Behringer Macao Commercial Offshore F09130 XENYX MIXER User Manual X2442USB
Behringer Macao Commercial Offshore Limited XENYX MIXER X2442USB
Contents
- 1. Users Manual 1
- 2. Users Manual 2
Users Manual 2
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| Document ID | 1153978 |
| Application ID | YXMwguCculCmiU9ifpEPTQ== |
| Document Description | Users Manual 2 |
| Short Term Confidential | No |
| Permanent Confidential | No |
| Supercede | No |
| Document Type | User Manual |
| Display Format | Adobe Acrobat PDF - pdf |
| Filesize | 262.09kB (3276160 bits) |
| Date Submitted | 2009-08-14 00:00:00 |
| Date Available | 2009-08-17 00:00:00 |
| Creation Date | 2009-08-14 14:28:19 |
| Producing Software | Acrobat Distiller 7.0 (Windows) |
| Document Lastmod | 2009-08-14 14:28:29 |
| Document Title | X2442USB-User Manual.pdf |
| Document Creator | PScript5.dll Version 5.2.2 |
| Document Author: | yeiqo |
www.behringer.com Étape 2: Réglages Paso 2: Controles Step 2: Controls MODE button determines whether the channels’ SOLO button operates as ‘Solo in Place’ (button out) or ‘Pre-Fader Listen’ (button in). PFL is preferred for gain setting purposes. ES: MODE button determines whether the channels’ SOLO button operates as ‘Solo in Place’ (button out) or ‘Pre-Fader Listen’ (button in). PFL is preferred for gain setting purposes. FR: MODE button determines whether the channels’ SOLO button operates as ‘Solo in Place’ (button out) or ‘Pre-Fader Listen’ (button in). PFL is preferred for gain setting purposes. SUB faders adjust the output of the SUB OUTPUT jacks. Use the LEFT/RIGHT buttons to assign the SUB signal to the left and/or right MAIN MIX. ES: SUB faders adjust the output of the SUB OUTPUT jacks. Use the LEFT/RIGHT buttons to assign the SUB signal to the left and/or right MAIN MIX. FR: SUB faders adjust the output of the SUB OUTPUT jacks. Use the LEFT/RIGHT buttons to assign the SUB signal to the left and/or right MAIN MIX. PHONES/CTRL ROOM knob adjusts the headphone or studio monitor volume. ES: PHONES/CTRL ROOM knob adjusts the headphone or studio monitor volume. FR: PHONES/CTRL ROOM knob adjusts the headphone or studio monitor volume. SOURCE buttons route the 2-track/USB, SUB, and MAIN MIX to the PHONES and CONTROL ROOM jacks. ES: SOURCE buttons route the 2-track/USB, SUB, and MAIN MIX to the PHONES and CONTROL ROOM jacks. FR: SOURCE buttons route the 2-track/USB, SUB, and MAIN MIX to the PHONES and CONTROL ROOM jacks. AUX SENDS adjust the amount of signal sent to a monitor speaker or external effects processor via the AUX SEND jacks. ES: AUX SENDS adjust the amount of signal sent to a monitor speaker or external effects processor via the AUX SEND jacks. FR: AUX SENDS adjust the amount of signal sent to a monitor speaker or external effects processor via the AUX SEND jacks. XENYX X1622USB/X2222USB/X2442USB 9&/:9964#964#964#tQH www.behringer.com X2442USB Controls 9&/:9964#964#964#tQH MAIN MIX fader(s) adjust the overall output of the mixer. ES: MAIN MIX fader(s) adjust the overall output of the mixer. FR: MAIN MIX fader(s) adjust the overall output of the mixer. VU METER displays the MAIN OUTPUT signal level. Press the MODE button to switch between SOLO (normal) and PFL (pre-fader listen) for level setting purposes. ES: VU METER displays the MAIN OUTPUT signal level. Press the MODE button to switch between SOLO (normal) and PFL (pre-fader listen) for level setting purposes. FR: VU METER displays the MAIN OUTPUT signal level. Press the MODE button to switch between SOLO (normal) and PFL (pre-fader listen) for level setting purposes. 2-TR/USB TO MAIN button routes the 2-TRACK and USB input signal to the MAIN MIX. ES: 2-TR/USB TO MAIN button routes the 2-TRACK and USB input signal to the MAIN MIX. FR: 2-TR/USB TO MAIN button routes the 2-TRACK and USB input signal to the MAIN MIX. AUX RETURNS adjust the amount of signal returning from an external effects processor that is included in the main mix. Use the TO AUX SEND knob(s) to include the effects signal in your monitor mix as well. ES: AUX RETURNS adjust the amount of signal returning from an external effects processor that is included in the main mix. Use the TO AUX SEND knob(s) to include the effects signal in your monitor mix as well. FR: AUX RETURNS adjust the amount of signal returning from an external effects processor that is included in the main mix. Use the TO AUX SEND knob(s) to include the effects signal in your monitor mix as well. MULTI-FX PROCESSOR adds a selected sound effect to any channels whose FX knob is turned up. See the Multi-FX Processor section for details. ES: MULTI-FX PROCESSOR adds a selected sound effect to any channels whose FX knob is turned up. See the Multi-FX Processor section for details. FR: MULTI-FX PROCESSOR adds a selected sound effect to any channels whose FX knob is turned up. See the Multi-FX Processor section for details. X1622USB/X2222USB/X2442USB FR ES EN www.behringer.com Étape 3: Mise en œuvret Paso 3: Puesta en marcha Step 