannot be turned

off during accompaniment or song playback.

■Chorus ....................................................................................................................................................................................................

HARMONY SUSTAIN TOUCH

RESPONSE

REVERB CHORUS DSP

EFFECT

Press the [CHORUS] button to apply the chorus effect at a depth

specified by the CHORUS DEPTH function described on page 112. The

[CHORUS] button alternately turns the chorus effect on (indicator lit)

or off (indicator out).

NOTES

•Chorus depth settings are available via the CHORUS EASY SETTING display,

or via the REVERB/CHORUS/DSP EFFECT function display. See page 110 for

details.

•Although the [CHORUS] indicator will go out, the chorus effect cannot be turned

off during accompaniment or song playback.

■DSP Effects........................................................................................................................................................................................

HARMONY SUSTAIN TOUCH

RESPONSE

REVERB CHORUS DSP

EFFECT

Press the [DSP EFFECT] button to apply the effect specified by the

DSP EFFECT TYPE and DEPTH functions described on page 112. The

[DSP EFFECT] button alternately turns the effect on (indicator lit) or

off (indicator out).

NOTES

•In the default setting, an appropriate DSP effect will automatically be selected

whenever a new voice is selected.

•DSP effect depth, type, and individual parameter settings are available via the

DSP EFFECT EASY SETTING display, or via the REVERB/CHORUS/DSP

EFFECT function display. See page 110 for details.

•Effect type changes will apply to the note currently being played, while effect ON/

OFF and depth changes will apply to the next note played.

Expression & Effects

■Left Hold................................................................................................................................................................................................

This function causes the LEFT orchestra part voice to be held even

when the keys are released. Non-decaying voices such as strings are held

continuously, while decay-type voices such as piano decay more slowly

(as if the sustain pedal has been pressed).

PIANO/

ORGAN

STRINGS/

CHOIR

BRASS/

WOODWIND

SYNTH /

PAD

GUITAR/

PERCUSSIVE

CUSTOM

VOICE

LEFT ORCHESTRA

LEFTLEFT HOLD

■Pitch Bend Wheel ........................................................................................................................................................................

PITCH BEND MODULATION

DOWN MIN

MAX

The PITCH BEND wheel to the left of the keyboard lets you bend

the pitch of notes played on the keyboard up or down. Normal pitch is

restored when the PITCH BEND wheel is released. The maximum pitch

bend range is preset for each voice, but can be set as required for custom

voices by using the CUSTOM VOICE EDIT feature described on page

83.

NOTES

•Pitch bend can be applied to the LEFT, RIGHT 1, RIGHT 2, and LEAD voices —

the PITCH BEND WHEEL parameter described on page 106 allows the pitch

bend wheel to be assigned any of these voices, singly or in any combination.

• The pitch bend wheel may cause sudden pitch changes when applied to notes

at the upper and lower extremes of the keyboard.

■Modulation Wheel.......................................................................................................................................................................

PITCH BEND MODULATION

DOWN MIN

MAX

The MODULATION wheel to the left of the keyboard lets you apply

modulation to notes played on the keyboard using the LEFT, RIGHT 1,

RIGHT 2, and LEAD orchestra part voices. Rolling the MODULA-

TION wheel upward (away from you) increases the modulation depth.

NOTES

•Modulation can be applied to the LEFT, RIGHT 1, RIGHT 2, and LEAD voices —

the MODULATION WHEEL parameter described on page 106 allows the modu-

lation wheel to be assigned any of these voices, singly or in any combination.

•With some voices the MODULATION wheel changes the depth of effects or the

timbre of the sound.

The Multi Pads

The PSR-4000 features 8 “MULTI PADs” above the keyboard that can be used in

two ways:

● PHRASE/CHORD: When the PHRASE/CHORD mode is selected, the 4 pads marked “PHRASE”

and the 4 pads marked “CHORD” can be used to record and play back

short sequences of notes and chords, respectively.

● PERCUSSION: In the PERCUSSION mode the pads can be used to play 8 different drum

and percussion instruments selected from the PSR-4000’s DRUM KIT

voices and Custom Voice DRUM KIT voice.

The PHRASE Pads (pads 1 … 4)

Each PHRASE pad can record up to approximately 350 notes played using the RIGHT 1,

RIGHT 2, or LEAD voices (only one of these voices is recorded). The recorded phrases can then

be played back at any time — even while playing on the keyboard, with or without accompani-

ment. The PHRASE pads record the following data:

The PHRASE/CHORD Mode

To engage the PHRASE/CHORD mode, press the [PHRASE/

CHORD - PERCUSSION] button so that the PHRASE/CHORD

indicator lights (the PHRASE/CHORD and PERCUSSION in-

dicators light alternately each time the button is pressed).

NOTES

•Preset data is initially recorded in pads 1 through 8.

•Notes

•Key velocity (touch response)

•Voice number

•Volume

•Sustain

•Modulation

•Pitch bend

•PAN

•SOSTENUTO

•SOFT PEDAL

•Reverb depth

•Part tune

REC/STOP

PERCUSSION

PHRASE/CHORD

PLAYING

PHRASE CHORD

MULTI PAD

12345678

NOTES

•MULTI PAD data can be saved to floppy disk. See page 92 for details.

REC/STOP

PERCUSSION

PHRASE/CHORD

The Multi Pads

■Recording Phrases....................................................................................................................................................................

ZSelect a PHRASE Pad For Recording

Press the PHRASE pad you intend to record to

while holding the [REC/STOP] button. The REC/

STOP indicator will flash, indicating that the se-

lected pad is ready to record.

XPlay a Phrase

Recording begins automatically as soon as you

play on the keyboard using the RIGHT 1, RIGHT 2,

or LEAD voice (see “NOTES”, below), and the

REC/STOP indicator will light continuously as long

as recording continues.

NOTES

•Only one voice can be recorded to the pads.

•If more than one voice is selected when the pad record

mode is engaged, the voice with the highest priority will be

used for recording. The RIGHT 1 voice has the highest

priority, followed by the RIGHT 2 voice, and then the

LEAD voice.

•The RIGHT 1 voice will automatically be selected if the

RIGHT 1, RIGHT 2, and LEAD voices are off when the pad

record mode is engaged.

•When a pad is recorded all previous data in that pad will

be erased and replaced by the new data.

•The preset pad data can be reloaded via the RECALL

PRESET DATA function described on page 115.

•Recorded phrases which are to be played using the

CHORD MATCH function (page 103) should be recorded

in the key of C major 7.

•You can record phrases while AUTO BASS CHORD

accompaniment is playing or stopped. In either case the

phrase will be recorded in relation to the currently set

accompaniment tempo, so it is a good idea to record

phrases while monitoring the accompaniment to ensure

that they are reproduced at an appropriate tempo when

played back with accompaniment.

CStop Recording

Press the [REC/STOP] button to stop recording

when you’ve finished playing the phrase. The [REC/

STOP] button indicator will go out when recording

ends.

NOTES

•Recording will stop automatically if the PHRASE pad

memory becomes full (approximately 350 notes per pad),

or if another pad is pressed.

REC/STOP

PERCUSSION

PHRASE/CHORD

PLAYING

PHRASE CHORD

MULTI PAD

12345678

REC/STOP

PERCUSSION

PHRASE/CHORD

PLAYING

PHRASE CHORD

MULTI PAD

12345678

The Multi Pads

■Phrase Playback ..........................................................................................................................................................................

As long as the PHRASE/CHORD mode is selected,

any recorded phrase can be played back simply by

pressing the corresponding PHRASE pad. The phrase

will play back whether the accompaniment is playing or

not, but will always play at the currently set tempo. The

PHRASE/CHORD PLAYING indicator will light while

the phrase plays back, and playback will end automati-

cally as soon as the end of the phrase is reached. A

phrase can be stopped while it is playing by pressing

either the [REC/STOP] button or the corresponding

pad button. It is also possible to play back several

phrases at the same time.

If a PHRASE pad is played while AUTO BASS

CHORD accompaniment is playing and the CHORD

MATCH function for that pad is ON (see “The Repeat

& Chord Match Settings”, below), the phrase will be

automatically re-harmonized to match the accompani-

ment chords.

NOTES

•Phrase pad data can be saved to and loaded from disk (page

90), but can not be memorized by the Registration feature

(page 43).

•Use the M.PAD VOLUME control in the MIXER MAIN VOL-

UME display to adjust the playback volume of the phrase

pads.

•Only one pad can be played at a time in the SONG RECORD

mode (page 52).

REC/STOP

PERCUSSION

PHRASE/CHORD

PLAYING

PHRASE CHORD

MULTI PAD

12345678

■Recording Chords......................................................................................................................................................................

ZSelect a CHORD Pad For Recording

Press the CHORD pad you intend to record to while

holding the [REC/STOP] button. The REC/STOP indi-

cator will flash, indicating that the selected pad is ready

to record. If the accompaniment is stopped when the

CHORD pad is selected for recording, the SYNCHRO

START mode will automatically be engaged.

NOTES

•If AUTO BASS CHORD is OFF when a CHORD pad is

selected for recording, it will automatically be turned ON.

Further, if the MANUAL MIDI BASS mode is selected, the

FINGERED 1 mode will automatically be selected.

The CHORD Pads (pads 5 … 8)

Each CHORD pad can record up to approximately 50 chords played on the left-hand

section of the keyboard when the AUTO BASS CHORD feature is engaged. The recorded

chords can then be played back when ABC is engaged and an accompaniment is playing.

REC/STOP

PERCUSSION

PHRASE/CHORD

PLAYING

PHRASE CHORD

MULTI PAD

12345678

The Multi Pads

XPlay the Required Chords

Recording begins automatically as soon as you play a chord

on the left-hand section of the keyboard, and the REC/STOP

indicator will light continuously as long as recording continues.

CStop Recording

Press the [REC/STOP] button or the pad being recorded to

stop recording when you’ve finished playing the chords. The

[REC/STOP] button indicator will go out when recording ends.

NOTES

•Recording will stop automatically if the CHORD pad memory becomes

full (approximately 50 chords per pad); if another pad is pressed; or if the

accompaniment [START/STOP], or [SYNCHRO START] button is

pressed.

•Quarter note intervals are the smallest intervals possible to record.

REC/STOP

PERCUSSION

PHRASE/CHORD

PLAYING CHORD

MULTI PAD

345678

■Chord Playback.............................................................................................................................................................................

As long as the PHRASE/CHORD mode is selected and an

AUTO BASS CHORD accompaniment is playing, any recorded

chord sequence can be played back simply by pressing the

corresponding CHORD pad. The chord sequence will play back

at the currently set tempo. The PHRASE/CHORD PLAYING

indicator will light while the chord sequence plays back, and

playback will end automatically as soon as the end of the

sequence is reached. Only one chord sequence can be played at

a time.

During chord pad playback the AUTO BASS CHORD indica-

tor will go out and the left-hand section of the keyboard plays in

the same way as the right-hand section. To indicate that the end

of the chord sequence is approaching, the PHRASE/CHORD

PLAYING indicator flashes during the last two measures (if the

REPEAT mode is not engaged — see below). A chord sequence

that is playing can be stopped by pressing the same chord pad

again, or by pressing the [REC/STOP] button. The AUTO BASS

CHORD function will continue playing the last chord played in

the chord sequence.

NOTES

•If you press a CHORD pad while the accompaniment is stopped or while

the AUTO BASS CHORD function is off, “Engage ABC to play the chord

pads” will appear on the display. Also, if AUTO BASS CHORD is on but

the MANUAL MIDI BASS mode is selected, “Engage SF, FC1, FC2,

FULL KEYBOARD, or AUTO MIDI BASS mode to play the chord pads”

will appear on the display, since chord playback will not function in the

MANUAL MIDI BASS mode.

•Chord pad data can be saved to and loaded from disk (page 90), but can

not be memorized by the Registration feature (page 43).

•Playback occurs in measure units. Playback will continue until the end of

the measure even if recording was stopped prior to the end of that

measure.

REC/STOP

PERCUSSION

PHRASE/CHORD

PLAYING CHORD

MULTI PAD

345678

The Multi Pads

■The Repeat & Chord Match Settings......................................................................................................................

The repeat and chord match settings for PHRASE/

CHORD pad playback can be accessed by pressing

the EASY SETTING LCD button that appears when

the [PERCUSSION - PHRASE/CHORD] button

is pressed. Once the easy setting display has been

selected the repeat and chord match parameters can

be accessed by pressing the REPEAT or CHORD

MATCH LCD button.

Press either the EXIT LCD button or the panel

[EXIT] button when done.

NOTES

•The MULTI PAD repeat and chord match settings are also

available via the MULTI PAD FUNCTION display — page

103.

●REPEAT

When a check mark appears in a REPEAT box in

the REPEAT display, the corresponding pad —

PHRASE or CHORD — will playback repeatedly

until stopped by either pressing the same MULTI

PAD again, or by pressing the [REC/STOP] button.

Use the [▲/▼] LCD controls to turn repeat for

the corresponding pads ON or OFF as required.

NOTES

•The default repeat settings are: pads 1…4 OFF; pads

5…8 ON.

●CHORD MATCH

When a check mark appears in a CHORD MATCH

box in the CHORD MATCH display, the phrase

played by the corresponding PHRASE pad will be

automatically re-harmonized to match the accom-

paniment chords if the PHRASE pad is played while

AUTO BASS CHORD accompaniment is playing.

The Multi Pads

Use the [▲/▼] LCD controls to turn the chord match

function for the corresponding pads ON or OFF as re-

quired.

NOTES

•Phrases to be played back using the CHORD MATCH function

must be recorded in the key of C major 7.

• The chord match function is only available for pads 1 through 4 (the

PHRASE pads).

• The default chord match settings are:1 and 2 OFF; 3 and 4 ON.

■Assigning Different Instruments To the PERCUSSION Pads .....................................................

ZPress [REC/STOP]

Press the [REC/STOP] button so that its indicator

lights (make sure the PERCUSSION mode is selected

first). The PERCUSSION PAD ASSIGN display will ap-

pear, listing the percussion instruments currently assigned

to the pads.

XSelect a Drum Voice

Use the DRUM KIT LCD [▲/▼] controls to select the

drum voice which includes the percussion instruments you

want to assign.

REC/STOP

PERCUSSION

PHRASE/CHORD

5. MidTom H

6. Low Tom

7. F Tom L

8. CrashCy2

1. Kick M

2. Snare M

3. C.Hi-Hat

4. O.Hi-Hat

The PERCUSSION Mode

To engage the PERCUSSION mode, press the [PHRASE/CHORD -

PERCUSSION] button so that the PERCUSSION indicator lights (the

PHRASE/CHORD and PERCUSSION indicators light alternately each

time the button is pressed).

The 8 pads are initially programmed with the following drum and

percussion instruments which can be played via the pads when the PER-

CUSSION mode is selected:

REC/STOP

PERCUSSION

PHRASE/CHORD

The Multi Pads

CAssign the Instruments

A new drum/percussion instrument is assigned

to a pad simply by playing the key corresponding to

the desired instrument while holding the pad to

which it is to be assigned. The reverse also works:

press the pad while holding the key. The velocity at

which you play the key (how hard you press the key

= how loud the note sounds) is also recorded to the

specified pad.

NOTES

•Percussion voices created using the CUSTOM VOICE

EDIT functions described on page 78 can also be as-

signed to the percussion pads.

VPress [REC/STOP] To End Assignment

When you’re finished making instrument as-

signments to the PERCUSSION pads, press the

[REC/STOP] button so that its indicator goes out.

NOTES

•Percussion pad data can be saved to and loaded from disk

(page 90), but can not be memorized by the Registration

feature (page 43).

■Playing the Percussion Pads .........................................................................................................................................

The PERCUSSION pads can be played at any

time — whether an accompaniment is playing or not

— as long as the PERCUSSION mode is selected.

Depending on the assigned instrument, some pads

will play continuously as long as they are held.

NOTES

•The PERCUSSION pad sounds are not affected by the

PSR-4000 PITCH BEND wheel or MODULATION wheel.

REC/STOP

PERCUSSION

PHRASE/CHORD

PLAYING

PHRASE CHORD

MULTI PAD

12345678

REC/STOP

PERCUSSION

PHRASE/CHORD

PLAYING

PHRASE CHORD

MULTI PAD

12345678

REC/STOP

PERCUSSION

PHRASE/CHORD

PLAYING

PHRASE CHORD

MULTI PAD

12345678

Registration Memory

The PSR-4000 Registration Memory feature can be used to memo-

rize 128 complete control-panel setups (16 banks, 8 setups each) that

you can recall whenever needed.

NOTES

•Registration data can be saved to and loaded from floppy disk as required (page 90).

•The disk provided with the PSR-4000 contains a number of sample registration settings.

ZSet Up the Controls as Required ...............................................................................................................................

Make the desired control settings.

NOTES

•See page 131 for a complete listing of the data stored by

the Registration function.

Registering the Panel Settings

XRegister in Memory...................................................................................................................................................................

Use the BANK [–] or [+] button

to select the desired memory bank

— the bank number is shown next to

REG. BANK in the upper right cor-

ner of the display. Press and hold the

[MEMORY] button, then press one

of the REGISTRATION buttons.

Any data that was previously in the

selected location is erased and re-

placed by the new settings.

FREEZE MEMORY

BANK 1~16

–12345678

REGISTRATION

BANK 1~16

–12

Registration Memory

Entering a Registration Name

You can enter descriptive names up to 16 characters in length for each registration setup via the NAME

function accessible via the registration EASY SETTING display. The same function is also available via

the FUNCTION display — page 114.

ZSelect the NAME Function ................................................................................................................................................

Press the EASY SETTING LCD button that ap-

pears when a BANK button or the [MEMORY]

button is pressed before it disappears. When the

easy setting display appears, select the NAME func-

tion by pressing the corresponding LCD button.

XEnter a Name ...................................................................................................................................................................................

Use the < > LCD [▲/▼] control to move the

name cursor to the various character positions, then

use the A~Z, a~z, or 0~9… LCD [▲/▼] control to

select the required character for each position. The

A~Z LCD [▲/▼] control selects capital letters, the

a~z LCD [▲/▼] control selects lower-case letters,

and the 0~9… LCD [▲/▼] control selects numbers

and special characters.

NOTES

•It’s a good idea to give your registration setups names that

make them easily identifiable. If you’ve created a registra-

tion setup for a song named “MySong”, a good registration

name might be something like “MySong-Reg”.

CExit When Done.............................................................................................................................................................................

Press either the EXIT LCD button or the panel

[EXIT] button when done.

Registration Memory

Recalling the Registered Panel Settings

Simply select the appropriate bank

using the BANK [–] or [+] button

and press the desired REGISTRA-

TION button at any time to recall

the memorized settings. The memo-

rized settings are actually recalled

only when a REGISTRATION

button is pressed — selecting a dif-

ferent bank does not change the

settings.

FREEZE MEMORY

BANK 1~16

–

12345678

REGISTRATION

If any change is made to a setting memorized by

the REGISTRATION feature, “REGIST EDITED”

appears in place of the bank, number, and name to

indicate that the current panel settings do not exactly

correspond to the selected registration memory.

The selected bank and registration number ap-

pears at the top of the display. The registration name

appears to the right of the bank and number.

Registration Memory

The Freeze Function

If you press the [FREEZE] button so that its LED lights, selecting a

different registration setup will not change the settings specified in the

FREEZE GROUP SETTING display accessed either via the registration

EASY SETTING display or the [FUNCTION] button (page 114).

FREEZE MEMORY

BANK 1~16

–

You can specify which settings are affected by the FREEZE function via the FREEZE GROUP SETTING

function accessible via the registration EASY SETTING display. The same function is also available via the

FUNCTION display — page 114.

The Freeze Group Settings

ZSelect the FREEZE GROUP SETTING Function ........................................................................................

Press the EASY SETTING LCD button that ap-

pears when a BANK button or the [MEMORY]

button is pressed before it disappears. When the

easy setting display appears, select the FREEZE

GROUP SETTING function by pressing the corre-

sponding LCD button.

XMark the Settings to be “Frozen”.....

Use the GROUP SELECT LCD [▲/▼] controls

to select a setting you want to freeze or “un-freeze”,

then use the MARK LCD [▲/▼] control to set or

remove the check mark for that setting. Repeat until

all settings are marked or un-marked as required.

CExit When Done.............................................................................................................................................................................

Press either the EXIT LCD button or the panel

[EXIT] button when done.

Song Playback & Recording

Song Playback

The PSR-4000 SONG PLAY mode allows song data to be played back from a floppy disk. The song file types

which can be played by the PSR-4000 are: songs recorded on the PSR-4000, DOC (Disk Orchestra Collection),

Disklavier and GM song (SMF format). Refer to the DOC or SMF disk manuals as necessary.

ZInsert a Song Disk......................................................................................................................................................................

Insert a song disk into the PSR-4000 disk drive

— a disk containing songs you have recorded on the

PSR-4000 yourself, a Yamaha DOC (Disk Orchestra

Collection), a Yamaha Disklavier disk, or a GM

song disk. The SONG PLAY mode will be automati-

cally engaged if a DOC, Disklavier or GM song disk

is inserted (and an accompaniment is not playing).

Otherwise engage the SONG PLAY mode as de-

scribed in the following step.

XEngage the Song Play Mode...........................................................................................................................................

Press the [SONG PLAY] button to engage the

SONG PLAY mode. The SONG PLAY display will

appear.

SONG

PLAY CUSTOM

VOICE EDIT FUNCTION

SONG

RECORD CUSTOM

ACCOMP. REC DISK

■Pause, Fast Forward & Reverse..................................................................................................................................

When you press the STOP [■] LCD button,

playback stops and the song position returns to the

beginning of the song. The PAUSE LCD button,

however, lets you pause playback and then start

again from the same point in the song. Playback can

be restarted either by pressing the PAUSE LCD

button again or by pressing the START LCD button.

While the PAUSE mode is engaged the F.F.

[f] (Fast Forward) and REW [r] (Reverse) LCD

buttons rapidly move the playback location forward

and backward in 1-measure steps, respectively. The

[r] and [f] buttons can be used both during

playback and while playback is paused. The REW

[r] LCD button will not appear and reverse opera-

tion will not be possible when a GM song disk (SMF

Format 1) is being played.

CSelect a Play Mode ....................................................................................................................................................................

Also, use the REPEAT LCD [▲/▼] control to

turn the repeat mode ON or OFF as required. When

ON, playback will repeat continuously until stopped.

VStart/Stop Playback..................................................................................................................................................................

Press the START LCD button to start playback.

Playback will stop automatically when the specified

song(s) have been played all the way through (un-

less the repeat mode is ON). You can also stop

playback at any time by pressing the STOP [■] LCD

button.

Song Playback & Recording

Use the MODE LCD [▲/▼] controls to select a

play mode:

SINGLE Plays the single song selected via

the SONG SELECT controls.

ALL Plays all songs in the song list in

order.

CHAIN Plays the songs specified in the

CHAIN LIST in the specified order.

Set this via the MAKE CHAIN button.

RANDOM Plays all songs in the song list in

random order.

Chain Playback

Song Playback & Recording

ZPress the MAKE CHAIN LCD Button .....................................................................................................................

The MAKE CHAIN LCD button will take you to

the chain programming display.

Chain playback allows any number of songs to be grouped together in any order for playback.

To program a chain:

XSelect and Insert the Required Songs .................................................................................................................

Use the SONG LCD [▲/▼] controls to select a

song, use the CHAIN LIST LCD [▲/▼] controls to

select a position in the chain if the chain contains

more than one song, and finally press the INS LCD

button to insert the song at the current position.

Repeat this process to insert the required songs at

the required locations.

CDelete Songs As Required................................................................................................................................................

To delete a song from the chain list simply use

the CHAIN LIST LCD [▲/▼] controls to select the

song to be deleted, then press the DEL LCD button.

VSave the Chain List, If Necessary .............................................................................................................................

The completed chain list can be saved to disk by

pressing the LIST SAVE LCD button. A confirma-

tion display will appear (“OK to save chain data?”):

press YES to save the list or NO to cancel.

NOTES

•Chain list data cannot be saved to a DOC or Disklavier

disk.

Song Playback & Recording

BReturn to the Song Select Display ...........................................................................................................................

Press the SONG SEL. LCD button to return to the

SONG SELECT display.

Volume & Mute/Solo Settings

The volume, mute, and solo parameters for song

playback are available via the VOLUME/MUTE

display which can be accessed by pressing the []

LCD button to the right of the display. Press the

VOLUME or MUTE LCD button to switch to the

corresponding display.

Song Playback & Recording

QUICK RECORD song

MULTITRACK RECORD song

DOC song

GM song

The number of volume parameters in the TRACK

VOLUME display will depend on the type of song

being played. If an original song recorded on the

PSR-4000 using the QUICK RECORD mode is

being played, two volume parameters will be avail-

able: MANUAL and ACCOMP. If an original song

recorded on the PSR-4000 using the MULTITRACK

RECORD mode or a GM song is being played,

individual parameters for all 16 tracks will be avail-

able: TR1 through TR16. Use the LCD [▲/▼]

controls to set the volume of the corresponding

tracks. If a Yamaha DOC song is being played use

the RHY, BASS, ORCH, LEFT, and RIGHT LCD

[▲/▼] controls to set the volume of the correspond-

ing tracks (see the DOC or Disklavier software

manual for more details). If a Disklavier song is

being played use the ORCH, LEFT, and RIGHT

LCD [▲/▼] controls to set the volume of the corre-

sponding tracks.

The LCD [▲/▼] controls in the TRACK MUTE

display allow PLAY, MUTE, or SOLO to be selected

for each track group. Muted tracks do not play. If a

track is set to SOLO only that track will play.

The track indicators above the volume or mute/

solo parameters indicate which tracks contain data

and which are muted. Tracks which do not contain

data are indicated by a dotted circle outline while

tracks which contain data have a solid outline. Play-

enabled tracks are indicated by a filled circle while

tracks that are muted are indicated by an outline

only.

NOTES

•When GM song is played all tracks appear on the display

as if they contain data, even if they don’t.

Song Playback & Recording

Song Recording

The PSR-4000 SONG RECORD mode allows anything you play to be recorded to floppy disk. A QUICK

RECORD mode provides an easy way to record a melody with accompaniment, while a MULTITRACK record mode

allows independent recording on up to 16 tracks. There’s also a CHORD SEQUENCE record mode available via the

QUICK record mode.

ZInsert a Recordable Disk.....................................................................................................................................................

Insert a properly formatted disk in the PSR-4000

disk drive.

XEngage the Song Record Mode...................................................................................................................................

Press the [SONG RECORD] button to engage

the SONG RECORD mode. The SONG RECORD

display will appear.

NOTES

•If an unformatted disk or a disk which has not been

formatted for use with the PSR-4000 is inserted, the

“Wrong disk format! Format disk?” confirmation message

will appear when the SONG RECORD mode is selected.

Press YES to format the disk or NO to cancel.

•If a GM disk is in the drive when the SONG RECORD

mode is engaged, the “Not a user disk! Recording to this

disk will convert it to a user disk. OK to record?” message

will appear on the display. Press YES to enter the record

mode or NO to cancel.

•If a DOC or Disklavier disk is in the drive when the SONG

RECORD mode is engaged the “Write protected!” mes-

sage will appear and it will not be possible to enter the

record mode.

SONG

PLAY CUSTOM

VOICE EDIT FUNCTION

SONG

RECORD CUSTOM

ACCOMP. REC DISK

CSelect a Song .........................................................

Use the SONG LCD [▲/▼] controls to select

either an existing song for additional recording or a

new song (“ ” on the SONG LIST) to record a new

song.

Song Playback & Recording

VEnter a Song Name, If Necessary .............................................................................................................................

You can enter an original name for the song at

this point. Song names can be up to 12 characters

long. Use the < > LCD [▲/▼] control to move the

name cursor to the various character positions, then

use the A~Z, a~z, or 0~9… LCD [▲/▼] control

to select the required character for each position.

The A~Z LCD [▲/▼] control selects capital letters,

the a~z control selects lower-case letters, and the

0~9… LCD [▲/▼] control selects numbers and

special characters.

BSelect a Record Mode ............................................................................................................................................................

Press the QUICK RECORD or MULTI TRACK

LCD button to select the corresponding record mode.

Song Playback & Recording

Quick Record

The QUICK RECORD mode, as its name suggests, makes track selection and recording easy by grouping the

accompaniment and manual tracks.

ZSet the Track Modes .................................................................................................................................................................

Use the MANUAL and ACCOMP. LCD [▲/▼]

controls to the select the REC mode for the track(s)

to be recorded, the PLAY mode for the tracks to be

played while recording, or the MUTE mode for

tracks neither to be played or recorded. The PLAY

mode can only be selected for tracks which contain

data.

NOTES

•Note that the SYNCHRO START mode is automatically

engaged when the QUICK RECORD mode is selected, so

be careful not to play the keyboard before you’re ready to

actually start recording, or recording will begin automati-

cally. SYNCHRO START can be disengaged by pressing

the [SYNCHRO START] button.

XSet Up For the Recording ..................................................................................................................................................

Select the required voice(s), select a style, turn

AUTO BASS CHORD on if required (see “NOTES”

below). Set up all parameters as desired for record-

ing. The voices, multi-pad notes, harmony notes,

and accompaniment parts are recorded on the vari-

ous tracks as listed below.

MANUAL

VOICE TRACK

LEAD voice 1

RIGHT 1 voice 2

RIGHT 2 voice 3

LEFT voice 4

MULTI PAD 5

HARMONY 6…8

ACCOMPANIMENT

PART TRACK

RHYTHM 1 9

RHYTHM 2 10

BASS 11

CHORD 1 12

CHORD 2 13

PAD 14

PHRASE 1 15

PHRASE 2 16

NOTES

•If you turn the panel [AUTO BASS CHORD] button on, the

ACCOMP. tracks will automatically be set to the REC

mode.

•If the REC mode is engaged for the ACCOMP. tracks the

panel [AUTO BASS CHORD] button will be turned on

automatically.

Song Playback & Recording

CTurn the Metronome On If Required.......................................................................................................................

Use the METRONOME LCD [▲/▼] controls to

turn the metronome ON if you want to record while

monitoring the metronome sound (the metronome

sound is not recorded).

BStop Recording .............................................................................................................................................................................

Stop recording by pressing the STOP LCD but-

ton, the panel [STOP] button or the [ENDING]

button. When recording is stopped the “Saving to

disk” message may appear on the display while the

recorded data is being saved to the disk.

VStart Recording.............................................................................................................................................................................

If the SYNCHRO START mode is engaged (it is

engaged automatically when the QUICK RECORD

mode is selected) you can start recording by simply

playing on the keyboard. Otherwise use the START

LCD button or the panel [START] button.

NOTES

•Any previous data in a track will be erased when that track

is recorded.

•When the record mode is engaged and accompaniment is

stopped, prior to actually starting recording, the amount of

available disk space will appear in the upper right corner

of the display in approximate kilobytes. The measure

number is displayed in this location when recording is

started.

Song Playback & Recording

■THE TRACK INDICATORS...................................................................................................................................................

The track indicators above the track mode selec-

tors indicate which tracks contain data and which

are muted. Tracks which do not contain data are

indicated by a dotted circle outline while tracks

which contain data have a solid outline. Play-ena-

bled tracks are indicated by a filled circle while

tracks that are muted are indicated by an outline

only.

■TRACK DELETE ............................................................................................................................................................................

When the DEL LCD button is pressed DELETE

will appear for tracks which contain data. Select

DELETE via the MANUAL or ACCOMP. track

LCD [▲/▼] controls while holding the DEL button

to delete all data in the corresponding tracks. The

data is actually deleted when the DEL LCD button is

released. When the DEL LCD button is pressed,

tracks set to REC will automatically be switched to

PLAY or MUTE.

■PLAYBACK .........................................................................................................................................................................................

Recorded tracks are automatically set to the

PLAY mode when recording is stopped, so you can

simply press the START LCD button or the [START]

panel button to hear what you’ve recorded immedi-

ately after recording. All other playback functions

are the same as described on the “Song Playback”

section (page 47).

■EXITING .................................................................................................................................................................................................

Press the [SONG RECORD] or [EXIT] button

to exit from the QUICK RECORD mode and return

to the normal play mode.

