Yamaha CP1 Data List En Dl D0

User Manual: Yamaha CP1 Data List

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EN
Data List
Contents
Performance List .............................................. 2
Piano Block ...................................................... 4
Modulation Effect Block.................................... 6
Power-Amplifier/Compressor Block ..................8
Reverb Block .................................................... 9
MIDI Data Format .......................................... 10
MIDI Data Table .............................................. 13
MIDI Implementation Chart............................ 19
2CP1 Data List
Performance List
Bank Number Performance
Name Part Piano Type Modulation Power Amp Reverb Description
PRE A 001 CF Grand 1 CF 3Band D Chorus VCM Compressor 376 Rich Hall A natural piano sound sampled from the CFIIIS and well suited
to a wide range of playing situations and practically every style
of music.
2DXEP 2 Small Phaser Clean Amp
PRE A 002 S6 Grand 1 S6 2Band Small Phaser VCM Compressor 376 Rich Room A woody, warm piano sound sampled from the S6B and ideal for
intricate melodies.
2Dyno D Chorus Clean Amp
PRE A 003 CF Rock 1 CF 2Band D Chorus VCM Compressor 376 Rich Room A bright, clear piano sound perfect for playing rock and pop.
2DXEP 2 Small Phaser Clean Amp
PRE A 004 S6 Lounge 1 S6 3Band Small Phaser VCM Compressor 376 Rich Plate A beautiful, sustained S6B sound producing a rich ambiance
even when very few notes are played.
2DXEP 2 Small Phaser Clean Amp
PRE A 005 Lush Piano 1 CF 3Band Small Phaser Clean Amp Rich Hall Allowing the richness of the CFIIIS to shine, this piano sound is
highly effective when used in ballads and solo performances.
273Rd I Chorus VCM Compressor 376
PRE A 006 CF Chorus 1 CF 3Band Chorus VCM Compressor 376 Rich Hall A piano sound with chorus added to better suit playing backing
for singers or playing as part of an ensemble.
2DXEP 2 Small Phaser Clean Amp
PRE A 007 CF Comp 1 CF 3Band Chorus VCM Compressor 376 Rich Room A rock-type piano sound with compression applied to realize a
level of power rivaling that of the electric guitar.
2CP80 Chorus Clean Amp
PRE A 008 TheOldPno 1 CF 3Band Pedal Wah VCM Compressor 376 Room1 A nostalgic-sounding piano ideal for use in genres such as
honky tonk and ragtime.
2 S6 3Band Pedal Wah VCM Compressor 376
PRE A 009 CP80Studio 1 CP80 D Chorus Clean Amp Stage2 A faithful recreation of the sound of a studio-recorded CP80.
2DXEP 1 Small Phaser Clean Amp
PRE A 010 CP80 Live 1 CP88 D Chorus Clean Amp Stage1 A CP80 sound of the type frequently heard in live situations.
2DXEP 2 Small Phaser Clean Amp
PRE A 011 CP80Chorus 1 CP80 D Chorus Clean Amp Rich Room A CP80 sound with chorus applied to better suit longer, sparser
tones.
2DXEP 2 Small Phaser Clean Amp
PRE A 012 CP Blend 1 CF 3Band Small Phaser Clean Amp Rich Plate A totally new, chorus-type piano sound with a unique character
that sets it apart from both grand pianos and the CP80.
2 CP88 816Chorus Clean Amp
PRE A 013 DXEP 1 1 DXEP 1 816Chorus VCM Compressor 376 Stage2 An stunning recreation of the Fulltine voice of the DX7 II, so
enriched by the 816Chorus that you could be forgiven for
thinking that you are actually playing a TX816.
2CF 3Band Symphonic Clean Amp
PRE A 014 DXEP 2 1 DXEP 2 D Chorus Clean Amp Stage2 A rich sound similar to DXEP 1 but having a more refined tone.
2CF 3Band Symphonic Clean Amp
PRE A 015 DXEP 3 1 DXEP 3 816Chorus Clean Amp Rich Room A DX electric piano sound with characteristic metal attack
allowing it to stand out within an ensemble.
2CF 3Band Symphonic Clean Amp
PRE A 016 DXEP 4 1 DXEP 4 816Chorus Clean Amp Rich Room A next-generation DX electric piano sound with a well balanced
attack for versatility in many different playing situations.
2CF 3Band Symphonic Clean Amp
PRE B 001 Case 71 1 71Rd I MAX100 Power Amp 71Rd I Rich Plate A recreation of the oldest of Rd I piano sounds with the
distinctive warmth of felt hammers.
275Rd I MAX100 Power Amp 71Rd I
PRE B 002 Case 73 1 73Rd I Small Phaser Power Amp 73Rd I Rich Plate The classic full sound of the 1973 Rd I electric piano.
275Rd I D Chorus Clean Amp
PRE B 003 Case 75 1 75Rd I Small Phaser Power Amp 75Rd I Rich Plate A stunning recreation of the clear, well-balanced, vintage sound
of later-stage Rd I pianos.
2CP80 Touch Wah Clean Amp
PRE B 004 Case 78 1 78Rd II MAX90 Power Amp 78Rd II Rich Plate A bright, dynamic electric piano sound characteristic of the Rd
II.
275Rd I Flanger Power Amp 78Rd II
PRE B 005 71 Tremolo 1 71Rd I MAX90 Power Amp 71Rd I Rich Plate A 71Rd I piano sound with tremolo and a relatively high level of
amplifier drive giving rise to exquisite distortion as the tone is
modulated.
2CP88 Touch Wah VCM Compressor 376
PRE B 006 Simple 73 1 73Rd I Chorus VCM Compressor 376 Rich Plate The sound of a compressed 73Rd I electric piano, output as a
line signal without passing through the speakers.
269Wr D Chorus VCM Compressor 376
PRE B 007 Phase 75 1 75Rd I MAX90 Clean Amp Rich Plate One of the most recognizable and widely used sounds of the
Rd series, achieved by using a phaser in combination with the
75Rd I.
2CP80 MAX100 Power Amp 78Rd II
PRE B 008 Chorus 78 1 78Rd II D Chorus Power Amp 75Rd I Rich Plate A bright piano sound combining the 78Rd II and the chorus
effect that suits it so well.
2DXEP 4 816Chorus Clean Amp
PRE B 009 Dyno Live 1 Dyno D Chorus VCM Compressor 376 Rich Plate The clear, metallic sound produced by the classic combination
of Rd II piano and Dyno amp.
2DXEP 4 Symphonic Clean Amp
PRE B 010 DynoChorus 1 Dyno Symphonic Power Amp 78Rd II Rich Room A Dyno-type electric piano sound and the type of chorus effect
with which it is so well matched.
2CF 3Band Small Phaser Clean Amp
PRE B 011 West Coast 1 78Rd II Flanger Clean Amp Rich Plate A classic sound put to great use in the West Coast pop of the
eighties.
2 Dyno Symphonic VCM Compressor 376
PRE B 012 Dist Drive 1 73Rd I D Chorus Power Amp 75Rd I Rich Plate A thick Rd I sound with distinctive amplifier-driven distortion.
2 75Rd I Small Phaser Power Amp 73Rd I
PRE B 013 Groove 69 1 69Wr 816Chorus Power Amp 75Rd I Rich Plate This early-type Wr piano sound is perfectly suited to R&B and
other funky performances, and in addition, its pick-up settings
can be changed to great effect.
275Rd I D Chorus Power Amp 69Wr
Performance List
CP1 Data List 3
: Parts turned off by default.
PRE B 014 Loud 6x9s 1 77Wr MAX90 Power Amp 77Wr Woody Room A latter-type Wr electric piano sound featuring amplifier-driven
distortion for extra loudness.
273Rd I Small Phaser Power Amp 77Wr
PRE B 015 Fat Wurli 1 69Wr D Chorus VCM Compressor 376 Rich Room A thick, heavy electric piano sound with fast attack produced
using a compressor.
2DXEP 2 Symphonic Clean Amp
PRE B 016 77 Tremolo 1 77Wr 816Chorus Power Amp 77Wr Woody Room Featuring a tremolo effect, this latter-type Wr electric piano
sound is thicker, richer, and more powerful than those produced
by earlier models.
2CF 3Band Small Phaser Clean Amp
PRE C 001 APmeetsDX 1 CF 3Band D Chorus Clean Amp Rich Plate A layered sound recreating the popular, perfectly-matched
combination of CFIIIS acoustic piano and DX electric piano.
2 DXEP 1 Symphonic Power Amp 78Rd II
PRE C 002 ChimeStack 1 S6 3Band D Chorus Clean Amp Rich Plate A rich sound achieved by combining the woody tones of the S6
3Band and the metallic attack of the DXEP3 so as to perfectly
complement each other.
2 DXEP 3 Symphonic VCM Compressor 376
PRE C 003 CPDXHybrid 1 CP88 816Chorus VCM Compressor 376 Rich Plate This thick tone blends the warmth of the CP80 with the electric
piano sound of the DX.
2 DXEP 4 Chorus Power Amp 69Wr
PRE C 004 Ultra Warm 1 CF 3Band Small Phaser Clean Amp Rich Plate With the Attack Timbre (AtkTimbr) parameter of a DXEP3 part
set to “Soft2” so that it bridges the gaps behind a CF 3Band
part, this layered sound can be played in much the same way as
a pad.
2 DXEP 3 816Chorus Power Amp 73Rd I
PRE C 005 MyCF&Dyno 1 CF 3Band D Chorus Clean Amp Rich Plate A sound recreating the combination of electric and acoustic
pianos adopted as standard for ballads, pop, and many other
genres prior to the arrival of the DX electric piano.
2 Dyno Symphonic Power Amp 78Rd II
PRE C 006 CP Backed 1 CP80 Symphonic VCM Compressor 376 Rich Room A CP80 sound with emphasized attack and Dyno-type nuances.
2 Dyno Symphonic Power Amp 78Rd II
PRE C 007 CF75 AsOne 1 75Rd I Small Phaser VCM Compressor 376 Rich Plate A layered tone combining a CFIIIS acoustic piano and a 75Rd I
electric piano featuring a phaser effect to effortlessly reproduce
the famous sound of the seventies and eighties that, at the time,
could only be achieved through overdubbing.
