Yamaha CP1 Data List En Dl D0
User Manual: Yamaha CP1 Data List
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Data List Contents Performance List .............................................. 2 Piano Block ...................................................... 4 Modulation Effect Block.................................... 6 Power-Amplifier/Compressor Block .................. 8 Reverb Block .................................................... 9 MIDI Data Format .......................................... 10 MIDI Data Table .............................................. 13 MIDI Implementation Chart............................ 19 EN Performance List Bank Number PRE A 001 PRE A PRE A PRE A PRE A PRE A PRE A PRE A PRE A PRE A PRE A PRE A PRE A PRE A PRE A PRE A PRE B PRE B PRE B PRE B PRE B PRE B PRE B PRE B PRE B PRE B PRE B PRE B PRE B 2 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 001 002 003 004 005 006 007 008 009 010 011 012 013 CP1 Data List Performance Name CF Grand S6 Grand CF Rock S6 Lounge Lush Piano CF Chorus CF Comp TheOldPno CP80Studio CP80 Live CP80Chorus CP Blend DXEP 1 DXEP 2 DXEP 3 DXEP 4 Case 71 Case 73 Case 75 Case 78 71 Tremolo Simple 73 Phase 75 Chorus 78 Dyno Live DynoChorus West Coast Dist Drive Groove 69 Part Piano Type Modulation Power Amp 1 CF 3Band D Chorus VCM Compressor 376 2 DXEP 2 Small Phaser Clean Amp 1 S6 2Band Small Phaser VCM Compressor 376 2 Dyno D Chorus Clean Amp 1 CF 2Band D Chorus VCM Compressor 376 2 DXEP 2 Small Phaser Clean Amp 1 S6 3Band Small Phaser VCM Compressor 376 2 DXEP 2 Small Phaser Clean Amp 1 CF 3Band Small Phaser Clean Amp 2 73Rd I Chorus VCM Compressor 376 1 CF 3Band Chorus VCM Compressor 376 2 DXEP 2 Small Phaser Clean Amp 1 CF 3Band Chorus VCM Compressor 376 2 CP80 Chorus Clean Amp 1 CF 3Band Pedal Wah VCM Compressor 376 2 S6 3Band Pedal Wah VCM Compressor 376 1 CP80 D Chorus Clean Amp 2 DXEP 1 Small Phaser Clean Amp 1 CP88 D Chorus Clean Amp 2 DXEP 2 Small Phaser Clean Amp 1 CP80 D Chorus Clean Amp 2 DXEP 2 Small Phaser Clean Amp 1 CF 3Band Small Phaser Clean Amp 2 CP88 816Chorus Clean Amp 1 DXEP 1 816Chorus VCM Compressor 376 2 CF 3Band Symphonic Clean Amp 1 DXEP 2 D Chorus Clean Amp 2 CF 3Band Symphonic Clean Amp 1 DXEP 3 816Chorus Clean Amp 2 CF 3Band Symphonic Clean Amp 1 DXEP 4 816Chorus Clean Amp 2 CF 3Band Symphonic Clean Amp 1 71Rd I MAX100 Power Amp 71Rd I 2 75Rd I MAX100 Power Amp 71Rd I 1 73Rd I Small Phaser Power Amp 73Rd I 2 75Rd I D Chorus Clean Amp 1 75Rd I Small Phaser Power Amp 75Rd I 2 CP80 Touch Wah Clean Amp 1 78Rd II MAX90 Power Amp 78Rd II 2 75Rd I Flanger Power Amp 78Rd II 1 71Rd I MAX90 Power Amp 71Rd I 2 CP88 Touch Wah VCM Compressor 376 1 73Rd I Chorus VCM Compressor 376 2 69Wr D Chorus VCM Compressor 376 1 75Rd I MAX90 Clean Amp 2 CP80 MAX100 Power Amp 78Rd II 1 78Rd II D Chorus Power Amp 75Rd I 2 DXEP 4 816Chorus Clean Amp 1 Dyno D Chorus VCM Compressor 376 2 DXEP 4 Symphonic Clean Amp 1 Dyno Symphonic Power Amp 78Rd II 2 CF 3Band Small Phaser Clean Amp 1 78Rd II Flanger Clean Amp 2 Dyno Symphonic VCM Compressor 376 1 73Rd I D Chorus Power Amp 75Rd I 2 75Rd I Small Phaser Power Amp 73Rd I 1 69Wr 816Chorus Power Amp 75Rd I 2 75Rd I D Chorus Power Amp 69Wr Reverb Description Rich Hall A natural piano sound sampled from the CFIIIS and well suited to a wide range of playing situations and practically every style of music. Rich Room A woody, warm piano sound sampled from the S6B and ideal for intricate melodies. Rich Room A bright, clear piano sound perfect for playing rock and pop. Rich Plate A beautiful, sustained S6B sound producing a rich ambiance even when very few notes are played. Rich Hall Allowing the richness of the CFIIIS to shine, this piano sound is highly effective when used in ballads and solo performances. Rich Hall A piano sound with chorus added to better suit playing backing for singers or playing as part of an ensemble. Rich Room A rock-type piano sound with compression applied to realize a level of power rivaling that of the electric guitar. Room1 A nostalgic-sounding piano ideal for use in genres such as honky tonk and ragtime. Stage2 A faithful recreation of the sound of a studio-recorded CP80. Stage1 A CP80 sound of the type frequently heard in live situations. Rich Room A CP80 sound with chorus applied to better suit longer, sparser tones. Rich Plate A totally new, chorus-type piano sound with a unique character that sets it apart from both grand pianos and the CP80. Stage2 An stunning recreation of the Fulltine voice of the DX7 II, so enriched by the 816Chorus that you could be forgiven for thinking that you are actually playing a TX816. Stage2 A rich sound similar to DXEP 1 but having a more refined tone. Rich Room A DX electric piano sound with characteristic metal attack allowing it to stand out within an ensemble. Rich Room A next-generation DX electric piano sound with a well balanced attack for versatility in many different playing situations. Rich Plate A recreation of the oldest of Rd I piano sounds with the distinctive warmth of felt hammers. Rich Plate The classic full sound of the 1973 Rd I electric piano. Rich Plate A stunning recreation of the clear, well-balanced, vintage sound of later-stage Rd I pianos. Rich Plate A bright, dynamic electric piano sound characteristic of the Rd II. Rich Plate A 71Rd I piano sound with tremolo and a relatively high level of amplifier drive giving rise to exquisite distortion as the tone is modulated. Rich Plate The sound of a compressed 73Rd I electric piano, output as a line signal without passing through the speakers. Rich Plate One of the most recognizable and widely used sounds of the Rd series, achieved by using a phaser in combination with the 75Rd I. Rich Plate A bright piano sound combining the 78Rd II and the chorus effect that suits it so well. Rich Plate The clear, metallic sound produced by the classic combination of Rd II piano and Dyno amp. Rich Room A Dyno-type electric piano sound and the type of chorus effect with which it is so well matched. Rich Plate A classic sound put to great use in the West Coast pop of the eighties. Rich Plate A thick Rd I sound with distinctive amplifier-driven distortion. Rich Plate This early-type Wr piano sound is perfectly suited to R&B and other funky performances, and in addition, its pick-up settings can be changed to great effect. Performance List Bank Number PRE B 014 PRE B PRE B PRE C PRE C PRE C PRE C PRE