SONG

PLAY CUSTOM

VOICE EDIT FUNCTION

SONG

RECORD CUSTOM

ACCOMP. REC DISK

EXIT

Play-enabled Muted

No data Record-enabled

Song Playback & Recording

Chord Step Recording

The CHORD STEP recording feature makes it possible to record accompaniment chord changes one at a time

with precise timing. Since the changes don’t have to entered in real time, it is easy to create even complex

accompaniments before recording the melody.

Select the CHORD STEP display via the [] or [ ] LCD button to the right of the display.

ZSelect an Entry Point...............................................................................................................................................................

Use the < >CURSOR< > LCD [▲/▼] controls

to position the cursor at the measure and beat at

which you want to enter a chord or other accompa-

niment event. The large < > controls move the

cursor in 1-measure steps while the small < >

controls position the cursor in the smallest incre-

ment allowed for the current style. Measure num-

bers appear above each measure division on the

“data line”, and the smaller division represent the

smallest increment available for the current style.

The measure numbers will scroll accordingly when

the cursor is moved past the last or first measure on

the display (but not backwards past measure 1).

XSpecify a Chord, Volume Change, or Other Event..................................................................................

To specify a chord change use the ROOT and

TYPE LCD [▲/▼] controls to specify the chord. It

is also possible to enter chords directly via the

AUTO BASS CHORD section of the keyboard.

To specify a volume change use the VOL. LCD

[▲/▼] control to specify the new volume level.

Other events which can be entered via the panel

controls are: STYLE changes, [MAIN A], [MAIN

B], [INTRO A/FILL to A], [INTRO B/FILL to B],

[ENDING], and TEMPO changes. STYLE change,

[MAIN A], [MAIN B], and [ENDING] events can

only be entered at the top of each measure. The

edited event appears in inverse text.

Song Playback & Recording

CEnter the Specified Event(s) ...........................................................................................................................................

Once the event or events to be entered have been

specified as described in the preceding step, press

the SET LCD button to actually enter the event at the

current cursor position. A dot will appear on the

CHORD STEP data line and the cursor will advance

to the top of the next measure.

VRepeat Until Done .............................................

Repeat steps 1 through 3, above, until the re-

quired number of chord changes and other accom-

paniment events have been entered. The end of the

sequence is automatically set at the end of the last

measure containing data, the insert point of an END

event (available at the bottom of the TYPE list).

■DELETING EVENTS ..................................................................................................................................................................

When the cursor is located at any previously-

entered dot on the CHORD STEP data line, the type

of event(s) recorded in that location are indicated by

triangular markers (s) to the left of the correspond-

ing event names in the event window. When only

one type of event has been entered at the cursor

location an eraser icon appears to the right of the

corresponding event in the event window, and that

event can be erased simply by pressing the DEL

LCD button. When more that one type of event has

been entered at the cursor location the SELECT

LCD [▲/▼] control can be used to place the eraser

icon next to any of these events, and the specified

event can be erased by pressing the DEL LCD

button. Events at the top of a measure can be changed

but not deleted.

Song Playback & Recording

Quick Record Mode Edit Functions

The QUICK RECORD mode EDIT display includes only one function: SONG DELETE.

Select the EDIT display via the [] LCD button to the right of the display.

■SONG DELETE...............................................................................................................................................................................

This function deletes the specified song file from the disk.

NOTES

•The song currently being recorded cannot be deleted.

•The amount of remaining disk space is displayed in the

upper right corner of the display in approximate kilobytes

while recording or playback is stopped.

ZSelect a Song

Use the SONG LCD [▲/▼] controls to select the

song to be deleted.

XDelete the Song

Press the EXECUTE LCD button. The “Ready to

Delete ********. OK to delete?” confirmation

message will appear (“********” is the song name).

Press YES to delete the song or NO to cancel.

Song Playback & Recording

Multitrack Record

The MULTITRACK record mode allows independent recording and playback on any of 16 tracks, so even complex

songs can be built up track by track.

ZSet the Track Modes .................................................................................................................................................................

Use the TR1 through TR16 LCD [▲/▼] con-

trols to the select the REC mode for the track(s) to be

recorded, the PLAY mode for the tracks to be played

while recording, or the MUTE mode for tracks

neither to be played or recorded. The PLAY mode

can only be selected for tracks which contain data.

The TR1-8 or TR9-16 LCD button selects track

groups 1 through 8 and 9 through 16, respectively.

XChange the Track Parts, If Required.......................................................................................................................

The default part for each track is displayed above

the REC setting. The parts can be changed as re-

quired by selecting them via the ▲ end of the

corresponding LCD [▲/▼] controls. When the part

has been changed, move back down to the REC

setting.

Song Playback & Recording

CSet Up For the Recording ..................................................................................................................................................

Select the required voice(s), select a style, turn

AUTO BASS CHORD on if required. Set up all

parameters as desired for recording.

NOTES

•If you turn the panel [AUTO BASS CHORD] button on, the

accompaniment tracks will automatically be set to the

REC mode.

• If the panel [AUTO BASS CHORD] button is turned off the

accompaniment track REC modes will be disengaged.

• If no AUTO BASS CHORD track is set to the REC mode,

the [AUTO BASS CHORD] button will automatically be

turned off.

•If the REC mode is engaged for any of the accompaniment

tracks the panel [AUTO BASS CHORD] button will be

turned on automatically.

VStart Recording.............................................................................................................................................................................

BStop Recording .............................................................................................................................................................................

Engage the SYNCHRO START mode if you

want to start recording automatically as soon as you

start playing on the keyboard. Otherwise use the

START LCD button or the panel [START] button.

NOTES

•Any previous data in a track will be erased when that track

is recorded.

•When the record mode is engaged and accompaniment is

stopped, prior to actually starting recording, the amount of

available disk space will appear in the upper right corner

of the display in approximate kilobytes. The measure

number is displayed in this location when recording is

started.

Stop recording by pressing the STOP LCD but-

ton, the panel [STOP] button or the [ENDING]

button. When recording is stopped the “Saving to

disk” message may appear on the display while the

recorded data is being saved to the disk.

Song Playback & Recording

■THE TRACK INDICATORS...................................................................................................................................................

The track indicators above the track mode selec-

tors indicate which tracks contain data and which

are muted. Tracks which do not contain data are

indicated by a dotted circle outline while tracks

which contain data have a solid outline. Play-ena-

bled tracks are indicated by a filled circle while

tracks that are muted are indicated by an outline

only.

■TRACK DELETE ............................................................................................................................................................................

When the DEL LCD button is pressed DELETE

will appear for tracks which contain data. Select

DELETE via the TR1 through TR16 LCD [▲/▼]

controls while holding the DEL button to delete all

data in the corresponding tracks. The data is actu-

ally deleted when the DEL LCD button is released.

When the DEL LCD button is pressed, tracks set to

REC will automatically be switched to PLAY or

MUTE.

■RECORDING & EFFECTS...................................................................................................................................................

The reverb, chorus, and DSP effects are recorded

as follows:

REVERB The last reverb type selected during recording takes priority. No effect type is recorded if the [RE-

VERB] button is off during recording.

CHORUS The chorus type is only recorded when the accompaniment or rhythm tracks are recorded. The

chorus type is recorded even if the [CHORUS] button is off during recording. The chorus type is

selected automatically according to the selected style.

DSP EFFECT If the [DSP EFFECT] button is on during recording, the current DSP effect will be recorded only for

the tracks actually being recorded. If the [DSP EFFECT] button is off during recording or only the

accompaniment tracks are set to the REC mode, no change occurs. If the [DSP EFFECT] button is

turned on during manual track recording, however, only tracks set to the REC mode are effected.

No data Muted

Record-enabled Play-enabled

Song Playback & Recording

■PLAYBACK .........................................................................................................................................................................................

Recorded tracks are automatically set to the

PLAY mode when recording is stopped, so you can

simply press the START LCD button or the [START]

panel button to hear what you’ve recorded immedi-

ately after recording. All other playback functions

are the same as described on the “Song Playback”

section (page 47).

ZSelect a Track...................................................................................................................................................................................

Use the TRACK LCD [▲/▼] controls to select a

track for PUNCH IN recording: LEAD, RIGHT1,

RIGHT2, or LEFT. Only tracks which contain data

can be selected.

Press the [SONG RECORD] or [EXIT] button

to exit from the MULTITRACK RECORD mode

and return to the normal play mode.

SONG

PLAY CUSTOM

VOICE EDIT FUNCTION

SONG

RECORD CUSTOM

ACCOMP. REC DISK

EXIT

Punch-In Recording

PUNCH IN recording allows only a section of a recorded track to be re-recorded without having to redo the entire

track.

Select the PUNCH IN display via the [] or [ ] LCD button to the right of the display.

NOTES

•If you require the metronome sound for punch-in record-

ing turn the METRONOME parameter ON in the PUNCH

IN display. The metronome settings are available in the

MULTI REC mode.

Song Playback & Recording

XSelect a Start Trigger Type.................................................................................................................................................

Use the TRIGGER LCD [▲/▼] controls to se-

lect the FIRST KEY or START SW start trigger.

When FIRST KEY is selected recording will begin

when the first key is played on the keyboard. When

START SW is selected recording will begin when

the START LCD button or panel [START/STOP]

button is pressed. If a footswitch has been assigned

to the PUNCH IN/OUT function via the F3 CON-

TROLLER: FOOT CONTROLLER display (page

104), FOOT SW can also be selected via the TRIG-

GER LCD [▲/▼] controls.

CTurn the Metronome On If Required.......................................................................................................................

Use the METRONOME LCD [▲/▼] control to

turn the metronome ON if you want to record while

monitoring the metronome sound (the metronome

sound is not recorded).

VLocate the Punch In Point ........................

While the PLAY mode is selected play the song

and pause playback a few measures before the

punch-in point so you have a good “lead in” prior to

actually starting recording.

BEngage the Record Mode...................................................................................................................................................

Use the MODE LCD [▲/▼] controls to select

the REC mode.

Song Playback & Recording

NStart Playback.................................................................................................................................................................................

Press the START LCD button or panel [START/

STOP] button to start playback from the current

PAUSE location.

MStart Recording at the Punch-in Point .................................................................................................................

Start recording at the punch-in point by either

pressing a START button, playing on the keyboard,

or pressing the footswitch, according to the start

trigger type selected in step 2, above.

<Stop Recording .............................................................................................................................................................................

Stop recording at the punch-out point by press-

ing the PUNCH OUT LCD button, the panel [START/

STOP] button, or the footswitch. If recording is

stopped via the panel [START/STOP] button, all

data following the punch-out point will be deleted.

If recording is stopped by using the PUNCH OUT

LCD button or footswitch, data following the punch-

out point will be left intact.

Song Playback & Recording

Track Volume Control

■QUANTIZE ...........................................................................................................................................................................................

The QUANTIZE function aligns recorded notes

in a specified track to the specified beats to “tighten

up” the timing of a performance.

After quantization

One measure of 8th notes before quantization

Multitrack record Mode Edit Functions

The MULTITRACK RECORD mode EDIT display includes four functions: QUANTIZE, TRACK MIX,

INITIAL EDIT, and SONG DELETE.

Select the EDIT display via the [] LCD button to the right of the display, then use the s and t LCD buttons

to the left of the display to select the desired function.

The MULTITRACK RECORD VOLUME dis-

play provides independent volume parameters for

each of the 16 tracks.

Select the VOLUME display via the [] or [ ]

LCD button to the right of the display, and use the

TR1 through TR16 LCD [▲/▼] controls to set the

volume of the corresponding tracks. The TR1-8 or

TR9-16 LCD button selects track groups 1 through

8 and 9 through 16, respectively. Press the EX-

ECUTE LCD button to save the edited volume data

to disk.

ZSelect a Track

Use the TRACK LCD [▲/▼] controls to select

the track to be quantized, and the SIZE LCD [▲/▼]

controls to select the beats to which the notes will be

aligned. Only tracks which contain data will be

available for quantization.

1/4 note

1/4 note triplet

1/8 note

1/8 note triplet

1/16 note

1/16 note triplet

1/32 note

The Quantize sizes are:

Song Playback & Recording

■TRACK COPY/MIX ......................................................................................................................................................................

This function allows data to be copied from one track to another, or data from two tracks can be mixed and the

results placed in a different track.

XQuantize the Track

Press the EXECUTE button. “Executing” will

appear on the display while the data is being quantized.

After quantization the EXECUTE button changes to

an UNDO button which can be used to undo the

quantize operation if the results are not satisfactory.

Source track 2

Source track 1

● Mix

Destination track

Data

Copy to Destination track

Source track 1

● Copy

ZSelect the Source and Destination

Tracks

Use the SOURCE1 and SOURCE2 LCD [▲/▼]

controls to specify the tracks to be mixed, and the

DESTINATION LCD [▲/▼] controls to select the

track into which the results will be placed. To simply

copy from the SOURCE1 track to the DESTINA-

TION track select COPY via the SOURCE2 LCD

[▲/▼] controls.

XCopy/Mix the Data

Press the EXECUTE button. “Executing” will

appear on the display while the data is being copied.

After execution the EXECUTE button changes to an

UNDO button which can be used to undo the copy/

mix operation if the results are not satisfactory.

■INITIAL EDIT .....................................................................................................................................................................................

Song Playback & Recording

■SONG DELETE...............................................................................................................................................................................

Allows the initial REVERB DEPTH, CHORUS DEPTH, and DSP EFFECT depth settings for each track to be

edited as required.

ZSelect a Track & Set the Depth Param-

eters

Use the TRACK LCD [▲/▼] control to select a

track, and the REVERB, CHORUS, and DSP EF-

FECT LCD [▲/▼] controls to set the corresponding

depth parameters as required. Only tracks which

contain data can be selected for editing.

XEnter the Edited Data

Press the EXECUTE button. “Executing” will

appear on the display while the data is being up-

dated. After execution the EXECUTE button changes

to an UNDO button which can be used to undo the

initial edit operation if the results are not satisfac-

tory.

This function deletes the specified song file from the disk.

NOTES

•The song currently being recorded cannot be deleted.

•The amount of remaining disk space is displayed in the

upper right corner of the display in approximate kilobytes

while recording or playback is stopped.

ZSelect a Song

Use the SONG LCD [▲/▼] controls to select the

song to be deleted.

XDelete the Song

Press the EXECUTE LCD button. The “Ready to

Delete ********. OK to delete?” confirmation

message will appear (“********” is the song name).

Press YES to delete the song or NO to cancel.

The CUSTOM ACCOMPANIMENT RECORD mode allows you to

create original accompaniment styles that can be later recalled and

played at any time, just like the presets. Up to 12 custom accompani-

ment styles can be maintained in internal memory at the same time,

and any number can be saved to disk for later reloading and use. 5

sections can be created for each custom style: MAIN A, MAIN B,

INTRO, FILL IN, and ENDING.

The basic custom style recording procedure is outlined below.

Custom Accompaniment

ZEngage the CUSTOM ACCOMP. RECORD Mode ......................................................................................

Press the [CUSTOM ACCOMP. RECORD]

button. The current [CUSTOM] style will begin

playing in the key of C major 7 and the REC mode

for the RHY1 track will be automatically engaged.

CSelect the Section You Want to Record ...............................................................................................................

After making sure that the BASIC page is se-

lected (use the [] LCD button to the right of the

display if necessary), press the SETTING LCD

button if it is showing to access the NAME, SEC-

TION, and COPY parameters. Use the SECTION

LCD [▲/▼] controls to select the section you want

to program first: MAIN A, MAIN B, INTRO, FILL

IN, or ENDING. The MAIN A section is initially

selected.

XSelect a Style ..........................................................

Select one of the [CUSTOM] styles or a preset

style that is close to the style you want to create.

Style selection is carried out in the normal way

(page 22).

NOTES

•If you select a different style after any data has been edited

a confirmation display will appear. This is necessary

because loading a new style will erase any edits you have

already made.

SONG

PLAY CUSTOM

VOICE EDIT FUNCTION

SONG

RECORD CUSTOM

ACCOMP. REC DISK

Custom Accompaniment

VCopy the Data For the A or B Variation ...............................................................................................................

The COPY parameter makes it possible to copy

the A or B variation to the selected section, depend-

ing on the variation you want to program. The

possibilities are listed below:

SECTION COPY SOURCE

MAIN A or B MAIN A, MAIN B

INTRO INTRO A, INTRO B

FILL IN

FILL AA, FILL AB, FILL BB, FILL BA

ENDING ENDING A, ENDING B

Use the SOURCE LCD [▲/▼] controls to select

the section to be copied to the current section. Press

the EXECUTE button, then press YES to copy the

data when the confirmation display appears (or NO

to cancel).

BEnter a Style Name, If Necessary ..............................................................................................................................

You can enter an original name for the custom

accompaniment style at this point. Style names can

be up to 12 characters long. Use the < > LCD [▲/

▼] control to move the name cursor to the various

character positions, then use the A~Z, a~z or

0~9… LCD [▲/▼] control to select the required

character for each position. The A~Z LCD [▲/▼]

control selects capital letters, the a~z LCD [▲/▼]

control selects lower-case letters, and the 0~9…

LCD [▲/▼] control selects numbers and special

characters.

NGo to the PART RECORD Display and Set Up the Tracks ...............................................................

Press the PART RECORD LCD button to go to

the PART RECORD display and use the LCD [▲/

▼] controls to set the REC mode for the part you

want to record. Other parts can be play-enabled or

muted as required. Parts which contain no data are

automatically set to MUTE.

Custom Accompaniment

Parts can be cleared completely before recording

if you want to record “from scratch”, or change the

number of measures in the section, as described

below. When the DEL LCD button is pressed DE-

LETE will appear for tracks which contain data.

Select DELETE via the track LCD [▲/▼] controls

while holding the DEL button to delete all data in the

corresponding tracks. The data is actually deleted

when the DEL button is released.

The entire custom accompaniment style can be

cleared (in order to change the time signature, for

example) by using the CLEAR CUSTOM STYLE

function described on page 77.

MChange the Time Signature & Number Of Measures, If Required..........................................

If you want to create a style in a different time

signature than the current style, or change the number

of measures in the selected section, use the ▼ LCD

button to the left of the display to select the MEAS-

URE and BEAT parameters.

Use the BEAT LCD [▲/▼] controls to select a

different time signature: 2/4, 3/4, 4/4, or 5/4. Please

note that the time signature can only be changed if

all sections of the current custom style have been

cleared. If any data remains in any section “All

sections must be clear to set beat” will appear in the

BEAT parameter position (use the CLEAR CUS-

TOM STYLE function described on page 77 to clear

all sections of the current custom style).

Use the MEASURE LCD [▲/▼] controls to

select a different number of measures for the se-

lected section. Please note that the number of meas-

ures can only be changed if all parts of the current

section have been cleared. If any data remains in any

part “All parts must be clear to set measures” will

appear in the MEASURE parameter position (the

parts can be cleared as described in the previous

step) Once the parts have been cleared you can

select a new number of measures as required: 1

through 8.

Once the BEAT and/or MEASURE parameters

have been set as required, press the PART RECORD

button to the left of the display to go back to the

PART RECORD display.

Custom Accompaniment

<Record the Selected part....................................................................................................................................................

You can now add new notes to the selected part

by playing the keyboard at the appropriate timing.

All parts must be entered in the key of C major 7. If

both the RHY1 and RHY2 parts are cleared the

metronome will sound to provide a timing guide (the

metronome sound is not recorded). A single drum

instrument can be cleared from the RHY1 and/or

RHY2 track by pressing the key corresponding to

the instrument to be cleared while holding the RHY

DIRECT CANCEL LCD button.

NOTES

•Key On/Off ,Voice , Volume , Pitch Bend and Modulation

data can be recorded.

•When the RHY1 or RHY2 part is selected the keyboard

percussion mode is automatically engaged. In this case

the drum kit voice can be changed via the RIGHT 1 voice

selectors. All voices in the [CUSTOM] group can be

selected — but only drum kit voices will sound.

•If a preset style or an SFF style loaded from disk is being

used unedited, or a part contains no data, REC will appear

in gray for all except the RHYTHM parts and the REC

mode cannot be selected. New data can be recorded for

such parts by first deleting all data from the part.

•Playback can be started and stopped via the [START/

STOP] button as required while in the CUSTOM ACCOMP.

RECORD mode — data cannot be recorded while play-

back is stopped. It is a good idea, however, to use

[SYNCHRO START] if you want to record from the top of

the first measure.

?Set the Part Volume Levels...............................................................................................................................................

Use the ▼ LCD button to the left of the display

to select the VOLUME parameters. Then use the

VOLUME OFFSET LCD [▲/▼] controls to adjust

the volume of each part to create the best overall

balance. Since these are “offset” parameters, both

“+” and “–” settings are possible to increase or

decrease the volume from the preset level, respec-

tively. These settings apply to the corresponding

parts in all sections of the accompaniment.

•The volume of the voice being edited can be adjusted by

pressing the [MIXER] button and using the R1 [

] LCD

controls.

•A “KEY OFF” event will automatically be recorded after the last

note in the accompaniment.

•If a custom accompaniment which includes an empty section is

saved to disk, the empty section will be replaced by a suitable

section when the accompaniment is later loaded and played.

>Repeat Until All Parts Have Been Recorded..................................................................................................

Continue selecting the REC mode for the various

tracks and recording them as required until all parts

have been recorded.

Custom Accompaniment

[Go On to EFFECTS, EDIT, and STORE ................................................................................................................

You can now stop the accompaniment by press-

ing the [START/STOP] button (or leave it running,

as required), and go on to the EFFECTS and EDIT

functions described below. When your custom ac-

companiment is complete, be sure to use the STORE

function, also described below, to store the style to

one of the CUSTOM memory locations.

Exit When Done.............................................................................................................................................................................

When your custom accompaniment is complete,

press the [CUSTOM ACCOMP. REC] or [EXIT]

button to exit from the CUSTOM ACCOMPANI-

MENT RECORD mode.

Effects

Select the EFFECTS display via the [ ] or [ ] LCD button to the right of the display. If not already selected,

press the SETTING LCD button to access the REVERB DEPTH, CHORUS TYPE/DEPTH, and PAN parameters for

the current section.

■REVERB DEPTH...........................................................................................................................................................................

Use the ▲ and ▼ buttons to the left of the display

to select the REVERB DEPTH parameters, then use

the RHY1, RHY2, BASS, CHD1, CHD2, PAD,

PHR1, and PHR2 LCD [▲/▼] controls to set the

reverb depth for the corresponding parts.

SONG

PLAY CUSTOM

VOICE EDIT FUNCTION

SONG

RECORD CUSTOM

ACCOMP. REC DISK

EXIT

Custom Accompaniment

■CHORUS TYPE & DEPTH....................................................................................................................................................

Use the ▲ and ▼ buttons to the left of the display

to select the CHORUS TYPE/DEPTH parameters.

To select a chorus type use the TYPE LCD button

to select the CHORUS TYPE display. Use the LCD

[▲/▼] controls to select the desired chorus type.

To set the chorus depth parameters use the DEPTH

LCD button to select the CHORUS DEPTH display

(if it isn’t already selected). Use the RHY1, RHY2,

BASS, CHD1, CHD2, PAD, PHR1, and PHR2

LCD [▲/▼] controls to set the chorus depth for the

corresponding parts.

■PAN .............................................................................................................................................................................................................

Use the ▲ and ▼ buttons to the left of the display

to select the PAN parameters. Use the RHY1, RHY2,

BASS, CHD1, CHD2, PAD, PHR1, and PHR2

LCD [▲/▼] controls to set the pan position for the

corresponding parts.

NOTES

•The REVERB, CHORUS, and PAN parameters can not

be edited for parts which contain no data.

Custom Accompaniment

Edit

Select the EDIT display via the [ ] or [ ] LCD button to the right of the display. If not already selected, press

the SETTING LCD button to access the QUANTIZE, COPY, and REMOVE EVENT parameters. Use the ▲ and ▼

LCD buttons to the left of the display to select the desired function.

■QUANTIZE ...........................................................................................................................................................................................

1/4 note

1/4 note triplet

1/8 note

1/8 note triplet

1/16 note

1/16 note triplet

1/32 note

The Quantize sizes are:

The QUANTIZE function aligns recorded notes

in a specified part to the specified beats to “tighten

up” the timing of a performance.

ZSelect a Part

Use the PART LCD [▲/▼] controls to select the

part to be quantized, and the SIZE LCD [▲/▼]

controls to select the beats to which the notes will be

aligned.

The part name for parts which are being used

unedited from a preset style will appear in small

letters. “*” will appear for parts which contain no

data. Neither can be selected for quantization.

XQuantize the Part

Press the EXECUTE button. The “Completed”

display will appear briefly when the quantize opera-

tion has finished. After quantization the EXECUTE

button changes to an UNDO button which can be

used to undo the quantize operation if the results are

not satisfactory.

This function allows data to be copied from one measure or group of measures to another location within the same

part.

ZSelect a Part

Use the PART LCD [▲/▼] controls to select the

part to be edited.

The part name for parts which are being used

unedited from a preset style will appear in small

letters. “*” will appear for parts which contain no

data. Neither can be selected for editing.

■COPY ........................................................................................................................................................................................................

Custom Accompaniment

XSelect the Top, Last, and Destination

Measures

Use the TOP and LAST LCD [▲/▼] controls to

specify the first and last measures in the region to be

copied. Use the DEST LCD [▲/▼] control to specify

the top of the measure to which the data is to be

copied.

CCopy the Data

Press the EXECUTE button. The “Completed”

display will appear briefly when the copy operation

has finished. After execution the EXECUTE button

changes to an UNDO button which can be used to

undo the copy operation if the results are not satis-

factory.

■REMOVE EVENT...........................................................................................................................................................................

This function can be used to remove all occurrences of a specified type of event — VOLUME, PITCH BEND,

or MODULATION — from a specified part.

ZSelect a Part

Use the PART LCD [▲/▼] controls to select the

part from which a type of event is to be removed.

The part name for parts which are being used

unedited from a preset style will appear in small

letters. “*” will appear for parts which contain no

data. Neither can be selected for editing.

XSelect an Event Type

Use the EVENT LCD [▲/▼] controls to select

the type of event to be removed.

NOTES

•MODULATION events cannot be removed from the RHY1

and RHY2 parts.

CRemove the Specified Events

Press the EXECUTE button. “Completed” will

appear on the display briefly when the data has been

removed. After execution the EXECUTE button

changes to an UNDO button which can be used to

undo the copy operation if the results are not satis-

factory.

Custom Accompaniment

Store/Clear

Select the STORE display via the [ ] LCD button to the right of the display. If not already selected, press

the SETTING LCD button to access the STORE and CLEAR CUSTOM STYLE parameters. Use the ▲ and ▼ LCD

buttons to the left of the display to select the desired function.

■STORE .....................................................................................................................................................................................................

Stores the recorded custom accompaniment data for use with the PSR-4000 accompaniment feature. When this

function is selected the size of the current style and the remaining memory capacity available for style storage are

displayed to the right of the display. The names and sizes of all other styles currently in memory are shown in the

lower section of the display.

ZSelect a Custom Style Number

Use the STORE LCD [▲/▼] controls to select

the custom style number to which you want to store

the newly created custom style.

XStore the Custom Style

Press the EXECUTE button, then press YES to

store the style when the confirmation display ap-

pears (or NO to cancel).

■CLEAR CUSTOM STYLE .....................................................................................................................................................

Clears unwanted custom styles from memory, making more memory available for custom style storage.

ZSelect a Custom Style Number

Use the CLEAR LCD [▲/▼] controls to select

the custom style you want to clear.

XClear the Custom Style

Press the EXECUTE button, then press YES to

clear the style when the confirmation display ap-

pears (or NO to cancel).

NOTES

•If you change styles or exit from the CUSTOM ACCOMP.

REC mode before storing an edited style, a store confir-

mation display will appear. Press YES to store the data,

NO to exit without storing, or CANCEL to continue editing.

The YES button returns you to the STORE/CLEAR dis-

play.

Custom Voice Edit

This mode makes it possible to create new voices by editing some

parameters of the preset voices. A simple EASY EDIT mode and full-

parameter FULL EDIT mode are available. Both modes can be used to

customize voice data loaded from disk. Up to 32 custom voices can be

retained in memory and selected via the RIGHT 1, RIGHT 2, LEFT, and

LEAD voice [CUSTOM] buttons.

ZEngage the CUSTOM VOICE EDIT Mode............................................................................................................

Engaging the Easy/Full Edit Mode

Press the [CUSTOM VOICE EDIT] button to

engage the CUSTOM VOICE EDIT mode. The

CUSTOM VOICE EDIT display will appear.

SONG

PLAY CUSTOM

VOICE EDIT FUNCTION

SONG

RECORD CUSTOM

ACCOMP. REC DISK

XSelect a Preset Voice ......................................

Select the preset voice on which the custom

voice will be based via the PART, GROUP, and

VOICE LCD [▲/▼] controls. The control below the

large ▲ and ▼ symbols scrolls quickly through the

voice list while the control below the smaller ▲ and

▼ symbols scroll more slowly.

CSelect Easy or Full Edit ...............................

Exit from the CUSTOM VOICE EDIT mode

when done by pressing either the [CUSTOM VOICE

EDIT] or [EXIT] button.

NOTES

•If the edited data was not stored to disk before pressing

the “EXIT” button, the “Edited data not stored! Store

data?” confirmation will appear on the display. Pressing

“YES” will go to the STORE function, “NO” will exit from the

CUSTOM VOICE EDIT mode, or CANCEL will return to

the previous display.

Press the EASY EDIT or FULL EDIT LCD

button to go to the corresponding mode. The EASY

EDIT mode cannot be selected when a drum kit

voice is selected for editing.

SONG

PLAY CUSTOM

VOICE EDIT FUNCTION

SONG

RECORD CUSTOM

ACCOMP. REC DISK

EXIT

Custom Voice Edit

The Easy Edit Parameters

Use the [ ] and [ ] LCD buttons to the right of the display to select the EDIT and STORE/CLEAR display

pages. Use the ▲ and ▼ buttons to the left of the display to select the various parameters within each page.

The COMPARE LCD button can be used during editing to compare the sound of the original voice with the edited

voice.

■NAME........................................................................................................................................................................................................

A name of up to 12 characters can be entered for

each custom voice. Use the < > LCD [▲/▼]

control to move the name cursor to the various

character positions, then use the A~Z, a~z or

0~9… LCD [▲/▼] control to select the required

character for each position. The A~Z LCD [▲/▼]

control selects capital letters, the a~z LCD [▲/▼]

control selects lowercase letters, and

the 0~9… LCD [▲/▼] control selects numbers

and special characters.

■PAN ....................................................................................

The PAN LCD [▲/▼] control can be used to

position the voice in the center of the stereo sound

field, or to the left or right in 10 steps.

NOTES

•Depending upon the selected DSP EFFECT type, some

PAN parameters may not function.

EDIT

■VIBRATO ......................................................................

Use the DEPTH, SPEED and DELAY LCD [▲/

▼] controls to set up the vibrato effect. DELAY

produces a delay between the time a key is pressed

and the beginning of the vibrato effect. “0” is the

preset value for all parameters. “+” settings increase

while “–” settings decrease the range of the effect.

TIME

Custom Voice Edit

■TONE.........................................................................................................................................................................................................

The timbre of the voice can be varied via the

BRILLIANCE and RESONANCE LCD [▲/▼] con-

trols. “0” is the preset value for both parameters. “+”

BRILLIANCE settings produce a brighter sound,

while “+” RESONANCE settings produce a more

“peaky” sound.

■ENVELOPE................................................................

The ENVELOPE parameters affect the volume

envelope of the voice.

The ATTACK LCD [▲/▼] control sets the time

it takes for maximum level to be reached after a key

is pressed. “0” is the preset value. “+” settings

produce a faster attack.

The DECAY LCD [▲/▼] control sets the time it

takes to reach the sustain level after the maximum

attack level has been reached. “0” is the preset value.

“+” settings produce a faster decay.

The RELEASE LCD [▲/▼] control sets the time

it takes for the sound to diminish to zero after a key

is released. “0” is the preset value. “+” settings

produce a faster release.

NOTES

•An exclamation mark (!) will appear to the right of a

parameter when the maximum setting for that parameter

has been reached.

•These parameters may have different effects on different

voices.