2 CF 3Band D Chorus VCM Compressor 376
PRE C 008 Film Blend 1 S6 3Band Symphonic VCM Compressor 376 Rich Plate A grand, dreamlike layered sound reminiscent of movie
soundtracks.
2 78Rd II D Chorus Power Amp 78Rd II
PRE C 009 Bell Tines 1 Dyno Symphonic Power Amp 78Rd II Woody Room A glittering sound achieved by layering a DX electric piano over
the distinctive metallic tones of a Dyno piano.
2 DXEP 1 D Chorus VCM Compressor 376
PRE C 010 High Tines 1 75Rd I Chorus Power Amp 75Rd I Rich Hall Featuring a DX electric piano layered over an Rd I piano, this
sound delivers tones with a wide-ranging attack feel.
2 DXEP 1 816Chorus VCM Compressor 376
PRE C 011 FunkyWurli 1 77Wr Touch Wah Power Amp 77Wr Rich Plate A layered sound combining a Wr piano ideal for rhythmical,
paradiddle-type playing with a DX electric piano featuring a wah
effect.
2 DXEP 3 Touch Wah VCM Compressor 376
PRE C 012 8va Latin 1 CF 3Band 816Chorus VCM Compressor 376 Room2 Perfect for playing Latin-type phrases, this sound combines a
pair of acoustic pianos offset by an octave with respect to each
other.
2 S6 3Band Chorus VCM Compressor 376
PRE C 013 75Phase/S6 1 75Rd I MAX90 Power Amp 75Rd I Rich Hall A split sound allowing grand piano solos to be played with Rd
piano backing.
2 S6 3Band D Chorus Clean Amp
PRE C 014 WahLead/75 1 75Rd I Touch Wah Power Amp 75Rd I Room1 This split sound features an Rd piano combined with a wah
effect for playing in the same way as a synth lead.
2 75Rd I Touch Wah Power Amp 78Rd II
PRE C 015 Jazz Split 1 71Rd I Flanger VCM Compressor 376 Rich Plate Another split sound, this time with a 71Rd I piano setup for
playing of bass tones.
2 CF 3Band D Chorus Clean Amp
PRE C 016 What a CP! 1 CF 3Band Small Phaser Clean Amp Rich Plate Prepared specially for the demo song “What a CP!”, this piano
sound has KbdMode set to “zone” for highly effective duo
performances.
2 75Rd I Small Phaser Power Amp 75Rd I
Bank Number Performance
Name Part Piano Type Modulation Power Amp Reverb Description
4CP1 Data List
Piano Type List
Piano Block
Piano Type & Pre-Amplifier Parameter List
[1] CF 3Band, [3] S6 3Band
[2] CF 2Band, [4] S6 2Band
[5] CP80, [6] CP88
[7] 71Rd I, [8] 73Rd I, [9] 75Rd I
Type name
1 CF 3Band
2 CF 2Band
3 S6 3Band
4 S6 2Band
5CP80
6CP88
771Rd I
873Rd I
975Rd I
10 78Rd II
11 Dyno
12 69Wr
13 77Wr
14 DXEP 1
15 DXEP 2
16 DXEP 3
17 DXEP 4
No. Parameter Range Value
Piano Type Parameters
1 Decay (Decay Time) -16 – +16 0 – 127
2 Release (Release Time) -16 – +16 0 – 127
3 Key-off (Key-off Noise Level) -16 – +16 48 – 80
4 DampReso
(Damper Resonance Level)
-16 – +16 48 – 80
5 Hammer (Hammer Stiffness) Soft2, Soft1, Normal, Hard1,
Hard2
62 – 66
Pre-amplifier Parameters
1 Bass -12.0dB – +12.0dB 40 – 88
2 Mid Freq 100.0Hz – 18.0kHz 32 – 122
3 Mid -12.0dB – +12.0dB 40 – 88
4 Treble -12.0dB – +12.0dB 40 – 88
5 Volume 0 – 127 0 – 127
6---
7---
8---
9---
10 ---
11 ---
12 ---
13 ---
14 ---
15 Input Gain -18.0dB – +4.0dB 28 – 72
No. Parameter Range Value
Piano Type Parameters
1 Decay (Decay Time) -16 – +16 0 – 127
2 Release (Release Time) -16 – +16 0 – 127
3 Key-off (Key-off Noise Level) -16 – +16 48 – 80
4 DampReso
(Damper Resonance Level)
-16 – +16 48 – 80
5 Hammer (Hammer Stiffness) Soft2, Soft1, Normal, Hard1,
or Hard2
62 – 66
Pre-amplifier Parameters
1 Peak1 Freq 63.0Hz – 2.8kHz 24 – 90
2 Peak1 Gain -12.0dB – +12.0dB 40 – 88
3 Peak2 Freq 400.0Hz – 18.0kHz 56 – 122
4 Peak2 Gain -12.0dB – +12.0dB 40 – 88
5 Volume 0 – 127 0 – 127
6 ---
7 ---
8 ---
9 ---
10 ---
11 ---
12 ---
13 ---
14 ---
15 Input Gain -18.0dB – +4.0dB 28 – 72
16 ---
No. Parameter Range Value
Piano Type Parameters
1 Decay (Decay Time) -16 – +16 0 – 127
2 Release (Release Time) -16 – +16 0 – 127
3 Key-off (Key-off Noise Level) -16 – +16 48 – 80
4 ---
5 Hammer (Hammer Stiffness) Soft2, Soft1, Normal, Hard1,
or Hard2
62 – 66
Pre-amplifier Parameters
1 Bass 0 – 10.0 0 – 50
2 Middle 0 – 10.0 0 – 50
3 Treble 0 – 10.0 0 – 50
4 Brilliance Low, Medium, High 0 – 2
5 Volume 0 – 127 0 – 127
6 ---
7 ---
8 ---
9 ---
10 ---
11 ---
12 ---
13 ---
14 ---
15 Input Gain -18.0dB – +4.0dB 28 – 72
16 ---
No. Parameter Range Value
Piano Type Parameters
1Decay (Decay Time) -16 – +16 0 – 127
2Release (Release Time) -16 – +16 0 – 127
3Key-off (Key-off Noise Level) -16 – +16 48 – 80
4StrkPos (Striking Position) Top3 to Top1, Default, or
Rear1 to Rear3
61 – 67
5Hammer (Hammer Stiffness) Soft2, Soft1, Normal,
Hard1, or Hard2
62 – 66
Pre-amplifier Parameters
1Bass -10.0 – +10.0 0 – 50
2Treble -10.0 – +10.0 0 – 50
3Vibrato Depth 0 – 10.0 0 – 50
4Vibrato Speed 0 – 10.0 0 – 50
5Volume 0 – 127 0 – 127
6---
7---
8---
9---
10 ---
11 ---
No. Parameter Range Value
Piano Block
CP1 Data List 5
[10] 78Rd II
[11] Dyno
[12] 69Wr, [13] 77Wr
[14] DXEP 1, [15] DXEP 2, [16] DXEP 3, [17] DXEP 4
12 ---
13 ---
14 ---
15 Input Gain -18.0dB – +4.0dB 28 – 72
16 ---
No. Parameter Range Value
Piano Type Parameters
1 Decay (Decay Time) -16 – +16 0 – 127
2 Release (Release Time) -16 – +16 0 – 127
3 Key-off (Key-off Noise Level) -16 – +16 48 – 80
4 StrkPos (Striking Position) Top3 to Top1, Default, or
Rear1 to Rear3
61 – 67
5 Hammer (Hammer Stiffness) Soft2, Soft1, Normal, Hard1,
or Hard2
62 – 66
Pre-amplifier Parameters
1 Bass -10.0 – +10.0 0 – 50
2 Treble -10.0 – +10.0 0 – 50
3 Vibrato Depth 0 – 10.0 0 – 50
4 Vibrato Speed 0 – 10.0 0 – 50
5 Volume 0 – 127 0 – 127
6---
7---
8---
9---
10 ---
11 ---
12 ---
13 ---
14 ---
15 Input Gain -18.0dB – +4.0dB 28 – 72
16 ---
No. Parameter Range Value
Piano Type Parameters
1 Decay (Decay Time) -16 – +16 0 – 127
2 Release (Release Time) -16 – +16 0 – 127
3 Key-off (Key-off Noise Level) -16 – +16 48 – 80
4 StrkPos (Striking Position) Top3 to Top1, Default, or
Rear1 to Rear3
61 – 67
5 Hammer (Hammer Stiffness) Soft2, Soft1, Normal, Hard1,
or Hard2
62 – 66
Pre-amplifier Parameters
1 Bass Boost 0 – 10.0 0 – 50
2 Normal 0 – 10.0 0 – 50
3 Overtone 0 – 10.0 0 – 50
4---
5 Volume 0 – 127 0 – 127
6---
7---
8---
9---
10 ---
11 ---
12 ---
13 ---
14 ---
15 Input Gain -18.0dB – +4.0dB 28 – 72
16 ---
No. Parameter Range Value
No. Parameter Range Value
Piano Type Parameters
1 Decay (Decay Time) -16 – +16 0 – 127
2 Release (Release Time) -16 – +16 0 – 127
3 Key-off (Key-off Noise Level) -16 – +16 48 – 80
4 StrkPos (Striking Position) Top3 to Top1, Default, or
Rear1 to Rear3
61 – 67
5 Hammer (Hammer Stiffness) Soft2, Soft1, Normal, Hard1,
or Hard2
62 – 66
Pre-amplifier Parameters
1 Bass -10.0 – +10.0 0 – 50
2 Mid Boost 0.0 – +10.0 0 – 50
3 Treble -10.0 – +10.0 0 – 50
4 Vibrato Depth 0-10.0 0 – 50
5 Volume 0 – 127 0 – 127
6 ---
7 ---
8 ---
9 ---
10 ---
11 ---
12 ---
13 ---
14 ---
15 Input Gain -18.0dB – +4.0dB 28 – 72
16 ---
No. Parameter Range Value
Piano Type Parameters
1 Decay (Decay Time) -16 – +16 0 – 127
2 Release (Release Time) -16 – +16 0 – 127
3 Rls Tone (Release Tone) 0 – 16 64 – 80
4 AtkTimbr (Attack Timbre) Soft2, Soft1, Normal, Hard1,
or Hard2
62 – 66
5 OscDetun (Oscillator Detune) -16 – +16 48 – 80
Pre-amplifier Parameters
1 Low -12.0dB – +12.0dB 40 – 88
2 Low Middle -12.0dB – +12.0dB 40 – 88
3 High Middle -12.0dB – +12.0dB 40 – 88
4 High -12.0dB – +12.0dB 40 – 88
5 Volume 0 – 127 0 – 127
6 ---
7 ---
8 ---
9 ---
10 ---
11 ---
12 ---
13 ---
14 ---
15 Input Gain -18.0dB – +4.0dB 28 – 72
16 ---
6CP1 Data List
Modulation Effect Type List
Modulation Effect Block
Modulation Effect Parameter List
[1] SmallPha (Small Phaser)
[2] MAX90
[3] MAX100
[4] Flanger
[5] TouchWah (Touch Wah)
Type name Type (HEX)
MSB LSB
1 SmallPha (Small Phaser) 20 00
2 Max90 21 00
3Max100 22 00
4 Flanger 23 00
5 TouchWah (Touch Wah) 24 00
6 PedalWah (Pedal Wah) 25 00
7Chorus 26 00
8 D Chorus 27 00
9 816Cho (816Chorus) 28 00
10 Sympho (Symphonic) 29 00
No. Parameter Range Value Control
1 Rate 0.092Hz – 16.270Hz
(when Color is set to “0.”)
