Yamaha RIVAGE PM Series Data List En Dl H0

User Manual: Yamaha RIVAGE PM series Data List

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Contents
Dynamics Parameters
Plug-in Type List
Effects Parameters
EQ Preset
Plug-in Library List
Parameters that can be assigned to control changes
Channel Library List
Parameters copied when pairing
Mixing parameter operation applicability
CVS file format
MIDI Data Format
Mixer Basic Parameters
MIDI Implementation Chart

Data List

2RIVAGE PM series Data List

Contents

Dynamics Parameters...............................................................................3

Plug-in Type List ......................................................................................5

Effects Parameters ....................................................................................7

EQ Preset ...............................................................................................23

Plug-in Library List .................................................................................26

Parameters that can be assigned to control changes ..............................43

Channel Library List ...............................................................................45

Parameters copied when pairing ............................................................48

Mixing parameter operation applicability...............................................51

CVS file format.......................................................................................57

MIDI Data Format ..................................................................................60

Mixer Basic Parameters ..........................................................................63

MIDI Implementation Chart...................................................................67

Dynamics Parameters

3RIVAGE PM series Data List

Dynamics Parameters

Input Channels feature two dynamics processors: Dynamics 1 and Dynamics 2. Output Channels

feature one dynamics processor.

You can select any dynamics processor from the following six types:

LEGACY COMP, COMP260, GATE, DE-ESSER, EXPANDER and DUCKING.

■LEGACY COMP

The COMP processor attenuates signals above a specified THRESHOLD by a specified RATIO. The

COMP processor can also be used as a limiter, which, with a RATIO of ∞:1, reduces the level to the

threshold. This means that the limiter’s output level never actually exceeds the threshold.

■COMP260

The COMP processor attenuates signals above a specified THRESHOLD by a specified RATIO. The

COMP processor can also be used as a limiter, which, with a RATIO of ∞:1, reduces the level to the

threshold. This means that the limiter’s output level never actually exceeds the threshold.

Parameter Range Description

THRESHOLD –60.0 to 0.0 (dB) This determines the level of input signal required to

trigger the compressor.

RATIO 1:1 to ∞:1

This determines the amount of compression, that is,

the change in output signal level relative to change

in input signal level.

ATTACK 0 to 120 (msec)

This determines how soon the signal will be

compressed once the compressor has been

triggered.

RELEASE 3.34m to 42.7 (sec)

This determines how soon the compressor returns to

its normal gain once the trigger signal level drops

below the threshold. The value is expressed as the

duration required for the level to change by 6 dB.

OUT GAIN –20.0 to +40.0 (dB) This sets the compressor’s output signal level.

KNEE Hard, Soft-1, Soft-2, Soft-3, Soft-4, Soft-5

This determines how compression is applied at the

threshold. For higher knee settings, compression is

applied gradually as the signal exceeds the specified

threshold, creating a more natural sound.

• I/O Characteristics

(KNEE= Hard, OUT

GAIN=0.0dB)

• Time Series Analysis

(RATIO= ∞:1)

RATIO

THRESHOLD

ATTACK RELEASE

Input Level Time Time

Output Level

Input Level

Output Level

Input Signal Output Signal

Parameter Range Description

THRESHOLD –60.0 to 0.0 (dB) This determines the level of input signal required to

trigger the compressor.

RATIO 1:1 to ∞:1

This determines the amount of compression, that is,

the change in output signal level relative to change

in input signal level.

ATTACK 0.01 to 80 (msec)

This determines how soon the signal will be

compressed once the compressor has been

triggered.

RELEASE 6.2m to 999 (sec)

This determines how soon the compressor returns to

its normal gain once the trigger signal level drops

below the threshold. The value is expressed as the

duration required for the level to change by 6 dB.

OUT GAIN –20.0 to +40.0 (dB) This sets the compressor’s output signal level.

KNEE Hard, Soft-1, Soft-2, Soft-3, Soft-4, Soft-5

This determines how compression is applied at the

threshold. For higher knee settings, compression is

applied gradually as the signal exceeds the specified

threshold, creating a more natural sound.

• I/O Characteristics

(KNEE= Hard, OUT

GAIN=0.0dB)

• Time Series Analysis

(RATIO= ∞:1)

RATIO

THRESHOLD

ATTACK RELEASE

Input Level Time Time

Output Level

Input Level

Output Level

Input Signal Output Signal

Dynamics Parameters

4RIVAGE PM series Data List

■GATE

A gate attenuates signals below a set THRESHOLD level by a specified amount (RANGE).

■DE-ESSER

This detects and compresses only the sibilants and other high-frequency consonants of the vocal.

■EXPANDER

An expander attenuates signals below a specified THRESHOLD by a specified RATIO.

Parameter Range Description

THRESHOLD –72.0 to 0.0 (dB) This determines the level at which the gate effect is

applied.

RANGE –∞, –72.0 to 0.0 (dB) This determines the amount of attenuation when the

gate closes.

ATTACK 0 to 120 (msec) This determines how fast the gate opens when the

signal exceeds the threshold level.

HOLD 0.02m to 1.96 (sec) This determines how long the gate stays open once

the trigger signal has fallen below the threshold.

DECAY 3.34m to 42.7 (sec)

This determines how fast the gate closes once the

hold time has expired. The value is expressed as the

duration required for the level to change by 6 dB.

Parameter Range Description

THRESHOLD –60.0 to 0.0 (dB) Threshold level at which the de-esser effect applies.

FREQUENCY 800 to 16.0k (Hz) Cutoff frequency of the filter used to detect the high frequencies.

TYPE BELL, H.SHELF Type of filter used to detect the frequency band.

Q (TYPE BELL) 25.0 to 0.5 Q (steepness) of the filter when TYPE is BELL.

Input Level Time Time

Output Level

Input Level

Output Level

• I/O Characteristics • Time Series Analysis

RANGE

THRESHOLD

RANGE

Input Signal Output Signal

ATTACK DECAY

HOLD

Parameter Range Description

THRESHOLD –60.0 to 0.0 (dB) This determines the level of input signal required to

trigger the expander.

RATIO 1:0 to ∞:1 This determines the amount of expansion.

ATTACK 0 to 120 (msec)

This determines how soon the expander returns to its

normal gain once the trigger signal level exceeds the

threshold.

RELEASE 3.34m to 42.7 (sec)

This determines how soon the signal is expanded

once the signal level drops below the threshold. The

value is expressed as the duration required for the

level to change by 6 dB.

OUT GAIN –20.0 to +40.0 (dB) This sets the expander’s output signal level.

KNEE Hard, Soft-1, Soft-2, Soft-3, Soft-4, Soft-5

This determines how expansion is applied at the

threshold. For higher knee settings, expansion is

applied gradually as the signal falls below the

specified threshold, creating a more natural sound.

• I/O Characteristics

(KNEE= Hard,

OUT GAIN= 0.0dB)

• Time Series Analysis

(RATIO= ∞:1)

RATIO

THRESHOLD

ATTACK RELEASE

Input Level Time Time

Output Level

Input Level

Output Level

Input Signal Output Signal

Plug-in Type List

5RIVAGE PM series Data List

■DUCKING

Ducking is commonly used for voice-over applications in which the background music level is reduced

automatically when an announcer speaks. When the KEY IN source signal level exceeds the specified

THRESHOLD, the output level is attenuated by a specified amount (RANGE).

Plug-in Type List

Parameter Range Description

THRESHOLD –72.0 to 0.0 (dB) This determines the level of trigger signal (KEY IN)

required to activate ducking.

RANGE –∞, –72.0 to 0.0 (dB) This determines the amount of attenuation when

ducking is activated.

ATTACK 0 to 120 (msec) This determines how soon the signal is ducked once

the ducker has been triggered.

HOLD 0.02m to 1.96 (sec)

This determines how long ducking remains active

once the trigger signal has fallen below the

THRESHOLD level.

DECAY 3.34m to 42.7 (sec)

This determines how soon the ducker returns to its

normal gain once the trigger signal level drops below

the threshold. The value is expressed as the duration

required for the level to change by 6 dB.

Input Level Time Time

Output Level

Input Level

Output Level

RANGE

THRESHOLD

RANGE

ATTACK DECAY

HOLD

• I/O Characteristics • Time Series Analysis

Input Signal Output Signal

Plug-in type Explanation

Amount of

DSP

resources

Tap tempo

function

REV-X

A 2-in/2-out reverb algorithm that provides a high-

density, richly reverberant sound quality, smooth

decay, and spaciousness and depth that enhance the

original sound. You can choose one of three programs

to suit the acoustic environment and your purpose:

REV-X Hall, REV-X Room, and REV-X Plate.

6—

SP2016 Reverb The SP2016 reverb is a faithful recreation of Eventide’s

signature rack-mounted SP2016 processor. 16 —

VSS4HD *1

Room simulation reverb by the TC Electronic.

A variety of reflection settings provide a musical-

sounding reverberation that gives you detailed control

of room size and distance to the walls.

16 —

NonLin 2 *1

Stereo reverb effect by the TC Electronic. As a gate

reverb that uses an envelope filter and does not require

a trigger, this can be used in a variety of creative

applications.

16 —

Y7 A reverb plug-in jointly developed by Bricasti Design

and Yamaha. 16 —

Reverb

Yamaha’s legendary 1-in/2-out SPX reverb. You can

choose one of four programs to suit the acoustic

environment and your purpose: HALL, ROOM, STAGE,

and PLATE.

5—

Stereo Reverb 2-in/2-out stereo reverb. 6 —

Early Reflection 1-in/2-out early reflections. 7 —

Gate Reverb 1-in/2-out gate reverb. You can choose from two

types: Gate Reverb and Reverse Gate. 7—

Mono Delay Basic 1-in/2-out repeat delay. 3 ✓

Stereo Delay Basic 2-in/2-out stereo delay. 3 ✓

Modulation Delay Simple 1-in/2-out repeat delay with modulation. 4 ✓

Delay LCR 1-in/2-out 3-tap delay. 4 ✓

Echo 2-in/2-out stereo delay with cross-feedback loop. 4 ✓

Analog Delay This delay effect is based on the Yamaha E1010 analog

delay. 4✓

Chorus 2-in/2-out chorus effect. 4 ✓

Flanger 2-in/2-out flanger effect. 4 ✓

Symphonic

Yamaha’s proprietary 2-in/2-out symphonic effect,

providing a modulation effect that is richer and more

complex than chorus.

5✓

Dynamic Flanger Flanger that changes the delay time according to the

input level. 2—

Dynamic Phaser Stereo phaser that uses 16-stage phase shift. 2 —

Phaser Phaser that changes the phase shift point according to

the input level. 2✓

Max100 Complete reproduction of a vintage effect that was

manufactured only during the late 1970s. 1✓

Dual Phaser Complete reproduction of a vintage effect that was

manufactured during the middle of the 1970s. 1✓

REVERB

DELAY/MOD

Plug-in Type List

6RIVAGE PM series Data List

Vintage Phaser

Phaser that provides a high degree of sound-shaping

flexibility, and is not intended as a reproduction of any

specific model.

2✓

High Quality Pitch Monaural pitch shifter that produces a stable effect. 4 ✓

Dual Pitch 1-in/2-out high-quality pitch shifter. 4 ✓

H3000 Live

This is a newly-developed harmonizer that offers the

same performance as the Eventide H3000 Ultra-

Harmonizer optimized for live-sound applications.

12 —

Tremolo 2-in/2-out tremolo effect. 2 ✓

Auto Pan 2-in/2-out auto pan effect. 2 ✓

Rotary 1-in/2-out rotary speaker simulation. 5 —

Ring Modulation 2-in/2-out ring modulator. 2 ✓

Modulation Filter 2-in/2-out modulation filter. 2 ✓

Dynamic Filter 2-in/2-out dynamic filter that changes the cutoff

frequency according to the input level. 2—

Rupert EQ 773 Dual

Stereo

Models a console EQ module that Rupert Neve

designed in the 1970s. 3—

Rupert EQ 810 Dual

Stereo

Models a console EQ module that Rupert Neve

designed in the 1980s. 3—

Portico 5033 Dual

Stereo

Models an analog 5-band EQ made by the Rupert

Neve Designs. 2—

EQ-1A Dual

Stereo Models a classic vacuum tube passive-type vintage EQ. 3 —

Equalizer601

Equalizer that emulates the characteristics of an analog

equalizer used in the 1970s. It can be used to obtain a

sense of drive.

2—

Dynamic EQ Dual

Stereo

EQ that dynamically changes the gain, allowing the

cut/boost amount to be controlled in response to the

input level.

2—

Dynamic EQ4 Dual

Stereo

Dynamic EQ4 is a two-band dynamic equalizer that has

been expanded to feature four bands. 3—

Plug-in type Explanation

Amount of

DSP

resources

Tap tempo

function

DELAY/MOD

Rupert Comp 754 Dual

Stereo

Models a console compressor/limiter module that

Rupert Neve designed in the 1970s. 3—

Rupert Comp 830 Dual

Stereo

Models a console compressor/limiter module that

Rupert Neve designed in the 1980s. 3—

Portico 5043 Dual

Stereo

Models an analog compressor/limiter made by the

Rupert Neve Designs. 2—

Portico 5045 Dual

Stereo

Models the Primary Source Enhancer made by Rupert

Neve Designs. 2—

U76 Dual

Stereo Models a classic vintage compressor/limiter. 3 —

Opt-2A Dual

Stereo

Models a classic vacuum tube (optical type)

compressor. 4—

Comp276 This compressor emulates the characteristics of an FET

gain reduction commonly used in recording studios. 2—

Comp276S —

Buss Comp 369 Dual

Stereo

This compressor emulates a standard bus compressor

that has been used in recording studios and

broadcasting stations.

3—

MBC4 Dual

Stereo This four-band compressor offers intuitive operability. 3 —

DaNSe Dual

Stereo

This is a dynamic noise suppressor with exceptional

sound quality and operability. 8—

P2MB This plug-in is an accurate modeling of Rupert Neve

Designs' Portico II Master Buss Processor. 4—

Distortion 1-in/2-out distortion effect. 2 —

Amp Simulate 1-in/2-out guitar amp simulator. 3 —

OpenDeck

This mastering plug-in emulates the tape compression

created by two open reel tape recorders (a recording

deck and a reproduction deck).

4—

*1. Only for DSP-R10

Plug-in type Explanation

Amount of

DSP

resources

Tap tempo

function

DYNAMICS

SATURATION

Effects Parameters

7RIVAGE PM series Data List

Effects Parameters

REVERB

■REV-X

Two input, two output reverb algorithm. Delivers dense and rich reverberation, smooth decay, and

provides a spaciousness and depth that enhances the original sound. Choose from three types

depending on your location and needs; REV-X HALL, REV-X ROOM, and REV-X PLATE.

■SP2016 Reverb

The SP2016 Reverb is an authentic recreation of the original rack processor from the Eighties. Highly

regarded for its signature reverbs, the SP2016 was used in countless hit records for nearly 40 years. The

SP2016 Reverb plug-in includes vintage and modern versions of Room, Stereo Room and Hi-Density

Plate. The plug-in naturally captures every aspect of the sound of a real physical environment - from

the complex early reflections, to the natural way in which the echo density increases with time, to the

smooth Gaussian decay of the reverb tail. The structure of the reverb can be modified by fine-tuning

the controls - including PreDelay, Decay, Position and Diffusion. The EQ section allows for simple high

and low filtering of the reverb with adjustable filter ranges. The unique Position control takes the

listener from the stage to back of the room increasing the early reflections while retaining all other

settings.

Parameter Range Description

REV TYPE HALL, ROOM, PLATE Reverb type

REV TIME 0.28–27.94 s *1

*1. These values are for when the effect type is REV-X HALL and the ROOM SIZE=28. The range will differ

depending on the effect type and ROOM SIZE setting.

Reverb time

INI. DLY 1.0–125.0 ms Initial delay before reverb begins

HI. RATIO 0.1–1.0 High-frequency reverb time ratio

LO. RATIO 0.1–1.4 Low-frequency reverb time ratio

LO.FREQ 22.0 Hz–18.0 kHz Frequency point for LO.RATIO setting

DIFF. 0–10 Reverb diffusion (left–right reverb spread)

ROOM SIZE 0–28 Size of room

DECAY 0–53 Gate closing speed

HPF THRU, 22.0 Hz–8.00 kHz High-pass filter cutoff frequency

LPF 1.00 kHz–18.0 kHz, THRU Low-pass filter cutoff frequency

Parameter Range Description

PRESET *1

*1. Refer to the SP2016 Reverb Preset section.

Switches the preset.

PROGRAM *2

*2. Vintage Stereo Room (STEREO ROOM V) / Vintage Room (ROOM V) / Vintage Plate (HI DENS PLATE V) /

Modern Stereo Room (STEREO ROOM M) / Modern Room (ROOM M) / Modern Plate (HI DENS PLATE M)

Switches between programs (algorithms).

INPUT –inf to +10 dB Adjusts the input level.

OUTPUT –inf to +10 dB Adjusts the output level.

