Yamaha RIVAGE PM Series Data List En Dl H0
User Manual: Yamaha RIVAGE PM series Data List
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Data List EN Contents Dynamics Parameters............................................................................... 3 Plug-in Type List ......................................................................................5 Effects Parameters .................................................................................... 7 EQ Preset ...............................................................................................23 Plug-in Library List .................................................................................26 Parameters that can be assigned to control changes .............................. 43 Channel Library List ...............................................................................45 Parameters copied when pairing ............................................................48 Mixing parameter operation applicability...............................................51 CVS file format....................................................................................... 57 MIDI Data Format .................................................................................. 60 Mixer Basic Parameters ..........................................................................63 MIDI Implementation Chart ................................................................... 67 2 RIVAGE PM series Data List Dynamics Parameters ■ COMP260 Dynamics Parameters The COMP processor attenuates signals above a specified THRESHOLD by a specified RATIO. The COMP processor can also be used as a limiter, which, with a RATIO of ∞:1, reduces the level to the threshold. This means that the limiter’s output level never actually exceeds the threshold. Input Channels feature two dynamics processors: Dynamics 1 and Dynamics 2. Output Channels feature one dynamics processor. Parameter Range Description You can select any dynamics processor from the following six types: LEGACY COMP, COMP260, GATE, DE-ESSER, EXPANDER and DUCKING. THRESHOLD –60.0 to 0.0 (dB) This determines the level of input signal required to trigger the compressor. ■ LEGACY COMP RATIO 1:1 to ∞:1 This determines the amount of compression, that is, the change in output signal level relative to change in input signal level. ATTACK 0.01 to 80 (msec) This determines how soon the signal will be compressed once the compressor has been triggered. RELEASE 6.2m to 999 (sec) This determines how soon the compressor returns to its normal gain once the trigger signal level drops below the threshold. The value is expressed as the duration required for the level to change by 6 dB. The COMP processor attenuates signals above a specified THRESHOLD by a specified RATIO. The COMP processor can also be used as a limiter, which, with a RATIO of ∞:1, reduces the level to the threshold. This means that the limiter’s output level never actually exceeds the threshold. Parameter Range Description THRESHOLD –60.0 to 0.0 (dB) This determines the level of input signal required to trigger the compressor. –20.0 to +40.0 (dB) This sets the compressor’s output signal level. 1:1 to ∞:1 This determines the amount of compression, that is, the change in output signal level relative to change in input signal level. OUT GAIN RATIO KNEE Hard, Soft-1, Soft-2, Soft-3, Soft-4, Soft-5 This determines how compression is applied at the threshold. For higher knee settings, compression is applied gradually as the signal exceeds the specified threshold, creating a more natural sound. RELEASE 3.34m to 42.7 (sec) This determines how soon the compressor returns to its normal gain once the trigger signal level drops below the threshold. The value is expressed as the duration required for the level to change by 6 dB. OUT GAIN –20.0 to +40.0 (dB) This sets the compressor’s output signal level. Hard, Soft-1, Soft-2, Soft-3, Soft-4, Soft-5 This determines how compression is applied at the threshold. For higher knee settings, compression is applied gradually as the signal exceeds the specified threshold, creating a more natural sound. Input Signal THRESHOLD RATIO • Time Series Analysis (RATIO= ∞:1) Input Signal THRESHOLD RATIO Output Signal ATTACK RELEASE THRESHOLD • Time Series Analysis (RATIO= ∞:1) Output Level Output Level • I/O Characteristics (KNEE= Hard, OUT GAIN=0.0dB) Input Level KNEE • I/O Characteristics (KNEE= Hard, OUT GAIN=0.0dB) Output Level This determines how soon the signal will be compressed once the compressor has been triggered. Input Level 0 to 120 (msec) Output Level ATTACK Output Signal Input Level ATTACK Time Time RELEASE THRESHOLD Input Level Time Time 3 RIVAGE PM series Data List Dynamics Parameters ■ GATE ■ EXPANDER A gate attenuates signals below a set THRESHOLD level by a specified amount (RANGE). An expander attenuates signals below a specified THRESHOLD by a specified RATIO. Parameter Range Description Parameter –72.0 to 0.0 (dB) This determines the level at which the gate effect is applied. RANGE –∞, –72.0 to 0.0 (dB) ATTACK HOLD DECAY Description –60.0 to 0.0 (dB) This determines the level of input signal required to trigger the expander. This determines the amount of attenuation when the gate closes. RATIO 1:0 to ∞:1 This determines the amount of expansion. 0 to 120 (msec) This determines how fast the gate opens when the signal exceeds the threshold level. ATTACK 0 to 120 (msec) This determines how soon the expander returns to its normal gain once the trigger signal level exceeds the threshold. 0.02m to 1.96 (sec) This determines how long the gate stays open once the trigger signal has fallen below the threshold. RELEASE 3.34m to 42.7 (sec) This determines how soon the signal is expanded once the signal level drops below the threshold. The value is expressed as the duration required for the level to change by 6 dB. OUT GAIN –20.0 to +40.0 (dB) This sets the expander’s output signal level. KNEE Hard, Soft-1, Soft-2, Soft-3, Soft-4, Soft-5 This determines how expansion is applied at the threshold. For higher knee settings, expansion is applied gradually as the signal falls below the specified threshold, creating a more natural sound. This determines how fast the gate closes once the hold time has expired. The value is expressed as the duration required for the level to change by 6 dB. 3.34m to 42.7 (sec) • I/O Characteristics • Time Series Analysis Input Level Output Level Input Signal Output Level Range THRESHOLD THRESHOLD Output Signal HOLD ATTACK DECAY • I/O Characteristics (KNEE= Hard, OUT GAIN= 0.0dB) • Time Series Analysis (RATIO= ∞:1) THRESHOLD Time Time THRESHOLD Input Level Input Level Input Signal Output Level RANGE RANGE Output Level THRESHOLD Output Signal ATTACK RELEASE THRESHOLD ■ DE-ESSER This detects and compresses only the sibilants and other high-frequency consonants of the vocal. Parameter Range Description THRESHOLD –60.0 to 0.0 (dB) Threshold level at which the de-esser effect applies. FREQUENCY 800 to 16.0k (Hz) Cutoff frequency of the filter used to detect the high frequencies. TYPE BELL, H.SHELF Type of filter used to detect the frequency band. Q (TYPE BELL) 25.0 to 0.5 Q (steepness) of the filter when TYPE is BELL. RATIO 4 Input Level Time Time RIVAGE PM series Data List Plug-in Type List ■ DUCKING Plug-in Type List Ducking is commonly used for voice-over applications in which the background music level is reduced automatically when an announcer speaks. When the KEY IN source signal level exceeds the specified THRESHOLD, the output level is attenuated by a specified amount (RANGE). Parameter Range Plug-in type Amount of Tap tempo DSP function resources Explanation REV-X A 2-in/2-out reverb algorithm that provides a highdensity, richly reverberant sound quality, smooth decay, and spaciousness and depth that enhance the original sound. You can choose one of three programs to suit the acoustic environment and your purpose: REV-X Hall, REV-X Room, and REV-X Plate. 6 — Description RANGE –∞, –72.0 to 0.0 (dB) This determines the amount of attenuation when ducking is activated. ATTACK 0 to 120 (msec) This determines how soon the signal is ducked once the ducker has been triggered. SP2016 Reverb The SP2016 reverb is a faithful recreation of Eventide’s signature rack-mounted SP2016 processor. 16 — HOLD 0.02m to 1.96 (sec) This determines how long ducking remains active once the trigger signal has fallen below the THRESHOLD level. VSS4HD *1 16 — DECAY 3.34m to 42.7 (sec) This determines how soon the ducker returns to its normal gain once the trigger signal level drops below the threshold. The value is expressed as the duration required for the level to change by 6 dB. Room simulation reverb by the TC Electronic. A variety of reflection settings provide a musicalsounding reverberation that gives you detailed control of room size and distance to the walls. NonLin 2 *1 Stereo reverb effect by the TC Electronic. As a gate reverb that uses an envelope filter and does not require a trigger, this can be used in a variety of creative applications. 16 — Y7 A reverb plug-in jointly developed by Bricasti Design and Yamaha. 16 — Reverb Yamaha’s legendary 1-in/2-out SPX reverb. You can choose one of four programs to suit the acoustic environment and your purpose: HALL, ROOM, STAGE, and PLATE. 5 — Stereo Reverb 2-in/2-out stereo reverb. 6 — Early Reflection 1-in/2-out early reflections. 7 — Gate Reverb 1-in/2-out gate reverb. You can choose from two types: Gate Reverb and Reverse Gate. 7 — Mono Delay Basic 1-in/2-out repeat delay. 3 ✓ Stereo Delay Basic 2-in/2-out stereo delay. 3 ✓ Modulation Delay Simple 1-in/2-out repeat delay with modulation. 4 ✓ Delay LCR 1-in/2-out 3-tap delay. 4 ✓ Echo 2-in/2-out stereo delay with cross-feedback loop. 4 ✓ Analog Delay This delay effect is based on the Yamaha E1010 analog delay. 4 ✓ Chorus 2-in/2-out chorus effect. 4 ✓ Flanger 2-in/2-out flanger effect. 4 ✓ Symphonic Yamaha’s proprietary 2-in/2-out symphonic effect, providing a modulation effect that is richer and more complex than chorus. 5 ✓ Dynamic Flanger Flanger that changes the delay time according to the input level. 2 — Dynamic Phaser Stereo phaser that uses 16-stage phase shift. 2 — Phaser Phaser that changes the phase shift point according to the input level. 2 ✓ Max100 Complete reproduction of a vintage effect that was manufactured only during the late 1970s. 1 ✓ Dual Phaser Complete reproduction of a vintage effect that was manufactured during the middle of the 1970s. 1 ✓ • I/O Characteristics • Time Series Analysis Output Level Output Signal Input Level Output Level Input Signal THRESHOLD ATTACK HOLD DECAY THRESHOLD RANGE RANGE Input Level Time Time DELAY/MOD THRESHOLD REVERB –72.0 to 0.0 (dB) This determines the level of trigger signal (KEY IN) required to activate ducking. 5 RIVAGE PM series Data List Plug-in Type List Explanation Amount of Tap tempo DSP function resources Vintage Phaser Phaser that provides a high degree of sound-shaping flexibility, and is not intended as a reproduction of any specific model. 2 ✓ High Quality Pitch Monaural pitch shifter that produces a stable effect. 4 ✓ Dual Pitch 1-in/2-out high-quality pitch shifter. 4 H3000 Live This is a newly-developed harmonizer that offers the same performance as the Eventide H3000 UltraHarmonizer optimized for live-sound applications. Tremolo Plug-in type Amount of Tap tempo DSP function resources Explanation Dual Stereo Models a console compressor/limiter module that Rupert Neve designed in the 1970s. 3 — Rupert Comp 830 Dual Stereo Models a console compressor/limiter module that Rupert Neve designed in the 1980s. 3 — ✓ Portico 5043 Dual Stereo Models an analog compressor/limiter made by the Rupert Neve Designs. 2 — 12 — Portico 5045 Dual Stereo Models the Primary Source Enhancer made by Rupert Neve Designs. 2 — 2-in/2-out tremolo effect. 2 ✓ U76 3 — 2-in/2-out auto pan effect. 2 ✓ Models a classic vintage compressor/limiter. Auto Pan Dual Stereo Rotary 1-in/2-out rotary speaker simulation. 5 — Opt-2A — 2-in/2-out ring modulator. 2 ✓ Models a classic vacuum tube (optical type) compressor. 4 Ring Modulation Dual Stereo Modulation Filter 2-in/2-out modulation filter. 2 ✓ This compressor emulates the characteristics of an FET gain reduction commonly used in recording studios. 2 Dynamic Filter 2-in/2-out dynamic filter that changes the cutoff frequency according to the input level. 2 — Dual Stereo Models a console EQ module that Rupert Neve designed in the 1970s. 3 — Rupert EQ 810 Dual Stereo Models a console EQ module that Rupert Neve designed in the 1980s. 3 — Portico 5033 Dual Stereo Models an analog 5-band EQ made by the Rupert Neve Designs. 2 — EQ-1A Dual Stereo Models a classic vacuum tube passive-type vintage EQ. 3 — Equalizer that emulates the characteristics of an analog equalizer used in the 1970s. It can be used to obtain a sense of drive. Equalizer601 Dynamic EQ Dual Stereo EQ that dynamically changes the gain, allowing the cut/boost amount to be controlled in response to the input level. Dynamic EQ4 Dual Stereo Dynamic EQ4 is a two-band dynamic equalizer that has been expanded to feature four bands. 2 — 2 — 3 — Comp276 Comp276S SATURATION Rupert EQ 773 DYNAMICS Rupert Comp 754 EQ DELAY/MOD Plug-in type — — Buss Comp 369 Dual Stereo This compressor emulates a standard bus compressor that has been used in recording studios and broadcasting stations. 3 — MBC4 Dual Stereo This four-band compressor offers intuitive operability. 3 — DaNSe Dual Stereo This is a dynamic noise suppressor with exceptional sound quality and operability. 8 — P2MB This plug-in is an accurate modeling of Rupert Neve Designs' Portico II Master Buss Processor. 4 — Distortion 1-in/2-out distortion effect. 2 — Amp Simulate 1-in/2-out guitar amp simulator. 3 — OpenDeck This mastering plug-in emulates the tape compression created by two open reel tape recorders (a recording deck and a reproduction deck). 4 — *1. Only for DSP-R10 6 RIVAGE PM series Data List Effects Parameters ■ SP2016 Reverb Effects Parameters The SP2016 Reverb is an authentic recreation of the original rack processor from the Eighties. Highly regarded for its signature reverbs, the SP2016 was used in countless hit records for nearly 40 years. The SP2016 Reverb plug-in includes vintage and modern versions of Room, Stereo Room and Hi-Density Plate. The plug-in naturally captures every aspect of the sound of a real physical environment - from the complex early reflections, to the natural way in which the echo density increases with time, to the smooth Gaussian decay of the reverb tail. The structure of the reverb can be modified by fine-tuning the controls - including PreDelay, Decay, Position and Diffusion. The EQ section allows for simple high and low filtering of the reverb with adjustable filter ranges. The unique Position control takes the listener from the stage to back of the room increasing the early reflections while retaining all other settings. REVERB ■ REV-X Two input, two output reverb algorithm. Delivers dense and rich reverberation, smooth decay, and provides a spaciousness and depth that enhances the original sound. Choose from three types depending on your location and needs; REV-X HALL, REV-X ROOM, and REV-X PLATE. Parameter Range Description REV TYPE HALL, ROOM, PLATE REV TIME 0.28–27.94 s *1 Reverb time INI. DLY 1.0–125.0 ms Initial delay before reverb begins HI. RATIO 0.1–1.0 High-frequency reverb time ratio LO. RATIO 0.1–1.4 Low-frequency reverb time ratio LO.FREQ 22.0 Hz–18.0 kHz Frequency point for LO.RATIO setting DIFF. 0–10 Reverb diffusion (left–right reverb spread) Parameter Reverb type Range Description PRESET *1 Switches the preset. PROGRAM *2 Switches between programs (algorithms). INPUT –inf to +10 dB Adjusts the input level. OUTPUT –inf to +10 dB Adjusts the output level. MIX 0 to 100 % Mix balance between dry and wet signals PREDELAY 1 to 999 ms Pre-delay amount DECAY 200 ms to 100 s Reverb time*3 ROOM SIZE 0–28 Size of room DECAY 0–53 Gate closing speed POSITION 0 to 100 % Front/rear listening position HPF THRU, 22.0 Hz–8.00 kHz High-pass filter cutoff frequency DIFFUSION 0 to 100 % Diffusion percentage LPF 1.00 kHz–18.0 kHz, THRU Low-pass filter cutoff frequency LOW GAIN –8 to 4 dB Low-range EQ (shelving) gain*4 LOW FREQ 50 to 500 Hz Low-range EQ (shelving) frequency HIGH GAIN –8 to 0 dB High-range EQ (shelving) gain HIGH FREQ 1 to 8 kHz High-range EQ (shelving) frequency KILL ON / OFF Shuts off the input (except when bypass is on). BYPASS ON / OFF Turning the bypass on or off. I/O LOCK ON / OFF If this parameter is set to ON, the input or output level will not change when the preset is switched.*5 MIX LOCK ON / OFF If this parameter is set to ON, the mix balance will not change when the preset is switched.*6 MONITOR INPUT / OUTPUT Switches the monitoring target of the meter limit indicator. *1. These values are for when the effect type is REV-X HALL and the ROOM SIZE=28. The range will differ depending on the effect type and ROOM SIZE setting. *1. Refer to the SP2016 Reverb Preset section. *2. Vintage Stereo Room (STEREO ROOM V) / Vintage Room (ROOM V) / Vintage Plate (HI DENS PLATE V) / Modern Stereo Room (STEREO ROOM M) / Modern Room (ROOM M) / Modern Plate (HI DENS PLATE M) *3. Use caution when LOW GAIN is set to boost (+), as lengthening the DECAY may cause oscillation. *4. Use caution with long DECAY settings, as boosting (+) the LOW GAIN may cause oscillation. *5. The input or output level will not be locked during any operation (such as recalling a library), other than when switching the preset. *6. The mix balance will not be locked during any operation (such as recalling a library), other than when switching the preset. 