0.06Hz – 11.07Hz
(when Color is set to “1.”)
0 – 127 -
2 Color 0, 1 0 – 1
3 Drive 0 – 42 0 – 42
4---
5---
6---
7---
8---
9---
10 ---
11 ---
12 ---
13 ---
13 ---
15 ---
16 ---
No. Parameter Range Value Control
1 Speed 0.100Hz – 10.000Hz 0 – 127 -
2 Type 1, 2 0 – 1
3 Drive 0 – 127 0 – 127
4---
5---
6---
7---
8---
9---
10 ---
11 ---
12 ---
13 ---
14 ---
15 ---
16 ---
No. Parameter Range Value Control
1 Speed 0.100Hz – 10.000Hz 0 – 127 -
2 Mode 1, 2, 3, 4 0 – 3
3 ---
4 ---
5 ---
6 ---
7 ---
8 ---
9 ---
10 ---
11 ---
12 ---
13 ---
14 ---
15 ---
16 ---
No. Parameter Range Value Control
1 Speed 0.040Hz – 10.00Hz 0 – 235
2 Manual 0 – 127 0 – 127
3 Depth 0 – 127 0 – 127
4 Feedback 0 – 127 0 – 127
5 ---
6 ---
7 Mix 0 – 127 0 – 127 -
8 ---
9 ---
10 ---
11 ---
12 ---
13 ---
14 ---
15 ---
16 ---
No. Parameter Range Value Control
1 Sensitivity 0 – 127 0 – 127 -
2 Bottom 0 – 127 0 – 127
3 Top 0 – 127 0 – 127
4 Resonance Offset -12.0 – +12.0 40 – 88
5 ---
6 ---
7 Drive 0.0dB – +40.0dB 0 – 80
8 ---
9 ---
10 ---
11 ---
12 ---
13 ---
14 ---
15 ---
16 ---
Modulation Effect Block
CP1 Data List 7
[6] PedalWah (Pedal Wah)
[7] Chorus
[8] D Chorus
[9] 816Cho (816Chorus)
[10] Sympho (Symphonic)
No. Parameter Range Value Control
1 Pedal Control 0 – 127 0 – 127 -
2 Bottom 0 – 127 0 – 127
3 Top 0 – 127 0 – 127
4 Resonance Offset -12.0 – +12.0 40 – 88
5---
6---
7 Drive 0.0dB – +40.0dB 0 – 80
8---
9---
10 ---
11 ---
12 ---
13 ---
14 ---
15 ---
16 ---
No. Parameter Range Value Control
1 Speed 0.040Hz – 10.00Hz 0 – 235
2---
3 Depth 0 – 127 0 – 127
4---
5---
6---
7 Mix 0 – 127 0 – 127 -
8---
9---
10 ---
11 ---
12 ---
13 ---
14 ---
15 ---
16 ---
No. Parameter Range Value Control
1 Type Type1 – Type5 0 – 4
2---
3---
4---
5---
6---
7---
8---
9---
10 ---
11 ---
12 ---
13 ---
14 ---
15 ---
16 ---
No. Parameter Range Value Control
1 Speed 0.100Hz – 10.000Hz 0 – 127
2 Phase 0, 30, 45, 60, 90, …, 330 0 – 15
3 Depth 0 – 127 0 – 127
4 Feedback 0 – 127 0 – 127
5 ---
6 ---
7 ---
8 ---
9 ---
10 Mix 1 – 127 1 – 127 -
11 ---
12 ---
13 ---
14 ---
15 ---
16 ---
No. Parameter Range Value Control
1 Speed 0.0Hz – 39.7Hz 0 – 127
2 Depth 0 – 127 0 – 127
3 Delay 0.0ms – 50.0ms 0 – 127
4 ---
5 ---
6 ---
7 ---
8 ---
9 ---
10 Mix 1 – 127 1 – 127 -
11 ---
12 ---
13 ---
14 ---
15 ---
16 ---
8CP1 Data List
Power-Amplifier/Compressor Type List
Power-Amplifier/Compressor Block
Power-Amplifier/Compressor Parameter List
[1] – [6] Power Amp 71Rd I / 73Rd I / 75Rd I / 78Rd II / 69Wr / 77Wr
[7] Clean (Clean Amp)
[8] Comp376 (Compressor 376)
Type name Type (HEX)
MSB LSB
1 71Rd I (PowerAmp 71Rd I) 30 00
2 73Rd I (PowerAmp 73Rd I) 31 00
3 75Rd I (PowerAmp 75Rd I) 32 00
4 78Rd II (PowerAmp 78Rd II) 33 00
5 69Wr (PowerAmp 69Wr) 34 00
6 77Wr (PowerAmp 77Wr) 35 00
7 Clean (Clean Amp) 36 00
8 Comp376 (Compressor 376) 37 00
No. Parameter Range Value
1 Drive 0 – 100 0 – 100
2 Speaker Type 71Rd I / 73Rd I / 75Rd I /
78Rd II / 69Wr / 77Wr
0 – 5
3 Line Balance L63>S – L<S63 1 – 127
4---
5 Output 0 – 127 0 – 127
6---
7---
8---
9---
10 ---
11 ---
12 ---
13 ---
14 ---
15 ---
16 ---
No. Parameter Range Value
1 Output 0 – 127 0 – 127
2---
3---
4---
5---
6---
7---
8---
9---
10 ---
11 ---
12 ---
13 ---
14 ---
15 ---
16 ---
No. Parameter Range Value
1 Drive 0 – 100 0 – 100
2 Output 0 – 127 0 – 127
3 Ratio 2, 4, 8, 12, 20 0 – 4
4 Attack 0.203ms – 50.40ms 21 – 200
5 Release 11.96ms – 544.22ms 9 – 200
6 ---
7 ---
8 ---
9 ---
10 ---
11 ---
12 ---
13 ---
14 ---
15 ---
16 ---
CP1 Data List 9
Reverb Type List
Reverb Block
Reverb Parameter List
[1] RichHall (Rich Hall), [2] RichPlate (Rich Plate),
[3] RichRoom (Rich Room), [5] Room1, [6] Room2,
[7] Stage1, [8] Stage2
[4] WoodRoom (Woody Room)
Type name Type (HEX)
MSB LSB
1 RichHall (Rich Hall) 01 00
2 RichPlate (Rich Plate) 01 01
3 RichRoom (Rich Room) 01 02
4 WoodRoom (Woody Room) 01 03
5 Room1 01 04
6 Room2 01 05
7Stage1 01 06
8Stage2 01 07
No. Parameter Range Value
1 Reverb Time 0.3s – 10.0ms 0 – 69
2---
3---
4 HPF Cutoff Frequency 20Hz – 8.0kHz 0 – 52
5---
6---
7---
8---
9---
10 ---
11 ---
12 ---
13 ---
14 Feedback High Damp 0.1 – 1.0 1 – 10
15 ---
16 ---
No. Parameter Range Value
1 Reverb Time 0.3s – xy.zs 0 – 69
2---
3---
4 HPF Cutoff Frequency 20Hz – 8.0kHz 0 – 52
5---
6---
7---
8---
9---
10 ---
11 ---
12 ---
13 ---
14 ---
15 ---
16 ---
10 CP1 Data List
MIDI Data Format
Many MIDI messages listed in the MIDI Data Format section are expressed in hexadecimal or
binary numbers. Hexadecimal numbers may include the letter “H” as a suffix. The letter “n”
indicates a certain whole number.
The chart below lists the corresponding decimal number for each hexadecimal number.
Additional Notes
• For example, 144 – 159 (Decimal)/9nH/1001 0000 – 1001 1111 (Binary) indicate the note-
on messages for the channels 1 through 16 respectively. 176 – 191/BnH/1011 0000 –
1011 1111 indicate the control change messages for the channels 1 through 16
respectively. 192 – 207/CnH/1100 0000 – 1100 1111 indicate the program change
messages for the channels 1 through 16 respectively. 240/F0H/1111 0000 is positioned at
the beginning of data to indicate a system exclusive message. 247/F7H/1111 0111 is
positioned at the end of the system exclusive message.
• aaH (Hexadecimal)/0aaaaaaa (Binary) indicates the data addresses. The data address
consists of High, Mid and Low.
• bbH/0bbbbbbb indicates byte counts.
• ccH/0ccccccc indicates check sums.
• ddH/0ddddddd indicates data/value.