TIME

KEY ON KEY OFF

LEVEL

Custom Voice Edit

STORE/CLEAR

Stores the edited custom voice data in the specified custom voice memory location. When this function is selected

the size of the current voice and the remaining memory capacity available for voice storage are displayed to the right

of the display. The names and sizes of all other voices currently in memory are shown in the lower section of the

display.

ZSelect a Custom Voice Number

Use the STORE LCD [▲/▼] controls to select

the custom voice number to which you want to store

the newly created custom voice.

XStore the Custom Voice

Press the EXECUTE button, then press YES to

store the voice when the confirmation display ap-

pears (or NO to cancel).

■CLEAR CUSTOM VOICE.......................................................................................................................................................

Clears unwanted custom voices from memory, making more memory available for custom voice storage.

ZSelect a Custom Voice Number

Use the CLEAR LCD [▲/▼] controls to select

the custom voice you want to clear.

XClear the Custom Voice

Press the EXECUTE button, then press YES to

clear the voice when the confirmation display ap-

pears (or NO to cancel).

Custom Voice Edit

The Full Edit Parameters

The FULL EDIT mode can be entered as described on page 78. The FULL EDIT mode can be used to edit both

internal voices and voices in the custom voice group.

Use the [] and [ ] LCD buttons to the right of the display to select the E1:BASIC, E2:CONTROLLER,

E3:ENVELOPE, E4:EFFECTS and STORE/CLEAR display pages. Use the ▲ and ▼ buttons to the left of the

display to select the various parameters within each page.

Many PSR-4000 orchestra voices are actually made up of two sounds “layered” together. Each of these layers

is called an “element”. SINGLE will appear in the upper left corner of the display when a 1-element voice is being

selected for editing, and DUAL will appear when a 2-element voice is selected. DRUM will appear when a drum kit

voice has been selected (drum kit voices are all single-element). When a 2-element voice which allows individual

editing of each element is selected the ELEMENT LCD button can be used to select the element to be edited: A or

B. The COMPARE LCD button can be used during editing to compare the sound of the original voice with the edited

voice.

E1:BASIC

■WAVE (except for the DRUM KITS)...................

A name of up to 12 characters can be entered for

each custom voice. Use the < > LCD [▲/▼]

control to move the name cursor to the various

character positions, then use the A~Z, a~z or

0~9… LCD [▲/▼] control to select the required

character for each position. The A~Z LCD [▲/▼]

control selects capital letters, the a~z LCD [▲/▼]

control selects lowercase letters, and the 0~9…

LCD [▲/▼] control selects numbers and special

characters.

Use the WAVE ▲▼ LCD [▲/▼] controls to

select a wave. The “wave” is the raw sound on which

the voice is based. 2-element voices use two waves.

The PSR-4000 has 450 waves in internal read-only

memory. Waves from custom voices can also be

used.

Custom Voice Edit

■TUNE (except for the DRUM KITS).............................................................................................................................................

These parameters adjust the pitch of the voice.

COARSE tunes in semitone steps and FINE tunes in

1-cent steps (a cent is 1/100th of a semitone). The

maximum COARSE range is from –24 to +24 semi-

tones (plus or minus two octaves), and the maximum

FINE range is from –50 to +50 cents. Normal pitch

is produced when both parameters are set to “0”.

■VOLUME (except for the DRUM KITS)...........

■KEY ON DELAY

(except for the DRUM KITS) .....................................

Sets the time before the envelope begins after a

key is pressed. The higher the value the longer the

delay.

■PAN ....................................................................................

Sets the element volume. The higher the value

the higher the volume.

The PAN LCD [▲/▼] control can be used to

position the voice in the center of the stereo sound

field, or to the left or right in 10 steps.

NOTES

•Depending upon the selected DSP EFFECT type, some

PAN parameters may not function.

E2:CONTROLLER

■PITCH BEND WHEEL...............................................................................................................................................................

Use the PITCH LCD [▲/▼] controls to set the

maximum PITCH BEND wheel range in semitone

steps. The maximum pitch bend wheel range is from

0 to 12 semitones.

Custom Voice Edit

■MODULATION WHEEL ...........................................................................................................................................................

The PMD (phase modulation), AMD (ampli-

tude modulation), and Q BIAS (resonance) LCD

[▲/▼] controls set the corresponding modulation

parameter. “0” is the preset value. “+” settings

increase the maximum modulation depth while “–”

settings decrease the maximum modulation depth

achievable with the modulation wheel. In the case of

AMD, moving the modulation wheel while a key is

already pressed will produce no effect. The effect

will be produced if the next key is pressed.

■INITIAL TOUCH CURVE .........................................................................................................................................................

Use the ▲▼ LCD [▲/▼] controls to select any

of 6 keyboard touch response speed sensitivities:

PIANO 1, STRINGS, ORGAN, PIANO 2, WOOD

WIND, or E.PIANO. The OFFSET LCD [▲/▼]

control sets the velocity offset. “0” is the preset

value.

Custom Voice Edit

E3:ENVELOPE

■AMPLITUDE ENVELOPE .....................................................................................................................................................

The AMPLITUDE ENVELOPE LCD [▲/▼]

controls are used to set the amplitude envelope

RATE and LEVEL parameters. Use the RATE or

LEVEL LCD button to select the corresponding

group of parameters.

RATE

These parameters set the rate of output level

variation. Higher values produce faster variation.

ATTACK: Sets the speed of variation from key-on to

the maximum attack level.

DECAY1, DECAY2, DECAY3: Set the speed of varia-

tion between the maximum attack level and the

levels set by the LEVEL DECAY1, DECAY2, and

DECAY3 parameters, respectively.

RELEASE1: Sets the rate of variation from the level at

key-release to level 0 when SUSTAIN is off.

SUSTAIN: Sets the rate of variation from the level at

key-release to level 0 when SUSTAIN is on.

LEVEL

These parameters sets the envelope output level.

Higher values produce higher output.

The ATTACK level is fixed at maximum and cannot be

changed.

DECAY1, DECAY2, DECAY3: Set the levels after

DECAY1, DECAY2, and DECAY3 variation.

TIME

LEVELLEVEL

TIME

e.g. Some PIANO voice can be

assigned in this point.

Custom Voice Edit

■FILTER.....................................................................................................................................................................................................

The FILTER ENVELOPE LCD [▲/▼] controls

are used to set the filter envelope RATE and LEVEL

parameters. Use the RATE or LEVEL LCD button to

select the corresponding group of parameters.

RATE

Set the rate of cutoff frequency variation. Higher

values produce faster variation.

ATTACK: Sets the speed of variation from key-on

(BRILLIANCE LEVEL) to the level set by the

ATTACK LEVEL parameter.

DECAY1, DECAY2, DECAY3: Set the speed of varia-

tion between the attack level and the levels set by

the LEVEL DECAY1, DECAY2, and DECAY3 pa-

rameters, respectively.

RELEASE1: Sets the rate of variation from the level at

key-release to the level set by the LEVEL RE-

LEASE1 parameter when SUSTAIN is off.

RELEASE2: Sets the rate of variation from the level

set by the LEVEL RELEASE1 parameter to that set

by the LEVEL RELEASE2 parameter when SUS-

TAIN is off.

SUSTAIN: Sets the rate of variation from the level at

key-release to the level set by the LEVEL SUS-

TAIN parameter when SUSTAIN is on.

RESONANCE: Sets the amount of emphasis at the

cutoff frequency (resonance).

LEVEL

These parameters set the amount of variation

from the preset cutoff frequency. Level “0” is the

preset value.

ATTACK: Sets the attack level after key-on.

DECAY1, DECAY2, DECAY3: Set the levels after

DECAY1, DECAY2, and DECAY3 variation.

RELEASE1, RELEASE2: Set the levels after RATE

RELEASE1 and RELEASE2 variation after key-

release when SUSTAIN is off.

SUSTAIN: Sets the level after RATE SUSTAIN varia-

tion after key-release when SUSTAIN is on.

BRILLIANCE: Sets the brilliance level.

NOTES

•If DRUM kit is selected , SUSTAIN parameters in the

AMPLITUDE ENVELOPE or FILTER ENVELOPE can-

not be changed.

•Some parameter settings may have minimal or no effect

with some voices.

Custom Voice Edit

E4:EFFECTS

■LFO .............................................................................................................................................................................................................

The LFO parameters set the LFO (Low Fre-

quency Oscillator) to produce cyclic pitch and am-

plitude modulation.

PMD: Sets the phase modulation depth. Higher

values produce deeper modulation.

AMD: Sets the amplitude modulation depth. Higher

values produce deeper modulation.

SPEED: Sets the speed of LFO variation.

WAVE: Sets the waveform of the LFO: TRI (trian-

gular) or SAW (sawtooth).

■DELAY VIB..................................................................

Delay Vibrato is a vibrato effect based on LFO

modulation which has a variable delay between the

time a key is played and the beginning of the vibrato

effect.

TIME: Sets the delay between key-on and the begin-

ning of LFO modulation. No delay is produced

when TIME is set to its minimum value. In this

case, only normal vibrato is produced (this has no

relation to the RATE value).

RATE: Sets the rate at which LFO phase modulation is

applied after the delay time — i.e. how long it takes

to reach maximum modulation level after modula-

tion begins. The AMD has no RATE parameters.

■REVERB DEPTH ...........................................................................................................................................................................

Sets the depth of the reverb effect. The higher the

value the greater the reverb depth.

■CHORUS DEPTH .................................................

Sets the depth of the chorus effect. The higher the

value the greater the chorus depth.

■DSP EFFECT ...........................................................

Use the TYPE LCD [▲/▼] controls to select a

DSP EFFECT type, and the DEPTH LCD [▲/▼]

control to set the depth of the selected DSP effect.

For some DSP effect types the DEPTH parameter is

fixed at “100” and cannot be changed.

NOTES

•Depending upon the selected DSP EFFECT type, some

PAN parameters may not function.

Custom Voice Edit

STORE/CLEAR

Stores the edited custom voice data in the specified custom voice memory location. When this function is selected

the size of the current voice and the remaining memory capacity available for voice storage are displayed to the right

of the display. The names and sizes of all other voices currently in memory are shown in the lower section of the

display.

ZSelect a Custom Voice Number

Use the STORE LCD [▲/▼] controls to select

the custom voice number to which you want to store

the newly created custom voice.

XStore the Custom Voice

Press the EXECUTE button, then press YES to

store the voice when the confirmation display ap-

pears (or NO to cancel).

■CLEAR CUSTOM VOICE.......................................................................................................................................................

Clears unwanted custom voices from memory, making more memory available for custom voice storage.

ZSelect a Custom Voice Number

Use the CLEAR LCD [▲/▼] controls to select

the custom voice you want to clear.

XClear the Custom Voice

Press the EXECUTE button, then press YES to

clear the voice when the confirmation display ap-

pears (or NO to cancel).

Custom Voice Edit

The Drum Kit Edit Mode

When a drum kit voice is selected for editing the

parameters and functions available are essentially

the same as those for the orchestra voices in the

FULL EDIT mode. Many parameters of individual

percussion voices within the DRUM KIT can be

edited independently.

The only differences are in the E1:BASIC dis-

play:

●Use the PERCUSSION parameter function to

select the desired percussion sound for editing.

Pressing any key on the keyboard will directly

select that keys percussion sound.

●The drum kit voices have no VOLUME or KEY

ON DELAY parameters.

●The PITCH parameter functions in the same way

as the TUNE FINE parameter provided for the

orchestra voices.

The E2:CONTROLLER, E3:ENVELOPE,

E4:EFFECTS, and STORE/CLEAR display param-

eters and functions are the same as in the orchestra

voice FULL EDIT mode.

NOTES

•Some parameters may not effect the drum kit voices in

exactly the same way as the orchestra voices.

•Some settings may result in no sound, depending on the

drum kit voice and parameter.

•The SUSTAIN parameter cannot be changed in the E3

setting.

Disk Operations

The PSR-4000 [DISK] button accesses a range of functions that are used

for storage and retrieval of floppy disk data. To select a disk operation first

press the [DISK] button, then press the LCD button corresponding to the

operation you want to perform.

If the FILE LIST display shown to the right is

not showing, press the LIST LCD button to select it.

Use the FILE LCD [▲/▼] controls to select the file

to load. The name of the selected file is displayed to

the right of the file number, and the size of the file

appears to the right of the file name in kilobytes

(approximate).

If you want to select a specific type of data to

load, press the PROGRAM LCD button.

Loads the specified file from a floppy disk inserted into the PSR-4000 disk drive.

Load From Disk

NOTES

•Please note that no other PSR-4000 functions will operate while a disk

function is in progress.

•For any disk operation an appropriate floppy disk must first be properly

inserted into the PSR-4000 disk drive. The PSR-4000 uses only 3.5"

2DD and 2HD type floppy disks. Make sure the disk write protect tab

is set to the “write enable” position if you intend to save any data to the

disk, and insert the disk with the sliding disk cover facing the disk drive

and the disk label facing upward. Before a new disk can be used to

save data, it must be formatted using the “FORMAT FD” function

described on page 96.

• If you select a disk function when no disk is present in the drive, the

“No disk! Please insert a disk.” error message will appear on the

display.

Write protect tab

closed (unlocked

— write enabled)

SONG

PLAY CUSTOM

VOICE EDIT FUNCTION

SONG

RECORD CUSTOM

ACCOMP. REC DISK

Disk Operations

The LCD [▲/▼] controls can now be used to

select the type(s) of data to be loaded from the

selected file. Data types which are turned ON are

loaded.

SETUP

STYLE

REVOICE

MULTI

PAD

REGIST-

RATION

CUSTOM

STYLE

CUSTOM

VOICE

All setup data — see list on page 131.

All STYLE REVOICE settings - page

108.

All MULTI PAD phrase, percussion,

and chord data - page 36.

All REGISTRATION memory data -

page 131.

All CUSTOM STYLE data - page 69.

All CUSTOM VOICE data - page 78.

Press the LIST LCD button when you want to go

back to the FILE LIST display.

If you want to load an individual registration,

style, or voice, press the INDIVIDUAL LCD but-

ton.

In the INDIVIDUAL LOAD display use the

DATA LCD [▲/▼] control to select REGIST, STYLE

or VOICE, the CONTENT LCD [▲/▼] controls to

select the individual file to be loaded, and the DEST.

REGIST, CUSTOM STYLE, or CUSTOM VOICE

LCD [▲/▼] controls to select the destination for the

selected individual file.

When the INDIVIDUAL mode is selected and

STYLE is selected for loading, a PRE-LOAD LIS-

TEN LCD button appears which lets you listen to the

style before actually loading it. The PRE-LOAD

LISTEN function will not work if there is too much

style data, however.

Press the LIST LCD button when you want to go

back to the FILE LIST display.

When the file and data types have been specified,

press the EXECUTE LCD button to actually begin

the load operation — the “OK to load?” confirma-

tion display will appear.

If you want to execute the load operation press

the YES LCD button (or press the NO LCD button

to cancel the operation). “Don’t remove disk” will

appear while the data is being loaded, and the

progress of the load operation will be indicated by a

bar graph on the display.

NOTES

•Data spanning two or more disks (i.e. “split” data) cannot be

loaded by using the INDIVIDUAL LOAD function.

•When loading CUSTOM STYLE or CUSTOM VOICE data — not

in the INDIVIDUAL mode — all data will be loaded even if the

loaded file contains empty styles or voices.

•In the case of the custom style load function, SFF (optional style

file format) disks can also be loaded.

Disk Operations

Save To Disk

NOTES

•If an unformatted disk or a disk which has not been

formatted for use with the PSR-4000 is inserted, the

“Wrong disk type or format! Format disk?” confirmation

message will appear when the SAVE TO DISK function is

selected. Press YES to format the disk or NO to cancel.

If the FILE LIST display shown to the right is

not showing, press the LIST LCD button to select it.

Use FILE LCD [▲/▼] controls to select the file to

which you want to save the data. The file list at the

bottom of the display includes all files which cur-

rently exist on the disk and one “*** NEW ***”

file. Select an existing file if you want to overwrite

the file with the new data, or select the “*** NEW

***” file if you want to create a new file. With the

exception of the “*** NEW ***” file, the size of

each file will appear to the right of the file name in

kilobytes (approximate).

If you want to specify the type(s) of data to be

saved, press the PROGRAM LCD button.

The ▲ and ▼ LCD buttons to the left of the

display can now be used to select various groups of

data, and the LCD [▲/▼] controls can be used to

select the individual type(s) of data to be saved to the

selected file. Data types which are turned ON are

saved.

SETUP All setup data — see list on page 131.

STYLE REVOICE All STYLE REVOICE settings - page 108.

MULTI PAD All MULTI PAD phrase, percussion, and chord data - page 36.

REGISTRATION BANK The ▲ and ▼ LCD buttons select REGISTRATION memory bank groups 1… 8 and 9 …

16. The LCD [▲/▼] controls turn the individual banks within the selected group ON or OFF.

CUSTOM STYLE The ▲ and ▼ LCD buttons select CUSTOM STYLE memory groups 1… 8 or 9…12. The

LCD [▲/▼] controls turn the individual custom style within the selected group ON or OFF.

CUSTOM VOICE The ▲ and ▼ LCD buttons select CUSTOM VOICE memory groups 1… 8, 9 … 16, 17 …

24, or 25 … 32. The LCD [▲/▼] controls turn the individual custom voice within the se-

lected group ON or OFF.

SONG SETUP Determines whether the above data will be loaded before song playback is started in the

SONG PLAY mode.

Saves the data listed below to a floppy disk inserted into the PSR-4000 disk drive.

Disk Operations

Press the LIST LCD button when you want to go

back to the FILE LIST display.

When the file and data types have been specified,

press the EXECUTE LCD button to actually begin

the save operation — the confirmation display shown

to the right will appear.

If you want to give the file to be saved an original

file name, be sure to do so before pressing the YES

LCD button. File names can be up to 8 characters

long. Use the < > LCD [▲/▼] control to move the

name cursor to the various character positions, then

use the A~Z or 0~9… LCD [▲/▼] control to

select the required character for each position. The

A~Z LCD [▲/▼] control selects capital letters and

the 0~9… LCD [▲/▼] control selects numbers

and special characters.

When you’re ready to execute the save operation

press the YES LCD button (or press the NO LCD

button to cancel the operation). “Don’t remove disk”

will appear while the data is being saved, and the

progress of the save operation will be indicated by a

bar graph on the display.

Press the SONG LCD button to if the SONG

LIST is not showing in order to rename a song file,

or the USER FILE LCD button if the USER FILE

LIST is not showing in order to rename a user file.

Use the FILE or SONG LCD [▲/▼] controls to

select the file you want to rename. The name of the

selected file is displayed to the right of the file

number, and the size of the file appears to the right

of the file name in kilobytes (approximate).

Rename File/Song

Allows the name of the specified user-recorded song or user file to be changed as required.

NOTES

•When the data to be saved is larger than the remaining disk

memory, the following message will appear in the display.

Not enough disk space!

Press [RD] to reduce the amount of data;

[CD] to use a different disk;

or [SP] to split the data into more than one file.

(Split data can not be loaded individually.)

•Using “AUTOLXXX” (X = any character) as a file name or using

spaces only as a file name is not permitted. If spaces are used

as a file name they will automatically be changed to the charac-

ter “_”.

The LISTEN LCD button which appears when

the SONG LIST is selected can be used to listen to

the currently selected song — press LISTEN again

to stop playback when done.

When the user or song file to be renamed has

been selected, press the EXECUTE LCD button.

The following display will appear.

Disk Operations

Song file names can be up to 12 characters long

and user file names can be up to 8 characters long.

Use the < > LCD [▲/▼] control to move the name

cursor to the various character positions, then use

the A~Z or 0~9… LCD [▲/▼] control to select the

required character for each position. The A~Z LCD

[▲/▼] control selects capital letters and the 0~9…

LCD [▲/▼] control selects numbers and special

characters. When a song file is selected the “a~z”

LCD [▲/▼] control is also available for lower-case

character entry.

When the file and file name have been specified,

press the YES LCD button to actually begin the

rename operation (or press the NO LCD button to

cancel the operation). “Don’t remove disk” will

appear while the file is being renamed.

NOTES

•User file names which already exist cannot be entered.

Disk Operations

Delete File/Song

Deletes the specified song or user file from the disk.

Press the SONG LCD button to if the SONG

LIST is not showing in order to delete a song file, or

the USER FILE LCD button if the USER FILE

LIST is not showing in order to delete a user file.

Use the FILE or SONG LCD [▲/▼] controls to

select the file you want to delete. The name of the

selected file is displayed to the right of the file

number, and the size of the file appears to the right

of the file name in kilobytes (approximate).

The LISTEN LCD button which appears when

the SONG LIST is selected can be used to listen to

the currently selected song — press LISTEN again

to stop playback when done.

When the file to be deleted has been selected,

press the EXECUTE LCD button. The “OK to de-

lete? display will appear.

If you want to execute the delete operation press

the YES LCD button (or press the NO LCD button

to cancel the operation). “Don’t remove disk” will

appear while the file is being deleted.

NOTES

•Files deleted from disk can not be restored (there is no

“Undo” function), so be sure you’ve selected the right file

before actually executing the delete operation.

Disk Operations

Format FD

Formats a floppy disk for use with the PSR-4000.

After inserting a new floppy disk into the disk

drive, press the EXECUTE LCD button to actually

begin the format operation — the “OK to format?”

confirmation display will appear.

If you want to execute the format operation press

the YES LCD button (or press the NO LCD button

to cancel the operation). “Don’t remove disk” will

appear while the disk is being formatted, and the

progress of the format operation will be indicated by

a bar graph on the display.

NOTES

•The PSR-4000 uses only 3.5" 2DD or 2HD type floppy

disks.

•Formatting a disk completely erases all data on the disk,

so be sure that the disk you’re formatting does not contain

important data!

Song Copy

This function can be used to copy songs recorded on the PSR-4000 to a different number/name on the same

floppy disk, or from one floppy disk to another. A perfect way to make backup copies of important songs.

If the SONG LIST display shown to the right is

not showing, press the SOURCE LCD button to

select it. Use the SONG LCD [▲/▼] controls to

select the file to copy. The name of the selected file

is displayed to the right of the file number, and the

size of the file appears to the right of the file name

in kilobytes (approximate). The LISTEN LCD but-

ton can be used to listen to the currently selected

source song — press LISTEN again to stop play-

back when done.

Disk Operations

When the source song has been selected press the

DESTINATION LCD button and use the DIR ▲▼

LCD [▲/▼] controls to select the destination disk.

Select “another FD” to copy to a different floppy

disk, or “FLOPPY DISK” to copy to the same

floppy disk.

Press the EXECUTE LCD button to begin the

copy operation. At this point the display shown

below will appear and you will have a chance to

change the song name before it is copied.

If you want to give the file to be copied an

original file name, be sure to do so before pressing

the YES LCD button. File names can be up to 12

characters long. Use the < > LCD [▲/▼] control to

move the name cursor to the various character posi-

tions, then use the A~Z or 0~9… LCD [▲/▼]

control to select the required character for each

position. The A~Z LCD [▲/▼] control selects capi-

tal letters and the 0~9… LCD [▲/▼] control

selects numbers and special characters.

When you’re ready to execute the copy operation

press the YES LCD button (or press the NO LCD

button to cancel the operation). “Don’t remove disk”

will appear while the data is being copied. If you’re

copying to a different floppy disk the PSR-4000 will

prompt when to insert the copy destination disk.

Follow the on-screen instructions.

The PSR-4000 “Functions”

The PSR-4000 [FUNCTION] button selects 8 groups of functions

that access a number of related parameters. Here’s a list of the func-

tions and the manual page numbers on which they are described in

detail.

[F1] SCALE (ARABIC)/VOICE PART ..................................................100

[F2] SPLIT POINT/ABC MODE/MULTI PAD .......................................102

[F3] CONTROLLER .............................................................................104

[F4] STYLE REVOICE..........................................................................108

[F5] REVERB/CHORUS/DSP EFFECT ...............................................110

[F6] HARMONY/REGISTRATION........................................................114

[F7] UTILITY .........................................................................................115

[F8] MIDI ...............................................................................................116

General Function Selection & Editing Procedure

Press the [FUNCTION] button to engage the function mode.

SONG

PLAY CUSTOM

VOICE EDIT FUNCTION

SONG

RECORD CUSTOM

ACCOMP. REC DISK

Each of the function groups is selected by press-

ing the corresponding LCD button. In some cases all

of the parameters included in a function group will

be available in a single display “page”, and the

various parameters can be accessed via the ▲ and ▼

LCD buttons — as in the F3: CONTROLLER dis-

play, below.

The PSR-4000 “Functions”

In cases where the number of parameters in-

cluded in the function group is too large to fit on a

single display page, several pages may be available,

selectable via the and LCD buttons.

■The [EXIT] Button .......................................................................................................................................................................

The [EXIT] or [FUNCTION] button can be

used at any time to exit from a function and return to

the function menu. Pressing the [EXIT] or [FUNC-

TION] button while the FUNCTION MENU is

showing will return you to the normal play mode.

EXIT

In all cases the selected parameter can be edited

via the appropriated labeled or positioned LCD [▲/

▼] controls.

100

F1: Scale (Arabic)/Voice Part

The PSR-4000 has a range of advanced tuning and other voice-

related functions which are all included in the F1 function group.

■SCALE (ARABIC).........................................................................................................................................................................

Selects either the normal equal temperament scale

or an “arabic” scale in which each note can be tuned

over a 127-cent range.

Use the SCALE LCD [▲/▼] controls to select

either the EQUAL TEMPERAMENT or ARABIC

scale.

When the ARABIC scale is selected you can use

the TUNE NOTE LCD [▲/▼] controls to select the

note you want to tune (the selected note will be

highlighted in the graphic keyboard in the upper

section of the display), then use the large ▲ and ▼

LCD [▲/▼] control to coarse-tune the selected key

in 25-cent steps, and the small ▲ and ▼ LCD [▲/▼]

control to fine-tune the selected note in 1-cent steps.

The tuning range is from “–64” through “0” to

“+63”. Each increment equals one cent (one “cent”

is one hundredth of a semitone). The current tuning

of each note is shown in the corresponding key of the

graphic keyboard display.

■VOICE PART ......................................................................................................................................................................................

●PART TUNE

Individual tuning parameters are provided for

the LEFT, RIGHT 1, RIGHT 2, and LEAD voices,

allowing each voice to be tuned over a ±100-cent

range.

When the AUTO mode is selected, part tuning is

automatic and the individual parts cannot be tuned

manually. To tune manually, first use the MODE

LCD [▲/▼] control to select the MANUAL mode,

then use the LEFT, R1, R2, or LEAD LCD [▲/

▼]control to tune the corresponding voice as re-

quired. The current tuning value for each part is

shown next to the PART TUNE parameter in the

upper section of the display.

101

F1: Scale (Arabic)/Voice Part

●OCTAVE

Shifts the pitch of the LEFT, RIGHT 1, RIGHT

2, or LEAD voice up one octave (“+1”) or down one

octave (“–1”). A setting of “0” produces the normal

pitch for that voice. Use the LEFT, R1, R2, or LEAD

LCD [▲/▼] control to set as required.

NOTES

•These parameters are also available in the Octave Change

function — page 18.

•Some voices may exhibit sudden pitch changes in the

highest and lowest ranges of the keyboard when shifted

up or down by an octave. The pitch bend wheel may also

cause sudden pitch changes.

●PAN

Sets the apparent position of the LEFT, RIGHT

1, RIGHT 2, or LEAD voice in the stereo sound

field. The graphic display indicates the approximate

location of the sound between the left and right

speakers. Use the LEFT, R1, R2, or LEAD LCD [▲/

▼] control to set as required.

102

F2: Split Point/ABC Mode/Multi Pad

The F2 functions all pertain to the PSR-4000’s accompaniment fea-

tures — i.e. the accompaniment split point, the ABC mode, and the

multi-pad repeat and chord match modes.

■SPLIT POINT/ABC MODE ...................................................................................................................................................

●SPLIT POINT

The PSR-4000 has two programmable split points

— one which divides the LEFT and RIGHT/LEAD

orchestra parts (page 16), and one which divides the

auto-accompaniment and manual sections of the

keyboard when AUTO BASS CHORD accompani-

ment is engaged (page 27). The former is indicated

by the “L” marker and the latter by the “A” marker

above the graphic keyboard. The current split points

are indicated on the display both by the split markers

and the “splits” in the graphic keyboard. The “L”

split point only appears on the graphic keyboard

display when the LEFT orchestra part is on, and the

“A” split point only appears when the AUTO BASS

CHORD auto accompaniment feature is on.

The split points can be set in two ways: either use

the SPLIT POINT A and SPLIT POINT L LCD

[▲/▼] controls, or press the desired key on the

keyboard while holding the A or L DIRECT SET-

TING LCD button (or vice-versa). The new split

point will be indicated on the graphic keyboard in

the LCD.

●ABC MODE

Use the ABC MODE LCD [▲/▼] controls to

select the SINGLE FINGER, FINGERED 1, FIN-

GERED 2, FULL KEYBOARD, AUTO MIDI BASS,

or MANUAL MIDI BASS mode. If you select the

MANUAL MIDI BASS mode, and press the BASS

VOICE LCD button which appears, you can use the

GROUP and ▲/▼ LCD [▲/▼] controls to specify

the bass voice to be used. Press the ABC MODE

LCD button to return to the ABC MODE display as

required.

103

F2: Split Point/ABC Mode/Multi Pad

■MULTI PAD ..........................................................................................................................................................................................

The repeat and chord match settings for PHRASE/CHORD MULTI PAD playback can be accessed

via this display. The repeat and chord match parameters can be accessed by pressing the REPEAT or

CHORD MATCH LCD button.

●REPEAT

When a check mark appears in a REPEAT box in

the MULTI PAD display, the corresponding pad —

PHRASE or CHORD — will playback repeatedly

until stopped by either pressing the same MULTI

PAD again, or by pressing the [REC/STOP] button.

Use the LCD [▲/▼] controls to turn repeat for

the corresponding pads ON or OFF as required.

NOTES

•The default repeat settings are: pads 1…4 OFF; pads

5…8 ON.

●CHORD MATCH

When a check mark appears in a CHORD MATCH

box in the MULTI PAD display, the phrase played

by the corresponding PHRASE pad will be auto-

matically re-harmonized to match the accompani-

ment chords if the PHRASE pad is played while

AUTO BASS CHORD accompaniment is playing.

Use the LCD [▲/▼] controls to turn the chord

match function for the corresponding pads ON or

OFF as required.

NOTES

•The chord match function is only available for pads 1

through 4 (the PHRASE pads).

•The default chord match settings are: 1 & 2 OFF; 3 & 4 ON.

104

F3: Controller

The F3 function group includes a range of functions that affect how

the PSR-4000 responds to control via the keyboard, a foot controller

plugged into the rear-panel FOOT VOLUME jack, footswitches

plugged into the rear-panel FOOT SW jacks, the [SUSTAIN] button,

the PITCH BEND wheel, and the MODULATION wheel.

●VOLUME

Determines whether an optional YAMAHA FC7

Foot Controller plugged into the rear-panel FOOT

VOLUME jack will control master volume, or only

the volume of specified parts and voices.

Use the TYPE LCD [▲/▼] control to select

VOLUME for master volume control or INDI-

VIDUAL for individual part/voice volume control.

Individual part and voice assignment parameters

for the M.PAD, ACMP, LEFT, R1, R2, and LEAD

parts are available when the INDIVIDUAL type is

selected. Use the corresponding LCD [▲/▼] con-

trols to turn volume control for the corresponding

parts ON or OFF as required.

NOTES

•Normally you’ll want to be able to apply expression control

to the orchestra voices without affecting the accompani-

ment and rhythm sound, so the INDIVIDUAL type should

be selected and the voices you want to control turned on

while the remaining parts are turned off.

●SW1 (FOOTSWITCH 1) &

SW2 (FOOTSWITCH 2)

Determine the functions of footswitches plugged

into the rear-panel FOOT SWITCH 1 and FOOT

SWITCH 2 jacks, and to which of the PSR-4000

voices the footswitches will apply.

Use the TYPE LCD [▲/▼] controls to select one

of the following footswitch functions:

■FOOT CONTROLLER...............................................................................................................................................................

105

F3: Controller

When the SUSTAIN, SOSTENUTO, or SOFT

type is selected, use the LEFT, R1, R2, and LEAD

LCD [▲/▼] controls to turn footswitch control for

the corresponding parts ON or OFF as required.