3: Getting started Set all controls as shown above (EQ and PAN/ BAL centered, all others down/off). ES: Set all controls as shown above (EQ and PAN/BAL centered, all others down/off). FR: Set all controls as shown above (EQ and PAN/BAL centered, all others down/off). Set the GAIN for each channel. See the Gain Setting section for details. ES: Set the GAIN for each channel. See the Gain Setting section for details. FR: Set the GAIN for each channel. See the Gain Setting section for details. Turn the mixer on. ES: Turn the mixer on. FR: Turn the mixer on. Connect all the appropriate power, audio and USB cables to the mixer. ES: Connect all the appropriate power, audio and USB cables to the mixer. FR: Connect all the appropriate power, audio and USB cables to the mixer. Make sure the power to all devices is turned off! ES: Make sure the power to all devices is turned off! FR: Make sure the power to all devices is turned off! With the MAIN MIX fader(s) and PHONES/CTRL ROOM knob all the way down, turn your PA system or powered monitors on. ES: With the MAIN MIX fader(s) and PHONES/ CTRL ROOM knob all the way down, turn your PA system or powered monitors on. FR: With the MAIN MIX fader(s) and PHONES/CTRL ROOM knob all the way down, turn your PA system or powered monitors on. Slowly raise the MAIN MIX fader(s) or PHONES/ CTRL ROOM knob to 0 or to desired level. ES: Slowly raise the MAIN MIX fader(s) or PHONES/CTRL ROOM knob to 0 or to desired level. FR: Slowly raise the MAIN MIX fader(s) or PHONES/CTRL ROOM knob to 0 or to desired level. (graphic) XENYX X1622USB/X2222USB/X2442USB 9&/:9964#964#964#tQH www.behringer.com Adjust the left-right position of a channel in the stereo field if necessary by turning the channel’s PAN or BAL knob. ES: Adjust the left-right position of a channel in the stereo field if necessary by turning the channel’s PAN or BAL knob. FR: Adjust the left-right position of a channel in the stereo field if necessary by turning the channel’s PAN or BAL knob. Adjust the relative level of various microphones and instruments by raising each CHANNEL FADER. ES: Adjust the relative level of various microphones and instruments by raising each CHANNEL FADER. FR: Adjust the relative level of various microphones and instruments by raising each CHANNEL FADER. Press the MAIN button on each channel to assign the channel to the MAIN MIX. ES: Press the MAIN button on each channel to assign the channel to the MAIN MIX. FR: Press the MAIN button on each channel to assign the channel to the MAIN MIX. For live applications, adjust the overall output from the mixer to the power amp or powered speakers by raising the MAIN MIX fader(s). If the red CLIP LEDs on the VU METER light, lower the MAIN MIX fader(s). ES: For live applications, adjust the overall output from the mixer to the power amp or powered speakers by raising the MAIN MIX fader(s). If the red CLIP LEDs on the VU METER light, lower the MAIN MIX fader(s). FR: For live applications, adjust the overall output from the mixer to the power amp or powered speakers by raising the MAIN MIX fader(s). If the red CLIP LEDs on the VU METER light, lower the MAIN MIX fader(s). F1220A Use the channel AUX knobs and master AUX SEND knobs to send the channel signals to an effects processor or stage monitor connected to the AUX SEND jacks. If used for effects, route the signal back from the processor to the AUX RETURN jacks. ES: Use the channel AUX knobs and master AUX SEND knobs to send the channel signals to an effects processor or stage monitor connected to the AUX SEND jacks. If used for effects, route the signal back from the processor to the AUX RETURN jacks. FR: Use the channel AUX knobs and master AUX SEND knobs to send the channel signals to an effects processor or stage monitor connected to the AUX SEND jacks. If used for effects, route the signal back from the processor to the AUX RETURN jacks. X1622USB/X2222USB/X2442USB Adjust the COMP knob to add compression to an input if necessary. ES: Adjust the COMP knob to add compression to an input if necessary. FR: Adjust the COMP knob to add compression to an input if necessary. Getting Started 9&/:9964#964#964#tQH FR ES EN www.behringer.com ES: While singing or playing, turn Channel 1’s GAIN control. The VU METER will display the signal level. Set the GAIN control so that the loudest peaks reach 0 on the VU METER. Press the Channel 1 SOLO button again. While singing or playing, turn Channel 1’s GAIN control. The VU METER will display the signal level. Set the GAIN control so that the loudest peaks reach 0 on the VU METER. Press the Channel 1 SOLO button again. FR: Sing, speak or play at a normal level through the microphone or instrument connected to Channel 1. ES: Sing, speak or play at a normal level through the microphone or instrument connected to Channel 1. Sing, speak or play at a normal level through the microphone or instrument connected to Channel 1. FR: Press the Channel 1 SOLO button. Press the MODE button next to the VU METER