(1) TRANSMIT FLOW
MIDI <-+-[SW1]--+---------NOTE ON/OFF 9nH
OUT | |
| +---------CONTROL CHANGE
| | VOLUME BnH, 07H
| | PAN BnH, 0AH
| | SUSTAIN SWITCH BnH, 40H
| | SOSTENUTO BnH, 42H
| | SOFT PEDAL BnH, 43H
| | EG RELEASE TIME BnH, 48H
| | EG DECAY TIME BnH, 4BH
| | REVERB SEND BnH, 5BH
| | ASSIGNABLE CONTROLLER BnH, (00H .. 5FH)
| | FOOT VOLUME BnH, (07H or 0BH)
| |
| +--[SW7]--BANK SEL MSB BnH, 00H
| | BANK SEL LSB BnH, 20H
| |
| +--[SW8]--PROGRAM CHANGE CnH
| |
| +---------PITCH BEND CHANGE EnH
|
+------------------ACTIVE SENSING FEH
|
+--[SW5]-+---------SYSTEM EXCLUSIVE MESSAGE
| +---------<BULK DUMP>
| | F0H 43H 0nH 7FH 0CH bhH blH ahH amH alH ddH....ddH ccH F7H
| |
| +---------<PARAMETER CHANGE>
| F0H 43H 1nH 7FH 0CH ahH amH alH ddH....ddH F7H
|
+------------------SYSTEM EXCLUSIVE MESSAGE
IDENTITY REPLY
F0H 7EH 7FH 06H 02H 43H 00H 41H 3BH 06H 00H 00H 00H 7FH F7H
[SW1] MIDI Transmit Channel and Transmit Filter
When Keyboard Mode (KbdMode) is set to “zone”, MIDI data is transmitted in line with the Transmit MIDI Switch
(MIDI) settings for each zone and via the corresponding zone transmit channels.
When Keyboard Mode (KbdMode) is set to “layer” or “split”, MIDI data is transmitted via the Transmit Channel
(TransCh).
[SW5] MIDI Device Number
When set to all, transmitted via 1.
[SW7] SYSTEM Bank Select Switch
[SW8] SYSTEM Program Change Switch
(2) RECEIVE FLOW
MIDI>-+-[SW10]-+---------NOTE OFF 8nH
| |
| +---------NOTE ON/OFF 9nH
| |
| +---------CONTROL CHANGE
| | DATA ENTRY MSB BnH, 06H
| | DATA ENTRY LSB BnH, 26H
| | MAIN VOLUME BnH, 07H
| | PAN BnH, 0AH
| | EXPRESSION BnH, 0BH
| | SUSTAIN SWITCH BnH, 40H
| | SOSTENUTO BnH, 42H
| | SOFT PEDAL BnH, 43H
| | EG RELEASE TIME BnH, 48H
| | EG DECAY TIME BnH, 4BH
| | EFFECT1 DEPTH (Reverb) BnH, 5BH
| | DATA ENTRY INC BnH, 60H
| | DATA ENTRY DEC BnH, 61H
| | ASSIGNABLE CONTROLLER BnH, (00H .. 5FH)
| | RPN
| | PITCH BEND SENS. BnH, 64H, 00H, 65H, 00H, 06H, mmH
| | RPN RESET BnH, 64H, 7FH, 65H, 7FH
| | ALL SOUND OFF BnH, 78H
| | RESET ALL CONTROLLERS BnH, 79H
| | ALL NOTE OFF BnH, 7BH
| | OMNI MODE OFF BnH, 7CH
| | OMNI MODE ON BnH, 7DH
| |
| +--[SW7]--BANK SEL MSB BnH, 00H
| | BANK SEL LSB BnH, 20H
| |
| +--[SW8]--PROGRAM CHANGE CnH
| |
| +---------PITCH BEND CHANGE EnH
|
+------------------ACTIVE SENSING FEH
|
+--[SW5]-+---------<BULK DUMP>
| | F0H 43H 0nH 7FH 0CH bhH blH ahH amH alH ddH.....ddH ccH F7H
| |
| +---------<PARAMETER CHANGE>
| | F0H 43H 1nH 7FH 0CH ahH amH alH ddH.....ddH F7H
| |
| +---------<BULK DUMP REQUEST>
| | F0H 43H 2nH 7FH 0CH ahH amH alH ddH.....ddH F7H
| |
| +---------<PARAMETER REQUEST>
| F0H 43H 3nH 7FH 0CH ahH amH alH F7H
|
+-------------------SYSTEM EXCLUSIVE MESSAGE
IDENTITY REQUEST F0H 7EH 0nH 06H 01H F7H
[SW5] MIDI Device Number
When this is not set to off, the MIDI Master Volume can be recognized in any mode.
[SW7] SYSTEM Bank Select Switch
[SW8] SYSTEM Program Change Switch
[SW10] MIDI Receive Channel
When Keyboard Mode (KbdMode) is set to “zone”, Zone 1 receives data on MIDI Channel 1; Zone 2 receives data
on MIDI Channel 2.
When Master Keyboard Mode (KbdMode) is set to “layer” or “split”, MIDI data is received via the Basic Receive
Channel (RecvCh).
Decimal Hexadecimal Decimal Hexadecimal
0 0 64 40
1 1 65 41
2 2 66 42
3 3 67 43
4 4 68 44
5 5 69 45
6 6 70 46
7 7 71 47
8 8 72 48
9 9 73 49
10 0A 74 4A
11 0B 75 4B
12 0C 76 4C
13 0D 77 4D
14 0E 78 4E
15 0F 79 4F
16 10 80 50
17 11 81 51
18 12 82 52
19 13 83 53
20 14 84 54
21 15 85 55
22 16 86 56
23 17 87 57
24 18 88 58
25 19 89 59
26 1A 90 5A
27 1B 91 5B
28 1C 92 5C
29 1D 93 5D
30 1E 94 5E
31 1F 95 5F
32 20 96 60
33 21 97 61
34 22 98 62
35 23 99 63
36 24 100 64
37 25 101 65
38 26 102 66
39 27 103 67
40 28 104 68
41 29 105 69
42 2A 106 6A
43 2B 107 6B
44 2C 108 6C
45 2D 109 6D
46 2E 110 6E
47 2F 111 6F
48 30 112 70
49 31 113 71
50 32 114 72
51 33 115 73
52 34 116 74
53 35 117 75
54 36 118 76
55 37 119 77
56 38 120 78
57 39 121 79
58 3A 122 7A
59 3B 123 7B
60 3C 124 7C
61 3D 125 7D
62 3E 126 7E
63 3F 127 7F
MIDI Data Format
CP1 Data List 11
(3) TRANSMIT/RECEIVE DATA
(3-1) CHANNEL VOICE MESSAGES
(3-1-1) NOTE OFF
STATUS 1000nnnn (8nH) n = 0 – 15 CHANNEL NUMBER
NOTE No. 0kkkkkkk k = 0 (C-2) – 127 (G8)
VELOCITY 0vvvvvvv v: ignored
Receive only
(3-1-2) NOTE ON/OFF
STATUS 1001nnnn (9nH) n = 0 – 15 CHANNEL NUMBER
NOTE NUMBER 0kkkkkkk k = 0 (C-2) – 127 (G8)
VELOCITY NOTE ON 0vvvvvvv (v≠0) NOTE ON
NOTE OFF 0vvvvvvv (v=0) NOTE OFF
(3-1-3) CONTROL CHANGE
STATUS 1011nnnn (BnH) n = 0 – 15 CHANNEL NUMBER
CONTROL NUMBER 0ccccccc
CONTROL VALUE 0vvvvvvv
*TRANSMITTED CONTROL NUMBER
c = 0 BANK SEL MSB ; v = 0 – 127 *2
c = 32 BANK SEL LSB ; v = 0 – 127 *2
c = 7 MAIN VOLUME ; v = 0 – 127
c = 10 PAN ; v = 0 – 127
c = 11 EXPRESSION ; v = 0 – 127
c = 64 SUSTAIN ; v = 0 – 127 *4
c = 66 SOSTENUTO ; v = 0, 127
c = 67 SOFT PEDAL ; v = 0, 127
c = 91 REVERB SEND ; v = 0 – 127
c = 0..95 ASSIGNABLE CONTROLLERS ; v = 0 – 127 *3
*RECEIVED CONTROL NUMBER
c = 0 BANK SEL MSB ; v = 63 *2
c = 32 BANK SEL LSB ; v = 61 – 69 *2
c = 6 DATA ENTRY MSB ; v = 0 – 127 *1
c = 38 DATA ENTRY LSB ; v = 0 – 127
c = 7 MAIN VOLUME ; v = 0 – 127
c = 10 PAN ; v = 0 – 127
c = 11 EXPRESSION ; v = 0 – 127
c = 64 SUSTAIN ; v = 0 – 127
c = 66 SOSTENUTO ; v = 0 – 63:OFF, 64 – 127:ON
c = 72 EG RELEASE TIME ; v = 0:-16 – 64:0 – 127:+16
c = 75 EG DECAY TIME ; v = 0:-16 – 64:0 – 127:+16
c = 91 EFFECT1 DEPTH ; v = 0 – 127
c = 96 DATA ENTRY INC ; v = 127 *1
c = 97 DATA ENTRY DEC ; v = 127 *1
c = 0..95 ASSIGNABLE CONTROLLER ; v = 0 – 127 *3
*1 Used only when a value is set using RPN.
*2 Relation between BANK CHANGE and PROGRAM is as follows:
*3 The default CONTROL NUMBERS of ASSIGNABLE CONTROLLER are as follows:
FOOT CONTROLLER 1 11
FOOT CONTROLLER 2 4
FOOT SWITCH 88
SOSTENUTO PEDAL 66
SOFT PEDAL 67
*4 When the sustain pedal is set to something other than “FC3 (HalfOn),” operating the sustain pedal transmits
only values of 0 (off) or 127 (on).
PAN position relatively changes according to the preset value for each voice.
EFFECT1 DEPTH controls reverb send level.
The parameters, EG DECAY TIME, EG RELEASE TIME adjust the envelopes preset for each voice.