7 RIVAGE PM series Data List Effects Parameters ■ SP2016 Reverb Preset No. No. 45 Parameter New Plate No. 89 Parameter InStereoSize No. 133 Parameter DP PERCUSSION No. 177 Parameter Kick Drum Booom 1 1 Parameter Factory Default 46 Vocal Chamber 90 Large Drums 134 DP REVERB 178 Kick Drum Booom 2 2 Carpeted Room 47 Vocal Linger 91 Modern Movement 135 DP SLAPPED 179 Kick Drum Booom 3 3 Fattening Plate 48 Wellspring 92 ModernVocalizer 136 DP SOLOS & LEADS 180 Long Vocal Room 4 Implicitly 49 Empty Coffee Shop 93 Outhere 137 DP TITE VOCALS 181 Short Vocal Room 5 Just Enough Room 50 Explicitly 94 PlatosPlate 138 DP TOMS & SNARES 182 Synth Pad 6 Monday Bloody Monday 51 Fattening Plate 95 RainRoom 139 DP VOCAL REVERB 183 Bloom Plate 7 Subtle Slapback 52 Give It The Edge 96 Rhythmic Movement 140 DP_je SNARE 2 184 Boxed In 8 Vintage Kiss 53 Hardwood Floors 97 Sizzle Size 141 DP_je SNARE 3 185 Dark Hall 9 Crazy for Congas 54 Implicitly 98 Small Drums 142 DP_je VOCALS 1 186 Double Time 10 Empty Coffee Shop 55 Sheen 99 Small Synth Sizzle 143 DP_nh SNARE 1 187 Factory Space 11 Medium Drum Room 56 Sweetly 100 Solo Stereo 144 DP_nh STRINGS & synths 188 Flams 12 New Plate 57 Wellspring 101 SomeWear 145 DP_nh VOCALS 2 189 High Streams 13 Room Bloom 58 Church Organ 102 SomeWhereOutThere 146 Alone In Space Vocal 190 Mid Type 14 Subtle Stereo 59 Funky Delay 103 Space Case 147 Percussion Slap Back 191 Murker Plate 15 Sweetly 60 Gathering Storm 104 SpaciousSymbol 148 Vibey Drum Room 192 Odd Slapback 16 80s Stereo Room 61 Grand Piano 105 Stereo Strings 149 2016 String Quartet 193 Playing off Time 17 Antiquated 62 Indoor Tennis Court 106 Synth Room 150 Fiddle Reverb 194 Pulse Ping 18 Behind the Hall 63 Magic Plate 107 Synth Sizzle 151 Lead Vocal 195 See Saw 19 Large Room 64 Piano Sheen 108 VintageVocalizer 152 Long Orch Bass Drum Efx 196 Shake Up 20 Nice Stereo Room 65 Quite the Grand Piano 109 Vocalizer 153 Strings All 197 Silo Tank 21 Observatory 66 Vintage Kiss 110 Horn Room 154 Vocal Special 198 Slate Plate 22 Sheen 67 80s In My Soul 111 West Coast Ballad 155 Addicted Vocal 199 Slop Boxz 23 Sizzlin' Hot Plate 68 Antiquated 112 Ambiences 156 Antisocial Snare 200 Snare Verb 24 Deceptive Room 69 Bright Plate 113 Big Drum Space 157 Butch's Verb 201 Stepped Ahead 25 Epic Plate 70 Epic Plate 114 Distant Plate 158 Horn Stab It 202 Stumble Verb 26 Hand Of God 71 Huge Synth Bass 115 Distant Verb 159 Make the Snare Not Special 203 Thunder Rolls 27 Ice Tunnel 72 Ice Tunnel 116 Drum Space 160 Make the Snare Special 204 Tight Tiles 28 Infinity Room 73 Infinity Room 117 Lost in Plate 161 Modern Acoustic Room 205 Verb Rezzor 29 Majestic Walls 74 Observatory 118 Lost In Space 162 Modern Sol Beck 206 Brass Reverb 30 UV Rays 75 Rhythm Synth 119 Rumble Verb 163 Primo Stab 207 Chicken Wrap (Lumpy) 31 Crazy for Congas 76 Bright Plate 120 Shake Verb 164 Push it Down the Hall 208 Crime Club 32 Ensnare 77 Collection Plate 121 Shimmer Verb 165 Vintage Acoustic Room 209 Dream Guitar 33 John Jon Drums 78 Modern Stereo Pluck 122 Float 166 Vintage Sol Beck 210 Honky Tonk 34 Just Enough Room 79 Soften The Blow 123 GTR Solo 167 Classic Vocal Reverb 211 In the nineteen nineties 35 Live Snare 80 Spinning Plate 124 Guitar 1 168 Gtr Room Reverb 2 212 Magic Chin 36 Make the Snare Special 81 String Chamber 125 Guitar 2 169 Gtr Room Reverb 213 McCarthy 37 Metal Snare Chamber 82 Drum Room 126 Mod Snare 2 170 Gtr Solo Room 214 Passports Please 38 Perc 83 Duality 127 Mod Snare 171 Short Vocal Room 215 Poachies 39 Sizzlin' Hot Plate 84 Guitar Clean 128 Studio 4 - A Room 172 Sn Drum Room 216 Refracted Strings 40 Space 808s 85 Guitar Cleaner 129 Wash 173 80's Kick 217 Ring Sting 41 50s Plate 86 Guitar Solo 130 DP (MWA) ADLIBS 174 80's Snare 218 The Alderman 42 Don't Touch The Plate 87 InStereo 131 DP BASS 175 Bongos & Congas 219 Up the Asda 43 Indoor Tennis Court 88 InStereoModern 132 DP BIG VOCALS 176 Hihats 220 Wolf Knickers 44 Lead Vocal 8 RIVAGE PM series Data List Effects Parameters ■ VSS4HD *4 ■ NonLin 2 *3 Room simulation reverb by the TC Electronic. A variety of reflection settings provide a musicalsounding reverberation that gives you detailed control of room size and distance to the walls. Stereo reverb effect by the TC Electronic. As a gate reverb that uses an envelope filter and does not require a trigger, this can be used in a variety of creative applications. Parameter *1 Range Description Parameter Range Decay time of the reverb Pre Delay 5–500 ms Description Delay of the envelope Decay (MDecay ) 0.10 to 20.0 s Pre Delay 5 to 300 ms Delay of the reverb input Attack 0–309 ms Attack time of the envelope Hi Cut 20.00 Hz to 20.0 kHz Frequency of the high cut filter at the input stage of the reverb Hold 10–85 ms Hold time of the envelope Rev Delay 0 to 300 ms Delay of the reverb tail Release 0–106 ms Release time of the envelope Rev Size 0 to 15 Perceptual size of the reverb Style *1 Basic reverb style Rev Width –10 to 10 Width of the reverb tail Diffuse 0–100 % Diffusion (spread) for the reverb style Decrease (ER Dec*1) 0–100 % Number of reflections for the early reflections Type *2 Type of Twist that affects the reverb Lo Color –50 to 50 Low-frequency range of the early reflections Ratio 0–100 % Proportion of Twist for the reverb Hi Color –50 to 50 High-frequency range of the early reflections 20.00 Hz to 2.00 kHz Frequency of the low cut filter at the input stage of the reverb Early Start 0–100 % Start point of early reflection. Removes the first part of early reflection. Lo Cut Hi Cut 800.0 Hz to 20.0 kHz Frequency of the high cut filter at the input stage of the reverb End point of the early reflection. Attenuates the end of early reflection pattern. Width 0–100 % Stereo width of the output In Level OFF, –119.5 to 0.0 dB Input level Output level Early Stop 0–100 % Location Type *2 Type of location Out Level OFF, –119.5 to 0.0 dB Source 1/2 L30 to R 30 Position of input sources 1/2 Dry Level OFF, –119.5 to 0.0 dB Level of the dry signal In Level OFF, –97.0 to 0.0 dB Input level Wet Level OFF, –119.5 to 0.0 dB Level of the wet signal (reverb component) Out Level OFF, –97.0 to 0.0 dB Output level Mute Input OFF, ON Mutes the input Mute Output OFF, ON Mutes the output Lo Cut 20.00 to 200.0 Hz Low-cut frequency Lo Damp –18.0 0.0 dB Low-cut amount Hi Soften 50 to 50 High-frequency range of the reverb tail Lo Decay 0.01 to 2.50 Multiple of decay for the frequency range below Lo Xover ■ Bricasti Design Y7 Stereo Reverb Processor Lo Mid Decay 0.01 to 2.50 Multiple of decay for the low-mid frequency range A reverb plug-in jointly developed by Bricasti Design and Yamaha. Hi Mid Decay 0.01 to 2.50 Multiple of decay for the middle frequency range Hi Decay 0.01 to 2.50 Multiple of decay for the frequency range above Hi Xover Lo Xover 20.00 to 500.0 Hz Crossover frequency between the low and low-mid frequency ranges of the reverb tail Mid Xover 20.00 Hz to 2.00 kHz Crossover frequency between the low-mid and middle frequency ranges of the reverb tail Hi Xover 500.0 Hz to 20.0 kHz Crossover frequency between the middle and high frequency ranges of the reverb tail Reverb Type Colored, Normal Type of reverb effect *1. NonLin Decayed, Explode, Gated, Rough, Air Ambience, Small Ambience, Live, Wild, Hollow, Box, Scanner, Panner, Smooth B, Smooth A, Sustained, Mono To Stereo, NonLin Wide, NonLin B, NonLin A, NonLin Classic *2. Woolly, Woody, Ventilation, Tunnel, Synthetic, Spaceship, Radiator, Nextdoor, Muffled, Mouth, Moony, Levitate, Kazoo, Hot Air, Guts, Digital, Chicken, Cave, Box, Aircon *3. Only for DSP-R10 Parameter Range Description Reverb Time 0.4 to 6.0 sec Adjusts the reverb time. Pre Delay 0 to 600 mSec Adjusts the reverb input delay. Size Small / Medium / Large Adjusts the size of the space. RT Damping Dark,1,2,3,4, Medium, 6,7,8,9, Bright Adjusts the high frequency attenuation of the rear reverberation. Rolloff Dark,1,2,3,4, Medium, 6,7,8,9, Bright Adjusts the LPF of the output section. ON / OFF Reverb Diffuse –25 to 25 Diffusion for the decay time Rich Modulation Type *3 Type of modulation High Diffusion ON / OFF Turn on this button to increase the amount of reverb spread. Mod. Rate –50 to 50 Rate of modulation Mod. Depth –0 to 200 Depth of modulation VLF (Very Low Frequency) Turn on this button to increase the reverb component in the ultra-low range. Dry Level OFF, –97.0 to 0.0 dB Level of the dry signal at the output stage *1. Actual indication in the screen encoder access field *2. Oval Room, Cinema, Church, Castle Hall, Theater, Living Room, Parking Garage, Bathroom, Viennna Hall, Concert Hall, Jazz Club *3. Sync, Chaos, Counter Clockwise, Clockwise, Left/Right, Front/Rear Diffuse, Front/Rear Subtle, Front/Rear, Default, Off *4. Only for DSP-R10 9 ON / OFF Turn on this button to increase the density of the reverb. Bandpass ON / OFF Turns on BPF in the output section. Presence ON / OFF Turn on this button to brighten the tone. Dry / Wet 0 to 100 % Adjusts the amount of mix between the input signal and the reverb signal. Lock ON / OFF Turn on this button to lock Dry / Wet control so that it cannot be changed. RIVAGE PM series Data List Effects Parameters Parameter Range Program ■ Early Reflection Description One input, two output early reflections. Halls Large Hall, Medium Hall, Small Hall, Brass Hall, Chicago Hall, Vienna Hall, Bright Hall Plates Bright Plate, Dark Plate, London Plate, Vocal Plate, Fat Plate, Crystal Plate, Shiny Plate TYPE Rooms Studio A, Studio B, Large Wooden, Small Wooden, Large Tiled, Medium Tiled, Light Room ROOMSIZE 0.1–20.0 Chambers Large Chamber, Medium Chamber, Small Chamber, Dark Chamber, Bright Chamber, Old Chamber, White Chamber LIVENESS 0–10 Early reflections decay characteristics (0 = dead, 10 = live) INI. DLY 1.0–500.0 ms Initial delay before reverb begins Spaces North Church, East Church, South Church, West Church, Scoring Stage, Tanglewood, Bright Arena DIFF. 0–10 Reflection diffusion (left–right reflection spread) DENSITY 0–100% Reflection density ER NUM. 1–19 Number of early reflections FB GAIN –99 to +99% Feedback gain HI. RATIO 0.1–1.0 High-frequency feedback ratio HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency Parameter ■ Reverb One input, two output hall, room, stage, and plate reverb simulations, all with gates. Parameter Range Description Range S-Hall, L-Hall, Random, Revers, Plate, Spring Description Type of early reflection simulation Reflection spacing REV TYPE HALL, ROOM, STAGE, PLATE Reverb type REV TIME 0.3–99.0 s Reverb time INI. DLY 1.0–500.0 ms Initial delay before reverb begins HI. RATIO 0.1–1.0 High-frequency reverb time ratio LO. RATIO 0.1–2.4 Low-frequency reverb time ratio DIFF. 0–10 Reverb diffusion (left–right reverb spread) DENSITY 0–100% Reverb density E/R DLY 0.0–100.0 ms Delay between early reflections and reverb TYPE E/R BAL. 0–100% Balance of early reflections and reverb (0% = all reverb, 100% = all early reflections) ROOMSIZE 0.1–20.0 HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency LIVENESS 0–10 Early reflections decay characteristics (0 = dead, 10 = live) 1.0–500.0 ms Initial delay before reverb begins ■ Gate Reverb One input, two output early reflections with gate, and early reflections with reverse gate. Parameter Range Type-A, Type-B, Type-C, Type-D Description Type of early reflection simulation Reflection spacing LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency INI. DLY GATE LVL OFF, –60 to 0 dB Level at which gate kicks in DIFF. 0–10 Reflection diffusion (left–right reflection spread) ATTACK 0–120 ms Gate opening speed DENSITY 0–100% Reflection density Gate open time HI. RATIO 0.1–1.0 High-frequency feedback ratio Gate closing speed ER NUM. 1–19 Number of early reflections FB GAIN –99 to +99% Feedback gain HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency HOLD DECAY 0.02 ms–1.96 s 3.34 ms–42.7 s ■ Stereo Reverb Two input, two output stereo reverb. Parameter Range Description REV TIME 0.3–99.0 s Reverb time REV TYPE Hall, Room, Stage, Plate Reverb type INI. DLY 1.0–100.0 ms Initial delay before reverb begins HI. RATIO 0.1–1.0 High-frequency reverb time ratio LO. RATIO 0.1–2.4 Low-frequency reverb time ratio DIFF. 0–10 Reverb diffusion (left–right reverb spread) DENSITY 0–100% Reverb density E/R BAL. 0–100% Balance of early reflections and reverb (0% = all reverb, 100% = all early reflections) HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency 10 RIVAGE PM series Data List Effects Parameters ■ Modulation Delay DELAY/MODULATION One input, two output basic repeat delay with modulation. Parameter Range Description ■ Mono Delay DELAY 1.0–2725.0 ms Delay time One input, one output basic repeat delay. FB. GAIN –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) HI. RATIO 0.1–1.0 High-frequency feedback ratio FREQ. 0.05–40.00 Hz Modulation speed DEPTH 0–100% Modulation depth WAVE Sine/Tri Modulation waveform HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency SYNC OFF, ON Tempo parameter sync on/off DLY.NOTE *1 Used in conjunction with TEMPO to determine DELAY. MOD.NOTE *2 Used in conjunction with TEMPO to determine FREQ. Parameter Range Description DELAY 1.0–2730.0 ms Delay time FB. GAIN –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) HI. RATIO 0.1–1.0 High-frequency feedback ratio HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency SYNC OFF, ON Tempo parameter sync on/off NOTE *1 Used in conjunction with TEMPO to determine DELAY. *1. (Max. value depends on tempo setting) *1. *2. (Maximum value depends on the tempo setting) ■ Stereo Delay Two input, two output basic stereo delay. Parameter Range DELAY L 1.0–1350.0 ms Left channel delay time DELAY R 1.0–1350.0 ms Right channel delay time FB. G L –99 to +99% Left channel feedback (plus values for normal-phase feedback, minus values for reverse-phase feedback) FB. G R –99 to +99% Right channel feedback (plus values for normal-phase feedback, minus values for reverse-phase feedback) HI. RATIO 0.1–1.0 High-frequency feedback ratio HPF THRU, 21.2 Hz–8.00 kHz LPF 50.0 Hz–16.0 kHz, THRU One input, two output 3-tap delay (left, center, right). Parameter Range Description DELAY L 1.0–2730.0 ms DELAY C 1.0–2730.0 ms Center channel delay time DELAY R 1.0–2730.0 ms Right channel delay time FB. DLY 1.0–2730.0 ms Feedback delay time LEVEL L –100 to +100% Left channel delay level High-pass filter cutoff frequency LEVEL C –100 to +100% Center channel delay level Low-pass filter cutoff frequency LEVEL R –100 to +100% Right channel delay level FB. GAIN –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) HI. RATIO 0.1–1.0 High-frequency feedback ratio HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency SYNC OFF, ON Tempo parameter sync on/off NOTE L *1 Used in conjunction with TEMPO to determine DELAY L. NOTE C *1 Used in conjunction with TEMPO to determine DELAY C. NOTE R *1 Used in conjunction with TEMPO to determine DELAY R. NOTE FB *1 Used in conjunction with TEMPO to determine FB. DLY. SYNC OFF, ON Tempo parameter sync on/off NOTE L *1 Used in conjunction with TEMPO to determine left channel DELAY. NOTE R *1 Used in conjunction with TEMPO to determine right channel DELAY. *1. ■ Delay LCR Description (Maximum value depends on the tempo setting) *1. 11 Left channel delay time (Maximum value depends on the tempo setting) RIVAGE PM series Data List Effects Parameters ■ Echo ■ Chorus Two input, two output stereo delay with crossed feedback loop. Two input, two output chorus effect. Parameter DELAY L Range 1.0–1350.0 ms Description Parameter Left channel delay time FREQ. Range 0.05–40.00 Hz Description Modulation speed DELAY R 1.0–1350.0 ms Right channel delay time AM DEPTH 0–100% Amplitude modulation depth FB.DLY L 1.0–1350.0 ms Left channel feedback delay time PM DEPTH 0–100% Pitch modulation depth FB.DLY R 1.0–1350.0 ms Right channel feedback delay time MOD. DLY 0.0–500.0 ms Modulation delay time –99 to +99% Left channel feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) WAVE Sine, Tri Modulation waveform SYNC OFF, ON Tempo parameter sync on/off NOTE *1 Used in conjunction with TEMPO to determine FREQ. FB. G L FB. G R –99 to +99% Right channel feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) L→R FBG –99 to +99% Left to right channel feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) R→L FBG –99 to +99% Right to left channel feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) HI. RATIO 0.1–1.0 High-frequency feedback ratio ■ Flanger HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency Two input, two output flanger effect. LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency SYNC OFF, ON Tempo parameter sync on/off NOTE L *1 NOTE R *1 NOTE FBL *1 Used in conjunction with TEMPO to determine FB. D L. NOTE FBR *1 Used in conjunction with TEMPO to determine FB. D R. *1. Parameter Range Description FREQ. 0.05–40.00 Hz Modulation speed Used in conjunction with TEMPO to determine DELAY L. DEPTH 0–100% Modulation depth Used in conjunction with TEMPO to determine DELAY R. MOD. DLY 0.0–500.0 ms Modulation delay time FB. GAIN –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) WAVE Sine, Tri Modulation waveform SYNC OFF, ON Tempo parameter sync on/off NOTE *1 Used in conjunction with TEMPO to determine FREQ. *1. (Maximum value depends on the tempo setting) *1. ■ Analog Delay This delay effect is based on the Yamaha E1010 analog delay. Parameter BBD TYPE Range A, B, C, D, E Description ■ Symphonic Adjusts the characteristics of the delay sound. The characteristics become stronger in the order of switch A to E. TIME RANGE 1-200, 201-600, 601-1000 Specifies the delay time range controlled via the DELAY knob. INPUT 0.00 to 10.00 Adjusts the input gain. BASS –15.00 to 15.00 Adjusts the signal’s low frequency range level at the input. TREBLE –15.00 to 15.00 Adjusts the signal’s high frequency range level at the input. DELAY 1 to 200 ms, 201 to 600 ms, 601 to 1000 ms Adjusts the delay time. FEEDBACK 0.00 to 10.00 Adjusts the feedback amount of the delay signal. FREQUENCY 0.00 to 20.0 Hz Adjusts the frequency of modulation. DEPTH 0.00 to 10.00 Adjusts the depth of modulation. MIX 0.00 to 10.00 Adjusts the mix balance between dry and delay sounds. Two input, two output symphonic effect. Parameter Range Description FREQ. 0.05–40.00 Hz Modulation speed DEPTH 0–100% Modulation depth MOD. DLY 0.8–500.0 ms Modulation delay time WAVE Sine, Tri Modulation waveform SYNC OFF, ON Tempo parameter sync on/off NOTE *1 Used in conjunction with TEMPO to determine FREQ. *1. 12 RIVAGE PM series Data List Effects Parameters ■ Dynamic Flanger ■ Dual Phaser Two input, two output dynamically controlled flanger. Complete reproduction of a vintage effect that was manufactured during the middle of the 1970s. Parameter SENSE Range Description Parameter Range Description 0–100 Sensitivity LFO 1 RATE SYNC ON, 0.067 to 20.00 Hz LFO 1 speed DIR. UP, DOWN Upward or downward frequency change LFO 1 SHAPE SINE, SQUARE LFO 1 waveform DECAY 3.34 ms–42.7 s Decay speed LFO 2 RATE SYNC ON, 0.111 to 20.00 Hz LFO 2 speed OFFSET 0–100 Delay time offset LFO 2 SHAPE SINE, SQUARE LFO 2 waveform FB.GAIN –99 to +99% Feedback gain PHASER A DEPTH (A DEPTH*1) 1.00 to 10.00 Modulation depth of Phaser A PHASER A FEEDBACK (A FB.*1) 1.00 to 10.00 Feedback amount of Phaser A PHASER A ON/OFF OFF, ON Phaser A on/off PHASER B DEPTH (B DEPTH*1) 1.00 to 10.00 Modulation depth of Phaser B Feedback amount of Phaser B ■ Dynamic Phaser Two input, two output dynamically controlled phaser. Parameter Range Description SENSE 0–100 Sensitivity DIR. UP, DOWN Upward or downward frequency change PHASER B FEEDBACK (B FB.*1) 1.00 to 10.00 DECAY 3.34 ms–42.7 s Decay speed SWEEP LFO LFO1, LFO2 Phaser B LFO OFFSET 0–100 Lowest phase-shifted frequency offset PHASER B SWEEP TYPE NORM/REV LFO phase of Phaser B FB.GAIN –99 to +99% Feedback gain PHASER B ON/OFF OFF, ON Phaser B on/off STAGE 2, 4, 6, 8, 10, 12, 14, 16 Number of phase shift stages MODE 1 to 4 Rearranges the two phasers *1. Actual indication in the screen encoder access field ■ Phaser ■ Vintage Phaser Two input, two output 16-stage phaser. Parameter Range Phaser that provides a high degree of soundshaping flexibility, and is not intended as a reproduction of any specific model. Description FREQ. 0.05–40.00 Hz Modulation speed DEPTH 0–100% Modulation depth Parameter FB. GAIN –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) SPEED SYNC ON, 0.100Hz to10.00 Hz OFFSET 0–100 Lowest phase-shifted frequency offset MANUAL 0.00 to 10.00 Center frequency of modulation PHASE 0.00–354.38 degrees Left and right modulation phase balance DEPTH 0.00 to 10.00 Depth of modulation STAGE 2, 4, 6, 8, 10, 12, 14, 16 Number of phase shift stages SYNC OFF, ON Tempo parameter sync on/off NOTE *1 Used in conjunction with TEMPO to determine FREQ. *1. Range Description Modulation speed FEEDBACK 0.00 to 10.00 Feedback amount COLOR 0.00 to 10.00 Makes fine adjustments to the tone. MODE 1, 2 Type of circuit structure that is modeled STAGE 4, 6, 8, 10, 12, 16 Extent of the circuit that is modeled FOOT OFF, ON Effect on/off ■ Max100 Complete reproduction of a vintage effect that was manufactured only during the late 1970s. Parameter Range Description MODE 1 to 4 Switches the tonal character SPEED SYNC ON, 0.100 to 10.00 Hz Modulation speed FOOT OFF, ON Effect on/off 13 RIVAGE PM series Data List Effects Parameters ■ High Quality Pitch ■ H3000 Live One input, two output high-quality pitch shifter. This is a newly-developed harmonizer that offers the same performance as the Eventide H3000 UltraHarmonizer optimized for live-sound applications. Parameter Range Description PITCH –12 to +12 semitones Pitch shift FINE –50 to +50 cents Pitch shift fine DELAY 1.0–1000.0 ms Delay time FB. GAIN –99 to +99% Parameter Range Description PROGRAM SELECT *1 Switches the preset. If you switch the preset, the internal algorithm and parameters will change accordingly. Feedback gain MIX 0–100 % Mix balance between dry and wet signals 0–100 % Amount of modulation MODE 1–10 Pitch shift precision MODULAT ION SYNC OFF, ON Tempo parameter sync on/off LEFT SHIFT –1200 to +1200 c Pitch shift amount for L CH NOTE *1 Used in conjunction with TEMPO to determine DELAY. LEFT DELAY 0 to 1400 ms Delay time for L CH LEFT FEEDBACK 0 to 100 % Feedback amount for L CH RIGHT SHIFT –1200 to +1200 c Pitch shift amount for R CH RIGHT DELAY 0 to 1400 ms Delay time for R CH RIGHT FEEDBACK 0 to 100 % Feedback amount for R CH *1. (Maximum value depends on the tempo setting) ■ Dual Pitch *1. [101] Layered Shift, [116] Multi Shift, [508] Dual H910 Micro, [514] Just Stereo, [515] Magic Air, [518] Micro + Reverb, [519] Micro Pitch Shift, [520] Micro-Reverb, [521] Micro Pitch Slap, [528] Real Chorus, [533] Voice Doubler, [731] Mondo Chorus, [763] Moving Vocal Spread, [988] Real Chorus 2, [Y102] Slap Back, [Y613] Big Guitar, [000] Clean Two input, two output pitch shifter. Parameter Range Description PITCH 1 –24 to +24 semitones Channel #1 pitch shift FINE 1 –50 to +50 cents Channel #1 pitch shift fine LEVEL 1 –100 to +100% Channel #1 level PAN 1 L63 to R63 Channel #1 pan ■ Tremolo Two input, two output tremolo effect. DELAY 1 1.0–1000.0 ms Channel #1 delay time FB. G 1 –99 to +99% Channel #1 feedback gain Parameter MODE 1–10 Pitch shift precision FREQ. 0.05–40.00 Hz PITCH 2 –24 to +24 semitones Channel #2 pitch shift DEPTH 0–100% Modulation depth FINE 2 –50 to +50 cents Channel #2 pitch shift fine WAVE Sine, Tri, Square Modulation waveform Range Description Modulation speed LEVEL 2 –100 to +100% Channel #2 level SYNC OFF, ON Tempo parameter sync on/off PAN 2 L63 to R63 Channel #2 pan NOTE *1 Used in conjunction with TEMPO to determine FREQ. DELAY 2 1.0–1000.0 ms Channel #2 delay time FB. G 2 –99 to +99% Channel #2 feedback gain SYNC OFF, ON Tempo parameter sync on/off NOTE 1 *1 Used in conjunction with TEMPO to determine Channel #1 delay. NOTE 2 *1 Used in conjunction with TEMPO to determine Channel #2 delay. *1. *1. ■ Auto Pan Two input, two output autopanner. (Maximum value depends on the tempo setting) Parameter Range Description FREQ. 0.05–40.00 Hz Modulation speed DEPTH 0–100% Modulation depth DIR. *1 Panning direction WAVE Sine, Tri, Square Modulation waveform SYNC OFF, ON Tempo parameter sync on/off NOTE *2 Used in conjunction with TEMPO to determine FREQ. *1. L↔R, L→R, L←R, Turn L, Turn R *2. 