Behringer Macao Commercial Offshore F09130 XENYX MIXER User Manual X2442USB

Behringer Macao Commercial Offshore Limited XENYX MIXER X2442USB

Contents

Users Manual 2

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EN
ES
FR
X1622USB/X2222USB/X2442USB
Step 2: Controls
Paso 2: Controles
Étape 2: Réglages
XENYX X1622USB/X2222USB/X2442USB
Controls
MAIN MIX fader(s) adjust the overall output of the mixer.
ES: MAIN MIX fader(s) adjust the overall output of the mixer.
FR: MAIN MIX fader(s) adjust the overall output of the mixer.
AUX SENDS adjust the amount of signal sent to a monitor speaker
or external eects processor via the AUX SEND jacks.
ES: AUX SENDS adjust the amount of signal sent to a monitor
speaker or external eects processor via the AUX SEND jacks.
FR: AUX SENDS adjust the amount of signal sent to a monitor
speaker or external eects processor via the AUX SEND jacks.
AUX RETURNS adjust the amount of signal returning from an
external eects processor that is included in the main mix. Use the
TO AUX SEND knob(s) to include the eects signal in your monitor
mix as well.
ES: AUX RETURNS adjust the amount of signal returning from an
external eects processor that is included in the main mix. Use the
TO AUX SEND knob(s) to include the eects signal in your monitor
mix as well.
FR: AUX RETURNS adjust the amount of signal returning from an
external eects processor that is included in the main mix. Use the
TO AUX SEND knob(s) to include the eects signal in your monitor
mix as well.
MULTI-FX PROCESSOR adds a selected sound eect to any
channels whose FX knob is turned up. See the Multi-FX Processor
section for details.
ES: MULTI-FX PROCESSOR adds a selected sound eect to any
channels whose FX knob is turned up. See the Multi-FX Processor
section for details.
FR: MULTI-FX PROCESSOR adds a selected sound eect to any
channels whose FX knob is turned up. See the Multi-FX Processor
section for details.
SOURCE buttons route the 2-track/USB, SUB, and MAIN MIX to the
PHONES and CONTROL ROOM jacks.
ES: SOURCE buttons route the 2-track/USB, SUB, and MAIN MIX to
the PHONES and CONTROL ROOM jacks.
FR: SOURCE buttons route the 2-track/USB, SUB, and MAIN MIX to
the PHONES and CONTROL ROOM jacks.
2-TR/USB TO MAIN button routes the 2-TRACK and USB input
signal to the MAIN MIX.
ES: 2-TR/USB TO MAIN button routes the 2-TRACK and USB input
signal to the MAIN MIX.
FR: 2-TR/USB TO MAIN button routes the 2-TRACK and USB input
signal to the MAIN MIX.
PHONES/CTRL ROOM knob adjusts the headphone or studio
monitor volume.
ES: PHONES/CTRL ROOM knob adjusts the headphone or studio
monitor volume.
FR: PHONES/CTRL ROOM knob adjusts the headphone or studio
monitor volume.
VU METER displays the MAIN OUTPUT signal level. Press the MODE
button to switch between SOLO (normal) and PFL (pre-fader listen)
for level setting purposes.
ES: VU METER displays the MAIN OUTPUT signal level. Press the
MODE button to switch between SOLO (normal) and PFL (pre-fader
listen) for level setting purposes.
FR: VU METER displays the MAIN OUTPUT signal level. Press the
MODE button to switch between SOLO (normal) and PFL (pre-fader
listen) for level setting purposes.
MODE button determines whether the channels’ SOLO button
operates as ‘Solo in Place’ (button out) or ‘Pre-Fader Listen’ (button
in). PFL is preferred for gain setting purposes.
ES: MODE button determines whether the channels’ SOLO button
operates as ‘Solo in Place’ (button out) or ‘Pre-Fader Listen’ (button
in). PFL is preferred for gain setting purposes.
FR: MODE button determines whether the channels’ SOLO button
operates as ‘Solo in Place’ (button out) or ‘Pre-Fader Listen’ (button
in). PFL is preferred for gain setting purposes.
SUB faders adjust the output of the SUB OUTPUT jacks. Use
the LEFT/RIGHT buttons to assign the SUB signal to the left
and/or right MAIN MIX.
ES: SUB faders adjust the output of the SUB OUTPUT jacks.
Use the LEFT/RIGHT buttons to assign the SUB signal to the
left and/or right MAIN MIX.
FR: SUB faders adjust the output of the SUB OUTPUT jacks.
Use the LEFT/RIGHT buttons to assign the SUB signal to the
left and/or right MAIN MIX.
X2442USB
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EN
ES
FR
X1622USB/X2222USB/X2442USB
Make sure the power to all devices is turned
o!
ES: Make sure the power to all devices is
turned o!
FR: Make sure the power to all devices is turned o!
Connect all the appropriate power, audio and
USB cables to the mixer.
ES: Connect all the appropriate power, audio
and USB cables to the mixer.
FR: Connect all the appropriate power, audio and USB
cables to the mixer.
Turn the mixer on.
ES: Turn the mixer on.
FR: Turn the mixer on.
Set all controls as shown above (EQ and PAN/
BAL centered, all others down/o).
ES: Set all controls as shown above (EQ and
PAN/BAL centered, all others down/o).
FR: Set all controls as shown above (EQ and PAN/BAL
centered, all others down/o).
Set the GAIN for each channel. See the Gain
Setting section for details.
ES: Set the GAIN for each channel. See the
Gain Setting section for details.
FR: Set the GAIN for each channel. See the Gain Setting
section for details.
With the MAIN MIX fader(s) and PHONES/CTRL
ROOM knob all the way down, turn your PA
system or powered monitors on.
ES: With the MAIN MIX fader(s) and PHONES/
CTRL ROOM knob all the way down, turn your PA system or
powered monitors on.
FR: With the MAIN MIX fader(s) and PHONES/CTRL ROOM
knob all the way down, turn your PA system or powered
monitors on.
Slowly raise the MAIN MIX fader(s) or PHONES/
CTRL ROOM knob to 0 or to desired level.
ES: Slowly raise the MAIN MIX fader(s) or
PHONES/CTRL ROOM knob to 0 or to desired level.
FR: Slowly raise the MAIN MIX fader(s) or PHONES/CTRL
ROOM knob to 0 or to desired level. (graphic)
Press the MAIN button on each channel to
assign the channel to the MAIN MIX.