NOTES

•The sustain effect is applied to the specified orchestra

part(s) only when the panel [SUSTAIN] button is turned on

or when the sustain pedal is pressed.

•The panel [SUSTAIN] button will not function while a

footswitch to which the sustain effect is assigned is used.

SUSTAIN Standard sustain footswitch operation. When the footswitch is pressed notes played have a

long sustain. Releasing the footswitch immediately stops (damps) any sustained notes.

SOSTENUTO If you play a note or chord on the keyboard and press the footswitch while the note(s) are

held, those notes will be sustained as long as the footswitch is held (as if the damper pedal

had been pressed) but all subsequently played notes will not be sustained. This makes it

possible to sustain a chord, for example, while other notes are played “staccato.”

SOFT Pressing the footswitch subtly reduces the volume and slightly changes the timbre of notes

played. The SOFT effect only applies to certain voices — PIANO, for example.

TAP TEMPO While the accompaniment is stopped, or during the SYNCHRO START mode before the

accompaniment is started, the footswitch can be used to set any desired tempo (within the

PSR-4000’s 32 to 280 beats per minute range) by simply tapping on the switch at the re-

quired tempo.

Tap 4 times for an accompaniment with a 4/4 time signature, 3 times for 3/4, and 5 times for

5/4.

If the accompaniment is started before the required number of taps has been entered, the

Tap Start setting will be ignored. The Tap Start setting will also be ignored if several sec-

onds elapse before the required number of taps have been entered, if a different style is

selected, or if the accompaniment [START/STOP] button is pressed.

REGISTRATION + Recall next highest (increment) registration. “1-1” is selected after “16-8”.

REGISTRATION –Recall next lowest (decrement) registration. “16-8” is selected after “1-1”.

START/STOP Same as panel [START/STOP] button.

ROTARY SPEAKER Alternately selects the SLOW and FAST speeds of the rotary speaker when a DSP EFFECT

Rotary Speaker effect is selected (page 112).

HARMONY Harmony occurs only while footswitch pressed.

INTRO/FILL to A Same as panel [INTRO/FILL to A] button.

INTRO/FILL to B Same as panel [INTRO/FILL to B] button.

ENDING/rit. Same as panel [ENDING/rit.] button.

FADE IN/OUT Same as panel [FADE IN/OUT] button.

F.CHORD 1/2 The footswitch alternately switches between the ABC FINGERED 1 and FINGERED 2

modes (page 20).

BASS HOLD Holds the bass note so that “pedal bass” progressions can be produced using ABC.

PERCUSSION Footswitch plays a percussion instrument selected by the ASSIGN LCD [▲/▼] controls (the

latter appears when the PERCUSSION type is selected).

ACCOMP. BREAK Pressing the footswitch produces a break in the accompaniment for as long as the pedal is

held. The accompaniment will start again from the top of the next odd-numbered measure

when the pedal is released.

PUNCH IN/OUT Sets punch-in and punch-out points when song record mode is set to “Punch” (page 63).

106

F3: Controller

■PANEL CONTROLLER ...........................................................................................................................................................

●SUSTAIN BUTTON

Determines to which of the PSR-4000 voices the

panel [SUSTAIN] button will apply.

Use the LEFT, R1, R2, and LEAD LCD [▲/▼]

controls to turn [SUSTAIN] button control for the

corresponding voices ON or OFF as required. Ac-

companiment part assignments are the same as those

set for the footswitch.

●PITCH BEND WHEEL

Determines to which of the PSR-4000 voices the

PITCH BEND wheel will apply.

Use the LEFT, R1, R2, and LEAD LCD [▲/▼]

controls to turn PITCH BEND wheel control for the

corresponding voices ON or OFF as required.

●MODULATION WHEEL

Determines to which of the PSR-4000 voices the

MODULATION wheel will apply.

Use the LEFT, R1, R2, and LEAD LCD [▲/▼]

controls to turn MODULATION wheel control for

the corresponding parts ON or OFF as required.

107

F3: Controller

●INITIAL TOUCH

Sets the touch response OFF level and sensitivity

curve of the keyboard initial touch response, and

determines to which of the PSR-4000 voices touch

response will apply.

Use the OFF LEVEL LCD [▲/▼] control to set

the level at which touch response is turned off.

Use the SENSITIVITY LCD [▲/▼] controls to

select the desired sensitivity curve.

HARD 2 Requires the keys to be played very hard to produce maximum loudness.

HARD 1 Requires the keys to be played quite hard to produce maximum loudness.

NORMAL Produces a fairly “standard” keyboard response.

SOFT 1 Not a sensitivity as the “SOFT 2” setting, but maximum loudness can still be easily produced with rela-

tively light key pressure.

SOFT 2 Allows maximum loudness to be produced with very light key pressure.

Use the LEFT, R1, R2, and LEAD LCD [▲/

▼]controls to turn initial touch response control for

the corresponding parts ON or OFF as required.

108

This function allows you to “revoice” the currently selected style: i.e.

change the volume, voice, reverb depth, and chorus depth settings for

each accompaniment part. Style Revoice settings are retained in

memory if the MEMORY BACKUP parameter in the F7 UTILITY page

is ON as long as a good set of backup batteries is installed.

F4: Style Revoice

●VOLUME OFFSET

Use the RHY1, RHY2, BASS, CHD1, CHD2,

PAD, PHR1, and PHR2 LCD [▲/▼] controls to set

the volume offset for the corresponding accompani-

ment parts. The volume offset range is from “–50”

to “+50”. These settings are relative to the volume

parameters available via the ACCOMPANIMENT

VOLUME MIXER display. The amount of volume

offset set for each part is shown by a graphic volume

bar to the right of the VOLUME parameter in the

upper section of the display. Press the RECALL

PRESET DATA LCD button to recall all preset

volume offset settings (all “0”).

●VOICE

Use the [ ] LCD button to switch between the

RHY1/RHY2/BASS/CHD1 and CHD2/PAD/PHR1/

PHR2 parameter groups. Use the GROUP LCD [▲/

▼] controls for each part to select the voice group,

and the ▲/▼ LCD [▲/▼] controls to select the

individual voice for that part. Select “– –” to specify

the preset voice for any individual part. When the

preset voice is selected a “P” appears in the corre-

sponding box to the right of the VOLUME param-

eter in the upper section of the display. A “V”

appears when a non-preset voice has been specified.

Press the RECALL PRESET DATA LCD button to

recall all preset voices.

109

F4: Style Revoice

●REVERB DEPTH

Use the RHY1, RHY2, BASS, CHD1, CHD2,

PAD, PHR1, and PHR2 LCD [▲/▼] controls to set

the reverb depth for the corresponding accompani-

ment parts. The reverb depth range is from “0” (no

reverb) to “100” (maximum reverb), or “PRESET”.

When the preset reverb depth is selected a “P”

appears in the corresponding box to the right of the

REVERB parameter in the upper section of the

display. The reverb depth for each part which has a

non-preset setting is shown by a graphic depth bar to

the right of the REVERB parameter in the upper

section of the display. Press the RECALL PRESET

DATA LCD button to recall all preset reverb depth

settings.

●CHORUS DEPTH

Use the RHY1, RHY2, BASS, CHD1, CHD2,

PAD, PHR1, and PHR2 LCD [▲/▼] controls to set

the chorus depth for the corresponding accompani-

ment parts. The chorus depth range is from “0” (no

chorus) to “100” (maximum chorus), or “PRESET”.

When the preset chorus depth is selected a “P”

appears in the corresponding box to the right of the

CHORUS parameter in the upper section of the

display. The chorus depth for each part which has a

non-preset setting is shown by a graphic depth bar to

the right of the CHORUS parameter in the upper

section of the display. Press the RECALL PRESET

DATA LCD button to recall all preset chorus depth

settings.

110

F5: Reverb/Chorus/DSP Effect

The PSR-4000 has 16 reverb-based effects, a chorus effect, and 50

DSP (Digital Signal Processor) effects that can be selected via the

REVERB/CHORUS/DSP EFFECT function display. The selected

reverb, chorus, and DSP effect settings are applied to the sound when

the [REVERB], [CHORUS], and [DSP EFFECT] buttons are used (see

page34).

■REVERB TYPE & DEPTH.....................................................................................................................................................

●REVERB TYPE

Selects the reverb type.

If the REVERB TYPE parameters are not show-

ing on the lower section of the display, press the

TYPE LCD button. Use the LCD [▲/▼] controls to

select the desired reverb effect. The name of the

current reverb type is shown to the right of the

REVERB TYPE parameter in the upper section of

the display.

The Reverb Effects

1 Hall 1 9 Stage 1

2 Hall 2 10 Stage 2

3 Hall 3 11 Plate 1

4 Hall 4 12 Plate 2

5 Room 1 13 White Room

6 Room 2 14 Tunnel

7 Room 3 15 Canyon

8 Room 4 16 Basement

NOTES

•Try out all of the effects to get a feel for what they can do

to your sound.

•When a new style is selected, an appropriate reverb type

for that style is automatically selected.

111

F5: Reverb/Chorus/DSP Effect

●REVERB PARAMETER EDIT

When the REVERB TYPE parameters are se-

lected as described above, the PARAMETER EDIT

LCD button will appear, pressing this button gives

you access to the individual reverb parameters for

the currently selected reverb type. Use the LCD [▲/

▼] control below the number corresponding to the

parameter you want to edit. Press the TYPE LCD

button to return to the REVERB TYPE parameters

when done.

1. REVERB TIME Range: 0.3 … 30 sec.

Sets the amount of time it takes for the reverb sound to decay by 60 dB (virtually to silence).

2. DIFFUSION Range: 0 … 10

Adjusts the left-right “spread” of the reverb sound. The higher the value the greater the spread.

3. INITIAL DELAY Range: 0 … 63

The length of the initial delay before the actual reverb sound begins (in milliseconds). The higher the value the

longer the initial delay.

4. HPF CUTOFF Range: Thru, 22Hz … 8.0kHz

The cutoff frequency of the high-pass filter applied to the reverb sound. No filter is applied when set to “Thru”.

5. LPF CUTOFF Range: 1.0kHz … 18kHz, Thru

The cutoff frequency of the low-pass filter applied to the reverb sound. No filter is applied when set to “Thru”.

NOTES

•The default parameters will automatically be reselected

whenever a new reverb type is selected.

●REVERB DEPTH

Independently sets the depth of the selected

reverb effect for the multi pads, accompaniment,

left voice, right 1 voice, right 2 voice, and lead voice

If the REVERB DEPTH parameters are not showing

on the lower section of the display, press the DEPTH

LCD button. Use the M.PAD, ACMP, LEFT, R1,

R2, and LEAD LCD [▲/▼] controls to set the depth

of the reverb effect as required for the corresponding

parts. The depth range is from “0” (no reverb effect)

to “100” (maximum reverb depth).

NOTES

•In addition to the graphic depth controls directly above the

LCD [

▲

▼

] controls, reverb depth for each part is repre-

sented by a vertical bar to the right of the REVERB DEPTH

parameter in the upper section of the display. The longer

the bar, the greater the reverb depth.

•When a new reverb type is selected, the preset depth

value for that type is automatically recalled.

•Each part and voice has a preset depth value and range

over which the depth can be varied. Depth variations may

therefore not have the same audible effect with all voices.

112

■CHORUS DEPTH ..........................................................................................................................................................................

F5: Reverb/Chorus/DSP Effect

Independently sets the depth of the chorus effect

for the multi pads, accompaniment, left voice, right

1 voice, right 2 voice, and lead voice

Use the M.PAD, ACMP, LEFT, R1, R2, and

LEAD LCD [▲/▼] controls to set the depth of the

chorus effect as required for the corresponding parts.

The depth range is from “0” (no chorus effect) to

“100” (maximum chorus depth).

NOTES

•In addition to the graphic depth controls directly above the

LCD [

▲

▼

] controls, the chorus depth for each part is

represented by a vertical bar to the right of the CHORUS

DEPTH parameter in the upper section of the display. The

longer the bar, the greater the chorus depth.

•When a new style is selected, the preset chorus type and

depth value for that style is automatically recalled.

•Each part and voice has a preset depth value and range

over which the depth can be varied. Depth variations may

therefore not have the same audible effect with all voices.

■DSP EFFECT TYPE & DEPTH ........................................................................................................................................

●DSP EFFECT TYPE

Selects the effect to be applied when the [DSP

EFFECT] button is turned on (page 34).

If the DSP EFECT TYPE parameters are not

showing on the lower section of the display, press

the TYPE LCD button. Use the LCD [▲/▼] controls

to select the desired type. The name of the current

DSP effect type is shown to the right of the DSP

EFFECT parameter in the upper section of the

display. See “THE DSP EFFECTS AND PARAM-

ETERS”, below for a list of the effects and their

parameters.

113

F5: Reverb/Chorus/DSP Effect

●DSP EFFECT PARAMETER EDIT

When the DSP EFFECT TYPE parameters are

selected as described above, the PARAMETER EDIT

LCD button will appear, pressing this button gives

you access to the individual DSP effect parameters

for the currently selected DSP type. Use the LCD

[▲/▼] control below the number corresponding to

the parameter you want to edit. Press the TYPE LCD

button to return to the DSP EFFECT TYPE param-

eters when done. See “THE DSP EFFECTS AND

PARAMETERS”, below for a list of the effects and

their parameters.

The PRIORITY LCD [▲/▼] control lets you

determine whether the preset DSP EFFECT type

and depth settings for the LEAD or RIGHT 1 voice

will be selected whenever a voice is selected, or

whether the settings you make in this display affect

all voices. Select LEAD or RIGHT 1 to use the

preset DSP EFFECT settings for those voices, or

MANUAL to use your own settings for all voices.

NOTES

•The default parameters will automatically be reselected

whenever a new DSP effect type is selected.

•Some of the DSP TYPEs contain parts which cannot be

selected and changed. Such parts will appear inverted.

●DSP EFFECT DEPTH

Independently sets the depth of the selected DSP

effect for the multi pads, accompaniment, left voice,

right 1 voice, right 2 voice, and lead voice

If the DSP EFFECT DEPTH parameters are not

showing on the lower section of the display, press

the DEPTH LCD button. Use the M.PAD, ACMP,

LEFT, R1, R2, and LEAD LCD [▲/▼] controls to

set the depth of the DSP effect as required for the

corresponding parts. The depth range is from “0”

(no DSP effect) to “100” (maximum DSP effect

depth).

NOTES

•In addition to the graphic depth controls directly above the

LCD [

▲

▼

] controls, DSP effect depth for each part is

represented by a vertical bar to the right of the DSP

EFFECT DEPTH parameter in the upper section of the

display. The longer the bar, the greater the DSP effect

depth.

•For a list and description of DSP effects and parameters,

refer to page 143.

114

F6: Harmony/Registration

■HARMONY...........................................................................................................................................................................................

Selects the type of harmony to be applied when

the [HARMONY] button is turned on (page 33),

and the volume of the harmony sound.

Use the TYPE LCD [▲/▼] controls to select the

desired harmony type. Use the VOLUME LCD [▲/

▼] control to set the volume of the harmony sound.

The Harmony Types

1. Duet

2. Trio

3. 4 Part

4. 4 Part Jazz

5. Country

6. Octave

7. Tremolo Slow

8. Tremolo Fast

9. Tremolo Duet

10. Strumming

11. BackingVocal

12. Add Trp.&Sax

13. Add Strings

14. Gtr. Picking

15. Banjo Player

16. In The Forest

■REGISTRATION .............................................................................................................................................................................

●NAME

You can enter descriptive names up to 16 charac-

ters in length for each registration setup via the

NAME function. The name entered is applied to the

currently selected registration setup.

If necessary, begin by select the desired registration

bank ad number. Use the < > LCD [▲/▼] controls to

move the name cursor to the various character posi-

tions, then use the A~Z, a~z, or 0~9… LCD [▲/▼]

control to select the required character for each posi-

tion. The A~Z LCD [▲/▼] control selects capital

letters, the a~z LCD [▲/▼] control selects lower-

case letters, and the 0~9… LCD [▲/▼] control se-

lects numbers and special characters.

NOTES

•It’s a good idea to give your registration setups names that

make them easily identifiable. If you’ve created a registra-

tion setup for a song named “MySong”, a good registration

name might be something like “MySong-Reg”.

●FREEZE GROUP SETTING

You can specify which settings are affected by

the FREEZE function via the FREEZE GROUP

SETTING function.

Use the GROUP SELECT LCD [▲/▼] controls

to select a setting you want to freeze or “un-freeze”,

then use the MARK LCD [▲/▼] control to set or

remove the check mark for that setting. Repeat until

all settings are marked or un-marked as required.

NOTES

•The HARMONY feature cannot be turned on when the FULL

KEYBOARD ABC mode is selected.

115

F7: Utility

The F7: UTILITY function accesses utility functions that let you turn

memory backup on or off, set a number of display modes, and recall

the factory preset data.

■RECALL PRESET DATA........................................................................................................................................................

Recalls the specified initial factory settings.

Use any of the LCD [▲/▼] controls to select the

type of factory preset data you want to recall (see list

below), then press the EXECUTE LCD button — the

“Ready to recall preset data” confirmation display

will appear.

If you want to execute the recall preset data

operation press the YES LCD button (or press the

NO LCD button to cancel the operation). “Com-

pleted” will appear briefly when the job is finished.

■MEMORY BACKUP ....................................................................................................................................................................

●MEMORY BACKUP

This function turns memory backup on or off.

Use the MEMORY BACK UP LCD [▲/▼] controls

to turn memory backup ON or OFF.

NOTES

•The data backed up (retained in memory even when the

power is turned off) by the PSR-4000 are listed on page

131 in the MEMORY BACKUP column. When memory

backup is turned OFF, the initial factory settings are

automatically recalled whenever the power is turned on.

●DISPLAY - MIDI BANK SEL. & PROG.

CHANGE #, TIME

Determines whether the MIDI bank select and

program change numbers for each voice will be

shown along with the voice number and name on the

voice list display, and how long the list and message

displays remain on the LCD before they disappear.

Use the MIDI BANK SEL. & PROG. CHANGE

# LCD [▲/▼] controls to turn the MIDI bank select

and program change numbers ON or OFF.

Use the TIME LIST and MESSAGE LCD [▲/

▼]controls to set the on-screen time of the list and

message displays, respectively. The higher the value

the longer the on-screen time.

116

F8: MIDI

MIDI, the Musical Instrument Digital Interface, is a world-standard communica-

tion interface that allows MIDI-compatible musical instruments and equipment to

share musical information and control one another. This makes it possible to create

“systems” of MIDI instruments and equipment that offer far greater versatility and

control than is available with isolated instruments. The PSR-4000 offers a range of

MIDI functions that allow it to be used in even sophisticated MIDI systems.

NOTES

•Always use a high-quality MIDI cable to connect MIDI OUT to MIDI IN terminals. Never use MIDI cables longer

than about 15 meters, since cables longer than this can pick up noise which can cause data errors.

SYSTEM

■LOCAL CONTROL ......................................................................................................................................................................

The LOCAL CONTROL parameters determine

whether the corresponding PSR-4000 parts/voices

are controlled via the PSR-4000 keyboard or not.

When local control is on, the PSR-4000 keyboard

controls its internal tone generator, allowing the

internal voices to be played directly from the key-

board. Local control can be turned off, however, so

that the PSR-4000 keyboard does not play the speci-

fied voices, but the appropriate MIDI information is

still transmitted via the MIDI OUT connector when

notes are played on the keyboard. At the same time,

the internal tone generator responds to MIDI infor-

mation received via the MIDI IN connector. This

means that while an external sequencer or MIDI

computer, for example, plays the PSR-4000’s voices,

an external tone generator can be played from the

PSR-4000 keyboard.

Use the M.PAD, ACMP, LEFT, R1, R2, and

LEAD LCD [▲/▼] controls to turn local control of

the corresponding parts/voices ON or OFF. A check

mark appears in the appropriate LOCAL CONTROL

box in the upper part of the display when local

control of the corresponding part/voice is turned on.

117

F8: MIDI

■CLOCK & TRANSPOSE.........................................................................................................................................................

●CLOCK

Determines whether the PSR-4000 is controlled

by its own internal clock or a MIDI clock signal

received from an external device. INTERNAL is the

normal CLOCK setting when the PSR-4000 is being

used alone. If you are using the PSR-4000 with an

external sequencer, MIDI computer, or other MIDI

device, and you want the PSR-4000 to be synchro-

nized to the external device, set this function to

EXTERNAL. In the latter case, the external device

must be connected to the PSR-4000 MIDI IN con-

nector, and must be transmitting an appropriate

MIDI clock signal.

●TRANSPOSE

When the TRANSPOSE TRANSMIT parameter

is turned OFF, the PSR-4000 transpose settings are

not applied to transmitted MIDI data. When turned

ON, the PSR-4000 transpose settings apply to trans-

mitted MIDI data in the same they do to notes played

on the PSR-4000 itself. When the TRANSPOSE

RECEIVE parameter is turned OFF note data re-

ceived by the PSR-4000 is not transposed, and when

set to ON the received note data is transposed ac-

cording to the current PSR-4000 transpose setting.

A check mark appears in the TRANSPOSE TRANS-

MIT or RECEIVE box when the corresponding

parameter is ON.

■MESSAGE SWITCH ...................................................................................................................................................................

●START/STOP

The START/STOP TRANSMIT parameter turns

MIDI transmission of MIDI start and stop com-

mands corresponding to starting or stopping the

PSR-4000 accompaniment or song play/record func-

tions ON or OFF. The START/STOP RECEIVE

parameter turns MIDI reception of MIDI start and

stop commands generated by external equipment

ON or OFF. A check mark appears in the MESSAGE

SW START/STOP TRANSMIT or RECEIVE box

when the corresponding parameter is ON.

118

F8: MIDI

●EXCLUSIVE

The EXCLUSIVE TRANSMIT parameter turns

MIDI transmission of MIDI exclusive data (voice

and setup data) ON or OFF. The EXCLUSIVE

RECEIVE parameter turns MIDI reception of MIDI

exclusive data generated by external equipment ON

or OFF. A check mark appears in the MESSAGE

SW EXCLUSIVE TRANSMIT or RECEIVE box

when the corresponding parameter is ON.

TRANSMIT

This display page allows you to specify which PSR-4000 voices and parts will be transmitted via which MIDI

channels (there are 16 MIDI channels), and to specify which types of data will be transmitted for each channel.

●TRANSMIT MONITOR

The TRANS. MONITOR (transmit monitor) at

the top of the display indicates when data is being

transmitted on any of the 16 MIDI channels: The

dots corresponding to each channel (1 … 16) flash

briefly whenever any data is transmitted on the

channel(s).

●CHANNEL

Use either the ▲ and ▼ LCD buttons to the left

of the display, or the CH LCD [▲/▼] control to

select the channel to which you want to assign a part

or change a data switch setting. The channel num-

bers are show in the leftmost column in the display.

●PART

The PART LCD [▲/▼] controls select the voice

or part which will be transmitted via the currently

selected channel. Only one voice or part can be

specified per channel. Any of the parts listed below

can be selected. If one part is assigned to multiple

channels, only the lowest-numbered channel will be

used.

119

F8: MIDI

OFF

RIGHT 1

RIGHT 2

LEAD

LEFT

HARMONY 1

HARMONY 2

HARMONY 3

MULTI PAD 1

MULTI PAD 2

MULTI PAD 3

MULTI PAD 4

ACCOMP RHY 1

ACCOMP RHY 2

ACCOMP BASS

ACCOMP CHORD 1

ACCOMP CHORD 2

ACCOMP PAD

ACCOMP PHRASE1

ACCOMP PHRASE2

No data will be transmitted on the selected channel.

Only data corresponding to the specified voice will be transmitted on the selected channel.

The Harmony feature (page 33) produces a maximum of three harmony notes. These settings

correspond to each of the harmony notes.

Multi pad phrases from the corresponding pad are transmitted via the selected channel. When a

pad is played in the PERCUSSION mode, however, the data is transmitted on the channel to

which MULTI PAD 1 is assigned.

CHORD pad data is transmitted as note data on the channels to which the appropriate accom-

paniment parts are assigned (RHY 1 … ACCOMP PHRASE2).

The specified accompaniment part is transmitted via the selected channel.

NOTE This switch turns transmission of the note data on or off. When off, no notes will be produced by an

external instrument or tone generator even when the voice or part assigned to the selected channel is

played. Note transmission can be turned off, for example, you only want the external device to respond

to program change numbers, changing the selected voice without actually playing it.

CNTCNG Turns transmission of control change data on or off. Control change data includes modulation wheel,

foot controller, and any other controller data (except the pitch bend wheel, which has its own switch,

below).

PRGCNG Turns transmission of program change data on or off. Program change data corresponds to voice or

“patch” numbers, and is used to select the corresponding voices on an external MIDI device.

PITCHBND Turns transmission of pitch bend wheel data on or off.

●NOTE, CONTROL CHANGE,

PROGRAM CHANGE, & PITCH BEND

SWITCH

These “switches” turn transmission of the speci-

fied data type on or off. Use the NOTE, CNTCNG,

PRGCNG, and PITCHBND LCD [▲/▼] controls to

turn transmission of the corresponding data on or

off. A check mark appears in the appropriate box

when the corresponding switch is turned on.

120

F8: MIDI

RECEIVE

This display page allows you to specify the MIDI receive mode for each PSR-4000 MIDI channels, and to

specify which types of data will be received via each channel.

●RECEIVE MONITOR

The RECEIVE MONITOR at the top of the

display indicates when data is being received on any

of the 16 MIDI channels: The dots corresponding to

each channel (1 … 16) flash briefly whenever any

data is received on the channel(s).

●CHANNEL

Use either the ▲ and ▼ LCD buttons to the left

of the display, or the CH LCD [▲/▼] control to

select the channel to which you want to assign a

mode or change a data switch setting. The channel

numbers are show in the leftmost column in the

display.

●MODE

The MODE LCD [▲/▼] controls select the re-

ceive mode for the currently selected channel. Any

of the following modes can be selected:

OFF No data will be received on the selected channel.

MULTI This is the “Multi-Timbre” mode in which the corresponding channel of the internal tone gen-

erator is directly controlled by the received MIDI data.

MIDI BASS When the AUTO MIDI BASS or MANUAL MIDI BASS ABC accompaniment mode is selected

this receive mode can be selected to allow reception of bass note data from an external MIDI

bass pedal unit or other device.

PANEL CONTROL When this mode is selected the received MIDI data controls the PSR-4000 panel operations

rather than playing the internal tone generator. Which panel operations are controlled by

which types of MIDI data are specified in the PANEL CONTROL display page, described

below.

KEYBOARD This is the “normal” receive mode in which MIDI note data received by the PSR-4000 (A-1 …

C7) plays the corresponding notes in the same way as if they were played on the keyboard.

Pitch bend, modulation, expression, and sustain control data is also accepted. Program

change and main volume data affects the RIGHT 1 voice only.

●NOTE, CONTROL CHANGE, PROGRAM CHANGE, & PITCH

BEND SWITCH

These “switches” turn reception of the specified data type on or off. Use

the NOTE, CNTCNG, PRGCNG, and PITCHBND LCD [▲/▼] controls to turn

reception of the corresponding data on or off. A check mark appears in the

appropriate box when the corresponding switch is turned on.

121

F8: MIDI

NOTE This switch turns reception of the note data on or off. When off, no notes will be produced by the

PSR-4000 even when note data is received on the selected channel.

CNTCNG Turns reception of control change data on or off. Control change data includes modulation wheel, foot

controller, and any other controller data (except the pitch bend wheel, which has its own switch, be-

low).

PRGCNG Turns reception of program change data on or off. Program change data corresponds to voice or

“patch” numbers, and will select the corresponding voices on the PSR-4000 when the PRGCNG pa-

rameter is on.

PITCHBND Turns reception of pitch bend wheel data on or off.

PANEL CONTROL

The parameters in this display page assign specific PSR-4000 panel controls to notes. The assigned notes

then control the corresponding panel control operations when received via a MIDI channel which is set to the

PANEL CONTROL receive mode in the RECEIVE display, above.

●OCTAVE

Use either the s and t LCD buttons to the left

of the display, or the OCT LCD [▲/▼] control to

select the octave in which you want to assign a note.

The selected octave appears between the s and t

LCD buttons to the left of the display. The “C” note

in octave “3” corresponds to C3 (middle C) on the

keyboard.

●NOTE

Use the NOTE LCD [▲/▼] control to select the

note to which you want to assign a panel control

function.

●TYPE SELECT & SUB

Use the TYPE SELECT LCD [▲/▼] controls to

assign a panel control function to the selected note.

The available panel control function types are listed

below along with the corresponding note-on (note

played) and note-off (note released) events for each

type. In some cases the SUB1 and SUB2 LCD [▲/

▼] controls are also used for type selection, as listed

below.

122

F8: MIDI

TYPE Note-on event Note-off event

1. OFF None None

2. SUSTAIN SUSTAIN ON SUSTAIN OFF

3. SOSTENUTO SOSTENUTO ON SOSTENUTO OFF

4. SOFT SOFT ON SOFT OFF

5. TAP TEMPO TAP TEMPO ON —

6. REGIST.+ REGISTRATION UP —

7. REGIST.–REGISTRATION DOWN —

8. SYNCHRO START [SYNCHRO START] ON —

9. START/STOP [START/STOP] ON —

10. ROTARY SP ROTARY SPEAKER

SLOW n FAST

11. HARMONY HARMONY ON HARMONY OFF

12. INTRO/FILLtoA [INTRO/FILL to A] ON [INTRO/FILL to A] RELEASED

13. INTRO/FILLtoB [INTRO/FILL to B] ON [INTRO/FILL to B] RELEASED

14. MAIN A [MAIN A] ON —

15. MAIN B [MAIN B] ON —

16. ENDING/rit. [ENDING/rit.] ON —

17. FADE IN/OUT [FADE IN/OUT] ON —

18. FINGERED1/2 Switch between —

FINGERED 1 and 2

19. BASS HOLD BASS HOLD ON BASS HOLD OFF

20. PERCUSSION PERCUSSION KEY ON PERCUSSION KEY OFF.

with velocity*

21. ACCOMP. BREAK ACCOMP. BREAK ON ACCOMP. BREAK OFF

22. TEMPO + TEMPO [+] ON TEMPO [+] RELEASED

23. TEMPO –TEMPO [–] ON TEMPO [–] RELEASED

24. MULTI PAD Specified MULTI PAD ON** MULTI PAD RELEASED

25. CHORD Enter specified chord***

* Use SUB1 LCD [

▲

▼

] control to select PERCUSSION 1 or PERCUSSION 2. The PERCUSSION 1 and 2

voices are the same as those assigned to the footswitches — SW1 and SW2 — via the FOOT

CONTROLLER function display (page 104).

** Use SUB1 LCD [

▲

▼

] control to select MULTI PAD 1 … MULTI PAD 8.

*** Use SUB1 LCD [

▲

▼

] control to select chord root, and SUB2 LCD [

▲

▼

] control to select chord type.

123

Troubleshooting

This is a normal result of the power surge that occurs when the unit is

turned on or off. No solution necessary.

The volume controls or foot volume are turned all the way down.

Set the volume controls and foot volume to a reasonable listening

level.

Are the desired parts turned on?

A pair of headphones is plugged into the PHONES jack. Unplug the head-

phones.

Is the FOOT SWITCH connected to the FOOT VOLUME connector?

The FADE OUT switch is on and has reached the end of its duration,

muting the sound. Press the FADE IN/OUT switch so that its indicator

goes out.

MIDI local control is turned OFF. Turn MIDI local control ON using F8

MIDI function.

The [LIST HOLD] button is engaged (its LED is lit). Press the [LIST

HOLD] button so that its indicator goes out, then try selecting a style or

voice (page 11).

The [LIST HOLD] button is engaged (its LED is lit). Press the [LIST

HOLD] button so that its indicator goes out.

The panel SUSTAIN button does not function when SUSTAIN is assigned

to the connected FOOT SWITCH. Disconnect the FOOT SWITCH or use

the FOOT SWITCH to control sustain.

The MIDI CLOCK setting is set to EXTERNAL. Reset the MIDI CLOCK to

INTERNAL using F8 MIDI function.