C PRE C PRE C PRE C PRE C PRE C PRE C PRE C PRE C PRE C PRE C PRE C 015 016 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 Performance Name Loud 6x9s Fat Wurli 77 Tremolo APmeetsDX ChimeStack CPDXHybrid Ultra Warm MyCF&Dyno CP Backed CF75 AsOne Film Blend Bell Tines High Tines FunkyWurli 8va Latin 75Phase/S6 WahLead/75 Jazz Split What a CP! Part Piano Type Modulation Power Amp 1 77Wr MAX90 Power Amp 77Wr 2 73Rd I Small Phaser Power Amp 77Wr 1 69Wr D Chorus VCM Compressor 376 2 DXEP 2 Symphonic Clean Amp 1 77Wr 816Chorus Power Amp 77Wr 2 CF 3Band Small Phaser Clean Amp 1 CF 3Band D Chorus Clean Amp 2 DXEP 1 Symphonic Power Amp 78Rd II 1 S6 3Band D Chorus Clean Amp 2 DXEP 3 Symphonic VCM Compressor 376 1 CP88 816Chorus VCM Compressor 376 2 DXEP 4 Chorus Power Amp 69Wr 1 CF 3Band Small Phaser Clean Amp 2 DXEP 3 816Chorus Power Amp 73Rd I 1 CF 3Band D Chorus Clean Amp 2 Dyno Symphonic Power Amp 78Rd II 1 CP80 Symphonic VCM Compressor 376 2 Dyno Symphonic Power Amp 78Rd II 1 75Rd I Small Phaser VCM Compressor 376 2 CF 3Band D Chorus VCM Compressor 376 1 S6 3Band Symphonic VCM Compressor 376 2 78Rd II D Chorus Power Amp 78Rd II 1 Dyno Symphonic Power Amp 78Rd II 2 DXEP 1 D Chorus VCM Compressor 376 1 75Rd I Chorus Power Amp 75Rd I 2 DXEP 1 816Chorus VCM Compressor 376 1 77Wr Touch Wah Power Amp 77Wr 2 DXEP 3 Touch Wah VCM Compressor 376 1 CF 3Band 816Chorus VCM Compressor 376 2 S6 3Band Chorus VCM Compressor 376 1 75Rd I MAX90 Power Amp 75Rd I 2 S6 3Band D Chorus Clean Amp 1 75Rd I Touch Wah Power Amp 75Rd I 2 75Rd I Touch Wah Power Amp 78Rd II 1 71Rd I Flanger VCM Compressor 376 2 CF 3Band D Chorus Clean Amp 1 CF 3Band Small Phaser Clean Amp 2 75Rd I Small Phaser Power Amp 75Rd I Reverb Description Woody Room A latter-type Wr electric piano sound featuring amplifier-driven distortion for extra loudness. Rich Room A thick, heavy electric piano sound with fast attack produced using a compressor. Woody Room Featuring a tremolo effect, this latter-type Wr electric piano sound is thicker, richer, and more powerful than those produced by earlier models. Rich Plate A layered sound recreating the popular, perfectly-matched combination of CFIIIS acoustic piano and DX electric piano. Rich Plate A rich sound achieved by combining the woody tones of the S6 3Band and the metallic attack of the DXEP3 so as to perfectly complement each other. Rich Plate This thick tone blends the warmth of the CP80 with the electric piano sound of the DX. Rich Plate With the Attack Timbre (AtkTimbr) parameter of a DXEP3 part set to “Soft2” so that it bridges the gaps behind a CF 3Band part, this layered sound can be played in much the same way as a pad. Rich Plate A sound recreating the combination of electric and acoustic pianos adopted as standard for ballads, pop, and many other genres prior to the arrival of the DX electric piano. Rich Room A CP80 sound with emphasized attack and Dyno-type nuances. Rich Plate A layered tone combining a CFIIIS acoustic piano and a 75Rd I electric piano featuring a phaser effect to effortlessly reproduce the famous sound of the seventies and eighties that, at the time, could only be achieved through overdubbing. Rich Plate A grand, dreamlike layered sound reminiscent of movie soundtracks. Woody Room A glittering sound achieved by layering a DX electric piano over the distinctive metallic tones of a Dyno piano. Rich Hall Featuring a DX electric piano layered over an Rd I piano, this sound delivers tones with a wide-ranging attack feel. Rich Plate A layered sound combining a Wr piano ideal for rhythmical, paradiddle-type playing with a DX electric piano featuring a wah effect. Room2 Perfect for playing Latin-type phrases, this sound combines a pair of acoustic pianos offset by an octave with respect to each other. Rich Hall A split sound allowing grand piano solos to be played with Rd piano backing. Room1 This split sound features an Rd piano combined with a wah effect for playing in the same way as a synth lead. Rich Plate Another split sound, this time with a 71Rd I piano setup for playing of bass tones. Rich Plate Prepared specially for the demo song “What a CP!”, this piano sound has KbdMode set to “zone” for highly effective duo performances. : Parts turned off by default. CP1 Data List 3 Piano Block Piano Type List No. Type name CF 3Band 5 Volume 2 CF 2Band 6 --- 3 S6 3Band 7 --- 4 S6 2Band 8 --- 5 CP80 9 --- 6 CP88 10 --- 7 71Rd I 11 --- 8 73Rd I 12 --- 9 75Rd I 13 --- 10 78Rd II 14 --- 11 Dyno 15 Input Gain 12 69Wr 16 --- 13 77Wr 14 DXEP 1 15 DXEP 2 16 DXEP 3 17 DXEP 4 No. -18.0dB – +4.0dB 28 – 72 Parameter Range Value Decay (Decay Time) 1 Decay (Decay Time) -16 – +16 0 – 127 2 Release (Release Time) -16 – +16 0 – 127 3 Key-off (Key-off Noise Level) -16 – +16 48 – 80 4 --- 5 Hammer (Hammer Stiffness) Soft2, Soft1, Normal, Hard1, or Hard2 62 – 66 0 – 50 Pre-amplifier Parameters Parameter Range Value Piano Type Parameters 1 Value 0 – 127 Piano Type Parameters [1] CF 3Band, [3] S6 3Band No. Range 0 – 127 [5] CP80, [6] CP88 Piano Type & Pre-Amplifier Parameter List 1 Bass 0 – 10.0 2 Middle 0 – 10.0 0 – 50 0 – 10.0 0 – 50 -16 – +16 0 – 127 3 Treble 2 Release (Release Time) -16 – +16 0 – 127 4 Brilliance Low, Medium, High 0–2 3 Key-off (Key-off Noise Level) -16 – +16 48 – 80 5 Volume 0 – 127 0 – 127 4 DampReso (Damper Resonance Level) -16 – +16 48 – 80 6 --- 7 --- Hammer (Hammer Stiffness) Soft2, Soft1, Normal, Hard1, Hard2 8 --- -18.0dB – +4.0dB 28 – 72 5 62 – 66 Pre-amplifier Parameters 1 Bass -12.0dB – +12.0dB 40 – 88 2 Mid Freq 100.0Hz – 18.0kHz 32 – 122 3 Mid -12.0dB – +12.0dB 40 – 88 4 Treble -12.0dB – +12.0dB 40 – 88 5 Volume 0 – 127 0 – 127 6 --- 7 --- 8 --- 9 --- 10 --- 11 --- 12 --- 13 --- 14 --- 15 No. --- 10 --- 11 --- 12 --- 13 --- 14 --- 15 Input Gain 16 --- No. Parameter Range Value Piano Type Parameters Input Gain -18.0dB – +4.0dB 28 – 72 Parameter Range Decay (Decay Time) 1 Decay (Decay Time) -16 – +16 0 – 127 2 Release (Release Time) -16 – +16 0 – 127 3 Key-off (Key-off Noise Level) -16 – +16 48 – 80 4 StrkPos (Striking Position) Top3 to Top1, Default, or Rear1 to Rear3 61 – 67 5 Hammer (Hammer Stiffness) Soft2, Soft1, Normal, Hard1, or Hard2 62 – 66 Value Pre-amplifier Parameters Piano Type Parameters 1 9 [7] 71Rd I, [8] 73Rd I, [9] 75Rd I [2] CF 2Band, [4] S6 2Band -16 – +16 0 – 127 1 Bass -10.0 – +10.0 0 – 50 Treble -10.0 – +10.0 0 – 50 0 – 50 2 Release (Release Time) -16 – +16 0 – 127 2 3 Key-off (Key-off Noise Level) -16 – +16 48 – 80 3 Vibrato Depth 0 – 10.0 4 DampReso (Damper Resonance Level) -16 – +16 48 – 80 4 Vibrato Speed 0 – 10.0 0 – 50 5 Volume 0 – 127 0 – 127 Hammer (Hammer Stiffness) Soft2, Soft1, Normal, Hard1, or Hard2 6 --- 7 --- 5 62 – 66 Pre-amplifier Parameters 4 Parameter 1 1 Peak1 Freq 63.0Hz – 2.8kHz 24 – 90 8 --- 2 Peak1 Gain -12.0dB – +12.0dB 40 – 88 9 --- 3 Peak2 Freq 400.0Hz – 18.0kHz 56 – 122 10 --- 4 Peak2 Gain -12.0dB – +12.0dB 40 – 88 11 --- CP1 Data List Piano Block No. Parameter Range Value --- 13 --- 14 --- 15 Input Gain 16 --- Parameter -18.0dB – +4.0dB Parameter 28 – 72 Range Value Piano Type Parameters 1 Decay (Decay Time) -16 – +16 0 – 127 2 Release (Release Time) -16 – +16 0 – 127 3 Key-off (Key-off Noise Level) -16 – +16 48 – 80 4 StrkPos (Striking Position) Top3 to Top1, Default, or Rear1 to Rear3 61 – 67 5 Hammer (Hammer Stiffness) Soft2, Soft1, Normal, Hard1, or Hard2 62 – 66 Pre-amplifier Parameters Decay (Decay Time) -16 – +16 0 – 127 2 Release (Release Time) -16 – +16 0 – 127 3 Key-off (Key-off Noise Level) -16 – +16 48 – 80 4 StrkPos (Striking Position) Top3 to Top1, Default, or Rear1 to Rear3 61 – 67 5 Hammer (Hammer Stiffness) Soft2, Soft1, Normal, Hard1, or Hard2 62 – 66 Pre-amplifier Parameters 1 Bass -10.0 – +10.0 0 – 50 2 Mid Boost 0.0 – +10.0 0 – 50 3 Treble -10.0 – +10.0 0 – 50 4 Vibrato Depth 0-10.0 0 – 50 5 Volume 0 – 127 0 – 127 6 --- 7 --- 8 --- -18.0dB – +4.0dB 28 – 72 Bass -10.0 – +10.0 0 – 50 9 --- 2 Treble -10.0 – +10.0 0 – 50 10 --- 3 Vibrato Depth 0 – 10.0 0 – 50 11 --- 4 Vibrato Speed 0 – 10.0 0 – 50 12 --- 5 Volume 0 – 127 0 – 127 13 --- 6 --- 14 --- 7 --- 15 Input Gain 8 --- 16 --- 9 ----- 11 --- 12 --- 13 --- 14 --- 15 Input Gain 16 --- [14] DXEP 1, [15] DXEP 2, [16] DXEP 3, [17] DXEP 4 No. Parameter Range Value Piano Type Parameters -18.0dB – +4.0dB 28 – 72 [11] Dyno No. Value 1 1 10 Range Piano Type Parameters [10] 78Rd II No. [12] 69Wr, [13] 77Wr No. 12 Parameter Range Value 1 Decay (Decay Time) -16 – +16 2 Release (Release Time) -16 – +16 0 – 127 0 – 127 3 Rls Tone (Release Tone) 0 – 16 64 – 80 4 AtkTimbr (Attack Timbre) Soft2, Soft1, Normal, Hard1, or Hard2 62 – 66 5 OscDetun (Oscillator Detune) -16 – +16 48 – 80 40 – 88 Pre-amplifier Parameters 1 Low -12.0dB – +12.0dB 1 Decay (Decay Time) -16 – +16 0 – 127 2 Low Middle -12.0dB – +12.0dB 40 – 88 2 Release (Release Time) -16 – +16 0 – 127 3 High Middle -12.0dB – +12.0dB 40 – 88 3 Key-off (Key-off Noise Level) -16 – +16 48 – 80 4 High -12.0dB – +12.0dB 40 – 88 4 StrkPos (Striking Position) Top3 to Top1, Default, or Rear1 to Rear3 61 – 67 5 Volume 0 – 127 0 – 127 6 --- 5 Hammer (Hammer Stiffness) Soft2, Soft1, Normal, Hard1, or Hard2 62 – 66 7 --- 8 --- -18.0dB – +4.0dB 28 – 72 Piano Type Parameters Pre-amplifier Parameters 1 Bass Boost 0 – 10.0 0 – 50 2 Normal 0 – 10.0 0 – 50 3 Overtone 0 – 10.0 0 – 50 4 --- 5 Volume 6 --- 7 --- 8 --- 9 --- 10 --- 11 --- 12 --- 13 --- 14 --- 15 Input Gain 16 --- 0 – 127 -18.0dB – +4.0dB 0 – 127 9 --- 10 --- 11 --- 12 --- 13 --- 14 --- 15 Input Gain 16 --- 28 – 72 CP1 Data List 5 Modulation Effect Block Modulation Effect Type List Type name [3] MAX100 Type (HEX) MSB LSB No. 1 SmallPha (Small Phaser) 20 00 1 Speed 0.100Hz – 10.000Hz 0 – 127 2 Max90 21 00 2 Mode 1, 2, 3, 4 0–3 3 Max100 22 00 3 --- 4 Flanger 23 00 4 --- 5 TouchWah (Touch Wah) 24 00 5 --- 6 PedalWah (Pedal Wah) 25 00 6 --- 7 Chorus 26 00 7 --- 8 D Chorus 27 00 8 --- 9 816Cho (816Chorus) 28 00 9 --- 10 Sympho (Symphonic) 29 00 10 --- 11 --- 12 --- 13 --- 14 --- 15 --- 16 --- Modulation Effect Parameter List [1] SmallPha (Small Phaser) No. 1 Parameter Rate Range Value 0.092Hz – 16.270Hz (when Color is set to “0.”) 0.06Hz – 11.07Hz (when Color is set to “1.”) 0 – 127 Range Value No. Parameter 1 Speed Range Value 0.040Hz – 10.00Hz 0 – 235 Color 0, 1 0–1 2 Manual 0 – 127 0 – 127 3 Drive 0 – 42 0 – 42 3 Depth 0 – 127 0 – 127 4 --- 4 Feedback 0 – 127 0 – 127 5 --- 5 --- 6 --- 6 --- 7 --- 7 Mix 0 – 127 0 – 127 8 --- 8 --- 9 --- 9 --- 10 --- 10 --- 11 --- 11 --- 12 --- 12 --- 13 --- 13 --- 13 --- 14 --- 15 --- 15 --- 16 --- 16 --- Control [5] TouchWah (Touch Wah) Parameter Range Value Control No. 1 Sensitivity 0 – 127 0 – 127 0–1 2 Bottom 0 – 127 0 – 127 0 – 127 3 Top 0 – 127 0 – 127 4 Resonance Offset -12.0 – +12.0 40 – 88 --- 5 --- 6 --- 6 --- 7 --- 7 Drive 0.0dB – +40.0dB 0 – 80 8 --- 8 --- 1 Speed 0.100Hz – 10.000Hz 0 – 127 2 Type 1, 2 3 Drive 0 – 127 4 --- 5 Parameter 9 --- 9 --- 10 --- 10 --- 11 --- 11 --- 12 --- 12 --- 13 --- 13 --- 14 --- 14 --- 15 --- 15 --- 16 --- 16 --- CP1 Data List [4] Flanger 2 No. Control Control [2] MAX90 6 Parameter Range Value Control Modulation Effect Block [6] PedalWah (Pedal Wah) No. Parameter [9] 816Cho (816Chorus) Range Value Control No. 1 Parameter 0 – 127 0 – 127 2 Bottom 0 – 127 0 – 127 2 Phase 0, 30, 45, 60, 90, …, 330 0 – 15 3 Top 0 – 127 0 – 127 3 Depth 0 – 127 0 – 127 4 Resonance Offset -12.0 – +12.0 40 – 88 4 Feedback 0 – 127 0 – 127 5 --- 5 --- 6 --- 6 --- 7 Drive 7 --- 8 --- 8 --- 9 --- 9 --- 10 --- 10 Mix 1 – 127 1 – 127 11 --- 11 --- 12 --- 12 --- 13 --- 13 --- 14 --- 14 --- 15 --- 15 --- 16 --- 16 --- 0 – 80 [7] Chorus No. Speed 2 --- 3 Depth 4 Control 0 – 127 [10] Sympho (Symphonic) Parameter 1 0.100Hz – 10.000Hz Value Pedal Control 0.0dB – +40.0dB Speed Range 1 Range Value 0.040Hz – 10.00Hz 0 – 235 0 – 127 0 – 127 Control No. Parameter Range Value 1 Speed 0.0Hz – 39.7Hz 0 – 127 2 Depth 0 – 127 0 – 127 3 Delay 0.0ms – 50.0ms 0 – 127 --- 4 --- 5 --- 5 --- 6 --- 6 --- 7 Mix 7 --- 8 --- 8 --- 9 --- 9 --- 10 --- 10 Mix 1 – 127 1 – 127 11 --- 11 --- 12 --- 12 --- 13 --- 13 --- 14 --- 14 --- 15 --- 15 --- 16 --- 16 --- 0 – 127 0 – 127 Control [8] D Chorus No. Parameter 1 Type 2 --- 3 --- 4 --- 5 --- 6 --- 7 --- 8 --- 9 --- 10 --- 11 --- 12 --- 13 --- 14 --- 15 --- 16 --- Range Type1 – Type5 Value Control 0–4 CP1 Data List 7 Power-Amplifier/Compressor Block Power-Amplifier/Compressor Type List [8] Comp376 (Compressor 376) Type (HEX) Type name MSB LSB No. 1 71Rd I (PowerAmp 71Rd I) 30 00 1 2 73Rd I (PowerAmp 73Rd I) 31 00 2 Output 0 – 127 0 – 127 3 75Rd I (PowerAmp 75Rd I) 32 00 3 Ratio 2, 4, 8, 12, 20 0–4 4 78Rd II (PowerAmp 78Rd II) 33 00 4 Attack 0.203ms – 50.40ms 21 – 200 5 69Wr (PowerAmp 69Wr) 34 00 5 Release 11.96ms – 544.22ms 9 – 200 6 77Wr (PowerAmp 77Wr) 35 00 6 --- 7 Clean (Clean Amp) 36 00 7 --- 8 Comp376 (Compressor 376) 37 00 8 --- Power-Amplifier/Compressor