to allow the METER to operate in PFL (pre-fader listen) mode. ES: Press the Channel 1 SOLO button. Press the MODE button next to the VU METER to allow the METER to operate in PFL (pre-fader listen) mode. Press the Channel 1 SOLO button. Press the MODE button next to the VU METER to allow the METER to operate in PFL (pre-fader listen) mode. FR: Setting the channel gain for the X1622USB/ X2222USB/X2442USB: X2222USB/X2442USB: ES: Setting the channel gain for the X1622USB/ Setting the channel gain for the X1622USB/ X2222USB/X2442USB: FR: Repeat steps 1-3 for any other channels that will be used. ES: Repeat steps 1-3 for any other channels that will be used. Repeat steps 1-3 for any other channels that will be used. FR: While singing or playing, turn Channel 1’s GAIN control. The VU METER will display the signal level. Set the GAIN control so that the loudest peaks reach 0 on the VU METER. Press the Channel 1 SOLO button again. www.behringer.com t After you have selected a preset (step 3), press the PROGRAM knob to enter Edit Mode. The right LED inside the display will start blinking. blinking. t Turn the PROGRAM knob to adjust the parameter. After 5 seconds of inactivity, the mixer exits Edit Mode and the LED goes out. ES: Adjust the effect’s first parameter: t After you have selected a preset (step 3), press the PROGRAM knob to enter Edit Mode. The right LED inside the display will start Adjust the effect’s first parameter: FR: Scroll through the effects by turning the PROGRAM knob. The preset number will flash in the display. Press the PROGRAM knob to select the effect. ES: Scroll through the effects by turning the PROGRAM knob. The preset number will flash in the display. Press the PROGRAM knob to select the effect. Scroll through the effects by turning the PROGRAM knob. The preset number will flash in the display. Press the PROGRAM knob to select the effect. FR: Turn the FX SEND and FX RETURN knobs to 0. You may adjust them later. ES: Turn the FX SEND and FX RETURN knobs to 0. You may adjust them later. Turn the FX SEND and FX RETURN knobs to 0. You may adjust them later. FR: Turn the FX knob up half way on each channel to which you would like to add an effect. an effect. ES: Turn the FX knob up half way on each channel to which you would like to add Turn the FX knob up half way on each channel to which you would like to add an effect. FR: Your mixer has a built-in effects processor. Follow these steps to add an effect to one or more channels. Follow these steps to add an effect to one or more channels. ES: Your mixer has a built-in effects processor. Your mixer has a built-in effects processor. Follow these steps to add an effect to one or more channels. t If the effect’s second parameter is an on/off or toggled value, press the TAP button to select between settings. 2 LEDs inside the display will start blinking. t If the effect’s second parameter is an on/off or toggled value, press the TAP button to select between settings. 2 LEDs inside the display will start blinking. t If the effect’s second parameter is speed-based, press the TAP button in rhythm with the desired tempo. The TAP LED will flash to the current tempo. t After 5 seconds of inactivity, the mixer exits Edit Mode and the LEDs go out. ES: Adjust the effect’s second parameter: t After you have selected a preset (step 3), press the PROGRAM knob to enter Edit Mode. The right LED inside the display will start blinking. t Turn the PROGRAM knob to adjust the parameter. After 5 seconds of inactivity, the mixer exits Edit Mode and the LED goes out. Adjust the effect’s second parameter: t Turn the PROGRAM knob to adjust the parameter. After 5 seconds of inactivity, the mixer exits Edit Mode and the LED goes out. FR: Adjust the effect’s first parameter: Multi-FX Processor X1622USB/X2222USB/X2442USB Gain Setting FR: Readjust each channel’s FX knob to make sure the right amount of effect is added. is added. ES: Readjust each channel’s FX knob to make sure the right amount of effect t If the effect’s second parameter is an on/off or toggled value, press the TAP button to select between settings. 2 LEDs inside the display will start blinking. t If the effect’s second parameter is speed-based, press the TAP button in rhythm with the desired tempo. The TAP LED will flash to the current tempo. t After 5 seconds of inactivity, the mixer exits Edit Mode and the LEDs go out. Readjust each channel’s FX knob to make sure the right amount of effect is added. t If the effect’s second parameter is speed-based, press the TAP button in rhythm with the desired tempo. The TAP LED will flash to the current tempo. t After 5 seconds of inactivity, the mixer exits Edit Mode and the LEDs go out. FR: Adjust the effect’s second parameter: X1622USB/X2222USB/X2442USB 9&/:9964#964#964#tQH 9&/:9964#964#964#tQH FR ES EN Reverb time Reverb time Reverb time PLATE GATED REVERSE No. of repetitions No. of repetitions DELAY ECHO Intensity (Depth) Intensity (Depth) FLANGER PHASER Semitone Steps PITCH SHIFT Ratio Ratio DELAY + REV CHORUS + REV COMBINATION FX DetuneSpreading DETUNE DETUNE / PITCH Intensity (Depth) CHORUS MODULATION Area size AMBIENCE www.behringer.com 16 15 14 13 12 11 10 09 08 07 Room size Reverb time ROOM AMBIENCE / DELAY Reverb time PROGRAM HALL 06 EARLY REFLECTIONS 05 04 03 02 01 REVERB Effect -9 (90% CH, 10% REV) -9 (90% DLY, 10% REV) -12 (1 octave down) 01 (1 cent) 01 (1 %) 01 (1 %) 01 (1 %) 01 (min. feedback) 01 (min. feedback) 01 (small) 01 (small) 01 (approx. 