The maximum polyphony has been exceeded. You can play up to 32

notes at the same time—including auto-accompaniment, song memory,

multi pad notes etc.. Notes exceeding this limit will not sound. When using

ABC or HARMONY, be careful not to exceed the limit.

This is normal, each voice or style has its own suitable preset values.

This is normal and is a result of the PSR-4000’s sampling system.

Some voice’s have a pitch limit which has been reached. This is normal.

Are you sure you’re playing on the left-hand section of the keyboard?

You are using single-finger type fingering in the fingered mode, or vice-

versa. Use the correct type of chord fingering for the selected ABC mode.

Is the ABC MODE set to MANUAL MIDI BASS?

The value is an approximate value.

It will depend on the selected voice.

Turn the power off and remove the AC cord from wall and then try to

change the backup batteries or take out the backup batteries and replace

them after approximately 1 minute.

Noise is heard when the power is

turned on or off.

No sound.

Symptom Possible Cause/Solution

The style list or voice list does not ap-

pear even when a style or voice group

button is pressed.

The style list, voice list or one touch

setting list does not automatically

disappear.

Pressing the SUSTAIN button on the

panel will not switch on the SUSTAIN

function.

The accompaniment does not start.

Some notes do not sound or are prema-

turely cut off.

When a voice or style is changed, the

previously selected effect is changed or

the sound is prematurely cut off.

There is a slight difference in sound

quality between notes played on the

keyboard.

Some voice’s have a looping sound.

Some voice’s will jump an octave in pitch

when playing up or down scales in the

upper or lower registers.

Some noise or vibrato is noticeable in

higher pitches depending upon the voice.

The ABC chord does not change even

when a different chord is played or the

chord is not recognized.

The disk’s remaining memory value does

not coincide with the actual value.

When using a MIDI controller, effects do

not function as usual or not at all.

If any trouble other than what is listed

above occurs try the solution at the right.

124

Index

Accomp volume.............................. 26

Accompaniment ............................. 19

Accompaniment director ........ 23 – 26

Arabic ........................................... 100

Arranger ......................................... 30

Attack ................................. 80, 85, 86

Auto bass chord (ABC) .................. 19

Auto MIDI bass ......................... 21

Fingered 1/2 ............................. 20

Full keyboard ............................ 21

Manual MIDI bass .................... 21

Single finger ............................. 20

Auto mute ....................................... 26

Aux out ............................................. 6

Bank (registration) .......................... 43

Bank select (MIDI)........................ 115

Bass ................................... 19, 21, 30

Batteries ........................................... 2

Beet .......................................... 23, 71

Brilliance................................... 80, 86

Chain .............................................. 49

Chord ............................................. 30

Chord assist ................................... 28

Chord match........................... 40, 103

Chord pad ...................................... 38

Chord root ...................................... 28

Chord step record .......................... 57

Chord type...................................... 28

Chorus.................................... 34, 112

Clear................................... 77, 81, 88

Compare .................................. 79, 82

Controller...................................... 104

Copy (custom accomp) .................. 75

Copy (song track) ........................... 67

Cursor .................... 44, 53, 69, 79, 82

Custom accomp ............................. 69

Custom voice ................................. 78

Decay ................................. 80, 85, 86

Delay vibrato .................................. 87

Delete ................................. 56, 59, 71

Demonstration .................................. 8

Depth.................................... 111, 112

Destination ............................... 76, 96

Direct setting ............................ 16, 27

Disk

Disklavier .................................. 47

DOC ......................................... 47

GM............................................ 47

Disk button ..................................... 90

Disk drive ........................... 47, 52, 90

Disk in use........................................ 3

Drum kit .......................................... 15

Drum voice ..................................... 89

DSP effect .............................. 34, 112

Dual voice ...................................... 82

Easy edit ........................................ 79

Easy setting.................................... 14

Ending/rit ........................................ 25

Event .............................................. 76

Exit button .................................. 9, 99

Expression ............................... 7, 104

Fade in / out ................................... 26

Fill ................................................. 25

Fingered 1/2 ................................... 20

First key.......................................... 64

Foot switch ............................... 6, 104

Foot volume ............................. 7, 104

Freeze (Registration) ............. 46, 114

Full edit........................................... 82

Full keyboard.................................. 21

Group ....................................... 14, 22

Harmony................................. 33, 114

Headphones ..................................... 6

Individual (Foot volume) ............... 104

Individual load (Disk function) ........ 91

Initial touch ................................... 107

Initial touch curve ........................... 84

Intro/fill...................................... 23, 25

Inversion......................................... 29

Keyboard percussion ..................... 15

LCD [▲/▼] control.................. 5, 9, 10

LCD button ............................. 5, 9, 10

LCD Contrast control...................... 11

Lead ............................................... 13

Left hold ......................................... 35

Left orchestra ................................. 13

List hold .......................................... 11

Listen...................................... 94 – 96

Load ............................................... 90

Main A/B......................................... 24

Main volume ................................... 15

Manual (song) ................................ 54

125

Index

Manual MIDI bass .......................... 21

Master volume.................................. 8

Measure ......................................... 71

Memory ........................................ 115

Metronome ..................................... 54

MIDI.............................................. 116

Mix (song) ...................................... 67

Mixer .............................................. 10

Modulation wheel ................... 35, 106

Multi pad......................................... 36

Multi pad mode select .................... 36

Music stand ...................................... 7

Name...................... 44, 53, 69, 79, 82

Octave .............................. 14, 18, 101

Off level ........................................ 107

Off set........................................... 108

One touch setting ........................... 31

Orchestra ....................................... 13

Pad ................................................. 30

Pan ......................................... 14, 101

Panel control ................................ 121

Parameter ............................ 111, 113

Part................................................. 13

Part select ...................................... 14

Part tune....................................... 100

Pause (song) .................................. 48

Percussion ..................................... 41

Percussion pad .............................. 41

Phrase ............................................ 30

Phrase pad ............................. 36, 103

Pitch bend wheel .................... 35, 106

Power button .................................... 8

Preset ........................................... 115

Priority .......................................... 113

Program change........................... 115

Punch in/out ................................... 63

Quantize ................................... 66, 75

Registration .................................... 43

Release .............................. 80, 85, 86

Repeat

Chord pad................................. 40

Demo .......................................... 9

Resonance ............................... 80, 86

Reverb.................................... 34, 110

Rhythm ........................................... 30

Right orchestra ............................... 13

Root................................................ 57

Rotary speaker ..................... 105, 122

Scale ............................................ 100

Section ..................................... 24, 69

Sensitivity ..................................... 107

Single (Custom voice) .................... 82

Single finger ................................... 20

Single play (demo) ........................... 9

Soft pedal ..................................... 105

Song copy ...................................... 96

Song play ....................................... 47

Song record.................................... 52

Sostenuto ..................................... 105

Source ...................................... 67, 96

Split point ......................... 16, 27, 102

Start/stop .................................. 23, 25

Store................................... 77, 81, 88

Style revoice................................. 108

Sustain ................................... 33, 104

Synchro start .................................. 23

Tap tempo ............................ 105, 122

Tempo ............................................ 22

Time ............................................. 115

Time signature ............................... 71

Touch response ..................... 33, 107

Track .................................. 54, 60, 62

Transpose ...................................... 17

Trigger ............................................ 64

Tune ............................................... 17

Type ............................................... 57

Undo........................... 66 – 68, 75, 76

Utility ............................................ 115

Voice .............................................. 14

Wave .............................................. 82

126

Voice List • Stimmenverzeichnis • Liste des voix • Lista de voces

Display BankSelect

Program

Change

Voice Name

No. MSB LSB No.

PIANO

1 0 112 0 GrandPiano 1

2 0 112 1 BrightPiano1

3 0 0 3 Honky-tonk

4 0 0 6 Harpsichord1

5 0 0 5 DX E.Piano

6 0 0 4 Funky E.P.

7 0 112 5 Dream E.P.

8 0 112 7 Clavi Wah

9 0 0 0 GrandPiano 2

10 0 0 1 BrightPiano2

11 0 0 2 MIDI Grand

12 0 112 6 Harpsichord2

13 0 112 4 E.Piano

14 0 113 4 Bell E.Piano

15 0 113 5 Ice E.Piano

16 0 0 7 Clavi.

ORGAN

1 0 112 16 Jazz Organ 1

2 0 0 16 Jazz Organ 2

3 0 112 18 Rock Organ 1

4 0 118 16 Bright Organ

5 0 115 17 ClickOrgan 1

6 0 118 17 ClickOrgan 2

7 0 119 16 ClickOrgan 3

8 0 0 19 Pipe Organ

9 0 116 16 Rock Organ 2

10 0 0 18 Rock Organ 3

11 0 113 17 Organ 16+2

12 0 114 17 Organ 16+4

13 0 115 16 Drawbar Org1

14 0 114 16 Drawbar Org2

15 0 119 17 Drawbar Org3

16 0 120 16 Drawbar Org4

17 0 117 16 Elec.Organ 1

18 0 117 17 Elec.Organ 2

19 0 113 16 Elec.Organ 3

20 0 112 17 Elec.Organ 4

21 0 0 17 Perc.Organ 1

22 0 116 17 Perc.Organ 2

23 0 0 20 Reed Organ

STRINGS/CHOIR

1 0 112 48 Strings 1

2 0 0 50 Syn.Strings1

3 0 0 88 Bell Strings

4 0 0 40 Violin

5 0 112 45 PizzStrings1

6 0 0 52 Choir Aahs

7 0 112 53 Choir Ooh 1

8 0 112 46 Harp 1

9 0 0 54 Synth Voice

10 0 0 48 Strings 2

11 0 113 48 Slow Strings

12 0 0 110 Fiddle

13 0 0 45 PizzStrings2

14 0 112 49 Chamber Str.

15 0 0 44 Tremolo Str.

16 0 0 51 Syn.Strings2

17 0 0 46 Harp 2

18 0 0 49 Strings 3

19 0 112 52 Big Choir

Display BankSelect

Program

Change

Voice Name

No. MSB LSB No.

20 0 0 53 Choir Ooh 2

21 0 112 54 Xenon Pad

22 0 0 55 OrchestraHit

23 0 0 41 Viola

24 0 0 42 Cello

SAX/WOODWIND

1 0 112 64 Soprano Sax1

2 0 112 65 Alto Sax 1

3 0 112 66 Tenor Sax 1

4 0 112 67 BaritoneSax1

5 0 112 73 Flute 1

6 0 0 75 Pan Flute

7 0 0 68 Oboe

8 0 0 71 Clarinet

9 0 0 64 Soprano Sax2

10 0 0 65 Alto Sax 2

11 0 0 66 Tenor Sax 2

12 0 0 67 BaritoneSax2

13 0 0 73 Flute 2

14 0 0 76 Blown Bottle

15 0 0 69 English Horn

16 0 0 70 Bassoon

17 0 113 65 Sax+Clarinet

18 0 113 66 Sax+Trombone

19 0 0 72 Piccolo

20 0 0 74 Recorder

21 0 0 79 Ocarina

22 0 0 82 Calliope

23 0 0 78 Whistle

24 0 0 77 Shakuhachi

TRUMPET/BRASS

1 0 113 56 Trumpet 1

2 0 112 59 MuteTrumpet1

3 0 114 56 Flugel Horn

4 0 0 57 Trombone 1

5 0 0 61 BrassSection

6 0 113 61 Brass+Tromb.

7 0 0 62 Synth Brass1

8 0 0 60 French Horn

9 0 112 56 Trumpet 2

10 0 0 56 Trumpet 3

11 0 0 59 MuteTrumpet2

12 0 113 57 Trombone 2

13 0 0 63 Synth Brass2

14 0 112 57 Trombone Sec

15 0 112 61 Brass+Sax

16 0 114 61 Brass+Trmpet

GUITAR/BASS

1 0 0 24 Nylon Guitar

2 0 0 25 Steel Guitar

3 0 112 25 12String Gtr

4 0 0 26 Jazz Guitar

5 0 112 27 Hawaiian Gtr

6 0 0 27 Clean Guitar

7 0 0 29 OverdriveGtr

8 0 0 28 Muted Guitar

9 0 0 30 DistortionGt

10 0 0 31 GtrHarmonics

11 0 112 26 Octave Gtr.

12 0 0 32 AcousticBass

13 0 0 33 FingeredBass

Display BankSelect

Program

Change

Voice Name

No. MSB LSB No.

14 0 0 34 Picked Bass

15 0 0 35 FretlessBass

16 0 0 43 Contrabass

17 0 112 36 Slap Bass 1

18 0 0 36 Slap Bass 2

19 0 0 37 Slap Bass 3

20 0 112 38 Techno Bass

21 0 0 38 Synth Bass 1

22 0 0 39 Synth Bass 2

23 0 0 58 Tuba

ACCORDION/WORLD

1 0 112 21 Trad.Accord.

2 0 0 21 Musette

3 0 112 23 TangoAccord.

4 0 0 23 Bandoneon

5 0 0 22 Harmonica

6 0 0 105 Banjo

7 0 0 109 Bagpipe

8 0 0 108 Kalimba

9 0 113 21 Soft Accord.

10 0 114 21 Small Accord

11 0 113 23 BrightAccord

12 0 0 107 Koto

13 0 0 106 Shamisen

14 0 0 104 Sitar

15 0 0 15 Dulcimer

16 0 0 111 Shanai

SYNTH/PAD

1 0 112 81 Analog Lead

2 0 112 80 Sub Aqua

3 0 113 81 RainHold

4 0 112 90 Dark Moon

5 0 112 82 70’s Lead

6 0 114 5 Synth EP

7 0 0 99 Atmosphere

8 0 0 91 Choir Pad

9 0 112 63 Reso.Brass

10 0 114 81 Reso.Saw

11 0 0 80 Square Lead

12 0 0 81 Saw. Lead

13 0 0 89 Warm Pad

14 0 112 91 Bell Pad

15 0 0 90 PolysynthPad

16 0 112 92 Cyber Pad

17 0 0 87 Bass & Lead

18 0 0 85 Voice Lead

19 0 0 84 Charang Lead

20 0 0 83 Chiff Lead

21 0 0 92 Bowed Pad

22 0 0 93 Metallic Pad

23 0 0 94 Halo Pad

24 0 0 86 Fifth Lead

SOUND EFFECT

1 0 112 95 Transform

2 0 112 101 Wave 2001

3 0 113 82 Dragon Flute

4 0 0 101 Goblins

5 0 112 98 QuackBell

6 0 0 100 Brightness

7 0 0 96 Rain

8 0 0 103 Sci-Fi

RIGHT

127

Voice List • Stimmenverzeichnis • Liste des voix • Lista de voces

Display BankSelect

Program

Change

Voice Name

No. MSB LSB No.

9 0 0 97 Soundtrack

10 0 0 95 Sweep Pad

11 0 0 98 Crystal

12 0 0 102 Echoes

13 0 0 120 GtrFretNoise

14 0 0 121 Breath Noise

15 0 0 122 Seashore

16 0 0 123 Bird Tweet

17 0 0 124 Telephone

18 0 0 125 Helicopter

19 0 0 119 Rev.Cymbal

20 0 0 126 Applause

21 0 0 127 Gunshot

PERCUSSIVE

1 0 112 11 Vibraphone1

2 0 0 12 Marimba

3 0 0 13 Xylophone

4 0 0 114 Steel Drums

5 0 0 9 Glockenspiel

6 0 0 8 Celesta

7 0 0 14 TubularBells

8 0 0 47 Timpani

9 0 0 11 Vibraphone2

10 0 0 10 Music Box

11 0 0 112 Tinkle Bell

12 0 0 113 Agogo

13 0 0 115 Woodblock

14 0 0 116 Taiko Drum

15 0 0 117 Melodic Tom

16 0 0 118 Synth Drum

DRUM KIT

1 127 0 0 Standard Kit

2 127 0 8 Room Kit

3 127 0 16 Rock Kit

4 127 0 24 Electric Kit

5 127 0 25 Analog Kit

6 127 0 32 Jazz Kit

7 127 0 40 Brush Kit

8 127 0 48 Classic Kit

Display BankSelect

Program

Change

Voice Name

No. MSB LSB No.

PIANO/ORGAN

1 0 112 0 GrandPiano 1

2 0 0 6 Harpsichord1

3 0 0 5 DX E.Piano

4 0 0 4 Funky E.P.

5 0 0 16 Jazz Organ 2

6 0 114 17 Organ 16+4

7 0 112 18 Rock Organ 1

8 0 0 21 Musette

9 0 0 0 GrandPiano 2

10 0 112 1 BrightPiano1

11 0 0 1 BrightPiano2

12 0 0 3 Honky-tonk

13 0 112 6 Harpsichord2

14 0 112 7 Clavi Wah

15 0 0 7 Clavi.

16 0 0 2 MIDI Grand

17 0 112 4 E.Piano

18 0 112 5 Dream E.P.

19 0 113 4 Bell E.Piano

20 0 113 5 Ice E.Piano

21 0 112 16 Jazz Organ 1

22 0 116 16 Rock Organ 2

23 0 118 16 Bright Organ

24 0 115 17 ClickOrgan 1

25 0 118 17 ClickOrgan 2

26 0 112 17 ClickOrgan 3

27 0 119 16 ClickOrgan 4

28 0 0 18 Rock Organ 3

29 0 113 17 Organ 16+2

30 0 115 16 Drawbar Org1

31 0 114 16 Drawbar Org2

32 0 119 17 Drawbar Org3

33 0 120 16 Drawbar Org4

34 0 117 16 Elec.Organ 1

35 0 117 17 Elec.Organ 2

36 0 113 16 Elec.Organ 3

37 0 0 17 Perc.Organ 1

38 0 116 17 Perc.Organ 2

39 0 0 20 Reed Organ

40 0 0 19 Pipe Organ

41 0 112 21 Trad.Accord.

42 0 0 23 Bandoneon

43 0 112 23 TangoAccord.

44 0 113 21 Soft Accord.

45 0 114 21 Small Accord

46 0 113 23 BrightAccord

47 0 0 22 Harmonica

48 0 0 109 Bagpipe

STRINGS/CHOIR

1 0 112 48 Strings 1

2 0 0 50 Syn.Strings1

3 0 0 88 Bell Strings

4 0 112 54 Xenon Pad

5 0 0 52 Choir Aahs

6 0 112 53 Choir Ooh 1

7 0 112 52 Big Choir

8 0 0 54 Synth Voice

9 0 0 48 Strings 2

10 0 0 49 Strings 3

11 0 113 48 Slow Strings

Display BankSelect

Program

Change

Voice Name

No. MSB LSB No.

12 0 112 49 Chamber Str.

13 0 0 44 Tremolo Str.

14 0 0 51 Syn.Strings2

15 0 112 45 PizzStrings1

16 0 0 45 PizzStrings2

17 0 0 40 Violin

18 0 0 110 Fiddle

19 0 0 41 Viola

20 0 0 42 Cello

21 0 112 46 Harp 1

22 0 0 46 Harp 2

23 0 0 53 Choir Ooh 2

24 0 0 55 OrchestraHit

BRASS/WOODWIND

1 0 0 61 BrassSection

2 0 113 61 Brass+Tromb.

3 0 0 62 Synth Brass1

4 0 0 63 Synth Brass2

5 0 0 60 French Horn

6 0 112 61 Brass+Sax

7 0 114 61 Brass+Trmpet

8 0 113 66 Sax+Trombone

9 0 113 56 Trumpet 1

10 0 112 56 Trumpet 2

11 0 112 59 MuteTrumpet1

12 0 0 59 MuteTrumpet2

13 0 114 56 Flugel Horn

14 0 0 57 Trombone 1

15 0 113 57 Trombone 2

16 0 112 57 Trombone Sec

17 0 112 64 Soprano Sax1

18 0 112 65 Alto Sax 1

19 0 112 66 Tenor Sax 1

20 0 112 67 BaritoneSax1

21 0 112 73 Flute 1

22 0 0 75 Pan Flute

23 0 0 68 Oboe

24 0 0 71 Clarinet

25 0 0 64 Soprano Sax2

26 0 0 65 Alto Sax 2

27 0 0 66 Tenor Sax 2

28 0 0 73 Flute 2

29 0 0 76 Blown Bottle

30 0 0 69 English Horn

31 0 0 70 Bassoon

32 0 113 65 Sax+Clarinet

SYNTH/PAD

1 0 112 91 Bell Pad

2 0 0 89 Warm Pad

3 0 112 101 Wave 2001

4 0 113 82 Dragon Flute

5 0 112 90 Dark Moon

6 0 114 5 Synth EP

7 0 0 99 Atmosphere

8 0 0 91 Choir Pad

9 0 112 81 Analog Lead

10 0 112 80 Sub Aqua

11 0 113 81 RainHold

12 0 112 82 70’s Lead

13 0 112 63 Reso.Brass

14 0 114 81 Reso.Saw

LEFT

128

Voice List • Stimmenverzeichnis • Liste des voix • Lista de voces

LEAD

Display BankSelect

Program

Change

Voice Name

No. MSB LSB No.

15 0 0 80 Square Lead

16 0 0 81 Saw. Lead

17 0 112 95 Transform

18 0 0 95 Sweep Pad

19 0 0 92 Bowed Pad

20 0 0 94 Halo Pad

21 0 112 92 Cyber Pad

22 0 0 90 PolysynthPad

23 0 0 101 Goblins

24 0 0 103 Sci-Fi

25 0 0 87 Bass & Lead

26 0 0 85 Voice Lead

27 0 0 83 Chiff Lead

28 0 0 100 Brightness

29 0 0 96 Rain

30 0 0 97 Soundtrack

31 0 0 102 Echoes

32 0 112 98 QuackBell

GUITAR/PERCUSSIVE

1 0 0 24 Nylon Guitar

2 0 0 25 Steel Guitar

3 0 112 25 12String Gtr

4 0 0 26 Jazz Guitar

5 0 112 27 Hawaiian Gtr

6 0 0 27 Clean Guitar

7 0 0 29 OverdriveGtr

8 0 0 30 DistortionGt

9 0 112 26 Octave Gtr.

10 0 0 28 Muted Guitar

11 0 0 32 AcousticBass

12 0 0 33 FingeredBass

13 0 0 34 Picked Bass

14 0 0 35 FretlessBass

15 0 0 43 Contrabass

16 0 0 58 Tuba

17 0 112 36 Slap Bass 1

18 0 0 36 Slap Bass 2

19 0 0 37 Slap Bass 3

20 0 0 38 Synth Bass 1

21 0 0 39 Synth Bass 2

22 0 112 38 Techno Bass

23 0 0 9 Glockenspiel

24 0 0 10 Music Box

25 0 112 11 Vibraphone1

26 0 0 11 Vibraphone2

27 0 0 12 Marimba

28 0 0 14 TubularBells

29 0 0 112 Tinkle Bell

30 0 0 13 Xylophone

31 0 0 108 Kalimba

32 0 0 105 Banjo

Display BankSelect

Program

Change

Voice Name

No. MSB LSB No.

TRUMPET/BRASS

1 0 127 56 Solo Trumpet

2 0 126 56 Mellow Trp.

3 0 127 59 Mute Trumpet

4 0 125 56 Flugel Horn

5 0 127 57 Trombone

6 0 126 57 SoftTrombone

7 0 127 61 BrassSection

8 0 127 63 Analog Brass

9 0 127 62 SynthBrass 1

10 0 126 62 SynthBrass 2

11 0 127 60 French Horn

12 0 126 63 Wah Brass

13 0 125 62 Brass Lead 1

14 0 125 63 Brass Lead 2

15 0 124 56 Soft Trumpet

16 0 127 58 Tuba

SAX/WOODWIND

1 0 127 64 Soprano Sax

2 0 127 65 Alto Sax

3 0 127 66 Tenor Sax

4 0 127 67 Baritone Sax

5 0 127 71 Clarinet

6 0 127 22 Harmonica

7 0 127 73 Flute

8 0 127 75 Panflute

9 0 127 68 Oboe

10 0 127 69 English Horn

11 0 127 70 Bassoon

12 0 126 66 Chorus Sax

13 0 127 72 Piccolo

14 0 127 78 Whistle

15 0 127 77 Shakuhachi

16 0 127 76 Blown Bottle

STRINGS/CHOIR

1 0 127 40 Violin

2 0 126 40 Soft Violin

3 0 125 40 Arco Violin

4 0 127 42 Cello

5 0 127 52 Choir Aah

6 0 127 53 Choir Ooh

7 0 126 52 Big Choir

8 0 127 54 Synth Voice

9 0 125 48 Violin Str.

10 0 127 110 Fiddle

11 0 127 41 Viola

12 0 127 43 Contrabass

13 0 127 48 Strings

14 0 127 50 Synth String

15 0 126 48 Slow Strings

16 0 126 54 Bell Voice

Display BankSelect

Program

Change

Voice Name

No. MSB LSB No.

GUITAR/BASS

1 0 127 24 Concert Gtr

2 0 127 25 Folk Guitar

3 0 126 25 12String Gtr

4 0 127 26 Jazz Guitar

5 0 124 27 Hawaiian Gtr

6 0 127 27 Clean Guitar

7 0 127 29 OverdriveGtr

8 0 125 27 Wah Guitar

9 0 126 26 OctaveGuitar

10 0 126 27 Tremolo Gtr

11 0 127 30 DistortionGt

12 0 126 30 Fuzz Guitar

13 0 127 36 Slap Bass 1

14 0 127 37 Slap Bass 2

15 0 127 32 Double Bass

16 0 127 39 Reso. Bass

SYNTH/PERCUSSIVE

1 0 125 81 Analog Lead

2 0 126 80 Sub Aqua

3 0 127 81 Saw. Lead

4 0 126 81 Reso. Saw.

5 0 126 82 70’s Lead

6 0 127 90 Dark Moon

7 0 127 80 Mini Lead

8 0 124 81 Big Lead

9 0 127 101 Wave 2001

10 0 123 81 Blowing Lead

11 0 127 82 Dragon Flute

12 0 122 81 Rain Hold

13 0 127 98 Quack Bell

14 0 124 63 Reso. Brass

129

Bank MSB# 127 127 127 127 127 127 127 127

Program # 1 9 17 25 26 33 41 49

Note# Note Standard Kit Room Kit Rock Kit Electro Kit Analog Kit Jazz Kit Brush Kit Classic Kit

13 C#0 SurdoMut <—— <—— <—— <—— <—— <—— <——

14 D0 SurdoOpn <—— <—— <—— <—— <—— <—— <——

15 D#0 Hi Q <—— <—— <—— <—— <—— <—— <——

16 E0 WhipSlap <—— <—— <—— <—— <—— <—— <——

17 F0 ScraPush <—— <—— <—— <—— <—— <—— <——

18 F#0 ScraPull <—— <—— <—— <—— <—— <—— <——

19 G0 FingSnap <—— <—— <—— <—— <—— <—— <——

20 G#0 Click <—— <—— <—— <—— <—— <—— <——

21 A0 MetroClk <—— <—— <—— <—— <—— <—— <——

22 A#0 MetroBel <—— <—— <—— <—— <—— <—— <——

23 B0 SeqClckL <—— <—— <—— <—— <—— <—— <——

24 C1 SeqClckH <—— <—— <—— <—— <—— <—— <——

25 C#1 BrushTap <—— <—— <—— <—— <—— <—— <——

26 D1 BrshSwlL <—— <—— <—— <—— <—— <—— <——

27 D#1 BrshSlap <—— <—— <—— <—— <—— <—— <——

28 E1 BrshSwlH <—— <—— RevCymbl RevCymbl <—— <—— <——

29 F1 SnareRol <—— <—— <—— <—— <—— <—— <——

30 F#1 Castanet <—— <—— Hi Q Hi Q <—— <—— <——

31 G1 Snare L <—— SDRock M Snare M SDRock H <—— BrshSlpL <——

32 G#1 Sticks <—— <—— <—— <—— <—— <—— <——

33 A1 Kick L <—— Kick M Kick H 4 Kick M <—— <—— <——

34 A#1 Open Rim <—— <—— <—— <—— <—— <—— <——

35 B1 Kick M <—— Kick H 3 KickRock KickAnaL <—— <—— <——

36 C2 Kick H KickRoom KickRock KickGate KickAnaH KickJazz KickSoft GranCasa

37 C#2 SideStck <—— <—— <—— A.SdeStk <—— <—— <——

38 D2 Snare M <—— SD Rock SDRock L AnaSD L <—— BrshSlap <——

39 D#2 HandClap <—— <—— <—— <—— <—— <—— <——

40 E2 Snare H <—— SDRokRim SDRock H AnSD H <—— BrushTap <——

41 F2 F Tom L RoomTom1 RockTom1 E Tom 1 AnaTom 1 JazzTom1 BrshTom1 JazzTom1

42 F#2 C.Hi-Hat <—— <—— <—— AnaC.HH1 <—— <—— <——

43 G2 F Tom H RoomTom2 RockTom2 E Tom 2 AnaTom 2 JazzTom2 BrshTom2 JazzTom2

44 G#2 P.Hi-Hat <—— <—— <—— AnaC.HH2 <—— <—— <——

45 A2 Low Tom RoomTom3 RockTom3 E Tom 3 AnaTom 3 JazzTom3 BrshTom3 JazzTom3

46 A#2 O.Hi-Hat <—— <—— <—— Ana O.HH <—— <—— <——

47 B2 MidTom L RoomTom4 RockTom4 E Tom 4 AnaTom 4 JazzTom4 BrshTom4 JazzTom4

48 C3 MidTom H RoomTom5 RockTom5 E Tom 5 AnaTom 5 JazzTom5 BrshTom5 JazzTom5

49 C#3 CrashCy1 <—— <—— <—— AnaCymbl <—— <—— HndCymOL

50 D3 High Tom RoomTom6 RockTom6 E Tom 6 AnaTom 6 JazzTom6 BrshTom6 JazzTom6

51 D#3 RideCym1 <—— <—— <—— <—— <—— <—— HndCymCL

52 E3 ChineCym <—— <—— <—— <—— <—— <—— <——

53 F3 Ride Cup <—— <—— <—— <—— <—— <—— <——

54 F#3 Tambourn <—— <—— <—— <—— <—— <—— <——

55 G3 SplashCy <—— <—— <—— <—— <—— <—— <——

56 G#3 Cowbell <—— <—— <—— AnaCwbel <—— <—— <——

57 A3 CrashCy2 <—— <—— <—— <—— <—— <—— HndCymOH

58 A#3 Vibraslp <—— <—— <—— <—— <—— <—— <——

59 B3 RideCym2 <—— <—— <—— <—— <—— <—— HndCymCH

60 C4 Bongo H <—— <—— <—— <—— <—— <—— <——

61 C#4 Bongo L <—— <—— <—— <—— <—— <—— <——

62 D4 CongaMut <—— <—— <—— AnaCongH <—— <—— <——

63 D#4 CongaOpn <—— <—— <—— AnaCongM <—— <—— <——

64 E4 Conga L <—— <—— <—— AnaCongL <—— <—— <——

65 F4 TimbaleH <—— <—— <—— <—— <—— <—— <——

66 F#4 TimbaleL <—— <—— <—— <—— <—— <—— <——

67 G4 Agogo H <—— <—— <—— <—— <—— <—— <——

68 G#4 Agogo L <—— <—— <—— <—— <—— <—— <——

69 A4 Cabasa <—— <—— <—— <—— <—— <—— <——

70 A#4 Maracas <—— <—— <—— AnaMarcs <—— <—— <——

71 B4 SambaWhH <—— <—— <—— <—— <—— <—— <——

72 C5 SambaWhL <—— <—— <—— <—— <—— <—— <——

73 C#5 GuiroSht <—— <—— <—— <—— <—— <—— <——

74 D5 GuiroLng <—— <—— <—— <—— <—— <—— <——

75 D#5 Claves <—— <—— <—— AnaClavs <—— <—— <——

76 E5 WdBlockH <—— <—— <—— <—— <—— <—— <——

77 F5 WdBlockL <—— <—— <—— <—— <—— <—— <——

78 F#5 CuicaMut <—— <—— ScraPush ScraPush <—— <—— <——

79 G5 CuicaOpn <—— <—— ScraPull ScraPull <—— <—— <——

80 G#5 TrianglM <—— <—— <—— <—— <—— <—— <——

81 A5 TrianglO <—— <—— <—— <—— <—— <—— <——

82 A#5 Shaker <—— <—— <—— <—— <—— <—— <——

83 B5 JinglBel <—— <—— <—— <—— <—— <—— <——

84 C6 BellTree <—— <—— <—— <—— <—— <—— <——

Percussion Kit List • Verzeichnis der Schlagzeug- und Percussion-Sets

Liste des kits de percussion • Lista de juegos de percusión

* “<——” indicates the content is the same as that of Standard Kit.