Setting these values add to or subtract from the center value, 64, since it is an offset parameters.
Bank Select will be actually executed when the Program Change message is received.
Bank Select and Program Change numbers that are not supported by Yamaha will be ignored.
(3-1-4) PROGRAM CHANGE
STATUS 1100nnnn (CnH) n = 0 – 15 CHANNEL NUMBER
PROGRAM NUMBER 0ppppppp p = 0 – 127
(3-1-5) PITCH BEND CHANGE
STATUS 1110nnnn (EnH) n = 0 – 15 CHANNEL NUMBER
LSB 0vvvvvvv PITCH BEND CHANGE LSB
MSB 0vvvvvvv PITCH BEND CHANGE MSB
Transmitted with a resolution of 7 bits.
(3-2) CHANNEL MODE MESSAGES
STATUS 1011nnnn (BnH) n = 0 – 15 CHANNEL NUMBER
CONTROL NUMBER 0ccccccc c = CONTROL NUMBER
CONTROL VALUE 0vvvvvvv v = DATA VALUE
(3-2-1) ALL SOUND OFF (CONTROL NUMBER = 78H, DATA VALUE = 0)
All the sounds currently played including the channel messages such as note-on in a certain channel are muted
when receiving this message.
MIDI Channel messages such as Hold and Sostenuto are retained.
(3-2-2) RESET ALL CONTROLLERS (CONTROL NUMBER = 79H, DATA VALUE = 0)
Resets the values set for the following controllers.
PITCH BEND CHANGE 0 (center)
EXPRESSION 127 (maximum)
FOOT CONTROLLER 1 0 (minimum)
FOOT CONTROLLER 2 0 (minimum)
SUSTAIN SWITCH 0 (off)
SOSTENUTO SWITCH 0 (off)
SOFT SWITCH 0 (off)
RPN Not assigned; No change
Doesn’t reset the following data:
PROGRAM CHANGE, BANK SELECT MSB/LSB, VOLUME, PAN
SUSTAIN LEVEL, RELEASE TIME, ATTACK TIME, DECAY TIME
EFFECT SEND LEVEL 1
PITCH BEND SENSITIVITY
ASSIGNABLE CONTROLLER
(3-2-3) ALL NOTE OFF (CONTROL NUMBER = 7BH, DATA VALUE = 0)
All the notes currently set to on in certain channels are muted when receiving this message. However, if Sustain or
Sostenuto is on, notes will continue sounding until these are turned off.
(3-2-4) OMNI MODE OFF (CONTROL NUMBER = 7CH, DATA VALUE = 0)
Performs the same function as when receiving ALL NOTES OFF.
Sets Basic Receive Channel to “OMNI OFF,” channel 1.
(3-2-5) OMNI MODE ON (CONTROL NUMBER = 7DH, DATA VALUE = 0)
Performs the same function as when receiving ALL NOTES OFF.
Sets Basic Receive Channel to “OMNI ON.”
(3-3) REGISTERED PARAMETER NUMBER
STATUS 1011nnnn (BnH) n = 0 – 15 CHANNEL NUMBER
LSB 01100100 (64H)
RPN LSB 0ppppppp p = RPN LSB (Refer to the table as shown
below.)
MSB 01100101 (65H)
RPN MSB 0qqqqqqq q = RPN MSB (Refer to the table as shown
below.)
DATA ENTRY MSB 00000110 (06H)
DATA VALUE 0mmmmmmm m = Data Value
DATA ENTRY LSB 00100110 (26H)
DATA VALUE 0lllllll l = Data Value
First, designate the parameter using RPN MSB/LSB numbers. Then, set its value with data entry MSB/LSB.
RPN D.ENTRY
LSB MSB MSB LSB PARAMETER NAME DATA RANGE
00H 00H mmH --- PITCH BEND SENSITIVITY 00H – 0CH (0 – 12 semitones)
7FH 7FH --- --- RPN RESET RPN numbers will be left not designated.
The internal values are not affected.
(3-4) SYSTEM REAL TIME MESSAGES
(3-4-1) ACTIVE SENSING
STATUS 11111110 (FEH)
Transmitted at every 200 msec.
Once this code is received, the instrument starts sensing.
When no status nor data is received for over approximately 350 ms, MIDI receiving buffer will be cleared, and the
sounds currently played is forcibly turned off.
(3-5) SYSTEM EXCLUSIVE MESSAGE
(3-5-1) UNIVERSAL NON REALTIME MESSAGE
(3-5-1-1) IDENTITY REQUEST (Receive only)
F0H 7EH 0nH 06H 01H F7H
(“n” = Device No. However, this instrument receives under “omni.”)
(3-5-1-2) IDENTITY REPLY (Transmit only)
F0H 7EH 7FH 06H 02H 43H 00H 41H ddH ddH 00H 00H 00H 01H F7H
dd: Device Number Code
CP1: 3B 06
(3-5-2) PARAMETER CHANGE
(3-5-2-1) NATIVE PARAMETER CHANGE
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0001nnnn 1n Device Number
01111111 7F Model ID
00001100 0C Model ID
0aaaaaaa aaaaaaa Address High
0aaaaaaa aaaaaaa Address Mid
0aaaaaaa aaaaaaa Address Low
0ddddddd ddddddd Data
||
11110111 F7 End of Exclusive
For parameters with data size of 2 or more, the appropriate number of data bytes will be transmitted.
See the following MIDI Data Table for Address.
CATEGORY MSB LSB PROGRAM No.
Performance Preset A 63 61 0..15 (1..16)
Preset B 63 62 0..15 (1..16)
Preset C 63 63 0..15 (1..16)
User A 63 64 0..15 (1..16)
User B 63 65 0..15 (1..16)
User C 63 66 0..15 (1..16)
External A 63 67 0..15 (1..16)
External B 63 68 0..15 (1..16)
External C 63 69 0..15 (1..16)
MIDI Data Format
12 CP1 Data List
(3-5-4) BULK DUMP
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0000nnnn 0n Device Number
01111111 7F Model ID
00001100 0C Model ID
0bbbbbbb bbbbbbb Byte Count
0bbbbbbb bbbbbbb Byte Count
0aaaaaaa aaaaaaa Address High
0aaaaaaa aaaaaaa Address Mid
0aaaaaaa aaaaaaa Address Low
0 0 Data
||
0ccccccc ccccccc Check-sum
11110111 F7 End of Exclusive
See the following MIDI Data Table for Address and Byte Count.
The Check sum is the value that results in a value of 0 for the lower 7 bits when the Byte Count, Start Address, Data
and Check sum itself are added.
(3-5-5) DUMP REQUEST
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0010nnnn 2n Device Number
01111111 7F Model ID
00001100 0C Model ID
0aaaaaaa aaaaaaa Address High
0aaaaaaa aaaaaaa Address Mid
0aaaaaaa aaaaaaa Address Low
11110111 F7 End of Exclusive
See the following MIDI Data Table for Address and Byte Count.
(3-5-6) PARAMETER REQUEST
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0011nnnn 3n Device Number
01111111 7F Model ID
00001100 0C Model ID
0aaaaaaa aaaaaaa Address High
0aaaaaaa aaaaaaa Address Mid
0aaaaaaa aaaaaaa Address Low
11110111 F7 End of Exclusive
See the following MIDI Data Table for Address and Byte Count.
(4) SYSTEM OVERVIEW (Keyboard and Tone Generator)
Although three types of note on/note off data, received via MIDI and played on the keyboard
will be distinguished, the other controllers (channel messages) equally affect the entire notes.
ALL SOUND OFF clears all the sounds in the specific channel(s) played by both the
keyboard and the data via MIDI.
ALL NOTES OFF received via MIDI clears the sounds in the specific channel(s) played via
MIDI.
KBD
TG
MIDI In
MIDI Out
From USB
To USB
Local Sw
MIDI IN/OUT = MIDI
KBD
TG
Local Sw
The MIDI Thru port is permanently set to 1.
MIDI In
MIDI Out
From USB
To USB
MIDI IN/OUT = USB
CP1 Data List 13
Bank Select Bulk Dump Block
MIDI Data Table
Available Bank Select/Program Change
Parameter Base Address
“Top Address” indicates the top address of each block designated by bulk dump operation.
“Byte Count” indicates the data size contained in each block designated by bulk dump
operation.
The Block from the Bulk Header to the Bulk Footer of the Performance can be received
regardless their order. They can be received even if all of them are not transmitted. They
cannot be received if the irrelevant Block is included.
To execute 1 Performance bulk dump request, designate its corresponding Bulk Header
address.
When the Multiple Bulk Control Footer is received, Performances will be saved to the Flash
ROM.
For the information about “mm” and “nn” shown in the following list, refer to MIDI
PARAMETER CHANGE TABLE (BULK CONTROL) below.
MSB (HEX) LSB
(HEX)
Program
No. Type Memory Description
63 3F 61 3D 0 – 15 Performance PRE A When Keyboard Mode
(KbdMode) is set to
“layer” or “split”, this MIDI
data is received via the
Basic Receive Channel
(RecvCh). When
Keyboard Mode
(KbdMode) is set to
“zone”, this MIDI data is
received via Channel 1 or
2.