Parameter List [1] – [6] Power Amp 71Rd I / 73Rd I / 75Rd I / 78Rd II / 69Wr / 77Wr No. Parameter Range Value 1 Drive 0 – 100 0 – 100 2 Speaker Type 71Rd I / 73Rd I / 75Rd I / 78Rd II / 69Wr / 77Wr 0–5 3 Line Balance L63>S – L| | F0H 43H 0nH 7FH 0CH bhH blH ahH amH alH ddH....ddH ccH F7H | | | +--------- | F0H 43H 1nH 7FH 0CH ahH amH alH ddH....ddH F7H | +------------------SYSTEM EXCLUSIVE MESSAGE IDENTITY REPLY F0H 7EH 7FH 06H 02H 43H 00H 41H 3BH 06H 00H 00H 00H 7FH F7H [SW1] [SW5] [SW7] [SW8] MIDI Transmit Channel and Transmit Filter When Keyboard Mode (KbdMode) is set to “zone”, MIDI data is transmitted in line with the Transmit MIDI Switch (MIDI) settings for each zone and via the corresponding zone transmit channels. When Keyboard Mode (KbdMode) is set to “layer” or “split”, MIDI data is transmitted via the Transmit Channel (TransCh). MIDI Device Number When set to all, transmitted via 1. SYSTEM Bank Select Switch SYSTEM Program Change Switch (2) RECEIVE FLOW MIDI>-+-[SW10]-+---------NOTE OFF | | | +---------NOTE ON/OFF | | | +---------CONTROL CHANGE | | DATA ENTRY MSB | | DATA ENTRY LSB | | MAIN VOLUME | | PAN | | EXPRESSION | | SUSTAIN SWITCH | | SOSTENUTO | | SOFT PEDAL | | EG RELEASE TIME | | EG DECAY TIME | | EFFECT1 DEPTH (Reverb) | | DATA ENTRY INC | | DATA ENTRY DEC | | ASSIGNABLE CONTROLLER | | RPN | | PITCH BEND SENS. | | RPN RESET | | ALL SOUND OFF | | RESET ALL CONTROLLERS | | ALL NOTE OFF | | OMNI MODE OFF | | OMNI MODE ON | | | +--[SW7]--BANK SEL MSB | | BANK SEL LSB | | | +--[SW8]--PROGRAM CHANGE | | | +---------PITCH BEND CHANGE | +------------------ACTIVE SENSING | +--[SW5]-+--------- | | F0H 43H 0nH 7FH 0CH bhH | | | +--------- | | F0H 43H 1nH 7FH 0CH ahH | | | +--------- | | F0H 43H 2nH 7FH 0CH ahH | | | +--------- | F0H 43H 3nH 7FH 0CH ahH | +-------------------SYSTEM EXCLUSIVE MESSAGE IDENTITY REQUEST [SW5] [SW7] [SW8] [SW10] 8nH 9nH BnH, BnH, BnH, BnH, BnH, BnH, BnH, BnH, BnH, BnH, BnH, BnH, BnH, BnH, 06H 26H 07H 0AH 0BH 40H 42H 43H 48H 4BH 5BH 60H 61H (00H .. 5FH) BnH, BnH, BnH, BnH, BnH, BnH, BnH, 64H, 00H, 65H, 00H, 06H, mmH 64H, 7FH, 65H, 7FH 78H 79H 7BH 7CH 7DH BnH, 00H BnH, 20H CnH EnH FEH blH ahH amH alH ddH.....ddH ccH F7H amH alH ddH.....ddH F7H amH alH ddH.....ddH F7H amH alH F7H F0H 7EH 0nH 06H 01H F7H MIDI Device Number When this is not set to off, the MIDI Master Volume can be recognized in any mode. SYSTEM Bank Select Switch SYSTEM Program Change Switch MIDI Receive Channel When Keyboard Mode (KbdMode) is set to “zone”, Zone 1 receives data on MIDI Channel 1; Zone 2 receives data on MIDI Channel 2. When Master Keyboard Mode (KbdMode) is set to “layer” or “split”, MIDI data is received via the Basic Receive Channel (RecvCh). MIDI Data Format (3) TRANSMIT/RECEIVE DATA (3-2) CHANNEL MODE MESSAGES STATUS CONTROL NUMBER CONTROL VALUE (3-1) CHANNEL VOICE MESSAGES (3-1-1) NOTE OFF 1011nnnn (BnH) 0ccccccc 0vvvvvvv n = 0 – 15 CHANNEL NUMBER c = CONTROL NUMBER v = DATA VALUE (3-2-1) ALL SOUND OFF (CONTROL NUMBER = 78H, DATA VALUE = 0) STATUS NOTE No. VELOCITY Receive only 1000nnnn (8nH) 0kkkkkkk 0vvvvvvv n = 0 – 15 CHANNEL NUMBER k = 0 (C-2) – 127 (G8) v: ignored 1001nnnn (9nH) 0kkkkkkk 0vvvvvvv (v≠0) 0vvvvvvv (v=0) n = 0 – 15 CHANNEL NUMBER k = 0 (C-2) – 127 (G8) NOTE ON NOTE OFF 1011nnnn (BnH) 0ccccccc 0vvvvvvv n = 0 – 15 CHANNEL NUMBER All the sounds currently played including the channel messages such as note-on in a certain channel are muted when receiving this message. MIDI Channel messages such as Hold and Sostenuto are retained. (3-2-2) RESET ALL CONTROLLERS (CONTROL NUMBER = 79H, DATA VALUE = 0) (3-1-2) NOTE ON/OFF STATUS NOTE NUMBER VELOCITY NOTE ON NOTE OFF Resets the values set for the following controllers. PITCH BEND CHANGE 0 (center) EXPRESSION 127 (maximum) FOOT CONTROLLER 1 0 (minimum) FOOT CONTROLLER 2 0 (minimum) SUSTAIN SWITCH 0 (off) SOSTENUTO SWITCH 0 (off) SOFT SWITCH 0 (off) RPN Not assigned; No change (3-1-3) CONTROL CHANGE STATUS CONTROL NUMBER CONTROL VALUE *TRANSMITTED CONTROL NUMBER c = 0 BANK SEL MSB c = 32 BANK SEL LSB c = 7 MAIN VOLUME c = 10 PAN c = 11 EXPRESSION c = 64 SUSTAIN c = 66 SOSTENUTO c = 67 SOFT PEDAL c = 91 REVERB SEND c = 0..95 ASSIGNABLE CONTROLLERS ; ; ; ; ; ; ; ; ; ; v v v v v v v v v v = = = = = = = = = = 0 – 127 0 – 127 0 – 127 0 – 127 0 – 127 0 – 127 0, 127 0, 127 0 – 127 0 – 127 *RECEIVED CONTROL NUMBER c = 0 BANK SEL MSB c = 32 BANK SEL LSB c = 6 DATA ENTRY MSB c = 38 DATA ENTRY LSB c = 7 MAIN VOLUME c = 10 PAN c = 11 EXPRESSION c = 64 SUSTAIN c = 66 SOSTENUTO c = 72 EG RELEASE TIME c = 75 EG DECAY TIME c = 91 EFFECT1 DEPTH c = 96 DATA ENTRY INC c = 97 DATA ENTRY DEC c = 0..95 ASSIGNABLE CONTROLLER ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; v v v v v v v v v v v v v v v = = = = = = = = = = = = = = = 63 61 – 69 0 – 127 0 – 127 0 – 127 0 – 127 0 – 127 0 – 127 0 – 63:OFF, 64 – 127:ON 0:-16 – 64:0 – 127:+16 0:-16 – 64:0 – 127:+16 0 – 127 127 127 0 – 127 *2 *2 *4 *3 MSB LSB (3-2-3) ALL NOTE OFF (CONTROL NUMBER = 7BH, DATA VALUE = 0) All the notes currently set to on in certain channels are muted when receiving this message. However, if Sustain or Sostenuto is on, notes will continue sounding until these are turned off. (3-2-4) OMNI MODE OFF (CONTROL NUMBER = 7CH, DATA VALUE = 0) Performs the same function as when receiving ALL NOTES OFF. Sets Basic Receive Channel to “OMNI OFF,” channel 1. *2 *2 *1 (3-2-5) OMNI MODE ON (CONTROL NUMBER = 7DH, DATA VALUE = 0) Performs the same function as when receiving ALL NOTES OFF. Sets Basic Receive Channel to “OMNI ON.” (3-3) REGISTERED PARAMETER NUMBER *1 *1 *3 *1 Used only when a value is set using RPN. *2 Relation between BANK CHANGE and PROGRAM is as follows: CATEGORY Doesn’t reset the following data: PROGRAM CHANGE, BANK SELECT MSB/LSB, VOLUME, PAN SUSTAIN LEVEL, RELEASE TIME, ATTACK TIME, DECAY TIME EFFECT SEND LEVEL 1 PITCH BEND SENSITIVITY ASSIGNABLE CONTROLLER PROGRAM No. STATUS LSB RPN LSB 1011nnnn (BnH) 01100100 (64H) 0ppppppp MSB RPN MSB 01100101 (65H) 0qqqqqqq DATA DATA DATA DATA 00000110 (06H) 0mmmmmmm 00100110 (26H) 0lllllll n = 0 – 15 CHANNEL NUMBER p = RPN LSB (Refer to the table as shown below.) q = RPN MSB (Refer to the table as shown below.) ENTRY MSB VALUE ENTRY LSB VALUE m = Data Value l = Data Value Performance Preset A 63 61 0..15 (1..16) Preset B 63 62 0..15 (1..16) First, designate the parameter using RPN MSB/LSB numbers. Then, set its value with data entry MSB/LSB. Preset