* “<——” zeigt an, daß der Inhalt identisch mit dem Standardset ist.

* “<——” indique que le contenu est le même que celui du kit standard.

* “<——” indica que el contenido es el mismo que el del juego estándar.

130

Style List • Rhythmusverzeichnis • Liste des styles • Lista de estilos

Display No. Style Name

ROCK/ROCK’N’ROLL

1 Rock&Roll 1*

2 Twist

3 Hard Rock

4 Rock Shuffle

5 Slow Rock*

6 Org RkBallad*

7 LiteRkBallad*

8 Rock Pop

9 Rock&Roll 2*

10 BoogieWoogie

11 Speed Metal

12 Rock Ballad*

13 6/8 Heavy Rk

14 Upbeat Pop*

15 CowboyBoogie*

16 Jive*

POP/BEAT

1 16Beat Pop

2 8Beat Light*

3 Pop Shuffle

4 Up Pop Shfle*

5 Detroit Pop

6 Pop Rock*

7 Upbeat Pop*

8 Guitar Pop*

9 Pop Rhumba 1

10 Pop Rhumba 2

11 Light Pop*

12 Folk Rock*

13 Surf Shuffle

14 Disco Pop*

15 Dance Pop*

16 Party Pop 1*

BALLAD

1 8Beat Ballad

2 6/8 Ballad 1*

3 Epic Ballad

4 Slow Ballad

5 16Bt Ballad1*

6 16Bt Ballad2

7 16Bt Ballad3

8 Piano Ballad

9 8Beat Light*

10 6/8 Ballad 2

11 Slow Rock*

12 FusionBallad*

13 Rock Ballad*

14 Org RkBallad*

15 LiteRkBallad*

16 Cntry Ballad*

DANCE

1 Dance Pop*

2 Eurobeat

3 Dance Party

4 Pop Rap

5 Techno 1

6 Techno 2

7 Synth Boogie

8 Acid Jazz

Display No. Style Name

DISCO

1 Disco Party

2 Disco Soul*

3 Disco Pop*

4 Disco Fox

5 Party Pop 1*

6 Party Pop 2

7 70s Disco

8 Disco Tropic

RHYTHM&BLUES

1 R&B

2 Funk

3 Soul

4 6/8 Blues*

5 6/8 Gospel

6 Gospel Waltz*

7 Disco Soul*

8 16Bt Ballad1*

JAZZ/SWING

1 Swing*

2 Big Band

3 BigBndBallad

4 Jazz Ballad

5 Cool Jazz

6 Uptempo Jazz

7 Swing Waltz*

8 Dixieland

9 Ragtime

10 Charleston

11 Gypsy Jazz

12 Fusion

13 Fusion Shfle

14 FusionBallad*

15 Jazz Waltz*

16 6/8 Blues*

LATIN

1 Pop Samba

2 Samba 1

3 Salsa

4 Bossa Fast

5 Pop Bossa

6 Beguine*

7 Pop Reggae

8 Merengue

9 Samba 2*

10 Reggae 16

11 Reggae 12

12 Bossa Slow

13 Mambo

14 Son

15 Bolero Lento

16 Espagnole

Display No. Style Name

COUNTRY&WESTERN

1 CountryRock1

2 CountryRock2

3 Bluegrass

4 Cntry Ballad*

5 CowboyBoogie*

6 Two Step

7 CountryShfle

8 Cntry Waltz1*

9 Cntry Waltz2*

10 Folk Rock*

11 Light Pop*

12 Up Pop Shfle*

13 Guitar Pop*

14 Pop Rock*

15 6/8 Ballad 1*

16 Rock&Roll 1*

MARCH/WALTZ

1 March 1

2 6/8 March 1

3 Trad. Waltz1*

4 Polka 1

5 Tarantella

6 Musette

7 Showtune

8 Polka Pop

9 March 2

10 6/8 March 2

11 Trad. Waltz2

12 Polka 2

13 Cntry Waltz1*

14 Cntry Waltz2*

15 Vienn.Waltz*

16 EnglishWaltz*

17 Jazz Waltz*

18 Swing Waltz*

19 Gospel Waltz*

BALLROOM

1 Vienn.Waltz*

2 EnglishWaltz*

3 Slowfox

4 Foxtrot

5 Quickstep

6 TangoArgent

7 Cha Cha

8 Rhumba

9 Samba 2*

10 Conga

11 Pasodoble

12 Jive

13 Rock&Roll 2*

14 Swing*

15 Beguine*

16 Trad. Waltz1*

* The styles with an asterisk (*) alonside appear in more than one group. They can be selected

from within any group.

131

O: YES

X: NO

REGISTRATION

ONE TOUCH DISK DATA MEMORY RECALL FACTORY

REGISTRATION

FREEZE SETTING group BACK UP group name PRESET

group name

PANEL

LEAD VOICE OVOICE OSETUP O— Tenor Sax

RIGHT1 VOICE OVOICE OSETUP O— GrandPiano 1

RIGHT2 VOICE OVOICE OSETUP O— Strings 1

LEFT VOICE OVOICE OSETUP O— Strings 1

RIGHT ORCHESTRA X—XXO—R1

PART SELECT

LEAD ON/OFF OVOICE OSETUP O— OFF

RIGHT1 ON/OFF OVOICE OSETUP O—ON

RIGHT2 ON/OFF OVOICE OSETUP O— OFF

LEFT ON/OFF OVOICE OSETUP O— OFF

LEFT HOLD OVOICE OSETUP O— OFF

HARMONY OHARMONY OSETUP O— OFF

SUSTAIN OVOICE OSETUP O— OFF

TOUCH RESPONSE OVOICE OSETUP O—ON

REVERB OEFFECTS OSETUP O—ON

CHORUS OEFFECTS OSETUP O—ON

DSP EFFECT OEFFECTS OSETUP O—ON

REGISTRATION

NUMBER X—XXX——

BANK X—XXX—1

FREEZE X—XXO— OFF

STYLE OACCOMP. XSETUP O— Eurobeat

ACCOMP. DIRECTOR

FADE IN/OUT X—XXX— OFF

INTRO A/FILL to A X—XXX— OFF

INTRO B/FILL to B X—XXX— OFF

MAIN A,MAIN B OACCOMP. XSETUP O— MAIN A

ENDING/rit. X—XXX— OFF

SYNCHRO START X—XXX— OFF

ARRANGER

PHRASE OACCOMP. OSETUP O—ON

PAD OACCOMP. OSETUP O—ON

CHORD OACCOMP. OSETUP O—ON

BASS OACCOMP. OSETUP O—ON

RHYTHM OACCOMP. OSETUP O—ON

ABC OACCOMP. OSETUP O—ON

ONE TOUCH SETTING X—XXX——

MULTI PAD SELECT OMULTI PAD XSETUP O— PHRASE/

CHORD

TEMPO OTEMPO OSETUP O— 122

LIST HOLD X—XXX— OFF

SONG PLAY X—XXX— OFF

SONG RECORD X—XXX— OFF

CUSTOM VOICE EDIT X—XXX— OFF

CUSTOM ACCOMP. REC X—XXX— OFF

FUNCTION X—XXX— OFF

DISK X—XXX— OFF

MIXER

MAIN

LEAD OVOICE OSETUP OX100

RIGHT1 OVOICE OSETUP OX80

RIGHT2 OVOICE OSETUP OX80

LEFT OVOICE OSETUP OX60

ACCOMP. OACCOMP. OSETUP OX100

MULTI PAD OMULTI PAD XSETUP OX100

SONG OSONG XSETUP OX100

ACCOMPANIMENT

PHRASE1 OACCOMP. OSETUP OX100

PHRASE2 OACCOMP. OSETUP OX100

PAD OACCOMP. OSETUP OX100

CHORD1 OACCOMP. OSETUP OX100

CHORD2 OACCOMP. OSETUP OX100

BASS OACCOMP. OSETUP OX100

RHYTHM1 OACCOMP. OSETUP OX100

RHYTHM2 OACCOMP. OSETUP OX100

TRANSPOSE OTRANSPOSE XSETUP OX0

TUNE X—XSETUP OX440.0Hz

Setup Parameters • Setup-Parameter

Paramètres de réglage général • Parámetros de ajuste

132

REGISTRATION

ONE TOUCH DISK DATA MEMORY RECALL FACTORY

REGISTRATION

FREEZE SETTING group BACK UP group name PRESET

group name

O.T.S.

NUMBER for each style X—XSETUP OX1

TEMPO SET ON/OFF X—XSETUP OXON

SCALE

SCALE OSCALE OSETUP OXEQUAL TEM-

PERAMENT

TUNE (NOTE:C) OSCALE OSETUP OSCALE 0

TUNE (NOTE:Db) OSCALE OSETUP OSCALE 0

TUNE (NOTE:D) OSCALE OSETUP OSCALE 0

TUNE (NOTE:Eb) OSCALE OSETUP OSCALE 0

TUNE (NOTE:E) OSCALE OSETUP OSCALE -50

TUNE (NOTE:F) OSCALE OSETUP OSCALE 0

TUNE (NOTE:F#) OSCALE OSETUP OSCALE 0

TUNE (NOTE:G) OSCALE OSETUP OSCALE 0

TUNE (NOTE:Ab) OSCALE OSETUP OSCALE 0

TUNE (NOTE:A) OSCALE OSETUP OSCALE 0

TUNE (NOTE:Bb) OSCALE OSETUP OSCALE 0

TUNE (NOTE:B) OSCALE OSETUP OSCALE -50

VOICE PART

PART TUNE MODE OVOICE OSETUP OXAUTO

TUNE (LEAD) OVOICE OSETUP OX+3cent

TUNE (RIGHT1) OVOICE OSETUP OX0cent

TUNE (RIGHT2) OVOICE OSETUP OX-3cent

TUNE (LEFT) OVOICE OSETUP OX0cent

OCTAVE (LEAD) OVOICE OSETUP OX0

OCTAVE (RIGHT1) OVOICE OSETUP OX0

OCTAVE (RIGHT2) OVOICE OSETUP OX0

OCTAVE (LEFT) OVOICE OSETUP OX0

PAN (LEAD) OVOICE OSETUP OXCENTER

PAN (RIGHT1) OVOICE OSETUP OXCENTER

PAN (RIGHT2) OVOICE OSETUP OXCENTER

PAN (LEFT) OVOICE OSETUP OXCENTER

SPLIT POINT (ABC) OACCOMP. OSETUP OXF#2/G2

SPLIT POINT (LEFT) OVOICE OSETUP OXF#2/G2

ABC MODE OACCOMP. XSETUP OXFINGERED 1

AUTO MUTE OACCOMP. XSETUP OXON

MANUAL MIDI BASS VOICE OACCOMP. XSETUP OXAcousticBass

M.PAD REPEAT OMULTI PAD XSETUP OXPHRASE: OFF,

CHORD: ON

M.PAD CODE MATCH OMULTI PAD XSETUP OXM.PAD1/2:OFF,

M.PAD3/4:ON

FOOT VOLUME TYPE OCONTROLLER XSETUP OXMASTER

FOOT VOLUME ASSIGN OCONTROLLER XSETUP OXALL ON

FOOT SW1 TYPE OCONTROLLER XSETUP OXSUSTAIN

SUSTAIN ASSIGN for OCONTROLLER OSETUP OXALL ON

FOOT SW1/2,

SUSTAIN BUTTON

SOSTENUTO ASSIGN for OCONTROLLER XSETUP OXALL ON

FOOT SW1/2

SOFT ASSIGN for OCONTROLLER XSETUP OXALL ON

FOOT SW1/2

PERCUSSION for OCONTROLLER XSETUP OX

01 STANDARD KIT/

FOOT SW1 37 CrashCy1

FOOT SW2 TYPE OCONTROLLER XSETUP OXROTARY SP

PERCUSSION for OCONTROLLER XSETUP OX

01 STANDARD KIT/

FOOT SW2 24 Kick H

PITCH BEND WHEEL OCONTROLLER OSETUP OXALL ON

ASSIGN

MODULATION WHEEL OCONTROLLER OSETUP OXALL ON

ASSIGN

INITIAL TOUCH SENS. OCONTROLLER OSETUP OXNORMAL

INITIAL TOUCH ASSIGN OCONTROLLER OSETUP OXALL ON

INITIAL TOUCH OFF LEVEL OCONTROLLER OSETUP OX64

Setup Parameters • Setup-Parameter • Paramètres de réglage général • Parámetros de ajuste

133

*1 MIDI PANEL CONTROL default

NOTE C-2 ~ B0, Db2 ~ G8 :OFF

NOTE C1 :START/STOP Db1 :INTRO/FILL A D1 :INTRO/FILL B

Eb1 :ENDING/rit. E1 :REGIST+ F1 :REGIST-

F#1 :ROTARY SP G1 :HARMONY Ab1 :CHD C

A1 :CHD F7 Bb1 :CHD G B1 :CHD G7

C2 :FADE IN/OUT

*2 This data is backed up irrespective of F7 BACK UP=ON /OFF.

REGISTRATION

ONE TOUCH DISK DATA MEMORY RECALL FACTORY

REGISTRATION

FREEZE SETTING group BACK UP group name PRESET

group name

REVERB DEPTH OVOICE OSETUP OXALL PARTS 50

(LEAD,R1,R2,LEFT)

REVERB DEPTH OACCOMP. OSETUP OX50

(ACMP/SONG)

REVERB DEPTH (M.PAD) OMULTI PAD OSETUP OX50

REVERB TYPE OEFFECTS XSETUP OXHALL 1

REVERB PARAMETER 1~5 OEFFECTS XSETUP OXTYPE default

CHORUS DEPTH OVOICE OSETUP OXALL PARTS 50

(LEAD, R1, R2, LEFT,

ACMP, M.PAD)

EFFECT PRIORITY OEFFECTS OSETUP OXRIGHT1

EFFECT DEPTH OEFFECTS OSETUP OX0

(LEAD, R2,LEFT,

ACMP,M.PAD)

EFFECT DEPTH (RIGHT1) OEFFECTS OSETUP OX33

EFFECT TYPE OEFFECTS OSETUP OXStage 2

EFFECT PARAMETER 1~5 OEFFECTS OSETUP OXTYPE default

HARMONY TYPE OHARMONY OSETUP OX2 Trio

HARMONY VOLUME OHARMONY OSETUP OX50

REGISTRATION NAME O—O

REGISTRATION

OXRegistration

REGISTRATION FREEZE X—XSETUP OXACCOMP,

GROUP TEMPO:ON,

OTHERS:OFF

MEMORY BACK UP X—X—O*2 XOFF

DISPLAY- MIDI BANK SEL. & X—XSETUP OXOFF

PROG. CHANGE #

TIME OUT (LIST,MESSAGE) X—XSETUP OX3

LOCAL CONTROL X—XSETUP OXALL PARTS ON

(LEAD, R1, R2, LEFT,

ACMP, M.PAD)

CLOCK X—XSETUP OXINTERNAL

TRANSPOSE TRANSMIT X—XSETUP OXOFF

TRANSPOSE RECEIVE X—XSETUP OXON

START/STOP TRANS. X—XSETUP OXON

START/STOP RECEIVE X—XSETUP OXON

EXCLUSIVE TRANS. X—XSETUP OXON

EXCLUSIVE RECEIVE XXSETUP OXON

TRNS. CH1 PART,SWITCH XXSETUP OXLEAD,ALL ON

TRNS. CH2 PART,SWITCH XXSETUP OXRIGHT1,ON

TRNS. CH3 PART,SWITCH XXSETUP OXRIGHT2,ON

TRNS. CH4 PART,SWITCH XXSETUP OXLEFT,ON

TRNS. CH5~16 PART,SWITCH

XXSETUP OXOFF,ALL OFF

RECEIVE CH1~16 XXSETUP OXMULTI,ALL ON

MODE, SWITCH

PANEL CONTROL XXSETUP OX*1

DATA

SONG X—X(DISK DIRECT) X——

CUSTOM STYLE X—X

CUSTOM STYLE

O*2 Xdefault

(some of preset)

CUSTOM VOICE X—X

CUSTOM VOICE

O*2 Xdefault

(some of preset)

REGISTRATION — — X

REGISTRATION

O*2 Xdefault (1data)

MULTI PAD X—XMULTI PAD O*2 MULTI PAD default data

F4 STYLE REVOICE XX

STYLE REVOICE

O*2

STYLE REVOICE

default (preset)

Setup Parameters • Setup-Parameter • Paramètres de réglage général • Parámetros de ajuste

134

Fingering Chart • Akkordliste • Tablature • Gráfica de digitado

•Notes in parentheses ( ) can be omitted.

•Chord types marked with an asterisk (*) can be played in any

inversion (i.e. the root does not have to be the lowest note in the

chord).

•If you play any three adjacent keys (including black keys), the

chord sound will be canceled and only the rhythm instruments will

continue playing (CHORD CANCEL function).

•Please determine which chords you are going to use before

playing a song. In the case of chords marked with a “

●

” it may be

necessary to shift the split to allow easy fingering.

•Noten in Klammern ( ) können ausgelassen werden.

•Mit einem Sternchenzeichen (*) versehene Akkorde können in

jeder Umkehrung gespielt werden (d.h. der Grundton muß nicht

die tiefste angeschlagene Note sein).

•Wenn Sie drei nebeneinanderliegende Tasten (weiße und

schwarze Tasten) anschlagen, wird die Akkordbegleitung unter-

drückt, so daß lediglich der Rhythmus zu hören ist.

•Überlegen Sie sich bitte vor dem Spielen eines Stücks, welche

Akkorde gebraucht werden. Bei Akkorden, die mit einem “

●

”

gekennzeichnet sind, ist unter Umständen eine Verlagerung des

Splitpunkts vorteilhaft, um das Greifen dieser Akkorde zu

erleichtern.

(E )

(D )

(G )

(A )

(B )

(E )

(D )

(G )

(A )

(B )

D M

(E M )

C M

(D M )

F M

(G M )

G M

(A M )

A M

(B M )

( )

(

11)

(

11)

(

11)

(

11)

(

11)

(

11)

(

11)

(

11)

(

11)

(

11)

(

11)

(

11)

D M

(E M )

C M

(D M )

F M

(G M )

G M

(A M )

A M

(B M )

(

11)

(

11)

(

11)

(

11)

(

11)

( )

Major*

Dur*

Majeur*

Mayor*

Sixth

Dur-Akkord mit

hinzugefügter Sexte

Sixte

Sexta

Major seventh*

Dur-Akkord mit großer

Septime*

Majeure septième*

Mayor de séptima*

Major seventh sharp eleventh*

Dur-Akkord mit großer Septime

und übermäßiger Undezime*

Septième majeure onzième

dièse*

Mayor de séptima y onceava

sostenida*

135

•Les notes entre parenthèses ( ) peuvent être omises.

•Les accords marqués d’un astérisque (*) peuvent être joués dans

n’importe qu’elle inversion (il n’est pas nécessaire que la note

fondamentale de l’accord soit la note la plus basse).

•Si vous jouez trois touches adjacentes (y compris les touches

noires), le son de la partie accords sera annulé et seuls les in-

struments rythmiques continueront à jouer (fonction CHORD

CANCEL, annulation d’accord).

•Veuillez déterminer quels accords que vous allez utiliser avant de

commencer l’exécution d’un morceau. Dans le cas des accords

marqués par “

●

”, il peut s’avérer nécessaire de déplacer le point

de partage pour faciliter l’exécution.

Fingering Chart • Akkordliste • Tablature • Gráfica de digitado

•Las notas entre paréntesis ( ) pueden omitirse.

•Los tipos de acordes marcados con un asterisco (*) pueden

reproducirse en cualquier inversión (es decir, la nota fundamental

no tiene por qué ser la nota más baja del acorde).

•Si se tocan simultáneamente tres teclas adyacentes (incluyendo

teclas negras), se cancelará el sonido del acorde y sólo seguirán

sonando los instrumentos rítmicos (función CHROD CANCEL).

•Determine los acordes que se proponga utilizar antes de

reproducir una canción. En el caso de los acordes marcados con

“

●

” puede resultar necesario desplazar la división para permitir

un digitado más fácil.

Cadd

D add

(E add )

Dadd

Eadd

Fadd

Gadd

Aadd

Badd

C add

(D add )

F add

(G add )

G add

(A add )

A add

(B add )

(9)

D M

(E M )

C M

(D M )

F M

(G M )

G M

(A M )

A M

(B M )

(9)

( )

(9)

(E )

(D )

(G )

(A )

(B )

6(9)

(9)

Caug

D aug

(E aug)

Daug

Eaug

Faug

Gaug

Aaug

Baug

C aug

(D aug)

F aug

(G aug)

G aug

(A aug)

A aug

(B aug)

Added ninth*

Hinzugefügte None*

Neuvième ajoutée*

Novena añadida*

Six ninth

Dur-Akkord mit Sexte

und None

Neuvième sur sixte

majeure

Sexta y novena

Major seventh ninth*

Dur-Akkord mit großer

Septime und None*

Neuvième sur septième

majeure*

Mayor de séptima y novena*

Augmented

Übermäßig

Augmenté

Aumentada

136

Fingering Chart • Akkordliste • Tablature • Gráfica de digitado

Minor*

Moll*

Mineur*

Menor*

D m

(E m )

C m

(D m )

F m

(G m )

G m

(A m )

A m

(B m )

D m

(E m)

C m

(D m)

F m

(G m)

G m

(A m)

A m

(B m)

D m

(E m )

C m

(D m )

F m

(G m )

G m

(A m )

A m

(B m )

(b5)

D m

(E m )

C m

(D m )

F m

(G m )

G m

(A m )

A m

(B m )

(b5)

( )

(b5)

( )

Minor sixth

Moll-Akkord mit

hinzugefügter Sexte

Mineure sixte

Menor de sexta

Minor seventh

Moll-Septakkord

Mineure septième

Menor de séptima

Minor seventh flatted fifth

Moll-Septakkord mit

verminderter Quinte

Quinte diminuée sur

mineure septième

Menor de séptima y quinta

bemol

137

Fingering Chart • Akkordliste • Tablature • Gráfica de digitado

(9)

D m

(E m )

C m

(D m )

F m

(G m )

G m

(A m )

A m

(B m )

(9)

( )

(9)

D m

(E m )

C m

(D m )

F m

(G m )

G m

(A m )

A m

(B m )

(9)

(11)

D m

(E m )

C m

(D m )

F m

(G m )

G m

(A m )

A m

(B m )

(11)

( )

(11)

( )

CmM

D mM

(E mM )

DmM

EmM

FmM

GmM

AmM

BmM

C mM

(D mM )

F mM

(G mM )

G mM

(A mM )

A mM

(B mM )

( )

Minor added ninth*

Moll-Septakkord mit

hinzugefügter None*

Neuvième sur mineure*

Menor de novena añadida*

Minor seventh ninth*

Moll-Septakkord mit None*

Neuvième sur septième

mineure*

Menor de séptima y novena*

Minor seventh eleventh

Moll-Septakkord mit

Unidezime

Onzième sur septième

mineure

Menor de séptima y

onceava

Minor major seventh*

Moll-Akkord mit großer

Septime*

Septième majeure sur

mineur*

Menor mayor de séptima*

138

Fingering Chart • Akkordliste • Tablature • Gráfica de digitado

Minor major seventh ninth*

Moll-Akkord mit großer

Septime und None*

Neuvième sur septième

majeure sur mineur*

Menor mayor de séptima y

novena*

Diminished*

Vermindert*

Diminué*

Disminuida*

Diminished seventh

Verminderter Septakkord

Septième diminuée

Séptima disminuida

Seventh*

Septakkord*

Septième*

Séptima*

Cdim

D dim

(E dim)

Ddim

Edim

Fdim

Gdim

Adim

Bdim

C dim

(D dim)

F dim

(G dim)

G dim

(A dim)

A dim

(B dim)

Cdim

D dim

(E dim )

Ddim

Edim

Fdim

Gdim

Adim

Bdim

C dim

(D dim )

F dim

(G dim )

G dim

(A dim )

A dim

(B dim )

( )

CmM

D mM

(E mM )

DmM

EmM

FmM

GmM

AmM

BmM

C mM

(D mM )

F mM

(G mM )

G mM

(A mM )

A mM

(B mM )

(9)

(E )

(D )

(G )

(A )

(B )

( )

139

Fingering Chart • Akkordliste • Tablature • Gráfica de digitado

Seventh suspended fourth

Dur-Septakkord mit

vorgehaltener Quarte

Quarte sur septième sensible

Séptima y cuarta suspendida

Seventh flatted fifth

Dur-Septakkord mit

verminderter Quinte

Quinte diminuée en

septième

Séptima y quinta bemol

Seventh ninth*

Dur-Septakkord mit

None*

Neuvième sur septième*

Séptima y novena*

Seventh sharp eleventh*

Dur-Septakkord mit

übermäßiger Unidezime*

Septième onzième dièse*

Séptima y onceava

sostenida*

C sus

D sus

(E sus )

D sus

E sus

F sus

G sus

A sus

B sus

C sus

(D sus )

F sus

(G sus )

G sus

(A sus )

A sus

(B sus )

( )

(9)

(E )

(D )

(A )

(B )

7(9)

(9)

(G )

7(9)

(#11)

(E )

(D )

(A )

(B )

7(#11)

(#11)

(#11)F

(G )

7(#11)

( )

(E )

(D )

(G )

(A )

(B )

(b5)

140

Fingering Chart • Akkordliste • Tablature • Gráfica de digitado

Seventh added thirteenth*

Dur-Septakkord mit

hinzugefügter Tredezime*

Treizième ajoutée sur septième*

Séptima y decimotercera

añadida*

Seventh flatted ninth*

Dur-Septakkord mit

verminderter None*

Neuvième diminuée en

septième*

Séptima y novena bemol*

Seventh sharp ninth*

Dur-Septakkord mit

übermäßiger None*

Neuvième dièse sur

septième*

Séptima y novena

sostenida*

Seventh added flatted thir-

teenth*

Dur-Septakkord mit

hinzugefügter verminderter

Tredezime*

Treizième diminuée ajoutée

sur septième*

Séptima y decimotercera

bemol añadida*

( )

(13)

(E )

(D )

(A )

(B )

7(13)

(13)

(G )

7(13)

(E )

(D )

(G )

(A )

(B )

(

( )

(

13)

(

13)

(

13)

(

13)

(

13)

(

13)

(

13)

(

13)

(

13)

(

13)

(

13)

(E )

(D )

(A )

(B )

13)

(

13)

(

13)

(

13)

(

13)

(G )

13)

(E )

(D )

(G )

(A )

(B )

(

( )

141

Fingering Chart • Akkordliste • Tablature • Gráfica de digitado

Major seventh augmented*

Dur-Akkord mit großer

Septime und übermäßiger

Quinte*

Quinte sur septième

majeure augmentée*

Mayor de séptima y quinta

aumentada*

Seventh augmented*

Übermäßiger Dur-

Septakkord*

Septième augmentée*

Séptima aumentada*

Suspended fourth

Vorgehaltene Quarte

Quarte sur sensible

Cuarta suspendida

One plus two plus five

Eines plus Zwei plus Fünf

Un + deux + cinq

Uno más dos más cinco

Csus

D sus

(E sus )

Dsus

Esus

Fsus

Gsus

Asus

Bsus

C sus

(D sus )

F sus

(G sus )

G sus

(A sus )

A sus

(B sus )

C1+2+5

D 1+2+5

(E 1+2+5)

D1+2+5

E1+2+5

F1+2+5

G1+2+5

A1+2+5

B1+2+5

C 1+2+5

(D 1+2+5)

F 1+2+5

(G 1+2+5)

G 1+2+5

(A 1+2+5)

A 1+2+5

(B 1+2+5)

G M aug

(A M aug)

CM aug

D M aug

(E M aug)

DM aug

EM aug

FM aug

GM aug

AM aug

BM aug

C M aug

(D M aug)

F M aug

(G M aug)

A M aug

(B M aug)

( )

( ) ( )

( )

C aug

D aug

(E aug)

D aug

E aug

F aug

G aug

A aug

B aug

C aug

(D aug)

F aug

(G aug)

G aug

(A aug)

A aug

(B aug)

142

Fingering Chart • Akkordliste • Tablature • Gráfica de digitado

Major seventh flatted fifth*

Dur-Akkord mit großer

Septime und

verminderter Quinte*

Quinte diminuée sur

majeure septième*

Mayor de séptima y quinta

bemol*

Flatted fifth*

Dur-Akkord mit

verminderter Quinte*

Quinte diminuée*

Quinta bemol*

Minor major seventh flatted fifth*

Moll-Akkord mit großer Septime

und verminderter Quinte*

Quinte diminuée sur septième

majeure sur mineur*

Menor mayor de séptima y quinta

bemol*

(E )

(D )

(G )

(A )

(B )

(b5)

CmM

D mM

(E mM )

DmM

EmM

FmM

GmM

AmM

BmM

C mM

(D mM )

F mM

(G mM )

G mM

(A mM )

A mM

(B mM )

(b5)

D M

(E M )

C M

(D M )

F M

(G M )

G M

(A M )

A M

(B M )

(b5)

143

EaryRef (Early Reflections) effects are created using different groupings of “early reflections” — the first

cluster of reflections that occurs after the direct sound but before the dense reflections that are known as re-

verberation begin.

The GateRev (Gate Reverb) and RevrsGat (Reverse Gate) effects combine reverb with a selectable “gate”.

1. EARLY REF TYPE (EarlyRef1 & 2) Range: S-H, L-H, RDM, RVS, PLT, SPR

The “S-H” and “L-H” settings select typical groupings of early reflections that would occur in a small or large

hall, respectively. “RDM” (Random) produces an irregular series of reflections that could not occur naturally.

“RVS” (Reverse) generates a series of reflections that increase in level — like the effect produced by playing a

recorded reverberation sound backwards. “PLT” (Plate) produces a typical grouping of reflections that would

occur in a plate reverb unit, and “SPR (Spring) simulates the early reflections of a spring type reverb unit.

1. GATE TYPE (Gaterev. & RevrsGat) Range: TYPE A, TYPE B

2. ROOM SIZE Range: 0.1 … 7.0

Sets the separation between reflections. Higher values produce greater separation between reflections, and

therefore the effect of a bigger room.

3. DIFFUSION Range: 0 … 10

Adjusts the left-right “spread” of the early reflection or gated reverb sound. The higher the value the greater the

spread.

4. INITIAL DELAY Range: 0 … 63

Sets the delay time before the early reflection or gated reverb sound begins.

5. FEEDBACK LEVELRange: –63 … 0 … +63

Determines the amount of effect-sound feedback returned to the input of the effect stage. Higher negative or

positive values produce a more extended effect.

These are all reverberation (“reverb” for short) effects. Reverb is the warm musical “ambience” you expe-

rience when listening to music in a hall or other natural environment.

1. REVERB TIME Range: 0.3 … 30 sec.

Sets the amount of time it takes for the reverb sound to decay by 60 dB (virtually to silence).

2. DIFFUSION Range: 0 … 10

Adjusts the left-right “spread” of the reverb sound. The higher the value the greater the spread.

3. INITIAL DELAY Range: 0 … 63

The length of the initial delay before the actual reverb sound begins (in milliseconds). The higher the value the

longer the initial delay.

4. HPF CUTOFF Range: Thru, 22Hz … 8.0kHz

The cutoff frequency of the high-pass filter applied to the reverb sound. No filter is applied when set to “Thru”.

5. LPF CUTOFF Range: 1.0kHz … 18kHz, Thru

The cutoff frequency of the low-pass filter applied to the reverb sound. No filter is applied when set to “Thru”.

1. Hall 1 2. Hall 2 3. Hall 3 4. Hall 4 5. Room 1 6. Room 2

7. Room 3 8. Room 4 9. Stage 1 10. Stage 2 11. Plate 1 12. Plate 2

13. EaryRef1 14. EaryRef2 15. GateRev. 16. RevrsGat

The DSP Effects & Parameters • DSP-Effekte und -Parameter

Effets et paramètres DSP • Efectos de DSP y parámetros

144

Symphonic is a broad, sweeping effect that adds a sense of scale to the sound.