0.1 sec.) 01 (approx. 0.1 sec.) 01 (approx. 0.5 sec.) 01 (approx. 0.5 sec.) 01 (approx. 1.0 sec.) Min. value 9 (10% CH, 90% REV) 9 (10% DLY, 90% REV) 12 (1 octave up) 99 (99 cent) 99 (99 %) 99 (99 %) 99 (99 %) 40 (max. feedback) 20 (max. feedback) 10 (extra large) 10 (extra large) 10 (approx. 1.0 sec.) 10 (approx. 1.0 sec.) 10 (approx. 5.0 sec.) 10 (approx. 4.0 sec.) 10 (approx. 8.0 sec.) Max. value 0 (50%/ 50%) 0 (50%/ 50%) 03 (Minor 3rd) 25 60 40 30 20 04 05 05 05 02 03 04 03 Default Reverb time DLY Time (BPM) Detune 2nd voice delay Tempo (LFO-Speed) Tempo (LFO-Speed) Tempo (LFO-Speed) Time Interval (BPM) Time Interval (BPM) Brilliance Brilliance Brilliance Brilliance Brilliance Brilliance Brilliance TAP 12 (short, 1.2 s) 11 (116 BPM) oF (0 Cent) 05 (short, 5 ms) 02 (24 BPM) 02 (24 BPM) 02 (24 BPM) 07 (72 BPM) 07 (72 BPM) oF oF oF oF oF oF oF Min. value 24 (long, 2.4 s) 60 (600 BPM) on (+25 cent) 50 (long, 50 ms) 48 (480 BPM) 48 (480 BPM) 48 (480 BPM) 60 (600 BPM) 60 (600 BPM) on on on on on on on Max. value 12 (short, 1.2 s) 12 (120 BPM) oF (0 Cent) 05 (5 ms) 03 (30 BPM) 09 (90 BPM) 06 (60 BPM) 10 (100 BPM) 12 (120 BPM) on oF oF oF on oF on Default off/on lighting blinks BPM Tempo off/on lighting off/on lighting blinks mod speed blinks mod speed blinks mod speed blinks BPM Tempo blinks BPM Tempo off/on lighting off/on lighting off/on lighting off/on lighting off/on lighting off/on lighting off/on lighting TAP LED ¼" TRS jack, electronically balanced Switchable, +48 V 0.005% / 0.004% A-weighted RCA connector +22 dBu -20 dB to +20 dB 500 Hz / +- 15 dB 3 kHz / +- 15 dB 12 kHz / +- 15 dB 500 Hz / +- 15 dB 3 kHz / +- 15 dB 12 kHz / +- 15 dB LOW MID HIGH MID HIGH Type www.behringer.com Max. input level +22 dBu 80 Hz / +- 15 dB 80 Hz / +- 15 dB ¼" TRS jack, unbalanced Equalizer 4-band fixed Equalizer 4-band fixed Equalizer 4-band fixed LOW +22 dBu 12 kHz / +- 15 dB 12 kHz / +- 15 dB HIGH ¼"TRS jack, unbalanced 80 Hz / +- 15 dB Variable 100 Hz 8 kHz / +- 15 dB 80 Hz / +- 15 dB Variable 100 Hz 8 kHz / +- 15 dB MID Equalizer 3-band LOW +22 dBu Equalizer 3-band semi-parametric +22 dBu Equalizer 3-band semi-parametric Max. input level 10 k Ohms RCA connector +22 dBu -20 dB to +20 dB 10 k Ohms Channel inserts 4 x ¼" TRS jack, balanced +0 dB / -3 dB +0 dB / -1 dB 30 dBu -10 dB to +40 dB +22 dBu ¼" TRS jack, unbalanced 12 kHz / +- 15 dB 3 kHz / +- 15 dB 500 Hz / +- 15 dB 80 Hz / +- 15 dB Equalizer 4-band fixed 12 kHz / +- 15 dB Variable 100 Hz 8 kHz / +- 15 dB 80 Hz / +- 15 dB Equalizer 3-band semi-parametric +22 dBu 10 k Ohms RCA connector +22 dBu -20 dB to +20 dB 20 k Ohms 20 k Ohms 20 k Ohms balanced, 10 k Ohms balanced, 10 k Ohms balanced, 10 k Ohms unbalanced unbalanced unbalanced Impedance Type CD/Tape In Max. input level Gain range Impedance Type 4 x ¼" TRS jack, balanced +0 dB / -3 dB 4 x ¼" TRS jack, balanced +0 dB / -1 dB +0 dB / -3 dB 30 dBu 30 dBu +0 dB / -1 dB -10 dB to +40 dB -10 dB to +40 dB <10 Hz - 160 kHz Stereo inputs ¼" TRS jack, electronically balanced Switchable, +48 V 0.005% / 0.004% A-weighted 20 k Ohms 20 k Ohms 20 k Ohms balanced, 10 k Ohms balanced, 10 k Ohms balanced, 10 k Ohms unbalanced unbalanced unbalanced ¼" TRS jack, electronically balanced Switchable, +48 V 0.005% / 0.004% A-weighted <10 Hz - 90 kHz Frequency response (Mic In Main Out) Max. input level Gain range Impedance Type Line input Phantom Power Distortion (THD+N) 110 dB A-weighted 110 dB A-weighted 110 dB A-weighted (0 dBu In @ +22 dB (0 dBu In @ +22 dB (0 dBu In @ +22 dB GAIN) GAIN) GAIN) Signal-to-noise ratio +12 dBu @ +10 dB GAIN +12 dBu @ +10 dB GAIN 2.6 k Ohms balanced 2.6 k Ohms balanced 2.6 k Ohms balanced Max. input level +10 dB to +60 dB <10 Hz - 200 kHz (-3 dB) <10 Hz - 150 kHz (-1 dB) -129 dB 130.5 dB A-weighted -131 dB 133.3 dB A-weighted -134 dB 135.7 dB A-weighted XLR connector, electronically balanced, discrete input circuit 10 X2442USB +22 dBu 120 Ohms 3 x ¼" mono jack, unbalanced XLR, electronically balanced +22 dBu ¼" TRS jack, unbalanced 40 kHz 40 kHz Standard IEC receptacle Standard IEC receptacle Mains connector Weight Dimensions (H x W x D) 48 kHz 16-bit Type B Standard IEC receptacle T 1,6 A H 250 V T 1,6 A H 250 V 50 W 100 - 230 V~, 50/60 Hz -82.5 dB / -85 dB A weighted -95 dB / -97 dB A weighted 7.60 lbs / 3.45kg 10.5 lbs / 4.78kg 13 lbs / 5.92kg 90mmx320mmx 90mmx430mmx 135mmx440mmx 340mm (3.54" x 12.60" 355mm (3.54" x 16.93" 420mm (5.31" x 17.32”" x 13.39") x 14") x 16.54") Sample Rate Physical/weight 16-bit 48 kHz 16-bit 48 kHz Converter