Peavey Electronics XR-AT Audio mixer power amplifier User Manual UserMan

www.peavey.com

XR®-AT

Powered Mixer

Operating

Manual



FCC/ICESCompliancyStatement

ThisdevicecomplieswithPart15oftheFCCrulesandIndustryCanadalicense‐exemptRSSStandard(s).Operationis

subjecttothefollowingtwoconditions:(1)thisdevicemaynotcauseharmfulinterference,and(2)thisdevicemust

acceptanyinterferencereceived,thatmaycauseundesiredoperation.

LeprésentappareilestconformeauxCNRd’lndustrieCanadaapplicablesauxappareilsradioexemptsde

licence.L’exploitationestautoriséeauxdeuxconditionssuivantes:(1)I’appareilnedoitpasproduirede

brouillage,et(2)I’utilisateurdeI’appareildoitacceptertoutbrouillageradioélectriquesubi,mêmesile

brouillageestsusceptibled’encompromettrelefonctionnement.



Warning:ChangesormodificationstotheequipmentnotapprovedbyPeaveyElectronicsCorp.canvoidthe

user’sauthoritytousetheequipment.



Note–ThisequipmenthasbeentestedandfoundtocomplywiththelimitsforaClassBdigitaldevice,

pursuanttoPart15oftheFCCRules.Theselimitsaredesignedtoprovidereasonableprotectionagainst

harmfulinterferenceinaresidentialinstallation.Thisequipmentgenerates,uses,andcanradiateradio

frequencyenergyand,ifnotinstalledandusedinaccordancewiththeinstructions,maycauseharmful

interferencetoradiocommunications.However,thereisnoguaranteethatinterferencewillnotoccurina

particularinstallation.Ifthisequipmentdoescauseharmfulinterferencetoradioortelevisionreception,

whichcanbedeterminedbyturningtheequipmentoffandon,theuserisencouragedtotryandcorrectthe

interferencebyoneormoreofthefollowingmeasures.

Reorient or relocate the receiving antenna.

Increase the separation between the equipment and receiver.

Connect the equipment into an outlet on a circuit different from that to which the receiver is

connected.

Consult the dealer or an experienced radio/TV technician for help.

Caution

The equipment complies with FCC radiation exposure limits set forth for an uncontrolled

environment.



FCC Compliancy Statement

This device complies with Part 15 of the FCC rules. Operation is subject to the following two

conditions: (1) this device may not cause harmful interference, and (2) this device must accept any

interference received, that may cause undesired operation.

Warning: Changes or modications to the equipment not approved by Peavey Electronics Corp. can

void the user’s authority to use the equipment.

Note - This equipment has been tested and found to comply with the limits for a Class B digital device,

pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection

against harmful interference in a residential installation. This equipment generates, uses and can radiate

radio frequency energy and, if not installed and used in accordance with the instructions, may cause

harmful interference to radio communications. However, there is no guarantee that interference will not

occur in a particular installation. If this equipment does cause harmful interference to radio or television

reception, which can be determined by turning the equipment off and on, the user is encouraged to try

and correct the interference by one or more of the following measures.

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit different from that to which the receiver is

connected.

• Consult the dealer or an experienced radio/TV technician for help.

Peavey Electronics Corporation • 5022 Hartley Peavey Drive • Meridian, MS • 39305

ENGLISH

XR®- AT

Powered Mixer

Congratulations on the purchase of your new XR® -AT powered mixer from Peavey®. The Peavey XR-AT is a revolutionary all-in-one

powered mixer that provides everything a musician or DJ needs, including up to eight combination XLR and 1/4" inputs using

Peavey’s award winning mic preamps and dual 500 Watt amplifiers for crystal clear audio reproduction. Plus, for the first time ever,

the XR-AT mixer includes Antares® Auto-Tune® pitch correction technology. This technology can literally help anyone sing in key

and is used on professional recordings and live performances throughout the world.

The Peavey XR-AT uses exclusive features like Midmorph® to accurately improve tone and clarity of vocals. Feedback is quickly

and easily identified and removed with Peavey’s dual 9-band graphic EQ’s combined with our patented and revolutionary FLS®

Feedback Locating System. The XR-AT is equipped with Peavey’s exclusive Kosmos®-C technology, which drastically enhances the

low end of the audio spectrum. Built-in 24-bit digital effects complement the already feature-packed unit.