14 RIVAGE PM series Data List Effects Parameters ■ Rotary ■ Dynamic Filter One input, two output rotary speaker simulator. Two input, two output dynamically controlled filter. Parameter Range ROTATE STOP, START SPEED SLOW FAST DRIVE Description Parameter Range Description Rotation stop, start SENSE 0–100 Sensitivity SLOW, FAST Rotation speed (see SLOW and FAST parameters) DIR. UP, DOWN Upward or downward frequency change 0.05–10.00 Hz SLOW rotation speed DECAY 3.34 ms–42.7 s Filter frequency change decay speed 0.05–10.00 Hz FAST rotation speed TYPE LPF, HPF, BPF Filter type 0–100 Overdrive level OFFSET 0–100 Filter frequency offset ACCEL 0–10 Acceleration at speed changes RESO. 0–20 Filter resonance LOW 0–100 Low-frequency filter LEVEL 0–100 Output Level HIGH 0–100 High-frequency filter EQUALIZER ■ Ring Modulation Two input, two output ring modulator. Parameter Range OSC, SELF Modulation source: oscillator or input signal OSC FREQ 0.0–5000.0 Hz Oscillator frequency FM FREQ. 0.05–40.00 Hz Oscillator frequency modulation speed FM DEPTH 0–100% Oscillator frequency modulation depth SYNC OFF, ON Tempo parameter sync on/off FM NOTE *1 ■ Rupert EQ 773 Description SOURCE Models a console EQ module that Rupert Neve designed in the 1970s. Parameter Used in conjunction with TEMPO to determine FM FREQ. *1. ■ Modulation Filter Range Description LC FREQ OFF, 50, 80, 100, 300 Hz Frequency of the low cut filter LF GAIN –16.0 to 16.0 dB Gain of the low shelving filter LF FREQ OFF, 35, 60, 110, 220 Hz Frequency of the low shelving filter MF GAIN –18.0 to 18.0 dB Peaking gain MF FREQ OFF, 360, 700 Hz, 1.6, 3.2, 4.8, 7.2 kHz Peaking frequency HF GAIN –18.0 to 18.0 dB Gain of the high shelving filter DRIVE 0.0 to 10.0 Amount of head amp overtones EQL OFF, ON Equalizer on/off Two input, two output modulation filter. Parameter FREQ. Range 0.05–40.00 Hz Description Modulation speed DEPTH 0–100% Modulation depth PHASE 0.00–354.38 degrees Left-channel modulation and right-channel modulation phase difference TYPE LPF, HPF, BPF Filter type: low pass, high pass, band pass OFFSET 0–100 Filter frequency offset RESO. 0–20 Filter resonance LEVEL 0–100 Output level SYNC OFF, ON Tempo parameter sync on/off NOTE *1 Used in conjunction with TEMPO to determine FREQ. *1. 15 RIVAGE PM series Data List Effects Parameters ■ Rupert EQ 810 Parameter Models a console EQ module that Rupert Neve designed in the 1980s. Parameter Range Description Range Description MF FREQ 330.0 to 2500 Hz Center frequency of the MF band MF GAIN –12.0 to 12.0 dB Gain of the MF band OFF, ON Switches the HMF band on/off. LF IN OFF, ON LF band (low shelving) on/off HMF IN LF FREQ 33, 56, 95, 160, 270 Hz Cutoff frequency of the LF band (low shelving) HMF Q 0.70 to 5.00 Q of the HMF band LF GAIN –16.0 to 16.0 dB Gain of the LF band (low shelving) HMF FREQ 1.80k to 16.0k Hz Center frequency of the HMF band LMF band (peaking) on/off HMF GAIN –12.0 to 12.0 dB Gain of the HMF band OFF, ON Switches the LF/HF bands on/off. LMF IN OFF, ON LMF x3 OFF, ON Triples the center frequency value of the LMF band (peaking). LF/HF IN HF FREQ 2.50k to 25.0k Hz Center frequency of the HF band LMF FREQ 40.0 to 400 Hz*1 Center frequency of the LMF band (peaking) HF GAIN –12.0 to 12.0 dB Gain of the HF band LMF GAIN –16.0 to 16.0 dB Gain of the LMF band (peaking) LMF Q 0.90 t0 3.00 Q (steepness) of the LMF band (peaking) HF IN OFF, ON HF band (high shelving) on/off ■ EQ-1A HF FREQ 3.3, 4.7, 6.8, 10, 15 kHz Cutoff frequency of the HF band (high shelving) This processor emulates a vintage EQ that’s considered a classic example of a passive EQ. HF GAIN –16.0 to 16.0 dB Gain of the HF band (high shelving) HMF IN OFF, ON HMF band (peaking) on/off HMF x3 OFF, ON Triples the center frequency value of the HMF band (peaking). HMF FREQ 600 Hz to 6.00 kHz*2 Center frequency of the HMF band (peaking) HMF GAIN –16.0 to 16.0 dB Gain of the HMF band (peaking) HMF Q 0.90 to 3.00 Q (steepness) of the HMF band (peaking) TRANS. MIC, LINE Type of input transformer that is emulated DRIVE –20.0 to 20.0 Adjusts the input level to adjust the amount of overtones. LPF FREQ OFF, 36, 60, 105, 185, 330 Hz Cutoff frequency of the low pass filter HPF FREQ OFF, 16, 12, 8.2, 5.6, 3.9 kHz Cutoff frequency of the high pass filter ALL EQ OFF, ON Turns the LF/LMF/HMF/HF bands on/off together. Parameter *1. When it is On, 120 Hz to 1.20 kHz *2. When it is On, 1.80kHz to 18.0 kHz ■ Portico 5033 This models an analog 5-band EQ made by Rupert Neve Designs. Parameter Range Range 20, 30, 60, 100 Hz Frequency range of the low range filter (LOW) BOOST (LO BOOST*1) 0.0 to 10.0 Boost amount of the low range filter (LOW) ATTEN (LO ATT*1) 0.0 to 10.0 Attenuation amount of the low range filter HIGH FREQUENCY (HI FREQ*1) 3k, 4k, 5k, 8k, 10k, 12k, 16k Hz Frequency range of the high range filter (HIGH) BOOST (HI BOOST*1) 0.0 to 10.0 Boost amount of the high range filter (HIGH) BAND WIDTH 0.0 to 10.0 (BAND WID*1) Band width of the high range filter (HIGH) ATTEN SEL (HI ATT F*1) 5k, 10k, 20k Hz Frequency range attenuated by the high range filter (HIGH) ATTEN (HI ATT*1) 0.0 to 10.0 Attenuation amount of the high range filter IN OFF, ON Turns the processor on/off. If this is off, the filter section will be bypassed, but the signal will pass through the input/output transformers and the amp circuit. Description ALL BYPASS OFF, ON Turns bypass on/off for the EQ. Even in the bypassed state, the signal will pass through the input/output transformers and the amp circuit. TRIM –12.0 to 12.0 dB Input gain LF FREQ 30.00 to 300.0 Hz Center frequency of the LF band LF GAIN –12.0 to 12.0 dB Gain of the LF band LMF IN OFF, ON Switches the LMF band on/off. LMF Q 0.70 to 5.00 Q of the LMF band LMF FREQ 50.00 to 400.0 Hz Center frequency of the LMF band LMF GAIN –12.0 to 12.0 dB Gain of the LMF band MF IN OFF, ON Switches the MF band on/off. MF Q 0.70 to 5.00 Q of the MF band Description LOW FREQUENCY (LO FREQ*1) *1. Actual indication in the screen encoder access field 16 RIVAGE PM series Data List Effects Parameters ■ Equalizer601 ■ Dynamic EQ This effect emulates the characteristics of 70’s analog equalizers. Re-creating the distortion of typical analog circuits will add drive to the sound. This is a newly developed equalizer that dynamically changes the EQ gain in response to the input signal, controlling the amount of EQ cut or boost in a way similar to a compressor or expander. Parameter Range Description LO TYPE HPF-2/1, LSH-1/2 Type of EQ1 LO F 16.0 Hz to 20.0 kHz Cut-off frequency of EQ1 LO G –18.0 to +18.0 dB Gain of EQ1 Parameter Range Description BAND ON/OFF OFF, ON Turns the corresponding band on/off. SIDECHAIN CUE OFF, ON If this is on, the sidechain signal that controls the dynamics will be sent to the CUE bus for monitoring. SIDECHAIN LISTEN OFF, ON If this is on, the sidechain signal that is linked to the dynamics will be output to the bus (such as the STEREO bus or a MIX/ MATRIX bus) to which the inserted channel is being sent. MID1 Q 0.50–16.0 Q of EQ2 MID1 F 16.0 Hz to 20.0 kHz Center frequency of EQ2 MID1 G –18.0 to +18.0 dB Gain of EQ2 FILTER TYPE Low Shelf, Bell, Hi Shelf Switches the type of equalizer and sidechain filter. MID2 Q 0.50–16.0 Q of EQ3 MID2 F 16.0 Hz to 20.0 kHz Center frequency of EQ3 FREQUENCY (FREQ 1, FREQ 2*1) 20.0 to 20.0k Hz Frequency controlled by the equalizer and sidechain filter MID2 G –18.0 to +18.0 dB Gain of EQ3 INPUT –18.0 to +18.0 dB Input gain Q (Q 1, Q 2*1) 15.0 to 0.50 Q of the equalizer and sidechain filter OUTPUT –18.0 to +18.0 dB Output gain MID3 Q 0.50–16.0 Q of EQ4 MID3 F 16.0 Hz to 20.0 kHz Center frequency of EQ4 MID3 G –18.0 to +18.0 dB Gain of EQ4 MID4 Q 0.50–16.0 Q of EQ5 MID4 F 16.0 Hz to 20.0 kHz Center frequency of EQ5 MID4 G –18.0 to +18.0 dB Gain of EQ5 HI TYPE LPF-2/1, HSH-1/2 Type of EQ6 HI F 16.0 Hz to 20.0 kHz *1 Cut-off frequency of EQ6 HI G –18.0 to +18.0 dB Gain of EQ6 LO SW OFF, ON Switches EQ1 on/off MID1 SW OFF, ON Switches EQ2 on/off MID2 SW OFF, ON Switches EQ3 on/off MID3 SW OFF, ON Switches EQ4 on/off MID4 SW OFF, ON Switches EQ5 on/off HI SW TYPE THRESHOLD –80.0 to 10.0 dB (THRESH 1, THRESH 2*1) Threshold value at which processing begins to apply RATIO (RATIO 1, RATIO2*1) ∞ : 1 to 1 : 1.50 Sets the boost/cut ratio relative to the input signal. MODE BELOW, ABOVE Specifies whether the processor will operate when the sidechain signal exceeds the threshold setting (ABOVE) or when it falls below the threshold setting (BELOW). ATTACK/RELEASE FAST, SLOW, AUTO Attack time/release time for when compression or boost is applied *1. Actual indication in the screen encoder access field ■ Dynamic EQ4 Dynamic EQ4 is a two-band dynamic equalizer that has been expanded to feature four bands. Parameter Range Description OFF, ON Switches EQ6 on/off BAND ON/OFF KEY IN SOURCE INT, EXT Select main (INT) or external (EXT) as the source for the KEY IN signal used for the corresponding band. CLEAN, DRIVE Selects the equalizer type. The CLEAN equalizer provides non-distorted, clear, typical digital sound, emulating variations in frequency response in the analog circuits. The DRIVE equalizer provides distorted, driven sound that enhances analog flavor, emulating changes in frequency response in the analog circuits. KEY IN CUE OFF, ON If this button is on, the sidechain signal is sent to the CUE bus for monitoring. SHELF ON/OFF OFF, ON Switch the type of the equalizer and sidechain filter. FREQUENCY 20.0 to 20.0 kHz Frequency that is controlled by the equalizer and the sidechain filter Q 15.0 to 0.50 Q of the equalizer and the sidechain filter THRESHOLD –80.0 to 10.0 dB Threshold value at which the processing effect begins to apply RATIO ∞ : 1 to 1 : 1.50 Ratio of boost/cut for the input signal. MODE BELOW, ABOVE Specifies whether processing operates when the sidechain signal exceeds the threshold value (ABOVE) or when it falls below the value (BELOW). ATTACK/RELEASE FAST, SLOW, AUTO Attack time and release time at which compression or boost is applied *1. 16.0 Hz to 20.0 kHz (LPF-1, LPF-2), 1.0 kHz to 20.0 kHz (HSH-1, HSH-2) 17 OFF, ON Switches the corresponding band on or off. RIVAGE PM series Data List Effects Parameters ■ Rupert Comp 830 DYNAMICS Models a console compressor/limiter module that Rupert Neve designed in the 1980s. Parameter ■ Rupert Comp 754 Models a console compressor/limiter module that Rupert Neve designed in the 1970s. Parameter Range Description RESPONSE NORM, FAST Meter response speed INPUT ADJUST (IN ADJUST*1) –6 to 12 dB Input gain BLEND 0–100 % Dry/wet balance of the compressor/limiter Range Description HPF ON OFF, ON Sidechain’s high pass filter on/off HPF FREQ (HP FREQ*1) 20.0 to 400 Hz Cutoff frequency of the sidechain’s high pass filter LPF ON OFF, ON Sidechain’s low pass filter on/off LPF FREQ (LP FREQ*1) 1.00 to 20.0 kHz Cutoff frequency of the sidechain’s low pass filter MF ON OFF, ON Sidechain’s MF band (peaking) on/off MF FREQ x10 OFF, ON Sidechain’s MF band (peaking) center frequency to 10 times its value MF FREQ 60 to 600 Hz*2 Sidechain’s MF band (peaking) center frequency MF GAIN –16.0 to 16.0 dB Gain of the sidechain’s MF band (peaking) SELECT IN, OUT Signal source of the meter COMPRESS IN OFF, ON Compressor on/off COMPRESS THRESHOLD (C THRSH*1) –20.0 to15.0 dBm Threshold of the compressor COMPRESS RECOVERY (C RECOV*1) COMP IN OFF, ON Compressor on/off 400, 800 ms, 1.5 s, AUTO Release time of the compressor –52 to 0dB Threshold of the compressor COMPRESS RATIO (C RATIO*1) THRESHOLD (THRESH*1) 1.5:1, 2:1, 3:1, 4:1, 6:1 Ratio of the compressor RATIO 1.5:1, 2:1, 3:1, 5:1, 10:1, INF:1 Ratio of the compressor COMPRESS GAIN (C GAIN*1) ATTACK 0.20 to 73.0 ms Attack time of the compressor 0.0 to 20.0 dB Makeup gain of the compressor RELEASE 100 m to 2.00 s Release time of the compressor Limiter on/off AUTO RELEASE OFF, ON Compressor’s auto release on/off GAIN 0.0 to 20.0 dB Gain of the compressor LIMIT IN OFF, ON LIMIT THRESHOLD (L THRSH*1) 4.0 to 12.0 dBm Threshold of the limiter LIMIT RECOVERY (L RECOV*1) 100, 200, 800, AUTO Release time of the limiter LIMIT ATTACK FAST, SLOW Attack time of the limiter *1. Actual indication in the screen encoder access field *2. When it is On, 600 Hz to 6.00 kHz ■ Portico 5043 *1. Actual indication in the screen encoder access field This models an analog compressor/limiter made by Rupert Neve Designs. Parameter 18 Range Description Turns bypass on/off for the compressor. When bypassed, the button will be unlit. However even in the bypassed state, the signal will pass through the input/output transformers and the amp circuit. IN OFF, ON FB OFF, ON Switches between feed-forward type and feed-back type. THRESHOLD –50.0 to 0.0 dB Threshold level RATIO 1.10 : 1 to 28.9 : 1, LIMIT Compression ratio ATTACK 20 to 75 ms Attack time RELEASE 100 ms to 2.50 sec Release time GAIN –6.0 to 20.0 dB Output level RIVAGE PM series Data List Effects Parameters ■ Portico 5045 ■ Comp276 Models the Primary Source Enhancer made by Rupert Neve Designs. This compressor emulates the characteristics of an FET gain reduction commonly used in recording studios. It will produce a thick, strong frame sound suitable for drums and bass. Parameter Range Description PROCESS ENGAGE OFF, ON Turns the enhancement circuit on/off. Even when this is off, the signal passes through the audio transformer and discrete amp circuit. RMS/Peak RMS, Peak Operation mode of the level detector. TIME CONSTANT A, B, C, D, E, F Attack and release time. THRESHOLD –42.0 to –12.0 dB Threshold level. DEPTH 0.0 to –20.0 dB Amount of attenuation for signals below the threshold level. Parameter ■ U76 Range –180 to 0 dB OUTPUT 1 –180 to 0 dB Adjusts the CH1 output gain. RATIO 1 2:1, 4:1, 8:1, 12:1, 20:1 Ratio for CH1 compressor ATTACK 1 0.022–50.4 ms Attack time for CH1 compressor RELEASE1 10.88–544.22 ms Release time for CH1 compressor MAKE UP1 OFF, ON Automatically corrects output gain reduction when CH1 compressor is applied. SIDEHPF1 OFF, ON When the HPF in the side chain of the CH1 compressor is turned on, the compression applied to the low range will be weakened, thus emphasizing the low range. This models a well-known vintage compressor/limiter used in a wide range of situations. Parameter Range Description INPUT 1 Adjusts the CH1 input level. Description ■ Comp276S INPUT –96.0 to 0.0 dB Input level OUTPUT –96.0 to 0.0 dB Output level ATTACK 5.50 to 0.10 ms Attack time of the compressor. Turning this all the way to the right produces the fastest attack. RELEASE 1100.0 to 56.4 ms Release time of the compressor. Turning this all the way to the right produces the fastest release. RATIO ALL, 4, 8, 12, 20 Switches the compression ratio. Pressing ALL produces the strongest effect. INPUT –180 to 0 dB METER OFF, +4, +8, GR Switches the meter display. OUTPUT –180 to 0 dB Adjusts the output gain. RATIO 2:1, 4:1, 8:1, 12:1, 20:1 Ratio of the compressor This compressor emulates the characteristics of an FET gain reduction commonly used in recording studios. It produces a thick, strong frame sound suitable for drums and bass. You can link and control the L and R channel parameters. Parameter Range Description Adjusts the input level. ATTACK 0.022–50.4 ms Attack time of the compressor ■ Opt-2A RELEASE 10.88–544.22 ms Release time of the compressor This processor emulates a well-known vintage model of vacuum tube opto compressor. MAKE UP OFF, ON Automatically corrects output gain reduction when the compressor is applied. SIDE HPF OFF, ON When the HPF in the side chain of the compressor is turned on, the compression applied to the low range will be weakened, thus emphasizing the low range. Parameter Range Description GAIN –56.0 dB to 40.0 dB Output level PEAK REDUCTION (REDUC*1) –48.0 dB to 48.0 dB Amount of gain reduction RATIO 2.00 to 10.00 Compression ratio METER SELECT OUTPUT+10, GAIN REDUCTION, OUTPUT+4 Switches the meter display. *1. Actual indication in the screen encoder access field 19 RIVAGE PM series Data List Effects Parameters ■ Buss Comp369 Parameter This compressor emulates a standard bus compressor that has been used in recording studios and broadcasting stations. Parameter INPUT ADJUST LOW MID RATIO 1.0:1 to 20.0:1 Compression ratio of the low-mid frequency range LOW MID ATTACK 0.1 to 120 ms Attack time of the low-mid frequency range LOW MID RELEASE 5 to 1000 ms Release time of the low-mid frequency range LOW MID COMP IN ON, OFF Turns the low-mid range compressor on/off. LOW MID CUE ON ON, OFF Turn on this parameter to cue-monitor the output of the low-mid frequency range. HIGH MID GAIN –18.0 dB to 12.0 dB Output gain of the high-mid frequency range HIGH MID THRESHOLD –80.0 dB to 0.0 dB Threshold of the high-mid frequency range HIGH MID RATIO 1.0:1 to 20.0:1 Compression ratio of the high-mid frequency range HIGH MID ATTACK 0.1 to 120 ms Attack time of the high-mid frequency range HIGH MID RELEASE 5 to 1000 ms Release time of the high-mid frequency range HIGH MID COMP IN ON, OFF Turns the high-mid range compressor on/off. Release time of the compressor. For a1 (auto 1) and a2 (auto 2), the release time changes automatically. a1: automatically changes in the range of 100 ms to 2sec. a2: automatically changes in the range of 50 ms to 5 sec. HIGH MID CUE ON ON, OFF Turn on this parameter to cue-monitor the output of the high-mid frequency range. HIGH GAIN –18.0 dB to 12.0 dB Output gain of the high frequency range HIGH THRESHOLD –80.0 dB to 0.0 dB Threshold of the high frequency range Description Adjusts the input gain. However, the output gain changes inversely in tandem with the level of this parameter so that the volume remains the same as the pass-through volume. For example if INPUT ADJUST is +5 dB, the input gain is +5 dB and the output gain is –5 dB. LINK ON, OFF Turns the stereo link on/off (only for stereo). METER IN, GR, OUT Selects the signal source of the meter (only for stereo). VU IN, OUT Selects the signal source for the VU meter (only for dual). COMP IN ON, OFF Turns the compressor on/off. COMP RATIO 1.5:1, 2:1, 3:1, 4:1, 6:1 Compressor ratio COMP GAIN 0.0 to +20.0 dB Makeup gain of the compressor COMP RECOVERY 100 ms, 400 ms, 800 ms, 1500 ms, a1, a2 Description –80.0 dB to 0.0 dB Range –15.0 to +15.0 dB Range LOW MID THRESHOLD Threshold of the low-mid frequency range COMP THRESHOLD –40 to –5 dBFS Threshold of the compressor HIGH RATIO 1.0:1 to 20.0:1 Compression ratio of the high frequency range LIMIT IN ON, OFF Turns the limiter on/off. HIGH ATTACK 0.1 to 120 ms Attack time of the high frequency range LIMIT ATTACK FAST, SLOW Attack time of the limiter FAST: 2 ms, SLOW: 4 ms HIGH RELEASE 5 to 1000 ms Release time of the high frequency range HIGH COMP IN ON, OFF Turns the high range compressor on/off. HIGH CUE ON ON, OFF Turn on this parameter to cue-monitor the output of the high frequency range. MASTER GAIN –18.0 dB to 12.0 dB Adjusts the gain of the final output signal. KNEE HARD, 1, 2, 3, SOFT Adjusts the knee of the compressor. FLAVOUR VCA, OPTO Switches the type of the compressor between VCA (accurate effects) and OPTO (natural effects). ■ MBC4 HARMONICS ON, OFF Switches on/off musical harmonics that emulate analog circuitry. This four-band compressor offers intuitive operability. LINK GAIN — Adjusts the output gain for the four bands collectively. LINK THRESHOLD — Adjusts the threshold for the four bands collectively. LINK RATIO — Adjusts the compression ratio for the four bands collectively. LINK ATTACK — Adjusts the attack time for the four bands collectively. LINK RELEASE — Adjusts the release time for the four bands collectively. LIMIT RECOVERY LIMIT THRESHOLD 50 ms, 100 ms, 200 ms, 800 ms, a1, a2 –16 to –5 dBFS Parameter Range Release time of the limiter. For a1 (auto 1) and a2 (auto 2), the release time changes automatically. a1: automatically changes in the range of 100 ms to 2sec. a2: automatically changes in the range of 50 ms to 5 sec. Threshold of the limiter Description LOW CROSSOVER 20 to 500 Hz Crossover frequency between the low and low-mid frequency ranges MID CROSSOVER 80 to 10 kHz Crossover frequency between the low-mid and high-mid frequency ranges HIGH CROSSOVER 1k to 15 kHz Crossover frequency between the high-mid and high frequency ranges LOW GAIN –18.0 dB to 12.0 dB Output gain of the low frequency range LOW THRESHOLD –80.0 dB to 0.0 dB Threshold of the low frequency range LOW RATIO 1.0:1 to 20.0:1 Compression ratio of the low frequency range LOW ATTACK 0.1 to 120 ms Attack time of the low frequency range LOW RELEASE 5 to 1000 