62 3E 0 – 15 PRE B
63 3F 0 – 15 PRE C
64 40 0 – 15 USR A
65 41 0 – 15 USR B
66 42 0 – 15 USR C
68 44 0 – 15 EXT A
69 45 0 – 15 EXT B
70 46 0 – 15 EXT C
Parameter Block DescriptionTop Address
H M L
SYSTEM 00 00 00 System
00 20 00 Master EQ
BULK CONTROL 0E 00 00 Header
0F 00 00 Footer
MULTIPLE BULK CONTROL 10 00 00 Header
11 00 00 Footer
PERFORMANCE COMMON 30 00 00 Performance Common
PERFORMANCE PART 31 00 00 Part 1
31 01 00 Part 2
31 10 00 Pre-Amp Part 1
31 11 00 Pre-Amp Part 2
31 20 00 Modulation Part 1
31 21 00 Modulation Part 2
31 30 00 Power-Amp Part 1
31 31 00 Power-Amp Part 2
PERFORMANCE ZONE 32 00 00 Zone 1
:
32 03 00 Zone 4
Parameter Block Description
Byte Count Top Address
Dec Hex H M L
SYSTEM System 60 3C 00 00 00
Master EQ (for Voice Mode) 22 16 00 20 00
PERFORMANCE Bulk Header 0 00 0E mm nn
COMMON Common 68 44 30 00 00
Reverb 38 26 30 01 00
Controller (PB, FC1, FC2, FS) 30 1E 30 05 00
Assignable Knob 30 1E 30 06 00
PARTPart 1 4830310000
Part 2 4830310100
Pre-Amp Part 1 38 26 31 10 00
Pre-Amp Part 2 38 26 31 11 00
Modulation Part 1 38 26 31 20 00
Modulation Part 2 38 26 31 21 00
Power-Amp Part 1 38 26 31 30 00
Power-Amp Part 2 38 26 31 31 00
MASTER KEYBOARD
ZONE
Zone 1 16 10 32 00 00
: 4 Blocks
Zone 4 16 10 32 03 00
Bulk Footer 0 00 0F mm nn
MIDI Data Table
14 CP1 Data List
TOTAL SIZE = 60 3C (HEX)
TOTAL SIZE = 22 16 (HEX)
Address Size
Data
Range
(HEX)
Parameter Name Description Notes
00 00 02 4 00 – 0F
00 – 0F
00 – 0F
00 – 0F
Master Tune -102.4 – +102.3 [cent]
1st bit 3-0 bit 15-12
2nd bit 3-0 bit 11-8
3rd bit 3-0 bit 7-4
4th bit 3-0 bit 3-0
MIDI
Master
Tuning
07 1 34 – 4C Master Transpose -12 – +12 (semitones)
09 1 00 – 01 Local Switch off, on
0A 1 00 – 10,
7F
Basic Receive Channel 1 – 16, omni, off
0B 1 00 – 0F,
7F
Keyboard Transmit
Channel
1 – 16, off
10 1 00 – 01 Piano Tuning Curve flat, stretch
12 1 00 – 04 Keyboard Velocity Curve norm, soft, hard, wide,
fixed
13 1 01 – 7F Keyboard Fixed Velocity 1 – 127
19 1 00 – 01 MIDI Input MIDI, USB MIDI
20 1 00 – 06 Micro Tuning Equal, PureMaj, PureMin,
Pythag, MeanTn, WerckMt,
KimBerger
21 1 00 – 0B Micro Tuning Root C – B
23 1 00 – 64 Sostenuto (Pedal-Center)
Control Number
off, 1 – 95, 99 (PC Inc), 100
(PC Dec)
24 1 00 – 64 Soft (Pedal-Left) Control
Number
off, 1 – 95, 99 (PC Inc), 100
(PC Dec)
25 1 00 – 08 Start Up Bank PRE A, PRE B, PRE C, USR
A, USR B, USR C, EXT A,
EXT B, EXT C
26 1 00 – 0F Start Up Program Number 1 – 16
31 1 00 – 64 FS Assignable Control
Number
off, 1 – 95, 99 (PC Inc), 100
(PC Dec)
39 1 00 – 5F FC2 Control Number off, 1 – 95 :
3A 1 00 – 5F FC1 Control Number off, 1 – 95 :
3B 1 00 – 03 Sustain Pedal Select Sustain Pedal, FC3 (Half
On), FC3 (Half Off), FC4/5
00 20 00 1 34 -4C EQ Gain1 -12 – +12 [dB] 0 [dB]
01 1 04 – 28 EQ Frequency1 32 – 2.0k [Hz] 80 [Hz]
02 1 01 – 78 EQ Q1 0.1 – 12.0 0.7
03 1 00 – 01 EQ Shape1 shelv, peak shelv
04 1 34 – 4C EQ Gain2 -12 – +12 [dB] 0 [dB]
05 1 0E – 36 EQ Frequency2 100 – 10.0k [Hz] 200 [Hz]
06 1 01 – 78 EQ Q2 0.1 – 12.0 0.7
07 1 reserved
08 1 34 -4C EQ Gain3 -12 – +12 [dB] 0 [dB]
09 1 0E – 36 EQ Frequency3 100 – 10.0k [Hz] 500 [Hz]
0A 1 01 – 78 EQ Q3 0.1 – 12.0 0.7
0B 1 reserved
0C 1 34 – 4C EQ Gain4 -12 – +12 [dB] 0 [dB]
0D 1 0E – 36 EQ Frequency4 100 – 10.0k [Hz] 3.2 [kHz]
0E 1 01 – 78 EQ Q4 0.1 – 12.0 0.7
0F 1 reserved
10 1 34 – 4C EQ Gain5 -12 – +12 [dB] 0 [dB]
11 1 1C – 3A EQ Frequency5 500 – 16.0k [Hz] 8.0 [kHz]
12 1 01 – 78 EQ Q5 0.1 – 12.0 0.7
13 1 00 – 01 EQ Shape5 shelv, peak shelv
14 1 00 – 01 EQ On/Off off, on
15 1 reserved
Address Size
Data
Range
(HEX)
Parameter Name Description Notes
0E 3D nn 0 Bulk Header Performance PRE A (nn = 0 – 15)
3E nn 0 Performance PRE B (nn = 0 – 15)
3F nn 0 Performance PRE C (nn = 0 – 15)
40 nn 0 - Performance USR A (nn = 0 – 15)
41 nn 0 - Performance USR B (nn = 0 – 15)
42 nn 0 - Performance USR C (nn = 0 – 15)
43 nn 0 - Performance EXT A (nn = 0 – 15)
44 nn 0 - Performance EXT B (nn = 0 – 15)
45 nn 0 - Performance EXT C (nn = 0 – 15)
4F nn 0 - Performance Edit Buffer (nn = 0)
0F 3D nn 0 - Bulk Footer Performance PRE A (nn = 0 – 15)
3E nn 0 - Performance PRE B (nn = 0 – 15)
3F nn 0 - Performance PRE C (nn = 0 – 15)
40 nn 0 - Performance USR A (nn = 0 – 15)
41 nn 0 - Performance USR B (nn = 0 – 15)
42 nn 0 - Performance USR C (nn = 0 – 15)
43 nn 0 - Performance EXT A (nn = 0 – 15)
44 nn 0 - Performance EXT B (nn = 0 – 15)
45 nn 0 - Performance EXT C (nn = 0 – 15)
4F nn 0 - Performance Edit Buffer (nn = 0)
MIDI PARAMETER CHANGE TABLE (SYSTEM)
MIDI PARAMETER CHANGE TABLE (BULK CONTROL)
MIDI Data Table
CP1 Data List 15
TOTAL SIZE = 68 44 (HEX)
TOTAL SIZE = 38 26 (HEX)
TOTAL SIZE = 30 1E (HEX)
Address Size
Data
Range
(HEX)
Parameter Name Description Notes
30 00 00 1 20 – 7E Performance Name 1 32..126 (ASCII)
30 00 01 1 20 – 7E Performance Name 2 32..126 (ASCII)
30 00 02 1 20 – 7E Performance Name 3 32..126 (ASCII)
30 00 03 1 20 – 7E Performance Name 4 32..126 (ASCII)
30 00 04 1 20 – 7E Performance Name 5 32..126 (ASCII)
30 00 05 1 20 – 7E Performance Name 6 32..126 (ASCII)
30 00 06 1 20 – 7E Performance Name 7 32..126 (ASCII)
30 00 07 1 20 – 7E Performance Name 8 32..126 (ASCII)
30 00 08 1 20 – 7E Performance Name 9 32..126 (ASCII)
30 00 09 1 20 – 7E Performance Name 10 32..126 (ASCII)
30 00 0A 1 reserved
30 00 0B 1 reserved
30 00 0E 1 00 – 02 Master Keyboard Mode layer, split, zone
30 00 0F 1 00 – 7F Master Keyboard Split Point C -2..G8
30 01 00 2 00 – 7F
00 – 7F
Reverb Type MSB
Reverb Type LSB
Refer to “Reverb Type
List.”
30 01 02 2 00 – 7F
00 – 7F
Reverb Parameter 1 MSB
Reverb Parameter 1 LSB
Refer to “Reverb
Parameter List.”