C 63 63 0..15 (1..16) User A 63 64 0..15 (1..16) User B 63 65 0..15 (1..16) RPN D.ENTRY LSB MSB MSB LSB 00H 00H mmH --7FH 7FH --- --- User C 63 66 0..15 (1..16) External A 63 67 0..15 (1..16) External B 63 68 0..15 (1..16) External C 63 69 0..15 (1..16) *3 The default CONTROL NUMBERS of ASSIGNABLE CONTROLLER are as follows: FOOT CONTROLLER 1 11 FOOT CONTROLLER 2 4 FOOT SWITCH 88 SOSTENUTO PEDAL 66 SOFT PEDAL 67 *4 When the sustain pedal is set to something other than “FC3 (HalfOn),” operating the sustain pedal transmits only values of 0 (off) or 127 (on). PAN position relatively changes according to the preset value for each voice. EFFECT1 DEPTH controls reverb send level. The parameters, EG DECAY TIME, EG RELEASE TIME adjust the envelopes preset for each voice. Setting these values add to or subtract from the center value, 64, since it is an offset parameters. Bank Select will be actually executed when the Program Change message is received. Bank Select and Program Change numbers that are not supported by Yamaha will be ignored. (3-1-4) PROGRAM CHANGE STATUS PROGRAM NUMBER 1100nnnn (CnH) 0ppppppp DATA RANGE 00H – 0CH (0 – 12 semitones) RPN numbers will be left not designated. The internal values are not affected. (3-4) SYSTEM REAL TIME MESSAGES (3-4-1) ACTIVE SENSING STATUS 11111110 (FEH) Transmitted at every 200 msec. Once this code is received, the instrument starts sensing. When no status nor data is received for over approximately 350 ms, MIDI receiving buffer will be cleared, and the sounds currently played is forcibly turned off. (3-5) SYSTEM EXCLUSIVE MESSAGE (3-5-1) UNIVERSAL NON REALTIME MESSAGE (3-5-1-1) IDENTITY REQUEST (Receive only) n = 0 – 15 CHANNEL NUMBER p = 0 – 127 (3-1-5) PITCH BEND CHANGE STATUS 1110nnnn (EnH) LSB 0vvvvvvv MSB 0vvvvvvv Transmitted with a resolution of 7 bits. PARAMETER NAME PITCH BEND SENSITIVITY RPN RESET F0H 7EH 0nH 06H 01H F7H (“n” = Device No. However, this instrument receives under “omni.”) (3-5-1-2) IDENTITY REPLY (Transmit only) n = 0 – 15 CHANNEL NUMBER PITCH BEND CHANGE LSB PITCH BEND CHANGE MSB F0H 7EH 7FH 06H 02H 43H 00H 41H ddH ddH 00H 00H 00H 01H F7H dd: Device Number Code CP1: 3B 06 (3-5-2) PARAMETER CHANGE (3-5-2-1) NATIVE PARAMETER CHANGE 11110000 01000011 0001nnnn 01111111 00001100 0aaaaaaa 0aaaaaaa 0aaaaaaa 0ddddddd | 11110111 F0 43 1n 7F 0C aaaaaaa aaaaaaa aaaaaaa ddddddd | F7 Exclusive status YAMAHA ID Device Number Model ID Model ID Address High Address Mid Address Low Data End of Exclusive For parameters with data size of 2 or more, the appropriate number of data bytes will be transmitted. See the following MIDI Data Table for Address. CP1 Data List 11 MIDI Data Format (3-5-4) BULK DUMP 11110000 01000011 0000nnnn 01111111 00001100 0bbbbbbb 0bbbbbbb 0aaaaaaa 0aaaaaaa 0aaaaaaa 0 | 0ccccccc 11110111 F0 43 0n 7F 0C bbbbbbb bbbbbbb aaaaaaa aaaaaaa aaaaaaa 0 | ccccccc F7 Exclusive status YAMAHA ID Device Number Model ID Model ID Byte Count Byte Count Address High Address Mid Address Low Data Check-sum End of Exclusive See the following MIDI Data Table for Address and Byte Count. The Check sum is the value that results in a value of 0 for the lower 7 bits when the Byte Count, Start Address, Data and Check sum itself are added. (3-5-5) DUMP REQUEST 11110000 01000011 0010nnnn 01111111 00001100 0aaaaaaa 0aaaaaaa 0aaaaaaa 11110111 F0 43 2n 7F 0C aaaaaaa aaaaaaa aaaaaaa F7 Exclusive status YAMAHA ID Device Number Model ID Model ID Address High Address Mid Address Low End of Exclusive See the following MIDI Data Table for Address and Byte Count. (3-5-6) PARAMETER REQUEST 11110000 01000011 0011nnnn 01111111 00001100 0aaaaaaa 0aaaaaaa 0aaaaaaa 11110111 F0 43 3n 7F 0C aaaaaaa aaaaaaa aaaaaaa F7 Exclusive status YAMAHA ID Device Number Model ID Model ID Address High Address Mid Address Low End of Exclusive See the following MIDI Data Table for Address and Byte Count. (4) SYSTEM OVERVIEW (Keyboard and Tone Generator) MIDI IN/OUT = MIDI KBD To USB From USB Local Sw MIDI Out MIDI In TG MIDI IN/OUT = USB KBD To USB From USB The MIDI Thru port is permanently set to 1. Local Sw MIDI Out MIDI In TG Although three types of note on/note off data, received via MIDI and played on the keyboard will be distinguished, the other controllers (channel messages) equally affect the entire notes. ALL SOUND OFF clears all the sounds in the specific channel(s) played by both the keyboard and the data via MIDI. ALL NOTES OFF received via MIDI clears the sounds in the specific channel(s) played via MIDI. 12 CP1 Data List MIDI Data Table Bank Select Bulk Dump Block Available Bank Select/Program Change “Top Address” indicates the top address of each block designated by bulk dump operation. “Byte Count” indicates the data size contained in each block designated by bulk dump operation. The Block from the Bulk Header to the Bulk Footer of the Performance can be received regardless their order. They can be received even if all of them are not transmitted. They cannot be received if the irrelevant Block is included. To execute 1 Performance bulk dump request, designate its corresponding Bulk Header address. When the Multiple Bulk Control Footer is received, Performances will be saved to the Flash ROM. For the information about “mm” and “nn” shown in the following list, refer to MIDI PARAMETER CHANGE TABLE (BULK CONTROL) below. MSB (HEX) 63 3F LSB (HEX) Program No. Type Performance Memory 61 3D 0 – 15 62 3E 0 – 15 PRE A PRE B 63 3F 0 – 15 PRE C 64 40 0 – 15 USR A 65 41 0 – 15 USR B 66 42 0 – 15 USR C 68 44 0 – 15 EXT A 69 45 0 – 15 EXT B 70 46 0 – 15 EXT C Description When Keyboard Mode (KbdMode) is set to “layer” or “split”, this MIDI data is received via the Basic Receive Channel (RecvCh). When Keyboard Mode (KbdMode) is set to “zone”, this MIDI data is received via Channel 1 or 2. Byte Count Parameter Block SYSTEM PERFORMANCE Parameter Base Address COMMON Parameter Block Top Address H SYSTEM BULK CONTROL MULTIPLE BULK CONTROL M Description L Top Address Description Dec Hex H M L System 60 3C 00 00 00 Master EQ (for Voice Mode) 22 16 00 20 00 Bulk Header 0 00 0E mm nn Common 68 44 30 00 00 Reverb 38 26 30 01 00 Controller (PB, FC1, FC2, FS) 30 1E 30 05 00 Assignable Knob 30 1E 30 06 00 00 00 00 System Part 1 48 30 31 00 00 00 20 00 Master EQ Part 2 48 30 31 01 00 0E 00 00 Header Pre-Amp Part 1 38 26 31 10 00 0F 00 00 Footer Pre-Amp Part 2 38 26 31 11 00 10 00 00 Header Modulation Part 1 38 26 31 20 00 