MIX 0 to 100 % Mix balance between dry and wet signals

PREDELAY 1 to 999 ms Pre-delay amount

DECAY 200 ms to 100 s Reverb time*3

*3. Use caution when LOW GAIN is set to boost (+), as lengthening the DECAY may cause oscillation.

POSITION 0 to 100 % Front/rear listening position

DIFFUSION 0 to 100 % Diffusion percentage

LOW GAIN –8 to 4 dB Low-range EQ (shelving) gain*4

*4. Use caution with long DECAY settings, as boosting (+) the LOW GAIN may cause oscillation.

LOW FREQ 50 to 500 Hz Low-range EQ (shelving) frequency

HIGH GAIN –8 to 0 dB High-range EQ (shelving) gain

HIGH FREQ 1 to 8 kHz High-range EQ (shelving) frequency

KILL ON / OFF Shuts off the input (except when bypass is on).

BYPASS ON / OFF Turning the bypass on or off.

I/O LOCK ON / OFF If this parameter is set to ON, the input or output level will not

change when the preset is switched.*5

*5. The input or output level will not be locked during any operation (such as recalling a library), other than when

switching the preset.

MIX LOCK ON / OFF If this parameter is set to ON, the mix balance will not change

when the preset is switched.*6

*6. The mix balance will not be locked during any operation (such as recalling a library), other than when switching the

preset.

MONITOR INPUT / OUTPUT Switches the monitoring target of the meter limit indicator.

Effects Parameters

8RIVAGE PM series Data List

■SP2016 Reverb Preset

No. Parameter

1Factory Default

2Carpeted Room

3Fattening Plate

4Implicitly

5Just Enough Room

6Monday Bloody Monday

7Subtle Slapback

8Vintage Kiss

9Crazy for Congas

10 Empty Coffee Shop

11 Medium Drum Room

12 New Plate

13 Room Bloom

14 Subtle Stereo

15 Sweetly

16 80s Stereo Room

17 Antiquated

18 Behind the Hall

19 Large Room

20 Nice Stereo Room

21 Observatory

22 Sheen

23 Sizzlin' Hot Plate

24 Deceptive Room

25 Epic Plate

26 Hand Of God

27 Ice Tunnel

28 Infinity Room

29 Majestic Walls

30 UV Rays

31 Crazy for Congas

32 Ensnare

33 John Jon Drums

34 Just Enough Room

35 Live Snare

36 Make the Snare Special

37 Metal Snare Chamber

38 Perc

39 Sizzlin' Hot Plate

40 Space 808s

41 50s Plate

42 Don't Touch The Plate

43 Indoor Tennis Court

44 Lead Vocal

45 New Plate

46 Vocal Chamber

47 Vocal Linger

48 Wellspring

49 Empty Coffee Shop

50 Explicitly

51 Fattening Plate

52 Give It The Edge

53 Hardwood Floors

54 Implicitly

55 Sheen

56 Sweetly

57 Wellspring

58 Church Organ

59 Funky Delay

60 Gathering Storm

61 Grand Piano

62 Indoor Tennis Court

63 Magic Plate

64 Piano Sheen

65 Quite the Grand Piano

66 Vintage Kiss

67 80s In My Soul

68 Antiquated

69 Bright Plate

70 Epic Plate

71 Huge Synth Bass

72 Ice Tunnel

73 Infinity Room

74 Observatory

75 Rhythm Synth

76 Bright Plate

77 Collection Plate

78 Modern Stereo Pluck

79 Soften The Blow

80 Spinning Plate

81 String Chamber

82 Drum Room

83 Duality

84 Guitar Clean

85 Guitar Cleaner

86 Guitar Solo

87 InStereo

88 InStereoModern

No. Parameter

89 InStereoSize

90 Large Drums

91 Modern Movement

92 ModernVocalizer

93 Outhere

94 PlatosPlate

95 RainRoom

96 Rhythmic Movement

97 Sizzle Size

98 Small Drums

99 Small Synth Sizzle

100 Solo Stereo

101 SomeWear

102 SomeWhereOutThere

103 Space Case

104 SpaciousSymbol

105 Stereo Strings

106 Synth Room

107 Synth Sizzle

108 VintageVocalizer

109 Vocalizer

110 Horn Room

111 West Coast Ballad

112 Ambiences

113 Big Drum Space

114 Distant Plate

115 Distant Verb

116 Drum Space

117 Lost in Plate

118 Lost In Space

119 Rumble Verb

120 Shake Verb

121 Shimmer Verb

122 Float

123 GTR Solo

124 Guitar 1

125 Guitar 2

126 Mod Snare 2

127 Mod Snare

128 Studio 4 - A Room

129 Wash

130 DP (MWA) ADLIBS

131 DP BASS

132 DP BIG VOCALS

No. Parameter

133 DP PERCUSSION

134 DP REVERB

135 DP SLAPPED

136 DP SOLOS & LEADS

137 DP TITE VOCALS

138 DP TOMS & SNARES

139 DP VOCAL REVERB

140 DP_je SNARE 2

141 DP_je SNARE 3

142 DP_je VOCALS 1

143 DP_nh SNARE 1

144 DP_nh STRINGS & synths

145 DP_nh VOCALS 2

146 Alone In Space Vocal

147 Percussion Slap Back

148 Vibey Drum Room

149 2016 String Quartet

150 Fiddle Reverb

151 Lead Vocal

152 Long Orch Bass Drum Efx

153 Strings All

154 Vocal Special

155 Addicted Vocal

156 Antisocial Snare

157 Butch's Verb

158 Horn Stab It

159 Make the Snare Not Special

160 Make the Snare Special

161 Modern Acoustic Room

162 Modern Sol Beck

163 Primo Stab

164 Push it Down the Hall

165 Vintage Acoustic Room

166 Vintage Sol Beck

167 Classic Vocal Reverb

168 Gtr Room Reverb 2

169 Gtr Room Reverb

170 Gtr Solo Room

171 Short Vocal Room

172 Sn Drum Room

173 80's Kick

174 80's Snare

175 Bongos & Congas

176 Hihats

No. Parameter

177 Kick Drum Booom 1

178 Kick Drum Booom 2

179 Kick Drum Booom 3

180 Long Vocal Room

181 Short Vocal Room

182 Synth Pad

183 Bloom Plate

184 Boxed In

185 Dark Hall

186 Double Time

187 Factory Space

188 Flams

189 High Streams

190 Mid Type

191 Murker Plate

192 Odd Slapback

193 Playing off Time

194 Pulse Ping

195 See Saw

196 Shake Up

197 Silo Tank

198 Slate Plate

199 Slop Boxz

200 Snare Verb

201 Stepped Ahead

202 Stumble Verb

203 Thunder Rolls

204 Tight Tiles

205 Verb Rezzor

206 Brass Reverb

207 Chicken Wrap (Lumpy)

208 Crime Club

209 Dream Guitar

210 Honky Tonk

211 In the nineteen nineties

212 Magic Chin

213 McCarthy

214 Passports Please

215 Poachies

216 Refracted Strings

217 Ring Sting

218 The Alderman

219 Up the Asda

220 Wolf Knickers

No. Parameter

Effects Parameters

9RIVAGE PM series Data List

■VSS4HD *4

Room simulation reverb by the TC Electronic. A variety of reflection settings provide a

musicalsounding reverberation that gives you detailed control of room size and distance to the walls.

■NonLin 2 *3

Stereo reverb effect by the TC Electronic. As a gate reverb that uses an envelope filter and does not

require a trigger, this can be used in a variety of creative applications.

■Bricasti Design Y7 Stereo Reverb Processor

A reverb plug-in jointly developed by Bricasti Design and Yamaha.

Parameter Range Description

Decay (MDecay*1)

*1. Actual indication in the screen encoder access field

0.10 to 20.0 s Decay time of the reverb

Pre Delay 5 to 300 ms Delay of the reverb input

Hi Cut 20.00 Hz to 20.0 kHz Frequency of the high cut filter at the input stage of the reverb

Rev Delay 0 to 300 ms Delay of the reverb tail

Rev Size 0 to 15 Perceptual size of the reverb

Rev Width –10 to 10 Width of the reverb tail

Decrease (ER Dec*1)0–100 % Number of reflections for the early reflections

Lo Color –50 to 50 Low-frequency range of the early reflections

Hi Color –50 to 50 High-frequency range of the early reflections

Early Start 0–100 % Start point of early reflection. Removes the first part of early

reflection.

Early Stop 0–100 % End point of the early reflection. Attenuates the end of early

reflection pattern.

Location Type *2

*2. Oval Room, Cinema, Church, Castle Hall, Theater, Living Room, Parking Garage, Bathroom, Viennna Hall,

Concert Hall, Jazz Club

Type of location

Source 1/2 L30 to R 30 Position of input sources 1/2

In Level OFF, –97.0 to 0.0 dB Input level

Out Level OFF, –97.0 to 0.0 dB Output level

Mute Input OFF, ON Mutes the input

Mute Output OFF, ON Mutes the output

Lo Cut 20.00 to 200.0 Hz Low-cut frequency

Lo Damp –18.0 0.0 dB Low-cut amount

Hi Soften 50 to 50 High-frequency range of the reverb tail

Lo Decay 0.01 to 2.50 Multiple of decay for the frequency range below Lo Xover

Lo Mid Decay 0.01 to 2.50 Multiple of decay for the low-mid frequency range

Hi Mid Decay 0.01 to 2.50 Multiple of decay for the middle frequency range

Hi Decay 0.01 to 2.50 Multiple of decay for the frequency range above Hi Xover

Lo Xover 20.00 to 500.0 Hz Crossover frequency between the low and low-mid frequency

ranges of the reverb tail

Mid Xover 20.00 Hz to 2.00 kHz Crossover frequency between the low-mid and middle

frequency ranges of the reverb tail

Hi Xover 500.0 Hz to 20.0 kHz Crossover frequency between the middle and high frequency

ranges of the reverb tail

Reverb Type Colored, Normal Type of reverb effect

Reverb Diffuse –25 to 25 Diffusion for the decay time

Modulation Type *3

*3. Sync, Chaos, Counter Clockwise, Clockwise, Left/Right, Front/Rear Diffuse, Front/Rear Subtle, Front/Rear,

Default, Off

*4. Only for DSP-R10

Type of modulation

Mod. Rate –50 to 50 Rate of modulation

Mod. Depth –0 to 200 Depth of modulation

Dry Level OFF, –97.0 to 0.0 dB Level of the dry signal at the output stage

Parameter Range Description

Pre Delay 5–500 ms Delay of the envelope

Attack 0–309 ms Attack time of the envelope

Hold 10–85 ms Hold time of the envelope

Release 0–106 ms Release time of the envelope

Style *1

*1. NonLin Decayed, Explode, Gated, Rough, Air Ambience, Small Ambience, Live, Wild, Hollow, Box, Scanner,

Panner, Smooth B, Smooth A, Sustained, Mono To Stereo, NonLin Wide, NonLin B, NonLin A, NonLin Classic

Basic reverb style

Diffuse 0–100 % Diffusion (spread) for the reverb style

Type *2

*2. Woolly, Woody, Ventilation, Tunnel, Synthetic, Spaceship, Radiator, Nextdoor, Muffled, Mouth, Moony, Levitate,

Kazoo, Hot Air, Guts, Digital, Chicken, Cave, Box, Aircon

*3. Only for DSP-R10

Type of Twist that affects the reverb

Ratio 0–100 % Proportion of Twist for the reverb

Lo Cut 20.00 Hz to 2.00 kHz Frequency of the low cut filter at the input stage of the reverb

Hi Cut 800.0 Hz to 20.0 kHz Frequency of the high cut filter at the input stage of the reverb

Width 0–100 % Stereo width of the output

In Level OFF, –119.5 to 0.0 dB Input level

Out Level OFF, –119.5 to 0.0 dB Output level

Dry Level OFF, –119.5 to 0.0 dB Level of the dry signal

Wet Level OFF, –119.5 to 0.0 dB Level of the wet signal (reverb component)

Parameter Range Description

Reverb Time 0.4 to 6.0 sec Adjusts the reverb time.

Pre Delay 0 to 600 mSec Adjusts the reverb input delay.

Size Small / Medium / Large Adjusts the size of the space.

RT Damping Dark,1,2,3,4, Medium,

6,7,8,9, Bright Adjusts the high frequency attenuation of the rear reverberation.

Rolloff Dark,1,2,3,4, Medium,

6,7,8,9, Bright Adjusts the LPF of the output section.

Rich ON / OFF Turn on this button to increase the density of the reverb.

High Diffusion ON / OFF Turn on this button to increase the amount of reverb spread.

VLF (Very Low

Frequency) ON / OFF Turn on this button to increase the reverb component in the ultra-low

range.

Bandpass ON / OFF Turns on BPF in the output section.

Presence ON / OFF Turn on this button to brighten the tone.

Dry / Wet 0 to 100 % Adjusts the amount of mix between the input signal and the reverb

signal.

Lock ON / OFF Turn on this button to lock Dry / Wet control so that it cannot be

changed.

Effects Parameters

10 RIVAGE PM series Data List

■Reverb

One input, two output hall, room, stage, and plate reverb simulations, all with gates.

■Stereo Reverb

Two input, two output stereo reverb.

■Early Reflection

One input, two output early reflections.

■Gate Reverb

One input, two output early reflections with gate, and early reflections with reverse gate.

Program

Halls Large Hall, Medium Hall, Small Hall, Brass Hall, Chicago Hall,

Vienna Hall, Bright Hall

Plates Bright Plate, Dark Plate, London Plate, Vocal Plate, Fat Plate,

Crystal Plate, Shiny Plate

Rooms Studio A, Studio B, Large Wooden, Small Wooden, Large Tiled,

Medium Tiled, Light Room

Chambers Large Chamber, Medium Chamber, Small Chamber, Dark Chamber,

Bright Chamber, Old Chamber, White Chamber

Spaces North Church, East Church, South Church, West Church,

Scoring Stage, Tanglewood, Bright Arena

Parameter Range Description

REV TYPE HALL, ROOM, STAGE, PLATE Reverb type

REV TIME 0.3–99.0 s Reverb time

INI. DLY 1.0–500.0 ms Initial delay before reverb begins

HI. RATIO 0.1–1.0 High-frequency reverb time ratio

LO. RATIO 0.1–2.4 Low-frequency reverb time ratio

DIFF. 0–10 Reverb diffusion (left–right reverb spread)

DENSITY 0–100% Reverb density

E/R DLY 0.0–100.0 ms Delay between early reflections and reverb

E/R BAL. 0–100% Balance of early reflections and reverb

(0% = all reverb, 100% = all early reflections)

HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency

LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency

GATE LVL OFF, –60 to 0 dB Level at which gate kicks in

ATTACK 0–120 ms Gate opening speed

HOLD 0.02 ms–1.96 s Gate open time

DECAY 3.34 ms–42.7 s Gate closing speed

Parameter Range Description

REV TIME 0.3–99.0 s Reverb time

REV TYPE Hall, Room, Stage, Plate Reverb type

INI. DLY 1.0–100.0 ms Initial delay before reverb begins

HI. RATIO 0.1–1.0 High-frequency reverb time ratio

LO. RATIO 0.1–2.4 Low-frequency reverb time ratio

DIFF. 0–10 Reverb diffusion (left–right reverb spread)

DENSITY 0–100% Reverb density

E/R BAL. 0–100% Balance of early reflections and reverb (0% = all reverb, 100% = all early

reflections)

HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency

LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency

Parameter Range Description

TYPE S-Hall, L-Hall, Random,

Revers, Plate, Spring Type of early reflection simulation

ROOMSIZE 0.1–20.0 Reflection spacing

LIVENESS 0–10 Early reflections decay characteristics (0 = dead, 10 = live)

INI. DLY 1.0–500.0 ms Initial delay before reverb begins

DIFF. 0–10 Reflection diffusion (left–right reflection spread)

DENSITY 0–100% Reflection density

ER NUM. 1–19 Number of early reflections

FB GAIN –99 to +99% Feedback gain

HI. RATIO 0.1–1.0 High-frequency feedback ratio

HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency

LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency

Parameter Range Description

TYPE Type-A, Type-B, Type-C,

Type-D Type of early reflection simulation

ROOMSIZE 0.1–20.0 Reflection spacing

LIVENESS 0–10 Early reflections decay characteristics (0 = dead, 10 = live)

INI. DLY 1.0–500.0 ms Initial delay before reverb begins

DIFF. 0–10 Reflection diffusion (left–right reflection spread)

DENSITY 0–100% Reflection density

HI. RATIO 0.1–1.0 High-frequency feedback ratio

ER NUM. 1–19 Number of early reflections

FB GAIN –99 to +99% Feedback gain

HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency

LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency

Effects Parameters

11 RIVAGE PM series Data List

DELAY/MODULATION

■Mono Delay

One input, one output basic repeat delay.

■Stereo Delay

Two input, two output basic stereo delay.

■Modulation Delay

One input, two output basic repeat delay with modulation.

■Delay LCR

One input, two output 3-tap delay (left, center, right).