30 01 04 2 00 – 7F
00 – 7F
Reverb Parameter 2 MSB
Reverb Parameter 2 LSB
:
30 01 06 2 00 – 7F
00 – 7F
Reverb Parameter 3 MSB
Reverb Parameter 3 LSB
:
30 01 08 2 00 – 7F
00 – 7F
Reverb Parameter 4 MSB
Reverb Parameter 4 LSB
:
30 01 0A 2 00 – 7F
00 – 7F
Reverb Parameter 5 MSB
Reverb Parameter 5 LSB
:
30 01 0C 2 00 – 7F
00 – 7F
Reverb Parameter 6 MSB
Reverb Parameter 6 LSB
:
30 01 0E 2 00 – 7F
00 – 7F
Reverb Parameter 7 MSB
Reverb Parameter 7 LSB
:
30 01 10 2 00 – 7F
00 – 7F
Reverb Parameter 8 MSB
Reverb Parameter 8 LSB
:
30 01 12 2 00 – 7F
00 – 7F
Reverb Parameter 9 MSB
Reverb Parameter 9 LSB
:
30 01 14 2 00 – 7F
00 – 7F
Reverb Parameter 10 MSB
Reverb Parameter 10 LSB
:
30 01 16 2 00 – 7F
00 – 7F
Reverb Parameter 11 MSB
Reverb Parameter 11 LSB
:
30 01 18 2 00 – 7F
00 – 7F
Reverb Parameter 12 MSB
Reverb Parameter 12 LSB
:
30 01 1A 2 00 – 7F
00 – 7F
Reverb Parameter 13 MSB
Reverb Parameter 13 LSB
:
30 01 1C 2 00 – 7F
00 – 7F
Reverb Parameter 14 MSB
Reverb Parameter 14 LSB
:
30 01 1E 2 00 – 7F
00 – 7F
Reverb Parameter 15 MSB
Reverb Parameter 15 LSB
:
30 01 20 2 00 – 7F
00 – 7F
Reverb Parameter 16 MSB
Reverb Parameter 16 LSB
:
30 01 24 1 00 – 01 Reverb On/Off off, on
30 01 25 1 Reserved
Address Size
Data
Range
(HEX)
Parameter Name Description Notes
30 05 00 2 00 – 00
00 – 01
Pitch Bend Layer 1
Destination MSB
Pitch Bend Layer 1
Destination LSB
—
off, ModEffect
30 05 02 2 00 – 00
00 – 01
Pitch Bend Layer 2
Destination MSB
Pitch Bend Layer 2
Destination LSB
—
off, ModEffect
30 05 04 1 reserved
30 05 05 2 00 – 00
00 – 02
Foot Controller 1 Layer 1
Destination MSB
Foot Controller 1 Layer 1
Destination LSB
—
off, Volume, ModEffect
30 05 07 2 00 – 00
00 – 02
Foot Controller 1 Layer 2
Destination MSB
Foot Controller 1 Layer 2
Destination LSB
—
off, Volume, ModEffect
30 05 09 1 reserved
30 05 0A 2 00 – 00
00 – 02
Foot Controller 2 Layer 1
Destination MSB
Foot Controller 2 Layer 1
Destination LSB
—
off, Volume, ModEffect
30 05 0C 2 00 – 00
00 – 02
Foot Controller 2 Layer 2
Destination MSB
Foot Controller 2 Layer 2
Destination LSB
—
off, Volume, ModEffect
30 05 0E 1 reserved
30 05 0F 2 00 – 00
00 – 03
Foot Switch Layer 1
Destination MSB
Foot Switch Layer 1
Destination LSB
—
off, VibOn, BypassModEffect,
BypassPowerAmp
30 05 11 2 00 – 00
00 – 03
Foot Switch Layer 2
Destination MSB
Foot Switch Layer 2
Destination LSB
—
off, VibOn, BypassModEffect,
BypassPowerAmp
30 05 13 1 00 – 01 Foot Switch Mode Momentary, Latch
30 05 14 2 00 – 00
00 – 04
Pedal-Left Layer 1
Destination MSB
Pedal-Left Layer 1
Destination LSB
—
off, Soft, VibOn,
BypassModEffect,
BypassPowerAmp
30 05 16 2 00 – 00
00 – 04
Pedal-Left Layer 2
Destination MSB
Pedal-Left Layer 2
Destination LSB
—
off, Soft, VibOn,
BypassModEffect,
BypassPowerAmp
30 05 18 1 00 – 01 Pedal-Left Switch Mode Momentary, Latch
30 05 19 2 00 – 00
00 – 04
Pedal-Center Layer 1
Destination MSB
Pedal-Center Layer 1
Destination LSB
—
off, Sostenuto, VibOn,
BypassModEffect,
BypassPowerAmp
30 05 1B 2 00 – 00
00 – 04
Pedal-Center Layer 2
Destination MSB
Pedal-Center Layer 2
Destination LSB
—
off, Sostenuto, VibOn,
BypassModEffect,
BypassPowerAmp
30 05 1D 1 00 – 01 Pedal-Center Switch Mode Momentary, Latch
MIDI PARAMETER CHANGE TABLE
(PERFORMANCE COMMON)
MIDI Data Table
16 CP1 Data List
TOTAL SIZE = 30 1E (HEX)
TOTAL SIZE = 48 30 (HEX)
0p = Layer number
00-01 Layer 1 – 2
TOTAL SIZE = 38
1p = Layer number
10 – 11 Layer 1 – 2
Address Size
Data
Range
(HEX)
Parameter Name Description Notes
30 06 00 1 reserved
30 06 01 1 00 – 09 Knob 1 Destination MSB off, Piano1, Pre-Amp1,
ModEffect1, Power-Amp1,
Piano2, Pre-Amp2, ModEffect2,
Power-Amp2, Rev
30 06 02 1 00 – 05 Knob 1 Destination LSB Para1, Para2, Para3, Para4,
Para5, Para6
30 06 04 1 reserved
30 06 05 1 reserved
30 06 06 1 00 – 09 Knob 2 Destination MSB off, Piano1, Pre-Amp1,
ModEffect1, Power-Amp1,
Piano2, Pre-Amp 2, ModEffect2,
Power-Amp2, Rev
30 06 07 1 00 – 05 Knob 2 Destination LSB Para1, Para2, Para3, Para4,
Para5, Para6
30 06 09 1 reserved
30 06 0A 1 reserved
30 06 0B 1 00 – 09 Knob 3 Destination MSB off, Piano1, Pre-Amp1,
ModEffect1, Power-Amp1,
Piano2, Pre-Amp2, ModEffect2,
Power-Amp2, Rev
30 06 0C 1 00 – 05 Knob 3 Destination LSB Para1, Para2, Para3, Para4,
Para5, Para6
30 06 0E 1 reserved
30 06 0F 1 reserved
30 06 10 1 00 – 09 Knob 4 Destination MSB off, Piano1, Pre-Amp1,
ModEffect1, Power-Amp1,
Piano2, Pre-Amp2, ModEffect2,
Power-Amp2, Rev
30 06 11 1 00 – 05 Knob 4 Destination LSB Para1, Para2, Para3, Para4,
Para5, Para6
30 06 13 1 reserved
30 06 14 1 reserved
30 06 15 1 00 – 09 Knob 5 Destination MSB off, Piano1, Pre-Amp1,
ModEffect1, Power-Amp1,
Piano2, Pre-Amp2, ModEffect2,
Power-Amp2, Rev
30 06 16 1 00 – 05 Knob 5 Destination LSB Para1, Para2, Para3, Para4,
Para5, Para6
30 06 18 1 reserved
30 06 19 1 reserved
30 06 1A 1 00 – 09 Knob 6 Destination MSB off, Piano1, Pre-Amp1,
ModEffect1, Power-Amp1,
Piano2, Pre-Amp2, ModEffect2,
Power-Amp2, Rev
30 06 1B 1 00 – 05 Knob 6 Destination LSB Para1, Para2, Para3, Para4,
Para5, Para6
30 06 1D 1 reserved
Address Size
Data
Range
(HEX)
Parameter Name Description Notes
31 0p 00 1 00 – 7F Bank Select MSB 0 – 127
31 0p 01 1 00 – 7F Bank Select LSB 0 – 127
31 0p 02 1 00 – 7F Program Number 1 – 128
31 0p 0B 1 00 – 7F Velocity Sense Depth 0 – 127
31 0p 0C 1 00 – 7F Velocity Sense Offset 0 – 127
31 0p 0E 1 01 – 7F Pan L63 – C – R63
31 0p 0F 1 00 – 0C Pitch Bend Range 0 – 12
31 0p 10 2 00 – 0F
00 – 0F
Detune MSB
Detune LSB
-12.8 – +12.7 [Hz]
1st bit 3-0 bit 7-4
2nd bit 3-0 bit 3-0
31 0p 12 1 00 – 7F Reverb Send 0 – 127
31 0p 15 1 28 – 58 Note Shift
-24 – +24 [semitones]
31 0p 22 1 00 – 01 Piano On/Off off, on
31 0p 23 1 00 – 7F Decay Time -16 – +16
31 0p 24 1 00 – 7F Release Time -16 – +16
31 0p 25 1 30 – 50 Key-off Noise Level -16 – +16
31 0p 26 1 30 – 50 Damper Resonance Level -16 – +16
31 0p 27 1 3D – 43 Striking Position Top3, Top2, Top1, Default,
Rear1, Rear2, Rear3
31 0p 28 1 3E – 42 Attack Timbre Soft2, Soft1, Default,
Hard1, Hard2
31 0p 29 1 3E – 42 Hammer Stiffness Soft2, Soft1, Normal,
Hard1, Hard2
31 0p 2A 1 30 – 50 Oscillator Detune -16 – +16
31 0p 2B 1 40 – 50 Release Tone 0 – 16
Address Size
Data
Range
(HEX)
Parameter Name Description Notes
31 1p 02 2 00 – 7F
00 – 7F
Pre-Amp Parameter 1 MSB
Pre-Amp Parameter 1 LSB
Refer to “Pre-Amplifier
Parameter List.”
31 1p 04 2 00 – 7F
00 – 7F
Pre-Amp Parameter 2 MSB
Pre-Amp Parameter 2 LSB
:
31 1p 06 2 00 – 7F
00 – 7F
Pre-Amp Parameter 3 MSB
Pre-Amp Parameter 3 LSB
:
31 1p 08 2 00 – 7F
00 – 7F
Pre-Amp Parameter 4 MSB
Pre-Amp Parameter 4 LSB
:
31 1p 0A 2 00 – 7F
00 – 7F
Pre-Amp Parameter 5 MSB
Pre-Amp Parameter 5 LSB
:
31 1p 0C 2 00 – 7F
00 – 7F
Pre-Amp Parameter 6 MSB
Pre-Amp Parameter 6 LSB
:
31 1p 0E 2 00 – 7F
00 – 7F
Pre-Amp Parameter 7 MSB
Pre-Amp Parameter 7 LSB
:
31 1p 10 2 00 – 7F
00 – 7F
Pre-Amp Parameter 8 MSB
Pre-Amp Parameter 8 LSB
:
31 1p 12 2 00 – 7F
00 – 7F
Pre-Amp Parameter 9 MSB
Pre-Amp Parameter 9 LSB
:
31 1p 14 2 00 – 7F
00 – 7F
Pre-Amp Parameter 10 MSB
Pre-Amp Parameter 10 LSB
:
31 1p 16 2 00 – 7F
00 – 7F
Pre-Amp Parameter 11 MSB
Pre-Amp Parameter 11 LSB
:
31 1p 18 2 00 – 7F
00 – 7F
Pre-Amp Parameter 12 MSB
Pre-Amp Parameter 12 LSB
:
31 1p 1A 2 00 – 7F
00 – 7F
Pre-Amp Parameter 13 MSB
Pre-Amp Parameter 13 LSB
:
31 1p 1C 2 00 – 7F
00 – 7F
Pre-Amp Parameter 14 MSB
Pre-Amp Parameter 14 LSB
:
31 1p 1E 2 00 – 7F
00 – 7F
Pre-Amp Parameter 15 MSB
Pre-Amp Parameter 15 LSB
:
31 1p 20 2 00 – 7F
00 – 7F
Pre-Amp Parameter 16 MSB
Pre-Amp Parameter 16 LSB
:
31 1p 22 1 reserved
31 1p 23 1 reserved
31 1p 24 1 00 – 01 Pre-Amp On/Off off, on
31 1p 25 1 reserved
MIDI PARAMETER CHANGE TABLE
(PERFORMANCE PART)
MIDI Data Table
CP1 Data List 17
TOTAL SIZE = 38
2p = Layer number
20 – 21 Layer 1 – 2
TOTAL SIZE = 38
3p = Layer number
30-31 Layer 1 – 2
Address Size
Data
Range
(HEX)
Parameter Name Description Notes
31 2p 00 2 00 – 7F
00 – 7F
Modulation Type MSB
Modulation Type LSB
Refer to “Modulation
Effect Type List.”