PART 11 00 00 Footer Modulation Part 2 38 26 31 21 00 PERFORMANCE COMMON 30 00 00 Performance Common Power-Amp Part 1 38 26 31 30 00 PERFORMANCE PART 31 00 00 Part 1 Power-Amp Part 2 38 26 31 31 00 31 01 00 Part 2 Zone 1 16 10 32 00 00 31 10 00 Pre-Amp Part 1 31 11 00 Pre-Amp Part 2 Zone 4 16 10 32 03 00 31 20 00 Modulation Part 1 Bulk Footer 0 00 0F mm nn 31 21 00 Modulation Part 2 31 30 00 Power-Amp Part 1 31 31 00 Power-Amp Part 2 32 00 00 Zone 1 32 03 00 Zone 4 PERFORMANCE ZONE MASTER KEYBOARD ZONE : 4 Blocks : CP1 Data List 13 MIDI Data Table MIDI PARAMETER CHANGE TABLE (SYSTEM) Address 00 00 02 Size 4 Master Tune Description -102.4 – +102.3 [cent] 1st bit 3-0 bit 15-12 2nd bit 3-0 bit 11-8 3rd bit 3-0 bit 7-4 4th bit 3-0 bit 3-0 1 34 – 4C Master Transpose -12 – +12 (semitones) 09 1 00 – 01 Local Switch off, on 0A 1 00 – 10, 7F Basic Receive Channel 1 – 16, omni, off 00 – 0F, 7F Keyboard Transmit Channel 10 12 1 1 1 00 – 01 00 – 04 Piano Tuning Curve Keyboard Velocity Curve Notes MIDI Master Tuning Address Data Range (HEX) Parameter Name nn 0 3E nn 0 3F nn 0 40 nn 0 - Performance USR A (nn = 0 – 15) 41 nn 0 - Performance USR B (nn = 0 – 15) 42 nn 0 - Performance USR C (nn = 0 – 15) 43 nn 0 - Performance EXT A (nn = 0 – 15) 44 nn 0 - Performance EXT B (nn = 0 – 15) 45 nn 0 - Performance EXT C (nn = 0 – 15) 4F nn 0 - 3D nn 0 - flat, stretch 0F Bulk Header Description 0E 3D 1 – 16, off norm, soft, hard, wide, fixed Size Performance PRE A (nn = 0 – 15) Performance PRE B (nn = 0 – 15) Performance PRE C (nn = 0 – 15) Performance Edit Buffer (nn = 0) Bulk Footer Performance PRE A (nn = 0 – 15) 13 1 01 – 7F Keyboard Fixed Velocity 1 – 127 3E nn 0 - 19 1 00 – 01 MIDI Input MIDI, USB MIDI 3F nn 0 - Performance PRE C (nn = 0 – 15) 20 1 00 – 06 Micro Tuning Equal, PureMaj, PureMin, Pythag, MeanTn, WerckMt, KimBerger 40 nn 0 - Performance USR A (nn = 0 – 15) 41 nn 0 - Performance USR B (nn = 0 – 15) nn 0 - Performance USR C (nn = 0 – 15) Performance PRE B (nn = 0 – 15) 21 1 00 – 0B Micro Tuning Root C–B 42 23 1 00 – 64 Sostenuto (Pedal-Center) Control Number off, 1 – 95, 99 (PC Inc), 100 (PC Dec) 43 nn 0 - Performance EXT A (nn = 0 – 15) 44 nn 0 - Performance EXT B (nn = 0 – 15) 45 nn 0 - Performance EXT C (nn = 0 – 15) 4F nn 0 - Performance Edit Buffer (nn = 0) 24 1 00 – 64 Soft (Pedal-Left) Control Number off, 1 – 95, 99 (PC Inc), 100 (PC Dec) 25 1 00 – 08 Start Up Bank PRE A, PRE B, PRE C, USR A, USR B, USR C, EXT A, EXT B, EXT C 26 1 00 – 0F Start Up Program Number 1 – 16 31 1 00 – 64 FS Assignable Control Number off, 1 – 95, 99 (PC Inc), 100 (PC Dec) 39 1 00 – 5F FC2 Control Number off, 1 – 95 : 3A 1 00 – 5F FC1 Control Number off, 1 – 95 : 3B 1 00 – 03 Sustain Pedal Select Sustain Pedal, FC3 (Half On), FC3 (Half Off), FC4/5 TOTAL SIZE = 60 3C (HEX) 00 1 34 -4C EQ Gain1 -12 – +12 [dB] 01 1 04 – 28 EQ Frequency1 32 – 2.0k [Hz] 80 [Hz] 02 1 01 – 78 EQ Q1 0.1 – 12.0 0.7 0 [dB] shelv 03 1 00 – 01 EQ Shape1 shelv, peak 04 1 34 – 4C EQ Gain2 -12 – +12 [dB] 0 [dB] 05 1 0E – 36 EQ Frequency2 100 – 10.0k [Hz] 200 [Hz] 06 1 01 – 78 EQ Q2 0.1 – 12.0 0.7 07 1 08 1 34 -4C EQ Gain3 -12 – +12 [dB] 0 [dB] 09 1 0E – 36 EQ Frequency3 100 – 10.0k [Hz] 500 [Hz] 0A 1 01 – 78 EQ Q3 0.1 – 12.0 0.7 0B 1 0C 1 34 – 4C EQ Gain4 -12 – +12 [dB] 0 [dB] 0D 1 0E – 36 EQ Frequency4 100 – 10.0k [Hz] 3.2 [kHz] 0E 1 01 – 78 EQ Q4 0.1 – 12.0 0.7 0 [dB] reserved reserved 0F 1 10 1 34 – 4C EQ Gain5 -12 – +12 [dB] 11 1 1C – 3A EQ Frequency5 500 – 16.0k [Hz] 8.0 [kHz] 12 1 01 – 78 EQ Q5 0.1 – 12.0 0.7 reserved shelv 13 1 00 – 01 EQ Shape5 shelv, peak 14 1 00 – 01 EQ On/Off off, on 15 1 TOTAL SIZE = 22 14 00 – 0F 00 – 0F 00 – 0F 00 – 0F Parameter Name 07 0B 00 20 Data Range (HEX) MIDI PARAMETER CHANGE TABLE (BULK CONTROL) reserved 16 (HEX) CP1 Data List Notes MIDI Data Table MIDI PARAMETER CHANGE TABLE (PERFORMANCE COMMON) Address Size Data Range (HEX) Parameter Name Description 30 00 00 1 20 – 7E Performance Name 1 32..126 (ASCII) 30 00 01 1 20 – 7E Performance Name 2 32..126 (ASCII) 30 00 02 1 20 – 7E Performance Name 3 32..126 (ASCII) 30 00 03 1 20 – 7E Performance Name 4 32..126 (ASCII) 30 00 04 1 20 – 7E Performance Name 5 32..126 (ASCII) 30 00 05 1 20 – 7E Performance Name 6 32..126 (ASCII) 30 00 06 1 20 – 7E Performance Name 7 32..126 (ASCII) 30 00 07 1 20 – 7E Performance Name 8 32..126 (ASCII) Notes Address 30 05 00 Size 2 Data Range (HEX) 00 – 00 00 – 01 30 05 02 2 00 – 00 00 – 01 30 05 04 1 30 05 05 2 08 1 20 – 7E Performance Name 9 32..126 (ASCII) 30 00 09 1 20 – 7E Performance Name 10 32..126 (ASCII) 30 00 0A 1 reserved 30 00 0B 1 reserved 30 00 0E 1 30 00 0F 1 TOTAL SIZE = 68 30 01 00 2 00 – 02 00 – 7F Master Keyboard Mode Master Keyboard Split Point 07 2 00 – 00 00 – 02 layer, split, zone 30 05 09 1 C -2..G8 30 05 0A 2 00 – 7F 00 – 7F Reverb Type MSB Reverb Type LSB Refer to “Reverb Type List.” Refer to “Reverb Parameter List.” 02 2 00 – 7F 00 – 7F Reverb Parameter 1 MSB Reverb Parameter 1 LSB 30 01 04 2 00 – 7F 00 – 7F Reverb Parameter 2 MSB Reverb Parameter 2 LSB : 30 01 06 2 00 – 7F 00 – 7F Reverb Parameter 3 MSB Reverb Parameter 3 LSB : 30 01 08 2 00 – 7F 00 – 7F Reverb Parameter 4 MSB Reverb Parameter 4 LSB : 30 01 0A 2 00 – 7F 00 – 7F Reverb Parameter 5 MSB Reverb Parameter 5 LSB : 30 01 0C 2 00 – 7F 00 – 7F Reverb Parameter 6 MSB Reverb Parameter 6 LSB : 30 01 0E 2 00 – 7F 00 – 7F Reverb Parameter 7 MSB Reverb Parameter 7 LSB : 30 01 10 2 00 – 7F 00 – 7F Reverb Parameter 8 MSB Reverb Parameter 8 LSB : 30 01 12 2 00 – 7F 00 – 7F Reverb Parameter 9 MSB Reverb Parameter 9 LSB : 30 01 14 2 00 – 7F 00 – 7F Reverb Parameter 10 MSB Reverb Parameter 10 LSB : 30 01 16 2 00 – 7F 00 – 7F Reverb Parameter 11 MSB Reverb Parameter 11 LSB : 30 01 18 2 00 – 7F 00 – 7F Reverb Parameter 12 MSB Reverb Parameter 12 LSB : 30 01 1A 2 00 – 7F 00 – 7F Reverb Parameter 13 MSB Reverb Parameter 13 LSB : 30 01 1C 2 00 – 7F 00 – 7F Reverb Parameter 14 MSB Reverb Parameter 14 LSB : 30 01 1E 2 00 – 7F 00 – 7F Reverb Parameter 15 MSB Reverb Parameter 15 LSB : 30 01 20 2 00 – 7F 00 – 7F Reverb Parameter 16 MSB Reverb Parameter 16 LSB : 30 01 24 1 00 – 01 Reverb On/Off 30 01 25 1 30 05 0C 2 00 – 00 00 – 02 30 05 0E 1 30 05 0F 2 11 2 00 – 00 00 – 03 Foot Controller 1 Layer 1 Destination MSB Foot Controller 1 Layer 1 Destination LSB Foot Controller 1 Layer 2 Destination MSB Foot Controller 1 Layer 2 Destination LSB Foot Controller 2 Layer 1 Destination MSB Foot Controller 2 Layer 1 