Parameter Range Description

DELAY 1.0–2730.0 ms Delay time

FB. GAIN –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for

reverse-phase feedback)

HI. RATIO 0.1–1.0 High-frequency feedback ratio

HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency

LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency

SYNC OFF, ON Tempo parameter sync on/off

NOTE *1

*1. (Max. value depends on tempo setting)

Used in conjunction with TEMPO to determine DELAY.

Parameter Range Description

DELAY L 1.0–1350.0 ms Left channel delay time

DELAY R 1.0–1350.0 ms Right channel delay time

FB. G L –99 to +99% Left channel feedback (plus values for normal-phase feedback, minus

values for reverse-phase feedback)

FB. G R –99 to +99% Right channel feedback (plus values for normal-phase feedback, minus

values for reverse-phase feedback)

HI. RATIO 0.1–1.0 High-frequency feedback ratio

HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency

LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency

SYNC OFF, ON Tempo parameter sync on/off

NOTE L *1

*1. (Maximum value depends on the tempo setting)

Used in conjunction with TEMPO to determine left channel DELAY.

NOTE R *1 Used in conjunction with TEMPO to determine right channel DELAY.

Parameter Range Description

DELAY 1.0–2725.0 ms Delay time

FB. GAIN –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for

reverse-phase feedback)

HI. RATIO 0.1–1.0 High-frequency feedback ratio

FREQ. 0.05–40.00 Hz Modulation speed

DEPTH 0–100% Modulation depth

WAVE Sine/Tri Modulation waveform

HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency

LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency

SYNC OFF, ON Tempo parameter sync on/off

DLY.NOTE *1

*1. (Maximum value depends on the tempo setting)

Used in conjunction with TEMPO to determine DELAY.

MOD.NOTE *2

*2.

Used in conjunction with TEMPO to determine FREQ.

Parameter Range Description

DELAY L 1.0–2730.0 ms Left channel delay time

DELAY C 1.0–2730.0 ms Center channel delay time

DELAY R 1.0–2730.0 ms Right channel delay time

FB. DLY 1.0–2730.0 ms Feedback delay time

LEVEL L –100 to +100% Left channel delay level

LEVEL C –100 to +100% Center channel delay level

LEVEL R –100 to +100% Right channel delay level

FB. GAIN –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for

reverse-phase feedback)

HI. RATIO 0.1–1.0 High-frequency feedback ratio

HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency

LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency

SYNC OFF, ON Tempo parameter sync on/off

NOTE L *1

*1. (Maximum value depends on the tempo setting)

Used in conjunction with TEMPO to determine DELAY L.

NOTE C *1 Used in conjunction with TEMPO to determine DELAY C.

NOTE R *1 Used in conjunction with TEMPO to determine DELAY R.

NOTE FB *1 Used in conjunction with TEMPO to determine FB. DLY.

Effects Parameters

12 RIVAGE PM series Data List

■Echo

Two input, two output stereo delay with crossed feedback loop.

■Analog Delay

This delay effect is based on the Yamaha E1010 analog delay.

■Chorus

Two input, two output chorus effect.

■Flanger

Two input, two output flanger effect.

■Symphonic

Two input, two output symphonic effect.

Parameter Range Description

DELAY L 1.0–1350.0 ms Left channel delay time

DELAY R 1.0–1350.0 ms Right channel delay time

FB.DLY L 1.0–1350.0 ms Left channel feedback delay time

FB.DLY R 1.0–1350.0 ms Right channel feedback delay time

FB. G L –99 to +99% Left channel feedback gain (plus values for normal-phase feedback, minus

values for reverse-phase feedback)

FB. G R –99 to +99% Right channel feedback gain (plus values for normal-phase feedback,

minus values for reverse-phase feedback)

L→R FBG –99 to +99% Left to right channel feedback gain (plus values for normal-phase feedback,

minus values for reverse-phase feedback)

R→L FBG –99 to +99% Right to left channel feedback gain (plus values for normal-phase feedback,

minus values for reverse-phase feedback)

HI. RATIO 0.1–1.0 High-frequency feedback ratio

HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency

LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency

SYNC OFF, ON Tempo parameter sync on/off

NOTE L *1

*1. (Maximum value depends on the tempo setting)

Used in conjunction with TEMPO to determine DELAY L.

NOTE R *1 Used in conjunction with TEMPO to determine DELAY R.

NOTE FBL *1 Used in conjunction with TEMPO to determine FB. D L.

NOTE FBR *1 Used in conjunction with TEMPO to determine FB. D R.

Parameter Range Description

BBD TYPE A, B, C, D, E Adjusts the characteristics of the delay sound. The characteristics

become stronger in the order of switch A to E.

TIME RANGE 1-200, 201-600, 601-1000 Specifies the delay time range controlled via the DELAY knob.

INPUT 0.00 to 10.00 Adjusts the input gain.

BASS –15.00 to 15.00 Adjusts the signal’s low frequency range level at the input.

TREBLE –15.00 to 15.00 Adjusts the signal’s high frequency range level at the input.

DELAY

1 to 200 ms,

201 to 600 ms,

601 to 1000 ms

Adjusts the delay time.

FEEDBACK 0.00 to 10.00 Adjusts the feedback amount of the delay signal.

FREQUENCY 0.00 to 20.0 Hz Adjusts the frequency of modulation.

DEPTH 0.00 to 10.00 Adjusts the depth of modulation.

MIX 0.00 to 10.00 Adjusts the mix balance between dry and delay sounds.

Parameter Range Description

FREQ. 0.05–40.00 Hz Modulation speed

AM DEPTH 0–100% Amplitude modulation depth

PM DEPTH 0–100% Pitch modulation depth

MOD. DLY 0.0–500.0 ms Modulation delay time

WAVE Sine, Tri Modulation waveform

SYNC OFF, ON Tempo parameter sync on/off

NOTE *1

*1.

Used in conjunction with TEMPO to determine FREQ.

Parameter Range Description

FREQ. 0.05–40.00 Hz Modulation speed

DEPTH 0–100% Modulation depth

MOD. DLY 0.0–500.0 ms Modulation delay time

FB. GAIN –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for

reverse-phase feedback)

WAVE Sine, Tri Modulation waveform

SYNC OFF, ON Tempo parameter sync on/off

NOTE *1

*1.

Used in conjunction with TEMPO to determine FREQ.

Parameter Range Description

FREQ. 0.05–40.00 Hz Modulation speed

DEPTH 0–100% Modulation depth

MOD. DLY 0.8–500.0 ms Modulation delay time

WAVE Sine, Tri Modulation waveform

SYNC OFF, ON Tempo parameter sync on/off

NOTE *1

*1.

Used in conjunction with TEMPO to determine FREQ.

Effects Parameters

13 RIVAGE PM series Data List

■Dynamic Flanger

Two input, two output dynamically controlled flanger.

■Dynamic Phaser

Two input, two output dynamically controlled phaser.

■Phaser

Two input, two output 16-stage phaser.

■Max100

Complete reproduction of a vintage effect that was manufactured only during the late 1970s.

■Dual Phaser

Complete reproduction of a vintage effect that was manufactured during the middle of the 1970s.

■Vintage Phaser

Phaser that provides a high degree of soundshaping flexibility, and is not intended as a reproduction of

any specific model.

Parameter Range Description

SENSE 0–100 Sensitivity

DIR. UP, DOWN Upward or downward frequency change

DECAY 3.34 ms–42.7 s Decay speed

OFFSET 0–100 Delay time offset

FB.GAIN –99 to +99% Feedback gain

Parameter Range Description

SENSE 0–100 Sensitivity

DIR. UP, DOWN Upward or downward frequency change

DECAY 3.34 ms–42.7 s Decay speed

OFFSET 0–100 Lowest phase-shifted frequency offset

FB.GAIN –99 to +99% Feedback gain

STAGE 2, 4, 6, 8, 10, 12, 14, 16 Number of phase shift stages

Parameter Range Description

FREQ. 0.05–40.00 Hz Modulation speed

DEPTH 0–100% Modulation depth

FB. GAIN –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for

reverse-phase feedback)

OFFSET 0–100 Lowest phase-shifted frequency offset

PHASE 0.00–354.38 degrees Left and right modulation phase balance

STAGE 2, 4, 6, 8, 10, 12, 14, 16 Number of phase shift stages

SYNC OFF, ON Tempo parameter sync on/off

NOTE *1

*1.

Used in conjunction with TEMPO to determine FREQ.

Parameter Range Description

MODE 1 to 4 Switches the tonal character

SPEED SYNC ON, 0.100 to 10.00 Hz Modulation speed

FOOT OFF, ON Effect on/off

Parameter Range Description

LFO 1 RATE SYNC ON, 0.067 to 20.00 Hz LFO 1 speed

LFO 1 SHAPE SINE, SQUARE LFO 1 waveform

LFO 2 RATE SYNC ON, 0.111 to 20.00 Hz LFO 2 speed

LFO 2 SHAPE SINE, SQUARE LFO 2 waveform

PHASER A DEPTH

(A DEPTH*1)

*1. Actual indication in the screen encoder access field

1.00 to 10.00 Modulation depth of Phaser A

PHASER A FEEDBACK

(A FB.*1)1.00 to 10.00 Feedback amount of Phaser A

PHASER A ON/OFF OFF, ON Phaser A on/off

PHASER B DEPTH

(B DEPTH*1)1.00 to 10.00 Modulation depth of Phaser B

PHASER B FEEDBACK

(B FB.*1)1.00 to 10.00 Feedback amount of Phaser B

SWEEP LFO LFO1, LFO2 Phaser B LFO

PHASER B SWEEP TYPE NORM/REV LFO phase of Phaser B

PHASER B ON/OFF OFF, ON Phaser B on/off

MODE 1 to 4 Rearranges the two phasers

Parameter Range Description

SPEED SYNC ON, 0.100Hz to10.00 Hz Modulation speed

MANUAL 0.00 to 10.00 Center frequency of modulation

DEPTH 0.00 to 10.00 Depth of modulation

FEEDBACK 0.00 to 10.00 Feedback amount

COLOR 0.00 to 10.00 Makes fine adjustments to the tone.

MODE 1, 2 Type of circuit structure that is modeled

STAGE 4, 6, 8, 10, 12, 16 Extent of the circuit that is modeled

FOOT OFF, ON Effect on/off

Effects Parameters

14 RIVAGE PM series Data List

■High Quality Pitch

One input, two output high-quality pitch shifter.

■Dual Pitch

Two input, two output pitch shifter.

■H3000 Live

This is a newly-developed harmonizer that offers the same performance as the Eventide H3000 Ultra-

Harmonizer optimized for live-sound applications.

■Tremolo

Two input, two output tremolo effect.

■Auto Pan

Two input, two output autopanner.

Parameter Range Description

PITCH –12 to +12 semitones Pitch shift

FINE –50 to +50 cents Pitch shift fine

DELAY 1.0–1000.0 ms Delay time

FB. GAIN –99 to +99% Feedback gain

MODE 1–10 Pitch shift precision

SYNC OFF, ON Tempo parameter sync on/off

NOTE *1

*1. (Maximum value depends on the tempo setting)

Used in conjunction with TEMPO to determine DELAY.

Parameter Range Description

PITCH 1 –24 to +24 semitones Channel #1 pitch shift

FINE 1 –50 to +50 cents Channel #1 pitch shift fine

LEVEL 1 –100 to +100% Channel #1 level

PAN 1 L63 to R63 Channel #1 pan

DELAY 1 1.0–1000.0 ms Channel #1 delay time

FB. G 1 –99 to +99% Channel #1 feedback gain

MODE 1–10 Pitch shift precision

PITCH 2 –24 to +24 semitones Channel #2 pitch shift

FINE 2 –50 to +50 cents Channel #2 pitch shift fine

LEVEL 2 –100 to +100% Channel #2 level

PAN 2 L63 to R63 Channel #2 pan

DELAY 2 1.0–1000.0 ms Channel #2 delay time

FB. G 2 –99 to +99% Channel #2 feedback gain

SYNC OFF, ON Tempo parameter sync on/off

NOTE 1 *1

*1. (Maximum value depends on the tempo setting)

Used in conjunction with TEMPO to determine Channel #1 delay.

NOTE 2 *1 Used in conjunction with TEMPO to determine Channel #2 delay.

Parameter Range Description

PROGRAM SELECT *1

*1. [101] Layered Shift, [116] Multi Shift, [508] Dual H910 Micro, [514] Just Stereo, [515] Magic Air, [518] Micro +

Reverb, [519] Micro Pitch Shift, [520] Micro-Reverb, [521] Micro Pitch Slap, [528] Real Chorus, [533] Voice

Doubler, [731] Mondo Chorus, [763] Moving Vocal Spread, [988] Real Chorus 2, [Y102] Slap Back, [Y613] Big

Guitar, [000] Clean

Switches the preset. If you switch the preset, the internal algorithm and

parameters will change accordingly.

MIX 0–100 % Mix balance between dry and wet signals

MODULAT ION 0–100 % Amount of modulation

LEFT SHIFT –1200 to +1200 c Pitch shift amount for L CH

LEFT DELAY 0 to 1400 ms Delay time for L CH

LEFT FEEDBACK 0 to 100 % Feedback amount for L CH

RIGHT SHIFT –1200 to +1200 c Pitch shift amount for R CH

RIGHT DELAY 0 to 1400 ms Delay time for R CH

RIGHT FEEDBACK 0 to 100 % Feedback amount for R CH

Parameter Range Description

FREQ. 0.05–40.00 Hz Modulation speed

DEPTH 0–100% Modulation depth

WAVE Sine, Tri, Square Modulation waveform

SYNC OFF, ON Tempo parameter sync on/off

NOTE *1

*1.

Used in conjunction with TEMPO to determine FREQ.

Parameter Range Description

FREQ. 0.05–40.00 Hz Modulation speed

DEPTH 0–100% Modulation depth

DIR. *1

*1. L↔R, L→R, L←R, Turn L, Turn R

Panning direction

WAVE Sine, Tri, Square Modulation waveform

SYNC OFF, ON Tempo parameter sync on/off

NOTE *2

*2.

Used in conjunction with TEMPO to determine FREQ.

Effects Parameters

15 RIVAGE PM series Data List

■Rotary

One input, two output rotary speaker simulator.

■Ring Modulation

Two input, two output ring modulator.

■Modulation Filter

Two input, two output modulation filter.

■Dynamic Filter

Two input, two output dynamically controlled filter.

EQUALIZER

■Rupert EQ 773

Models a console EQ module that Rupert Neve designed in the 1970s.

Parameter Range Description

ROTATE STOP, START Rotation stop, start

SPEED SLOW, FAST Rotation speed (see SLOW and FAST parameters)

SLOW 0.05–10.00 Hz SLOW rotation speed

FAST 0.05–10.00 Hz FAST rotation speed

DRIVE 0–100 Overdrive level

ACCEL 0–10 Acceleration at speed changes

LOW 0–100 Low-frequency filter

HIGH 0–100 High-frequency filter

Parameter Range Description

SOURCE OSC, SELF Modulation source: oscillator or input signal

OSC FREQ 0.0–5000.0 Hz Oscillator frequency

FM FREQ. 0.05–40.00 Hz Oscillator frequency modulation speed

FM DEPTH 0–100% Oscillator frequency modulation depth

SYNC OFF, ON Tempo parameter sync on/off

FM NOTE *1

*1.

Used in conjunction with TEMPO to determine FM FREQ.

Parameter Range Description

FREQ. 0.05–40.00 Hz Modulation speed

DEPTH 0–100% Modulation depth

PHASE 0.00–354.38 degrees Left-channel modulation and right-channel modulation phase difference

TYPE LPF, HPF, BPF Filter type: low pass, high pass, band pass

OFFSET 0–100 Filter frequency offset

RESO. 0–20 Filter resonance

LEVEL 0–100 Output level

SYNC OFF, ON Tempo parameter sync on/off

NOTE *1

*1.

Used in conjunction with TEMPO to determine FREQ.

Parameter Range Description

SENSE 0–100 Sensitivity

DIR. UP, DOWN Upward or downward frequency change

DECAY 3.34 ms–42.7 s Filter frequency change decay speed

TYPE LP F, HP F, BP F Fil t er t yp e

OFFSET 0–100 Filter frequency offset

RESO. 0–20 Filter resonance

LEVEL 0–100 Output Level

Parameter Range Description

LC FREQ OFF, 50, 80, 100, 300 Hz Frequency of the low cut filter

LF GAIN –16.0 to 16.0 dB Gain of the low shelving filter

LF FREQ OFF, 35, 60, 110, 220 Hz Frequency of the low shelving filter

MF GAIN –18.0 to 18.0 dB Peaking gain

MF FREQ OFF, 360, 700 Hz, 1.6, 3.2, 4.8, 7.2 kHz Peaking frequency

HF GAIN –18.0 to 18.0 dB Gain of the high shelving filter

DRIVE 0.0 to 10.0 Amount of head amp overtones

EQL OFF, ON Equalizer on/off

Effects Parameters

16 RIVAGE PM series Data List

■Rupert EQ 810

Models a console EQ module that Rupert Neve designed in the 1980s.