31 2p 02 2 00 – 7F
00 – 7F
Modulation Parameter 1 MSB
Modulation Parameter 1 LSB
Refer to “Modulation
Effect Parameter List.”
31 2p 04 2 00 – 7F
00 – 7F
Modulation Parameter 2 MSB
Modulation Parameter 2 LSB
:
31 2p 06 2 00 – 7F
00 – 7F
Modulation Parameter 3 MSB
Modulation Parameter 3 LSB
:
31 2p 08 2 00 – 7F
00 – 7F
Modulation Parameter 4 MSB
Modulation Parameter 4 LSB
:
31 2p 0A 2 00 – 7F
00 – 7F
Modulation Parameter 5 MSB
Modulation Parameter 5 LSB
:
31 2p 0C 2 00 – 7F
00 – 7F
Modulation Parameter 6 MSB
Modulation Parameter 6 LSB
:
31 2p 0E 2 00 – 7F
00 – 7F
Modulation Parameter 7 MSB
Modulation Parameter 7 LSB
:
31 2p 10 2 00 – 7F
00 – 7F
Modulation Parameter 8 MSB
Modulation Parameter 8 LSB
:
31 2p 12 2 00 – 7F
00 – 7F
Modulation Parameter 9 MSB
Modulation Parameter 9 LSB
:
31 2p 14 2 00 – 7F
00 – 7F
Modulation Parameter 10 MSB
Modulation Parameter 10 LSB
:
31 2p 16 2 00 – 7F
00 – 7F
Modulation Parameter 11 MSB
Modulation Parameter 11 LSB
:
31 2p 18 2 00 – 7F
00 – 7F
Modulation Parameter 12 MSB
Modulation Parameter 12 LSB
:
31 2p 1A 2 00 – 7F
00 – 7F
Modulation Parameter 13 MSB
Modulation Parameter 13 LSB
:
31 2p 1C 2 00 – 7F
00 – 7F
Modulation Parameter 14 MSB
Modulation Parameter 14 LSB
:
31 2p 1E 2 00 – 7F
00 – 7F
Modulation Parameter 15 MSB
Modulation Parameter 15 LSB
:
31 2p 20 2 00 – 7F
00 – 7F
Modulation Parameter 16 MSB
Modulation Parameter 16 LSB
:
31 2p 22 1 reserved
31 2p 23 1 reserved
31 2p 24 1 00 – 01 Modulation On/Off off, on
31 2p 25 1 reserved
Address Size
Data
Range
(HEX)
Parameter Name Description Notes
31 3p 00 2 00 – 7F
00 – 7F
Power-Amp Type MSB
Power-Amp Type LSB
Refer to “Power-Amplifier/
Compressor Type List.”
31 3p 02 2 00 – 7F
00 – 7F
Power-Amp Parameter 1 MSB
Power-Amp Parameter 1 LSB
Refer to “Power-Amplifier/
Compressor Parameter
List.”
31 3p 04 2 00 – 7F
00 – 7F
Power-Amp Parameter 2 MSB
Power-Amp Parameter 2 LSB
:
31 3p 06 2 00 – 7F
00 – 7F
Power-Amp Parameter 3 MSB
Power-Amp Parameter 3 LSB
:
31 3p 08 2 00 – 7F
00 – 7F
Power-Amp Parameter 4 MSB
Power-Amp Parameter 4 LSB
:
31 3p 0A 2 00 – 7F
00 – 7F
Power-Amp Parameter 5 MSB
Power-Amp Parameter 5 LSB
:
31 3p 0C 2 00 – 7F
00 – 7F
Power-Amp Parameter 6 MSB
Power-Amp Parameter 6 LSB
:
31 3p 0E 2 00 – 7F
00 – 7F
Power-Amp Parameter 7 MSB
Power-Amp Parameter 7 LSB
:
31 3p 10 2 00 – 7F
00 – 7F
Power-Amp Parameter 8 MSB
Power-Amp Parameter 8 LSB
:
31 3p 12 2 00 – 7F
00 – 7F
Power-Amp Parameter 9 MSB
Power-Amp Parameter 9 LSB
:
31 3p 14 2 00 – 7F
00 – 7F
Power-Amp Parameter 10 MSB
Power-Amp Parameter 10 LSB
:
31 3p 16 2 00 – 7F
00 – 7F
Power-Amp Parameter 11 MSB
Power-Amp Parameter 11 LSB
:
31 3p 18 2 00 – 7F
00 – 7F
Power-Amp Parameter 12 MSB
Power-Amp Parameter 12 LSB
:
31 3p 1A 2 00 – 7F
00 – 7F
Power-Amp Parameter 13 MSB
Power-Amp Parameter 13 LSB
:
31 3p 1C 2 00 – 7F
00 – 7F
Power-Amp Parameter 14 MSB
Power-Amp Parameter 14 LSB
:
31 3p 1E 2 00 – 7F
00 – 7F
Power-Amp Parameter 15 MSB
Power-Amp Parameter 15 LSB
:
31 3p 20 2 00 – 7F
00 – 7F
Power-Amp Parameter 16 MSB
Power-Amp Parameter 16 LSB
:
31 3p 22 1 reserved
31 3p 23 1 reserved
31 3p 24 1 00 – 01 Power-Amp On/Off off, on
31 3p 25 1 reserved
MIDI Data Table
18 CP1 Data List
TOTAL SIZE = 16 10 (HEX)
nn = zone number 00 – 03
Address Size
Data
Range
(HEX)
Parameter Name Description Notes
32 nn 00 1 00 – 3F Transmit Channel,
MIDI/TG Switch
bit 0 – 3: Ch1..16
bit 4: MIDI off, on
bit 5: TG off, on
All bits other
than bit 4 are
fixed at the cor-
responding
default value.
32 nn 03 1 00 – 7F Note Limit Low C -2..G8
32 nn 04 1 00 – 7F Note Limit High C -2..G8
32 nn 09 1 00 – 7F MIDI Bank MSB 0..127
32 nn 0A 1 00 – 7F MIDI Bank LSB 0..127
32 nn 0B 1 00 – 7F MIDI Program
Number
1..128
32 nn 0C 1 00 – 7F Transmit FC1
reserved
Transmit Sustain
Transmit Bank Select
Transmit Program
Change
reserved
Transmit PB
bit 0: off, on FC1
bit 1: on
bit 2: off, on Sustain
bit 3: off, on Bank Select
bit 4: off, on Program
Change
bit 5: on
bit 6: off, on PB
bit 1 is fixed at 1
bit 5 is fixed at 1
32 nn 0D 1 00 – 7F Transmit FC2
reserved
reserved
reserved
reserved
reserved
reserved
bit 0: off, on FC2
bit 1: on
bit 2: on
bit 3: on
bit 4: on
bit 5: on
bit 6: on
bit 1 is fixed at 1
bit 2 is fixed at 1
bit 3 is fixed at 1
bit 4 is fixed at 1
bit 5 is fixed at 1
bit 6 is fixed at 1
MIDI PARAMETER CHANGE TABLE
(MASTER KEYBOARD ZONE)
CP1 Data List 19
MIDI Implementation Chart
TransmittedFunction... Recognized Remarks
Basic
Channel
Note
Number : True voice
Velocity
After
Touch
Pitch Bend
Control
Change
Prog
Change : True #
System Exclusive
: Song Pos.
Common : Song Sel.
: Tune
System : Clock
Real Time : Commands
: All Sound Off
Aux :
Reset
All
Cntrls
: Local ON/OFF
Mes- : All Notes OFF
sages: Active Sense
: Reset
Notes:
Mode
Default
Changed
Note ON
Note OFF
Key's
Ch's
0,32
7,10,11
6,38
64
66
67
72,75
91
96-97
100-101
1-31,33-95
1 - 16
1 - 16
O 9nH,v=1-127
X 9nH,v=0
X
X
O
O
X
O
O
O
X
O
X
X
O
O 0 - 127
**************
X
X
X
X
X
X
X
X
X
O
X
3
X
**************
0 - 127
**************
O
Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO
O
1 - 16
1 - 16
O 9nH,v=1-127
X
X
X
O
O
O
O
O
O
O
O
O
O
O
X
X
X
X
X
O (120,126,127)
O (121)
X
O (123-125)
O
X
1
1,3
X
0 - 127
0 - 127
O
O
O : Yes
X : No
Default
Messages
Altered
YAMAHA [Stage Piano] Date :22-JUL-2009
Model CP1 MIDI Implementation Chart Version : 1.0
Memorized
Memorized
Bank Select
Data Entry
Sustain Sw
Sostenuto
Soft Pedal
Sound Controller
Effect Depth
RPN Inc,Dec
RPN LSB,MSB
Assignable Cntrl
O 0 - 15
0 - 15
Transpose
U.R.G., Digital Musical Instruments Division
© 2009-2012 Yamaha Corporation
208MWTO-D0
Printed in Japan
WR95740

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