Before you begin using your powered mixer it is very important to ensure that the product has the proper AC voltage

supplied. You can find the proper voltage for your amp printed next to the IEC line (power) cord on the rear panel of the unit.

Features:

• FLS® Feedback Locating System

• Midmorph® EQ

• Kosmos®-C

• On-board 24-bit digital effects with mute button

• Digital effects parameter control

• Combination XLR and 1/4" input jacks

• Dual 9-band graphic EQ with FLS®

• Master mic mute

• Footswitchable Effects Defeat

• Global 48 volt phantom power

• RCA, 3.5mm media Inputs

• Bluetooth® streaming

• USB Audio playback

• Selectable main or monitor dual power amp

• RCA record outputs

• LED meter bridge

• Power amp sub-sonic filter

• Clip and signal present indicators

• Main and monitor 1/4" line level outputs

• DDT™ speaker protection circuit

• Three channels of Antares® Auto-Tune® pitch correction

VENTILATION: For proper ventilation, allow 6" (15.5 cm) clearance on all sides.

MIC/LINE INPUT (CH.1-8)

This combination input jack can

accept either a 1/4" (balanced

or unbalanced) input or an

XLR balanced, low-impedance

connection. The tip is positive on

the 1/4" balanced input, and pin 2

is positive on the XLR

PAD (CH. 1-7)

When engaged, the pad reduces

the input signal by 25dB. If you

notice distortion from a particular

channel or if the channel becomes

loud very quickly, try engaging

this switch. In addition to

increasing the dynamic range, the

channel can now accommodate a

higher input level before clipping

occurs, which may be helpful

when close-mic’ing a loud guitar

amp or drum kit, for example.

MEDIA INPUTS (CH.8 RCA and

3.5mm)

These inputs, both RCA and

3.5mm jacks accept a stereo input

from the output of an MP3 Player,

CD player, tape deck or other

similar device.

INPUT SELECT SWITCH (CH. 8)

This switch allows the user to

select the input signal being sent

to channel 8. In the “up” position,

the Mic-Line preamp is active. In

the “down” position, the RCA-

3.5mm media inputs are active.

AUTO-TUNE ON/OFF (CH 1-3)

Each of the first three channels of

the XR-AT can be routed through

the world famous Auto-Tune®

processing for automatic pitch

correction. These three backlit

switches indicate the status of the

Auto-Tune in each channel. They

also allow the Auto-Tune process

to be bypassed with the push of

a button. When the switch is lit,

Auto-Tune is active. When it is

dark, the Auto-Tune process is

bypassed.

COMPRESSOR AND COMP LED

(CH 1-7)

This knob adjusts the amount

of compression applied to the

channel. As the knob is turned to

the right, the mixer automatically

raises the compression ratio

while adjusting the output gain

accordingly. The result is a

narrower, more even dynamic

range, as louder signals are

softened while the overall level

is boosted. Avoid setting the

knob too high, however, as

excess compression may lead

to feedback. The LED will light

red when the signal level is

high enough to activate the

compression.

HIGH EQ

This High EQ shelving type of

active tone control varies the

treble frequencies (+/- 15 dB at

12kHz) and is designed to remove

noise or add brilliance to the

signal, depending on the quality

of the source.

MID-MORPH EQ (CH. 1-7)

Where most mid-range controls

work at just one frequency, the

Mid-Morph® works at two. When

turned counterclockwise, it cuts at

250Hz to reduce frequencies that

muddy the sound. When turned

clockwise, it boosts at 4kHz to

add intelligibility to vocals. Either

way, improved vocal or instrument

definition can be achieved.