Connecter Type B T 1,6 A H 250 V T 1,6 A H 250 V Fuse (220 - 230 V~, 50/60 Hz) Type B T 1,6 A H 250 V T 1,6 A H 250 V 50 W 50 W Fuse (100 - 120 V~, 50/60 Hz) 100 - 230 V~, 50/60 Hz 100 - 230 V~, 50/60 Hz -82.5 dB / -85 dB A weighted -82.5 dB / -85 dB A weighted USB 40 kHz 64/128-times oversampling 24-bit Sigma-Delta 24-bit Texas Instruments +22 dBu 1 k Ohms RCA connector -105 dB / -108 dB A -105 dB / -108 dB A -105 dB / -108 dB A weighted weighted weighted 64/128-times oversampling 64/128-times oversampling 24-bit Texas Instruments 24-bit Sigma-Delta 24-bit Texas Instruments +22 dBu 1 k Ohms RCA connector 24-bit Sigma-Delta +22 dBu 1 k Ohms RCA connector Main mix @ 0 dB, channel fader @ 0 dB Power consumption ¼" TRS jack, unbalanced +22 dBu 120 Ohms ¼" TS connector, unbalanced +28 dBu +19 dBu / 150 Ohms +19 dBu / 150 Ohms +19 dBu / 150 Ohms (+25 dBm) (+25 dBm) (+25 dBm) ¼" TRS jack, unbalanced +22 dBu 120 Ohms +22 dBu ¼" TS connector, unbalanced 120 Ohms +28 dBu ¼" TS connector, unbalanced +28 dBu -95 dB / -97 dB A weighted Mains voltage XLR, electronically balanced +22 dBu 240 Ohms balanced, 240 Ohms balanced, 240 Ohms balanced, 120 Ohms balanced 120 Ohms balanced 120 Ohms balanced XLR, electronically balanced +22 dBu 20 k Ohms 20 k Ohms 20 k Ohms balanced, 10 k Ohms balanced, 10 k Ohms balanced, 10 k Ohms unbalanced unbalanced unbalanced -95 dB / -97 dB A weighted Power supply +22 dBu 120 Ohms 4 x ¼" mono jack, unbalanced 2 x ¼" TRS connector, 3 x ¼" TRS connector, 4 x ¼" TRS connector, balanced balanced balanced +22 dBu 120 Ohms 2 x ¼" mono jack, unbalanced Main mix @ 0 dB, channel fader @ -∞ Main mix @ -∞, channel fader @ -∞ Main mix system data (Noise) Sampling Rate Converter DSP Max. output level Impedance Type CD/Tape out Max. output level Type Phones output Max. output level Impedance Type Control room output Max. output level Impedance Type Main outputs Max. input level Impedance Type AUX returns Max. output level Impedance Type AUX sends X1622USB/X2222USB/X2442USB Impedance +12 dBu @ +10 dB GAIN <10 Hz - 200 kHz (-3 dB) <10 Hz - 200 kHz (-3 dB) Frequency response (–3 dB) +10 dB to +60 dB <10 Hz - 150 kHz (-1 dB) <10 Hz - 150 kHz (-1 dB) Frequency response (–1 dB) +10 dB to +60 dB -129 dB 130.5 dB A-weighted -129 dB 130.5 dB A-weighted @ 150 Ω source resistance Gain range -131 dB 133.3 dB A-weighted -134 dB 135.7 dB A-weighted XLR connector, electronically balanced, discrete input circuit XLR connector, electronically balanced, discrete input circuit -134 dB 135.7 dB A-weighted X2222USB X1622USB -131 dB 133.3 dB A-weighted @ 50 Ω source resistance @ 0 Ω source resistance Mic E.I.N.1 (20 Hz - 20 kHz) Type Microphone inputs (XENYX Mic preamp) Mono inputs Specifications Multi-FX Processor Preset Chart No. 9&/:9964#964#964#tQH 9&/:9964#964#964#tQH FR ES EN +12 dBu @ +10 dB GAIN RCA connector 10 k Ohms +22 dBu +22 dBu 10 k Ohms -20 dB to +20 dB -20 dB to +20 dB RCA connector 3 kHz / +- 15 dB 12 kHz / +- 15 dB 3 kHz / +- 15 dB 12 kHz / +- 15 dB HIGH MID HIGH www.behringer.com Max. input level Type +22 dBu 500 Hz / +- 15 dB 500 Hz / +- 15 dB LOW MID +22 dBu 80 Hz / +- 15 dB 80 Hz / +- 15 dB ¼" TRS jack, unbalanced Equalizer 4-band fixed Equalizer 4-band fixed Equalizer 4-band fixed LOW ¼"TRS jack, unbalanced 12 kHz / +- 15 dB 12 kHz / +- 15 dB HIGH Channel inserts 80 Hz / +- 15 dB Variable 100 Hz 8 kHz / +- 15 dB 80 Hz / +- 15 dB Variable 100 Hz 8 kHz / +- 15 dB MID Equalizer 3-band LOW +22 dBu Equalizer 3-band semi-parametric +22 dBu Equalizer 3-band semi-parametric Max. input level Type 4 x ¼" TRS jack, balanced +0 dB / -3 dB +0 dB / -1 dB 30 dBu -10 dB to +40 dB +22 dBu ¼" TRS jack, unbalanced 12 kHz / +- 15 dB 3 kHz / +- 15 dB 500 Hz / +- 15 dB 80 Hz / +- 15 dB Equalizer 4-band fixed 12 kHz / +- 15 dB Variable 100 Hz 8 kHz / +- 15 dB 80 Hz / +- 15 dB Equalizer 3-band semi-parametric +22 dBu 10 k Ohms RCA connector +22 dBu -20 dB to +20 dB 20 k Ohms 20 k Ohms 20 k Ohms balanced, 10 k Ohms balanced, 10 k Ohms balanced, 10 k Ohms unbalanced unbalanced unbalanced Impedance CD/Tape In Max. input level Gain range Impedance Type 4 x ¼" TRS jack, balanced +0 dB / -3 dB 4 x ¼" TRS jack, balanced +0 dB / -1 dB +0 dB / -3 dB 30 dBu 30 dBu +0 dB / -1 dB -10 dB to +40 dB -10 dB to +40 dB <10 Hz - 160 kHz Stereo inputs ¼" TRS jack, electronically balanced Switchable, +48 V 0.005% / 0.004% A-weighted 20 k Ohms 20 k Ohms 20 k Ohms balanced, 10 k Ohms balanced, 10 k Ohms balanced, 10 k Ohms unbalanced unbalanced unbalanced ¼" TRS jack, electronically balanced <10 Hz - 90 kHz Frequency response (Mic In Main Out) Max. input level Gain range Impedance Type ¼" TRS jack, electronically balanced Switchable, +48 V Switchable, +48 V Phantom Power Line input 0.005% / 0.004% A-weighted 0.005% / 0.004% A-weighted Distortion (THD+N) +12 dBu @ +10 dB GAIN +10 dB to +60 dB 110 dB A-weighted 110 dB A-weighted 110 dB A-weighted (0 dBu In @ +22 dB (0 dBu In @ +22 dB (0 dBu In @ +22 dB GAIN) GAIN) GAIN) +10 dB to +60 dB +10 dB to +60 dB Gain range <10 Hz - 200 kHz (-3 dB) Signal-to-noise ratio <10 Hz - 200 kHz (-3 dB) <10 Hz - 200 kHz (-3 dB) Frequency response (–3 dB) <10 Hz - 150 kHz (-1 dB) +12 dBu @ +10 dB GAIN <10 Hz - 150 kHz (-1 dB) <10 Hz - 150 kHz (-1 dB) Frequency response (–1 dB) -129 dB 130.5 dB A-weighted 2.6 k Ohms balanced 2.6 k Ohms balanced 2.6 k Ohms balanced -129 dB 130.5 dB A-weighted -129 dB 130.5 dB A-weighted @ 150 Ω source resistance -131 dB 133.3 dB A-weighted Max. input level -131 dB 133.3 dB A-weighted -131 dB 133.3 dB A-weighted @ 50 Ω source resistance -134 dB 135.7 dB A-weighted XLR connector, electronically balanced, discrete input circuit 10 X2442USB Impedance -134 dB 135.7 dB A-weighted XLR connector, electronically balanced, discrete input circuit XLR connector, electronically balanced, discrete input circuit -134 dB 135.7 dB A-weighted X2222USB X1622USB @ 0 Ω source resistance Mic E.I.N.1 (20 Hz - 20 kHz) Type Microphone inputs (XENYX Mic preamp) Mono inputs +22 dBu 120 Ohms 3 x ¼" mono jack, unbalanced XLR, electronically balanced +22 dBu Type 64/128-times oversampling 40 kHz 64/128-times oversampling 40 kHz -95 dB / -97 dB A weighted -82.5 dB / -85 dB A weighted -95 dB / -97 dB A weighted -82.5 dB / -85 dB A weighted Main mix @ 0 dB, channel fader @ 0 dB T 1,6 A H 250 V T 1,6 A H 250 V Standard IEC receptacle T 1,6 A H 250 V T 1,6 A H 250 V Standard IEC receptacle Fuse (100 - 120 V~, 50/60 Hz) Fuse (220 - 230 V~, 50/60 Hz) Mains connector Weight Dimensions (H x W x D) 48 kHz 16-bit Type B Standard IEC receptacle T 1,6 A H 250 V T 1,6 A H 250 V 50 W 100 - 230 V~, 50/60 Hz -82.5 dB / -85 dB A weighted -95 dB / -97 dB A weighted 7.60 lbs / 3.45kg 10.5 lbs / 4.78kg 13 lbs / 5.92kg 90mmx320mmx 90mmx430mmx 135mmx440mmx 340mm (3.54" x 12.60" 355mm (3.54" x 16.93" 420mm (5.31" x 17.32”" x 13.39") x 14") x 16.54") 48 kHz 48 kHz Sample Rate Physical/weight 16-bit 16-bit Converter Connecter USB Type B 50 W Type B 100 - 230 V~, 50/60 Hz 50 W Power consumption Mains voltage 100 - 230 V~, 50/60 Hz Power supply 40 kHz 64/128-times oversampling 24-bit Sigma-Delta 24-bit Texas Instruments +22 dBu 1 k Ohms RCA connector -105 dB / -108 dB A -105 dB / -108 dB A -105 dB / -108 dB A weighted weighted weighted 24-bit Texas Instruments 24-bit Sigma-Delta Main mix @ 0 dB, channel fader @ -∞ Main mix @ -∞, channel fader @ -∞ Main mix system data (Noise) Sampling Rate Converter 24-bit Texas Instruments +22 dBu 24-bit Sigma-Delta 1 k Ohms +22 dBu RCA connector 1 k Ohms RCA connector Max. output level DSP ¼" TRS jack, unbalanced +22 dBu 120 Ohms ¼" TS connector, unbalanced +28 dBu +19 dBu / 150 Ohms +19 dBu / 150 Ohms +19 dBu / 150 Ohms (+25 dBm) (+25 dBm) (+25 dBm) Impedance Type CD/Tape out Max. output level ¼" TRS jack, unbalanced +22 dBu +22 dBu Max. output level ¼" TRS jack, unbalanced 120 Ohms +28 dBu ¼" TS connector, unbalanced +28 dBu 120 Ohms Phones output XLR, electronically balanced +22 dBu 240 Ohms balanced, 240 Ohms balanced, 240 Ohms balanced, 120 Ohms balanced 120 Ohms balanced 120 Ohms balanced XLR, electronically balanced +22 dBu 20 k Ohms 20 k Ohms 20 k Ohms balanced, 10 k Ohms balanced, 10 k Ohms balanced, 10 k Ohms unbalanced unbalanced unbalanced ¼" TS connector, unbalanced Type +22 dBu 120 Ohms 4 x ¼" mono jack, unbalanced 2 x ¼" TRS connector, 3 x ¼" TRS connector, 4 x ¼" TRS connector, balanced balanced balanced +22 dBu 120 Ohms 2 x ¼" mono jack, unbalanced Impedance Control room output Max. output level Impedance Type Main outputs Max. input level Impedance Type AUX returns Max. output level Impedance Type AUX sends X1622USB +12 dBu @ +10 dB GAIN +10 dB to +60 dB <10 Hz - 200 kHz (-3 dB) <10 Hz - 150 kHz (-1 dB) -129 dB 130.5 dB A-weighted -131 dB 133.3 dB A-weighted -134 dB 135.7 dB A-weighted XLR connector, electronically balanced, discrete input circuit X2222USB +12 dBu @ +10 dB GAIN +10 dB to +60 dB <10 Hz - 200 kHz (-3 dB) <10 Hz - 150 kHz (-1 dB) -129 dB 130.5 dB A-weighted -131 dB 133.3 dB A-weighted -134 dB 135.7 dB A-weighted XLR connector, electronically balanced, discrete input circuit 10 X2442USB ¼" TRS jack, electronically balanced Switchable, +48 V 0.005% / 0.004% A-weighted ¼" TRS jack, electronically balanced Switchable, +48 V 0.005% / 0.004% A-weighted 4 x ¼" TRS jack, balanced +0 dB / -3 dB +0 dB / -1 dB 30 dBu -10 dB to +40 dB 4 x ¼" TRS jack, balanced +0 dB / -3 dB +0 dB / -1 dB 30 dBu -10 dB to +40 dB +22 dBu ¼"TRS jack, unbalanced 12 kHz / +- 15 dB 3 kHz / +- 15 dB 500 Hz / +- 15 dB 80 Hz / +- 15 dB Equalizer 4-band fixed 12 kHz / +- 15 dB Variable 100 Hz 8 kHz / +- 15 dB 80 Hz / +- 15 dB Equalizer 3-band semi-parametric +22 dBu 10 k Ohms RCA connector +22 dBu -20 dB to +20 dB +22 dBu ¼" TRS jack, unbalanced 12 kHz / +- 15 dB 3 kHz / +- 15 dB 500 Hz / +- 15 dB 80 Hz / +- 15 dB Equalizer 4-band fixed 12 kHz / +- 15 dB Variable 100 Hz 8 kHz / +- 15 dB 80 Hz / +- 15 dB Equalizer 3-band semi-parametric +22 dBu 10 k Ohms RCA connector +22 dBu -20 dB to +20 dB +22 dBu ¼" TRS jack, unbalanced 12 kHz / +- 15 dB 3 kHz / +- 15 dB 500 Hz / +- 15 dB 80 Hz / +- 15 dB Equalizer 4-band fixed 12 kHz / +- 15 dB Variable 100 Hz 8 kHz / +- 15 dB 80 Hz / +- 15 dB Equalizer 3-band semi-parametric +22 dBu 10 k Ohms RCA connector +22 dBu -20 dB to +20 dB 20 k Ohms 20 k Ohms 20 k Ohms balanced, 10 k Ohms balanced, 10 k Ohms balanced, 10 k Ohms unbalanced unbalanced unbalanced 4 x ¼" TRS jack, balanced +0 dB / -3 dB +0 dB / -1 dB 30 dBu -10 dB to +40 dB 20 k Ohms 20 k Ohms 20 k Ohms balanced, 10 k Ohms balanced, 10 k Ohms balanced, 10 k Ohms unbalanced unbalanced unbalanced ¼" TRS jack, electronically balanced Switchable, +48 V 0.005% / 0.004% A-weighted 110 dB A-weighted 110 dB A-weighted 110 dB A-weighted (0 dBu In @ +22 dB (0 dBu In @ +22 dB (0 dBu In @ +22 dB GAIN) GAIN) GAIN) 2.6 k Ohms balanced 2.6 k Ohms balanced 2.6 k Ohms balanced +12 dBu @ +10 dB GAIN +10 dB to +60 dB <10 Hz - 200 kHz (-3 dB) <10 Hz - 150 kHz (-1 dB) -129 dB 130.5 dB A-weighted -131 dB 133.3 dB A-weighted -134 dB 135.7 dB A-weighted XLR connector, electronically balanced, discrete input circuit www.behringer.com Max. input level Type Channel inserts HIGH HIGH MID LOW MID LOW Equalizer 4-band fixed HIGH MID LOW Equalizer 3-band Max. input level Impedance Type CD/Tape In Max. input level Gain range Impedance Type Stereo inputs <10 Hz - 160 kHz <10 Hz - 90 kHz Frequency response (Mic In Main Out) Max. input level Gain range Impedance Type Line input Phantom Power Distortion (THD+N) Signal-to-noise ratio Impedance Max. input level Gain range Frequency response (–3 dB) Frequency response (–1 dB) @ 150 Ω source resistance @ 50 Ω source resistance @ 0 Ω source resistance Mic E.I.N.1 (20 Hz - 20 kHz) Type Microphone inputs (XENYX Mic preamp) Mono inputs Weight Dimensions (H x W x D) Physical/weight Sample Rate Converter Connecter USB Mains connector Fuse (220 - 230 V~, 50/60 Hz) Fuse (100 - 120 V~, 50/60 Hz) Power consumption Mains voltage Power supply Main mix @ 0 dB, channel fader @ 0 dB Main mix @ 0 dB, channel fader @ -∞ Main mix @ -∞, channel fader @ -∞ Main mix system data (Noise) Sampling Rate Converter DSP Max. output level Impedance Type CD/Tape out Max. output level Type Phones output Max. output level Impedance Type Control room output Max. output level Impedance Type Main outputs Max. input level Impedance Type AUX returns Max. output level Impedance Type AUX sends +22 dBu 120 Ohms 3 x ¼" mono jack, unbalanced +22 dBu 120 Ohms 4 x ¼" mono jack, unbalanced XLR, electronically balanced +22 dBu XLR, electronically balanced +22 dBu ¼" TRS jack, unbalanced +22 dBu 120 Ohms ¼" TS connector, unbalanced +28 dBu ¼" TRS jack, unbalanced +22 dBu 120 Ohms ¼" TS connector, unbalanced +28 dBu 40 kHz 64/128-times oversampling 24-bit Sigma-Delta 24-bit Texas Instruments +22 dBu 1 k Ohms RCA connector 40 kHz 64/128-times oversampling 24-bit Sigma-Delta 24-bit Texas Instruments +22 dBu 1 k Ohms RCA connector 48 kHz 16-bit Type B Standard IEC receptacle T 1,6 A H 250 V T 1,6 A H 250 V 50 W 100 - 230 V~, 50/60 Hz -82.5 dB / -85 dB A weighted -95 dB / -97 dB A weighted 48 kHz 16-bit Type B Standard IEC receptacle T 1,6 A H 250 V T 1,6 A H 250 V 50 W 100 - 230 V~, 50/60 Hz -82.5 dB / -85 dB A weighted -95 dB / -97 dB A weighted 7.60 lbs / 3.45kg 10.5 lbs / 4.78kg 13 lbs / 5.92kg 90mmx320mmx 90mmx430mmx 135mmx440mmx 340mm (3.54" x 12.60" 355mm (3.54" x 16.93" 420mm (5.31" x 17.32”" x 13.39") x 14") x 16.54") 48 kHz 16-bit Type B Standard IEC receptacle T 1,6 A H 250 V T 1,6 A H 250 V 50 W 100 - 230 V~, 50/60 Hz -82.5 dB / -85 dB A weighted -95 dB / -97 dB A weighted -105 dB / -108 dB A -105 dB / -108 dB A -105 dB / -108 dB A weighted weighted weighted 40 kHz 64/128-times oversampling 24-bit Sigma-Delta 24-bit Texas Instruments +22 dBu 1 k Ohms RCA connector +19 dBu / 150 Ohms +19 dBu / 150 Ohms +19 dBu / 150 Ohms (+25 dBm) (+25 dBm) (+25 dBm) ¼" TRS jack, unbalanced +22 dBu 120 Ohms ¼" TS connector, unbalanced +28 dBu 240 Ohms balanced, 240 Ohms balanced, 240 Ohms balanced, 120 Ohms balanced 120 Ohms balanced 120 Ohms balanced XLR, electronically balanced +22 dBu 20 k Ohms 20 k Ohms 20 k Ohms balanced, 10 k Ohms balanced, 10 k Ohms balanced, 10 k Ohms unbalanced unbalanced unbalanced 2 x ¼" TRS connector, 3 x ¼" TRS connector, 4 x ¼" TRS connector, balanced balanced balanced +22 dBu 120 Ohms 2 x ¼" mono jack, unbalanced Caractéristiques techniques Especificaciones técnicas X1622USB/X2222USB/X2442USB 9&/:9964#964#964#tQH 9&/:9964#964#964#tQH FR ES EN www.behringer.com Informations importantes Aspectos importantes Important information 2. Averías. En el caso de que no exista un distribuidor BEHRINGER en las inmediaciones, puede ponerse en contacto con el distribuidor BEHRINGER de su país, que encontrará dentro del apartado “Support” de nuestra página web www.behringer.com. En caso de que su país no aparezca en ese listado, acceda a la sección “Online Support” (que también encontrará dentro del apartado “Support” de nuestra página web) y compruebe si su problema aparece descrito y solucionado allí. De forma alternativa, envíenos a través de la página web una solicitud online de soporte en periodo de garantía ANTES de devolvernos el aparato. 