ES: Press the MAIN button on each channel to
assign the channel to the MAIN MIX.
FR: Press the MAIN button on each channel to assign the
channel to the MAIN MIX.
Adjust the relative level of various microphones
and instruments by raising each CHANNEL
FADER.
ES: Adjust the relative level of various
microphones and instruments by raising each CHANNEL
FADER.
FR: Adjust the relative level of various microphones and
instruments by raising each CHANNEL FADER.
Adjust the left-right position of a channel in
the stereo eld if necessary by turning the
channel’s PAN or BAL knob.
ES: Adjust the left-right position of a channel
in the stereo eld if necessary by turning the channel’s PAN
or BAL knob.
FR: Adjust the left-right position of a channel in the stereo
eld if necessary by turning the channel’s PAN or BAL knob.
XENYX X1622USB/X2222USB/X2442USB
Getting Started
Step 3: Getting
started
Paso 3: Puesta en
marcha
Étape 3: Mise en
œuvret
Adjust the COMP knob to add compression to
an input if necessary.
ES: Adjust the COMP knob to add compression
to an input if necessary.
FR: Adjust the COMP knob to add compression to an input if
necessary.
For live applications, adjust the overall output
from the mixer to the power amp or powered
speakers by raising the MAIN MIX fader(s). If
the red CLIP LEDs on the VU METER light, lower
the MAIN MIX fader(s).
ES: For live applications, adjust the overall output from the
mixer to the power amp or powered speakers by raising the
MAIN MIX fader(s). If the red CLIP LEDs on the VU METER
light, lower the MAIN MIX fader(s).
FR: For live applications, adjust the overall output from the
mixer to the power amp or powered speakers by raising the
MAIN MIX fader(s). If the red CLIP LEDs on the VU METER
light, lower the MAIN MIX fader(s).
Use the channel AUX knobs and master
AUX SEND knobs to send the channel
signals to an eects processor or stage
monitor connected to the AUX SEND jacks.
If used for eects, route the signal back from the
processor to the AUX RETURN jacks.
ES: Use the channel AUX knobs and master AUX
SEND knobs to send the channel signals to an eects
processor or stage monitor connected to the AUX SEND
jacks. If used for eects, route the signal back from the
processor to the AUX RETURN jacks.
FR: Use the channel AUX knobs and master AUX SEND
knobs to send the channel signals to an eects
processor or stage monitor connected to the AUX SEND
jacks. If used for eects, route the signal back from the
processor to the AUX RETURN jacks.
F1220A
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EN
ES
FR
X1622USB/X2222USB/X2442USB
X1622USB/X2222USB/X2442USB
Gain
Setting Multi-FX Processor
Setting the channel gain for the X1622USB/
X2222USB/X2442USB:
ES: Setting the channel gain for the X1622USB/
X2222USB/X2442USB:
FR: Setting the channel gain for the X1622USB/
X2222USB/X2442USB:
Press the Channel 1 SOLO button. Press the
MODE button next to the VU METER to allow
the METER to operate in PFL (pre-fader listen)
mode.
ES: Press the Channel 1 SOLO button. Press the MODE
button next to the VU METER to allow the METER to operate
in PFL (pre-fader listen) mode.
FR: Press the Channel 1 SOLO button. Press the MODE
button next to the VU METER to allow the METER to operate
in PFL (pre-fader listen) mode.
Sing, speak or play at a normal level through
the microphone or instrument connected to
Channel 1.
ES: Sing, speak or play at a normal level
through the microphone or instrument connected to
Channel 1.
FR: Sing, speak or play at a normal level through the
microphone or instrument connected to Channel 1.
While singing or playing, turn Channel 1’s GAIN
control. The VU METER will display the signal
level. Set the GAIN control so that the loudest
peaks reach 0 on the VU METER. Press the
Channel 1 SOLO button again.
ES: While singing or playing, turn Channel 1’s GAIN control.
The VU METER will display the signal level. Set the GAIN
control so that the loudest peaks reach 0 on the VU METER.
Press the Channel 1 SOLO button again.
FR: While singing or playing, turn Channel 1’s GAIN control.
The VU METER will display the signal level. Set the GAIN
control so that the loudest peaks reach 0 on the VU METER.
Press the Channel 1 SOLO button again.
Repeat steps 1-3 for any other channels that
will be used.
ES: Repeat steps 1-3 for any other channels
that will be used.
FR: Repeat steps 1-3 for any other channels that will be
used.
Your mixer has a built-in effects processor.
Follow these steps to add an effect to one or
more channels.
ES: Your mixer has a built-in effects processor.
Follow these steps to add an effect to one or
more channels.
FR: Your mixer has a built-in effects processor.
Follow these steps to add an effect to one or
more channels.
Turn the FX knob up half way on each channel
to which you would like to add an eect.
ES: Turn the FX knob up half way on each
channel to which you would like to add
an eect.
FR: Turn the FX knob up half way on each channel to which
you would like to add an eect.
Turn the FX SEND and FX RETURN knobs to 0.
You may adjust them later.
ES: Turn the FX SEND and FX RETURN knobs
to 0. You may adjust them later.
FR: Turn the FX SEND and FX RETURN knobs to 0. You may
adjust them later.
Scroll through the eects by turning the
PROGRAM knob. The preset number will ash
in the display. Press the PROGRAM knob to
select the eect.
ES: Scroll through the eects by turning the PROGRAM
knob. The preset number will ash in the display. Press the
PROGRAM knob to select the eect.
FR: Scroll through the eects by turning the PROGRAM
knob. The preset number will ash in the display. Press the
PROGRAM knob to select the eect.
Adjust the eect’s rst parameter:
After you have selected a preset (step 3), t
press the PROGRAM knob to enter Edit Mode.
The right LED inside the display will start
blinking.
Turn the PROGRAM knob to adjust the parameter. After t
5 seconds of inactivity, the mixer exits Edit Mode and the
LED goes out.
ES: Adjust the eect’s rst parameter:
After you have selected a preset (step 3), press the t
PROGRAM knob to enter Edit Mode. The right LED inside
the display will start blinking.
Turn the PROGRAM knob to adjust the parameter. After t
5 seconds of inactivity, the mixer exits Edit Mode and the
LED goes out.