ms Release time of the low frequency range LOW COMP IN ON, OFF Turns the low-range compressor on/off. LOW CUE ON ON, OFF Turn on this parameter to cue-monitor the output of the low frequency range. LOW MID GAIN –18.0 dB to 12.0 dB Output gain of the low-mid frequency range 20 RIVAGE PM series Data List Effects Parameters ■ DaNSe Parameter This is a dynamic noise suppressor with exceptional sound quality and operability. Width In OFF, ON Turns the effect of the Width knob on / off. OFF, ON When turned on, limits the effect of the Depth knob to the band selected with the Width EQ knob. Parameter Range Description Range Description Release time Width EQ In LOW_FREQU 20 Hz to 5.00 kHz ENCY Lower limit frequency band for suppressing noise Depth -15 to 15 Adjusts the volume of stereo center localization. HIGH_FREQ UENCY Width -15 to 15 Adjusts the volume of stereo side localization. Upper limit frequency band for suppressing noise TIGHTNESS 50 to 2000ms 80 Hz to 20.00 kHz LINK — Adjusts the GAIN 1–6 levels simultaneously. THRESHOLD –80.0 to 0.0 dB Threshold level GAIN 1 –24.0 to 0.0 dB Maximum gain reduction for BAND 1 GAIN 2 –24.0 to 0.0 dB Maximum gain reduction for BAND 2 GAIN 3 –24.0 to 0.0 dB Maximum gain reduction for BAND 3 GAIN 4 –24.0 to 0.0 dB Maximum gain reduction for BAND 4 GAIN 5 –24.0 to 0.0 dB Maximum gain reduction for BAND 5 ■ Distortion GAIN 6 –24.0 to 0.0 dB Maximum gain reduction for BAND 6 One input, two output distortion effect. LEARN ON, OFF Starts the LEARN function (automatically adjusting the THRESHOLD and GAIN 1–6). Parameter Starts the REVERT function (reverting the parameters to their state just prior to using the LEARN function). REVERT — SATURATION ■ P2MB Range Description DST TYPE DST1, DST2, OVD1, OVD2, CRUNCH Distortion type (DST = distortion, OVD = overdrive) DRIVE 0–100 Distortion drive MASTER 0–100 Master volume TONE –10 to +10 Tone N. GATE 0–20 Noise reduction This plug-in is an accurate modeling of Rupert Neve Designs' Portico II Master Buss Processor. Parameter Range Description Comp In OFF, ON Turns compressor and limiter bypass on and off. Attack 20.0 to 80.0 mS Adjusts the attack time of the compressor. Release 0.10 to 3.00 S Adjusts the release time of the compressor. Threshold -54.0 to -4.0 dBFS Adjusts the threshold of the compressor. Ratio 1.0 to 40.0 : 1 Adjusts the ratio of the compressor. Gain 0.0 to 20.0 dB Adjusts the output gain of the compressor. It acts as an input gain to the limiter, and the limiter works to suppress the compressor with gain makeup. Blend 0 to 100 % Adjusts the dry / wet values of the compressor and limiter. RMS/Peak RMS, Peak Selects the operating mode for the compressor level detector. FF/FB FF, FB Selects the gain reduction method for the compressor. SC 125Hz OFF, ON Turns on / off the sidechain high-pass filter of the compressor. Limit -14.0 to 0.0 dBFS, OFF Adjusts the limiter threshold and on / off. Silk OFF, Red, Blue Switches Silk to Off and Red / Blue. Texture 0.0 to 10.0 Adjusts the tone when Silk's Red / Blue is selected. Depth EQ LF, LM, HM, HF Selects the band for the Depth EQ. Width EQ LF, LM, HM, HF Selects the band for the Width EQ. Depth In OFF, ON Turns the effect of the Depth knob on / off. Depth EQ In OFF, ON When turned on, this limits the effect of the Depth knob to the band selected with the Depth EQ knob. 21 RIVAGE PM series Data List Effects Parameters ■ Amp Simulate GEQ RACK One input, two output guitar amp simulator. Parameter Range Description ■ 31 Band GEQ AMP TYPE *1 Guitar amp simulation type DST TYPE DST1, DST2, OVD1, OVD2, CRUNCH Distortion type (DST = distortion, OVD = overdrive) DRIVE 0–100 Distortion drive MASTER 0–100 Master volume BASS 0–100 Bass tone control MIDDLE 0–100 Middle tone control TREBLE 0–100 High tone control N. GATE 0–20 Noise reduction CAB DEP 0–100% This is a 31Band GEQ. Parameter FREQUENCY GAIN Speaker cabinet simulation depth EQ F 100 Hz–8.00 kHz EQ (peaking type) frequency EQ G –12.0 to +12.0 dB EQ (peaking type) gain EQ Q 10.0–0.10 EQ (peaking type) bandwidth Range 20Hz to 20kHz (20, 25, 31.5, 40, 50, 63, 80, 100, 125, 160, 200, 250, 315, 400, 500, 630, 800, 1k, 1.25k, 1.6k, 2k, 2.5k, 3.15k, 4k, 5k, 6.3k, 8k, 10k, 12.5k, 16k, 20k) LIMIT ±15dB –15 to +15 (dB) LIMIT ±12dB –12 to +12 (dB) LIMIT ±6dB –6 to +6 (dB) LIMIT –24dB –24 to 0 (dB) ■ Flex15 GEQ *1. STK-M1, STK-M2, THRASH, MIDBST, CMB-PG, CMB-VR, CMB-DX, CMB-TW, MINI, FLAT Only 15Band of the 31Band GEQ is available. ■ OpenDeck It emulates the tape compression created by two open reel tape recorders (a recording deck and a playback deck.) You can change the sound quality by adjusting various elements, such as the deck type, tape quality, playback speed, etc. Parameter Range ■ 8Band PEQ This is similar to the 8Band PEQ available in the channel module, but enables you to use a 4Band notch filter. Description REC DEC Swss70, Swss78, Swss85, Amer70 Selects the recording deck type. REC LVL –96.0 to +18.0 dB REC HI –6.0 to +6.0 dB Parameter Range Number of bands 8 Adjusts the input level of the recording deck. As you raise the level, tape compression is generated, which narrows the dynamic range and distorts the sound. TYPE PRECISE, AGGRESSIVE, SMOOTH, LEGACY FREQUENCY 20 to 20.0k (Hz) Adjusts the high range gain of the recording deck. GAIN –18 to +18 (dB) Q 0.1 to 16.0 REC BIAS –1.00 to +1.00 Adjusts the bias of the recording deck. REPR DEC Swss70, Swss78, Swss85, Amer70 Selects the playback deck type. REPR LVL –96.0 to +18.0 dB REPR HI –6.0 to +6.0 dB REPR LO –6.0 to +6.0 dB Adjusts the low range gain of the playback deck. MAKE UP Off, On When you adjust the REC LVL, the REPR LVL reflects the change, maintaining the relative output level. You can change the amount of distortion without changing the output level. TP SPEED 15ips, 30ips Selects the tape speed. TP KIND Old, New Selects the tape type. EQ Q (PRECISE LSF, HSF) 0.1 to 10.0 LSF/PEQ Band 1 Adjusts the output level of the playback deck. HSF/PEQ Band 8 Adjusts the high range gain of the playback deck. Number of bands 4 FREQUENCY 20 to 20.0k (Hz) Q 0.1 to 63.0 NOTCH 22 RIVAGE PM series Data List EQ Preset ■ Automixer EQ Preset Automixer detects effective audio from multiple microphones and automatically optimizes the gain distribution for multiple live microphones in dialog situations. Parameter Range Preset Name EQ Type Description Group a, b, c, d, e Assign each channel to one of five groups (a/b/c/d/e). Override OFF, ON Turn Override on or off for each channel. ChMode man, auto, mute Select each channel mode (man, auto, or mute). ChModePreset man, auto, mute Select each channel preset. Level 0 to 127 Level indicator for each channel Weight –100 to 15 The weight controls balance relative sensitivity of the input channels. MeterType gain, input, output Switches the type of meter display. MasterOverride OFF, ON Override master button MasterPreset OFF, ON Preset master button MasterMute OFF, ON Mute master button HPF LPF Slope Frequency On Slope Frequency –18dB 80 Off –12dB 16.0k Off Band1 Band2 Type Q Frequency Gain Q Frequency Gain Bell 0.56 90 +10.0 4.0 160 0 Band3 IEM Loudness Precise Band4 Q Frequency Gain Q Frequency Gain 1.0 400 –10.0 4.0 630 0 Band5 Band6 Q Frequency Gain Q Frequency Gain 4.0 1.25k 0 1.0 2.00k +1.0 Band7 Band8 Q Frequency Gain Type Q Frequency Gain 4.0 5.00k 0 Shelf 4.0 6.00k +5.0 HPF LPF Slope Frequency On Slope Frequency –18dB 80 Off –12dB 16.0k Band2 Type Q Frequency Gain Q Frequency Gain Bell 1.4 63.0 +5.0 4.0 160 0 Band3 Precise Band4 Q Frequency Gain Q Frequency Gain 4.0 315 0 4.0 630 0 Band5 Band6 Q Frequency Gain Q Frequency Gain 4.0 1.25k 0 2.5 2.65k +4.0 Band7 23 On Off Band1 UE RM EQ On Band8 Q Frequency Gain Type Q Frequency Gain 4.0 5.00k 0 Shelf 4.0 17.0k +4.0 RIVAGE PM series Data List EQ Preset Preset Name EQ Type HPF LPF Slope Frequency On Slope Frequency On –18dB 80 Off –12dB 16.0k Off Band1 Precise LPF Frequency On Slope Frequency –18dB 80 Off –12dB 16.0k On Off Band1 Band2 Q Frequency Gain Q Frequency Gain Type Q Frequency Gain Q Frequency Gain Bell 4.0 67.0 +3.0 4.0 160 0 Bell 2.0 63.0 +2.9 4.0 160 0 Band4 Band3 Q Frequency Gain Q Frequency Gain 4.0 315 0 4.0 630 0 UE4 EQ Precise Band4 Q Frequency Gain Q Frequency Gain 4.0 315 0 4.0 630 0 Band6 Band5 Band6 Q Frequency Gain Q Frequency Gain Q Frequency Gain Q Frequency Gain 4.0 1.25k 0 1.0 2.65k +4.0 4.0 1.25k 0 2.0 2.65k +3.9 Band7 Band8 Band7 Band8 Q Frequency Gain Type Q Frequency Gain Q Frequency Gain Type Q Frequency Gain 4.0 5.00k 0 Shelf 4.0 14.0k +6.0 4.0 5.00k 0 Shelf 4.0 14.0k +5.8 HPF LPF HPF LPF Slope Frequency On Slope Frequency On Slope Frequency On Slope Frequency –18dB 80 Off –12dB 16.0k Off –18dB 80 Off –12dB 16.0k Band1 Band2 On Off Band1 Band2 Type Q Frequency Gain Q Frequency Gain Type Q Frequency Gain Q Frequency Gain Bell 1.4 60.0 +3.0 4.0 160 0 Bell 1.4 56.0 +4.0 4.0 160 0 Band3 Precise HPF Slope Type Band5 UE18 EQ EQ Type Band2 Band3 UE11 EQ Preset Name Band4 Band3 Q Frequency Gain Q Frequency Gain 4.0 315 0 4.0 630 0 Band5 UE5 EQ Precise Band4 Q Frequency Gain Q Frequency Gain 4.0 315 0 4.0 630 0 Band6 Band5 Band6 Q Frequency Gain Q Frequency Gain Q Frequency Gain Q Frequency Gain 4.0 1.25k 0 2.0 2.65k +4.0 4.0 1.25k 0 2.0 2.36k +6.0 Band7 Band8 Band7 Band8 Q Frequency Gain Type Q Frequency Gain Q Frequency Gain Type Q Frequency Gain 4.0 5.00k 0 Bell 1.25 15.0k +3.0 4.0 5.00k 0 Shelf 4.0 16.0k +6.0 24 RIVAGE PM series Data List EQ Preset Preset Name EQ Type HPF LPF Slope Frequency On Slope Frequency On –18dB 80 Off –12dB 16.0k Off Band1 Precise LPF Frequency On Slope Frequency –12dB 35.5 On –12dB 16.0k On Off Band1 Band2 Q Frequency Gain Q Frequency Gain Type Q Frequency Gain Q Frequency Gain Bell 1.4 60.0 +3.0 4.0 160 0 Bell 2.5 90.0 +2.0 4.0 160 0 Band4 Band3 Q Frequency Gain Q Frequency Gain 4.0 315 0 4.0 630 0 Yamaha EPH100 Precise Band4 Q Frequency Gain Q Frequency Gain 4.0 315 0 4.0 630 0 Band6 Band5 Band6 Q Frequency Gain Q Frequency Gain Q Frequency Gain Q Frequency Gain 4.0 1.25k 0 2.0 2.65k +5.0 4.0 1.25k 0 4.0 2.50k 0 Band7 Band8 Band7 Band8 Q Frequency Gain Type Q Frequency Gain Q Frequency Gain Type Q Frequency Gain 4.0 5.00k 0 Shelf 4.0 16.0k +9.0 2.8 8.00k –3.0 Shelf 4.0 16.0k –2.0 HPF LPF Slope Frequency On Slope Frequency –18dB 80 Off –12dB 16.0k On Off Band1 Band2 Type Q Frequency Gain Q Frequency Gain Shelf 4.0 63.0 +6.4 4.0 160 0 Band3 Precise HPF Slope Type Band5 UE900 EQ EQ Type Band2 Band3 UE7 EQ Preset Name Band4 Q Frequency Gain Q Frequency Gain 2.5 450 –3.0 4.0 630 0 Band5 Band6 Q Frequency Gain Q Frequency Gain 4.0 1.25k 0 2.2 2.65k +8.0 Band7 Band8 Q Frequency Gain Type Q Frequency Gain 1.6 5.00k +4.8 Bell 4.0 10.0k 0 25 RIVAGE PM series Data List Plug-in Library List Plug-in Library List Preset Name REV-X slap room REVERB ■ REV-X Preset Name REV-X med hall REV-X small hall REV-X tiny hall REV-X warm hall REV-X brite hall REV-X huge hall REV-X med room REV-X small room REV-X chamber REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF. LARGE HALL 2.01s 15.0ms 0.6 1.2 10 ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL. 25 47 Thru 5.00kHz 800Hz 100% REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF. LARGE HALL ROOMSIZE 1.76s DECAY 9.0ms HPF 0.6 LPF 1.0 LO. FREQ 9 25 10 Thru 5.60kHz 800Hz 100% REV TIME INI. DLY HI. RATIO LO. RATIO DIFF. LARGE HALL 1.29s 5.0ms 0.6 1.2 7 ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL. 24 8 Thru 5.60kHz 800Hz 100% REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF. ROOMSIZE 2.70s DECAY 32.0ms HPF 0.6 LPF 1.1 LO. FREQ REV-X warm room MIX BAL. REV TYPE LARGE HALL REV-X wood room REV-X bright plt 10 MIX BAL. 28 50 Thru 3.20kHz 800Hz 100% REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF. LARGE HALL 2.60s 25.0ms 0.8 0.8 10 ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL. 26 53 Thru Thru 800Hz 100% REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF. LARGE HALL 6.98s 1.0ms 0.9 1.1 10 ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL. 28 53 Thru Thru 800Hz 100% REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF. WARM ROOM 1.03s 1.0ms 0.7 0.9 9 ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL. 20 35 Thru 10.0kHz 800Hz 100% REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF. WARM ROOM 0.68s 1.0ms 0.7 0.8 9 ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL. 18 20 Thru 10.0kHz 800Hz 100% REV-X snare plt 26 REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF. REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF. WARM ROOM 1.33s 100.0ms 0.5 0.9 9 ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL. 100% 22 20 Thru 5.60kHz 800Hz WARM ROOM 1.03s 1.0ms 0.8 0.9 10 ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL. 20 10 80.0 Thru 800Hz 100% REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF. WARM ROOM 1.66s 1.0ms 0.8 0.7 10 ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL. 24 30 56.0 8.00kHz 800Hz 100% REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF. WARM ROOM 0.70s 5.1ms 0.4 1.0 9 ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL. 19 30 Thru 6.30kHz 800Hz 100% REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF. RICH PLATE 2.07s 1.0ms 1.0 0.8 10 ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL. 16 25 180 3.60kHz 800Hz 100% REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF. RICH PLATE 2.22s 1.0ms 0.8 1.1 10 ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL. 18 25 160 3.60kHz 800Hz 100% RIVAGE PM series Data List Plug-in Library List ■ VSS4HD Preset Name Preset Name Master Reverb Decay Pre Delay 2.8 5 Hi Cut 2.17k Rev Size 0 14 Rev Width Hi Cut Rev Delay Rev Size Rev Width 2.4 27 3.06k 30 14 3 Master Early 5 Decrease Lo Color Hi Color Early Start Early Stop 0 10 7 10 100 Decrease Lo Color Hi Color Early Start Early Stop 3 12 20 20 100 Positions Location In / Out Level Positions Source 1 Source 2 In Level Out Level L30-> R30-> 0.0 0.0 Source 1 Source 2 In Level Out Level Vienna Hall Vienna Hall L30-> R30-> 0.0 0.0 Reverb / Early Level Reverb / Early Level Reverb Level Early Level -1.0 VSS4HD Rich Voc Reverb Color Lo Cut Lo Damp 57.70 -2.0 LoMid Decay HiMid Decay 0.91 1.13 1.37 Reverb Setup Reverb Type Reverb Diffuse Lo Decay Colored 13 Hi Decay Lo Xover Mid Xover Hi Xover 0.77 97.40 335.0 1.51k Mod Rate Left/Right Pre Delay 2.2 27 Hi Cut 2.17k Rev Size 0 14 Lo Color Hi Color Early Start Early Stop 35 12 20 20 100 Positions Vienna Hall Source 1 L30-> R30-> Reverb / Early Level Reverb Level Early Level -4.0 -1.0 In Level 0.0 Lo Damp Hi Soften -2.0 Default 0.91 LoMid Decay HiMid Decay 1.13 Reverb Setup 1.37 Hi Xover 335.0 1.51k Reverb Modulation Dry Mix (Stereo) Mod Rate Mod Depth Dry Level 13 Clockwise 20 190 off Master Reverb Off Rev Width Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 1.8 5 3.15k 0 12 5 Master Early 3 Decrease Lo Color Hi Color Early Start Early Stop 11 4 -20 10 100 Location Out Level Large Hall 0.0 Positions In / Out Level Location Type Source 1 Source 2 In Level Out Level Vienna Hall L30-> R30-> 0.0 0.0 Reverb / Early Level 0.0 0.0 Reverb Color Lo Cut Lo Damp Hi Soften 200.0 -1.0 -14 Decay / Crossover Lo Decay Hi Decay Lo Xover Mid Xover Hi Xover 0.77 97.40 335.0 1.51k Reverb Modulation Mid Xover 97.40 Colored Decay / Crossover Lo Decay Lo Xover 0.86 Dry Level Reverb Level Early Level 57.70 Hi Decay Modulation Type Reverb Color Lo Cut 1.37 Reverb Diffuse In / Out Level Source 2 1.13 Reverb Type 116 Decrease Location Type Default Reverb Setup Master Early Location Hi Soften -2.0 Dry Mix (Stereo) Mod Depth -6 Rev Delay Lo Damp 57.70 LoMid Decay HiMid Decay 0.91 Master Reverb Decay Lo Cut Default Reverb Modulation Modulation Type -1.0 Reverb Color Decay / Crossover Decay / Crossover Lo Decay Reverb Level Early Level -4.0 Hi Soften In / Out Level Location Type Location Type -4.0 VSS4HD Rich Hall Pre Delay Master Early Location VSS4HD Large Hall Rev Delay Master Reverb Decay 1.04 LoMid Decay HiMid Decay 1.51 Reverb Setup 0.61 Hi Decay Lo Xover Mid Xover Hi Xover 0.48 200.0 1.21k 4.00k Reverb Modulation Dry Mix (Stereo) Dry Mix (Stereo) Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Colored 25 Left/Right -21 200 off Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Colored 13 Clockwise 20 190 off 27 RIVAGE PM series Data List Plug-in Library List Preset Name Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 2.0 28 2.17k 0 9 0 Preset Name Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 1.3 17 7.10k 0 3 0 Master Early Decrease Lo Color Hi Color Early Start Early Stop Decrease Lo Color Hi Color Early Start Early Stop 15 -14 -16 14 100 72 -7 29 10 100 Location Positions In / Out Level Location Positions Source 1 Source 2 In Level Out Level Location Type Source 1 Source 2 In Level Out Level Church L30-> R30-> 0.0 0.0 Theater L30-> R30-> 0.0 0.0 Reverb Level Early Level 0.0 0.0 Reverb Color Reverb / Early Level Lo Cut Lo Damp Hi Soften 200.0 -1.0 -18 JoyHall Reverb Level Early Level -1.0 -5.5 Reverb Color Lo Cut Lo Damp Hi Soften 189.0 0.0 -21 Decay / Crossover Lo Decay LoMid Decay HiMid Decay 0.93 1.12 0.91 Reverb Setup Decay / Crossover Hi Decay Lo Xover Mid Xover Hi Xover Lo Decay 0.55 121.0 923.0 2.65k 1.25 Reverb Modulation Dry Mix (Stereo) LoMid Decay HiMid Decay 1.05 0.98 Reverb Setup Hi Decay Lo Xover Mid Xover Hi Xover 0.58 250.0 1.25k 3.89k Reverb Modulation Dry Mix (Stereo) Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Colored 25 Left/Right -10 200 off Colored 25 Default 24 110 off Master Reverb Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 1.1 5 2.06k 0 8 0 0.52 9 7.10k 0 3 0 Master Early Master Early Decrease Lo Color Hi Color Early Start Early Stop Decrease Lo Color Hi Color Early Start Early Stop 42 -11 29 52 100 72 -7 29 10 100 Location Small Hall In / Out Level Location Type Reverb / Early Level Medium Hall Master Early Positions In / Out Level Location Positions In / Out Level Location Type Source 1 Source 2 In Level Out Level Location Type Source 1 Source 2 In Level Out Level Living Room L30-> R30-> 0.0 0.0 Theater L30-> R30-> 0.0 0.0 Reverb / Early Level Reverb Level Early Level 0.0 0.0 Small Room Reverb Color Lo Cut Lo Damp Hi Soften 195.0 -2.5 17 Reverb / Early Level Reverb Level Early Level -1.0 -5.5 Reverb Color Lo Cut Lo Damp Hi Soften 189.0 0.0 -21 Decay / Crossover Lo Decay 0.91 LoMid Decay HiMid Decay 1.11 Reverb Setup 0.82 Decay / Crossover Hi Decay Lo Xover Mid Xover Hi Xover Lo Decay 0.48 389.0 1.70k 2.88k 1.25 Reverb Modulation Dry Mix (Stereo) LoMid Decay HiMid Decay 1.05 Reverb Setup 0.98 Hi Decay Lo Xover Mid Xover Hi Xover 0.58 250.0 1.25k 3.89k Reverb Modulation Dry Mix (Stereo) Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Colored 25 Left/Right 9 200 off Colored 25 Default 24 110 off 28 RIVAGE PM series Data List Plug-in Library List Preset Name Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 1.1 5 7.10k 9 3 4 Preset Name Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 0.90 24 4.86k 0 7 0 Master Early Decrease Lo Color Hi Color Early Start Early Stop Decrease Lo Color Hi Color Early Start Early Stop 72 -7 29 10 100 12 -23 28 52 100 Location Positions In / Out Level Location Positions Source 1 Source 2 In Level Out Level Location Type Source 1 Source 2 In Level Out Level Theater L30-> R30-> 0.0 0.0 Jazz Club L30-> R30-> 0.0 0.0 Reverb Level Early Level -1.0 -5.5 Reverb Color Reverb / Early Level Lo Cut Lo Damp Hi Soften 189.0 0.0 -21 Generic Live Club Reverb Level Early Level -5.0 0.0 Reverb Color Lo Cut Lo Damp Hi Soften 103.0 -8.5 27 Decay / Crossover Lo Decay LoMid Decay HiMid Decay 1.25 1.05 0.98 Reverb Setup Decay / Crossover Hi Decay Lo Xover Mid Xover Hi Xover Lo Decay 0.58 250.0 1.25k 3.89k 0.97 Reverb Modulation Dry Mix (Stereo) LoMid Decay HiMid Decay 1.28 0.75 Reverb Setup Hi Decay Lo Xover Mid Xover Hi Xover 0.69 206.0 1.03k 4.47k Reverb Modulation Dry Mix (Stereo) Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Colored 25 Default 24 110 off Colored 18 Default -16 77 off Master Reverb Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 0.72 5 1.21k 0 9 0 1.0 5 2.00k 0 7 0 Master Early Master Early Decrease Lo Color Hi Color Early Start Early Stop Decrease Lo Color Hi Color Early Start Early Stop 5 Default Default 0 100 8 12 50 57 93 Location Dark Red Velvet In / Out Level Location Type Reverb / Early Level Medium Room Master Early Positions In / Out Level Location Positions In / Out Level Location Type Source 1 Source 2 In Level Out Level Location Type Source 1 Source 2 In Level Out Level Cinema L30-> R30-> 0.0 0.0 Jazz Club L30-> R30-> 0.0 0.0 Reverb / Early Level Reverb Level Early Level -17.0 0.0 Flat Rap Club Reverb Color Lo Cut Lo Damp Hi Soften 133.0 -1.5 -20 Reverb / Early Level Reverb Level Early Level 0.0 -8.0 Reverb Color Lo Cut Lo Damp Hi Soften 103.0 -3.5 -33 Decay / Crossover Lo Decay 0.83 LoMid Decay HiMid Decay 1.17 Reverb Setup 0.92 Decay / Crossover Hi Decay Lo Xover Mid Xover