■Portico 5033

This models an analog 5-band EQ made by Rupert Neve Designs.

■EQ-1A

This processor emulates a vintage EQ that’s considered a classic example of a passive EQ.

Parameter Range Description

LF IN OFF, ON LF band (low shelving) on/off

LF FREQ 33, 56, 95, 160, 270 Hz Cutoff frequency of the LF band (low shelving)

LF GAIN –16.0 to 16.0 dB Gain of the LF band (low shelving)

LMF IN OFF, ON LMF band (peaking) on/off

LMF x3 OFF, ON Triples the center frequency value of the LMF band

(peaking).

LMF FREQ 40.0 to 400 Hz*1

*1. When it is On, 120 Hz to 1.20 kHz

Center frequency of the LMF band (peaking)

LMF GAIN –16.0 to 16.0 dB Gain of the LMF band (peaking)

LMF Q 0.90 t0 3.00 Q (steepness) of the LMF band (peaking)

HF IN OFF, ON HF band (high shelving) on/off

HF FREQ 3.3, 4.7, 6.8, 10, 15 kHz Cutoff frequency of the HF band (high shelving)

HF GAIN –16.0 to 16.0 dB Gain of the HF band (high shelving)

HMF IN OFF, ON HMF band (peaking) on/off

HMF x3 OFF, ON Triples the center frequency value of the HMF band

(peaking).

HMF FREQ 600 Hz to 6.00 kHz*2

*2. When it is On, 1.80kHz to 18.0 kHz

Center frequency of the HMF band (peaking)

HMF GAIN –16.0 to 16.0 dB Gain of the HMF band (peaking)

HMF Q 0.90 to 3.00 Q (steepness) of the HMF band (peaking)

TRANS. MIC, LINE Type of input transformer that is emulated

DRIVE –20.0 to 20.0 Adjusts the input level to adjust the amount of

overtones.

LPF FREQ OFF, 36, 60, 105, 185, 330 Hz Cutoff frequency of the low pass filter

HPF FREQ OFF, 16, 12, 8.2, 5.6, 3.9 kHz Cutoff frequency of the high pass filter

ALL EQ OFF, ON Turns the LF/LMF/HMF/HF bands on/off together.

Parameter Range Description

ALL BYPASS OFF, ON Turns bypass on/off for the EQ. Even in the bypassed state, the signal will

pass through the input/output transformers and the amp circuit.

TRIM –12.0 to 12.0 dB Input gain

LF FREQ 30.00 to 300.0 Hz Center frequency of the LF band

LF GAIN –12.0 to 12.0 dB Gain of the LF band

LMF IN OFF, ON Switches the LMF band on/off.

LMF Q 0.70 to 5.00 Q of the LMF band

LMF FREQ 50.00 to 400.0 Hz Center frequency of the LMF band

LMF GAIN –12.0 to 12.0 dB Gain of the LMF band

MF IN OFF, ON Switches the MF band on/off.

MF Q 0.70 to 5.00 Q of the MF band

MF FREQ 330.0 to 2500 Hz Center frequency of the MF band

MF GAIN –12.0 to 12.0 dB Gain of the MF band

HMF IN OFF, ON Switches the HMF band on/off.

HMF Q 0.70 to 5.00 Q of the HMF band

HMF FREQ 1.80k to 16.0k Hz Center frequency of the HMF band

HMF GAIN –12.0 to 12.0 dB Gain of the HMF band

LF/HF IN OFF, ON Switches the LF/HF bands on/off.

HF FREQ 2.50k to 25.0k Hz Center frequency of the HF band

HF GAIN –12.0 to 12.0 dB Gain of the HF band

Parameter Range Description

LOW FREQUENCY

(LO FREQ*1)

*1. Actual indication in the screen encoder access field

20, 30, 60, 100 Hz Frequency range of the low range filter

(LOW) BOOST

(LO BOOST*1)0.0 to 10.0 Boost amount of the low range filter

(LOW) ATTEN

(LO ATT*1)0.0 to 10.0 Attenuation amount of the low range filter

HIGH FREQUENCY

(HI FREQ*1)3k, 4k, 5k, 8k, 10k, 12k, 16k Hz Frequency range of the high range filter

(HIGH) BOOST

(HI BOOST*1)0.0 to 10.0 Boost amount of the high range filter

(HIGH) BAND WIDTH

(BAND WID*1)0.0 to 10.0 Band width of the high range filter

(HIGH) ATTEN SEL

(HI ATT F*1)5k, 10k, 20k Hz Frequency range attenuated by the high range filter

(HIGH) ATTEN

(HI ATT*1)0.0 to 10.0 Attenuation amount of the high range filter

IN OFF, ON

Turns the processor on/off. If this is off, the filter section

will be bypassed, but the signal will pass through the

input/output transformers and the amp circuit.

Parameter Range Description

Effects Parameters

17 RIVAGE PM series Data List

■Equalizer601

This effect emulates the characteristics of 70’s analog equalizers. Re-creating the distortion of typical

analog circuits will add drive to the sound.

■Dynamic EQ

This is a newly developed equalizer that dynamically changes the EQ gain in response to the input

signal, controlling the amount of EQ cut or boost in a way similar to a compressor or expander.

■Dynamic EQ4

Dynamic EQ4 is a two-band dynamic equalizer that has been expanded to feature four bands.

Parameter Range Description

LO TYPE HPF-2/1, LSH-1/2 Type of EQ1

LO F 16.0 Hz to 20.0 kHz Cut-off frequency of EQ1

LO G –18.0 to +18.0 dB Gain of EQ1

MID1 Q 0.50–16.0 Q of EQ2

MID1 F 16.0 Hz to 20.0 kHz Center frequency of EQ2

MID1 G –18.0 to +18.0 dB Gain of EQ2

MID2 Q 0.50–16.0 Q of EQ3

MID2 F 16.0 Hz to 20.0 kHz Center frequency of EQ3

MID2 G –18.0 to +18.0 dB Gain of EQ3

INPUT –18.0 to +18.0 dB Input gain

OUTPUT –18.0 to +18.0 dB Output gain

MID3 Q 0.50–16.0 Q of EQ4

MID3 F 16.0 Hz to 20.0 kHz Center frequency of EQ4

MID3 G –18.0 to +18.0 dB Gain of EQ4

MID4 Q 0.50–16.0 Q of EQ5

MID4 F 16.0 Hz to 20.0 kHz Center frequency of EQ5

MID4 G –18.0 to +18.0 dB Gain of EQ5

HI TYPE LPF-2/1, HSH-1/2 Type of EQ6

HI F 16.0 Hz to 20.0 kHz *1

*1. 16.0 Hz to 20.0 kHz (LPF-1, LPF-2), 1.0 kHz to 20.0 kHz (HSH-1, HSH-2)

Cut-off frequency of EQ6

HI G –18.0 to +18.0 dB Gain of EQ6

LO SW OFF, ON Switches EQ1 on/off

MID1 SW OFF, ON Switches EQ2 on/off

MID2 SW OFF, ON Switches EQ3 on/off

MID3 SW OFF, ON Switches EQ4 on/off

MID4 SW OFF, ON Switches EQ5 on/off

HI SW OFF, ON Switches EQ6 on/off

TYPE CLEAN, DRIVE

Selects the equalizer type. The CLEAN equalizer provides non-distorted,

clear, typical digital sound, emulating variations in frequency response in

the analog circuits. The DRIVE equalizer provides distorted, driven sound

that enhances analog flavor, emulating changes in frequency response in

the analog circuits.

Parameter Range Description

BAND ON/OFF OFF, ON Turns the corresponding band on/off.

SIDECHAIN CUE OFF, ON If this is on, the sidechain signal that controls the dynamics

will be sent to the CUE bus for monitoring.

SIDECHAIN LISTEN OFF, ON

If this is on, the sidechain signal that is linked to the dynamics

will be output to the bus (such as the STEREO bus or a MIX/

MATRIX bus) to which the inserted channel is being sent.

FILTER TYPE Low Shelf, Bell, Hi Shelf Switches the type of equalizer and sidechain filter.

FREQUENCY

(FREQ 1, FREQ 2*1)

*1. Actual indication in the screen encoder access field

20.0 to 20.0k Hz Frequency controlled by the equalizer and sidechain filter

(Q 1, Q 2*1)15.0 to 0.50 Q of the equalizer and sidechain filter

THRESHOLD

(THRESH 1, THRESH 2*1)–80.0 to 10.0 dB Threshold value at which processing begins to apply

RATIO

(RATIO 1, RATIO2*1)∞ : 1 to 1 : 1.50 Sets the boost/cut ratio relative to the input signal.

MODE BELOW, ABOVE

Specifies whether the processor will operate when the

sidechain signal exceeds the threshold setting (ABOVE) or

when it falls below the threshold setting (BELOW).

ATTACK/RELEASE FAST, SLOW, AUTO Attack time/release time for when compression or boost is

applied

Parameter Range Description

BAND ON/OFF OFF, ON Switches the corresponding band on or off.

KEY IN SOURCE INT, EXT Select main (INT) or external (EXT) as the source for the KEY IN

signal used for the corresponding band.

KEY IN CUE OFF, ON If this button is on, the sidechain signal is sent to the CUE bus

for monitoring.

SHELF ON/OFF OFF, ON Switch the type of the equalizer and sidechain filter.

FREQUENCY 20.0 to 20.0 kHz Frequency that is controlled by the equalizer and the sidechain

filter

Q15.0 to 0.50 Q of the equalizer and the sidechain filter

THRESHOLD –80.0 to 10.0 dB Threshold value at which the processing effect begins to apply

RATIO ∞ : 1 to 1 : 1.50 Ratio of boost/cut for the input signal.

MODE BELOW, ABOVE

Specifies whether processing operates when the sidechain

signal exceeds the threshold value (ABOVE) or when it falls

below the value (BELOW).

ATTACK/RELEASE FAST, SLOW, AUTO Attack time and release time at which compression or boost is

applied

Effects Parameters

18 RIVAGE PM series Data List

DYNAMICS

■Rupert Comp 754

Models a console compressor/limiter module that Rupert Neve designed in the 1970s.

■Rupert Comp 830

Models a console compressor/limiter module that Rupert Neve designed in the 1980s.

■Portico 5043

This models an analog compressor/limiter made by Rupert Neve Designs.

Parameter Range Description

RESPONSE NORM, FAST Meter response speed

INPUT ADJUST

(IN ADJUST*1)

*1. Actual indication in the screen encoder access field

–6 to 12 dB Input gain

BLEND 0–100 % Dry/wet balance of the compressor/limiter

SELECT IN, OUT Signal source of the meter

COMPRESS IN OFF, ON Compressor on/off

COMPRESS THRESHOLD

(C THRSH*1)–20.0 to15.0 dBm Threshold of the compressor

COMPRESS RECOVERY

(C RECOV*1)400, 800 ms, 1.5 s, AUTO Release time of the compressor

COMPRESS RATIO

(C RATIO*1)1.5:1, 2:1, 3:1, 4:1, 6:1 Ratio of the compressor

COMPRESS GAIN

(C GAIN*1)0.0 to 20.0 dB Makeup gain of the compressor

LIMIT IN OFF, ON Limiter on/off

LIMIT THRESHOLD

(L THRSH*1)4.0 to 12.0 dBm Threshold of the limiter

LIMIT RECOVERY

(L RECOV*1)100, 200, 800, AUTO Release time of the limiter

LIMIT ATTACK FAST, SLOW Attack time of the limiter

Parameter Range Description

HPF ON OFF, ON Sidechain’s high pass filter on/off

HPF FREQ

(HP FREQ*1)

*1. Actual indication in the screen encoder access field

20.0 to 400 Hz Cutoff frequency of the sidechain’s high pass filter

LPF ON OFF, ON Sidechain’s low pass filter on/off

LPF FREQ

(LP FREQ*1)1.00 to 20.0 kHz Cutoff frequency of the sidechain’s low pass filter

MF ON OFF, ON Sidechain’s MF band (peaking) on/off

MF FREQ x10 OFF, ON Sidechain’s MF band (peaking) center frequency to 10 times

its value

MF FREQ 60 to 600 Hz*2

*2. When it is On, 600 Hz to 6.00 kHz

Sidechain’s MF band (peaking) center frequency

MF GAIN –16.0 to 16.0 dB Gain of the sidechain’s MF band (peaking)

COMP IN OFF, ON Compressor on/off

THRESHOLD

(THRESH*1)–52 to 0dB Threshold of the compressor

RATIO 1.5:1, 2:1, 3:1, 5:1, 10:1, INF:1 Ratio of the compressor

ATTACK 0.20 to 73.0 ms Attack time of the compressor

RELEASE 100 m to 2.00 s Release time of the compressor

AUTO RELEASE OFF, ON Compressor’s auto release on/off

GAIN 0.0 to 20.0 dB Gain of the compressor

Parameter Range Description

IN OFF, ON

Turns bypass on/off for the compressor. When bypassed, the button will

be unlit. However even in the bypassed state, the signal will pass through

the input/output transformers and the amp circuit.

FB OFF, ON Switches between feed-forward type and feed-back type.

THRESHOLD –50.0 to 0.0 dB Threshold level

RATIO 1.10 : 1 to 28.9 : 1, LIMIT Compression ratio

ATTACK 20 to 75 ms Attack time

RELEASE 100 ms to 2.50 sec Release time

GAIN –6.0 to 20.0 dB Output level

Effects Parameters

19 RIVAGE PM series Data List

■Portico 5045

Models the Primary Source Enhancer made by Rupert Neve Designs.

■U76

This models a well-known vintage compressor/limiter used in a wide range of situations.

■Opt-2A

This processor emulates a well-known vintage model of vacuum tube opto compressor.

■Comp276

This compressor emulates the characteristics of an FET gain reduction commonly used in recording

studios. It will produce a thick, strong frame sound suitable for drums and bass.

■Comp276S

This compressor emulates the characteristics of an FET gain reduction commonly used in recording

studios. It produces a thick, strong frame sound suitable for drums and bass. You can link and control

the L and R channel parameters.

Parameter Range Description

PROCESS ENGAGE OFF, ON

Turns the enhancement circuit on/off. Even when this is off, the

signal passes through the audio transformer and discrete amp

circuit.

RMS/Peak RMS, Peak Operation mode of the level detector.

TIME CONSTANT A, B, C, D, E, F Attack and release time.

THRESHOLD –42.0 to –12.0 dB Threshold level.

DEPTH 0.0 to –20.0 dB Amount of attenuation for signals below the threshold level.

Parameter Range Description

INPUT –96.0 to 0.0 dB Input level

OUTPUT –96.0 to 0.0 dB Output level

ATTACK 5.50 to 0.10 ms Attack time of the compressor. Turning this all the way to the right produces

the fastest attack.

RELEASE 1100.0 to 56.4 ms Release time of the compressor. Turning this all the way to the right produces

the fastest release.

RATIO ALL, 4, 8, 12, 20 Switches the compression ratio. Pressing ALL produces the strongest effect.

METER OFF, +4, +8, GR Switches the meter display.

Parameter Range Description

GAIN –56.0 dB to 40.0 dB Output level

PEAK REDUCTION

(REDUC*1)

*1. Actual indication in the screen encoder access field

–48.0 dB to 48.0 dB Amount of gain reduction

RATIO 2.00 to 10.00 Compression ratio

METER SELECT OUTPUT+10, GAIN REDUCTION,

OUTPUT+4 Switches the meter display.

Parameter Range Description

INPUT 1 –180 to 0 dB Adjusts the CH1 input level.

OUTPUT 1 –180 to 0 dB Adjusts the CH1 output gain.

RATIO 1 2:1, 4:1, 8:1, 12:1, 20:1 Ratio for CH1 compressor

ATTACK 1 0.022–50.4 ms Attack time for CH1 compressor

RELEASE1 10.88–544.22 ms Release time for CH1 compressor

MAKE UP1 OFF, ON Automatically corrects output gain reduction when CH1 compressor is

applied.

SIDEHPF1 OFF, ON

When the HPF in the side chain of the CH1 compressor is turned on, the

compression applied to the low range will be weakened, thus emphasizing

the low range.

Parameter Range Description

INPUT –180 to 0 dB Adjusts the input level.

OUTPUT –180 to 0 dB Adjusts the output gain.

RATIO 2:1, 4:1, 8:1, 12:1, 20:1 Ratio of the compressor

ATTACK 0.022–50.4 ms Attack time of the compressor

RELEASE 10.88–544.22 ms Release time of the compressor

MAKE UP OFF, ON Automatically corrects output gain reduction when the compressor is

applied.

SIDE HPF OFF, ON

When the HPF in the side chain of the compressor is turned on, the

compression applied to the low range will be weakened, thus emphasizing

the low range.

Effects Parameters

20 RIVAGE PM series Data List

■Buss Comp369

This compressor emulates a standard bus compressor that has been used in recording studios and

broadcasting stations.

■MBC4

This four-band compressor offers intuitive operability.

Parameter Range Description

INPUT ADJUST –15.0 to +15.0 dB

Adjusts the input gain. However, the output gain changes

inversely in tandem with the level of this parameter so that the

volume remains the same as the pass-through volume. For

example if INPUT ADJUST is +5 dB, the input gain is +5 dB and

the output gain is –5 dB.