1. LFO FREQUENCY Range: 0 … 127

Sets the speed of LFO (Low Frequency Oscillator) modulation, and therefore the rate of effect variation.

2. LFO DEPTH Range: 0 … 127

Sets the depth of modulation. Higher values produce deeper modulation and therefore a more pronounced

effect.

3. DELAY OFFSET Range: 0 … 63

Varies the symphonic effect delay time (the Symphonic effect is basically produced by modulating the delay

time of one signal in relation to another). Shorter delay times produce the greatest effect in the high-frequency

range, while longer delay times extend the effect to the middle and lower frequencies.

The chorus effects combine delay and modulation to effectively thicken and add warmth to the sound.

Flanging is a fairly pronounced effect based primarily on delay time modulation. By adjusting the vari-

ous parameters you should be able to create an extremely broad range of sounds, from gentle shimmering

to wild sweeps.

1. LFO FREQUENCY Range: 0 … 127

Sets the speed of LFO (Low Frequency Oscillator) modulation, and therefore the rate of effect variation.

2. LFO PM DEPTH Range: 0 … 127

Sets the depth of phase modulation. Higher values produce deeper modulation and therefore a more pro-

nounced effect.

3. FEEDBACK LEVELRange: –63 … 0 … +63

Determines the amount of effect-sound feedback returned to the input of the effect stage. Higher negative or

positive values produce a more pronounced effect.

4. DELAY OFFSET Range: 0 … 63

Varies the flanger delay time (the flanger effect is basically produced by modulating the delay time of one

signal in relation to another). Shorter delay times produce the greatest effect in the high-frequency range,

while longer delay times extend the effect to the middle and lower frequencies.

A traditional “phaser” effect, producing a gentle phase-shift sound that can be used to add extra animation to

your sound.

1. LFO FREQUENCY Range: 0 … 127

Sets the speed of LFO (Low Frequency Oscillator) modulation, and therefore the rate of effect variation.

2. LFO DEPTH Range: 0 … 127

Sets the depth of modulation. Higher values produce deeper modulation and therefore a more pronounced effect.

3. PHASE SHIFT Range: 0 … 127

Sets the phase difference between the left and right channel phaser signals. The larger the value, the greater the

“spread” in the sound. A setting of “0” produces a centered effect.

4. FEEDBACK LEVEL Range: –63 … 0 … +63

Determines the amount of effect-sound feedback returned to the input of the effect stage. Higher negative or posi-

tive values produce a more pronounced effect.

17. Chorus 1 18. Chorus 2 19. Chorus 3 20. Chorus 4 21. Chorus 5

22. Flanger1 23. Flanger2 24. Flanger3 25. Flanger4

26. Symphon.

27. Phaser

The DSP Effects & Parameters • DSP-Effekte und -Parameter • Effets et paramètres DSP •

145

These effects simulate the swirling sound of the rotary speakers often used with electronic organs.

1. LFO FREQUENCY Range: 0 … 127

Sets the speed of LFO (Low Frequency Oscillator) modulation, and therefore the rate of effect variation.

2. LFO DEPTH Range: 0 … 127

Sets the depth of modulation. Higher values produce deeper modulation and therefore a more pronounced

effect.

Although “tremolo” effects, these effects also include a pitch-modulation depth parameter that can be

used to add a touch of vibrato.

1. LFO FREQUENCY Range: 0 … 127

Sets the speed of LFO (Low Frequency Oscillator) modulation, and therefore the rate of effect variation.

2. AM DEPTH Range: 0 … 127

Sets the depth of amplitude modulation. Higher values produce deeper modulation and therefore a more

pronounced tremolo effect.

3. PM DEPTH Range: 0 … 127

Sets the depth of pitch modulation. Higher values produce deeper modulation and therefore a more pro-

nounced vibrato effect.

This is a sophisticated pan program that allows creation of “rotary” pan in addition to straightfor-

ward pan effects.

1. LFO DEPTH Range: 0 … 127

Sets the overall depth of modulation. Higher values produce deeper modulation and therefore a more

pronounced pan sweep.

2. L/R DEPTH Range: 0 … 127

Sets the “depth” of the pan sweep from left to right and right to left.

3. F/R DEPTH Range: 0 … 127

This parameter sets the apparent depth of the sweep from front to rear.

4. PAN DIRECTION Range: L<>R, L>R, L<R, Lturn, Rturn, L/R

Determines the direction in which the sound sweeps across the stereo sound field.

A fully automatic wah effect that can be set to produce a wide range of sounds.

1. LFO FREQUENCY Range: 0 … 127

Sets the speed of LFO (Low Frequency Oscillator) modulation, and therefore the rate of effect variation.

2. LFO DEPTH Range: 0 … 127

Sets the depth of modulation. Higher values produce deeper modulation and therefore a more pronounced

effect.

28. Rot.Sp.1 29. Rot.Sp.2 30. Rot.Sp.3 31. Rot.Sp.4 32. Rot.Sp.5

33. Tremolo1 34. Tremolo2 35. GtrTrem.

36. Auto Pan

37. Auto Wah

Efectos de DSP y parámetros

146

3. CUTOFF FREQUENCY Range: 0 … 127

Sets the basic frequency around which the wah filter sweep will occur.

4. RESONANCE Range: 1 … 12

Creates a resonant peak at the frequency determined by the CUTOFF FREQUENCY parameter, above.

The higher the value the higher the peak, and the more the sound at that frequency is emphasized.

In the DelayLCR effect, independent delays are provided for the left and right channels, plus a center

delay. The DelayL,R variation provides independently programmable delays for the left and right chan-

nels.

1. L CH DELAY

2. R CH DELAY

3. C CH DELAY Range: 0.1 … 715 ms

Set the delay time between the direct sound and the first repeat. Independent parameters are provided for

the left (“L CH”), center (“C CH”), and right (“R CH”) channels. Only the L CH DELAY and R CH DELAY

time parameters are available for the DelayL,R effect.

4. FEEDBACK DELAY (DelayLCR)

3. FEEDBACK DELAY 1 & 4.FEEDBACK DELAY2 (DelayL,R) Range: 0.1 … 715 ms

Sets the delay time between repeats. The higher the value the longer the delay. In the DelayL,R effect

independent feedback delay parameters are provided for the left and right channels.

5. FEEDBACK LEVELRange: –63 … 0 … +63

Determines the amount of effect-sound feedback returned to the input of the delay stage. Higher values

produce a greater number of repeats.

Although similar to the DelayL,R effect, Echo features independent feedback level parameters for the

left and right channels, plus a “high damp” parameter that simulates the high-frequency damping charac-

teristics of most natural acoustic environments.

1. L CH DELAY

3. R CH DELAY Range: 0.1 … 715 ms

Set the delay time between the direct sound and the first repeat. Independent parameters are provided for

the left (“L CH”) and right (“R CH”) channels.

2. L CH FB LEVEL

4. R CH FB LEVEL Range: –63 … 0 … +63

Determine the amount of effect-sound feedback returned to the input of the corresponding delay stage

channel: L CH FB LEVEL for the left channel and R CH FB LEVEL for the right channel. Higher values

produce a greater number of repeats.

5. HIGH DAMP Range: 0.1 … 1

Produces a natural decay in the high-frequency components of subsequent repeats. The lower the value

the faster and more pronounced the drop-off in high-frequencies.

38. DelayLCR 39. DelayL,R

40. Echo

The DSP Effects & Parameters • DSP-Effekte und -Parameter • Effets et paramètres DSP •

147

This is a “cross delay” effect in which the repeats from a sound in one channel are produced in the oppo-

site channel.

1. LmR DELAY

2. RmL DELAY Range: 0.1 … 355 ms

The LmR DELAY and RmL DELAY parameters independently set the delay times for repeats crossing from

left to right, and from right to left, respectively.

3. FEEDBACK LEVELRange: –63 … 0 … +63

Determines the amount of effect-sound feedback returned to the input of the delay stage. Higher values pro-

duce a greater number of repeats.

4. INPUT SELECT Range: L, R, L&R

Selects the first channel to be delayed (“L”, “R”), or both channels simultaneously (“L&R”).

5. HIGH DAMP Range: 0.1 … 1

Produces a natural decay in the high-frequency components of subsequent repeats. The lower the value the

faster and more pronounced the drop-off in high-frequencies.

Both of these effects are based on a two-band equalizer with independent high and low frequency and

gain parameters.

1. EQ LOW FREQUENCY Range: 50Hz … 2.0kHz

Sets the boost/cut frequency of the low equalizer.

2. EQ LOW GAIN Range: –12dB … 0dB … +12dB

Sets the amount of boost or cut applied to the low-band frequencies. A setting of “0” produces no boost or

cut. Minus values produce cut and plus values produce boost.

3. EQ HI FREQUENCY Range: 500Hz … 16kHz

Sets the boost/cut frequency of the high equalizer band.

4. EQ HI GAIN Range: –12dB … 0dB … +12dB

Sets the amount of boost or cut applied to the high-band frequencies. A setting of “0” produces no boost or

cut. Minus values produce cut and plus values produce boost.

Two distortion effects that can drastically alter you sound.

1. DRIVE Range: 0 … 127

Sets the intensity of the distortion effect. Higher values produce more distortion.

2. AMP TYPE Range: OFF, STACK, COMBO, TUBE

Simulates a variety of amplifier types via which the distortion sound might be reproduced.

OFF Flat amp — the sound of a “direct feed” to a recording or sound reinforcement console.

STACK The powerful, expansive sound of “stackable” speaker cabinets.

COMBO A single 12" speaker unit in a compact enclosure.

TUBE Simulates the warm, relatively “soft” distortion produced by vacuum tube amplifiers.

3. LPF CUTOFF RANGE: 1.0kHz … 18kHz, Thru

The cutoff frequency of the low-pass filter applied to the distortion sound. No filter is applied when set to

“Thru”.

4. OUTPUT LEVEL Range: 0 … 127

Sets the output level of the distortion sound. Higher values produce higher level.

41. CrossDly

44. EQ DISCO 45. EQ TEL.

42. DistHARD 43. DistSOFT

Efectos de DSP y parámetros

148

The “Karaoke” effects are simple delay effects that simulate the type of “echo” used in most karaoke

systems.

1. DELAY TIME Range: 0 … 63

Sets the delay time between the direct sound and the first repeat.

2. FEEDBACK LEVELRange: –63 … 0 … +63

Determines the amount of effect-sound feedback returned to the input of the delay stage. Higher values

produce a greater number of repeats.

3. HPF CUTOFF Range: Thru, 22Hz … 8.0kHz

The cutoff frequency of the high-pass filter applied to the delay sound. No filter is applied when set to

“Thru”.

4. LPF CUTOFF Range: 1.0kHz … 18kHz, Thru

The cutoff frequency of the low-pass filter applied to the delay sound. No filter is applied when set to “Thru”.

Distortion and overdrive effects that can produce distortion ranging from subtle to sizzling.

1. DRIVE Range: 0 … 127

Sets the intensity of the distortion or overdrive effect. Higher values produce more distortion.

2. EQ LOW FREQUENCY Range: 50Hz … 2.0kHz

Sets the boost/cut frequency of the low equalizer.

3. EQ LOW GAIN Range: –12dB … 0dB … +12dB

Sets the amount of boost or cut applied to the low-band frequencies. A setting of “0” produces no boost or

cut. Minus values produce cut and plus values produce boost.

4. LPF CUTOFF RANGE: 1.0kHz … 18kHz, Thru

The cutoff frequency of the low-pass filter applied to the distortion sound. No filter is applied when set to

“Thru”.

5. OUTPUT LEVEL Range: 0 … 127

Sets the output level of the distortion sound. Higher values produce higher level.

46. Karaoke1 47. Karaoke2 48. Karaoke3

49. Distort. 50. OverDriv

The DSP Effects & Parameters • DSP-Effekte und -Parameter

Effets et paramètres DSP • Efectos de DSP y parámetros

149

[PortaTone] Date: 1995. 5. 25

Model: PSR-4000 MIDI Implementation Chart Version: 1.0

Function Transmitted Recognized Remarks

Basic Default 1~16 CH (*1) 1~16 CH (*2)

Channel Changed 1~16 CH (*1) 1~16 CH (*2)

Default 3 3

Mode Messages XX

Altered ***************** X

Note 0~127 0~127 (*3)

Number : True voice ***************** 0~127

Velocity Note on O 9nH, v=1~127 O 9nH, v=1~127

Note off X 9nH, v=0 X

After key’sXX

Touch Ch’sXX

Pitch Bender OO

Control Change 0, 32 OOBank select MSB, LSB (*4)

1OOModulation

6, 38 OOData entry MSB, LSB

7OOVolume

10 OOPan

11 OOExpression

64 OOSustain

66 OOSostenuto

67 OOSoft pedal

71 X (*5) OHarmonic content

72 X (*5) ORelease time

73 X (*5) OAttack time

74 X (*5) OBrightness

84 X (*5) OPortamento control

91 OOReverb send level

93 OOChorus send level

94 OOVariation effect send level

96, 97 XOData increment, decrement

98, 99 X (*5) ONRPN LSB, MSB (*6)

100, 101 OORPN LSB, MSB (*7)

120 XOAll sound off

121 XOReset all controllers (*8)

Program O 0~127 O0~127

Change : True # ***************** 0~127

System Exclusive OO (*9)

System : Song Position XX

: Song Select XX

Common : Tune XX

System : Clock OO

Real Time : Commands OO

Aux : Local ON/OFF XX

: All Notes Off OO (123 – 127)

Messages : Active Sense OO

: Reset XX

Mode 1: OMNI ON, POLY Mode 2: OMNI ON, MONO O: Yes

Mode 3: OMNI OFF, POLY Mode 4: OMNI OFF, MONO X: No

MIDI Implementation Chart • Implementierungstabelle

Table d’implémentation • Gráfico de implementación

150

*1 The RIGHT1, RIGHT2, LEAD, LEFT, HARMONY, MULTI PAD,

and ACCOMPANIMENT parts can be independently transmitted

via the panel controls.

*2 The tone generator normally functions as a 16-channel multi-timbre

tone generator in response to MIDI input. MIDI messages therefore

do not normally affect the panel voices or other panel settings. The

MIDI messages listed below, however, do affect the panel voice,

style, multi pad, and song settings:

•MIDI master tuning, MIDI master volume, MASTER TRANS-

POSE.

•Drum setup-related exclusive messages.

•System exclusive messages which change the reverb, chorus,

or DSP effect settings.

The KEYBOARD mode can be selected via panel control. Note on/

off messages received on KEYBOARD MODE channels are han-

dled in the same way as note on/off data from the internal key-

board.

Only the following channel messages are recognized in this mode:

•Key on/key off.

•Control change: bank select (RIGHT1 only), modulation, main

volume, (RIGHT1 only), expression, sustain.

•Program change (RIGHT1 only).

•Pitch bend, all notes off.

*3 Limited to the range 21…108 on KEYBOARD MODE channels.

*4 BANK SELECT MSB

MSB 00H LSB 00H Preset GM tone generator.

MSB 00H LSB 70H~7FH Non-GM preset panel voices.

MSB 6FH LSB 60H~7FH Custom voice orchestra voices.

MSB 7FH LSB 00H Preset drum kit voices.

MSB 7FH LSB 6FH Custom voice drum kit voices.

Channel 10 is reserved for drum kit voices after a GM ON mes-

sage is received.

No voice change occurs when only a bank change message is

received. The latest bank change message is applied when a

program change message is received.

*5 These Control Change messages are not transmitted by the PSR-

4000 panel operation, but may be transmitted by the accompani-

ment style playing.

*6 NRPN transmission/reception

The following parameters are supported.

NRPN Data entry

MSB LSB MSB LSB Parameter Name/Range Default

01H 08H mmH - - Vibrato Rate 40H

mm : 00H - 40H - 7FH (-64 - 0 - +63)

01H 09H mmH - - Vibrato Depth 40H

mm : 00H - 40H - 7FH (-64 - 0 - +63)

01H 0AH mmH - - Vibrato Delay 40H

mm : 00H - 40H - 7FH (-64 - 0 - +63)

01H 20H mmH - - Filter Cutoff Freq. 40H

mm : 00H - 40H - 7FH (-64 - 0 - +63)

01H 21H mmH - - Filter Resonance 40H

mm : 00H - 40H - 7FH (-64 - 0 - +63)

01H 63H mmH - - EG Attack Time 40H

mm : 00H - 40H - 7FH (-64 - 0 - +63)

01H 64H mmH - - EG Decay Time 40H

mm : 00H - 40H - 7FH (-64 - 0 - +63)

01H 66H mmH - - EG Release Time 40H

mm: 00H - 40H - 7FH (-64 - 0 - +63)

14H rrH mmH - - Drum Filter Cutoff Freq. 40H

rr: drum instrument note number mm: 00H - 40H - 7FH (-64 - 0 - +63)

15H rrH mmH - - Drum Filter Resonance 40H

rr: drum instrument note number mm: 00H - 40H - 7FH (-64 - 0 - +63)

16H rrH mmH - - Drum EG Attack Rate 40H

rr: drum instrument note number mm: 00H - 40H - 7FH (-64 - 0 - +63)

17H rrH mmH - - Drum EG Decay Rate 40H

rr: drum instrument note number mm: 00H - 40H - 7FH (-64 - 0 - +63)

18H rrH mmH - - Drum Instrument Pitch Course 40H

rr: drum instrument note number mm: 00H - 40H - 7FH (-64 - 0 - +63)

19H rrH mmH - - Drum Instrument Pitch Fine 40H

rr: drum instrument note number mm: 00H - 40H - 7FH (-64 - 0 - +63)

1AH rrH mmH - - Drum Instrument Level Depends on note

rr: drum instrument note number mm: 00H - 7FH (0 - 127)

1CH rrH mmH - - Drum Instrument Panpot Depends on note

rr: drum instrument note number mm: 00H - 40H - 7FH (L - Center - R)

1DH rrH mmH - - Drum Instrument Reverb Send Level Depends on note

rr: drum instrument note number mm: 00H - 7FH (0 - 127)

1EH rrH mmH - - Drum Instrument Chorus Send Level Depends on note

rr: drum instrument note number mm: 00H - 7FH (0 - 127)

1FH rrH mmH - - Drum Instrument DSP Send Level Depends on note

rr: drum instrument note number mm : 00H - 7FH (0 - 127)

Data entry LSB is ignored.

If MSB data is 14H through 1FH, it is applied as available data

when the channel is set to the drum mode and when DRUM SET

UP 2 or 3 is selected. (default set is SET UP 2)

Note: The PSR-4000 contains 3 drum setups (1-3). Drum setup 1 being the

preset drum setup, its parameters cannot be rewritten.

*7 RPN transmission/reception

The following parameters are supported.

RPN Data entry

MSB LSB MSB LSB Parameter Name/Range Default

00H 00H mmH - - Pitch bend Sensitivity 02H

mm: 00H - 02H - 0CH (0 - 2 - 12)

00H 01H mmH - - Fine Tuning 40H

mm: 00H - 40H - 7FH (-64 - 0 - +63)

00H 02H mmH - - Course Tuning 40H

mm: 00H - 40H - 7FH (-64 - 0 - +63)

7FH 7FH - - - - RPN Null - -

Clears current RPN and NRPN number settings.

Data entry LSB is ignored.

*8 Pitch Bend, modulation, expression, sustain, sostenuto and

softpedal are returned to their default values.

Clears current RPN and NRPN number settings.

Resets portamento source note number.

MIDI Implementation Chart • Implementierungstabelle • Table d’implémentation • Gráfico de implementación

151

*9 Exclusive

The following system exclusive messages are recognized.

<GM system ON> FOH, 7EH, 7FH, 09H, 01H, F7H

All parameters except MIDI master Tuning and Dsp setting are

reset to their default values.

Remote Channel setting is cancelled.

This message requires approximately 50ms to execute, so

sufficient time should be allowed before the next message is

sent.

<MIDI Master Volume> F0H, 7FH, 7FH, 04H, 01H, ll, mm, F7H

Allows the volume of all channels to be changed simultane-

ously.

“mm” is used as the MIDI Master Volume value (“ll” is ignored).

The default value for “mm” is 7FH.

F0H, 43H, 1nH, 27H, 30H, 00H, 00H, mm, ll, cc, F7H

“mm, ll” is used as the MIDI Master Tuning value.

The tuning value is represented as follows:

T=M-128 (28<

=M<

=228), T=-100 (M<28), T=100 (M>228)

T is the actual tuning value in cents.

M is decimal value represented by 1-byte using bits 0..3 of

“mm” as the MSB and bits 0..3 of “ll” as the LSB.

The default values of “mm” and “ll” are 08H and 00H respec-

tively.

n and cc are also recognized.

This value is not reset by a GM System ON or Reset All Con-

trollers message.

This value affects not only MIDI reception part but the entire

system of the PSR-4000.

F0H, 43H, 1nH, 4CH, aaH, bbH, ccH, ddH........F7H

n: device number (n=0~FH)

aa,bb,cc: address High, Mid, Low

dd: data

A corresponding data size is transmitted when the data size is

2 or 4 parameters.

Note: This product is compatible with the XG format param-

eters listed in the chart, but not with the many other

parameters included in the XG full format.

<XG System On> F0H, 43H, 1nH, 4CH, 00H, 00H, 7E, 00H, F7H

n: device number (n=0~FH)

All parameters other than MIDI master tuning are reset to their

default values.

This message requires approximately 50ms to execute, so

sufficient time should be allowed before the next message is

sent.

See Tables 1-1, 1-2.

See Tables 1-1, 1-3.

See Tables 1-1, 1-4.

See Tables 1-1, 1-5.

F0H, 43H, 0nH, 4CH, bl, bh, aaH, bbH, ccH, <Data>, cs, F7H

n: device number (n=0~FH)

bl, bh: byte count (only data portion shown)

aa,bb,cc: address High, Mid, Low (Refer to the accompany-

ing chart)

cs: Checksum (Byte Count + Start Address + Data +

Checksum=0 : calculated binary in first 7 bit)

The data series listed under “Total Size” in the chart is one

bulk dump. Only the header address is used as the bulk

data address.

Since an error can occur when a large amount of bulk data

is received, data series longer than 512 bytes are divided

into groups of less than 512 bytes each, and transmitted

with a time interval of greater than 120 ms between each

group.

Note: This product is compatible with the XG format param-

eters listed in the chart, but not with the many other param-

eters included in the XG full format.

See Tables 1-1, 1-2.

See Tables 1-1, 1-3.

See Tables 1-1, 1-5.

F0H, 43H, 3nH, 4CH, aaH, bbH, ccH, F7H

n: device number (n=0~FH)

aa,bb,cc: address High, Mid, Low

Requests are accepted for parameters which can be changed.

Only the header address is interpreted as the parameter re-

quest address for a Data Size of 2 or 4 parameters.

F0H, 43H, 2nH, 4CH, aaH, bbH, ccH, F7H

n: device number (n=0~FH)

aa,bb,cc: address High, Mid, Low

The data series listed under “Total Size” in the chart is one bulk

dump. Only the header address is interpreted as the bulk data

address.

152

MIDI Data Format • MIDI-Datenformat • Format des donées MIDI •

Parameter Base Address

Model ID = 4C

Parameter Change

Address

(H) (M) (L) Description

XG 00 00 00 System

SYSTEM 00 00 7D Drum Setup Reset

00 00 7E XG System On

00 00 7F Reset All Parameters

EFFECT 1 02 01 00 Effect1(Reverb,Chorus,Variation )

DRUM 30 18 00 Drum Setup 1

31 18 00 Drum Setup 2

Address Parameter

3n 0B 00 note number 13

3n 0C 00 note number 14

3n 5B 00 note number 91

MIDI Parameter Change table ( SYSTEM )

Address Size Data Parameter Description Default value

(H) (H) (H) (H)

00 00 00 4 0000 - 07FF MASTER TUNE -102.4 - +102.3[cent] 00 04 00 00

01 1st bit3-0→bit15-12 -400

02 2nd bit3-0→bit11-8

03 3rd bit3-0→bit7-4

4th bit3-0→bit3-0

04 1 00 - 7F MASTER VOLUME 0 - 127 7F

06 1 28 - 58 TRANSPOSE -24 - +24[semitones] 40

7D n DRUM SETUP RESET n=Drum setup number

7E 00 XG SYSTEM ON 00=XG sytem ON

7F 00 RESET ALL PARAMETERS 00=ON (receive only)

TOTAL SIZE 07

MIDI Parameter Change table ( EFFECT 1)

Refer to the “Effect MIDI Map” for a complete list of Reverb, Chorus and Variation type numbers.

Refer to the “Effect Parameter List” for a detailed description of each parameter.

Address Size Data Parameter Description Default value

(H) (H) (H) (H)

02 01 00 2 00-7F REVERB TYPE MSB Refer to Effect Program List 01(=HALL1)

00-7F REVERB TYPE LSB 00 : basic type 00

02 1 00-7F REVERB PARAMETER 1 Refer to Effect Parameter List Depends on reverb type

03 1 00-7F REVERB PARAMETER 2 Refer to Effect Parameter List Depends on reverb type

04 1 00-7F REVERB PARAMETER 3 Refer to Effect Parameter List Depends on reverb type

05 1 00-7F REVERB PARAMETER 4 Refer to Effect Parameter List Depends on reverb type

06 1 00-7F REVERB PARAMETER 5 Refer to Effect Parameter List Depends on reverb type

07 1 00-7F REVERB PARAMETER 6 Refer to Effect Parameter List Depends on reverb type

08 1 00-7F REVERB PARAMETER 7 Refer to Effect Parameter List Depends on reverb type

09 1 00-7F REVERB PARAMETER 8 Refer to Effect Parameter List Depends on reverb type

0A 1 00-7F REVERB PARAMETER 9 Refer to Effect Parameter List Depends on reverb type

0B 1 00-7F REVERB PARAMETER 10 Refer to Effect Parameter List Depends on reverb type

0C 1 00-7F REVERB RETURN -∞dB...0dB...+6dB(0...64...127) 40

0D 1 01-7F REVERB PAN L63...C...R63(1...64...127) 40

TOTAL SIZE 0E

02 01 10 1 00-7F REVERB PARAMETER 11 Refer to Effect Parameter List Depends on reverb type

11 1 00-7F REVERB PARAMETER 12 Refer to Effect Parameter List Depends on reverb type

12 1 00-7F REVERB PARAMETER 13 Refer to Effect Parameter List Depends on reverb type

13 1 00-7F REVERB PARAMETER 14 Refer to Effect Parameter List Depends on reverb type

14 1 00-7F REVERB PARAMETER 15 Refer to Effect Parameter List Depends on reverb type

15 1 00-7F REVERB PARAMETER 16 Refer to Effect Parameter List Depends on reverb type

TOTAL SIZE 6

02 01 20 2 00-7F CHORUS TYPE MSB Refer to Effect MIDI Map 41(=CHORUS1)

00-7F CHORUS TYPE LSB 00 : basic type 00

22 1 00-7F CHORUS PARAMETER 1 Refer to Effect Parameter List Depends on chorus type

23 1 00-7F CHORUS PARAMETER 2 Refer to Effect Parameter List Depends on chorus type

24 1 00-7F CHORUS PARAMETER 3 Refer to Effect Parameter List Depends on chorus type

25 1 00-7F CHORUS PARAMETER 4 Refer to Effect Parameter List Depends on chorus type

26 1 00-7F CHORUS PARAMETER 5 Refer to Effect Parameter List Depends on chorus type

27 1 00-7F CHORUS PARAMETER 6 Refer to Effect Parameter List Depends on chorus type

28 1 00-7F CHORUS PARAMETER 7 Refer to Effect Parameter List Depends on chorus type

29 1 00-7F CHORUS PARAMETER 8 Refer to Effect Parameter List Depends on chorus type

2A 1 00-7F CHORUS PARAMETER 9 Refer to Effect Parameter List Depends on chorus type

2B 1 00-7F CHORUS PARAMETER 10 Refer to Effect Parameter List Depends on chorus type

2C 1 00-7F CHORUS RETURN -∞dB...0dB...+6dB(0...64...127) 40

2D 1 01-7F CHORUS PAN L63...C...R63(1...64...127) 40

2E 1 00-7F SEND CHORUS TO REVERB -∞dB...0dB...+6dB(0...64...127) 00

TOTAL SIZE 0F

02 01 30 1 00-7F CHORUS PARAMETER 11 Refer to Effect Parameter List Depends on chorus type

31 1 00-7F CHORUS PARAMETER 12 Refer to Effect Parameter List Depends on chorus type

32 1 00-7F CHORUS PARAMETER 13 Refer to Effect Parameter List Depends on chorus type

33 1 00-7F CHORUS PARAMETER 14 Refer to Effect Parameter List Depends on chorus type

34 1 00-7F CHORUS PARAMETER 15 Refer to Effect Parameter List Depends on chorus type

35 1 00-7F CHORUS PARAMETER 16 Refer to Effect Parameter List Depends on chorus type

TOTAL SIZE 6

02 01 40 2 00-7F VARIATION TYPE MSB Refer to Effect Program List 05(=DELAY L,C,R)

00-7F VARIATION TYPE LSB 00 : basic type 00

42 2 00-7F VARIATION PARAMETER 1 MSB Refer to Effect Parameter List Depends on variation type

00-7F VARIATION PARAMETER 1 LSB Refer to Effect Parameter List Depends on Variation type

153

44 2 00-7F VARIATION PARAMETER 2 MSB Refer to Effect Parameter List Depends on Variation type

00-7F VARIATION PARAMETER 2 LSB Refer to Effect Parameter List Depends on Variation type

46 2 00-7F VARIATION PARAMETER 3 MSB Refer to Effect Parameter List Depends on Variation type

00-7F VARIATION PARAMETER 3 LSB Refer to Effect Parameter List Depends on Variation type

48 2 00-7F VARIATION PARAMETER 4 MSB Refer to Effect Parameter List Depends on Variation type

00-7F VARIATION PARAMETER 4 LSB Refer to Effect Parameter List Depends on Variation type

4A 2 00-7F VARIATION PARAMETER 5 MSB Refer to Effect Parameter List Depends on Variation type

00-7F VARIATION PARAMETER 5 LSB Refer to Effect Parameter List Depends on Variation type

4C 2 00-7F VARIATION PARAMETER 5 MSB Refer to Effect Parameter List Depends on Variation type

00-7F VARIATION PARAMETER 6 LSB Refer to Effect Parameter List Depends on Variation type

4E 2 00-7F VARIATION PARAMETER 7 MSB Refer to Effect Parameter List Depends on Variation type

00-7F VARIATION PARAMETER 7 LSB Refer to Effect Parameter List Depends on Variation type

50 2 00-7F VARIATION PARAMETER 8 MSB Refer to Effect Parameter List Depends on Variation type

00-7F VARIATION PARAMETER 8 LSB Refer to Effect Parameter List Depends on Variation type

52 2 00-7F VARIATION PARAMETER 9 MSB Refer to Effect Parameter List Depends on Variation type

00-7F VARIATION PARAMETER 9 LSB Refer to Effect Parameter List Depends on Variation type

54 2 00-7F VARIATION PARAMETER 10 MSB Refer to Effect Parameter List Depends on Variation type

00-7F VARIATION PARAMETER 10 LSB Refer to Effect Parameter List Depends on Variation type

56 1 00-7F VARIATION RETURN -∞dB...0dB...+6dB(0...64...127) 40

57 1 01-7F VARIATION PAN L63...C...R63(1...64...127) 40

58 1 00-7F SEND VARIATION TO REVERB -∞dB...0dB...+6dB(0...64...127) 00

59 1 00-7F SEND VARIATION TO CHORUS -∞dB...0dB...+6dB(0...64...127) 00

5A 1 00-01 VARIATION CONNECTION 0:INSERTION,1:SYSTEM 00

5B 1 00-01 VARIATION PART OFF(127) 7F

Part 1-16 (0-15)

TOTAL SIZE 21

02 01 70 1 00-7F VARIATION PARAMETER 11 Refer to Effect Parameter List Depends on variation type

71 1 00-7F VARIATION PARAMETER 12 Refer to Effect Parameter List Depends on variation type

72 1 00-7F VARIATION PARAMETER 13 Refer to Effect Parameter List Depends on variation type

73 1 00-7F VARIATION PARAMETER 14 Refer to Effect Parameter List Depends on variation type

74 1 00-7F VARIATION PARAMETER 15 Refer to Effect Parameter List Depends on variation type

75 1 00-7F VARIATION PARAMETER 16 Refer to Effect Parameter List Depends on variation type

TOTAL SIZE 6

* “VARIATION” refers to the DSP EFFECT on the panel.