1 4

2

5

7

36

8

Channel Controls

PAD

1

PAD

2

PAD

3

PAD

4

PAD

5

PAD

6

PAD

7 8

L

R

MEDIA

INPUTS

RCA 3.5mm

TRS

SUB OUT

TRS BAL

MAIN OUT

TRS BAL

MONITOR OUT

NON-POWERED OUTPUTS

L

R

RECORD OUT

UNBAL

AMP 2

AMP 1

POWER AMP IN

ENABLE

ACTIVE

GLOBAL

PHANTOM

POWER

INPUT SELECT

MEDIAXLR-1/4”

PAD

1

PAD

2

PAD

3

PAD

4

PAD

5

PAD

6

PAD

7

8

L

R

MEDIA

INPUTS

RCA 3.5mm

TRS

SUB OUT

TRS BAL

MAIN OUT

TRS BAL

MONITOR OUT

NON-POWERED OUTPUTS

L

R

RECORD OUT

UNBAL

AMP 2

AMP 1

POWER AMP IN

ENABLE

ACTIVE

GLOBAL

PHANTOM

POWER

INPUT SELECT

MEDIAXLR-1/4”

comp

Auto-Tune

HIGHMID-MORPHLOW

LOW MID HIGH

MONITOREFFECTS COMPRESSOR

CH. 1

LEVEL

min max

comp

Auto-Tune

CH. 2

min max

high

min max

clip

sig

clip

sig

comp

Auto-Tune

CH. 3

min max

high

min max

clip

sig

comp

CH. 4

min max

high

min max

clip

sig

comp

CH. 5

min max

high

min max

clip

sig

comp

CH. 6

min max

high

min max

clip

sig

comp

CH. 7

min max

high

min max

clip

sig

CH. 8

min max

clip

sig

CH. 9

min max

min max min max

min max

clip

sig

LEVEL

MAIN

min max

+12

+6

0

-6

-12

63 125 250 500 1K 2K 4K 8K 12K

FLS FEEDBACK LOCATING SYSTEM

min max

high

LEVEL

MONITOR

min max

+12

+6

0

-6

-12

63 125 250 500 1K 2K 4K 8K 12K

FLS FEEDBACK LOCATING SYSTEM

SIGNAL

MON

MAIN

POWER AMP2 ASSIGN

EFX TO MON

Enable

KOSMOS-C

min max

USB

MIC

LOW

HIGH

EFX

Edit

Auto-

Tune

Press to Select

efx clip

EFX / AUTO-TUNE

MEDIA SELECT

CH 9 INPUT

USB MEDIA PLAYBACK

DIGITAL EFFECTS

MUTE DEFEAT

ANALOG

MEDIA

CHANNEL

DIGITAL

MEDIA

CHANNEL

USB MEDIA

-6

-12

LIMIT

-18

-24

-30

SIGNAL

-6

-12

LIMIT

-18

-24

-30

Auto-Tune

1

6

7

8

2

4

5

3

Channel Controls

MID EQ (CH. 8 & 9)

The mid EQ is a band-pass

(peak/notch) type of active tone

control that varies the mid-range

frequencies (+/-15dB at 450Hz).

LOW EQ

A shelving type of EQ that varies

the bass frequency levels (+/- 15dB

at 80Hz). Low EQ adds depth to

thin-sounding signals or cleans up

the muddy ones. As with any EQ,

use sparingly. Too much of this EQ

can give you a booming bottom

end.

MONITOR SEND

The monitor send adjusts the level

of the channel signal added to the

monitor mix.

AUTO-TUNE TO MONITOR BUTTON

(CH. 1-3)

This allows the user to select

whether to send the dry signal

or the Auto-Tuned signal to the

monitors in the Auto-Tune® capable

channels.

EFFECTS SEND (CH. 1-8)

This control adjusts the level of the

channel signal added to the effects

mix. The signal is sent to the

internal effects processor. Turning

the knob to the left (0) will turn

off the effects on the associated

channel, while turning the knob to

the right will increase the amount

of the selected effect.

LEVEL

This control sets the signal level

sent to the main mix.

CLIP

When this LED turns on or blinks

red, it is an indication that the

signal in the channel is potentially

too strong and could cause

distortion. Turn down the Level

control (14) until the Clip light is no

longer present. If you are having

difficulty getting a clean signal, try

varying the output of the connected

device, if possible.

SIG

When this LED is green, it is an

indication the mixer is receiving

signal at the input of the channel.

If you are having trouble getting

sound out of the mixer and this LED

is not on, check the microphone,

instrument or cable that is

connected to the channel.

USB MEDIA JACK (CH. 9)

A-type USB connector to which a

removable data storage device can

be connected to play back music.