LINK ON, OFF Turns the stereo link on/off (only for stereo).

METER IN, GR, OUT Selects the signal source of the meter (only for stereo).

VU IN, OUT Selects the signal source for the VU meter (only for dual).

COMP IN ON, OFF Turns the compressor on/off.

COMP RATIO 1.5:1, 2:1, 3:1, 4:1, 6:1 Compressor ratio

COMP GAIN 0.0 to +20.0 dB Makeup gain of the compressor

COMP RECOVERY 100 ms, 400 ms, 800 ms,

1500 ms, a1, a2

Release time of the compressor. For a1 (auto 1) and a2 (auto 2),

the release time changes automatically.

a1: automatically changes in the range of 100 ms to 2sec.

a2: automatically changes in the range of 50 ms to 5 sec.

COMP THRESHOLD –40 to –5 dBFS Threshold of the compressor

LIMIT IN ON, OFF Turns the limiter on/off.

LIMIT ATTACK FAST, SLOW Attack time of the limiter

FAST: 2 ms, SLOW: 4 ms

LIMIT RECOVERY 50 ms, 100 ms, 200 ms,

800 ms, a1, a2

Release time of the limiter. For a1 (auto 1) and a2 (auto 2), the

release time changes automatically.

a1: automatically changes in the range of 100 ms to 2sec.

a2: automatically changes in the range of 50 ms to 5 sec.

LIMIT THRESHOLD –16 to –5 dBFS Threshold of the limiter

Parameter Range Description

LOW CROSSOVER 20 to 500 Hz Crossover frequency between the low and low-mid

frequency ranges

MID CROSSOVER 80 to 10 kHz Crossover frequency between the low-mid and high-mid

frequency ranges

HIGH CROSSOVER 1k to 15 kHz Crossover frequency between the high-mid and high

frequency ranges

LOW GAIN –18.0 dB to 12.0 dB Output gain of the low frequency range

LOW THRESHOLD –80.0 dB to 0.0 dB Threshold of the low frequency range

LOW RATIO 1.0:1 to 20.0:1 Compression ratio of the low frequency range

LOW ATTACK 0.1 to 120 ms Attack time of the low frequency range

LOW RELEASE 5 to 1000 ms Release time of the low frequency range

LOW COMP IN ON, OFF Turns the low-range compressor on/off.

LOW CUE ON ON, OFF Turn on this parameter to cue-monitor the output of the

low frequency range.

LOW MID GAIN –18.0 dB to 12.0 dB Output gain of the low-mid frequency range

LOW MID THRESHOLD –80.0 dB to 0.0 dB Threshold of the low-mid frequency range

LOW MID RATIO 1.0:1 to 20.0:1 Compression ratio of the low-mid frequency range

LOW MID ATTACK 0.1 to 120 ms Attack time of the low-mid frequency range

LOW MID RELEASE 5 to 1000 ms Release time of the low-mid frequency range

LOW MID COMP IN ON, OFF Turns the low-mid range compressor on/off.

LOW MID CUE ON ON, OFF Turn on this parameter to cue-monitor the output of the

low-mid frequency range.

HIGH MID GAIN –18.0 dB to 12.0 dB Output gain of the high-mid frequency range

HIGH MID THRESHOLD –80.0 dB to 0.0 dB Threshold of the high-mid frequency range

HIGH MID RATIO 1.0:1 to 20.0:1 Compression ratio of the high-mid frequency range

HIGH MID ATTACK 0.1 to 120 ms Attack time of the high-mid frequency range

HIGH MID RELEASE 5 to 1000 ms Release time of the high-mid frequency range

HIGH MID COMP IN ON, OFF Turns the high-mid range compressor on/off.

HIGH MID CUE ON ON, OFF Turn on this parameter to cue-monitor the output of the

high-mid frequency range.

HIGH GAIN –18.0 dB to 12.0 dB Output gain of the high frequency range

HIGH THRESHOLD –80.0 dB to 0.0 dB Threshold of the high frequency range

HIGH RATIO 1.0:1 to 20.0:1 Compression ratio of the high frequency range

HIGH ATTACK 0.1 to 120 ms Attack time of the high frequency range

HIGH RELEASE 5 to 1000 ms Release time of the high frequency range

HIGH COMP IN ON, OFF Turns the high range compressor on/off.

HIGH CUE ON ON, OFF Turn on this parameter to cue-monitor the output of the

high frequency range.

MASTER GAIN –18.0 dB to 12.0 dB Adjusts the gain of the final output signal.

KNEE HARD, 1, 2, 3, SOFT Adjusts the knee of the compressor.

FLAVOUR VCA, OPTO Switches the type of the compressor between VCA

(accurate effects) and OPTO (natural effects).

HARMONICS ON, OFF Switches on/off musical harmonics that emulate analog

circuitry.

LINK GAIN — Adjusts the output gain for the four bands collectively.

LINK THRESHOLD — Adjusts the threshold for the four bands collectively.

LINK RATIO —Adjusts the compression ratio for the four bands

collectively.

LINK ATTACK — Adjusts the attack time for the four bands collectively.

LINK RELEASE — Adjusts the release time for the four bands collectively.

Parameter Range Description

Effects Parameters

21 RIVAGE PM series Data List

■DaNSe

This is a dynamic noise suppressor with exceptional sound quality and operability.

■P2MB

This plug-in is an accurate modeling of Rupert Neve Designs' Portico II Master Buss Processor.

SATURATION

■Distortion

One input, two output distortion effect.

Parameter Range Description

TIGHTNESS 50 to 2000ms Release time

LOW_FREQU

ENCY 20 Hz to 5.00 kHz Lower limit frequency band for suppressing noise

HIGH_FREQ

UENCY 80 Hz to 20.00 kHz Upper limit frequency band for suppressing noise

LINK — Adjusts the GAIN 1–6 levels simultaneously.

THRESHOLD –80.0 to 0.0 dB Threshold level

GAIN 1 –24.0 to 0.0 dB Maximum gain reduction for BAND 1

GAIN 2 –24.0 to 0.0 dB Maximum gain reduction for BAND 2

GAIN 3 –24.0 to 0.0 dB Maximum gain reduction for BAND 3

GAIN 4 –24.0 to 0.0 dB Maximum gain reduction for BAND 4

GAIN 5 –24.0 to 0.0 dB Maximum gain reduction for BAND 5

GAIN 6 –24.0 to 0.0 dB Maximum gain reduction for BAND 6

LEARN ON, OFF Starts the LEARN function (automatically adjusting the THRESHOLD and

GAIN 1–6).

REVERT —Starts the REVERT function (reverting the parameters to their state just

prior to using the LEARN function).

Parameter Range Description

Comp In OFF, ON Turns compressor and limiter bypass on and off.

Attack 20.0 to 80.0 mS Adjusts the attack time of the compressor.

Release 0.10 to 3.00 S Adjusts the release time of the compressor.

Threshold -54.0 to -4.0 dBFS Adjusts the threshold of the compressor.

Ratio 1.0 to 40.0 : 1 Adjusts the ratio of the compressor.

Gain 0.0 to 20.0 dB

Adjusts the output gain of the compressor. It acts as an input gain to the

limiter, and the limiter works to suppress the compressor with gain make-

up.

Blend 0 to 100 % Adjusts the dry / wet values of the compressor and limiter.

RMS/Peak RMS, Peak Selects the operating mode for the compressor level detector.

FF/FB FF, FB Selects the gain reduction method for the compressor.

SC 125Hz OFF, ON Turns on / off the sidechain high-pass filter of the compressor.

Limit -14.0 to 0.0 dBFS, OFF Adjusts the limiter threshold and on / off.

Silk OFF, Red, Blue Switches Silk to Off and Red / Blue.

Texture 0.0 to 10.0 Adjusts the tone when Silk's Red / Blue is selected.

Depth EQ LF, LM, HM, HF Selects the band for the Depth EQ.

Width EQ LF, LM, HM, HF Selects the band for the Width EQ.

Depth In OFF, ON Turns the effect of the Depth knob on / off.

Depth EQ

In OFF, ON

When turned on, this limits the effect of the Depth knob to the band

selected with the Depth EQ knob.

Width In OFF, ON Turns the effect of the Width knob on / off.

Width EQ

In OFF, ON

When turned on, limits the effect of the Depth knob to the band selected

with the Width EQ knob.

Depth -15 to 15 Adjusts the volume of stereo center localization.

Width -15 to 15 Adjusts the volume of stereo side localization.

Parameter Range Description

DST TYPE DST1, DST2, OVD1,

OVD2, CRUNCH Distortion type (DST = distortion, OVD = overdrive)

DRIVE 0–100 Distortion drive

MASTER 0–100 Master volume

TONE –10 to +10 Tone

N. GATE 0–20 Noise reduction

Parameter Range Description

Effects Parameters

22 RIVAGE PM series Data List

■Amp Simulate

One input, two output guitar amp simulator.

■OpenDeck

It emulates the tape compression created by two open reel tape recorders (a recording deck and a

playback deck.) You can change the sound quality by adjusting various elements, such as the deck type,

tape quality, playback speed, etc.

GEQ RACK

■31 Band GEQ

This is a 31Band GEQ.

■Flex15 GEQ

Only 15Band of the 31Band GEQ is available.

■8Band PEQ

This is similar to the 8Band PEQ available in the channel module, but enables you to use a 4Band notch

filter.

Parameter Range Description

AMP TYPE *1

*1. STK-M1, STK-M2, THRASH, MIDBST, CMB-PG, CMB-VR, CMB-DX, CMB-TW, MINI, FLAT

Guitar amp simulation type

DST TYPE DST1, DST2, OVD1,

OVD2, CRUNCH Distortion type (DST = distortion, OVD = overdrive)

DRIVE 0–100 Distortion drive

MASTER 0–100 Master volume

BASS 0–100 Bass tone control

MIDDLE 0–100 Middle tone control

TREBLE 0–100 High tone control

N. GATE 0–20 Noise reduction

CAB DEP 0–100% Speaker cabinet simulation depth

EQ F 100 Hz–8.00 kHz EQ (peaking type) frequency

EQ G –12.0 to +12.0 dB EQ (peaking type) gain

EQ Q 10.0–0.10 EQ (peaking type) bandwidth

Parameter Range Description

REC DEC Swss70, Swss78, Swss85,

Amer70 Selects the recording deck type.

REC LVL –96.0 to +18.0 dB

Adjusts the input level of the recording deck. As you raise the level, tape

compression is generated, which narrows the dynamic range and distorts

the sound.

REC HI –6.0 to +6.0 dB Adjusts the high range gain of the recording deck.

REC BIAS –1.00 to +1.00 Adjusts the bias of the recording deck.

REPR DEC Swss70, Swss78, Swss85,

Amer70 Selects the playback deck type.

REPR LVL –96.0 to +18.0 dB Adjusts the output level of the playback deck.

REPR HI –6.0 to +6.0 dB Adjusts the high range gain of the playback deck.

REPR LO –6.0 to +6.0 dB Adjusts the low range gain of the playback deck.

MAKE UP Off, On

When you adjust the REC LVL, the REPR LVL reflects the change,

maintaining the relative output level. You can change the amount of

distortion without changing the output level.

TP SPEED 15ips, 30ips Selects the tape speed.

TP KIND Old, New Selects the tape type.

Parameter Range

FREQUENCY

20Hz to 20kHz

(20, 25, 31.5, 40, 50, 63, 80, 100, 125, 160, 200,

250, 315, 400, 500, 630, 800, 1k, 1.25k, 1.6k, 2k,

2.5k, 3.15k, 4k, 5k, 6.3k, 8k, 10k, 12.5k, 16k, 20k)

GAIN

LIMIT ±15dB –15 to +15 (dB)

LIMIT ±12dB –12 to +12 (dB)

LIMIT ±6dB –6 to +6 (dB)

LIMIT –24dB –24 to 0 (dB)

Parameter Range

Number of bands 8

TYPE PRECISE, AGGRESSIVE, SMOOTH, LEGACY

FREQUENCY 20 to 20.0k (Hz)

GAIN –18 to +18 (dB)

Q 0.1 to 16.0

Q (PRECISE LSF, HSF) 0.1 to 10.0

LSF/PEQ Band 1

HSF/PEQ Band 8

NOTCH

Number of bands 4

FREQUENCY 20 to 20.0k (Hz)

Q 0.1 to 63.0

EQ Preset

23 RIVAGE PM series Data List

■Automixer

Automixer detects effective audio from multiple microphones and automatically optimizes the gain

distribution for multiple live microphones in dialog situations.

EQ Preset

Parameter Range Description

Group a, b, c, d, e Assign each channel to one of five groups (a/b/c/d/e).

Override OFF, ON Turn Override on or off for each channel.

ChMode man, auto, mute Select each channel mode (man, auto, or mute).

ChModePreset man, auto, mute Select each channel preset.

Level 0 to 127 Level indicator for each channel

Weight –100 to 15 The weight controls balance relative sensitivity of the input

channels.

MeterType gain, input, output Switches the type of meter display.

MasterOverride OFF, ON Override master button

MasterPreset OFF, ON Preset master button

MasterMute OFF, ON Mute master button

Preset Name EQ Type HPF LPF

Slope Frequency On Slope Frequency On

IEM Loudness Precise

–18dB 80 Off –12dB 16.0k Off

Band1 Band2

Type QFrequency Gain QFrequency Gain

Bell 0.56 90 +10.0 4.0 160 0

Band3 Band4

QFrequency Gain QFrequency Gain

1.0 400 –10.0 4.0 630 0

Band5 Band6

QFrequency Gain QFrequency Gain

4.0 1.25k 0 1.0 2.00k +1.0

Band7 Band8

QFrequency Gain Type QFrequency Gain

4.0 5.00k 0 Shelf 4.0 6.00k +5.0

UE RM EQ Precise

HPF LPF

Slope Frequency On Slope Frequency On

–18dB 80 Off –12dB 16.0k Off

Band1 Band2

Type QFrequency Gain QFrequency Gain

Bell 1.4 63.0 +5.0 4.0 160 0

Band3 Band4

QFrequency Gain QFrequency Gain

4.0 315 0 4.0 630 0

Band5 Band6

QFrequency Gain QFrequency Gain

4.0 1.25k 0 2.5 2.65k +4.0

Band7 Band8

QFrequency Gain Type QFrequency Gain

4.0 5.00k 0 Shelf 4.0 17.0k +4.0

EQ Preset

24 RIVAGE PM series Data List

UE11 EQ Precise

–18dB 80 Off –12dB 16.0k Off

Band1 Band2

Type QFrequency Gain QFrequency Gain

Bell 4.0 67.0 +3.0 4.0 160 0

Band3 Band4

QFrequency Gain QFrequency Gain

4.0 315 0 4.0 630 0

Band5 Band6

QFrequency Gain QFrequency Gain

4.0 1.25k 0 1.0 2.65k +4.0

Band7 Band8

QFrequency Gain Type QFrequency Gain

4.0 5.00k 0 Shelf 4.0 14.0k +6.0

UE18 EQ Precise

HPF LPF

Slope Frequency On Slope Frequency On

–18dB 80 Off –12dB 16.0k Off

Band1 Band2

Type QFrequency Gain QFrequency Gain

Bell 1.4 60.0 +3.0 4.0 160 0

Band3 Band4

QFrequency Gain QFrequency Gain

4.0 315 0 4.0 630 0

Band5 Band6

QFrequency Gain QFrequency Gain

4.0 1.25k 0 2.0 2.65k +4.0

Band7 Band8

QFrequency Gain Type QFrequency Gain

4.0 5.00k 0 Bell 1.25 15.0k +3.0

Preset Name EQ Type HPF LPF

Slope Frequency On Slope Frequency On

UE4 EQ Precise

–18dB 80 Off –12dB 16.0k Off

Band1 Band2

Type QFrequency Gain QFrequency Gain

Bell 2.0 63.0 +2.9 4.0 160 0

Band3 Band4

QFrequency Gain QFrequency Gain

4.0 315 0 4.0 630 0

Band5 Band6

QFrequency Gain QFrequency Gain

4.0 1.25k 0 2.0 2.65k +3.9

Band7 Band8

QFrequency Gain Type QFrequency Gain

4.0 5.00k 0 Shelf 4.0 14.0k +5.8

UE5 EQ Precise

HPF LPF

Slope Frequency On Slope Frequency On

–18dB 80 Off –12dB 16.0k Off

Band1 Band2

Type QFrequency Gain QFrequency Gain

Bell 1.4 56.0 +4.0 4.0 160 0

Band3 Band4

QFrequency Gain QFrequency Gain

4.0 315 0 4.0 630 0

Band5 Band6

QFrequency Gain QFrequency Gain

4.0 1.25k 0 2.0 2.36k +6.0

Band7 Band8

QFrequency Gain Type QFrequency Gain

4.0 5.00k 0 Shelf 4.0 16.0k +6.0

Preset Name EQ Type HPF LPF

Slope Frequency On Slope Frequency On

EQ Preset

25 RIVAGE PM series Data List

UE7 EQ Precise

–18dB 80 Off –12dB 16.0k Off

Band1 Band2

Type QFrequency Gain QFrequency Gain

Bell 1.4 60.0 +3.0 4.0 160 0

Band3 Band4

QFrequency Gain QFrequency Gain

4.0 315 0 4.0 630 0

Band5 Band6

QFrequency Gain QFrequency Gain

4.0 1.25k 0 2.0 2.65k +5.0

Band7 Band8

QFrequency Gain Type QFrequency Gain

4.0 5.00k 0 Shelf 4.0 16.0k +9.0

UE900 EQ Precise

HPF LPF

Slope Frequency On Slope Frequency On

–18dB 80 Off –12dB 16.0k Off

Band1 Band2

Type QFrequency Gain QFrequency Gain

Shelf 4.0 63.0 +6.4 4.0 160 0

Band3 Band4

QFrequency Gain QFrequency Gain

2.5 450 –3.0 4.0 630 0

Band5 Band6

QFrequency Gain QFrequency Gain

4.0 1.25k 0 2.2 2.65k +8.0

Band7 Band8

QFrequency Gain Type QFrequency Gain

1.6 5.00k +4.8 Bell 4.0 10.0k 0

Preset Name EQ Type HPF LPF

Slope Frequency On Slope Frequency On

Yamaha

EPH100 Precise

–12dB 35.5 On –12dB 16.0k Off

Band1 Band2

Type QFrequency Gain QFrequency Gain

Bell 2.5 90.0 +2.0 4.0 160 0

Band3 Band4

QFrequency Gain QFrequency Gain

4.0 315 0 4.0 630 0

Band5 Band6

QFrequency Gain QFrequency Gain

4.0 1.25k 0 4.0 2.50k 0

Band7 Band8

QFrequency Gain Type QFrequency Gain

2.8 8.00k –3.0 Shelf 4.0 16.0k –2.0

Preset Name EQ Type HPF LPF

Slope Frequency On Slope Frequency On

Plug-in Library List

26 RIVAGE PM series Data List

Plug-in Library List

REVERB

■REV-X

Preset Name REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF.