FR: Adjust the eect’s rst parameter:
After you have selected a preset (step 3), press the t
PROGRAM knob to enter Edit Mode. The right LED inside
the display will start blinking.
Turn the PROGRAM knob to adjust the parameter. After t
5 seconds of inactivity, the mixer exits Edit Mode and the
LED goes out.
Adjust the eect’s second parameter:
If the eect’s second parameter is an on/o t
or toggled value, press the TAP button to select
between settings. 2 LEDs inside the display will
start blinking.
If the eect’s second parameter is speed-based, press the t
TAP button in rhythm with the desired tempo. The TAP
LED will ash to the current tempo.
After 5 seconds of inactivity, the mixer exits Edit Mode t
and the LEDs go out.
ES: Adjust the eect’s second parameter:
If the eect’s second parameter is an on/o or toggled t
value, press the TAP button to select between settings. 2
LEDs inside the display will start blinking.
If the eect’s second parameter is speed-based, press t
the TAP button in rhythm with the desired tempo.
The TAP LED will ash to the current tempo.
After 5 seconds of inactivity, the mixer exits Edit t
Mode and the LEDs go out.
FR: Adjust the eect’s second parameter:
If the eect’s second parameter is an on/o or t
toggled value, press the TAP button to select
between settings. 2 LEDs inside the display will start
blinking.
If the eect’s second parameter is speed-based, press t
the TAP button in rhythm with the desired tempo.
The TAP LED will ash to the current tempo.
After 5 seconds of inactivity, the mixer exits Edit t
Mode and the LEDs go out.
Readjust each channel’s FX knob to make
sure the right amount of eect is added.
ES: Readjust each channel’s FX knob to
make sure the right amount of eect
is added.
FR: Readjust each channel’s FX knob to make sure the
right amount of eect is added.
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EN
ES
FR
X1622USB/X2222USB/X2442USB
Multi-FX Processor Preset Chart
No.Eect PROGRAM Min. value Max. value Default TAP Min. value Max. value Default TAP LED
REVERB
01 HALL Reverb time 01 (approx.
1.0 sec.)
10 (approx.
8.0 sec.)
03 Brilliance oF on on off/on lighting
02 ROOM Reverb time 01 (approx.
0.5 sec.)
10 (approx.
4.0 sec.)
04 Brilliance oF on oF off/on lighting
03 PLATE Reverb time 01 (approx.
0.5 sec.)
10 (approx.
5.0 sec.)
03 Brilliance oF on on off/on lighting
04 GATED Reverb time 01 (approx.
0.1 sec.)
10 (approx.
1.0 sec.)
02 Brilliance oF on oF off/on lighting
05 REVERSE Reverb time 01 (approx.
0.1 sec.)
10 (approx.
1.0 sec.)
05 Brilliance oF on oF off/on lighting
AMBIENCE / DELAY
06 EARLY REFLECTIONS Room size 01 (small) 10 (extra large) 05 Brilliance oF on oF off/on lighting
07 AMBIENCE Area size 01 (small) 10 (extra large) 05 Brilliance oF on on off/on lighting
08 DELAY No. of
repetitions
01 (min.
feedback)
20 (max.
feedback)
04 Time Interval
(BPM)
07 (72 BPM) 60 (600 BPM) 12 (120 BPM) blinks BPM
Tempo
09 ECHO No. of
repetitions
01 (min.
feedback)
40 (max.
feedback)
20 Time Interval
(BPM)
07 (72 BPM) 60 (600 BPM) 10 (100 BPM) blinks BPM
Tempo
MODULATION
10 CHORUS Intensity
(Depth)
01 (1 %) 99 (99 %) 30 Tempo
(LFO-Speed)
02 (24 BPM) 48 (480 BPM) 06 (60 BPM) blinks mod speed
11 FLANGER Intensity
(Depth)
01 (1 %) 99 (99 %) 40 Tempo
(LFO-Speed)
02 (24 BPM) 48 (480 BPM) 09 (90 BPM) blinks mod speed
12 PHASER Intensity
(Depth)
01 (1 %) 99 (99 %) 60 Tempo
(LFO-Speed)
02 (24 BPM) 48 (480 BPM) 03 (30 BPM) blinks mod speed
DETUNE / PITCH
13 DETUNE Detune-
Spreading
01 (1 cent) 99 (99 cent) 25 2nd voice delay 05 (short,
5 ms)
50 (long, 50
ms)
05 (5 ms) off/on lighting
14 PITCH SHIFT Semitone
Steps
-12 (1 octave
down)
12 (1 octave up) 03 (Minor
3rd)
Detune oF (0 Cent) on (+25 cent) oF (0 Cent) off/on lighting
COMBINATION FX
15 DELAY + REV Ratio -9 (90% DLY,
10% REV)
9 (10% DLY,
90% REV)
0 (50%/
50%)
DLY Time (BPM) 11 (116 BPM) 60 (600 BPM) 12 (120 BPM) blinks BPM
Tempo
16 CHORUS + REV Ratio -9 (90% CH,
10% REV)
9 (10% CH,
90% REV)
0 (50%/
50%)
Reverb time 12 (short,
1.2 s)
24 (long,
2.4 s)
12 (short,
1.2 s)
off/on lighting
Specifications
X1622USB X2222USB X2442USB
Mono inputs
Microphone inputs
(XENYX Mic preamp) 4810
Type
XLR connector,
electronically
balanced, discrete
input circuit
XLR connector,
electronically
balanced, discrete
input circuit
XLR connector,
electronically
balanced, discrete
input circuit
Mic E.I.N.1 (20 Hz - 20 kHz)
@ 0 Ω source resistance -134 dB 135.7 dB