1. Registro online. Le recomendamos que registre su nuevo aparato BEHRINGER justo después de su compra accediendo a la página web www.behringer.com. El registro de su compra a través de nuestro sencillo sistema online nos ayudará a resolver cualquier incidencia que se presente a la mayor brevedad posible. Además, aproveche para leer los términos y condiciones de nuestra garantía, si es aplicable en su caso. 3. Power Connections. Before plugging the unit into a power socket, please make sure you are using the correct mains voltage for your particular model. Faulty fuses must be replaced with fuses of the same type and rating without exception. 2. Malfunction. Should your BEHRINGER dealer not be located in your vicinity, you may contact the BEHRINGER distributor for your country listed under “Support” at www.behringer.com. Should your country not be listed, please check if your problem can be dealt with by our “Online Support” which may also be found under “Support” at www.behringer.com. Alternatively, please submit an online warranty claim at www.behringer.com BEFORE returning the product. 1. Register online. Please register your new BEHRINGER equipment right after you purchase it by visiting www.behringer.com. Registering your purchase using our simple online form helps us to process your repair claims more quickly and efficiently. Also, read the terms and conditions of our warranty, if applicable. 3. Raccordement au secteur. Avant de relier cet équipement au secteur, assurez-vous que la tension secteur de votre région soit compatible avec l’appareil. Veillez à remplacer les fusibles uniquement par des modèles exactement de même taille et de même valeur électrique — sans aucune exception. 2. Dysfonctionnement. Si vous n’avez pas de revendeur BEHRINGER près de chez vous, contactez le distributeur BEHRINGER de votre pays : consultez la liste des distributeurs de votre pays dans la page “Support” de notre site Internet www.behringer.com. Si votre pays n’est pas dans la liste, essayez de résoudre votre problème avec notre “aide en ligne” que vous trouverez également dans la section “Support” du site www.behringer.com. Vous pouvez également nous faire parvenir directement votre demande de réparation sous garantie par Internet sur le site www.behringer.com AVANT de nous renvoyer le produit. 1. Enregistrez-vous en ligne. Prenez le temps d’enregistrer votre produit BEHRINGER aussi vite que possible sur le site Internet www.behringer.com. Le fait d’enregistrer le produit en ligne nous permet de gérer les réparations plus rapidement et plus efficacement. Prenez également le temps de lire les termes et conditions de notre garantie. 3. Conexiones de corriente. Antes de enchufar este aparato a una salida de corriente, asegúrese de que dicha salida sea del voltaje adecuado para su modelo concreto. En caso de que deba sustituir un fusible quemado, deberá hacerlo por otro de idénticas especificaciones, sin excepción. Other important information 9&/:9964#964#964#tQH www.behringer.com 9&/:9964#964#964#tQH FR ES EN www.behringer.com 9&/:9964#964#964#tQH www.behringer.com 9&/:9964#964#964#tQH EN ES FR XENYX X1622USB/ X2222USB/ X2442USB Do you want more information about this product? We offer expanded Owner’s Manuals in PDF format for the advanced user at www.behringer.com. Downloads are available in English, Spanish, German and Chinese. ¿Necesita más información sobre este producto? Para aquellos usuarios más avanzados que necesiten más información, encontrarán un manual de instrucciones ampliado en formato PDF en nuestra página web www. behringer. com. Estos manuales están disponibles en inglés, español, alemán y chino. Souhaitez-vous de plus amples informations sur ce produit ? Vous trouverez une version plus longue de ce mode d’emploi en anglais, en espagnol, en allemand et en chinois au format PDF sur le site www.behringer.com. www.behringer.com FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION ;(1<; ;86% Responsible party name: BEHRINGER USA, Inc. Address: 18912 North Creek Parkway, Suite 200 Bothell, WA 98011, USA Phone/Fax No.: Phone: +1 425 672 0816, Fax: +1 425 673 7647 hereby declares that the product(s) ;(1<;;86% complies/comply with the FCC rules as mentioned in the following paragraph: This device complies with Part 15 of the FCC rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: = Reorient or relocate the receiving antenna. = Increase the separation between the equipment and receiver. = Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. = Consult the dealer or an experienced radio/TV technician for help. Important information: Changes or modifications to the equipment not expressly approved by BEHRINGER USA can void the user’s authority to use the equipment. A57 A4P04 17001 FCC_Formular_Class_B.pmd 09.08.2007, 13:50
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