REV-X med hall

LARGE HALL 2.01s 15.0ms 0.6 1.2 10

ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL.

25 47 Thru 5.00kHz 800Hz 100%

REV-X small hall

REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF.

LARGE HALL 1.76s 9.0ms 0.6 1.0 9

ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL.

25 10 Thru 5.60kHz 800Hz 100%

REV-X tiny hall

REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF.

LARGE HALL 1.29s 5.0ms 0.6 1.2 7

ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL.

24 8 Thru 5.60kHz 800Hz 100%

REV-X warm hall

REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF.

LARGE HALL 2.70s 32.0ms 0.6 1.1 10

ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL.

28 50 Thru 3.20kHz 800Hz 100%

REV-X brite hall

REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF.

LARGE HALL 2.60s 25.0ms 0.8 0.8 10

ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL.

26 53 Thru Thru 800Hz 100%

REV-X huge hall

REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF.

LARGE HALL 6.98s 1.0ms 0.9 1.1 10

ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL.

28 53 Thru Thru 800Hz 100%

REV-X med room

REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF.

WARM ROOM 1.03s 1.0ms 0.7 0.9 9

ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL.

20 35 Thru 10.0kHz 800Hz 100%

REV-X small room

REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF.

WARM ROOM 0.68s 1.0ms 0.7 0.8 9

ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL.

18 20 Thru 10.0kHz 800Hz 100%

REV-X slap room

REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF.

WARM ROOM 1.33s 100.0ms 0.5 0.9 9

ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL.

22 20 Thru 5.60kHz 800Hz 100%

REV-X chamber

WARM ROOM 1.03s 1.0ms 0.8 0.9 10

ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL.

20 10 80.0 Thru 800Hz 100%

REV-X wood room

REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF.

WARM ROOM 1.66s 1.0ms 0.8 0.7 10

ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL.

24 30 56.0 8.00kHz 800Hz 100%

REV-X warm

room

REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF.

WARM ROOM 0.70s 5.1ms 0.4 1.0 9

ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL.

19 30 Thru 6.30kHz 800Hz 100%

REV-X bright plt

REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF.

RICH PLATE 2.07s 1.0ms 1.0 0.8 10

ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL.

16 25 180 3.60kHz 800Hz 100%

REV-X snare plt

REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF.

RICH PLATE 2.22s 1.0ms 0.8 1.1 10

ROOMSIZE DECAY HPF LPF LO. FREQ MIX BAL.

18 25 160 3.60kHz 800Hz 100%

Preset Name REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF.

Plug-in Library List

27 RIVAGE PM series Data List

■VSS4HD

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

VSS4HD Large

Hall

2.8 5 2.17k 0 14 5

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

3122020100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Vienna Hall L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-4.0 -1.0 57.70 -2.0 Default

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.91 1.13 1.37 0.77 97.40 335.0 1.51k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Colored 13 Left/Right -6 116 Off

VSS4HD Rich Hall

Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

2.2 27 2.17k 0 14 3

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

35 12 20 20 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Vienna Hall L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-4.0 -1.0 57.70 -2.0 Default

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.91 1.13 1.37 0.77 97.40 335.0 1.51k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Colored 13 Clockwise 20 190 off

VSS4HD Rich Voc

2.4 27 3.06k 30 14 3

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

0 10 7 10 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Vienna Hall L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-4.0 -1.0 57.70 -2.0 Default

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.91 1.13 1.37 0.86 97.40 335.0 1.51k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Colored 13 Clockwise 20 190 off

Large Hall

Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

1.8 5 3.15k 0 12 5

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

11 4 -20 10 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Vienna Hall L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

0.0 0.0 200.0 -1.0 -14

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

1.04 1.51 0.61 0.48 200.0 1.21k 4.00k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Colored 25 Left/Right -21 200 off

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

Plug-in Library List

28 RIVAGE PM series Data List

Medium Hall

2.0 28 2.17k 0 9 0

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

15 -14 -16 14 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Church L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

0.0 0.0 200.0 -1.0 -18

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.93 1.12 0.91 0.55 121.0 923.0 2.65k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Colored 25 Left/Right -10 200 off

Small Hall

Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

1.1 5 2.06k 0 8 0

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

42 -11 29 52 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Living Room L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

0.0 0.0 195.0 -2.5 17

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.91 1.11 0.82 0.48 389.0 1.70k 2.88k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Colored 25 Left/Right 9 200 off

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

JoyHall

1.3 17 7.10k 0 3 0

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

72 -7 29 10 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Theater L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-1.0 -5.5 189.0 0.0 -21

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

1.25 1.05 0.98 0.58 250.0 1.25k 3.89k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Colored 25 Default 24 110 off

Small Room

Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

0.52 9 7.10k 0 3 0

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

72 -7 29 10 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Theater L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-1.0 -5.5 189.0 0.0 -21

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

1.25 1.05 0.98 0.58 250.0 1.25k 3.89k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Colored 25 Default 24 110 off

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

Plug-in Library List

29 RIVAGE PM series Data List

Medium Room

1.1 5 7.10k 9 3 4

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

72 -7 29 10 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Theater L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-1.0 -5.5 189.0 0.0 -21

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

1.25 1.05 0.98 0.58 250.0 1.25k 3.89k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Colored 25 Default 24 110 off

Dark Red Velvet

Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

0.72 5 1.21k 0 9 0

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

5 Default Default 0 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Cinema L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-17.0 0.0 133.0 -1.5 -20

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.83 1.17 0.92 0.87 121.0 1.00k 3.35k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal Default Left/Right Default 100 off

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

Generic Live Club

0.90 24 4.86k 0 7 0

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

12 -23 28 52 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Jazz Club L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-5.0 0.0 103.0 -8.5 27

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.97 1.28 0.75 0.69 206.0 1.03k 4.47k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Colored 18 Default -16 77 off

Flat Rap Club

Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

1.0 5 2.00k 0 7 0

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

8 12505793

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Jazz Club L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

0.0 -8.0 103.0 -3.5 -33

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.91 1.21 1.02 0.81 100.0 824.0 3.25k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Colored 21 Clockwise 16 52 off

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

Plug-in Library List

30 RIVAGE PM series Data List

Medium

Basement

1.0 5 5.44k 12 12 5

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

0-45 0100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Oval Room L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

0.0 0.0 97.40 -2.5 10

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.82 1.01 1.17 0.75 82.40 1.65k 8.48k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal 25 Front/

Rear Subtle 28 92 off

Alone In The Dark

Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

2.0 49 7.10k 0 11 0

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

0 423083

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Parking Garage L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-10.0 0.0 94.90 -1.0 13

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

1.09 1.05 0.85 0.84 97.40 1.18k 7.10k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal -4 Off 10 92 off

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

Shortstop Hall

0.97 5 2.50k 29 2 8

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

59 -15 -3 10 96

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Concert Hall L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-1.5 0.0 133.0 -1.5 -29

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

1.02 1.03 1.86 0.89 121.0 732.0 2.43k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Colored 22 Default 22 89 off

Big Jazz Scene

Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

1.7 5 4.60k 14 10 3

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

9 -23 28 52 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Jazz Club L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-3.5 -1.5 71.00 -8.0 -29

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.77 1.09 0.91 0.81 155.0 630.0 6.12k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal 18 Default 12 108 off

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

Plug-in Library List

31 RIVAGE PM series Data List

Medium String

Hall

2.0 64 3.25k 0 8 0

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

15 -5 16 43 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Concert Hall L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

0.0 Off 73.20 -8.5 -8

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.79 1.02 1.08 0.63 121.0 974.0 4.00k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal 21 Left/Right -24 45 off

Natural Hall

Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

2.6 13 3.15k 0 6 0

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

14 -8 -3 0 91

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Vienna Hall L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

0.0 -14.0 75.40 -3.5 -33

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.91 1.01 1.04 0.56 106.0 594.0 4.35k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal 16 Default 16 52 off

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

Back Wall Hall

2.2 50 1.74k 0 14 0

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

6-17-139 95

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Concert Hall L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-1.5 0.0 97.40 -2.0 30

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.88 1.12 0.79 0.38 94.90 1.37k 4.00k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Colored 21 Default 16 50 off

Show Hall

Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

2.7 13 4.86k 0 11 0

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

13546095

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Concert Hall L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

0.0 Off 64.90 -5.5 7

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.82 0.99 0.68 0.56 94.90 1.37k 6.89k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal 14 Default 16 50 off

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

Plug-in Library List

32 RIVAGE PM series Data List

Europe Orch Hall

2.5 18 2.17k 0 15 0

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

31250884

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Vienna Hall L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

0.0 -5.5 57.70 -2.0 -4

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.91 1.08 0.99 0.86 92.30 1.06k 4.23k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal 23 Default 16 52 off

Big Orch Hall

Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

4.1 5 3.89k 0 14 0

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

14 -8 -3 0 0

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Vienna Hall L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

0.0 -14.0 87.30 -2.5 7

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.78 1.01 0.74 0.61 133.0 1.37k 8.73k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal 23 Default 21 58 off

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

New Age Hall

4.1 45 4.86k 0 15 0

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

13546095

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Concert Hall L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

0.0 0.0 103.0 -3.5 -16

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.82 1.04 0.88 0.73 121.0 1.37k 4.12k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal 7 Default 16 133 off

Varm Slap Hall

Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

3.1 54 5.14k 0 14 0

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

11 4 -20 10 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Concert Hall L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

0.0 0.0 200.0 -1.0 -14

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

1.04 1.51 0.61 0.48 200.0 1.21k 4.00k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal 25 Left/Right 7 200 off

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

Plug-in Library List

33 RIVAGE PM series Data List

Bright Slap Hall

3.1 66 16.5k 0 14 0

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

1145010100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Concert Hall L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

0.0 0.0 200.0 -1.0 32

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.71 1.23 0.67 0.85 200.0 1.21k 4.00k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Colored Default Left/Right 7 200 off

Ricochet Verb

Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

0.93 93 7.10k 0 15 0

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

314500100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Jazz Club L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

0.0 0.0 200.0 -1.0 32

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.71 1.23 0.67 0.85 200.0 1.21k 4.00k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal Default Left/Right 7 200 off

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

Tight & Round

0.46 5 1.89k 0 8 0

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

0 Default Default 0 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Oval Room L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-20.5 0.0 109.0 -2.0 16

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.89 1.33 1.05 1.05 97.40 1.79k 8.00k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal 9 Default 15 100 off

Church Coffee

House

Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

0.68 5 5.60k 0 3 0

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

24 34 28 22 37

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Jazz Club L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-5.5 0.0 189.0 -4.5 9

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

1.01 1.12 0.99 0.73 250.0 1.33k 5.00k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Colored 23 Default 24 200 off

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

Plug-in Library List

34 RIVAGE PM series Data List

Small Blanket

Room

0.37 5 1.89k 0 2 0

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

023096

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Jazz Club L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-2.5 0.0 103.0 -3.0 11

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.99 0.92 0.77 0.57 129.0 1.33k 5.00k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal 19 Default 11 42 off

Montana Studio

Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

1.00 5 5.60k 0 8 0

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

0-4-80100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Jazz Club L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-8.5 0.0 100.0 -7.0 -8

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

1.00 0.01 1.00 0.64 345.0 1.46k 2.30k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal Default Default Default 100 off

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

10m2 Empty

Room

0.61 5 5.44k 0 8 5

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

0 Default -1 0 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Living Room L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-4.0 -4.0 100.0 -2.5 -9

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.95 1.00 1.00 0.84 223.0 1.46k 3.55k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal Default Default Default 100 off

Dark Drum Room

Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

0.54 5 1.15k 0 7 3

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

0 -7 Default 0 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Jazz Club L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-2.0 -2.0 118.0 -4.0 Default

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.81 1.00 1.00 0.50 118.0 923.0 1.84k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal 3 Default Default 100 off

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

Plug-in Library List

35 RIVAGE PM series Data List

Plate of Soup

2.0 5 20.0k 0 11 5

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

100 -18 35 0 20

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Living Room L30-> R30-> -3.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-6.5 0.0 200.0 -7.0 12

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.60 0.86 1.20 1.15 200.0 1.06k 3.06k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal 8 Default Default 100 off

Fifties Chamber

Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

2.4 5 10.0k 0 8 4

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

0 Default Default 3 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Concert Hall L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-3.0 -3.0 100.0 0.0 Default

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.83 1.00 0.73 0.34 200.0 1.46k 3.06k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal Default Default Default 100 off

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

Huge Warm

Cathedral

8.8 5 669.0 66 15 5

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

0 Default -12 0 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Castle Hall L30-> R30-> -3.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

0.0 0.0 100.0 0.0 Default

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.72 1.00 0.41 0.19 125.0 1.09k 3.06k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Colored Default Default Default 100 off

Small Empty

Room

Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

0.71 5 6.49k 0 6 4

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

0 -4 -11 11 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Living Room L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-3.0 -3.0 100.0 -13.0 Default

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.57 1.00 0.85 0.33 125.0 1.46k 2.57k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal 25 Default Default 100 off

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

Plug-in Library List

36 RIVAGE PM series Data List

Drama Hall

9.4 5 1.09k 0 10 5

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

0-26-280100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Parking Garage L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-3.0 0.0 100.0 0.0 Default

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

1.00 0.35 0.23 0.05 20.00 200.0 500.0

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Colored -25 Default Default 135 off

HyperPlate

Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

1.8 5 12.5k 0 8 4

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

0-15Default6100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Castle Hall L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-1.5 -1.5 160.0 -7.5 -8

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.77 1.00 0.91 0.56 97.40 1.15k 3.06k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal 17 Default Default 87 off

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

Hot Ice

1.8 5 5.77k 0 12 6

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

0 50 -50 0 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Living Room L30-> R30-> -3.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-6.0 0.0 200.0 -18.0 Default

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.01 0.01 0.01 1.00 200.0 1.46k 1.25k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal -25 Default -17 188 off

Dark Red Studio

Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

0.51 5 2.80k 0 10 2

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

29 -5 -22 0 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Jazz Club L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-5.5 0.0 80.00 -6.0 -24

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.90 1.00 0.36 0.01 243.0 1.46k 5.60k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal 6 Default Default 100 off

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

Plug-in Library List

37 RIVAGE PM series Data List

Class Room

0.60 5 898.0 0 8 5

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

26 -15 Default 0 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Oval Room L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-9.0 0.0 100.0 0.0 -10

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.68 1.00 1.00 0.76 243.0 1.46k 2.80k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal Default Default Default 100 off

Auditorium

Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

0.94 5 4.00k 0 11 6

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

0 Default -26 0 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Church L30-> R30-> -1.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-9.5 0.0 100.0 0.0 -12

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.87 1.07 1.00 0.45 155.0 1.46k 3.15k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal Default Default Default 100 off

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

Rusty Plate

1.6 5 3.45k 0 10 3

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

0-11-180 10

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Bathroom L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

0.0 0.0 200.0 -6.5 -50

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.08 0.32 0.59 1.00 121.0 2.00k 4.00k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Colored 10 Default Default 100 off