Destination LSB Foot Controller 2 Layer 2 Destination MSB Foot Controller 2 Layer 2 Destination LSB 00 – 01 Foot Switch Mode 2 00 – 00 Pedal-Left Layer 1 Destination MSB Pedal-Left Layer 1 Destination LSB 00 – 04 00 – 00 00 – 04 Pedal-Left Layer 2 Destination MSB Pedal-Left Layer 2 Destination LSB 30 05 18 1 00 – 01 Pedal-Left Switch Mode 30 05 19 2 00 – 00 Pedal-Center Layer 1 Destination MSB Pedal-Center Layer 1 Destination LSB 00 – 04 30 05 1D 2 1 TOTAL SIZE = 30 — off, Volume, ModEffect — off, Volume, ModEffect Momentary, Latch 1 1B off, Volume, ModEffect off, VibOn, BypassModEffect, BypassPowerAmp 14 30 05 — Foot Switch Layer 2 Destination MSB Foot Switch Layer 2 Destination LSB 13 2 — off, Volume, ModEffect off, VibOn, BypassModEffect, BypassPowerAmp 30 05 16 — off, ModEffect Foot Switch Layer 1 Destination MSB Foot Switch Layer 1 Destination LSB 30 05 30 05 — off, ModEffect reserved 00 – 00 00 – 03 30 05 Pitch Bend Layer 2 Destination MSB Pitch Bend Layer 2 Destination LSB Notes reserved 00 – 00 00 – 02 44 (HEX) 30 01 TOTAL SIZE = 38 30 05 Pitch Bend Layer 1 Destination MSB Pitch Bend Layer 1 Destination LSB Description reserved 00 – 00 00 – 02 30 00 Parameter Name 00 – 00 00 – 04 00 – 01 Pedal-Center Layer 2 Destination MSB Pedal-Center Layer 2 Destination LSB — — — off, Soft, VibOn, BypassModEffect, BypassPowerAmp — off, Soft, VibOn, BypassModEffect, BypassPowerAmp Momentary, Latch — off, Sostenuto, VibOn, BypassModEffect, BypassPowerAmp — off, Sostenuto, VibOn, BypassModEffect, BypassPowerAmp Pedal-Center Switch Mode Momentary, Latch 1E (HEX) off, on Reserved 26 (HEX) CP1 Data List 15 MIDI Data Table MIDI PARAMETER CHANGE TABLE (PERFORMANCE PART) Address Size 30 06 00 1 30 06 01 1 Data Range (HEX) 00 – 09 00 – 05 Parameter Name Description Notes Address Size Data Range (HEX) Parameter Name reserved 31 0p 00 1 00 – 7F Bank Select MSB 0 – 127 Knob 1 Destination MSB off, Piano1, Pre-Amp1, ModEffect1, Power-Amp1, Piano2, Pre-Amp2, ModEffect2, Power-Amp2, Rev 31 0p 01 1 00 – 7F Bank Select LSB 0 – 127 31 0p 02 1 00 – 7F Program Number 1 – 128 31 0p 0B 1 00 – 7F Velocity Sense Depth 0 – 127 30 06 02 1 30 06 04 1 reserved 30 06 05 1 reserved Knob 1 Destination LSB Para1, Para2, Para3, Para4, Para5, Para6 31 0p 0C 1 00 – 7F Velocity Sense Offset 0 – 127 31 0p 1 01 – 7F Pan L63 – C – R63 0E 31 0p 0F 1 00 – 0C Pitch Bend Range 0 – 12 31 0p 10 2 00 – 0F 00 – 0F Detune MSB Detune LSB -12.8 – +12.7 [Hz] 1st bit 3-0 bit 7-4 2nd bit 3-0 bit 3-0 30 06 06 1 00 – 09 Knob 2 Destination MSB off, Piano1, Pre-Amp1, ModEffect1, Power-Amp1, Piano2, Pre-Amp 2, ModEffect2, Power-Amp2, Rev 31 0p 12 1 00 – 7F Reverb Send 0 – 127 30 06 07 1 00 – 05 Knob 2 Destination LSB 31 0p 15 1 28 – 58 Note Shift -24 – +24 [semitones] 30 06 09 1 30 06 0A 1 30 06 0B 1 reserved 00 – 09 1 30 06 0E 1 reserved 30 06 0F 1 reserved 30 06 10 1 11 1 30 06 13 1 30 06 14 1 30 06 15 1 00 – 05 Knob 3 Destination MSB off, Piano1, Pre-Amp1, ModEffect1, Power-Amp1, Piano2, Pre-Amp2, ModEffect2, Power-Amp2, Rev 0C 30 06 00 – 09 00 – 05 Knob 3 Destination LSB Knob 4 Destination LSB 18 1 reserved 30 06 19 1 reserved 30 06 1A 1 1D 1 00 – 05 Knob 5 Destination MSB off, Piano1, Pre-Amp1, ModEffect1, Power-Amp1, Piano2, Pre-Amp2, ModEffect2, Power-Amp2, Rev 30 06 30 06 22 1 00 – 01 Piano On/Off off, on 31 0p 23 1 00 – 7F Decay Time -16 – +16 31 0p 24 1 00 – 7F Release Time -16 – +16 31 0p 25 1 30 – 50 Key-off Noise Level -16 – +16 31 0p 26 1 30 – 50 Damper Resonance Level -16 – +16 31 0p 27 1 3D – 43 Striking Position Top3, Top2, Top1, Default, Rear1, Rear2, Rear3 31 0p 28 1 3E – 42 Attack Timbre Soft2, Soft1, Default, Hard1, Hard2 31 0p 29 1 3E – 42 Hammer Stiffness Soft2, Soft1, Normal, Hard1, Hard2 31 0p 2A 1 30 – 50 Oscillator Detune -16 – +16 31 0p 2B 1 40 – 50 Release Tone 0 – 16 TOTAL SIZE = 48 reserved 00 – 09 1 1 Para1, Para2, Para3, Para4, Para5, Para6 31 0p reserved 16 1B Para1, Para2, Para3, Para4, Para5, Para6 Knob 4 Destination MSB off, Piano1, Pre-Amp1, ModEffect1, Power-Amp1, Piano2, Pre-Amp2, ModEffect2, Power-Amp2, Rev 30 06 30 06 Para1, Para2, Para3, Para4, Para5, Para6 reserved 30 06 TOTAL SIZE = 30 00 – 09 00 – 05 Knob 5 Destination LSB Para1, Para2, Para3, Para4, Para5, Para6 Knob 6 Destination MSB off, Piano1, Pre-Amp1, ModEffect1, Power-Amp1, Piano2, Pre-Amp2, ModEffect2, Power-Amp2, Rev Knob 6 Destination LSB reserved Para1, Para2, Para3, Para4, Para5, Para6 Address Size Data Range (HEX) Parameter Name 02 2 00 – 7F 00 – 7F Pre-Amp Parameter 1 MSB Pre-Amp Parameter 1 LSB 31 1p 04 2 00 – 7F 00 – 7F Pre-Amp Parameter 2 MSB Pre-Amp Parameter 2 LSB : 31 1p 06 2 00 – 7F 00 – 7F Pre-Amp Parameter 3 MSB Pre-Amp Parameter 3 LSB : 31 1p 08 2 00 – 7F 00 – 7F Pre-Amp Parameter 4 MSB Pre-Amp Parameter 4 LSB : 31 1p 0A 2 00 – 7F 00 – 7F Pre-Amp Parameter 5 MSB Pre-Amp Parameter 5 LSB : 31 1p 0C 2 00 – 7F 00 – 7F Pre-Amp Parameter 6 MSB Pre-Amp Parameter 6 LSB : 31 1p 0E 2 00 – 7F 00 – 7F Pre-Amp Parameter 7 MSB Pre-Amp Parameter 7 LSB : 31 1p 10 2 00 – 7F 00 – 7F Pre-Amp Parameter 8 MSB Pre-Amp Parameter 8 LSB : 31 1p 12 2 00 – 7F 00 – 7F Pre-Amp Parameter 9 MSB Pre-Amp Parameter 9 LSB : 31 1p 14 2 00 – 7F 00 – 7F Pre-Amp Parameter 10 MSB Pre-Amp Parameter 10 LSB : 31 1p 16 2 00 – 7F 00 – 7F Pre-Amp Parameter 11 MSB Pre-Amp Parameter 11 LSB : 31 1p 18 2 00 – 7F 00 – 7F Pre-Amp Parameter 12 MSB Pre-Amp Parameter 12 LSB : 31 1p 1A 2 00 – 7F 00 – 7F Pre-Amp Parameter 13 MSB Pre-Amp Parameter 13 LSB : 31 1p 1C 2 00 – 7F 00 – 7F Pre-Amp Parameter 14 MSB Pre-Amp Parameter 14 LSB : 31 1p 1E 2 00 – 7F 00 – 7F Pre-Amp Parameter 15 MSB Pre-Amp Parameter 15 LSB : 31 1p 20 2 00 – 7F 00 – 7F Pre-Amp Parameter 16 MSB Pre-Amp Parameter 16 LSB : 31 1p 22 1 31 1p 23 1 Refer to “Pre-Amplifier Parameter List.” 31 1p 24 1 31 1p 25 1 reserved reserved 00 – 01 Pre-Amp On/Off reserved 1p = Layer number 10 – 11 Layer 1 – 2 CP1 Data List Description 31 1p 1E (HEX) Notes 30 (HEX) 0p = Layer number 00-01 Layer 1 – 2 TOTAL SIZE = 38 16 Description off, on Notes MIDI Data Table Address Size Data Range (HEX) Parameter Name Description Notes Address Size Data Range (HEX) Parameter Name Description 31 2p 00 2 00 – 7F 00 – 7F Modulation Type MSB Modulation Type LSB Refer to “Modulation Effect Type List.” 31 3p 00 2 00 – 7F 00 – 7F Power-Amp Type MSB Power-Amp Type LSB Refer to “Power-Amplifier/ Compressor Type List.” 31 2p 02 2 00 – 7F 00 – 7F Modulation Parameter 1 MSB Modulation Parameter 1 LSB Refer