A-weighted
-134 dB 135.7 dB
A-weighted
-134 dB 135.7 dB
A-weighted
@ 50 Ω source resistance -131 dB 133.3 dB
A-weighted
-131 dB 133.3 dB
A-weighted
-131 dB 133.3 dB
A-weighted
@ 150 Ω source resistance -129 dB 130.5 dB
A-weighted
-129 dB 130.5 dB
A-weighted
-129 dB 130.5 dB
A-weighted
Frequency response (–1 dB) <10 Hz - 150 kHz
(-1 dB)
<10 Hz - 150 kHz
(-1 dB)
<10 Hz - 150 kHz
(-1 dB)
Frequency response (–3 dB) <10 Hz - 200 kHz
(-3 dB)
<10 Hz - 200 kHz
(-3 dB)
<10 Hz - 200 kHz
(-3 dB)
Gain range +10 dB to +60 dB +10 dB to +60 dB +10 dB to +60 dB
Max. input level +12 dBu @ +10 dB
GAIN
+12 dBu @ +10 dB
GAIN
+12 dBu @ +10 dB
GAIN
Impedance 2.6 k Ohms balanced 2.6 k Ohms balanced 2.6 k Ohms balanced
Signal-to-noise ratio
110 dB A-weighted
(0 dBu In @ +22 dB
GAIN)
110 dB A-weighted
(0 dBu In @ +22 dB
GAIN)
110 dB A-weighted
(0 dBu In @ +22 dB
GAIN)
Distortion (THD+N) 0.005% / 0.004%
A-weighted
0.005% / 0.004%
A-weighted
0.005% / 0.004%
A-weighted
Phantom Power Switchable, +48 V Switchable, +48 V Switchable, +48 V
Line input
Type
¼" TRS jack,
electronically
balanced
¼" TRS jack,
electronically
balanced
¼" TRS jack,
electronically
balanced
Impedance
20 k Ohms
balanced, 10 k Ohms
unbalanced
20 k Ohms
balanced, 10 k Ohms
unbalanced
20 k Ohms
balanced, 10 k Ohms
unbalanced
Gain range -10 dB to +40 dB -10 dB to +40 dB -10 dB to +40 dB
Max. input level 30 dBu 30 dBu 30 dBu
Frequency response (Mic In -
Main Out)
<10 Hz - 90 kHz +0 dB / -1 dB +0 dB / -1 dB +0 dB / -1 dB
<10 Hz - 160 kHz +0 dB / -3 dB +0 dB / -3 dB +0 dB / -3 dB
Stereo inputs
Type 4 x ¼" TRS jack,
balanced
4 x ¼" TRS jack,
balanced
4 x ¼" TRS jack,
balanced
Impedance
20 k Ohms
balanced, 10 k Ohms
unbalanced
20 k Ohms
balanced, 10 k Ohms
unbalanced
20 k Ohms
balanced, 10 k Ohms
unbalanced
Gain range -20 dB to +20 dB -20 dB to +20 dB -20 dB to +20 dB
Max. input level +22 dBu +22 dBu +22 dBu
CD/Tape In
Type RCA connector RCA connector RCA connector
Impedance 10 k Ohms 10 k Ohms 10 k Ohms
Max. input level +22 dBu +22 dBu +22 dBu
Equalizer 3-band Equalizer 3-band
semi-parametric
Equalizer 3-band
semi-parametric
Equalizer 3-band
semi-parametric
LOW 80 Hz / +- 15 dB 80 Hz / +- 15 dB 80 Hz / +- 15 dB
MID Variable 100 Hz -
8 kHz / +- 15 dB
Variable 100 Hz -
8 kHz / +- 15 dB
Variable 100 Hz -
8 kHz / +- 15 dB
HIGH 12 kHz / +- 15 dB 12 kHz / +- 15 dB 12 kHz / +- 15 dB
Equalizer 4-band xed Equalizer 4-band
fixed
Equalizer 4-band
fixed
Equalizer 4-band
fixed
LOW 80 Hz / +- 15 dB 80 Hz / +- 15 dB 80 Hz / +- 15 dB
LOW MID 500 Hz / +- 15 dB 500 Hz / +- 15 dB 500 Hz / +- 15 dB
HIGH MID 3 kHz / +- 15 dB 3 kHz / +- 15 dB 3 kHz / +- 15 dB
HIGH 12 kHz / +- 15 dB 12 kHz / +- 15 dB 12 kHz / +- 15 dB
Channel inserts
Type ¼"TRS jack,
unbalanced
¼" TRS jack,
unbalanced
¼" TRS jack,
unbalanced
Max. input level +22 dBu +22 dBu +22 dBu
AUX sends
Type 2 x ¼" mono jack,
unbalanced
3 x ¼" mono jack,
unbalanced
4 x ¼" mono jack,
unbalanced
Impedance 120 Ohms 120 Ohms 120 Ohms
Max. output level +22 dBu +22 dBu +22 dBu
AUX returns
Type 2 x ¼" TRS connector,
balanced
3 x ¼" TRS connector,
balanced
4 x ¼" TRS connector,
balanced
Impedance
20 k Ohms
balanced, 10 k Ohms
unbalanced
20 k Ohms
balanced, 10 k Ohms
unbalanced
20 k Ohms
balanced, 10 k Ohms
unbalanced
Max. input level +22 dBu +22 dBu +22 dBu
Main outputs
Type XLR, electronically
balanced
XLR, electronically
balanced
XLR, electronically
balanced
Impedance 240 Ohms balanced,
120 Ohms balanced
240 Ohms balanced,
120 Ohms balanced
240 Ohms balanced,
120 Ohms balanced
Max. output level +28 dBu +28 dBu +28 dBu
Control room output
Type ¼" TS connector,
unbalanced
¼" TS connector,
unbalanced
¼" TS connector,
unbalanced
Impedance 120 Ohms 120 Ohms 120 Ohms
Max. output level +22 dBu +22 dBu +22 dBu
Phones output
Type ¼" TRS jack,
unbalanced
¼" TRS jack,
unbalanced
¼" TRS jack,
unbalanced
Max. output level +19 dBu / 150 Ohms
(+25 dBm)
+19 dBu / 150 Ohms
(+25 dBm)
+19 dBu / 150 Ohms
(+25 dBm)
CD/Tape out
Type RCA connector RCA connector RCA connector
Impedance 1 k Ohms 1 k Ohms 1 k Ohms
Max. output level +22 dBu +22 dBu +22 dBu
DSP
Converter 24-bit Texas
Instruments
24-bit Texas
Instruments
24-bit Texas
Instruments
24-bit Sigma-Delta 24-bit Sigma-Delta 24-bit Sigma-Delta
64/128-times
oversampling
64/128-times
oversampling
64/128-times
oversampling
Sampling Rate 40 kHz 40 kHz 40 kHz
Main mix system data (Noise)
Main mix @ -∞, channel
fader @ -∞