9 13

10

14

16

11

12

15

17

comp

Auto-Tune

HIGHMID-MORPHLOW

LOW MID HIGH

MONITOREFFECTS COMPRESSOR

CH. 1

LEVEL

min max

comp

Auto-Tune

CH. 2

min max

high

min max

clip

sig

clip

sig

comp

Auto-Tune

CH. 3

min max

high

min max

clip

sig

comp

CH. 4

min max

high

min max

clip

sig

comp

CH. 5

min max

high

min max

clip

sig

comp

CH. 6

min max

high

min max

clip

sig

comp

CH. 7

min max

high

min max

clip

sig

CH. 8

min max

clip

sig

CH. 9

min max

min max min max

min max

clip

sig

LEVEL

MAIN

min max

+12

+6

0

-6

-12

63 125 250 500 1K 2K 4K 8K 12K

FLS FEEDBACK LOCATING SYSTEM

min max

high

LEVEL

MONITOR

min max

+12

+6

0

-6

-12

63 125 250 500 1K 2K 4K 8K 12K

FLS FEEDBACK LOCATING SYSTEM

SIGNAL

MON

MAIN

POWER AMP2 ASSIGN

EFX TO MON

Enable

KOSMOS-C

min max

USB

MIC

LOW

HIGH

EFX

Edit

Auto-

Tune

Press to Select

efx clip

EFX / AUTO-TUNE

MEDIA SELECT

CH 9 INPUT

USB MEDIA PLAYBACK

DIGITAL EFFECTS

MUTE DEFEAT

ANALOG

MEDIA

CHANNEL

DIGITAL

MEDIA

CHANNEL

USB MEDIA

-6

-12

LIMIT

-18

-24

-30

SIGNAL

-6

-12

LIMIT

-18

-24

-30

Auto-Tune

10

11

13

14

17

12

15

16

9

USB PLAYBACK:

First, make sure channel 9 is in

USB playback mode by checking

the status of the Ch 9 INPUT button

(37). When the switch is dark,

channel 9 is in USB playback mode.

If it is blinking or solid blue, it is in

Bluetooth mode. The bottom of the

LCD display will say “Insert USB

Drive” when in USB playback mode.

Insert your USB drive in the USB

Media Jack (17) at the top of

channel 9. The mixer will now go

into folder navigation mode.

In folder navigation mode, you can

navigate through all of the folders

present in the USB drive. The

first folder in the list will always

be “<ROOT>”. This is the root

directory of the USB drive and will

contain any songs that are not in

a specific folder. To navigate, use

the “Media Select” encoder (36).

To select a folder, press the “Media

Select” encoder. Once you select

a folder, the mixer will enter song

navigation mode and will display all

of the playable songs in that folder.

In song navigation mode, you

can select a song by turning and

pressing the “Media Select”

encoder or by pressing the “Next”

and “Previous” switches. If you

were currently playing a song and

selected a new song, the mixer

will automatically start playing the

new song. If you were paused or

stopped, the mixer will select the

new song and remain stopped.

To fast forward a song, press and

hold the “Next” switch, and to

rewind a song, press and hold the

“Previous” switch.

To go back to folder navigation

mode, scroll all the way to the left

and there will be an option called

“<FOLDERS>”. Selecting this

item will enter folder navigation

mode, where you can select

another folder of songs.

If a folder is selected that has no

playable songs, “No Songs” will be

displayed on the LCD. Scroll to the

left and select “<FOLDERS>” to

go back to folder navigation mode

and select another folder.

MASTER CONTROLS

FLS

When feedback occurs, the

corresponding LED of the frequency

that is closest to the frequency that

is feeding back will illuminate the

slider to be adjusted. Slowly bring

the corresponding slider down

until feedback is gone. The LED

will remain illuminated for a few

seconds after the feedback is gone.

If the feedback doesn’t return, all

of the LEDs will become active

again.

GRAPHIC EQ

These nine-band Equalizers are

designed to either be used to

reduce feedback or to adjust the

overall frequency response of the

signal being sent to the amplifiers.

Subtle adjustments made with

the graphic equalizer can improve

the way your loudspeaker

system sounds in the room. You

should be aware however, that

setting large amounts of boost

or arbitrary curves can reduce

amplifier headroom, leading to

early distortion or just plain bad or

unintelligible sound. Working with

the FLS, the graphic EQ can also

be used to reduce feedback. Each

band of EQ can supply up to 12dB

of boost or cut.