Hi Xover Lo Decay 0.87 121.0 1.00k 3.35k 0.91 Reverb Modulation Dry Mix (Stereo) LoMid Decay HiMid Decay 1.21 Reverb Setup 1.02 Hi Decay Lo Xover Mid Xover Hi Xover 0.81 100.0 824.0 3.25k Reverb Modulation Dry Mix (Stereo) Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Normal Default Left/Right Default 100 off Colored 21 Clockwise 16 52 off 29 RIVAGE PM series Data List Plug-in Library List Preset Name Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 1.0 5 5.44k 12 12 5 Preset Name Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 0.97 5 2.50k 29 2 8 Master Early Decrease Lo Color Hi Color Early Start Early Stop Decrease Lo Color Hi Color Early Start Early Stop 0 -4 5 0 100 59 -15 -3 10 96 Location Positions In / Out Level Location Positions Source 1 Source 2 In Level Out Level Location Type Source 1 Source 2 In Level Out Level Oval Room L30-> R30-> 0.0 0.0 Concert Hall L30-> R30-> 0.0 0.0 Reverb Level Early Level 0.0 0.0 Reverb Color Reverb / Early Level Lo Cut Lo Damp Hi Soften 97.40 -2.5 10 Shortstop Hall Reverb Level Early Level -1.5 0.0 Reverb Color Lo Cut Lo Damp Hi Soften 133.0 -1.5 -29 Decay / Crossover Lo Decay LoMid Decay HiMid Decay 0.82 1.01 1.17 Reverb Setup Reverb Type Decay / Crossover Hi Decay Lo Xover Mid Xover Hi Xover Lo Decay 0.75 82.40 1.65k 8.48k 1.02 Reverb Modulation Reverb Diffuse Modulation Type 25 Front/ Rear Subtle Normal Mod Rate Dry Mix (Stereo) Mod Depth 28 Dry Level 92 off Pre Delay Hi Cut Rev Delay Rev Size Rev Width 2.0 49 7.10k 0 11 0 Decrease Lo Color Hi Color Early Start Early Stop 0 4 23 0 83 Positions In / Out Level Source 1 Source 2 In Level Out Level Parking Garage L30-> R30-> 0.0 0.0 -10.0 0.0 Big Jazz Scene Reverb Color Lo Damp Hi Soften 94.90 -1.0 13 1.09 LoMid Decay HiMid Decay 1.05 0.85 Reverb Setup Lo Xover Mid Xover Hi Xover 0.89 121.0 732.0 2.43k Reverb Modulation Dry Mix (Stereo) Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Colored 22 Default 22 89 off Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 1.7 5 4.60k 14 10 3 Decrease Lo Color Hi Color Early Start Early Stop 9 -23 28 52 100 Positions Source 1 Source 2 In Level Out Level Jazz Club L30-> R30-> 0.0 0.0 Reverb / Early Level -3.5 -1.5 Reverb Color Lo Cut Lo Damp Hi Soften 71.00 -8.0 -29 Decay / Crossover Lo Decay Hi Decay Lo Xover Mid Xover Hi Xover 0.84 97.40 1.18k 7.10k Reverb Modulation In / Out Level Location Type Reverb Level Early Level Lo Cut Decay / Crossover Lo Decay Hi Decay Reverb Type Location Location Type Reverb / Early Level 1.86 Master Early Master Early Reverb Level Early Level 1.03 Master Reverb Decay Location LoMid Decay HiMid Decay Reverb Setup Master Reverb Alone In The Dark In / Out Level Location Type Reverb / Early Level Medium Basement Master Early 0.77 Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Normal -4 Off 10 92 off 1.09 Reverb Setup Dry Mix (Stereo) Reverb Type LoMid Decay HiMid Decay 30 0.91 Hi Decay Lo Xover Mid Xover Hi Xover 0.81 155.0 630.0 6.12k Reverb Modulation Dry Mix (Stereo) Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Normal 18 Default 12 108 off RIVAGE PM series Data List Plug-in Library List Preset Name Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 2.0 64 3.25k 0 8 0 Preset Name Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 2.2 50 1.74k 0 14 0 Master Early Decrease Lo Color Hi Color Early Start Early Stop Decrease Lo Color Hi Color Early Start Early Stop 15 -5 16 43 100 6 -17 -13 9 95 Location Medium String Hall Master Early Positions In / Out Level Location Positions Source 1 Source 2 In Level Out Level Location Type Source 1 Source 2 In Level Out Level Concert Hall L30-> R30-> 0.0 0.0 Concert Hall L30-> R30-> 0.0 0.0 Reverb / Early Level Reverb Level Early Level 0.0 Off Reverb Color Reverb / Early Level Lo Cut Lo Damp Hi Soften 73.20 -8.5 -8 Back Wall Hall Reverb Level Early Level -1.5 0.0 Reverb Color Lo Cut Lo Damp Hi Soften 97.40 -2.0 30 Decay / Crossover Lo Decay LoMid Decay HiMid Decay 0.79 1.02 1.08 Reverb Setup Decay / Crossover Hi Decay Lo Xover Mid Xover Hi Xover Lo Decay 0.63 121.0 974.0 4.00k 0.88 Reverb Modulation Dry Mix (Stereo) LoMid Decay HiMid Decay 1.12 0.79 Reverb Setup Hi Decay Lo Xover Mid Xover Hi Xover 0.38 94.90 1.37k 4.00k Reverb Modulation Dry Mix (Stereo) Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Normal 21 Left/Right -24 45 off Colored 21 Default 16 50 off Master Reverb Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 2.6 13 3.15k 0 6 0 2.7 13 4.86k 0 11 0 Master Early Master Early Decrease Lo Color Hi Color Early Start Early Stop Decrease Lo Color Hi Color Early Start Early Stop 14 -8 -3 0 91 13 5 46 0 95 Location Natural Hall In / Out Level Location Type Positions In / Out Level Location Positions In / Out Level Location Type Source 1 Source 2 In Level Out Level Location Type Source 1 Source 2 In Level Out Level Vienna Hall L30-> R30-> 0.0 0.0 Concert Hall L30-> R30-> 0.0 0.0 Reverb / Early Level Reverb Level Early Level 0.0 -14.0 Show Hall Reverb Color Lo Cut Lo Damp Hi Soften 75.40 -3.5 -33 Reverb / Early Level Reverb Level Early Level 0.0 Off Reverb Color Lo Cut Lo Damp Hi Soften 64.90 -5.5 7 Decay / Crossover Lo Decay 0.91 LoMid Decay HiMid Decay 1.01 Reverb Setup 1.04 Decay / Crossover Hi Decay Lo Xover Mid Xover Hi Xover Lo Decay 0.56 106.0 594.0 4.35k 0.82 Reverb Modulation Dry Mix (Stereo) LoMid Decay HiMid Decay 0.99 Reverb Setup 0.68 Hi Decay Lo Xover Mid Xover Hi Xover 0.56 94.90 1.37k 6.89k Reverb Modulation Dry Mix (Stereo) Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Normal 16 Default 16 52 off Normal 14 Default 16 50 off 31 RIVAGE PM series Data List Plug-in Library List Preset Name Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 2.5 18 2.17k 0 15 0 Preset Name Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 4.1 45 4.86k 0 15 0 Master Early Decrease Lo Color Hi Color Early Start Early Stop Decrease Lo Color Hi Color Early Start Early Stop 3 12 50 8 84 13 5 46 0 95 Location Positions In / Out Level Location Positions Source 1 Source 2 In Level Out Level Location Type Source 1 Source 2 In Level Out Level Vienna Hall L30-> R30-> 0.0 0.0 Concert Hall L30-> R30-> 0.0 0.0 Reverb Level Early Level 0.0 -5.5 Reverb Color Reverb / Early Level Lo Cut Lo Damp Hi Soften 57.70 -2.0 -4 New Age Hall Reverb Level Early Level 0.0 0.0 Reverb Color Lo Cut Lo Damp Hi Soften 103.0 -3.5 -16 Decay / Crossover Lo Decay LoMid Decay HiMid Decay 0.91 1.08 0.99 Reverb Setup Decay / Crossover Hi Decay Lo Xover Mid Xover Hi Xover Lo Decay 0.86 92.30 1.06k 4.23k 0.82 Reverb Modulation Dry Mix (Stereo) LoMid Decay HiMid Decay 1.04 0.88 Reverb Setup Hi Decay Lo Xover Mid Xover Hi Xover 0.73 121.0 1.37k 4.12k Reverb Modulation Dry Mix (Stereo) Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Normal 23 Default 16 52 off Normal 7 Default 16 133 off Master Reverb Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 4.1 5 3.89k 0 14 0 3.1 54 5.14k 0 14 0 Master Early Master Early Decrease Lo Color Hi Color Early Start Early Stop Decrease Lo Color Hi Color Early Start Early Stop 14 -8 -3 0 0 11 4 -20 10 100 Location Big Orch Hall In / Out Level Location Type Reverb / Early Level Europe Orch Hall Master Early Positions In / Out Level Location Positions In / Out Level Location Type Source 1 Source 2 In Level Out Level Location Type Source 1 Source 2 In Level Out Level Vienna Hall L30-> R30-> 0.0 0.0 Concert Hall L30-> R30-> 0.0 0.0 Reverb / Early Level Reverb Level Early Level 0.0 -14.0 Varm Slap Hall Reverb Color Lo Cut Lo Damp Hi Soften 87.30 -2.5 7 Reverb / Early Level Reverb Level Early Level 0.0 0.0 Reverb Color Lo Cut Lo Damp Hi Soften 200.0 -1.0 -14 Decay / Crossover Lo Decay 0.78 LoMid Decay HiMid Decay 1.01 Reverb Setup 0.74 Decay / Crossover Hi Decay Lo Xover Mid Xover Hi Xover Lo Decay 0.61 133.0 1.37k 8.73k 1.04 Reverb Modulation Dry Mix (Stereo) LoMid Decay HiMid Decay 1.51 Reverb Setup 0.61 Hi Decay Lo Xover Mid Xover Hi Xover 0.48 200.0 1.21k 4.00k Reverb Modulation Dry Mix (Stereo) Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Normal 23 Default 21 58 off Normal 25 Left/Right 7 200 off 32 RIVAGE PM series Data List Plug-in Library List Preset Name Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 3.1 66 16.5k 0 14 0 Preset Name Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 0.46 5 1.89k 0 8 0 Master Early Decrease Lo Color Hi Color Early Start Early Stop Decrease Lo Color Hi Color Early Start Early Stop 11 4 50 10 100 0 Default Default 0 100 Location Positions In / Out Level Location Positions Source 1 Source 2 In Level Out Level Location Type Source 1 Source 2 In Level Out Level Concert Hall L30-> R30-> 0.0 0.0 Oval Room L30-> R30-> 0.0 0.0 Reverb Level Early Level 0.0 0.0 Reverb Color Reverb / Early Level Lo Cut Lo Damp Hi Soften 200.0 -1.0 32 Tight & Round Reverb Level Early Level -20.5 0.0 Reverb Color Lo Cut Lo Damp Hi Soften 109.0 -2.0 16 Decay / Crossover Lo Decay LoMid Decay HiMid Decay 0.71 1.23 0.67 Reverb Setup Decay / Crossover Hi Decay Lo Xover Mid Xover Hi Xover Lo Decay 0.85 200.0 1.21k 4.00k 0.89 Reverb Modulation Dry Mix (Stereo) LoMid Decay HiMid Decay 1.33 1.05 Reverb Setup Hi Decay Lo Xover Mid Xover Hi Xover 1.05 97.40 1.79k 8.00k Reverb Modulation Dry Mix (Stereo) Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Colored Default Left/Right 7 200 off Normal 9 Default 15 100 off Master Reverb Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 0.93 93 7.10k 0 15 0 0.68 5 5.60k 0 3 0 Master Early Master Early Decrease Lo Color Hi Color Early Start Early Stop Decrease Lo Color Hi Color Early Start Early Stop 31 4 50 0 100 24 34 28 22 37 Location Ricochet Verb In / Out Level Location Type Reverb / Early Level Bright Slap Hall Master Early Positions In / Out Level Location Positions In / Out Level Location Type Source 1 Source 2 In Level Out Level Location Type Source 1 Source 2 In Level Out Level Jazz Club L30-> R30-> 0.0 0.0 Jazz Club L30-> R30-> 0.0 0.0 Reverb / Early Level Reverb Level Early Level 0.0 0.0 Church Coffee House Reverb Color Lo Cut Lo Damp Hi Soften 200.0 -1.0 32 Reverb / Early Level Reverb Level Early Level -5.5 0.0 Reverb Color Lo Cut Lo Damp Hi Soften 189.0 -4.5 9 Decay / Crossover Lo Decay 0.71 LoMid Decay HiMid Decay 1.23 Reverb Setup 0.67 Decay / Crossover Hi Decay Lo Xover Mid Xover Hi Xover Lo Decay 0.85 200.0 1.21k 4.00k 1.01 Reverb Modulation Dry Mix (Stereo) LoMid Decay HiMid Decay 1.12 Reverb Setup 0.99 Hi Decay Lo Xover Mid Xover Hi Xover 0.73 250.0 1.33k 5.00k Reverb Modulation Dry Mix (Stereo) Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Normal Default Left/Right 7 200 off Colored 23 Default 24 200 off 33 RIVAGE PM series Data List Plug-in Library List Preset Name Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 0.37 5 1.89k 0 2 0 Preset Name Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 0.61 5 5.44k 0 8 5 Master Early Decrease Lo Color Hi Color Early Start Early Stop Decrease Lo Color Hi Color Early Start Early Stop 0 2 3 0 96 0 Default -1 0 100 Location Small Blanket Room Master Early Positions In / Out Level Location Positions Source 1 Source 2 In Level Out Level Location Type Source 1 Source 2 In Level Out Level Jazz Club L30-> R30-> 0.0 0.0 Living Room L30-> R30-> 0.0 0.0 Reverb / Early Level Reverb Level Early Level -2.5 0.0 Reverb Color Lo Cut Lo Damp Hi Soften 103.0 -3.0 11 10m2 Empty Room Reverb / Early Level Reverb Level Early Level -4.0 -4.0 Reverb Color Lo Cut Lo Damp Hi Soften 100.0 -2.5 -9 Decay / Crossover Lo Decay LoMid Decay HiMid Decay 0.99 0.92 0.77 Reverb Setup Decay / Crossover Hi Decay Lo Xover Mid Xover Hi Xover Lo Decay 0.57 129.0 1.33k 5.00k 0.95 Reverb Modulation Dry Mix (Stereo) LoMid Decay HiMid Decay 1.00 1.00 Reverb Setup Hi Decay Lo Xover Mid Xover Hi Xover 0.84 223.0 1.46k 3.55k Reverb Modulation Dry Mix (Stereo) Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Normal 19 Default 11 42 off Normal Default Default Default 100 off Master Reverb Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 1.00 5 5.60k 0 8 0 0.54 5 1.15k 0 7 3 Master Early Master Early Decrease Lo Color Hi Color Early Start Early Stop Decrease Lo Color Hi Color Early Start Early Stop 0 -4 -8 0 100 0 -7 Default 0 100 Location Montana Studio In / Out Level Location Type Positions In / Out Level Location Positions In / Out Level Location Type Source 1 Source 2 In Level Out Level Location Type Source 1 Source 2 In Level Out Level Jazz Club L30-> R30-> 0.0 0.0 Jazz Club L30-> R30-> 0.0 0.0 Reverb / Early Level Reverb Level Early Level -8.5 0.0 Dark Drum Room Reverb Color Lo Cut Lo Damp Hi Soften 100.0 -7.0 -8 Reverb / Early Level Reverb Level Early Level -2.0 -2.0 Reverb Color Lo Cut Lo Damp Hi Soften 118.0 -4.0 Default Decay / Crossover Lo Decay 1.00 LoMid Decay HiMid Decay 0.01 Reverb Setup 1.00 Decay / Crossover Hi Decay Lo Xover Mid Xover Hi Xover Lo Decay 0.64 345.0 1.46k 2.30k 0.81 Reverb Modulation Dry Mix (Stereo) LoMid Decay HiMid Decay 1.00 Reverb Setup 1.00 Hi Decay Lo Xover Mid Xover Hi Xover 0.50 118.0 923.0 1.84k Reverb Modulation Dry Mix (Stereo) Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Normal Default Default Default 100 off Normal 3 Default Default 100 off 34 RIVAGE PM series Data List Plug-in Library List Preset Name Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 2.0 5 20.0k 0 11 5 Preset Name Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 8.8 5 669.0 66 15 5 Master Early Decrease Lo Color Hi Color Early Start Early Stop Decrease Lo Color Hi Color Early Start Early Stop 100 -18 35 0 20 0 Default -12 0 100 Location Positions In / Out Level Location Positions Source 1 Source 2 In Level Out Level Location Type Source 1 Source 2 In Level Out Level Living Room L30-> R30-> -3.0 0.0 Castle Hall L30-> R30-> -3.0 0.0 Reverb Level Early Level -6.5 0.0 Reverb Color Lo Cut Lo Damp Hi Soften 200.0 -7.0 12 Huge Warm Cathedral Reverb / Early Level Reverb Level Early Level 0.0 0.0 Reverb Color Lo Cut Lo Damp Hi Soften 100.0 0.0 Default Decay / Crossover Lo Decay LoMid Decay HiMid Decay 0.60 0.86 1.20 Reverb Setup Decay / Crossover Hi Decay Lo Xover Mid Xover Hi Xover Lo Decay 1.15 200.0 1.06k 3.06k 0.72 Reverb Modulation Dry Mix (Stereo) LoMid Decay HiMid Decay 1.00 0.41 Reverb Setup Hi Decay Lo Xover Mid Xover Hi Xover 0.19 125.0 1.09k 3.06k Reverb Modulation Dry Mix (Stereo) Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Normal 8 Default Default 100 off Colored Default Default Default 100 off Master Reverb Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 2.4 5 10.0k 0 8 4 0.71 5 6.49k 0 6 4 Master Early Master Early Decrease Lo Color Hi Color Early Start Early Stop Decrease Lo Color Hi Color Early Start Early Stop 0 Default Default 3 100 0 -4 -11 11 100 Location Fifties Chamber In / Out Level Location Type Reverb / Early Level Plate of Soup Master Early Positions In / Out Level Location Positions In / Out Level Location Type Source 1 Source 2 In Level Out Level Location Type Source 1 Source 2 In Level Out Level Concert Hall L30-> R30-> 0.0 0.0 Living Room L30-> R30-> 0.0 0.0 Reverb / Early Level Reverb Level Early Level -3.0 -3.0 Small Empty Room Reverb Color Lo Cut Lo Damp Hi Soften 100.0 0.0 Default Reverb / Early Level Reverb Level Early Level -3.0 -3.0 Reverb Color Lo Cut Lo Damp Hi Soften 100.0 -13.0 Default Decay / Crossover Lo Decay 0.83 LoMid Decay HiMid Decay 1.00 Reverb Setup 0.73 Decay / Crossover Hi Decay Lo Xover Mid Xover Hi Xover Lo Decay 0.34 200.0 1.46k 3.06k 0.57 Reverb Modulation Dry Mix (Stereo) LoMid Decay HiMid Decay 1.00 Reverb Setup 0.85 Hi Decay Lo Xover Mid Xover Hi Xover 0.33 125.0 1.46k 2.57k Reverb Modulation Dry Mix (Stereo) Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Normal Default Default Default 100 off Normal 25 Default Default 100 off 35 RIVAGE PM series Data List Plug-in Library List Preset Name Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 9.4 5 1.09k 0 10 5 Preset Name Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 1.8 5 5.77k 0 12 6 Master Early Decrease Lo Color Hi Color Early Start Early Stop Decrease Lo Color Hi Color Early Start Early Stop 0 -26 -28 0 100 0 50 -50 0 100 Location Positions In / Out Level Location Positions Source 1 Source 2 In Level Out Level Location Type Source 1 Source 2 In Level Out Level Parking Garage L30-> R30-> 0.0 0.0 Living Room L30-> R30-> -3.0 0.0 Reverb Level Early Level -3.0 0.0 Reverb Color Reverb / Early Level Lo Cut Lo Damp Hi Soften 100.0 0.0 Default Hot Ice Reverb Level Early Level -6.0 0.0 Reverb Color Lo Cut Lo Damp Hi Soften 200.0 -18.0 Default Decay / Crossover Lo Decay LoMid Decay HiMid Decay 1.00 0.35 0.23 Reverb Setup Decay / Crossover Hi Decay Lo Xover Mid Xover Hi Xover Lo Decay 0.05 20.00 200.0 500.0 0.01 Reverb Modulation Dry Mix (Stereo) LoMid Decay HiMid Decay 0.01 0.01 Reverb Setup Hi Decay Lo Xover Mid Xover Hi Xover 1.00 200.0 1.46k 1.25k Reverb Modulation Dry Mix (Stereo) Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Colored -25 Default Default 135 off Normal -25 Default -17 188 off Master Reverb Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 1.8 5 12.5k 0 8 4 0.51 5 2.80k 0 10 2 Master Early Master Early Decrease Lo Color Hi Color Early Start Early Stop Decrease Lo Color Hi Color Early Start Early Stop 0 -15 Default 6 100 29 -5 -22 0 100 Location HyperPlate In / Out Level Location Type Reverb / Early Level Drama Hall Master Early Positions In / Out Level Location Positions In / Out Level Location Type Source 1 Source 2 In Level Out Level Location Type Source 1 Source 2 In Level Out Level Castle Hall L30-> R30-> 0.0 0.0 Jazz Club L30-> R30-> 0.0 0.0 Reverb / Early Level Reverb Level Early Level -1.5 -1.5 Dark Red Studio Reverb Color Lo Cut Lo Damp Hi Soften 160.0 -7.5 -8 Reverb / Early Level Reverb Level Early Level -5.5 0.0 Reverb Color Lo Cut Lo Damp Hi Soften 80.00 -6.0 -24 Decay / Crossover Lo Decay 0.77 LoMid Decay HiMid Decay 1.00 Reverb Setup 0.91 Decay / Crossover Hi Decay Lo Xover Mid Xover Hi Xover Lo Decay 0.56 97.40 1.15k 3.06k 0.90 Reverb Modulation Dry Mix (Stereo) LoMid Decay HiMid Decay 1.00 Reverb Setup 0.36 Hi Decay Lo Xover Mid Xover Hi Xover 0.01 243.0 1.46k 5.60k Reverb Modulation Dry Mix (Stereo) Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Normal 17 Default Default 87 off Normal 6 Default Default 100 off 36 RIVAGE PM series Data List Plug-in Library List Preset Name Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 0.60 5 898.0 0 8 5 Preset Name Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 1.6 5 3.45k 0 10 3 Master Early Decrease Lo Color Hi Color Early Start Early Stop Decrease Lo Color Hi Color Early Start Early Stop 26 -15 Default 0 100 0 -11 -18 0 10 Location Positions In / Out Level Location Positions Source 1 Source 2 In Level Out Level Location Type Source 1 Source 2 In Level Out Level Oval Room L30-> R30-> 0.0 0.0 Bathroom L30-> R30-> 0.0 0.0 Reverb Level Early Level -9.0 0.0 Reverb Color Reverb / Early Level Lo Cut Lo Damp Hi Soften 100.0 0.0 -10 Rusty Plate Reverb Level Early Level 0.0 0.0 Reverb Color Lo Cut Lo Damp Hi Soften 200.0 -6.5 -50 Decay / Crossover Lo Decay LoMid Decay HiMid Decay 0.68 1.00 1.00 Reverb Setup Decay / Crossover Hi Decay Lo Xover Mid Xover Hi Xover Lo Decay 0.76 243.0 1.46k 2.80k 0.08 Reverb Modulation Dry Mix (Stereo) LoMid Decay HiMid Decay 0.32 0.59 Reverb Setup Hi Decay Lo Xover Mid Xover Hi Xover 1.00 121.0 2.00k 4.00k Reverb Modulation Dry Mix (Stereo) Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Normal Default Default Default 100 off Colored 10 Default Default 100 off Master Reverb Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 0.94 5 4.00k 0 11 6 1.3 5 1.33k 0 8 6 Master Early Master Early Decrease Lo Color Hi Color Early Start Early Stop Decrease Lo Color Hi Color Early Start Early Stop 0 Default -26 0 100 0 Default -10 0 100 Location Auditorium In / Out Level Location Type Reverb / Early Level Class Room Master Early Positions In / Out Level Location Positions In / Out Level Location Type Source 1 Source 2 In Level Out Level Location Type Source 1 Source 2 In Level Out Level Church L30-> R30-> -1.0 0.0 Theater L30-> R30-> 0.0 0.0 Reverb / Early Level Reverb Level Early Level -9.5 0.0 Small Town Theatre Reverb Color Lo Cut Lo Damp Hi Soften 100.0 0.0 -12 Reverb / Early Level Reverb Level Early Level -5.5 0.0 Reverb Color Lo Cut Lo Damp Hi Soften 155.0 -3.5 -5 Decay / Crossover Lo Decay 0.87 LoMid Decay HiMid Decay 1.07 Reverb Setup 1.00 Decay / Crossover Hi Decay Lo Xover Mid Xover Hi Xover Lo Decay 0.45 155.0 1.46k 3.15k 1.00 Reverb Modulation Dry Mix (Stereo) LoMid Decay HiMid Decay 1.00 Reverb Setup 1.00 Hi Decay Lo Xover Mid Xover Hi Xover 0.24 200.0 1.46k 1.70k Reverb Modulation Dry Mix (Stereo) Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Normal Default Default Default 100 off Normal 4 Default Default 100 off 37 RIVAGE PM series Data List Plug-in Library List Preset Name Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 1.7 