-105 dB / -108 dB A
weighted
-105 dB / -108 dB A
weighted
-105 dB / -108 dB A
weighted
Main mix @ 0 dB, channel
fader @ -∞
-95 dB / -97 dB A
weighted
-95 dB / -97 dB A
weighted
-95 dB / -97 dB A
weighted
Main mix @ 0 dB, channel
fader @ 0 dB
-82.5 dB / -85 dB A
weighted
-82.5 dB / -85 dB A
weighted
-82.5 dB / -85 dB A
weighted
Power supply
Mains voltage 100 - 230 V~,
50/60 Hz
100 - 230 V~,
50/60 Hz
100 - 230 V~,
50/60 Hz
Power consumption 50 W 50 W 50 W
Fuse (100 - 120 V~, 50/60 Hz) T 1,6 A H 250 V T 1,6 A H 250 V T 1,6 A H 250 V
Fuse (220 - 230 V~, 50/60 Hz) T 1,6 A H 250 V T 1,6 A H 250 V T 1,6 A H 250 V
Mains connector Standard IEC
receptacle
Standard IEC
receptacle
Standard IEC
receptacle
USB
Connecter Type B Type B Type B
Converter 16-bit 16-bit 16-bit
Sample Rate 48 kHz 48 kHz 48 kHz
Physical/weight
Dimensions (H x W x D)
90mmx320mmx
340mm (3.54" x 12.60"
x 13.39")
90mmx430mmx
355mm (3.54" x 16.93"
x 14")
135mmx440mmx
420mm (5.31" x 17.32”"
x 16.54")
Weight 7.60 lbs / 3.45kg 10.5 lbs / 4.78kg 13 lbs / 5.92kg
9&/:9964#964#964#tQH
www.behringer.com
9&/:9964#964#964#tQH
www.behringer.com
EN
ES
FR
X1622USB/X2222USB/X2442USB
Especificaciones técnicas Caractéristiques techniques
X1622USB X2222USB X2442USB
Mono inputs
Microphone inputs
(XENYX Mic preamp) 4810
Type
XLR connector,
electronically
balanced, discrete
input circuit
XLR connector,
electronically
balanced, discrete
input circuit
XLR connector,
electronically
balanced, discrete
input circuit
Mic E.I.N.1 (20 Hz - 20 kHz)
@ 0 Ω source resistance -134 dB 135.7 dB
A-weighted
-134 dB 135.7 dB
A-weighted
-134 dB 135.7 dB
A-weighted
@ 50 Ω source resistance -131 dB 133.3 dB
A-weighted
-131 dB 133.3 dB
A-weighted
-131 dB 133.3 dB
A-weighted
@ 150 Ω source resistance -129 dB 130.5 dB
A-weighted
-129 dB 130.5 dB
A-weighted
-129 dB 130.5 dB
A-weighted
Frequency response (–1 dB) <10 Hz - 150 kHz
(-1 dB)
<10 Hz - 150 kHz
(-1 dB)
<10 Hz - 150 kHz
(-1 dB)
Frequency response (–3 dB) <10 Hz - 200 kHz
(-3 dB)
<10 Hz - 200 kHz
(-3 dB)
<10 Hz - 200 kHz
(-3 dB)
Gain range +10 dB to +60 dB +10 dB to +60 dB +10 dB to +60 dB
Max. input level +12 dBu @ +10 dB
GAIN
+12 dBu @ +10 dB
GAIN
+12 dBu @ +10 dB
GAIN
Impedance 2.6 k Ohms balanced 2.6 k Ohms balanced 2.6 k Ohms balanced
Signal-to-noise ratio
110 dB A-weighted
(0 dBu In @ +22 dB
GAIN)
110 dB A-weighted
(0 dBu In @ +22 dB
GAIN)
110 dB A-weighted
(0 dBu In @ +22 dB
GAIN)
Distortion (THD+N) 0.005% / 0.004%
A-weighted
0.005% / 0.004%
A-weighted
0.005% / 0.004%
A-weighted
Phantom Power Switchable, +48 V Switchable, +48 V Switchable, +48 V
Line input
Type
¼" TRS jack,
electronically
balanced
¼" TRS jack,
electronically
balanced
¼" TRS jack,
electronically
balanced
Impedance
20 k Ohms
balanced, 10 k Ohms
unbalanced
20 k Ohms
balanced, 10 k Ohms
unbalanced
20 k Ohms
balanced, 10 k Ohms
unbalanced
Gain range -10 dB to +40 dB -10 dB to +40 dB -10 dB to +40 dB
Max. input level 30 dBu 30 dBu 30 dBu
Frequency response (Mic In -
Main Out)
<10 Hz - 90 kHz +0 dB / -1 dB +0 dB / -1 dB +0 dB / -1 dB
<10 Hz - 160 kHz +0 dB / -3 dB +0 dB / -3 dB +0 dB / -3 dB
Stereo inputs
Type 4 x ¼" TRS jack,
balanced
4 x ¼" TRS jack,
balanced
4 x ¼" TRS jack,
balanced
Impedance
20 k Ohms
balanced, 10 k Ohms
unbalanced
20 k Ohms
balanced, 10 k Ohms
unbalanced
20 k Ohms
balanced, 10 k Ohms
unbalanced
Gain range -20 dB to +20 dB -20 dB to +20 dB -20 dB to +20 dB
Max. input level +22 dBu +22 dBu +22 dBu
CD/Tape In
Type RCA connector RCA connector RCA connector
Impedance 10 k Ohms 10 k Ohms 10 k Ohms
Max. input level +22 dBu +22 dBu +22 dBu
Equalizer 3-band Equalizer 3-band
semi-parametric
Equalizer 3-band
semi-parametric
Equalizer 3-band
semi-parametric
LOW 80 Hz / +- 15 dB 80 Hz / +- 15 dB 80 Hz / +- 15 dB
MID Variable 100 Hz -
8 kHz / +- 15 dB
Variable 100 Hz -
8 kHz / +- 15 dB
Variable 100 Hz -
8 kHz / +- 15 dB
HIGH 12 kHz / +- 15 dB 12 kHz / +- 15 dB 12 kHz / +- 15 dB
Equalizer 4-band xed Equalizer 4-band
fixed
Equalizer 4-band
fixed
Equalizer 4-band
fixed
LOW 80 Hz / +- 15 dB 80 Hz / +- 15 dB 80 Hz / +- 15 dB
LOW MID 500 Hz / +- 15 dB 500 Hz / +- 15 dB 500 Hz / +- 15 dB
HIGH MID 3 kHz / +- 15 dB 3 kHz / +- 15 dB 3 kHz / +- 15 dB
HIGH 12 kHz / +- 15 dB 12 kHz / +- 15 dB 12 kHz / +- 15 dB
Channel inserts
Type ¼"TRS jack,
unbalanced
¼" TRS jack,
unbalanced
¼" TRS jack,
unbalanced
Max. input level +22 dBu +22 dBu +22 dBu
AUX sends
Type 2 x ¼" mono jack,