Small Town

Theatre

Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

1.3 5 1.33k 0 8 6

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

0 Default -10 0 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Theater L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-5.5 0.0 155.0 -3.5 -5

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

1.00 1.00 1.00 0.24 200.0 1.46k 1.70k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal 4 Default Default 100 off

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

Plug-in Library List

38 RIVAGE PM series Data List

Key Hall

1.7 5 2.06k 0 8 3

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

0Default-7 0 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Concert Hall L30-> R30-> -3.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-3.5 0.0 200.0 -6.0 -15

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.89 1.00 0.68 0.40 179.0 923.0 2.06k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal Default Default Default 100 off

Tight Ambience

Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

0.10 5 20.0k 0 8 0

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

0 -50 -2 0 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Cinema L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

Off 0.0 100.0 0.0 Default

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

1.00 1.00 1.00 1.00 200.0 1.46k 3.06k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Normal Default Default Default 100 off

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

Alive But Cold

1.3 5 10.0k 0 10 7

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

0 Default Default 0 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Cinema L30-> R30-> 0.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-3.0 -3.0 100.0 0.0 Default

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.91 1.00 0.61 2.50 257.0 2.00k 5.94k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Colored Default Default Default 135 off

Opera Hall

Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

1.6 5 7.54k 0 11 5

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

0 Default Default 0 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Castle Hall L30-> R30-> -3.0 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

0.0 0.0 100.0 0.0 Default

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.50 1.00 0.61 0.32 200.0 1.46k 3.66k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Colored Default Default Default 100 off

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

Plug-in Library List

39 RIVAGE PM series Data List

■NonLin2

Drum Hanger

0.72 61 2.17k 0 12 6

Master Early

Decrease Lo Color Hi Color Early Start Early Stop

0 Default 3 0 100

Location Positions In / Out Level

Location Type Source 1 Source 2 In Level Out Level

Jazz Club L30-> R30-> -1.5 0.0

Reverb / Early Level Reverb Color

Reverb Level

Early Level Lo Cut Lo Damp Hi Soften

-1.5 -1.5 100.0 0.0 Default

Decay / Crossover

Lo Decay

LoMid Decay HiMid Decay

Hi Decay Lo Xover Mid Xover Hi Xover

0.95 1.00 0.61 0.88 217.0 1.46k 2.80k

Reverb Setup Reverb Modulation Dry Mix (Stereo)

Reverb

Type

Reverb

Diffuse

Modulation

Type

Mod Rate

Mod Depth

Dry Level

Colored Default Default -12 150 off

Preset Name Master Reverb

Decay Pre Delay Hi Cut Rev Delay Rev Size Rev Width

Preset Name Envelope Reverb

Pre Delay Attack Hold Release Style Diffuse

AMS NonLin A

5 0 85 106 NonLin Classic 100

Twist Filter Width

Type Ratio Lo Cut Hi Cut

Aircon 0 20.00 2.36k 100

In ./ Out Level Dry / Wet Level

In Level Out Level Dry Level Wet Level

0.0 0.0 Off 0.0

AMS NonLin B

Envelope Reverb

Pre Delay Attack Hold Release Style Diffuse

5 0 85 344

NonLin Decayed

100

Twist Filter Width

Type Ratio Lo Cut Hi Cut

Spaceship 0 20.00 4.86k 100

In ./ Out Level Dry / Wet Level

In Level Out Level Dry Level Wet Level

0.0 0.0 Off 0.0

NonLin Bright

Envelope Reverb

Pre Delay Attack Hold Release Style Diffuse

5 0 85 383 Explode 0

Twist Filter Width

Type Ratio Lo Cut Hi Cut

Spaceship 0 20.00 10.0k 100

In ./ Out Level Dry / Wet Level

In Level Out Level Dry Level Wet Level

0.0 0.0 Off 0.0

Metallic

Monument

Envelope Reverb

Pre Delay Attack Hold Release Style Diffuse

5 0 163 0 Explode 83

Twist Filter Width

Type Ratio Lo Cut Hi Cut

Radiator 47 20.00 5.29k 100

In ./ Out Level Dry / Wet Level

In Level Out Level Dry Level Wet Level

0.0 0.0 Off 0.0

Plug-in Library List

40 RIVAGE PM series Data List

Whisper

5 490 10 0 Scanner 83

Twist Filter Width

Type Ratio Lo Cut Hi Cut

Radiator 0 2.00 5.29k 100

In ./ Out Level Dry / Wet Level

In Level Out Level Dry Level Wet Level

0.0 0.0 Off 0.0

Tube

Envelope Reverb

Pre Delay Attack Hold Release Style Diffuse

5 0 281 219 Sustained 100

Twist Filter Width

Type Ratio Lo Cut Hi Cut

Tunnel 53 20.00 3.77k 0

In ./ Out Level Dry / Wet Level

In Level Out Level Dry Level Wet Level

0.0 0.0 Off 0.0

Muffled Pipe

Vocal

Envelope Reverb

Pre Delay Attack Hold Release Style Diffuse

42 0 169 272 Hollow 100

Twist Filter Width

Type Ratio Lo Cut Hi Cut

Guts 62 92.30 3.06k 19

In ./ Out Level Dry / Wet Level

In Level Out Level Dry Level Wet Level

0.0 0.0 Off 0.0

Breathing

130BPM

Envelope Reverb

Pre Delay Attack Hold Release Style Diffuse

5 108 159 106 Mono To Stereo 100

Twist Filter Width

Type Ratio Lo Cut Hi Cut

Chicken 96 20.00 2.36k 100

In ./ Out Level Dry / Wet Level

In Level Out Level Dry Level Wet Level

0.0 0.0 Off 0.0

Preset Name Envelope Reverb

Pre Delay Attack Hold Release Style Diffuse

KitPig1

22 22 42 210 Smooth B 5

Twist Filter Width

Type Ratio Lo Cut Hi Cut

Woolly 20 20.00 6.30k 78

In ./ Out Level Dry / Wet Level

In Level Out Level Dry Level Wet Level

0.0 0.0 Off 0.0

KitPig2

Envelope Reverb

Pre Delay Attack Hold Release Style Diffuse

5 100 10 175 Smooth B 0

Twist Filter Width

Type Ratio Lo Cut Hi Cut

Ventilation 13 100.0 8.00k 100

In ./ Out Level Dry / Wet Level

In Level Out Level Dry Level Wet Level

0.0 0.0 Off 0.0

Kick Thundergate

Verb

Envelope Reverb

Pre Delay Attack Hold Release Style Diffuse

5 0 139 0 NonLin Classic 100

Twist Filter Width

Type Ratio Lo Cut Hi Cut

Box 55 20.00 5.29k 100

In ./ Out Level Dry / Wet Level

In Level Out Level Dry Level Wet Level

0.0 0.0 Off 0.0

Snare Boinkygate

Verb

Envelope Reverb

Pre Delay Attack Hold Release Style Diffuse

5 0 111 222 NonLin Classic 100

Twist Filter Width

Type Ratio Lo Cut Hi Cut

Chicken 25 20.00 5.29k 100

In ./ Out Level Dry / Wet Level

In Level Out Level Dry Level Wet Level

0.0 0.0 Off 0.0

Preset Name Envelope Reverb

Pre Delay Attack Hold Release Style Diffuse

Plug-in Library List

41 RIVAGE PM series Data List

Electronic

Megaphone

5 0 111 98 NonLin Classic 100

Twist Filter Width

Type Ratio Lo Cut Hi Cut

Chicken 100 20.00 5.29k 100

In ./ Out Level Dry / Wet Level

In Level Out Level Dry Level Wet Level

0.0 0.0 Off 0.0

Thick Slapback

Envelope Reverb

Pre Delay Attack Hold Release Style Diffuse

133 0 111 175 NonLin Classic 100

Twist Filter Width

Type Ratio Lo Cut Hi Cut

Moony 0 20.00 5.00k 29

In ./ Out Level Dry / Wet Level

In Level Out Level Dry Level Wet Level

0.0 0.0 Off 0.0

Tight Stereo Slap

Envelope Reverb

Pre Delay Attack Hold Release Style Diffuse

87 0 111 59 Box 100

Twist Filter Width

Type Ratio Lo Cut Hi Cut

Synthetic 8 20.00 5.00k 100

In ./ Out Level Dry / Wet Level

In Level Out Level Dry Level Wet Level

0.0 0.0 Off 0.0

Heavy Starburst

Envelope Reverb

Pre Delay Attack Hold Release Style Diffuse

118 330 10 160 Rough 100

Twist Filter Width

Type Ratio Lo Cut Hi Cut

Guts 35 20.00 5.00k 100

In ./ Out Level Dry / Wet Level

In Level Out Level Dry Level Wet Level

0.0 0.0 Off 0.0

Preset Name Envelope Reverb

Pre Delay Attack Hold Release Style Diffuse

Light Starburst

118 330 10 160 Smooth A 100

Twist Filter Width

Type Ratio Lo Cut Hi Cut

Radiator 0 389.0 11.5k 100

In ./ Out Level Dry / Wet Level

In Level Out Level Dry Level Wet Level

0.0 0.0 Off 0.0

Dense Dark Room

Envelope Reverb

Pre Delay Attack Hold Release Style Diffuse

5 51 85 133 NonLin Classic 100

Twist Filter Width

Type Ratio Lo Cut Hi Cut

Aircon 0 20.00 4.60k 100

In ./ Out Level Dry / Wet Level

In Level Out Level Dry Level Wet Level

0.0 0.0 Off 0.0

Dense Light

Room

Envelope Reverb

Pre Delay Attack Hold Release Style Diffuse

5 51 85 125 Live 100

Twist Filter Width

Type Ratio Lo Cut Hi Cut

Moony 42 306.0 12.5k 100

In ./ Out Level Dry / Wet Level

In Level Out Level Dry Level Wet Level

0.0 0.0 Off 0.0

Dense Arena

Envelope Reverb

Pre Delay Attack Hold Release Style Diffuse

129 0 148 352 Hollow 100

Twist Filter Width

Type Ratio Lo Cut Hi Cut

Tunnel 0 20.00 5.00k 100

In ./ Out Level Dry / Wet Level

In Level Out Level Dry Level Wet Level

0.0 0.0 Off 0.0

Preset Name Envelope Reverb

Pre Delay Attack Hold Release Style Diffuse

Plug-in Library List

42 RIVAGE PM series Data List

■Reverb

■Stereo Reverb

■Gate Reverb

DELAY/MODULATION

■Dual Pitch

Preset Name REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF.

Ambience

HALL 2.8s 30.0ms 0.2 1.0 6

DENSITY E/R DLY E/R BAL. HPF LPF GATE LVL

100 25.0 32 Thru 11.2kHz OFF

ATTACK HOLD DECAY MIX BAL.

10 1.58m 183m 100%

Bright hall

REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF.

HALL 2.8s 42.0ms 0.9 0.9 4

DENSITY E/R DLY E/R BAL. HPF LPF GATE LVL

90 0.0 44 Thru 11.2kHz OFF

ATTACK HOLD DECAY MIX BAL.

5 323m 75.9m 100%

Old Plate

REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF.

HALL 1.8s 26.0ms 0.4 1.0 7

DENSITY E/R DLY E/R BAL. HPF LPF GATE LVL

94 17.0 44 Thru 7.10kHz OFF

ATTACK HOLD DECAY MIX BAL.

0 323m 75.9m 100%

Echo room 1

ROOM 2.2s 25.0ms 0.2 1.0 7

DENSITY E/R DLY E/R BAL. HPF LPF GATE LVL

98 20.0 40 Thru 7.10kHz OFF

ATTACK HOLD DECAY MIX BAL.

4 172m 6.68m 100%

Echo room 2

REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF.

ROOM 1.0s 1.0ms 0.2 1.0 7

DENSITY E/R DLY E/R BAL. HPF LPF GATE LVL

98 20.0 40 Thru 6.70kHz OFF

ATTACK HOLD DECAY MIX BAL.

4 172m 6.68m 100%

Presence reverb

REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF.

ROOM 1.4s 35.0ms 1.0 0.9 10

DENSITY E/R DLY E/R BAL. HPF LPF GATE LVL

100 12.0 40 Thru 14.0kHz OFF

ATTACK HOLD DECAY MIX BAL.

4 172m 6.68m 100%

Bamboo Room

REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF.

ROOM 1.0s 1.0ms 0.1 1.3 10

DENSITY E/R DLY E/R BAL. HPF LPF GATE LVL

96 5.0 45 Thru 4.25kHz OFF

ATTACK HOLD DECAY MIX BAL.

4 172m 6.68m 100%

Stone Room

REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF.

ROOM 0.5s 1.0ms 0.5 1.1 0

DENSITY E/R DLY E/R BAL. HPF LPF GATE LVL

92 0.0 0 Thru 3.75kHz OFF

ATTACK HOLD DECAY MIX BAL.

2 172m 6.68m 100%

Preset Name REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF.

Thin Plate

PLATE 2.6s 10.0ms 0.9 1.0 8

DENSITY E/R BAL. HPF LPF MIX BAL.

98 54 100 11.8kHz 100%

Vocal Chamber

REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF.

STAGE 1.9s 49.0ms 0.3 1.1 3

DENSITY E/R BAL. HPF LPF MIX BAL.

94 38 Thru 7.50kHz 100%

Preset Name TYPE ROOMSIZE LIVENESS INI.DLY DIFF. DENSITY

Concrete Room

Type-A 0.4 4 5.0ms 5 80

ER NUM. FB.GAIN HI.RATIO HPF LPF MIX BAL.

19 0 0.8 Thru 7.50kHz 100%

Preset Name PITCH 1 FINE 1 LEVEL 1 PAN 1 DELAY 1 FB. G 1

Pitch Slap

0 +7 +100 L63 45.0 +27

MODE PITCH 2 FINE 2 LEVEL 2 PAN 2 DELAY 2

3 0 -8 +100 R63 87.5

FB. G 2 SYNC NOTE 1 NOTE 2 BPM MIX BAL.

+28 OFF 1/4 1/4 120 100%

Big Guitar

PITCH 1 FINE 1 LEVEL 1 PAN 1 DELAY 1 FB. G 1

0 -6 +100 L63 30.0 0

MODE PITCH 2 FINE 2 LEVEL 2 PAN 2 DELAY 2

3 0 -7 +100 R63 20.0

FB. G 2 SYNC NOTE 1 NOTE 2 BPM MIX BAL.

0 OFF 1/4 1/4 120 100%

Preset Name REV TYPE REV TIME INI. DLY HI. RATIO LO. RATIO DIFF.

Parameters that can be assigned to control changes

43 RIVAGE PM series Data List

Parameters that can be assigned to control changes

Mode Parameter1 Parameter2 Parameter3

NO ASSIGN

CH 1 - CH 144*

FADER H

FADER L

CH ON

PHASE

INSERT 1 ON

INSERT 2 ON

DIRECT OUT ON

PAN/BALANCE

TO ST A ON

TO ST B ON

LCR ON

CSR

MIX SEND MIX 1 - MIX 72*

LEVEL H

LEVEL L

PAN/BALANCE

MATRIX SEND MATRIX 1 - MATRIX 36*

LEVEL H

LEVEL L

PAN/BALANCE

FILTER

HPF ON

FREQ

LPF ON

FREQ

TYPE

BAND 1 - BAND 4

FREQ H

FREQ L

GAIN

DYNAMICS 1

DYNAMICS 2

ATTACK

THRESHOLD

FREQUENCY

RANGE

HOLD H

HOLD L

DECAY/RELEASE H

DECAY/RELEASE L

RATIO

KNEE

DE-ESSER TYPE

OUTGAIN H

OUTGAIN L

* CSD-R7 specifications: CH1–CH120, MIX1–MIX60, MATRIX1–MATRIX24

CH 1 - CH 144* SURROUND PAN

TO SURROUND A ON

TO SURROUND B ON

LR PAN

FR PAN

FR PAN REVERSE

DIV

L ON

R ON

C ON

LFE ON

Ls ON

Rs ON

LFE LEVEL H

LFE LEVEL L

MIX 1 - MIX 72*

FADER H

FADER L

CH ON

INSERT 1 ON

INSERT 2 ON

TO ST PAN

TO ST A ON

TO ST B ON

LCR ON

CSR

MATRIX SEND MATRIX 1 - MATRIX 36*

LEVEL H

LEVEL L

PAN/BALANCE

TYPE

BAND 1 - BAND 8

FREQ H

FREQ L

GAIN

DYNAMICS

ATTACK

THRESHOLD

FREQUENCY

RANGE

HOLD H

HOLD L

DECAY/RELEASE H

DECAY/RELEASE L

RATIO

KNEE

DE-ESSER TYPE

OUTGAIN H

OUTGAIN L

Mode Parameter1 Parameter2 Parameter3

Parameters that can be assigned to control changes

44 RIVAGE PM series Data List

MATRIX 1 -

MATRIX 36*

FADER H

FADER L

CH ON

INSERT 1 ON

INSERT 2 ON

TYPE

BAND 1 - BAND 8

FREQ H

FREQ L

GAIN

DYNAMICS

ATTACK

THRESHOLD

FREQUENCY

RANGE

HOLD H

HOLD L

DECAY/RELEASE H

DECAY/RELEASE L

RATIO

KNEE

DE-ESSER TYPE

OUTGAIN H

OUTGAIN L

* CSD-R7 specifications: CH1–CH120, MIX1–MIX60, MATRIX1–MATRIX24

Mode Parameter1 Parameter2 Parameter3

STEREOA

STEREOB

FADER H

FADER L

CH ON

INSERT 1 ON

INSERT 2 ON

MATRIX SEND MATRIX 1 - MATRIX 36*

LEVEL H

LEVEL L

PAN/BALANCE

TYPE

BAND 1 - BAND 8

FREQ H

FREQ L

GAIN

DYNAMICS

ATTACK

THRESHOLD

FREQUENCY

RANGE

HOLD H

HOLD L

DECAY/RELEASE H

DECAY/RELEASE L

RATIO

KNEE

DE-ESSER TYPE

OUTGAIN H

OUTGAIN L

DCA DCA 1 - DCA 24

FADER H

FADER L

MUTE MASTER MUTE MASTER 1 -

MUTE MASTER 12 ON

SURROUND

MONITOR

SOURCE SELECT

OUTPUT

DOWNMIX

SURROUND SPEAKER SOLO

SURROUND SPEAKER L

SURROUND SPEAKER R

SURROUND SPEAKER C

SURROUND SPEAKER LFE

SURROUND SPEAKER Ls

SURROUND SPEAKER Rs

Mode Parameter1 Parameter2 Parameter3

Channel Library List

45 RIVAGE PM series Data List

Channel Library List

This table lists the parameters that are saved in the channel library for INPUT channels, MIX channels,

MATRIX channels, and STEREO A/B channels.