5 2.06k 0 8 3 Preset Name Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 1.3 5 10.0k 0 10 7 Master Early Decrease Lo Color Hi Color Early Start Early Stop Decrease Lo Color Hi Color Early Start Early Stop 0 Default -7 0 100 0 Default Default 0 100 Location Positions In / Out Level Location Positions Source 1 Source 2 In Level Out Level Location Type Source 1 Source 2 In Level Out Level Concert Hall L30-> R30-> -3.0 0.0 Cinema L30-> R30-> 0.0 0.0 Reverb Level Early Level -3.5 0.0 Reverb Color Reverb / Early Level Lo Cut Lo Damp Hi Soften 200.0 -6.0 -15 Alive But Cold Reverb Level Early Level -3.0 -3.0 Reverb Color Lo Cut Lo Damp Hi Soften 100.0 0.0 Default Decay / Crossover Lo Decay LoMid Decay HiMid Decay 0.89 1.00 0.68 Reverb Setup Decay / Crossover Hi Decay Lo Xover Mid Xover Hi Xover Lo Decay 0.40 179.0 923.0 2.06k 0.91 Reverb Modulation Dry Mix (Stereo) LoMid Decay HiMid Decay 1.00 0.61 Reverb Setup Hi Decay Lo Xover Mid Xover Hi Xover 2.50 257.0 2.00k 5.94k Reverb Modulation Dry Mix (Stereo) Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Normal Default Default Default 100 off Colored Default Default Default 135 off Master Reverb Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 0.10 5 20.0k 0 8 0 1.6 5 7.54k 0 11 5 Master Early Master Early Decrease Lo Color Hi Color Early Start Early Stop Decrease Lo Color Hi Color Early Start Early Stop 0 -50 -2 0 100 0 Default Default 0 100 Location Tight Ambience In / Out Level Location Type Reverb / Early Level Key Hall Master Early Positions In / Out Level Location Positions In / Out Level Location Type Source 1 Source 2 In Level Out Level Location Type Source 1 Source 2 In Level Out Level Cinema L30-> R30-> 0.0 0.0 Castle Hall L30-> R30-> -3.0 0.0 Reverb / Early Level Reverb Level Early Level Off 0.0 Opera Hall Reverb Color Lo Cut Lo Damp Hi Soften 100.0 0.0 Default Reverb / Early Level Reverb Level Early Level 0.0 0.0 Reverb Color Lo Cut Lo Damp Hi Soften 100.0 0.0 Default Decay / Crossover Lo Decay 1.00 LoMid Decay HiMid Decay 1.00 Reverb Setup 1.00 Decay / Crossover Hi Decay Lo Xover Mid Xover Hi Xover Lo Decay 1.00 200.0 1.46k 3.06k 0.50 Reverb Modulation Dry Mix (Stereo) LoMid Decay HiMid Decay 1.00 Reverb Setup 0.61 Hi Decay Lo Xover Mid Xover Hi Xover 0.32 200.0 1.46k 3.66k Reverb Modulation Dry Mix (Stereo) Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Reverb Type Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Normal Default Default Default 100 off Colored Default Default Default 100 off 38 RIVAGE PM series Data List Plug-in Library List Preset Name ■ NonLin2 Master Reverb Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width 0.72 61 2.17k 0 12 6 Preset Name Master Early Decrease Lo Color Hi Color Early Start Early Stop 0 Default 3 0 100 Source 2 In Level Out Level R30-> -1.5 0.0 Location Positions Location Type Source 1 Jazz Club L30-> Reverb / Early Level Drum Hanger Reverb Level Early Level -1.5 -1.5 AMS NonLin A Hi Soften 100.0 0.0 Default 0.95 LoMid Decay HiMid Decay 1.00 Reverb Setup 0.61 Hi Decay Lo Xover Mid Xover Hi Xover 0.88 217.0 1.46k 2.80k Reverb Modulation Release Style Diffuse 5 0 85 106 NonLin Classic 100 Filter Type Ratio Lo Cut Hi Cut Aircon 0 20.00 2.36k Width 100 Dry / Wet Level In Level Out Level Dry Level Wet Level 0.0 0.0 Off 0.0 Envelope Decay / Crossover Lo Decay Hold In ./ Out Level Reverb Color Lo Damp Reverb Attack Twist In / Out Level Lo Cut Envelope Pre Delay Reverb Diffuse Modulation Type Mod Rate Mod Depth Dry Level Colored Default Default -12 150 off Attack Hold Release Style Diffuse 5 0 85 344 NonLin Decayed 100 Twist AMS NonLin B Dry Mix (Stereo) Reverb Type Reverb Pre Delay Filter Type Ratio Lo Cut Hi Cut Spaceship 0 20.00 4.86k In ./ Out Level Width 100 Dry / Wet Level In Level Out Level Dry Level Wet Level 0.0 0.0 Off 0.0 Envelope Reverb Pre Delay Attack Hold Release Style Diffuse 5 0 85 383 Explode 0 Twist NonLin Bright Filter Type Ratio Lo Cut Hi Cut Spaceship 0 20.00 10.0k In ./ Out Level Width 100 Dry / Wet Level In Level Out Level Dry Level Wet Level 0.0 0.0 Off 0.0 Envelope Reverb Pre Delay Attack Hold Release Style Diffuse 5 0 163 0 Explode 83 Twist Metallic Monument Filter Type Ratio Lo Cut Hi Cut Radiator 47 20.00 5.29k In ./ Out Level 39 Width 100 Dry / Wet Level In Level Out Level Dry Level Wet Level 0.0 0.0 Off 0.0 RIVAGE PM series Data List Plug-in Library List Preset Name Envelope Reverb Pre Delay Attack Hold Release Style Diffuse 5 490 10 0 Scanner 83 Twist Whisper Filter Type Ratio Lo Cut Hi Cut Radiator 0 2.00 5.29k In ./ Out Level Reverb Attack Hold Release Style Diffuse 22 22 42 210 Smooth B 5 Filter Type Ratio Lo Cut Hi Cut Woolly 20 20.00 6.30k In ./ Out Level Width 78 Dry / Wet Level In Level Out Level Dry Level Wet Level In Level Out Level Dry Level Wet Level 0.0 0.0 Off 0.0 0.0 0.0 Off 0.0 Reverb Envelope Reverb Pre Delay Attack Hold Release Style Diffuse Pre Delay Attack Hold Release Style Diffuse 5 0 281 219 Sustained 100 5 100 10 175 Smooth B 0 Filter Type Ratio Lo Cut Hi Cut Tunnel 53 20.00 3.77k In ./ Out Level Twist Width KitPig2 0 Dry / Wet Level Filter Type Ratio Lo Cut Hi Cut Ventilation 13 100.0 8.00k In ./ Out Level Width 100 Dry / Wet Level In Level Out Level Dry Level Wet Level In Level Out Level Dry Level Wet Level 0.0 0.0 Off 0.0 0.0 0.0 Off 0.0 Envelope Reverb Envelope Reverb Pre Delay Attack Hold Release Style Diffuse Pre Delay Attack Hold Release Style Diffuse 42 0 169 272 Hollow 100 5 0 139 0 NonLin Classic 100 Twist Filter Type Ratio Lo Cut Hi Cut Guts 62 92.30 3.06k In ./ Out Level Twist Width Kick Thundergate Verb 19 Dry / Wet Level Filter Type Ratio Lo Cut Hi Cut Box 55 20.00 5.29k In ./ Out Level Width 100 Dry / Wet Level In Level Out Level Dry Level Wet Level In Level Out Level Dry Level Wet Level 0.0 0.0 Off 0.0 0.0 0.0 Off 0.0 Envelope Reverb Envelope Reverb Pre Delay Attack Hold Release Style Diffuse Pre Delay Attack Hold Release Style Diffuse 5 108 159 106 Mono To Stereo 100 5 0 111 222 NonLin Classic 100 Twist Breathing 130BPM KitPig1 100 Dry / Wet Level Twist Muffled Pipe Vocal Envelope Pre Delay Twist Width Envelope Tube Preset Name Filter Type Ratio Lo Cut Hi Cut Chicken 96 20.00 2.36k In ./ Out Level Twist Width Snare Boinkygate Verb 100 Dry / Wet Level Filter Type Ratio Lo Cut Hi Cut Chicken 25 20.00 5.29k In ./ Out Level 100 Dry / Wet Level In Level Out Level Dry Level Wet Level In Level Out Level Dry Level Wet Level 0.0 0.0 Off 0.0 0.0 0.0 Off 0.0 40 Width RIVAGE PM series Data List Plug-in Library List Preset Name Envelope Reverb Pre Delay Attack Hold Release Style Diffuse 5 0 111 98 NonLin Classic 100 Twist Electronic Megaphone Filter Type Ratio Lo Cut Hi Cut Chicken 100 20.00 5.29k In ./ Out Level Reverb Attack Hold Release Style Diffuse 118 330 10 160 Smooth A 100 Filter Type Ratio Lo Cut Hi Cut Radiator 0 389.0 11.5k In ./ Out Level Width 100 Dry / Wet Level In Level Out Level Dry Level Wet Level In Level Out Level Dry Level Wet Level 0.0 0.0 Off 0.0 0.0 0.0 Off 0.0 Reverb Envelope Reverb Pre Delay Attack Hold Release Style Diffuse Pre Delay Attack Hold Release Style Diffuse 133 0 111 175 NonLin Classic 100 5 51 85 133 NonLin Classic 100 Filter Type Ratio Lo Cut Hi Cut Moony 0 20.00 5.00k In ./ Out Level Twist Width Dense Dark Room 29 Dry / Wet Level Filter Type Ratio Lo Cut Hi Cut Aircon 0 20.00 4.60k In ./ Out Level Width 100 Dry / Wet Level In Level Out Level Dry Level Wet Level In Level Out Level Dry Level Wet Level 0.0 0.0 Off 0.0 0.0 0.0 Off 0.0 Envelope Reverb Envelope Reverb Pre Delay Attack Hold Release Style Diffuse Pre Delay Attack Hold Release Style Diffuse 87 0 111 59 Box 100 5 51 85 125 Live 100 Twist Filter Type Ratio Lo Cut Hi Cut Synthetic 8 20.00 5.00k In ./ Out Level Twist Width Dense Light Room 100 Dry / Wet Level Filter Type Ratio Lo Cut Hi Cut Moony 42 306.0 12.5k In ./ Out Level Width 100 Dry / Wet Level In Level Out Level Dry Level Wet Level In Level Out Level Dry Level Wet Level 0.0 0.0 Off 0.0 0.0 0.0 Off 0.0 Envelope Reverb Envelope Reverb Pre Delay Attack Hold Release Style Diffuse Pre Delay Attack Hold Release Style Diffuse 118 330 10 160 Rough 100 129 0 148 352 Hollow 100 Twist Heavy Starburst Light Starburst 100 Dry / Wet Level Twist Tight Stereo Slap Envelope Pre Delay Twist Width Envelope Thick Slapback Preset Name Filter Type Ratio Lo Cut Hi Cut Guts 35 20.00 5.00k In ./ Out Level Twist Width Dense Arena 100 Dry / Wet Level Filter Type Ratio Lo Cut Hi Cut Tunnel 0 20.00 5.00k In ./ Out Level 100 Dry / Wet Level In Level Out Level Dry Level Wet Level In Level Out Level Dry Level Wet Level 0.0 0.0 Off 0.0 0.0 0.0 Off 0.0 41 Width RIVAGE PM series Data List Plug-in Library List ■ Reverb Preset Name Preset Name REV TYPE HALL Ambience Bright hall Old Plate Echo room 1 Echo room 2 Presence reverb Bamboo Room REV TIME 2.8s INI. DLY 30.0ms HI. RATIO 0.2 LO. RATIO 1.0 REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF. DIFF. REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF. 6 ROOM 0.5s 1.0ms 0.5 1.1 0 DENSITY E/R DLY E/R BAL. HPF LPF GATE LVL 3.75kHz OFF DENSITY E/R DLY E/R BAL. HPF LPF GATE LVL 100 25.0 32 Thru 11.2kHz OFF ATTACK HOLD DECAY 10 1.58m 183m 100% REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF. HALL 2.8s 42.0ms 0.9 0.9 4 DENSITY E/R DLY E/R BAL. HPF LPF GATE LVL 90 0.0 44 Thru 11.2kHz OFF ATTACK HOLD DECAY MIX BAL. Stone Room MIX BAL. 92 0.0 0 Thru ATTACK HOLD DECAY MIX BAL. 2 172m 6.68m 100% REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF. PLATE 2.6s 10.0ms 0.9 1.0 8 DENSITY E/R BAL. HPF LPF MIX BAL. ■ Stereo Reverb Preset Name Thin Plate 5 323m 75.9m 100% 98 54 100 11.8kHz 100% REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF. REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF. HALL 1.8s 26.0ms 0.4 1.0 7 STAGE 1.9s 49.0ms 0.3 1.1 3 DENSITY E/R DLY E/R BAL. HPF LPF GATE LVL DENSITY E/R BAL. HPF LPF MIX BAL. 7.10kHz OFF 94 38 Thru 7.50kHz 100% 94 17.0 44 Thru ATTACK HOLD DECAY MIX BAL. ■ Gate Reverb 0 323m 75.9m 100% ROOM 2.2s 25.0ms 0.2 1.0 7 DENSITY E/R DLY E/R BAL. HPF LPF GATE LVL 98 20.0 40 Thru 7.10kHz OFF ATTACK HOLD DECAY MIX BAL. 4 172m 6.68m 100% REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO ROOM 1.0s 1.0ms 0.2 1.0 7 DENSITY E/R DLY E/R BAL. HPF LPF GATE LVL 6.70kHz OFF 98 20.0 40 Thru ATTACK HOLD DECAY MIX BAL. Vocal Chamber Preset Name Concrete Room DIFF. TYPE ROOMSIZE LIVENESS INI.DLY DIFF. Type-A 0.4 4 5.0ms 5 DENSITY 80 ER NUM. FB.GAIN HI.RATIO HPF LPF MIX BAL. 19 0 0.8 Thru 7.50kHz 100% FB. G 1 DELAY/MODULATION ■ Dual Pitch 4 172m 6.68m 100% PITCH 1 FINE 1 LEVEL 1 PAN 1 DELAY 1 REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF. 0 +7 +100 L63 45.0 +27 ROOM 1.4s 35.0ms 1.0 0.9 10 MODE PITCH 2 FINE 2 LEVEL 2 PAN 2 DELAY 2 DENSITY E/R DLY E/R BAL. HPF LPF GATE LVL 100 12.0 40 Thru 14.0kHz OFF ATTACK HOLD DECAY MIX BAL. +28 OFF 1/4 1/4 120 100% 4 172m 6.68m 100% PITCH 1 FINE 1 LEVEL 1 PAN 1 DELAY 1 FB. G 1 REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF. 0 -6 +100 L63 30.0 0 ROOM 1.0s 1.0ms 0.1 1.3 10 MODE PITCH 2 FINE 2 LEVEL 2 PAN 2 DELAY 2 DENSITY E/R DLY E/R BAL. HPF LPF GATE LVL 96 5.0 45 Thru 4.25kHz OFF ATTACK HOLD DECAY MIX BAL. 4 172m 6.68m 100% Preset Name Pitch Slap Big Guitar 42 3 0 -8 +100 R63 87.5 FB. G 2 SYNC NOTE 1 NOTE 2 BPM MIX BAL. 3 0 -7 +100 R63 20.0 FB. G 2 SYNC NOTE 1 NOTE 2 BPM MIX BAL. 0 OFF 1/4 1/4 120 100% RIVAGE PM series Data List Parameters that can be assigned to control changes Parameters that can be assigned to control changes Mode NO ASSIGN Parameter1 FADER H FADER L CH ON PHASE INSERT 1 INSERT 2 DIRECT OUT PAN/BALANCE TO ST A TO ST B LCR Parameter2 Parameter1 Parameter3 CH 1 - CH 144* SURROUND PAN ON ON ON ON ON ON CSR MIX SEND MIX 1 - MIX 72* MATRIX SEND MATRIX 1 - MATRIX 36* HPF CH 1 - CH 144* Mode FILTER LPF FADER H FADER L CH ON INSERT 1 INSERT 2 TO ST PAN TO ST A TO ST B ON LEVEL H LEVEL L PAN/BALANCE ON LEVEL H LEVEL L PAN/BALANCE ON FREQ ON FREQ LCR MATRIX SEND Parameter2 TO SURROUND A ON TO SURROUND B ON LR PAN FR PAN FR PAN REVERSE DIV L ON R ON C ON LFE ON Ls ON Rs ON LFE LEVEL H LFE LEVEL L ON ON ON ON ON CSR MATRIX 1 - MATRIX 36* TYPE EQ BAND 1 - BAND 4 Parameter3 ON LEVEL H LEVEL L PAN/BALANCE TYPE ON Q FREQ H FREQ L GAIN MIX 1 - MIX 72* ON ATTACK THRESHOLD FREQUENCY RANGE HOLD H HOLD L DYNAMICS 1 DECAY/RELEASE H DYNAMICS 2 DECAY/RELEASE L RATIO KNEE DE-ESSER TYPE Q OUTGAIN H OUTGAIN L * CSD-R7 specifications: CH1–CH120, MIX1–MIX60, MATRIX1–MATRIX24 EQ DYNAMICS 43 BAND 1 - BAND 8 ON Q FREQ H FREQ L GAIN ON ATTACK THRESHOLD FREQUENCY RANGE HOLD H HOLD L DECAY/RELEASE H DECAY/RELEASE L RATIO KNEE DE-ESSER TYPE Q OUTGAIN H OUTGAIN L RIVAGE PM series Data List Parameters that can be assigned to control changes Mode Parameter1 FADER H FADER L CH ON INSERT 1 INSERT 2 EQ Parameter2 Parameter3 Mode ON ON TYPE BAND 1 - BAND 8 Parameter1 FADER H FADER L CH ON INSERT 1 INSERT 2 ON Q FREQ H FREQ L GAIN MATRIX SEND Parameter2 Parameter3 ON ON MATRIX 1 - MATRIX 36* ON LEVEL H LEVEL L PAN/BALANCE TYPE ON ATTACK MATRIX 1 MATRIX 36* THRESHOLD FREQUENCY RANGE HOLD H HOLD L DECAY/RELEASE H DYNAMICS DECAY/RELEASE L RATIO KNEE DE-ESSER TYPE Q OUTGAIN H OUTGAIN L * CSD-R7 specifications: CH1–CH120, MIX1–MIX60, MATRIX1–MATRIX24 EQ STEREOA STEREOB DYNAMICS DCA MUTE MASTER SURROUND MONITOR 44 DCA 1 - DCA 24 MUTE MASTER 1 MUTE MASTER 12 SOURCE SELECT OUTPUT DOWNMIX SURROUND SPEAKER SOLO SURROUND SPEAKER L SURROUND SPEAKER R SURROUND SPEAKER C SURROUND SPEAKER LFE SURROUND SPEAKER Ls SURROUND SPEAKER Rs BAND 1 - BAND 8 ON Q FREQ H FREQ L GAIN ON ATTACK THRESHOLD FREQUENCY RANGE HOLD H HOLD L DECAY/RELEASE H DECAY/RELEASE L RATIO KNEE DE-ESSER TYPE Q OUTGAIN H OUTGAIN L FADER H FADER L ON ON RIVAGE PM series Data List Channel Library List Channel Library List Input Level This table lists the parameters that are saved in the channel library for INPUT channels, MIX channels, MATRIX channels, and STEREO A/B channels. Input MIX MATRIX Gang STEREO A/B MIX MATRIX STEREO A/B Input Fader Mix Fader Matrix Fader Stereo Fader Input On/Off Mix On/Off Matrix On/Off Stereo On/Off Mix Delay Gang* Matrix Delay Gang* Stereo Delay Gang* Input Gain Gang* Input Delay Gang* Phase 48V Gain GC HA Silk On/Off Texture Type MSDecode On/Off MSDecode Side Gain Phase Digital Gain Stereo Input Type* Ch Direct Out On Direct Out Level Direct Out Point Delay Balance Balance Delay On/Off Delay On/Off Delay On/Off Balance Delay On/Off Delay Time Delay Time Delay Time Delay Time Delay Point To Mix Pre/Post To Mix Pre Point To Mix To Mix Post Point To Mix Send Level To Mix Pan To Mix Send On/Off To Matrix To Stereo To Matrix Pre/Post To Matrix Pre/Post To Matrix Pre/Post To Matrix Pre Point To Matrix Pre Point To Matrix Pre Point To Matrix Post Point To Matrix Post Point To Matrix Post Point To Matrix Send Level To Matrix Send Level To Matrix Send Level To Matrix Pan To Matrix Pan To Matrix Pan To Matrix Send On/Off To Matrix Send On/Off To Matrix Send On/Off To Stereo Pan Mode To Stereo Pan Mode To Stereo CSR To Stereo CSR To Stereo Pan Type To Stereo Pan Type To Stereo Pan To Stereo Pan To Stereo A/B To Stereo A/B To Stereo LCR To Stereo LCR DCA DCA DCA DCA Mute Mute Mute Mute To Stereo Point DCA/Mute 45 RIVAGE PM series Data List Channel Library List Input EQ MIX MATRIX STEREO A/B Input HPF On/OFF Mix HPF On/OFF Matrix HPF On/OFF Input HPF Freq Mix HPF Freq Matrix HPF Freq Stereo HPF Freq Input HPF Slope Mix HPF Slope Matrix HPF Slope Stereo HPF Slope Input LPF On/OFF Mix LPF On/OFF Matrix LPF On/OFF Stereo LPF On/OFF Input LPF Freq Mix LPF Freq Matrix LPF Freq Stereo LPF Freq Input LPF Slope Mix LPF Slope Matrix LPF Slope Stereo LPF Slope Input EQ Type Mix EQ Type Matrix EQ Type Stereo EQ Type Input EQ On/Off Mix EQ On/Off Matrix EQ On/Off Stereo EQ On/Off Input EQ A/B Mix EQ A/B Matrix EQ A/B Stereo EQ A/B Input EQ Band1 Type Mix EQ Band1 Type Matrix EQ Band1 Type Stereo EQ Band1 Type Input EQ Band1 Freq Mix EQ Band1 Freq Matrix EQ Band1 Freq Stereo EQ Band1 Freq Input EQ Band1 Gain Mix EQ Band1 Gain Matrix EQ Band1 Gain Stereo EQ Band1 Gain Input EQ Band1 Q Mix EQ Band1 Q Matrix EQ Band1 Q Stereo EQ Band1 Q Input EQ Band1 Bypass Mix EQ Band1 Bypass Matrix EQ Band1 Bypass Stereo EQ Band1 Bypass Input EQ Band2 Freq Mix EQ Band2 Freq Matrix EQ Band2 Freq Stereo EQ Band2 Freq Input EQ Band2 Gain Mix EQ Band2 Gain Matrix EQ Band2 Gain Stereo EQ Band2 Gain Input EQ Band2 Q Mix EQ Band2 Q Matrix EQ Band2 Q Stereo EQ Band2 Q Input EQ Band2 Bypass Mix EQ Band2 Bypass Matrix EQ Band2 Bypass Stereo EQ Band2 Bypass Input EQ Band3 Freq Mix EQ Band3 Freq Matrix EQ Band3 Freq Input EQ Band3 Gain Mix EQ Band3 Gain Matrix EQ Band3 Gain Stereo EQ Band3 Gain Input EQ Band3 Q Mix EQ Band3 Q Matrix EQ Band3 Q Stereo EQ Band3 Q Input EQ Band3 Bypass Mix EQ Band3 Bypass Matrix EQ Band3 Bypass Stereo EQ Band3 Bypass Input Stereo HPF On/OFF Stereo EQ Band3 Freq Input EQ Band4 Type Dynamics MIX MATRIX STEREO A/B Dynamics1 LEGACY COMP Threshould Dynamics1 LEGACY COMP Threshould Dynamics1 LEGACY COMP Threshould Dynamics1 LEGACY COMP Threshould Dynamics1 LEGACY COMP Attack Dynamics1 LEGACY COMP Attack Dynamics1 LEGACY COMP Attack Dynamics1 LEGACY COMP Attack Dynamics1 LEGACY COMP Release Dynamics1 LEGACY COMP Release Dynamics1 LEGACY COMP Release Dynamics1 LEGACY COMP Release Dynamics1 LEGACY COMP Ratio Dynamics1 LEGACY COMP Ratio Dynamics1 LEGACY COMP Ratio Dynamics1 LEGACY COMP Ratio Dynamics1 LEGACY COMP Knee Dynamics1 LEGACY COMP Knee Dynamics1 LEGACY COMP Knee Dynamics1 LEGACY COMP Knee Dynamics1 LEGACY COMP Gain Dynamics1 LEGACY COMP Gain Dynamics1 LEGACY COMP Gain Dynamics1 LEGACY COMP Gain Dynamics1 COMP260 Threshould Dynamics1 COMP260 Threshould Dynamics1 COMP260 Threshould Dynamics1 COMP260 Threshould Dynamics1 COMP260 Attack Dynamics1 COMP260 Attack Dynamics1 COMP260 Attack Dynamics1 COMP260 Attack Dynamics1 COMP260 Release Dynamics1 COMP260 Release Dynamics1 COMP260 Release Dynamics1 COMP260 Release Dynamics1 COMP260 Ratio Dynamics1 COMP260 Ratio Dynamics1 COMP260 Ratio Dynamics1 COMP260 Ratio Dynamics1 COMP260 Knee Dynamics1 COMP260 Knee Dynamics1 COMP260 Knee Dynamics1 COMP260 Knee Dynamics1 COMP260 Gain Dynamics1 COMP260 Gain Dynamics1 COMP260 Gain Dynamics1 COMP260 Gain Dynamics1 GATE Threshould Dynamics1 GATE Threshould Dynamics1 GATE Threshould Dynamics1 GATE Threshould Input EQ Band4 Freq Mix EQ Band4 Freq Matrix EQ Band4 Freq Stereo EQ Band4 Freq Dynamics1 GATE Attack Dynamics1 GATE Attack Dynamics1 GATE Attack Dynamics1 GATE Attack Input EQ Band4 Gain Mix EQ Band4 Gain Matrix EQ Band4 Gain Stereo EQ Band4 Gain Dynamics1 GATE Range Dynamics1 GATE Range Dynamics1 GATE Range Input EQ Band4 Q Mix EQ Band4 Q Matrix EQ Band4 Q Stereo EQ Band4 Q Dynamics1 GATE Hold Dynamics1 GATE Hold Dynamics1 GATE Hold Dynamics1 GATE Hold Input EQ Band4 Bypass Mix EQ Band4 Bypass Matrix EQ Band4 Bypass Stereo EQ Band4 Bypass Dynamics1 GATE Decay Dynamics1 GATE Decay Dynamics1 GATE Decay Dynamics1 GATE Decay Mix EQ Band5 Freq Matrix EQ Band5 Freq Stereo EQ Band5 Freq Mix EQ Band5 Gain Matrix EQ Band5 Gain Stereo EQ Band5 Gain Dynamics1 DE-ESSER Threshould Dynamics1 DE-ESSER Threshould Dynamics1 DE-ESSER Threshould Dynamics1 DE-ESSER Threshould Mix EQ Band5 Q Matrix EQ Band5 Q Stereo EQ Band5 Q Dynamics1 DE-ESSER Freq Dynamics1 DE-ESSER Freq Dynamics1 DE-ESSER Freq Dynamics1 DE-ESSER Freq Dynamics1 DE-ESSER Q Dynamics1 DE-ESSER Q Dynamics1 DE-ESSER Q Dynamics1 DE-ESSER Q Dynamics1 DE-ESSER Type Dynamics1 DE-ESSER Type Dynamics1 DE-ESSER Type Dynamics1 DE-ESSER Type Dynamics1 EXPANDER Threshould Dynamics1 EXPANDER Threshould Dynamics1 EXPANDER Threshould Dynamics1 EXPANDER Threshould Dynamics1 EXPANDER Attack Dynamics1 EXPANDER Attack Dynamics1 EXPANDER Attack Dynamics1 EXPANDER Attack Dynamics1 EXPANDER Release Dynamics1 EXPANDER Release Dynamics1 EXPANDER Release Dynamics1 EXPANDER Release Dynamics1 EXPANDER Ratio Dynamics1 EXPANDER Ratio Dynamics1 EXPANDER Ratio Dynamics1 EXPANDER Ratio Dynamics1 EXPANDER Knee Dynamics1 EXPANDER Knee Dynamics1 EXPANDER Knee Dynamics1 EXPANDER Knee Dynamics1 EXPANDER Gain Dynamics1 EXPANDER Gain Dynamics1 EXPANDER Gain Dynamics1 EXPANDER Gain Dynamics1 DUCKING Threshould Dynamics1 DUCKING Threshould Dynamics1 DUCKING Threshould Dynamics1 DUCKING Threshould Mix EQ Band5 Bypass Matrix EQ Band5 Bypass Stereo EQ Band5 Bypass Mix EQ Band6 Freq Matrix EQ Band6 Freq Stereo EQ Band6 Freq Mix EQ Band6 Gain Matrix EQ Band6 Gain Stereo EQ Band6 Gain Mix EQ Band6 Q Matrix EQ Band6 Q Stereo EQ Band6 Q Mix EQ Band6 Bypass Matrix EQ Band6 Bypass Stereo EQ Band6 Bypass Mix EQ Band7 Freq Matrix EQ Band7 Freq Stereo EQ Band7 Freq Mix EQ Band7 Gain Matrix EQ Band7 Gain Stereo EQ Band7 Gain Mix EQ Band7 Q Matrix EQ Band7 Q Stereo EQ Band7 Q Mix EQ Band7 Bypass Matrix EQ Band7 Bypass Stereo EQ Band7 Bypass Mix EQ Band8 Type Matrix EQ Band8 Type Mix EQ Band8 Freq Matrix EQ Band8 Freq Stereo EQ Band8 Freq Mix EQ Band8 Gain Matrix EQ Band8 Gain Stereo