unbalanced
3 x ¼" mono jack,
unbalanced
4 x ¼" mono jack,
unbalanced
Impedance 120 Ohms 120 Ohms 120 Ohms
Max. output level +22 dBu +22 dBu +22 dBu
AUX returns
Type 2 x ¼" TRS connector,
balanced
3 x ¼" TRS connector,
balanced
4 x ¼" TRS connector,
balanced
Impedance
20 k Ohms
balanced, 10 k Ohms
unbalanced
20 k Ohms
balanced, 10 k Ohms
unbalanced
20 k Ohms
balanced, 10 k Ohms
unbalanced
Max. input level +22 dBu +22 dBu +22 dBu
Main outputs
Type XLR, electronically
balanced
XLR, electronically
balanced
XLR, electronically
balanced
Impedance 240 Ohms balanced,
120 Ohms balanced
240 Ohms balanced,
120 Ohms balanced
240 Ohms balanced,
120 Ohms balanced
Max. output level +28 dBu +28 dBu +28 dBu
Control room output
Type ¼" TS connector,
unbalanced
¼" TS connector,
unbalanced
¼" TS connector,
unbalanced
Impedance 120 Ohms 120 Ohms 120 Ohms
Max. output level +22 dBu +22 dBu +22 dBu
Phones output
Type ¼" TRS jack,
unbalanced
¼" TRS jack,
unbalanced
¼" TRS jack,
unbalanced
Max. output level +19 dBu / 150 Ohms
(+25 dBm)
+19 dBu / 150 Ohms
(+25 dBm)
+19 dBu / 150 Ohms
(+25 dBm)
CD/Tape out
Type RCA connector RCA connector RCA connector
Impedance 1 k Ohms 1 k Ohms 1 k Ohms
Max. output level +22 dBu +22 dBu +22 dBu
DSP
Converter 24-bit Texas
Instruments
24-bit Texas
Instruments
24-bit Texas
Instruments
24-bit Sigma-Delta 24-bit Sigma-Delta 24-bit Sigma-Delta
64/128-times
oversampling
64/128-times
oversampling
64/128-times
oversampling
Sampling Rate 40 kHz 40 kHz 40 kHz
Main mix system data (Noise)
Main mix @ -∞, channel
fader @ -∞
-105 dB / -108 dB A
weighted
-105 dB / -108 dB A
weighted
-105 dB / -108 dB A
weighted
Main mix @ 0 dB, channel
fader @ -∞
-95 dB / -97 dB A
weighted
-95 dB / -97 dB A
weighted
-95 dB / -97 dB A
weighted
Main mix @ 0 dB, channel
fader @ 0 dB
-82.5 dB / -85 dB A
weighted
-82.5 dB / -85 dB A
weighted
-82.5 dB / -85 dB A
weighted
Power supply
Mains voltage 100 - 230 V~,
50/60 Hz
100 - 230 V~,
50/60 Hz
100 - 230 V~,
50/60 Hz
Power consumption 50 W 50 W 50 W
Fuse (100 - 120 V~, 50/60 Hz) T 1,6 A H 250 V T 1,6 A H 250 V T 1,6 A H 250 V
Fuse (220 - 230 V~, 50/60 Hz) T 1,6 A H 250 V T 1,6 A H 250 V T 1,6 A H 250 V
Mains connector Standard IEC
receptacle
Standard IEC
receptacle
Standard IEC
receptacle
USB
Connecter Type B Type B Type B
Converter 16-bit 16-bit 16-bit
Sample Rate 48 kHz 48 kHz 48 kHz
Physical/weight
Dimensions (H x W x D)
90mmx320mmx
340mm (3.54" x 12.60"
x 13.39")
90mmx430mmx
355mm (3.54" x 16.93"
x 14")
135mmx440mmx
420mm (5.31" x 17.32”"
x 16.54")
Weight 7.60 lbs / 3.45kg 10.5 lbs / 4.78kg 13 lbs / 5.92kg
X1622USB X2222USB X2442USB
Mono inputs
Microphone inputs
(XENYX Mic preamp) 4810
Type
XLR connector,
electronically
balanced, discrete
input circuit
XLR connector,
electronically
balanced, discrete
input circuit
XLR connector,
electronically
balanced, discrete
input circuit
Mic E.I.N.1 (20 Hz - 20 kHz)
@ 0 Ω source resistance -134 dB 135.7 dB
A-weighted
-134 dB 135.7 dB
A-weighted
-134 dB 135.7 dB
A-weighted
@ 50 Ω source resistance -131 dB 133.3 dB
A-weighted
-131 dB 133.3 dB
A-weighted
-131 dB 133.3 dB
A-weighted
@ 150 Ω source resistance -129 dB 130.5 dB
A-weighted
-129 dB 130.5 dB
A-weighted
-129 dB 130.5 dB
A-weighted
Frequency response (–1 dB) <10 Hz - 150 kHz
(-1 dB)
<10 Hz - 150 kHz
(-1 dB)
<10 Hz - 150 kHz
(-1 dB)
Frequency response (–3 dB) <10 Hz - 200 kHz
(-3 dB)
<10 Hz - 200 kHz
(-3 dB)
<10 Hz - 200 kHz
(-3 dB)
Gain range +10 dB to +60 dB +10 dB to +60 dB +10 dB to +60 dB
Max. input level +12 dBu @ +10 dB
GAIN
+12 dBu @ +10 dB
GAIN
+12 dBu @ +10 dB
GAIN
Impedance 2.6 k Ohms balanced 2.6 k Ohms balanced 2.6 k Ohms balanced
Signal-to-noise ratio
110 dB A-weighted
(0 dBu In @ +22 dB
GAIN)
110 dB A-weighted
(0 dBu In @ +22 dB
GAIN)
110 dB A-weighted
(0 dBu In @ +22 dB
GAIN)
Distortion (THD+N) 0.005% / 0.004%
A-weighted
0.005% / 0.004%
A-weighted
0.005% / 0.004%
A-weighted
Phantom Power Switchable, +48 V Switchable, +48 V Switchable, +48 V
Line input
Type
¼" TRS jack,
electronically
balanced
¼" TRS jack,
electronically
balanced
¼" TRS jack,
electronically
balanced
Impedance
20 k Ohms
balanced, 10 k Ohms
unbalanced
20 k Ohms
balanced, 10 k Ohms
unbalanced
20 k Ohms
balanced, 10 k Ohms
unbalanced
Gain range -10 dB to +40 dB -10 dB to +40 dB -10 dB to +40 dB
Max. input level 30 dBu 30 dBu 30 dBu
Frequency response (Mic In -
Main Out)
<10 Hz - 90 kHz +0 dB / -1 dB +0 dB / -1 dB +0 dB / -1 dB