MIDI Parameter Change table ( MULTI PART )

Address Size Data Parameter Description Default value

(H) (H) (H) (H)

08 nn 07 1 00 - 01 PART MODE 0:NORMAL 00 (Part other than 10)

1:Preset Drum 01 (Part10)

2 - 3:Drum Setup 1 – 2

nn 11 1 00 - 7F DRY LEVEL 0 - 127 7F

nn 41 1 00 - 7F SCALE TUNING C -64 - +63[cent] 40

nn 42 1 00 - 7F SCALE TUNING C# -64 - +63[cent] 40

nn 43 1 00 - 7F SCALE TUNING D -64 - +63[cent] 40

nn 44 1 00 - 7F SCALE TUNING D# -64 - +63[cent] 40

nn 45 1 00 - 7F SCALE TUNING E -64 - +63[cent] 40

nn 46 1 00 - 7F SCALE TUNING F -64 - +63[cent] 40

nn 47 1 00 - 7F SCALE TUNING F# -64 - +63[cent] 40

nn 48 1 00 - 7F SCALE TUNING G -64 - +63[cent] 40

nn 49 1 00 - 7F SCALE TUNING G# -64 - +63[cent] 40

nn 4A 1 00 - 7F SCALE TUNING A -64 - +63[cent] 40

nn 4B 1 00 - 7F SCALE TUNING A# -64 - +63[cent] 40

nn 4C 1 00 - 7F SCALE TUNING B -64 - +63[cent] 40

nn = MIDI Channel (00 – 0F)

MIDI Parameter Change table ( DRUM SETUP )

Address Size Data Parameter Description Default value

(H) (H) (H) (H)

3n rr 00 1 00 - 7F PITCH COARSE -64 - +63 40

3n rr 01 1 00 - 7F PITCH FINE -64 - +63[cent] 40

3n rr 02 1 00 - 7F LEVEL 0 - 127 Depends on note

3n rr 04 1 00 - 7F PAN 0:random Depends on note

1: L63

64: C (center)

127: R63

3n rr 05 1 00 - 7F REVERB SEND 0 - 127 Depends on note

3n rr 06 1 00 - 7F CHORUS SEND 0 - 127 Depends on note

3n rr 07 1 00 - 7F VARIATION SEND 0 - 127 7F

3n rr 0B 1 00 - 7F FILTER CUTOFF FREQUENCY -64 - 63 40

3n rr 0C 1 00 - 7F FILTER RESONANCE -64 - 63 40

3n rr 0D 1 00 - 7F EG ATTACK -64 - 63 40

3n rr 0E 1 00 - 7F EG DECAY1 -64 - 63 40

3n rr 0F 1 00 - 7F EG DECAY2 -64 - 63 40

TOTAL SIZE 10

[Note]

n: Drum Setup number (0 to 1)

rr: Note number (0D to 54)

Receipt of “XG System On” or “GM System On” message generates reinitialization of all DRUM SETUP parameters.

“Drum Setup Reset” message can be used to reinitialize drum setup parameters.

Formato de datos MIDI

154

MIDI Data Format • MIDI-Datenformat • Format des donées MIDI • Formato de datos MIDI

● Effect MIDI Map

Reverb Type

MSB (HEX) TYPE LSB (HEX)

00 01 02 03~07 08 09 0A 0B 0C 0D~

00 No Effect <—— <—— <—— <—— <—— <—— <—— <—— <——

01 [1]Hall 1 Hall 2 <—— <—— [2]Hall 2 [3]Hall 3 [4]Hall 4 <—— <—— <——

02 Room 1 Room 2 Room 3 <—— [5]Room 1 [6]Room 2 [7]Room 3 [8]Room 4 <——

03 Stage 1 Stage 2 <—— <—— [9]Stage 1 [10]Stage 2 <—— <—— <—— <——

04 Plate <—— <—— <—— [11]Plate 1 [12]Plate 2 <—— <—— <—— <——

05 No Effect <—— <—— <—— <—— <—— <—— <—— <—— <——

: : <—— <—— <—— <—— <—— <—— <—— <—— <——

00F No Effect <—— <—— <—— <—— <—— <—— <—— <—— <——

10 [13]WhiteRoom <—— <—— <—— <—— <—— <—— <—— <—— <——

11 [14]Tunnel <—— <—— <—— <—— <—— <—— <—— <—— <——

12 [15]Canyon <—— <—— <—— <—— <—— <—— <—— <—— <——

13 [16]Basement <—— <—— <—— <—— <—— <—— <—— <—— <——

14 No Effect <—— <—— <—— <—— <—— <—— <—— <—— <——

: : <—— <—— <—— <—— <—— <—— <—— <—— <——

7F No Effect <—— <—— <—— <—— <—— <—— <—— <—— <——

<—— .......... same as BASIC EFFECT(LSB=0) [ ] ........... Panel Effect Number

Chorus Type

MSB (HEX) TYPE LSB (HEX)

00 01 02 03~07 08 09 0A 0B 0C 0D~

00 No Effect <—— <—— <—— <—— <—— <—— <—— <—— <——

01 No Effect <—— <—— <—— <—— <—— <—— <—— <—— <——

: : <—— <—— <—— <—— <—— <—— <—— <—— <——

40 No Effect <—— <—— <—— <—— <—— <—— <—— <—— <——

41 Chorus 1 Chorus 5 Chorus 3 <—— <—— <—— <—— <—— <—— <——

42 Chorus 4 Celeste 2 Celeste 3 <—— Chorus 2 Chorus 3 Chorus 1 <—— <—— <——

43 Flanger 1 Flanger 4 <—— <—— Flanger 1 Flanger 2 Flanger 3 <—— <—— <——

44 No Effect <—— <—— <—— <—— <—— <—— <—— <—— <——

: : <—— <—— <—— <—— <—— <—— <—— <—— <——

7F No Effect <—— <—— <—— <—— <—— <—— <—— <—— <——

<—— .......... same as BASIC EFFECT(LSB=0)

Variation Type (DSP EFFECT)

MSB (HEX) TYPE LSB (HEX)

00 01 02 03~07 08 09 0A 0B 0C 0D~

00 No Effect <—— <—— <—— <—— <—— <—— <—— <—— <——

01 [1]Hall 1 Hall 2 <—— <—— [2]Hall 2 [3]Hall 3 [4]Hall 4 <—— <—— <——

02 Room 1 Room 2 Room 3 <—— [5]Room 1 [6]Room 2 [7]Room 3 [8]Room 4 <—— <——

03 Stage 1 Stage 2 <—— <—— [9]Stage 1 [10]Stage 2 <—— <—— <—— <——

04 Plate <—— <—— <—— [11]Plate 1 [12]Plate 2 <—— <—— <—— <——

05 Delay L,C,R <—— <—— <—— [38]Delay LCR <—— <—— <—— <—— <——

06 [39]Delay L,R <—— <—— <—— <—— <—— <—— <—— <—— <——

07 [40]Echo <—— <—— <—— <—— <—— <—— <—— <—— <——

08 [41]Cross Delay <—— <—— <—— <—— <—— <—— <—— <—— <——

09 [13]Early Ref 1 [14]Early Ref 2 <—— <—— <—— <—— <—— <—— <—— <——

0A [15]Gate Reverb <—— <—— <—— <—— <—— <—— <—— <—— <——

[16]ReverseGate

<—— <—— <—— <—— <—— <—— <—— <—— <——

0C No Effect <—— <—— <—— <—— <—— <—— <—— <—— <——

: : <—— <—— <—— <—— <—— <—— <—— <—— <——

13 No Effect <—— <—— <—— <—— <—— <—— <—— <—— <——

14 [46]Karaoke1 [47]Karaoke2 [48]Karaoke3 <—— <—— <—— <—— <—— <—— <——

15 No Effect <—— <—— <—— <—— <—— <—— <—— <—— <——

: : <—— <—— <—— <—— <—— <—— <—— <—— <——

3F No Effect <—— <—— <—— <—— <—— <—— <—— <—— <——

40 True <—— <—— <—— <—— <—— <—— <—— <—— <——

41 Chorus 1 [21]Chorus 5 Chorus 3 <—— <—— <—— <—— <—— <——

42 [20]Chorus 4 Celeste 2 Celeste 3 <—— [18]Chorus 2 [19]Chorus 3 [17]Chorus 1

[32]Rotary Sp5

<—— <——

43 Flanger 1 [25]Flanger 4 <—— <—— [22]Flanger 1 [23]Flanger 2 [24]Flanger 3 <—— <—— <——

44 Symphonic <—— <—— <—— [26]Symphonic <—— <—— <—— <—— <——

45 Rotary SP. <—— <—— <—— [28]Rotary Sp1 <—— Rotary Sp3 Rotary Sp4 <—— <——

46 Tremolo <—— <—— <—— [33]Tremolo1 <——

[31]Rotary Sp4

Tremolo 4 <—— <——

47 Auto Pan <—— <—— <—— [36]AutoPan

[29]Rotary Sp2

[30]Rotary Sp3

[34]Tremolo2

[35]Gtr Tremolo <

——

48 [27]Phaser <—— <—— <—— <—— <—— <—— <—— <—— <——

49 [49]Distortion <—— <—— <—— <—— <—— <—— <—— <—— <——

4A [50]Over Drive <—— <—— <—— <—— <—— <—— <—— <—— <——

4B Amp Sim. <—— <—— <——

[42]Dist. HARD [43]Dist. SOFT

<—— <—— <—— <——

4C 3Band EQ <—— <—— <—— [44]EQ DISCO [45]EQ TEL <—— <—— <—— <——

4D 2Band EQ <—— <—— <—— <—— <—— <—— <—— <—— <——

4E Auto Wah <—— <—— <—— [37]Auto Wah <—— <—— <—— <—— <——

4F No Effect <—— <—— <—— <—— <—— <—— <—— <—— <——

: : <—— <—— <—— <—— <—— <—— <—— <—— <——

7F No Effect <—— <—— <—— <—— <—— <—— <—— <—— <——

<—— .......... same as BASIC EFFECT(LSB=0) [ ] ........... Panel Effect Number

* The effect name appearing in the LCD display may be abbreviated.

155

MIDI Data Format • MIDI-Datenformat • Format des donées MIDI • Formato de datos MIDI

● Effect Parameter List

BASIC TYPE No. Parameter Display* Value

CHORUS 1 LFO Frequency 0.00~39.7Hz 0-127

CELESTE 2 LFO PM Depth 0~127 0-63

3 Feedback Level -63~+63 1-127

4 Delay Offset 0~127 0-127

6 EQ Low Frequency 50Hz~2.0kHz 8-40

7 EQ Low Gain -12~+12dB 52-76

8 EQ High Frequency 500Hz~16.0kHz 28-58

9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 EQ Mid Frequency 100Hz~10.0kHz 14-54

12 EQ Mid Gain -12~+12dB 52-76

13 EQ Mid Width 1.0~12.0 10-120

14 LFO AM Depth 0~127 0-127

15 Input Mode mono/stereo 0-1

FLANGER 1 LFO Frequency 0.00~39.7Hz 0-127

2 LFO Depth 0~127 0-127

3 Feedback Level -63~+63 1-127

4 Delay Offset 0~63 0-63

6 EQ Low Frequency 50Hz~2.0kHz 8-40

7 EQ Low Gain -12~+12dB 52-76

8 EQ High Frequency 500Hz~16.0kHz 28-58

9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 EQ Mid Frequency 100Hz~10.0kHz 14-54

12 EQ Mid Gain -12~+12dB 52-76

13 EQ Mid Width 1.0~12.0 10-120

14 LFO Phase Difference -180~+180deg 4-124

SYMPHONIC

1 LFO Frequency 0.00~39.7Hz 0-127

2 LFO Depth 0~127 0-127

3 Delay Offset 0~127 0-127

6 EQ Low Frequency 50Hz~2.0kHz 8-40

7 EQ Low Gain -12~+12dB 52-76

8 EQ High Frequency 500Hz~16.0kHz 28-58

9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 EQ Mid Frequency 100Hz~10.0kHz 14-54

12 EQ Mid Gain -12~+12dB 52-76

13 EQ Mid Width 1.0~12.0 10-120

ROTARY 1 LFO Frequency 0.00~39.7Hz 0-127

SPEAKER 2 LFO Depth 0~127 0-127

6 EQ Low Frequency 50Hz~2.0kHz 8-40

7 EQ Low Gain -12~+12dB 52-76

8 EQ High Frequency 500Hz~16.0kHz 28-58

9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 EQ Mid Frequency 100Hz~10.0kHz 14-54

12 EQ Mid Gain -12~+12dB 52-76

13 EQ Mid Width 1.0~12.0 10-120

TREMOLO 1 LFO Frequency 0.00~39.7Hz 0-127

2 AM Depth 0~127 0-127

3 PM Depth 0~127 0-127

6 EQ Low Frequency 50Hz~2.0kHz 8-40

7 EQ Low Gain -12~+12dB 52-76

8 EQ High Frequency 500Hz~16.0kHz 28-58

9 EQ High Gain -12~+12dB 52-76

11 EQ Mid Frequency 100Hz~10.0kHz 14-54

12 EQ Mid Gain -12~+12dB 52-76

13 EQ Mid Width 1.0~12.0 10-120

14 LFO Phase Difference -180~+180deg 4-124

15 Input Mode mono/stereo 0-1

BASIC TYPE No. Parameter Display* Value

AUTO PAN 1 LFO Frequency 0.00~39.7Hz 0-127

2 L/R Depth 0~127 0-127

3 F/R Depth 0~127 0-127

4 PAN Direction L<->R,L->R,L<-R,Lturn,

Rturn,L/R 0-5

6 EQ Low Frequency 50Hz~2.0kHz 8-40

7 EQ Low Gain -12~+12dB 52-76

8 EQ High Frequency 500Hz~16.0kHz 28-58

9 EQ High Gain -12~+12dB 52-76

11 EQ Mid Frequency 100Hz~10.0kHz 14-54

12 EQ Mid Gain -12~+12dB 52-76

13 EQ Mid Width 1.0~12.0 10-120

PHASER 1 LFO Frequency 0.00~39.7Hz 0-127

2 LFO Depth 0~127 0-127

3 Phase Shift Offset 0~127 0-127

4 Feedback Level -63~+63 1-127

6 EQ Low Frequency 50Hz~2.0kHz 8-40

7 EQ Low Gain -12~+12dB 52-76

8 EQ High Frequency 500Hz~16.0kHz 28-58

9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Stage 3~10 3-10

12 Diffusion Mono/Stereo 0-1

13 LFO Phase Difference -180~+180deg. 4-124

DISTORTION 1 Drive 0~127 0-127

OVERDRIVE 2 EQ Low Frequency 50Hz~2.0kHz 8-40

3 EQ Low Gain -12~+12dB 52-76

4 LPF Cutoff 1.0k~Thru 34-60

5 Output Level 0~127 0-127

7 EQ Mid Frequency 500Hz~10.0kHz 28-54

8 EQ Mid Gain -12~+12dB 52-76

9 EQ Mid Width 1.0~12.0 10-120

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Edge(Clip Curve) 0~127 0-127

GUITAR AMP

1 Drive 0~127 0-127

SIMULATOR 2 AMP Type Off,Stack,Combo,Tube 0-3

3 LPF Cutoff 1.0k~Thru 34-60

4 Output Level 0~127 0-127

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Edge(Clip Curve) 0~127 0-127

3BAND EQ 1 EQ Low Gain -12~+12dB 52-76

2 EQ Mid Frequency 500Hz~10.0kHz 28-54

3 EQ Mid Gain -12~+12dB 52-76

4 EQ Mid Width 1.0~12.0 10-120

5 EQ High Gain -12~+12dB 52-76

6 EQ Low Frequency 50Hz~2.0kHz 8-40

7 EQ High Frequency 500Hz~16.0kHz 28-58

2BAND EQ 1 EQ Low Frequency 50Hz~2.0kHz 8-40

2 EQ Low Gain -12~+12dB 52-76

3 EQ High Frequency 500Hz~16.0kHz 28-58

4 EQ High Gain -12~+12dB 52-76

11 EQ Mid Frequency 100Hz~10.0kHz 14-54

12 EQ Mid Gain -12~+12dB 52-76

13 EQ Mid Width 1.0~12.0 10-120

156

MIDI Data Format • MIDI-Datenformat • Format des donées MIDI • Formato de datos MIDI

BASIC TYPE No. Parameter Display* Value

AUTO WAH 1 LFO Frequency 0.00~39.7Hz 0-127

2 LFO Depth 0~127 0-127

Cutoff Frequency Offset

0~127 0-127

4 Resonance 1.0~12.0 10-120

6 EQ Low Frequency 50Hz~2.0kHz 8-40

7 EQ Low Gain -12~+12dB 52-76

8 EQ High Frequency 500Hz~16.0kHz 28-58

9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Drive 0~127 0-127

HALL 1 Reverb Time 0.3~30.0s 0-69

ROOM 2 Diffusion 0~10 0-10

STAGE 3 Initial Delay 0~63 0-63

PLATE 4 HPF Cutoff Thru~8.0kHz 0-52

5 LPF Cutoff 1.0k~Thru 34-60

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Rev Delay 0~63 0-63

12 Density 0~3 0-3

13 Er/Rev Balance E63>R ~ E=R ~ E<R63 1-127

14 High Damp 0.1~1.0 1-10

15 Feedback Level -63~+63 1-127

DELAY L,C,R 1 Lch Delay 0.1~715.0ms 1-7150

2 Rch Delay 0.1~715.0ms 1-7150

3 Cch Delay 0.1~715.0ms 1-7150

4 Feedback Delay 0.1~715.0ms 1-7150

5 Feedback Level -63~+63 1-127

6 Cch Level 0~127 0-127

7 High Damp 0.1~1.0 1-10

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 HPF Cutoff Thru~8.0kHz 0-52

12 LPF Cutoff 1.0k~Thru 34-60

13 EQ Low Frequency 50Hz~2.0kHz 8-40

14 EQ Low Gain -12~+12dB 52-76

15 EQ High Frequency 500Hz~16.0kHz 28-58

16 EQ High Gain -12~+12dB 52-76

DELAY L,R 1 Lch Delay 0.1~715.0ms 1-7150

2 Rch Delay 0.1~715.0ms 1-7150

3 Feedback Delay 1 0.1~715.0ms 1-7150

4 Feedback Delay 2 0.1~715.0ms 1-7150

5 Feedback Level -63~+63 1-127

6 High Damp 0.1~1.0 1-10

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 HPF Cutoff Thru~8.0kHz 0-52

12 LPF Cutoff 1.0k~Thru 34-60

13 EQ Low Frequency 50Hz~2.0kHz 8-40

14 EQ Low Gain -12~+12dB 52-76

15 EQ High Frequency 500Hz~16.0kHz 28-58

16 EQ High Gain -12~+12dB 52-76

ECHO 1 Lch Delay1 0.1~355.0ms 1-3550

2 Lch Feedback Level -63~+63 1-127

3 Rch Delay1 0.1~355.0ms 1-3550

4 Rch Feedback Level -63~+63 1-127

5 High Damp 0.1~1.0 1-10

6 Lch Delay2 0.1~355.0ms 1-3550

7 Rch Delay2 0.1~355.0ms 1-3550

8 Delay2 Level 0~127 0-127

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 HPF Cutoff Thru~8.0kHz 0-52

12 LPF Cutoff 1.0k~Thru 34-60

13 EQ Low Frequency 50Hz~2.0kHz 8-40

14 EQ Low Gain -12~+12dB 52-76

15 EQ High Frequency 500Hz~16.0kHz 28-58

16 EQ High Gain -12~+12dB 52-76

BASIC TYPE No. Parameter Display* Value

CROSS 1 L->R Delay 0.1~355.0ms 1-3550

DELAY 2 R->L Delay 0.1~355.0ms 1-3550

3 Feedback Level -63~+63 1-127

4 Input Select L,R,L&R 0-2

5 High Damp 0.1~1.0 1-10

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 HPF Cutoff Thru~8.0kHz 0-52

12 LPF Cutoff 1.0k~Thru 34-60

13 EQ Low Frequency 50Hz~2.0kHz 8-40

14 EQ Low Gain -12~+12dB 52-76

15 EQ High Frequency 500Hz~16.0kHz 28-58

16 EQ High Gain -12~+12dB 52-76

EARLY REF 1 Type

S-H, L-H, Rdm, Rvs, Plt, Spr

0-5

2 Room Size 0.1~7.0 0-44

3 Diffusion 0~10 0-10

4 Initial Delay 0~63 0-63

5 Feedback Level -63~+63 1-127

6 HPF Cutoff Thru~8.0kHz 0-52

7 LPF Cutoff 1.0k~Thru 34-60

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Liveness 0~10 0-10

12 Density 0~3 0-3

13 High Damp 0.1~1.0 1-10

GATE REVERB

1 Type TypeA,TypeB 0-1

REVERSE 2 Room Size 0.1~7.0 0-44

GATE 3 Diffusion 0~10 0-10

4 Initial Delay 0~63 0-63

5 Feedback Level -63~+63 1-127

6 HPF Cutoff Thru~8.0kHz 0-52

7 LPF Cutoff 1.0k~Thru 34-60

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Liveness 0~10 0-10

12 Density 0~3 0-3

13 High Damp 0.1~1.0 1-10

WHITE ROOM

1 Reverb Time 0.3~30.0s 0-69

TUNNEL 2 Diffusion 0~10 0-10

CANYON 3 Initial Delay 0~63 0-63

BASEMENT 4 HPF Cutoff Thru~8.0kHz 0-52

5 LPF Cutoff 1.0k~Thru 34-60

6 Width 0.5~10.2m 0-37

7 Heigt 0.5~20.2m 0-73

8 Depth 0.5~30.2m 0-104

9 Wall Vary 0~30 0-30

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Rev Delay 0~63 0-63

12 Density 0~3 0-3

13 Er/Rev Balance E63>R ~ E=R ~ E<R63 1-127

14 High Damp 0.1~1.0 1-10

15 Feedback Level -63~+63 1-127

KARAOKE 1 Delay Time 0~127 0-127

2 Feedback Level -63~+63 1-127

3 HPF Cutoff Thru~8.0kHz 0-52

4 LPF Cutoff 1.0k~Thru 34-60

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

* Only parameters 1 through 5 can be edited via panel control for

effects which can be selected via panel control. The 3 band equal-

izer is an exception to this rule.

* Basic Type effects are different from DSP Effect Types appearing

in the LCD display.

157

Specifications • Technische Daten • Spécifications • Especificaciones

KEYBOARD:

61 Keys (C1~C6) with Touch Response

POLYPHONY:

32 Notes max.

VOICES:

Preset 367 voices (including 9 Percussion kits)

Custom 32 voices (Programmable)

ACCOMPANIMENT:

Accompaniment styles:

Preset 120 + Disk 12 styles

Custom 12 styles

Auto Bass Chord:

Single Finger/Fingered 1/Fingered 2/Full Keyboard/

Auto MIDI Bass/Manual MIDI Bass

Chord Assist

Arranger:

RHYTHM, BASS, CHORD, PAD, PHRASE

ONE TOUCH SETTING:

4 settings are available for each preset style

EXPRESSION & EFFECT:

Reverb 16 types

Chorus 10 types

DSP Effect 50 types

Harmony 16 types

Sustain

Left Hold

Pitch Bend Wheel

Modulation Wheel

MULTI PAD:

1~8 (Phrase/Chord, Percussion)

SONG RECORD:

Quick Record:

Manual/Accomp. Tracks

Chord Step Record, Edit (Delete)

Multi Track Record:

1~16 Tracks

Punch In, Volume, Edit (Quantize, Track Mix, Initial

Edit, Delete)

SONG PLAY:

Single, All, Chain, Random

Solo/Play/Mute

REGISTRATION MEMORY:

16 banks x 8 setups, Freeze

DISPLAY:

LCD (240 x 320 dots)

DISK:

Load from Disk, Save to Disk, Rename File/Song,

Delete File/Song, Format FD, Song Copy

* 3.5" FDD, Compatibility with DOC (Yamaha Disk Orchestra

Collection) Disklavier, General MIDI, and SFF software.

FUNCTIONS:

F1: Scale (Arabic)/Voice Part

F2: Split Point/ABC Mode/Multi Pad

F3: Controller

F4: Style Revoice

F5: Reverb/Chorus/DSP Effect

F6: Harmony/Registration

F7: Utility

F8: MIDI

DEMONSTRATIONS:

14 Songs

CONNECTORS:

MIDI (IN/OUT/THRU), AUX OUT (R, L/L+R),

FOOT SWITCH 1/2, FOOT VOLUME, PHONES

AMPLIFIER:

9W x 2

SPEAKERS:

12cm x 2

DIMENSIONS (W x H x D):

1058 mm (41-2/3") x 446 mm (17-1/2") x 176 mm (7")

WEIGHT:

12 kg (26 lbs. 7 oz)

SUPPLIED ACCESSORIES:

• AC Cord

• Music Stand

• Supplied Disk

• Owner’s Manual

OPTIONAL ACCESSORIES:

• Foot switch FC5

• Foot Volume FC7

• Headphones HPE-150

• Keyboard stand L-5, LW-12

* Specifications subject to change without notice.

* Änderungen ohne Vorankündigung vorbehalten.

* Sous toute réserve de modification des caractéristiques sans préavis.

* Especificaciones sujetas a cambios sin previo aviso.

MEMO

NOTIZEN

NOTES

MEMORANDUM ............................................................................................................................

....................................................................................................................................................................................................................................

IMPORTANT SAFETY INSTRUCTIONS

92-469-2 PLEASE KEEP THIS MANUAL

INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,

AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.

8. This product was NOT designed for use in wet/damp

locations and should not be used near water or exposed to rain.

Examples of wet/damp locations are; near a swimming pool, spa,

tub, sink, or wet basement.

9. This product should be used only with the components

supplied or; a cart, rack, or stand that is recommended by the

manufacturer. If a cart, rack, or stand is used, please observe all

safety markings and instructions that accompany the accessory

product.

10. The power supply cord (plug) should be disconnected

from the outlet when electronic products are to be left unused for

extended periods of time. Cords should also be disconnected when

there is a high probability of lightening and/or electrical storm

activity.

11. Care should be taken that objects do not fall and liquids

are not spilled into the enclosure through any openings that may

exist.

12. Electrical/electronic products should be serviced by a

qualified service person when:

a. The power supply cord has been damaged; or

b. Objects have fallen, been inserted, or liquids have been

spilled into the enclosure through openings; or

c. The product has been exposed to rain: or

d. The product dose not operate, exhibits a marked change

in performance; or

e. The product has been dropped, or the enclosure of the

product has been damaged.

13. Do not attempt to service this product beyond that de-

scribed in the user-maintenance instructions. All other servicing

should be referred to qualified service personnel.

14. This product, either alone or in combination with an am-

plifier and headphones or speaker/s, may be capable of producing

sound levels that could cause permanent hearing loss. DO NOT

operate for a long period of time at a high volume level or at a

level that is uncomfortable. If you experience any hearing loss or

ringing in the ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time period

before damage occurs.

15. Some Yamaha products may have benches and/or acces-

sory mounting fixtures that are either supplied as a part of the

product or as optional accessories. Some of these items are de-

signed to be dealer assembled or installed. Please make sure that

benches are stable and any optional fixtures (where applicable) are

well secured BEFORE using. Benches supplied by Yamaha are

designed for seating only. No other uses are recommended.

WARNING- When using any electrical or electronic product,

basic precautions should always be followed. These precautions

include, but are not limited to, the following:

1. Read all Safety Instructions, Installation Instructions, Spe-

cial Message Section items, and any Assembly Instructions found

in this manual BEFORE marking any connections, including con-

nection to the main supply.

2.Main Power Supply Verification: Yamaha products are

manufactured specifically for the supply voltage in the area where

they are to be sold. If you should move, or if any doubt exists about

the supply voltage in your area, please contact your dealer for

supply voltage verification and (if applicable) instructions. The

required supply voltage is printed on the name plate. For name

plate location, please refer to the graphic found in the Special

Message Section of this manual.

3. This product may be equipped with a polarized plug (one

blade wider than the other). If you are unable to insert the plug into

the outlet, turn the plug over and try again. If the problem persists,

contact an electrician to have the obsolete outlet replaced. Do NOT

defeat the safety purpose of the plug.

4. Some electronic products utilize external power supplies or

adapters. Do NOT connect this type of product to any power sup-

ply or adapter other than one described in the owners manual, on

the name plate, or specifically recommended by Yamaha.

5. WARNING: Do not place this product or any other objects

on the power cord or place it in a position where anyone could

walk on, trip over, or roll anything over power or connecting cords

of any kind. The use of an extension cord is not recommended! If

you must use an extension cord, the minimum wire size for a 25'

cord (or less) is 18 AWG. NOTE: The smaller the AWG number,

the larger the current handling capacity. For longer extension

cords, consult a local electrician.

6. Ventilation: Electronic products, unless specifically de-

signed for enclosed installations, should be placed in locations that

do not interfere with proper ventilation. If instructions for enclosed

installations are not provided, it must be assumed that unobstructed

ventilation is required.

7. Temperature considerations: Electronic products should be

installed in locations that do not significantly contribute to their

operating temperature. Placement of this product close to heat

sources such as; radiators, heat registers and other devices that

produce heat should be avoided.

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modi-

fications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded

cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instruc-

tions could void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15

for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your

use of this product in a residential environment will not result in harmful interference with other electronic devices.

This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in

the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC

regulations does not guarantee that interference will not occur in all installations. If this product is found to be the

source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the prob-

lem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead,

change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distrib-

ute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America,

Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

IMPORTANT. The wires in this mains lead are coloured in

accordance with the following code:

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus

may not correspond with the coloured makings identifying the

terminals in your plug proceed as follows:

The wire which is coloured BLUE must be connected to the

terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the

terminal which is marked with the letter L or coloured RED.

Making sure that neither core is connected to the earth terminal

of the three pin plug.

CANADA

THIS DIGITAL APPARATUS DOES NOT EXCEED THE “CLASS

B” LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL

APPARATUS SET OUT IN THE RADIO INTERFERENCE REGU-

LATION OF THE CANADIAN DEPARTMENT OF COMMUNI-

CATIONS.

LE PRESENT APPAREIL NUMERIQUE N’EMET PAS DE

BRUITS RADIOELECTRIQUES DEPASSANT LES LIMITES

APPLICABLES AUX APPAREILS NUMERIQUES DE LA

“CLASSE B” PRESCRITES DANS LE REGLEMENT SUR LE

BROUILLAGE RADIOELECTRIQUE EDICTE PAR LE

MINISTERE DES COMMUNICATIONS DU CANADA.

CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH

WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.

ATTENTION: POUR ÉVITER LES CHOCS

ÉLECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE

LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE

ET POUSSER JUSQU’AU FOND.

•This applies only to products distributed by Yamaha Canada Music Ltd.

•

Dies bezieht sich nur auf die von der Yamaha Canada Music Ltd. vertriebenen Produkte.

•Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Music Ltd.

•Esto se aplica solamente a productos distribuidos por Yamaha Canada Music Ltd.

OBSERVERA!

Apparaten kopplas inte ur växelströmskällan (nätet) sá länge som

den ar ansluten till vägguttaget, även om själva apparaten har

stängts av.

ADVARSEL: Netspæendingen til dette apparat er IKKE afbrudt,

sálæenge netledningen siddr i en stikkontakt, som er t endt —

ogsá selvom der or slukket pá apparatets afbryder.

VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita

koko laitetta verkosta.

•This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd.

Entsorgung leerer Batterien (nur innerhalb Deutschlands)

Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte

Batterien oder Akkumulatoren dürfen nicht in den Hausmüll. Sie

können bei einer Sammelstelle für Altbatterien bzw. Sondermüll

abgegeben werden. Informieren Sie sich bei Ihrer Kommune.

VT76580 507POCP3.3-01A0 Printed in Japan

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