EQ Band8 Gain Mix EQ Band8 Q Matrix EQ Band8 Q Stereo EQ Band8 Q Mix EQ Band8 Bypass Matrix EQ Band8 Bypass Stereo EQ Band8 Bypass Stereo EQ Band8 Type 46 Dynamics1 GATE Range RIVAGE PM series Data List Channel Library List Input MIX MATRIX STEREO A/B Input Dynamics1 DUCKING Attack Dynamics1 DUCKING Attack Dynamics1 DUCKING Attack Dynamics1 DUCKING Attack Dynamics2 DE-ESSER Type Dynamics1 DUCKING Range Dynamics1 DUCKING Range Dynamics1 DUCKING Range Dynamics1 DUCKING Range Dynamics2 EXPANDER Threshould Dynamics1 DUCKING Hold Dynamics1 DUCKING Hold Dynamics1 DUCKING Hold Dynamics1 DUCKING Hold Dynamics2 EXPANDER Attack Dynamics1 DUCKING Decay Dynamics1 DUCKING Decay Dynamics1 DUCKING Decay Dynamics1 DUCKING Decay Dynamics2 EXPANDER Release Dynamics1 On/Off Dynamics1 On/Off Dynamics1 On/Off Dynamics1 On/Off Dynamics1 A/B Dynamics1 A/B Dynamics1 A/B Dynamics1 A/B Dynamics2 EXPANDER Ratio Dynamics1 Key In Filter Type Dynamics1 Key In Filter Type Dynamics1 Key In Filter Type Dynamics1 Key In Filter Type Dynamics2 EXPANDER Knee Dynamics1 Key In Filter Q Dynamics1 Key In Filter Q Dynamics1 Key In Filter Q Dynamics1 Key In Filter Q Dynamics2 EXPANDER Gain Dynamics1 Key In Filter Freq Dynamics1 Key In Filter Freq Dynamics1 Key In Filter Freq Dynamics1 Key In Filter Freq Dynamics2 DUCKING Threshould Dynamics Dynamics2 LEGACY COMP Threshould Dynamics MIX MATRIX STEREO A/B Dynamics2 DUCKING Attack Dynamics2 LEGACY COMP Attack Dynamics2 DUCKING Range Dynamics2 LEGACY COMP Release Dynamics2 DUCKING Hold Dynamics2 LEGACY COMP Ratio Dynamics2 DUCKING Decay Dynamics2 LEGACY COMP Knee Dynamics2 On/Off Dynamics2 LEGACY COMP Gain Dynamics2 Key In Filter Type Dynamics2 COMP260 Threshould Dynamics2 Key In Filter Q Dynamics2 COMP260 Attack Dynamics2 Key In Filter Freq Dynamics2 A/B Dynamics2 COMP260 Release Insert Dynamics2 COMP260 Ratio * This parameter is recalled only for paired channels. Input Insert 1/2 On/Off Mix Insert 1/2 On/Off Matrix Insert 1/2 On/Off Stereo Insert 1/2 On/Off Input Insert 1/2 Point Mix Insert 1/2 Point Matrix Insert 1/2 Point Stereo Insert 1/2 Point Dynamics2 COMP260 Knee Dynamics2 COMP260 Gain Dynamics2 GATE Threshould Dynamics2 GATE Attack Dynamics2 GATE Range Dynamics2 GATE Hold Dynamics2 GATE Decay Dynamics2 DE-ESSER Threshould Dynamics2 DE-ESSER Freq Dynamics2 DE-ESSER Q 47 RIVAGE PM series Data List Parameters copied when pairing Parameters copied when pairing INPUT Input EQ Band3 Bypass This table shows the parameters that are copied when input channels, MIX channels, or MATRIX channels are paired. INPUT MIX MATRIX STEREO Bus Type Color Icon Color Icon Name Color Icon Mix EQ Band4 Freq Matrix EQ Band4 Freq Stereo EQ Band4 Freq Input EQ Band4 Gain Mix EQ Band4 Gain Matrix EQ Band4 Gain Stereo EQ Band4 Gain Stereo EQ Band4 Q Mix EQ Band4 Q Matrix EQ Band4 Q Input EQ Band4 Bypass Mix EQ Band4 Bypass Matrix EQ Band4 Bypass Stereo EQ Band4 Bypass Mix EQ Band5 Freq Matrix EQ Band5 Freq Stereo EQ Band5 Freq Mix EQ Band5 Gain Matrix EQ Band5 Gain Stereo EQ Band5 Gain Mix EQ Band5 Q Matrix EQ Band5 Q Stereo EQ Band5 Q Mix EQ Band5 Bypass Matrix EQ Band5 Bypass Stereo EQ Band5 Bypass Mix EQ Band6 Freq Matrix EQ Band6 Freq Stereo EQ Band6 Freq Mix EQ Band6 Gain Matrix EQ Band6 Gain Stereo EQ Band6 Gain Mix EQ Band6 Q Matrix EQ Band6 Q Stereo EQ Band6 Q Mix EQ Band6 Bypass Matrix EQ Band6 Bypass Stereo EQ Band6 Bypass Mix EQ Band7 Freq Matrix EQ Band7 Freq Stereo EQ Band7 Freq Mix EQ Band7 Gain Matrix EQ Band7 Gain Stereo EQ Band7 Gain Mix EQ Band7 Q Matrix EQ Band7 Q Stereo EQ Band7 Q Mix EQ Band7 Bypass Matrix EQ Band7 Bypass Stereo EQ Band7 Bypass Name Color Icon VSC Safe Delay On/Off Delay On/Off Delay On/Off Delay Point Delay Point Delay Point Delay Point Insert On/Off Insert On/Off Insert On/Off Insert On/Off Insert Point Insert Point Insert Point Insert Point Direct Out On Direct Out Level Mix EQ Band8 Type Matrix EQ Band8 Type Stereo EQ Band8 Type Mix EQ Band8 Freq Matrix EQ Band8 Freq Stereo EQ Band8 Freq Mix EQ Band8 Gain Matrix EQ Band8 Gain Stereo EQ Band8 Gain Mix EQ Band8 Q Matrix EQ Band8 Q Stereo EQ Band8 Q Mix EQ Band8 Bypass Matrix EQ Band8 Bypass Stereo EQ Band8 Bypass Dynamics1 Type Dynamics1 Type Dynamics1 Type Dynamics1 Type Dynamics1 On/Off Dynamics1 On/Off Dynamics1 On/Off Dynamics1 On/Off Dynamics1 A/B Dynamics1 A/B Dynamics1 A/B Dynamics1 A/B Dynamics1 LEGACY COMP Threshould Dynamics1 LEGACY COMP Threshould Dynamics1 LEGACY COMP Threshould Dynamics1 LEGACY COMP Threshould Dynamics1 LEGACY COMP Attack Dynamics1 LEGACY COMP Attack Dynamics1 LEGACY COMP Attack Dynamics1 LEGACY COMP Attack Dynamics1 LEGACY COMP Release Dynamics1 LEGACY COMP Release Dynamics1 LEGACY COMP Release Dynamics1 LEGACY COMP Release Dynamics1 LEGACY COMP Ratio Dynamics1 LEGACY COMP Ratio Dynamics1 LEGACY COMP Ratio Dynamics1 LEGACY COMP Ratio Dynamics1 LEGACY COMP Knee Dynamics1 LEGACY COMP Knee Dynamics1 LEGACY COMP Knee Dynamics1 LEGACY COMP Knee Dynamics1 LEGACY COMP Gain Dynamics1 LEGACY COMP Gain Dynamics1 LEGACY COMP Gain Dynamics1 LEGACY COMP Gain Dynamics1 COMP260 Threshould Dynamics1 COMP260 Threshould Dynamics1 COMP260 Threshould Dynamics1 COMP260 Threshould Dynamics1 COMP260 Attack Dynamics1 COMP260 Attack Dynamics1 COMP260 Attack Dynamics1 COMP260 Attack Direct Out Point Input HPF On/OFF Mix HPF On/OFF Matrix HPF On/OFF Stereo HPF On/OFF Input HPF Freq Mix HPF Freq Matrix HPF Freq Stereo HPF Freq Input HPF Slope Mix HPF Slope Matrix HPF Slope Stereo HPF Slope Input LPF On/OFF Mix LPF On/OFF Matrix LPF On/OFF Stereo LPF On/OFF Input LPF Freq Mix LPF Freq Matrix LPF Freq Stereo LPF Freq Input LPF Slope Input EQ Type Mix LPF Slope Mix EQ Type Matrix LPF Slope Matrix EQ Type Stereo LPF Slope Stereo EQ Type Input EQ On/Off Mix EQ On/Off Matrix EQ On/Off Stereo EQ On/Off Input EQ A/B Mix EQ A/B Matrix EQ A/B Stereo EQ A/B Input EQ Band1 Type Mix EQ Band1 Type Matrix EQ Band1 Type Stereo EQ Band1 Type Input EQ Band1 Freq Mix EQ Band1 Freq Matrix EQ Band1 Freq Stereo EQ Band1 Freq Input EQ Band1 Gain Mix EQ Band1 Gain Matrix EQ Band1 Gain Stereo EQ Band1 Gain Input EQ Band1 Q Mix EQ Band1 Q Matrix EQ Band1 Q Stereo EQ Band1 Q Input EQ Band1 Bypass Mix EQ Band1 Bypass Matrix EQ Band1 Bypass Stereo EQ Band1 Bypass Input EQ Band2 Freq Mix EQ Band2 Freq Matrix EQ Band2 Freq Stereo EQ Band2 Freq Input EQ Band2 Gain Mix EQ Band2 Gain Matrix EQ Band2 Gain Stereo EQ Band2 Gain Input EQ Band2 Q Mix EQ Band2 Q Matrix EQ Band2 Q Stereo EQ Band2 Q Input EQ Band2 Bypass Mix EQ Band2 Bypass Matrix EQ Band2 Bypass Stereo EQ Band2 Bypass Input EQ Band3 Freq Mix EQ Band3 Freq Matrix EQ Band3 Freq Stereo EQ Band3 Freq Input EQ Band3 Gain Mix EQ Band3 Gain Matrix EQ Band3 Gain Stereo EQ Band3 Gain Input EQ Band3 Q Mix EQ Band3 Q Matrix EQ Band3 Q Stereo EQ Band3 Q Stereo EQ Band3 Bypass Input EQ Band4 Q A/B Delay On/Off STEREO Input EQ Band4 Freq Stereo/Mono Name MATRIX Matrix EQ Band3 Bypass Input EQ Band4 Type Stereo Input Type Name MIX Mix EQ Band3 Bypass 48 RIVAGE PM series Data List Parameters copied when pairing INPUT Dynamics1 COMP260 Release MIX Dynamics1 COMP260 Release MATRIX Dynamics1 COMP260 Release STEREO INPUT Dynamics1 COMP260 Release Dynamics1 COMP260 Knee Dynamics1 COMP260 Knee Dynamics1 COMP260 Knee Dynamics1 COMP260 Knee Dynamics1 GATE Threshould Dynamics1 GATE Threshould Dynamics1 GATE Attack Dynamics1 GATE Attack Dynamics1 GATE Attack Dynamics1 GATE Attack Dynamics1 GATE Range Dynamics1 GATE Range Dynamics1 GATE Range Dynamics1 GATE Range Dynamics1 GATE Hold Dynamics1 GATE Hold Dynamics1 GATE Hold Dynamics1 GATE Hold Dynamics1 GATE Decay Dynamics1 GATE Decay Dynamics1 GATE Decay Dynamics1 GATE Decay Dynamics1 DE-ESSER Threshould Dynamics1 DE-ESSER Threshould Dynamics1 DE-ESSER Threshould Dynamics1 DE-ESSER Threshould Dynamics1 DE-ESSER Freq Dynamics1 DE-ESSER Freq Dynamics1 DE-ESSER Freq Dynamics1 DE-ESSER Freq Dynamics1 DE-ESSER Q Dynamics1 DE-ESSER Q Dynamics1 DE-ESSER Q Dynamics1 DE-ESSER Q Dynamics1 DE-ESSER Type Dynamics1 DE-ESSER Type Dynamics1 DE-ESSER Type Dynamics1 DE-ESSER Type Dynamics1 EXPANDER Threshould Dynamics1 EXPANDER Threshould Dynamics1 EXPANDER Threshould Dynamics1 EXPANDER Threshould Dynamics1 EXPANDER Attack Dynamics1 EXPANDER Attack Dynamics1 EXPANDER Attack Dynamics1 EXPANDER Attack Dynamics1 EXPANDER Release Dynamics1 EXPANDER Release Dynamics1 EXPANDER Release Dynamics1 EXPANDER Release Dynamics1 EXPANDER Dynamics1 EXPANDER Ratio Ratio Dynamics1 EXPANDER Ratio Dynamics1 EXPANDER Ratio Dynamics2 LEGACY COMP Knee Dynamics2 LEGACY COMP Gain Dynamics2 COMP260 Threshould Dynamics2 COMP260 Attack Dynamics2 COMP260 Release Dynamics2 COMP260 Ratio Dynamics2 COMP260 Knee Dynamics2 COMP260 Gain Dynamics2 GATE Threshould Dynamics2 GATE Attack Dynamics2 GATE Range Dynamics2 GATE Hold Dynamics2 GATE Decay Dynamics1 EXPANDER Knee Dynamics1 EXPANDER Knee Dynamics1 EXPANDER Knee Dynamics1 EXPANDER Knee Dynamics2 DE-ESSER Threshould Dynamics1 EXPANDER Gain Dynamics1 EXPANDER Gain Dynamics1 EXPANDER Gain Dynamics1 EXPANDER Gain Dynamics1 DUCKING Threshould Dynamics1 DUCKING Threshould Dynamics1 DUCKING Threshould Dynamics1 DUCKING Threshould Dynamics1 DUCKING Attack Dynamics1 DUCKING Attack Dynamics1 DUCKING Attack Dynamics1 DUCKING Attack Dynamics1 DUCKING Range Dynamics1 DUCKING Range Dynamics1 DUCKING Range Dynamics1 DUCKING Range Dynamics1 DUCKING Hold Dynamics1 DUCKING Hold Dynamics1 DUCKING Hold Dynamics1 DUCKING Hold Dynamics1 DUCKING Decay Dynamics1 DUCKING Decay Dynamics1 DUCKING Decay Dynamics1 DUCKING Decay Dynamics1 Key In Filter Type Dynamics1 Key In Filter Type Dynamics1 Key In Filter Type Dynamics1 Key In Filter Type Dynamics1 Key In Filter Q Dynamics1 Key In Filter Q Dynamics1 Key In Filter Q Dynamics1 Key In Filter Q Dynamics1 Key In Filter Freq Dynamics1 Key In Filter Freq Dynamics1 Key In Filter Freq Dynamics1 Key In Filter Freq STEREO Dynamics2 LEGACY COMP Ratio Dynamics1 COMP260 Gain Dynamics1 COMP260 Gain Dynamics1 COMP260 Gain Dynamics1 COMP260 Gain Dynamics1 GATE Threshould MATRIX Dynamics2 LEGACY COMP Release Dynamics1 COMP260 Ratio Dynamics1 COMP260 Ratio Dynamics1 COMP260 Ratio Dynamics1 COMP260 Ratio Dynamics1 GATE Threshould MIX Dynamics2 LEGACY COMP Attack Dynamics2 DE-ESSER Freq Dynamics2 DE-ESSER Q Dynamics2 DE-ESSER Type Dynamics2 EXPANDER Threshould Dynamics2 EXPANDER Attack Dynamics2 EXPANDER Release Dynamics2 EXPANDER Ratio Dynamics2 EXPANDER Knee Dynamics2 EXPANDER Gain Dynamics2 DUCKING Threshould Dynamics2 Type Dynamics2 DUCKING Attack Dynamics2 On/Off Dynamics2 A/B Dynamics2 DUCKING Range Dynamics2 LEGACY COMP Threshould 49 RIVAGE PM series Data List Parameters copied when pairing INPUT MIX MATRIX STEREO Dynamics2 DUCKING Hold Dynamics2 DUCKING Decay Dynamics2 Key In Filter Type Dynamics2 Key In Filter Q Dynamics2 Key In Filter Freq To Mix Pre/Post To Mix Pre Point To Mix Post Point To Mix Send Level* To Mix Send On/Off To Matrix Pre/Post To Matrix Pre/Post To Matrix Pre/Post To Matrix Pre Point To Matrix Pre Point To Matrix Pre Point To Matrix Post Point To Matrix Post Point To Matrix Post Point To Matrix Send Level* To Matrix Send Level* To Matrix Send Level* To Matrix Send On/Off To Matrix Send On/Off To Matrix Pan To Stereo Pan Mode To Stereo Pan Mode To Matrix Follow Pan Mode To Stereo CSR To Stereo CSR To Stereo Pan Type To Stereo Pan Type To Stereo A/B To Stereo A/B To Stereo LCR To Stereo LCR DCA DCA DCA DCA Mute Group Mute Group Mute Group Mute Group Input Fader Mix Fader* Matrix Fader* Stereo Fader Input On/Off Mix On/Off Matrix On/Off Stereo On/Off Input Gain Gang Input Delay Gang Mix Delay Gang Matrix Delay Gang Stereo Delay Gang Balance Balance Balance Pan Link Pan Link * These parameters are not simply copied; the operation of Send Level and Pan etc. will change depending on whether the source and destination are monaural or paired. 50 RIVAGE PM series Data List Mixing parameter operation applicability Mixing parameter operation applicability This table indicates which settings affect the behavior of each input channel, mix channel, matrix channel, stereo channel and DCA parameter. The table also indicates whether the parameters can be linked for a stereo pair, or whether they can be the target of a GAIN GANG ON, DELAY GANG ON, RECALL SAFE, or FOCUS RECALL operation. ■ Input channels Parameter Linked by pairing A.Gain Gain Compensation GAIN GANG ON DELAY GANG ON O O O +48V HA Silk RECALL SAFE, FOCUS RECALL ALL O Individual filter settings HA A.GAIN O HA A.GAIN O HA A.GAIN O HA SILK Phase O HA PHASE M/S Decode On O HA M/S DECODE O HA M/S DECODE M/S Decode Side Gain Gain Gang O Pair O HA A.GAIN, D.GAIN O * If any of the channel filter settings is turned ON. Stereo Input Type O O * If any of the channel filter settings is turned ON. Name, Icon, Color O O NAME Input Patch Virtual Sound Check Patch A/B Select O O PATCH O PATCH O PATCH O PHASE O D.GAIN O Digital Gain Direct Out PATCH Out Patch Individual channel ON/Off Insert2 PATCH O In Patch Phase Insert1 *1 (with OUTBOARD INSERT) O O Out Patch *1 PLUG-IN/GEQ ALLOCATION In Patch *1 PLUG-IN/GEQ ALLOCATION A.Gain, Gain Compensation, +48V, Silk, Phase, M/S Decode *1 GEQ/PEQ * The mounted status is specified by the PLUG-IN/GEQ ALLOCATION settings, and the parameters are specified for each GEQ. Plug-in * The mounted status is specified by the PLUG-IN/GEQ ALLOCATION settings, and the parameters are specified for each plug-in. On O O Point O O INS 1 INS 1 Bypass O INS 1 * Same as Insert1 O INS 2 Out Patch O D.OUT On, Level O O D.OUT Point O O D.OUT 51 RIVAGE PM series Data List Mixing parameter operation applicability Parameter Linked by pairing HPF O LPF EQ GAIN GANG ON DELAY GANG ON Dynamics2 HPF/LPF O O HPF/LPF O O EQ O DYN 1 DYN 1 Key-In Filter O O Others O O DYN 1 O DYN 2 * Same as Dynamics1 Time Delay To Mix To Matrix Individual filter settings O Key-In Source Dynamics1 RECALL SAFE, FOCUS RECALL ALL On O O O DELAY O DELAY Point O O DELAY Delay Gang O O DELAY On O O TO MIX n (* “n” represents a number.) Level O O TO MIX n (* “n” represents a number.) O TO MIX n (* “n” represents a number.) Pre/Post O O TO MIX n (* “n” represents a number.) Pre Point, Post Point O O TO MIX n (* “n” represents a number.) On O O TO MTRX n (* “n” represents a number.) Level O O TO MTRX n (* “n” represents a number.) Pan/Balance Pan/Balance Pre/Post O Pre Point, Post Point O Pan/Balance O TO MTRX n (* “n” represents a number.) O TO MTRX n (* “n” represents a number.) O TO MTRX n (* “n” represents a number.) O PAN TO ST Pan Mode O O PAN TO ST To Stereo On O O PAN TO ST To LCR On O O PAN TO ST CSR O O PAN TO ST Fader O O FADER CH On O O CH ON Mute Assign O O MUTE ASSIGN DCA Assign O O DCA ASSIGN Cue O Solo Safe O Mute Safe O Recall Safe, Focus Recall O 52 RIVAGE PM series Data List Mixing parameter operation applicability ■ MIX Channels Parameter Pair Pan Link Bus Type Name, Icon, Color Output Patch Insert1 *1 (with OUTBOARD INSERT) Linked by pairing DELAY GANG ON O O O ALL O O O O O Out Patch *1 In Patch *1 A.Gain, Gain Compensation, +48V, Silk, Phase, M/S Decode *1 PLUG-IN/GEQ ALLOCATION PLUG-IN/GEQ ALLOCATION GEQ/PEQ Plug-in Insert2 HPF LPF EQ Dynamics Delay To Matrix Pan/Balance Pan Mode To Stereo On To LCR On CSR Output Balance Fader CH On Mute Assign DCA Assign Cue Solo Safe Mute Safe Recall Safe, Focus Recall On Point Bypass * Same as Insert1 O O O O O Key-In Source Key-In Filter Others Time On Point Delay Gang On Level Pan/Balance Pre/Post Pre Point, Post Point RECALL SAFE, FOCUS RECALL Individual filter settings * If any of the channel filter settings is turned ON. * If any of the channel filter settings is turned ON. * Specified by BUS SETUP in BUS/OTHERS NAME PATCH O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O 53 * The mounted status is specified by the PLUG-IN/GEQ ALLOCATION settings, and the parameters are specified for each GEQ. * The mounted status is specified by the PLUG-IN/GEQ ALLOCATION settings, and the parameters are specified for each plug-in. INS 1 INS 1 INS 1 INS 2 HPF/LPF HPF/LPF EQ DYN 1 DYN 1 DYN 1 DELAY DELAY DELAY DELAY TO MTRX n (* “n” represents a number.) TO MTRX n (* “n” represents a number.) TO MTRX n (* “n” represents a number.) TO MTRX n (* “n” represents a number.) TO MTRX n (* “n” represents a number.) PAN TO ST PAN TO ST PAN TO ST PAN TO ST PAN TO ST PAN TO ST FADER CH ON MUTE ASSIGN DCA ASSIGN RIVAGE PM series Data List Mixing parameter operation applicability ■ MATRIX Channels Parameter Linked by pairing DELAY GANG ON Pair RECALL SAFE, FOCUS RECALL ALL Individual filter settings O * If any of the channel filter settings is turned ON. Pan Link O O * If any of the channel filter settings is turned ON. Name, Icon, Color O O NAME O PATCH Output Patch Insert1 *1 (with OUTBOARD INSERT) Out Patch *1 PLUG-IN/GEQ ALLOCATION In Patch *1 PLUG-IN/GEQ ALLOCATION A.Gain, Gain Compensation, +48V, Silk, Phase, M/S Decode *1 GEQ/PEQ * The mounted status is specified by the PLUG-IN/GEQ ALLOCATION settings, and the parameters are specified for each GEQ. Plug-in * The mounted status is specified by the PLUG-IN/GEQ ALLOCATION settings, and the parameters are specified for each plug-in. On O O Point O O INS 1 O INS 1 O INS 2 Bypass Insert2 * Same as Insert1 INS 1 HPF O O HPF/LPF LPF O O HPF/LPF O O EQ EQ Key-In Source Dynamics Key-In Filter O Others O Time Delay O O DYN 1 O DYN 1 O DYN 1 O DELAY DELAY On O O Point O O DELAY Delay Gang O O DELAY Output Balance O O PAN TO ST Fader O O FADER CH On O O CH ON Mute Assign O O MUTE ASSIGN DCA Assign O O DCA ASSIGN Cue O Solo Safe O Mute Safe O Recall Safe, Focus Recall O 54 RIVAGE PM series Data List Mixing parameter operation applicability ■ STEREO Channels Parameter Stereo DELAY GANG ON Pair Name, Icon, Color O Output Patch Insert1 *1 (with OUTBOARD INSERT) Individual filter settings O * If any of the channel filter settings is turned ON. O NAME O PATCH Out Patch *1 PLUG-IN/GEQ ALLOCATION In Patch *1 PLUG-IN/GEQ ALLOCATION A.Gain, Gain Compensation, +48V, Silk, Phase, M/S Decode *1 GEQ/PEQ * The mounted status is specified by the PLUG-IN/GEQ ALLOCATION settings, and the parameters are specified for each GEQ. Plug-in * The mounted status is specified by the PLUG-IN/GEQ ALLOCATION settings, and the parameters are specified for each plug-in. On O O Point O O INS 1 O INS 1 Bypass Insert2 RECALL SAFE, FOCUS RECALL ALL * Same as Insert1 INS 1 O INS 2 HPF O O HPF/LPF LPF O O HPF/LPF EQ O O EQ Key-In Source Dynamics Key-In Filter O Others O Time Delay To Matrix O O DYN 1 O DYN 1 O DYN 1 O DELAY DELAY On O O Point O O DELAY Delay Gang O O DELAY On O O TO MTRX n (* “n” represents a number.) Level O TO MTRX n (* “n” represents a number.) Pan/Balance O TO MTRX n (* “n” represents a number.) Pre/Post O O TO MTRX n (* “n” represents a number.) Pre Point, Post Point TO MTRX n (* “n” represents a number.) O O Output Balance O O PAN TO ST Fader O O FADER CH ON CH On O O Mute Assign O O MUTE ASSIGN DCA Assign O O DCA ASSIGN Cue O Solo Safe O Mute Safe O Recall Safe, Focus Recall O 55 RIVAGE PM series Data List Mixing parameter operation applicability ■ DCA Parameter Name, Icon, Color RECALL SAFE, FOCUS RECALL ALL O Individual filter settings NAME Fader O FADER CH On O CH ON 56 RIVAGE PM series Data List CVS file format CVS file format Expressions that can be used for the channel icon Original expression This table lists the expressions that can be used as synonyms, equivalents, or abbreviations when creating a CSV file. Expressions that can be used for the channel color Original expression Expressions usable when loading a CSV file Expressions usable when loading a CSV file Kick BassDrum, B.Dr, SubKick, Kick18", Kick22", Kick24", BD, B.D Snare SN, S.Dr, SubSN, SN Top, SN Btm, Botm, Botom Hi-Hat HH, Hat, RemoteHH, HiHat Tom Tom-Tom, Toms, RackTom, Htom, TomTom FloorTom, LowTom, FTom, LTom Blue BL, B F.Tom Orange OR, O Cymbal Cymb, Crash, Ride Yellow YE, YL, Y Drumkit Top L, Top R, Drums, OverHead, OverTop, E.Drum L, E.Drum R, Drum, Kit, Top, TopL, TopR, O.HEAD, O.H Purple PU, P SkyBlue Cyan, CY, C Pink Magenta, PK, MG, M Red RD, R Green GN, GR, G LightGreen LtGreen, LGR White WH, W Off (An omitted expression is also interpreted as Off.) NOTE Perc. Conga, Tamb, Bongo, Triangle, Djembe, Cajon, Percussion, Per, Cong, Bong, Perc E.Bass E.B, BassDI, ElectricBass, EB A.Guitar A.Gt, E.Aco, 12String, AcousticGuitar, AcousticGt, A.G, AG E.Guitar E.Gt, Lead Gt, RhythmGt, SteelGt, ElectricGuitar, ElectricGt, E.G, EG BassAmp B.Amp, B.AmpMic, B.A, BA GuitarAmp G.Amp, Stack, Combo, GtAmp, G.A, GA A.Bass WoodBass, W.Bass, E.A.Bass, Bass Mic, SilentBs, AcousticBass, C.Bass, CB, C.B, AB, A.B, W.B, WB Strings Violin, Viola, Cello, Vn, Va, Vc, String, Str, Vl, Vla DI Uppercase and lowercase are not distinguished. 