to “Modulation Effect Parameter List.” 31 3p 02 2 00 – 7F 00 – 7F Power-Amp Parameter 1 MSB Power-Amp Parameter 1 LSB 31 2p 04 2 00 – 7F 00 – 7F Modulation Parameter 2 MSB Modulation Parameter 2 LSB : Refer to “Power-Amplifier/ Compressor Parameter List.” 31 3p 04 2 06 2 00 – 7F 00 – 7F Modulation Parameter 3 MSB Modulation Parameter 3 LSB : 00 – 7F 00 – 7F Power-Amp Parameter 2 MSB Power-Amp Parameter 2 LSB : 31 2p 31 3p 06 2 08 2 00 – 7F 00 – 7F Modulation Parameter 4 MSB Modulation Parameter 4 LSB : 00 – 7F 00 – 7F Power-Amp Parameter 3 MSB Power-Amp Parameter 3 LSB : 31 2p 31 3p 08 2 0A 2 00 – 7F 00 – 7F Modulation Parameter 5 MSB Modulation Parameter 5 LSB : 00 – 7F 00 – 7F Power-Amp Parameter 4 MSB Power-Amp Parameter 4 LSB : 31 2p 31 3p 0A 2 2 00 – 7F 00 – 7F Modulation Parameter 6 MSB Modulation Parameter 6 LSB : 00 – 7F 00 – 7F Power-Amp Parameter 5 MSB Power-Amp Parameter 5 LSB : 31 2p 0C 31 3p 0C 2 0E 2 00 – 7F 00 – 7F Modulation Parameter 7 MSB Modulation Parameter 7 LSB : 00 – 7F 00 – 7F Power-Amp Parameter 6 MSB Power-Amp Parameter 6 LSB : 31 2p 31 3p 0E 2 10 2 00 – 7F 00 – 7F Modulation Parameter 8 MSB Modulation Parameter 8 LSB : 00 – 7F 00 – 7F Power-Amp Parameter 7 MSB Power-Amp Parameter 7 LSB : 31 2p 31 3p 10 2 12 2 00 – 7F 00 – 7F Modulation Parameter 9 MSB Modulation Parameter 9 LSB : 00 – 7F 00 – 7F Power-Amp Parameter 8 MSB Power-Amp Parameter 8 LSB : 31 2p 31 3p 12 2 14 2 00 – 7F 00 – 7F Modulation Parameter 10 MSB Modulation Parameter 10 LSB : 00 – 7F 00 – 7F Power-Amp Parameter 9 MSB Power-Amp Parameter 9 LSB : 31 2p 31 3p 14 2 16 2 00 – 7F 00 – 7F Modulation Parameter 11 MSB Modulation Parameter 11 LSB : 00 – 7F 00 – 7F Power-Amp Parameter 10 MSB Power-Amp Parameter 10 LSB : 31 2p 31 3p 16 2 18 2 00 – 7F 00 – 7F Modulation Parameter 12 MSB Modulation Parameter 12 LSB : 00 – 7F 00 – 7F Power-Amp Parameter 11 MSB Power-Amp Parameter 11 LSB : 31 2p 31 3p 18 2 1A 2 00 – 7F 00 – 7F Modulation Parameter 13 MSB Modulation Parameter 13 LSB : 00 – 7F 00 – 7F Power-Amp Parameter 12 MSB Power-Amp Parameter 12 LSB : 31 2p 31 3p 1A 2 2 00 – 7F 00 – 7F Modulation Parameter 14 MSB Modulation Parameter 14 LSB : 00 – 7F 00 – 7F Power-Amp Parameter 13 MSB Power-Amp Parameter 13 LSB : 31 2p 1C 31 3p 1C 2 1E 2 00 – 7F 00 – 7F Modulation Parameter 15 MSB Modulation Parameter 15 LSB : 00 – 7F 00 – 7F Power-Amp Parameter 14 MSB Power-Amp Parameter 14 LSB : 31 2p 31 3p 1E 2 20 2 00 – 7F 00 – 7F Modulation Parameter 16 MSB Modulation Parameter 16 LSB : 00 – 7F 00 – 7F Power-Amp Parameter 15 MSB Power-Amp Parameter 15 LSB : 31 2p 31 3p 20 2 22 1 reserved 00 – 7F 00 – 7F Power-Amp Parameter 16 MSB Power-Amp Parameter 16 LSB : 31 2p 31 2p 23 1 reserved 31 3p 22 1 31 3p 23 1 31 3p 24 1 31 3p 25 1 31 2p 31 2p 24 25 1 1 00 – 01 Modulation On/Off reserved TOTAL SIZE = 38 2p = Layer number 20 – 21 Layer 1 – 2 off, on Notes reserved reserved 00 – 01 Power-Amp On/Off off, on reserved TOTAL SIZE = 38 3p = Layer number 30-31 Layer 1 – 2 CP1 Data List 17 MIDI Data Table MIDI PARAMETER CHANGE TABLE (MASTER KEYBOARD ZONE) Address 32 nn 00 Size 1 00 – 3F Parameter Name Transmit Channel, MIDI/TG Switch Description bit 0 – 3: Ch1..16 bit 4: MIDI off, on bit 5: TG off, on 32 nn 03 1 00 – 7F Note Limit Low C -2..G8 32 nn 04 1 00 – 7F Note Limit High C -2..G8 32 nn 09 1 00 – 7F MIDI Bank MSB 0..127 32 nn 0A 1 00 – 7F MIDI Bank LSB 0..127 32 nn 0B 1 00 – 7F MIDI Program Number 1..128 32 nn 0C 1 00 – 7F Transmit FC1 reserved Transmit Sustain Transmit Bank Select Transmit Program Change reserved Transmit PB bit 0: off, on FC1 bit 1: on bit 2: off, on Sustain bit 3: off, on Bank Select bit 4: off, on Program Change bit 5: on bit 6: off, on PB Transmit FC2 reserved reserved reserved reserved reserved reserved bit 0: off, on FC2 bit 1: on bit 2: on bit 3: on bit 4: on bit 5: on bit 6: on 32 nn 0D 1 TOTAL SIZE = 16 18 Data Range (HEX) 00 – 7F 10 (HEX) nn = zone number 00 – 03 CP1 Data List Notes All bits other than bit 4 are fixed at the corresponding default value. bit 1 is fixed at 1 bit 5 is fixed at 1 bit 1 is fixed at 1 bit 2 is fixed at 1 bit 3 is fixed at 1 bit 4 is fixed at 1 bit 5 is fixed at 1 bit 6 is fixed at 1 MIDI Implementation Chart YAMAHA [Stage Piano] Model CP1 MIDI Implementation Chart Function... Transmitted Recognized Date :22-JUL-2009 Version : 1.0 Remarks Basic Channel Default Changed 1 - 16 1 - 16 1 - 16 1 - 16 Memorized Default Messages Altered 3 X ************** 1 1,3 X Memorized Mode 0 - 127 ************** 0 - 127 0 - 127 Transpose Note Number : True voice Velocity Note ON O 9nH,v=1-127 Note OFF X 9nH,v=0 O 9nH,v=1-127 X After Touch Key's Ch's X X X X O O O O X O O O X O X X O O O O O O O O O O O O O 0 - 127 ************** O 0 - 15 0 - 15 O O : Song Pos. X : Song Sel. X : Tune X X X X Pitch Bend Control Change Prog Change 0,32 7,10,11 6,38 64 66 67 72,75 91 96-97 100-101 1-31,33-95 : True # System Exclusive Common System : Clock Real Time : Commands X X X X : : : Mes- : sages: : X X X X O X O (120,126,127) O (121) X O (123-125) O X Aux All Sound Off Reset All Cntrls Local ON/OFF All Notes OFF Active Sense Reset Bank Select Data Entry Sustain Sw Sostenuto Soft Pedal Sound Controller Effect Depth RPN Inc,Dec RPN LSB,MSB Assignable Cntrl Notes: Mode 1 : OMNI ON , POLY Mode 3 : OMNI OFF, POLY Mode 2 : OMNI ON ,MONO Mode 4 : OMNI OFF,MONO O : Yes X : No CP1 Data List 19 U.R.G., Digital Musical Instruments Division © 2009-2012 Yamaha Corporation 208MWTO-D0 WR95740 Printed in Japan
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File Type : PDF File Type Extension : pdf MIME Type : application/pdf PDF Version : 1.6 Linearized : Yes Encryption : Standard V1.2 (40-bit) User Access : Print, Copy, Fill forms, Extract, Assemble, Print high-res Author : U.R.G., Digital Musical Instruments Division, Yamaha Corporation Create Date : 2012:07:24 17:11:44Z Modify Date : 2012:08:03 14:38:40+09:00 Subject : cp1_en_dl_d0 XMP Toolkit : Adobe XMP Core 4.2.1-c043 52.372728, 2009/01/18-15:08:04 Creator Tool : FrameMaker 8.0 Metadata Date : 2012:08:03 14:38:40+09:00 Format : application/pdf Title : CP1 Data List Creator : U.R.G., Digital Musical Instruments Division, Yamaha Corporation Description : cp1_en_dl_d0 Producer : Acrobat Distiller 9.5.1 (Windows) Document ID : uuid:7f69b58e-f709-41af-80ec-a35eabff7326 Instance ID : uuid:34d91371-128a-403d-b423-e9003964d42a Page Mode : UseOutlines Page Count : 20EXIF Metadata provided by EXIF.tools