<10 Hz - 160 kHz +0 dB / -3 dB +0 dB / -3 dB +0 dB / -3 dB
Stereo inputs
Type 4 x ¼" TRS jack,
balanced
4 x ¼" TRS jack,
balanced
4 x ¼" TRS jack,
balanced
Impedance
20 k Ohms
balanced, 10 k Ohms
unbalanced
20 k Ohms
balanced, 10 k Ohms
unbalanced
20 k Ohms
balanced, 10 k Ohms
unbalanced
Gain range -20 dB to +20 dB -20 dB to +20 dB -20 dB to +20 dB
Max. input level +22 dBu +22 dBu +22 dBu
CD/Tape In
Type RCA connector RCA connector RCA connector
Impedance 10 k Ohms 10 k Ohms 10 k Ohms
Max. input level +22 dBu +22 dBu +22 dBu
Equalizer 3-band Equalizer 3-band
semi-parametric
Equalizer 3-band
semi-parametric
Equalizer 3-band
semi-parametric
LOW 80 Hz / +- 15 dB 80 Hz / +- 15 dB 80 Hz / +- 15 dB
MID Variable 100 Hz -
8 kHz / +- 15 dB
Variable 100 Hz -
8 kHz / +- 15 dB
Variable 100 Hz -
8 kHz / +- 15 dB
HIGH 12 kHz / +- 15 dB 12 kHz / +- 15 dB 12 kHz / +- 15 dB
Equalizer 4-band xed Equalizer 4-band
fixed
Equalizer 4-band
fixed
Equalizer 4-band
fixed
LOW 80 Hz / +- 15 dB 80 Hz / +- 15 dB 80 Hz / +- 15 dB
LOW MID 500 Hz / +- 15 dB 500 Hz / +- 15 dB 500 Hz / +- 15 dB
HIGH MID 3 kHz / +- 15 dB 3 kHz / +- 15 dB 3 kHz / +- 15 dB
HIGH 12 kHz / +- 15 dB 12 kHz / +- 15 dB 12 kHz / +- 15 dB
Channel inserts
Type ¼"TRS jack,
unbalanced
¼" TRS jack,
unbalanced
¼" TRS jack,
unbalanced
Max. input level +22 dBu +22 dBu +22 dBu
AUX sends
Type 2 x ¼" mono jack,
unbalanced
3 x ¼" mono jack,
unbalanced
4 x ¼" mono jack,
unbalanced
Impedance 120 Ohms 120 Ohms 120 Ohms
Max. output level +22 dBu +22 dBu +22 dBu
AUX returns
Type 2 x ¼" TRS connector,
balanced
3 x ¼" TRS connector,
balanced
4 x ¼" TRS connector,
balanced
Impedance
20 k Ohms
balanced, 10 k Ohms
unbalanced
20 k Ohms
balanced, 10 k Ohms
unbalanced
20 k Ohms
balanced, 10 k Ohms
unbalanced
Max. input level +22 dBu +22 dBu +22 dBu
Main outputs
Type XLR, electronically
balanced
XLR, electronically
balanced
XLR, electronically
balanced
Impedance 240 Ohms balanced,
120 Ohms balanced
240 Ohms balanced,
120 Ohms balanced
240 Ohms balanced,
120 Ohms balanced
Max. output level +28 dBu +28 dBu +28 dBu
Control room output
Type ¼" TS connector,
unbalanced
¼" TS connector,
unbalanced
¼" TS connector,
unbalanced
Impedance 120 Ohms 120 Ohms 120 Ohms
Max. output level +22 dBu +22 dBu +22 dBu
Phones output
Type ¼" TRS jack,
unbalanced
¼" TRS jack,
unbalanced
¼" TRS jack,
unbalanced
Max. output level +19 dBu / 150 Ohms
(+25 dBm)
+19 dBu / 150 Ohms
(+25 dBm)
+19 dBu / 150 Ohms
(+25 dBm)
CD/Tape out
Type RCA connector RCA connector RCA connector
Impedance 1 k Ohms 1 k Ohms 1 k Ohms
Max. output level +22 dBu +22 dBu +22 dBu
DSP
Converter 24-bit Texas
Instruments
24-bit Texas
Instruments
24-bit Texas
Instruments
24-bit Sigma-Delta 24-bit Sigma-Delta 24-bit Sigma-Delta
64/128-times
oversampling
64/128-times
oversampling
64/128-times
oversampling
Sampling Rate 40 kHz 40 kHz 40 kHz
Main mix system data (Noise)
Main mix @ -∞, channel
fader @ -∞
-105 dB / -108 dB A
weighted
-105 dB / -108 dB A
weighted
-105 dB / -108 dB A
weighted
Main mix @ 0 dB, channel
fader @ -∞
-95 dB / -97 dB A
weighted
-95 dB / -97 dB A
weighted
-95 dB / -97 dB A
weighted
Main mix @ 0 dB, channel
fader @ 0 dB
-82.5 dB / -85 dB A
weighted
-82.5 dB / -85 dB A
weighted
-82.5 dB / -85 dB A
weighted
Power supply
Mains voltage 100 - 230 V~,
50/60 Hz
100 - 230 V~,
50/60 Hz
100 - 230 V~,
50/60 Hz
Power consumption 50 W 50 W 50 W
Fuse (100 - 120 V~, 50/60 Hz) T 1,6 A H 250 V T 1,6 A H 250 V T 1,6 A H 250 V
Fuse (220 - 230 V~, 50/60 Hz) T 1,6 A H 250 V T 1,6 A H 250 V T 1,6 A H 250 V
Mains connector Standard IEC
receptacle
Standard IEC
receptacle
Standard IEC
receptacle
USB
Connecter Type B Type B Type B
Converter 16-bit 16-bit 16-bit
Sample Rate 48 kHz 48 kHz 48 kHz
Physical/weight
Dimensions (H x W x D)
90mmx320mmx
340mm (3.54" x 12.60"
x 13.39")
90mmx430mmx
355mm (3.54" x 16.93"
x 14")
135mmx440mmx
420mm (5.31" x 17.32”"
x 16.54")
Weight 7.60 lbs / 3.45kg 10.5 lbs / 4.78kg 13 lbs / 5.92kg
9&/:9964#964#964#tQH
www.behringer.com
Important
information
Aspectos
importantes
Informations
importantes
Other important information
Register online.1. Please register
your new BEHRINGER equipment
right after you purchase it by visiting
www.behringer.com. Registering your
purchase using our simple online form
helps us to process your repair claims
more quickly and efficiently. Also, read
the terms and conditions of our warranty,
if applicable.