57 Trumpet Tp, Tp Mic, Brass, Horns, Trp Trombone Tb, Tb Mic, Trb Saxophone Sax, A.Sax, T.Sax, S.Sax, B.Sax, Horns, ASax, TSax, SSax, BSax Flute Piccolo, Woodwind, Fl, Picc Piano Pf.Lo, Pf.Hi, Pf.Hole, Pf, G.P, Upright, AP, PfL, PfR, PfH Organ Org, Hammond, Leslie, LeslieHi, LeslieLo, PipeOrg Keyboard Key L, Key R, Synth L, Synth R, E.Pf L, E.Pf R, Motif, KB, Key, KeyL, KeyR, EP, E.Pf, Syn, EPL, EPR, SynL, SynR Mallet Xylo, Marimba, Vibes, Glock, Bells, Chimes Male MaleVo, M.Vo, M.Cho Female FemaleVo, F.Vo, F.Cho Choir Chorus, Cho, Choir L, Choir R, MaleCho, FemaleCho, Chor Dynamic DynamicMic Condenser CondenserMic InstMic Top L, Top R, Pf.Lo, Pf.Hi Wireless Radio, WirelessMic, W/L, W.L Headset Head, Intercom, Comm RIVAGE PM series Data List CVS file format Original expression Expressions that can be used for the port name of an input patch or output patch Expressions usable when loading a CSV file Podium Speech, Pastor, Priest, Minister, Lectern, Talk, Lecture FoH Front, Array Speaker FrntFill Sub SubLow, Subwoof Wedge Floor, Foot, Flor Video CCTV, Camcoder, Camera, Cam In-Ears CueBox, InEar, IEM, Ear Monitor P.Mon Fx Fx Rtn, EQ, Comp, Effect, Return, Rtn, Effector, Eff Media1 DISC Media2 PB Media3 VTR, Blu Mixer SubMix, Mix PC Laptop, NUENDO, Cubase, Sequence, DAW Processor DME, DSP, Matrix, DLY, DELAY, REV, Reverb Audience AirMic, Hall, Suspend, Aud Original expression (Normal format) * [n] is a number (e.g., channel number). NONE L.Arrow R.Arrow Exclamation Excl, ! Smile Money Popstar, $ Star1 Star2 Blank (An omitted expression is also interpreted as Off.) Additional expressions that can be used when loading a CSV file * Words whose characters are underlined can be omitted. * [n] is a number (e.g., channel number). No Assign CS1–2 OMNI [n] Console1–2 OMNI [n] CS1–2 AES/EBU [n] Console1–2 AES/EBU [n] DIR OUT [n] Input Channel Direct Output [n] INS1A–D [n] Insert1A–D Input Channel [n] INS2A–D [n] Insert2A–D Input Channel [n] MIX [n] Mix Channel [n] INS1A–D MIX [n] Insert1A–D Mix [n] INS2A–D MIX [n] Insert2A–D Mix [n] MATRIX [n] Matrix Channel [n] INS1A–D MATRIX [n] Insert1A–D Matrix [n] INS2A–D MATRIX [n] Insert2A–D Matrix [n] STEREO A–B L Stereo Output A–B Left STEREO A–B R Stereo Output A–B Right INS1A–D STEREO A–B L Insert1A–D Stereo A–B Left INS1A–D STEREO A–B R Insert1A–D Stereo A–B Right INS2A–D STEREO A–B L Insert2A–D Stereo A–B Left INS2A–D STEREO A–B R Insert2A–D Stereo A–B Right STETEO B L Mono CUE A L Cue A–B Left CUE A R Cue A–B Right INS CUE A L Insert Cue A–B Left NOTE INS CUE A R Insert Cue A–B Right Uppercase and lowercase are not distinguished. MONITOR A L Monitor A–B Left MONITOR A R Monitor A–B Right 58 MONITOR A C Monitor A–B Center INS MONITOR Insert Monitor MONITOR DIR IN [n] Monitor Direct Input Output [n] SURR MONITOR L Surround Monitor Left SURR MONITOR R Surround Monitor Right SURR MONITOR C Surround Monitor Center SURR MONITOR LFE Surround Monitor LFE SURR MONITOR LS Surround Monitor Ls RIVAGE PM series Data List CVS file format Original expression (Normal format) * [n] is a number (e.g., channel number). Additional expressions that can be used when loading a CSV file * Words whose characters are underlined can be omitted. * [n] is a number (e.g., channel number). SURR MONITOR RS Surround Monitor Rs INS SURR MONITOR L INS SURR MONITOR R Original expression (Normal format) * [n] is a number (e.g., channel number). Additional expressions that can be used when loading a CSV file * Words whose characters are underlined can be omitted. * [n] is a number (e.g., channel number). M1–8 RY SLOT1–6 [n] MAIN1–8 RY SLOT1–6 Input Channel [n] Insert Surround Monitor Left M1–8 HY SLOT2 [n] MAIN1–8 HY SLOT2 Input Channel [n] Insert Surround Monitor Right S1–8 MY SLOT1–2 [n] SUB1–8 MY SLOT1–2 Input Channel [n] INS SURR MONITOR C Insert Surround Monitor Center S1–8 RY SLOT1–6 [n] SUB1–8 RY SLOT1–6 Input Channel [n] INS SURR MONITOR LFE Insert Surround Monitor LFE S1–8 HY SLOT2 [n] SUB1–8 HY SLOT2 Input Channel [n] INS SURR MONITOR LS Insert Surround Monitor Ls INS SURR MONITOR RS Insert Surround Monitor Rs SURR METER L Surround Meter Left SURR METER R Surround Meter Right SURR METER C Surround Meter Center SURR METER LFE Surround Meter LFE SURR METER LS Surround Meter Ls SURR METER RS Surround Meter Rs SURR CUE L Surround Cue Left SURR CUE R Surround Cue Right OSC L Oscillator Left OSC R Oscillator Right TB [n] Talkback Output [n] INS PHONE A L Insert Phone A Left INS PHONE A R Insert Phone A Right INS PHONE B L Insert Phone B Left INS PHONE B R Insert Phone B Right CS1–2 PB L Console1–2 USB Playback Output Left CS1–2 PB R Console1–2 USB Playback Output Right PLUGIN A–X[n] L Plugin Rack A–X[n] Left PLUGIN A–X[n] R Plugin Rack A–X[n] Right GEQ [n] A GEQ Rack [n] A GEQ [n] B GEQ Rack [n] B CS1–2 MY SLOT1–2 [n] Console1–2 MY SLOT1–2 [n] TWINLANE (MAIN) [n] TWINLANe (Main) [n] TWINLANE (SUB) [n] TWINLANe (Sub) [n] DSP MY SLOT1–2 [n] DSP MY SLOT1–2 [n] DSP HY SLOT1–4 [n] DSP HY SLOT1–4 [n] M1–8 MY SLOT1–2 [n] MAIN1–8 MY SLOT1–2 Input Channel [n] NOTE • Uppercase and lowercase are not distinguished. • Spaces between words are also permitted. However, a space within a word is not permitted. 59 RIVAGE PM series Data List MIDI Data Format MIDI Data Format (3) If the assigned parameter has 16,384 or more but less than 2,097,152 steps This section explains the format of the data that the RIVAGE PM10 is able to understand, send, and receive. (3-1) When High, Middle, and Low data is received 1 CHANNEL MESSAGE (3-2) When only Low data is received paramWidth = 2097152; rxValue = Control value(High) * 16384 + Control value(Middle) * 128 + Control value(Low); rxValue = (curValue & 2097024) + Control value(Low); 1.1 CONTROL CHANGE (Bn) (3-3) When only Middle data is received Reception These messages are echoed to MIDI OUT if [CONTROL CHANGE ECHO] is ON. These messages are received when [CONTROL CHANGE Rx] is ON and [Rx CH] matches, and will control parameters according to the settings of the [CONTROL CHANGE ASSIGNMENT]. For the parameters that can be assigned, refer to “Parameters that can be assigned to control changes” on page 43. rxValue = (curValue & 2080895) + Control value(Middle) * 128; (3-4) When only High data is received rxValue = (curValue & 16383) + Control value(High) * 16384; (3-5) When only Middle and Low data is received Transmission If [CONTROL CHANGE Tx] is ON when you operate a parameter that is assigned in the [CONTROL CHANGE ASSIGNMENT], these messages will be transmitted on the [Tx CH] channel. For the parameters that can be assigned, refer to “Parameters that can be assigned to control changes” on page 43. CONTROL CHANGE numbers 0 and 32 are for selecting banks. STATUS DATA STATUS DATA STATUS DATA 1011nnnn 0vvvvvvv 1011nnnn 0vvvvvvv 1011nnnn 0nnnnnnn 0vvvvvvv Bn 00 vv Bn 20 vv Bn nn vv rxValue = (curValue & 2080768) + Control value(Middle) * 128 + Control value(Low); (3-6) When only High and Low data is received rxValue = (curValue & 16256) + Control value(High) * 16384 + Control value(Low); Control change (3-7) When only High and Middle data is received Control number (00) rxValue = (curValue & 127) + Control value(High) * 16384 + Control value(Middle) * 128; Control Value (0-127) if ( rxValue > paramWidth) rxValue = paramWidth; param = ( rxValue–mod / 2) / add; Control change Control number (32) Control Value (0-127) Control change 1.2 PROGRAM CHANGE Control number (1-5, 7-31, 33-37, 38-95, 102-119) * (Cn) Reception If [PROGRAM CHANGE ECHO] is ON, bank select messages will also be echoed from MIDI OUT. If SINGLE CH is selected, these messages are received if [PROGRAM CHANGE Rx] is ON and the [Rx CH] matches. However if [OMNI] is ON, these messages are received regardless of the channel. When these messages are received, scene memory, effect librarya nd premium rack library are recalled according to the settings of the [PROGRAM CHANGE EVENT LIST]. Control Value (0-127) * Numbers 0, 32, and 96–101 cannot be used. * Control number 6, 38 can be used. Equation for converting a Control Value to parameter data paramSteps= paramMax – paramMin + 1; add = paramWidth / paramSteps; mod = paramWidth – add * paramSteps; curValue = paramSteps * add + mod / 2; Transmission If [PROGRAM CHANGE Tx] is ON, these messages are transmitted according to the [PROGRAM CHANGE Table] settings when scene memory is recalled. If SINGLE CH is selected, these messages are transmitted on the [Tx CH] channel. If the recalled scene memory, effect library and premium rack library has been assigned to more than one PROGRAM NUMBER, the lowest-numbered PROGRAM NUMBER for each MIDI channel will be transmitted. You can choose either MULTI MIDI CH or SINGLE CH. (1) If the assigned parameter has fewer than 128 steps paramWidth = 128; rxValue = Control value; (2) If the assigned parameter has 128 or more but less than 16,384 steps paramWidth = 16384; If SINGLE is selected You can choose the Rx CH, OMNI CH, and Tx CH. You can choose whether a bank select message will be added. A bank of up to 16 can be specified. (2-1) When High and Low data is received rxValue = Control value(High) * 128 + Control value(Low); (2-2) When only Low data is received rxValue = (curValue & 16256) + Control value(Low); If MULTI is selected The Rx and Tx channels will be the same. The assignment table will use the settings for each MIDI channel. Bank select messages will not be added. (2-3) When only High data is received rxValue = Control value(High) * 128 + (curValue & 127); 60 RIVAGE PM series Data List MIDI Data Format 4 SYSTEM EXCLUSIVE MESSAGE You can make settings for up to sixteen MIDI channels. STATUS DATA 1100nnnn 0nnnnnnn Cn nn Program change 4.1 MMC Program number (0-127) < MMC STOP > 2. SYSTEM COMMON MESSAGE 2.1 MIDI TIME CODE QUARTER FRAME Reception If the [DEVICE NO.] matches or is 7F, receives this message and stops. (F1) STATUS ID No. Device ID COMMAND Reception This message is used for event list time code. This message is subject to echoing (other commands) STATUS 11110001 F1 MTC EOX 11110000 01111111 0ddddddd 00000110 00000001 11110111 F0 7F dd 06 01 F7 System exclusive message Real time System exclusive Destination (00-7E, 7F:all call) Machine Control Command(MCC) sub-id Stop(MCS) End of exclusive 3 SYSTEM REALTIME MESSAGE < MMC PLAY > 3.1 SONG SELECT Reception If the [DEVICE NO.] matches or is 7F, receives this message and starts playback. (F3) Reception Select the track number shown in the TITLE LIST screen of the USB memory recorder. This message is subject to echoing (other commands). STATUS 11110011 Song number 0sssssss F3 ss STATUS ID No. Device ID COMMAND Song select Song number (0-127) EOX 3.2 TIMING CLOCK (F8) 11111000 F8 3.3 ACTIVE SENSING 11111110 STATUS ID No. Device ID COMMAND Timing clock (FE) FE 3.4 SYSTEM RESET EOX 11111111 F0 7F dd 06 03 F7 System exclusive message Real time System exclusive Destination (00-7E, 7F:all call) Machine Control Command(MCC) sub-id Deferred Play(MCS) End of exclusive Reception If the [DEVICE NO.] matches or is 7F, receives this message, and if stopped, starts recording. Active sensing STATUS ID No. Device ID COMMAND (FF) FF 11110000 01111111 0ddddddd 00000110 00000011 11110111 < MMC RECORD STROBE > Reception When this message is received, MIDI communication will be initialized (e.g., Running Status will be cleared). This message is not subject to echoing. STATUS System exclusive message Real time System exclusive Destination (00-7E, 7F:all call) Machine Control Command(MCC) sub-id Play(MCS) End of exclusive Reception If the [DEVICE NO.] matches or is 7F, receives this message and starts playback. Reception Once this message has been received, MIDI communication will be initialized (e.g., Running Status will be cleared) if no message is received for an interval of 400 ms. This message is not subject to echoing. STATUS F0 7F dd 06 02 F7 < MMC DEFERED PLAY > Reception This message is used to control effects. This message is transmitted twenty-four times per quarter note. This message is subject to echoing (other commands). STATUS 11110000 01111111 0ddddddd 00000110 00000010 11110111 EOX System reset 61 11110000 01111111 0ddddddd 00000110 00000110 11110111 F0 7F dd 06 06 F7 System exclusive message Real time System exclusive Destination (00-7E, 7F:all call) Machine Control Command(MCC) sub-id Record strobe End of exclusive RIVAGE PM series Data List MIDI Data Format < MMC PAUSE > Reception If the [DEVICE NO.] matches or is 7F, receives this message, and if playing, pauses. STATUS ID No. Device ID COMMAND EOX 11110000 01111111 0ddddddd 00000110 00001001 11110111 F0 7F dd 06 09 F7 System exclusive message Real time System exclusive Destination (00-7E, 7F:all call) Machine Control Command(MCC) sub-id Pause(MCS) End of exclusive 4.2 MTCThis message is used for event list time code. Reception STATUS ID No. Device ID Message : EOX 11110000 01111111 0ddddddd 00000001 F0 7F dd 01 System exclusive message Real time System exclusive Destination (00-7E, 7F:all call) MIDI Time Code(MTC) Full Frame Message 11110111 F7 End of exclusive 62 RIVAGE PM series Data List Mixer Basic Parameters Mixer Basic Parameters Function THRESHOLD ■ Input Function DE-ESSER Function Parameter Parameter –60.0 to 0.0 (dB) FREQUENCY 800 to 16.0k (Hz) TYPE BELL, H.SHELF Q (TYPE BELL) 25.0 to 0.5 L/R PATH MONO, STEREO, L/L, R/R THRESHOLD –60.0 to 0.0 (dB) PHASE Normal, Reverse RATIO 1:0 to ∞:1 DIGITAL GAIN –96 to +24 (dB) ATTACK 0 to 120 (msec) RELEASE 3.34m to 42.7 (sec) OUTGAIN –20.0 to +40.0 (dB) HPF LPF EQ SLOPE 6, 12, 18, 24 (dB/Oct) FREQUENCY 20 to 2.00k (Hz) SLOPE 6, 12 (dB/Oct) FREQUENCY 20 to 20.0k (Hz) EXPANDER Dynamics KNEE Hard, Soft-1, Soft-2, Soft-3, Soft-4, Soft-5 THRESHOLD –72.0 to 0.0 (dB) Number of bands 4 TYPE PRECISE, AGGRESSIVE, SMOOTH, LEGACY FREQUENCY 20 to 20.0k (Hz) HOLD 0.02m to 1.96 (sec) GAIN –18 to +18 (dB) DECAY 3.34m to 42.7 (sec) Q 0.1 to 16.0 SOURCE SELF PRE EQ, SELF POST EQ, OTHER PRE EQ, DIRECT INPUT FILTER TYPE HPF, BPF, LPF FILTER FREQUENCY 20 to 20.0k (Hz) 0.1 to 10.0 DUCKING Q (PRECISE LSF, HSF) 0.1 to 10.0 KEY IN RANGE –∞, –72.0 to 0.0 (dB) ATTACK 0 to 120 (msec) LSF/PEQ Band 1 HSF/PEQ Band 4 FILTER Q (BPF) Number of Dynamics 2 Number of inserts 2x4 TYPE LEGACY COMP, COMP260, GATE, DE-ESSER, EXPANDER, DUCKING POINT PRE FILTER, PRE EQ, PRE DYN1, PRE DYN2, PRE FADER, POST ON POINT PRE FILTER, PRE EQ, PRE DYN1, PRE DYN2, PRE FADER, POST FADER, POST ON –∞, –138 to 10.0 (dB) LEGACY COMP THRESHOLD –60.0 to 0.0 (dB) RATIO 1:0 to ∞:1 ATTACK 0 to 120 (msec) LEVEL 3.34m to 42.7 (sec) POINT PRE FILTER, PRE EQ, PRE DYN1, PRE DYN2, PRE FADER, POST ON TIME 0 to 1000 (msec) RELEASE –20.0 to +40.0 (dB) Hard, Soft-1, Soft-2, Soft-3, Soft-4, Soft-5 FADER –60.0 to 0.0 (dB) On 1:0 to ∞:1 ATTACK 0.01 to 80 (msec) RELEASE 6.2 to 999 (msec) OUTGAIN –20.0 to +40.0 (dB) KNEE Hard, Soft-1, Soft-2, Soft-3, Soft-4, Soft-5 THRESHOLD GATE DELAY KNEE RATIO COMP260 DIRECT OUT OUTGAIN THRESHOLD Dynamics INSERT DCA GROUP MUTE GROUP PAN/BALANCE –72.0 to 0.0 (dB) RANGE –∞, –72.0 to 0.0 (dB) ATTACK 0 to 120 (msec) HOLD 0.02m to 1.96 (sec) DECAY 3.34m to 42.7 (sec) 63 –∞, –138 to 10.0 (dB) ON, OFF Number of groups 24 LEVEL –∞, –138 to 10.0 (dB) Number of groups 12 MASTER LEVEL –∞, –138 to –3.0 (dB) POSITION L63 to R63 CSR (LCR PAN) 0 to 100 (%) RIVAGE PM series Data List Mixer Basic Parameters Function MIX SEND Number of buses 72 POINT PRE, POST PRE POINT PRE FILTER, PRE EQ, PRE DYN1, PRE DYN2, PRE FADER POST POINT POST FADER, POST ON SIGNAL TYPE STEREO, MONOx2 BUS TYPE VARI, FIXED PAN LINK (SIGNAL TYPE STEREO) ON, OFF LEVEL –∞, –138 to 10.0 (dB) Number of buses MATRIX SEND TO STEREO Function PRE, POST PRE POINT PRE FILTER, PRE EQ, PRE DYN1, PRE DYN2, PRE FADER POST POINT POST FADER, POST ON SIGNAL TYPE STEREO, MONOx2 SLOPE HPF LPF 36 POINT BUS TYPE ■ Output Function (Common for MIX, STEREO, MATRIX) Parameter EQ Parameter 6, 12, 18, 24 (dB/Oct) FREQUENCY 20 to 2.00k (Hz) SLOPE 6, 12 (dB/Oct) FREQUENCY 20 to 20.0k (Hz) Number of bands 8 TYPE PRECISE, AGGRESSIVE, SMOOTH, LEGACY FREQUENCY 20 to 20.0k (Hz) GAIN –18 to +18 (dB) Q 0.1 to 16.0 Q (PRECISE LSF, HSF) 0.1 to 10.0 VARI LSF/PEQ Band 1 HSF/PEQ Band 8 Number of Dynamics 1 TYPE LEGACY COMP, COMP260, GATE, DE-ESSER, EXPANDER, DUCKING PAN LINK (SIGNAL TYPE STEREO) ON, OFF LEVEL –∞, –138 to 10.0 (dB) RATIO 1:0 to ∞:1 TO STA, TO STB, TO LCR ATTACK 0 to 120 (msec) RELEASE 3.34m to 42.7 (sec) OUTGAIN –20.0 to +40.0 (dB) THRESHOLD LEGACY COMP Dynamics COMP260 GATE DE-ESSER 64 –60.0 to 0.0 (dB) KNEE Hard, Soft-1, Soft-2, Soft-3, Soft-4, Soft-5 THRESHOLD –60.0 to 0.0 (dB) RATIO 1:0 to ∞:1 ATTACK 0.01 to 80 (msec) RELEASE 6.2 to 999 (msec) OUTGAIN –20.0 to +40.0 (dB) KNEE Hard, Soft-1, Soft-2, Soft-3, Soft-4, Soft-5 THRESHOLD –72.0 to 0.0 (dB) RANGE –∞, –72.0 to 0.0 (dB) ATTACK 0 to 120 (msec) HOLD 0.02m to 1.96 (sec) DECAY 3.34m to 42.7 (sec) THRESHOLD –60.0 to 0.0 (dB) FREQUENCY 800 to 16.0k (Hz) TYPE BELL, H.SHELF Q (TYPE BELL) 25.0 to 0.5 RIVAGE PM series Data List Mixer Basic Parameters Function EXPANDER Dynamics DUCKING KEY IN INSERT ■ Output Function (MIX) Parameter THRESHOLD –60.0 to 0.0 (dB) RATIO 1:0 to ∞:1 ATTACK 0 to 120 (msec) RELEASE 3.34m to 42.7 (sec) OUTGAIN –20.0 to +40.0 (dB) KNEE Hard, Soft-1, Soft-2, Soft-3, Soft-4, Soft-5 THRESHOLD –72.0 to 0.0 (dB) Function POSITION PAN/BALANCE Parameter L63 to R63 CSR (LCR PAN) 0 to 100 (%) Number of buses 36 POINT PRE, POST PRE POINT PRE FILTER, PRE EQ, PRE DYN, PRE DELAY, PRE FADER POST POINT POST FADER, POST ON SIGNAL TYPE STEREO, MONOx2 BUS TYPE VARI ON, OFF RANGE –∞, –72.0 to 0.0 (dB) ATTACK 0 to 120 (msec) HOLD 0.02m to 1.96 (sec) DECAY 3.34m to 42.7 (sec) PAN LINK (SIGNAL TYPE STEREO) SOURCE SELF PRE EQ, SELF POST EQ, OTHER PRE EQ, DIRECT INPUT LEVEL –∞, –138 to 10.0 (dB) FILTER TYPE HPF, BPF, LPF ON TO STA, TO STB, TO LCR FILTER FREQUENCY 20 to 20.0k (Hz) POINT PRE FILTER, PRE EQ, PRE DYN, PRE DELAY, PRE FADER, POST FADER FILTER Q (BPF) 0.1 to 10.0 Number of inserts 2x4 POINT PRE FILTER, PRE EQ, PRE DYN, PRE DELAY, POST FADER, POST ON MATRIX SEND TO STEREO ■ Output Function (STEREO) Function Parameter OUTPUT BALANCE POSITION (SIGNAL TYPE STEREO) L63 to R63 DELAY 0 to 1000 (msec) Number of buses FADER –∞, –138 to 10.0 (dB) POINT PRE, POST On ON, OFF PRE POINT PRE FILTER, PRE EQ, PRE DYN, PRE DELAY, PRE FADER POST POINT POST FADER, POST ON SIGNAL TYPE STEREO, MONOx2 12 BUS TYPE VARI –∞, –138 to –3.0 (dB) PAN LINK (SIGNAL TYPE STEREO) ON, OFF LEVEL –∞, –138 to 10.0 (dB) DCA GROUP MUTE GROUP TIME Number of groups LEVEL Number of groups MASTER LEVEL STEREO B MONO 24 MATRIX SEND –∞, –138 to 10.0 (dB) MONO, STEREO 36 ■ INSERT/RACK Function 65 Parameter INSERT (INPUT,OUTPUT) REVERB, DELAY/MOD, EQ/DYNAMICS, GEQ/PEQ, OUTBOARD INSERT (MONITOR, CUE,PHONES) REVERB, DELAY/MOD, EQ/DYNAMICS, GEQ/PEQ SEND/RETURN REVERB, DELAY/MOD, EQ/DYNAMICS RIVAGE PM series Data List Mixer Basic Parameters ■ OSCILLATOR Function Parameter MODE SINE WAVE, SINE WAVE 2CH, PINK NOISE, BURST NOISE LEVEL –96 to 0.0 (dB) SINE WAVE PINK NOISE/BURST NOISE FREQUENCY 20 to 20k (Hz) HPF FREQUENCY 20 to 20k (Hz) LPF FREQUENCY 20 to 20k (Hz) WIDTH 100 to 10000 (msec) INTERVAL 1 to 30 (sec) BURST NOISE ■ Output Port Function Parameter DELAY 0 to 1000 (msec) PHASE Normal/Reverse GAIN –96 to +24 (dB) TRIM –1.50 to +1.50 (dB) SRC (AES/EBU) SAME AS INPUT, 44.1kHz, 48kHz, 88.2kHz, 96kHz ■ Input Port Function HA OMNI IN SILK Parameter +48V ON, OFF GAIN –6 to +66 (dB) TYPE RED, BLUE TEXTURE 0.0 to 10.0 HPF FREQUENCY 20 to 2k (Hz) M/S DECODE SIDE GAIN MONO, –90 to –0.1, STEREO, +0.1 to +9.9, EXP.ST TRIM –1.50 to +1.50 (dB) PHASE Normal/Reverse AES/EBU SRC ON, OFF MY SLOT PHASE M/S DECODE HA TALKBACK IN HPF PHASE SIDE GAIN MONO, –90 to –0.1, STEREO, +0.1 to +9.9, EXP.ST Normal/Reverse +48V ON, OFF GAIN –6 to +54 (dB) FREQUENCY 20 to 2k (Hz) Normal/Reverse 66 RIVAGE PM series Data List :True# Aux Messages Mode 1: OMNI ON, POLY Mode 3: OMNI OFF, POLY Mode 2: OMNI ON, MONO Mode 4: OMNI OFF, MONO X X X X O O X X X X X X :All Sound Off :Reset All Cntrls :Local ON/OFF :All Notes OFF :Active Sense :Reset Notes O X X X :Clock :Commands X O X System Real Time X X X O O 0–127 1.00–999.99 O O X O X X X :Song Pos. :Song Sel. :Tune X O 0–127 ************** O O X O X X X Common System Exclusive Prog Change Control Change 0,32 6,38 98,99 1-31,33-95, 102-119 Key’s Ch’s After Touch Pitch Bend Note On Note Off Velocity O O 0–127 X 0–127 X True Voice Note Number O 9nH, v=0,127 X 1, 3 X X X X ************** Default Messages Altered Mode 1–16 1–16 1–16 1–16 Recognized Default Changed Transmitted MIDI Implementation Chart Basic Channel Function... Model : RIVAGE PM YAMAHA [ Digital Mixing System ] O: Yes X: No Effect Control Recorder Control MMC, MTC Assignable Bank Select Data Entry NRPN LSB,MSB Assignable Cntrl Effect Control Memorized Memorized Remarks Version: 1.0 Date : 1 Feb. 2018 Yamaha Pro Audio global website http://www.yamahaproaudio.com/ Yamaha Downloads https://download.yamaha.com/ Manual Development Group © 2015 Yamaha Corporation Published 06/2021 IP-H0
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