Input MIX MATRIX STEREO A/B

Phase

48V

Gain

Silk On/Off

Texture

Type

MSDecode On/Off

MSDecode Side Gain

Phase

Digital Gain

Stereo Input Type*

Direct Out On

Direct Out Level

Direct Out Point

Balance Balance Balance

Delay

Delay On/Off Delay On/Off Delay On/Off Delay On/Off

Delay Time Delay Time Delay Time Delay Time

Delay Point

To Mix

To Mix Pre/Post

To Mix Pre Point

To Mix Post Point

To Mix Send Level

To Mix Pan

To Mix Send On/Off

To Matrix

To Matrix Pre/Post To Matrix Pre/Post To Matrix Pre/Post

To Matrix Pre Point To Matrix Pre Point To Matrix Pre Point

To Matrix Post Point To Matrix Post Point To Matrix Post Point

To Matrix Send Level To Matrix Send Level To Matrix Send Level

To Matrix Pan To Matrix Pan To Matrix Pan

To Matrix Send On/Off To Matrix Send On/Off To Matrix Send On/Off

To Stereo

To Stereo Pan Mode To Stereo Pan Mode

To Stereo CSR To Stereo CSR

To Stereo Pan Type To Stereo Pan Type

To Stereo Pan To Stereo Pan

To Stereo A/B To Stereo A/B

To Stereo LCR To Stereo LCR

To Stereo Point

DCA/Mute DCA DCA DCA DCA

Mute Mute Mute Mute

Level Input Fader Mix Fader Matrix Fader Stereo Fader

Input On/Off Mix On/Off Matrix On/Off Stereo On/Off

Gang Input Gain Gang*

Input Delay Gang* Mix Delay Gang* Matrix Delay Gang* Stereo Delay Gang*

Input MIX MATRIX STEREO A/B

Channel Library List

46 RIVAGE PM series Data List

Input HPF On/OFF Mix HPF On/OFF Matrix HPF On/OFF Stereo HPF On/OFF

Input HPF Freq Mix HPF Freq Matrix HPF Freq Stereo HPF Freq

Input HPF Slope Mix HPF Slope Matrix HPF Slope Stereo HPF Slope

Input LPF On/OFF Mix LPF On/OFF Matrix LPF On/OFF Stereo LPF On/OFF

Input LPF Freq Mix LPF Freq Matrix LPF Freq Stereo LPF Freq

Input LPF Slope Mix LPF Slope Matrix LPF Slope Stereo LPF Slope

Input EQ Type Mix EQ Type Matrix EQ Type Stereo EQ Type

Input EQ On/Off Mix EQ On/Off Matrix EQ On/Off Stereo EQ On/Off

Input EQ A/B Mix EQ A/B Matrix EQ A/B Stereo EQ A/B

Input EQ Band1 Type Mix EQ Band1 Type Matrix EQ Band1 Type Stereo EQ Band1 Type

Input EQ Band1 Freq Mix EQ Band1 Freq Matrix EQ Band1 Freq Stereo EQ Band1 Freq

Input EQ Band1 Gain Mix EQ Band1 Gain Matrix EQ Band1 Gain Stereo EQ Band1 Gain

Input EQ Band1 Q Mix EQ Band1 Q Matrix EQ Band1 Q Stereo EQ Band1 Q

Input EQ Band1 Bypass Mix EQ Band1 Bypass Matrix EQ Band1 Bypass Stereo EQ Band1 Bypass

Input EQ Band2 Freq Mix EQ Band2 Freq Matrix EQ Band2 Freq Stereo EQ Band2 Freq

Input EQ Band2 Gain Mix EQ Band2 Gain Matrix EQ Band2 Gain Stereo EQ Band2 Gain

Input EQ Band2 Q Mix EQ Band2 Q Matrix EQ Band2 Q Stereo EQ Band2 Q

Input EQ Band2 Bypass Mix EQ Band2 Bypass Matrix EQ Band2 Bypass Stereo EQ Band2 Bypass

Input EQ Band3 Freq Mix EQ Band3 Freq Matrix EQ Band3 Freq Stereo EQ Band3 Freq

Input EQ Band3 Gain Mix EQ Band3 Gain Matrix EQ Band3 Gain Stereo EQ Band3 Gain

Input EQ Band3 Q Mix EQ Band3 Q Matrix EQ Band3 Q Stereo EQ Band3 Q

Input EQ Band3 Bypass Mix EQ Band3 Bypass Matrix EQ Band3 Bypass Stereo EQ Band3 Bypass

Input EQ Band4 Type

Input EQ Band4 Freq Mix EQ Band4 Freq Matrix EQ Band4 Freq Stereo EQ Band4 Freq

Input EQ Band4 Gain Mix EQ Band4 Gain Matrix EQ Band4 Gain Stereo EQ Band4 Gain

Input EQ Band4 Q Mix EQ Band4 Q Matrix EQ Band4 Q Stereo EQ Band4 Q

Input EQ Band4 Bypass Mix EQ Band4 Bypass Matrix EQ Band4 Bypass Stereo EQ Band4 Bypass

Mix EQ Band5 Freq Matrix EQ Band5 Freq Stereo EQ Band5 Freq

Mix EQ Band5 Gain Matrix EQ Band5 Gain Stereo EQ Band5 Gain

Mix EQ Band5 Q Matrix EQ Band5 Q Stereo EQ Band5 Q

Mix EQ Band5 Bypass Matrix EQ Band5 Bypass Stereo EQ Band5 Bypass

Mix EQ Band6 Freq Matrix EQ Band6 Freq Stereo EQ Band6 Freq

Mix EQ Band6 Gain Matrix EQ Band6 Gain Stereo EQ Band6 Gain

Mix EQ Band6 Q Matrix EQ Band6 Q Stereo EQ Band6 Q

Mix EQ Band6 Bypass Matrix EQ Band6 Bypass Stereo EQ Band6 Bypass

Mix EQ Band7 Freq Matrix EQ Band7 Freq Stereo EQ Band7 Freq

Mix EQ Band7 Gain Matrix EQ Band7 Gain Stereo EQ Band7 Gain

Mix EQ Band7 Q Matrix EQ Band7 Q Stereo EQ Band7 Q

Mix EQ Band7 Bypass Matrix EQ Band7 Bypass Stereo EQ Band7 Bypass

Mix EQ Band8 Type Matrix EQ Band8 Type Stereo EQ Band8 Type

Mix EQ Band8 Freq Matrix EQ Band8 Freq Stereo EQ Band8 Freq

Mix EQ Band8 Gain Matrix EQ Band8 Gain Stereo EQ Band8 Gain

Mix EQ Band8 Q Matrix EQ Band8 Q Stereo EQ Band8 Q

Mix EQ Band8 Bypass Matrix EQ Band8 Bypass Stereo EQ Band8 Bypass

Input MIX MATRIX STEREO A/B

Dynamics

Dynamics1 LEGACY

COMP Threshould

Dynamics1 LEGACY

COMP Threshould

Dynamics1 LEGACY

COMP Threshould

Dynamics1 LEGACY

COMP Threshould

Dynamics1 LEGACY

COMP Attack

Dynamics1 LEGACY

COMP Attack

Dynamics1 LEGACY

COMP Attack

Dynamics1 LEGACY

COMP Attack

Dynamics1 LEGACY

COMP Release

Dynamics1 LEGACY

COMP Release

Dynamics1 LEGACY

COMP Release

Dynamics1 LEGACY

COMP Release

Dynamics1 LEGACY

COMP Ratio

Dynamics1 LEGACY

COMP Ratio

Dynamics1 LEGACY

COMP Ratio

Dynamics1 LEGACY

COMP Ratio

Dynamics1 LEGACY

COMP Knee

Dynamics1 LEGACY

COMP Knee

Dynamics1 LEGACY

COMP Knee

Dynamics1 LEGACY

COMP Knee

Dynamics1 LEGACY

COMP Gain

Dynamics1 LEGACY

COMP Gain

Dynamics1 LEGACY

COMP Gain

Dynamics1 LEGACY

COMP Gain

Dynamics1 COMP260

Threshould

Dynamics1 COMP260

Threshould

Dynamics1 COMP260

Threshould

Dynamics1 COMP260

Threshould

Dynamics1 COMP260

Attack

Dynamics1 COMP260

Attack

Dynamics1 COMP260

Attack

Dynamics1 COMP260

Attack

Dynamics1 COMP260

Release

Dynamics1 COMP260

Release

Dynamics1 COMP260

Release

Dynamics1 COMP260

Release

Dynamics1 COMP260

Ratio

Dynamics1 COMP260

Ratio

Dynamics1 COMP260

Ratio

Dynamics1 COMP260

Ratio

Dynamics1 COMP260

Knee

Dynamics1 COMP260

Knee

Dynamics1 COMP260

Knee

Dynamics1 COMP260

Knee

Dynamics1 COMP260

Gain

Dynamics1 COMP260

Gain

Dynamics1 COMP260

Gain

Dynamics1 COMP260

Gain

Dynamics1 GATE

Threshould

Dynamics1 GATE

Threshould

Dynamics1 GATE

Threshould

Dynamics1 GATE

Threshould

Dynamics1 GATE Attack Dynamics1 GATE Attack Dynamics1 GATE Attack Dynamics1 GATE Attack

Dynamics1 GATE Range Dynamics1 GATE Range Dynamics1 GATE Range Dynamics1 GATE Range

Dynamics1 GATE Hold Dynamics1 GATE Hold Dynamics1 GATE Hold Dynamics1 GATE Hold

Dynamics1 GATE Decay Dynamics1 GATE Decay Dynamics1 GATE Decay Dynamics1 GATE Decay

Dynamics1 DE-ESSER

Threshould

Dynamics1 DE-ESSER

Threshould

Dynamics1 DE-ESSER

Threshould

Dynamics1 DE-ESSER

Threshould

Dynamics1 DE-ESSER

Freq

Dynamics1 DE-ESSER

Freq

Dynamics1 DE-ESSER

Freq

Dynamics1 DE-ESSER

Freq

Dynamics1 DE-ESSER Q Dynamics1 DE-ESSER Q Dynamics1 DE-ESSER Q Dynamics1 DE-ESSER Q

Dynamics1 DE-ESSER

Type

Dynamics1 DE-ESSER

Type

Dynamics1 DE-ESSER

Type

Dynamics1 DE-ESSER

Type

Dynamics1 EXPANDER

Threshould

Dynamics1 EXPANDER

Threshould

Dynamics1 EXPANDER

Threshould

Dynamics1 EXPANDER

Threshould

Dynamics1 EXPANDER

Attack

Dynamics1 EXPANDER

Attack

Dynamics1 EXPANDER

Attack

Dynamics1 EXPANDER

Attack

Dynamics1 EXPANDER

Release

Dynamics1 EXPANDER

Release

Dynamics1 EXPANDER

Release

Dynamics1 EXPANDER

Release

Dynamics1 EXPANDER

Ratio

Dynamics1 EXPANDER

Ratio

Dynamics1 EXPANDER

Ratio

Dynamics1 EXPANDER

Ratio

Dynamics1 EXPANDER

Knee

Dynamics1 EXPANDER

Knee

Dynamics1 EXPANDER

Knee

Dynamics1 EXPANDER

Knee

Dynamics1 EXPANDER

Gain

Dynamics1 EXPANDER

Gain

Dynamics1 EXPANDER

Gain

Dynamics1 EXPANDER

Gain

Dynamics1 DUCKING

Threshould

Dynamics1 DUCKING

Threshould

Dynamics1 DUCKING

Threshould

Dynamics1 DUCKING

Threshould

Input MIX MATRIX STEREO A/B

Channel Library List

47 RIVAGE PM series Data List

* This parameter is recalled only for paired channels.

Dynamics

Dynamics1 DUCKING

Attack

Dynamics1 DUCKING

Attack

Dynamics1 DUCKING

Attack

Dynamics1 DUCKING

Attack

Dynamics1 DUCKING

Range

Dynamics1 DUCKING

Range

Dynamics1 DUCKING

Range

Dynamics1 DUCKING

Range

Dynamics1 DUCKING

Hold

Dynamics1 DUCKING

Hold

Dynamics1 DUCKING

Hold

Dynamics1 DUCKING

Hold

Dynamics1 DUCKING

Decay

Dynamics1 DUCKING

Decay

Dynamics1 DUCKING

Decay

Dynamics1 DUCKING

Decay

Dynamics1 On/Off Dynamics1 On/Off Dynamics1 On/Off Dynamics1 On/Off

Dynamics1 A/B Dynamics1 A/B Dynamics1 A/B Dynamics1 A/B

Dynamics1 Key In Filter

Type

Dynamics1 Key In Filter

Type

Dynamics1 Key In Filter

Type

Dynamics1 Key In Filter

Type

Dynamics1 Key In Filter

Freq

Dynamics1 Key In Filter

Freq

Dynamics1 Key In Filter

Freq

Dynamics1 Key In Filter

Freq

Dynamics2 LEGACY

COMP Threshould

Dynamics2 LEGACY

COMP Attack

Dynamics2 LEGACY

COMP Release

Dynamics2 LEGACY

COMP Ratio

Dynamics2 LEGACY

COMP Knee

Dynamics2 LEGACY

COMP Gain

Dynamics2 COMP260

Threshould

Dynamics2 COMP260

Attack

Dynamics2 COMP260

Release

Dynamics2 COMP260

Ratio

Dynamics2 COMP260

Knee

Dynamics2 COMP260

Gain

Dynamics2 GATE

Threshould

Dynamics2 GATE Attack

Dynamics2 GATE Range

Dynamics2 GATE Hold

Dynamics2 GATE Decay

Dynamics2 DE-ESSER

Threshould

Dynamics2 DE-ESSER

Freq

Dynamics2 DE-ESSER Q

Input MIX MATRIX STEREO A/B

Dynamics

Dynamics2 DE-ESSER

Type

Dynamics2 EXPANDER

Threshould

Dynamics2 EXPANDER

Attack

Dynamics2 EXPANDER

Release

Dynamics2 EXPANDER

Ratio

Dynamics2 EXPANDER

Knee

Dynamics2 EXPANDER

Gain

Dynamics2 DUCKING

Threshould

Dynamics2 DUCKING

Attack

Dynamics2 DUCKING

Range

Dynamics2 DUCKING

Hold

Dynamics2 DUCKING

Decay

Dynamics2 On/Off

Dynamics2 A/B

Dynamics2 Key In Filter

Type

Dynamics2 Key In Filter

Freq

Insert Input Insert 1/2 On/Off Mix Insert 1/2 On/Off Matrix Insert 1/2 On/Off Stereo Insert 1/2 On/Off

Input Insert 1/2 Point Mix Insert 1/2 Point Matrix Insert 1/2 Point Stereo Insert 1/2 Point

Input MIX MATRIX STEREO A/B

Parameters copied when pairing

48 RIVAGE PM series Data List

Parameters copied when pairing

This table shows the parameters that are copied when input channels, MIX channels, or MATRIX

channels are paired.

INPUT MIX MATRIX STEREO

Stereo Input Type

Bus Type

Stereo/Mono

Name Name Name Name

Color Color Color Color

Icon Icon Icon Icon

A/B

VSC Safe

Delay On/Off Delay On/Off Delay On/Off Delay On/Off

Delay Point Delay Point Delay Point Delay Point

Insert On/Off Insert On/Off Insert On/Off Insert On/Off

Insert Point Insert Point Insert Point Insert Point