Malfunction.2. Should your BEHRINGER
dealer not be located in your vicinity, you
may contact the BEHRINGER distributor
for your country listed under “Support” at
www.behringer.com. Should your country
not be listed, please check if your problem
can be dealt with by our “Online Support”
which may also be found under “Support”
at www.behringer.com. Alternatively,
please submit an online warranty claim at
www.behringer.com BEFORE returning the
product.
Power Connections.3. Before plugging
the unit into a power socket, please make
sure you are using the correct mains
voltage for your particular model. Faulty
fuses must be replaced with fuses of the
same type and rating without exception.
Registro online. 1. Le recomendamos
que registre su nuevo aparato BEHRINGER
justo después de su compra accediendo
a la página web www.behringer.com. El
registro de su compra a través de nuestro
sencillo sistema online nos ayudará a
resolver cualquier incidencia que se
presente a la mayor brevedad posible.
Además, aproveche para leer los términos
y condiciones de nuestra garantía, si es
aplicable en su caso.
Averías.2. En el caso de que no
exista un distribuidor BEHRINGER en
las inmediaciones, puede ponerse en
contacto con el distribuidor BEHRINGER
de su país, que encontrará dentro del
apartado “Support” de nuestra página
web www.behringer.com. En caso de
que su país no aparezca en ese listado,
acceda a la sección “Online Support”
(que también encontrará dentro del
apartado “Support” de nuestra página
web) y compruebe si su problema
aparece descrito y solucionado allí. De
forma alternativa, envíenos a través de
la página web una solicitud online de
soporte en periodo de garantía ANTES de
devolvernos el aparato.
Conexiones de corriente.3. Antes de
enchufar este aparato a una salida de
corriente, asegúrese de que dicha salida
sea del voltaje adecuado para su modelo
concreto. En caso de que deba sustituir
un fusible quemado, deberá hacerlo por
otro de idénticas especificaciones, sin
excepción.
Enregistrez-vous en ligne.1. Prenez
le temps d’enregistrer votre produit
BEHRINGER aussi vite que possible sur
le site Internet www.behringer.com. Le
fait d’enregistrer le produit en ligne nous
permet de gérer les réparations plus
rapidement et plus efficacement. Prenez
également le temps de lire les termes et
conditions de notre garantie.
Dysfonctionnement.2. Si vous n’avez
pas de revendeur BEHRINGER près de
chez vous, contactez le distributeur
BEHRINGER de votre pays : consultez
la liste des distributeurs de votre pays
dans la page “Support” de notre site
Internet www.behringer.com. Si votre
pays n’est pas dans la liste, essayez de
résoudre votre problème avec notre
“aide en ligne” que vous trouverez
également dans la section “Support”
du site www.behringer.com. Vous
pouvez également nous faire parvenir
directement votre demande de
réparation sous garantie par Internet sur
le site www.behringer.com AVANT de
nous renvoyer le produit.
Raccordement au secteur.3. Avant
de relier cet équipement au secteur,
assurez-vous que la tension secteur
de votre région soit compatible avec
l’appareil. Veillez à remplacer les fusibles
uniquement par des modèles exactement
de même taille et de même valeur
électrique — sans aucune exception.
EN
ES
FR
9&/:9964#964#964#tQH
www.behringer.com
9&/:9964#964#964#tQH
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9&/:9964#964#964#tQH
www.behringer.com
EN
ES
FR
www.behringer.com
Do you want more
information about
this product?
We offer expanded
Owner’s Manuals in
PDF format for the
advanced user at
www.behringer.com.
Downloads are available in English, Spanish,
German and Chinese.
¿Necesita más información sobre
este producto?
Para aquellos usuarios más avanzados que
necesiten más información, encontrarán un
manual de instrucciones ampliado en formato
PDF en nuestra página web www. behringer. com.
Estos manuales están disponibles en inglés,
español, alemán y chino.
Souhaitez-vous de plus amples
informations sur ce produit ?
Vous trouverez une version plus longue de ce
mode d’emploi en anglais, en espagnol, en
allemand et en chinois au format PDF sur le site
www.behringer.com.
XENYX
X1622USB/
X2222USB/
X2442USB
FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION
Responsible party name: BEHRINGER USA, Inc.
Address: 18912 North Creek Parkway, Suite 200
Bothell, WA 98011, USA
Phone/Fax No.: Phone: +1 425 672 0816,
Fax: +1 425 673 7647
hereby declares that the product(s)
complies/comply with the FCC rules as mentioned in the following paragraph:
This device complies with Part 15 of the FCC rules. Operation is subject to the following two conditions: (1) this
device may not cause harmful interference, and (2) this device must accept any interference received, including
interference that may cause undesired operation.
Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant
to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful
interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy
and, if not installed and used in accordance with the instructions, may cause harmful interference to radio
communications. However, there is no guarantee that interference will not occur in a particular installation. If
this equipment does cause harmful interference to radio or television reception, which can be determined by
turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the
following measures:
=Reorient or relocate the receiving antenna.
=Increase the separation between the equipment and receiver.
=Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
=Consult the dealer or an experienced radio/TV technician for help.
Important information:
Changes or modifications to the equipment not expressly approved by
BEHRINGER USA can void the user’s authority to use the equipment.
FCC_Formular_Class_B.pmd 09.08.2007, 13:501
;(1<;
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A57 A4P04 17001

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