LEVEL LED LADDER

These LEDs indicate the signal level

of the main mix and the monitor

mix. The top LED indicates LIMIT

and activation of our revolutionary

DDT speaker protection circuit.

Peavey’s award winning speaker

protection is built into the XR-AT

powered mixer and is activated

automatically to maximize the

power amplifier without fear of

distortion.

MAIN LEVEL

The Main level control sets the

level of the main mix and the

overall volume of the powered

mixer.

MONITOR LEVEL

The Monitor level control adjusts

the level of the signal coming out

of the Monitor send 1/4" jack (41).

It can also be assigned to feed

the 2nd power amplifier via the

selector switch (24).

Master Controls

18

19

20

21

comp

Auto-Tune

HIGHMID-MORPHLOW

LOW MID HIGH

MONITOREFFECTS COMPRESSOR

CH. 1

LEVEL

min max

comp

Auto-Tune

CH. 2

min max

high

min max

clip

sig

clip

sig

comp

Auto-Tune

CH. 3

min max

high

min max

clip

sig

comp

CH. 4

min max

high

min max

clip

sig

comp

CH. 5

min max

high

min max

clip

sig

comp

CH. 6

min max

high

min max

clip

sig

comp

CH. 7

min max

high

min max

clip

sig

CH. 8

min max

clip

sig

CH. 9

min max

min max min max

min max

clip

sig

LEVEL

MAIN

min max

+12

+6

0

-6

-12

63 125 250 500 1K 2K 4K 8K 12K

FLS FEEDBACK LOCATING SYSTEM

min max

high

LEVEL

MONITOR

min max

+12

+6

0

-6

-12

63 125 250 500 1K 2K 4K 8K 12K

FLS FEEDBACK LOCATING SYSTEM

SIGNAL

MON

MAIN

POWER AMP2 ASSIGN

EFX TO MON

Enable

KOSMOS-C

min max

USB

MIC

LOW

HIGH

EFX

Edit

Auto-

Tune

Press to Select

efx clip

EFX / AUTO-TUNE

MEDIA SELECT

CH 9 INPUT

USB MEDIA PLAYBACK

DIGITAL EFFECTS

MUTE DEFEAT

ANALOG

MEDIA

CHANNEL

DIGITAL

MEDIA

CHANNEL

USB MEDIA

-6

-12

LIMIT

-18

-24

-30

SIGNAL

-6

-12

LIMIT

-18

-24

-30

Auto-Tune

18

19

35

3430

36

282726

31

32

33

25

29

37

23

22

20

24

21

22

EFX TO MON

This switch toggles the EFX return

signal being sent to the monitors.

When it is lit, the effects signal is

being sent to the monitors.

POWER AMP 2 ASSIGN

This switch allows the user to

select the signal that is assigned

to power amp 2 (49). The user can

elect to send either the Main mix

signal or the Monitor mix signal

to the second internal power

amplifier. This allows the user to

run both power amps for mains

or use power amp 1 for mains and

power amp 2 for monitors.

KOSMOS-C

The Kosmos®-C uses special

circuitry to enrich the sound of your

system. This is not just a simple

bass boost. It provides “natural

bass enhancement” by adding

harmonically related bass signals

that track the envelope of the

original signal. The Kosmos-C high

control can be used to add clarity

to dull signals.

KOSMOS ENABLE

When lit, the Kosmos enhanced

signal is added to the main mix.

This allows you to compare the

enhanced signal with the dry with

the press of a button.

MIC MUTE

Depressing this button mutes the

mic/line inputs in all 8 channels.

The media input jacks (RCA and

3.5mm) on channel 8 and the

USB/BT inputs on channel 9 are

still “live”. This allows you to play

break music, while muting all of the

microphone inputs.

EFX DEFEAT

This button mutes the effects being

sent to the main mix, allowing the

user to listen to a dry signal at the

main outputs. When muted, the

switch will be red. This can also

be activated with a momentary

footswitch. See (50).

EFX CLIP

This LED blinks red when the signal

being sent to the effects section is

too high and is causing distortion.

Find the source of the hot signal by

reducing the EFX send (13) on each

channel until the LED is no longer

lighting (blinking red).

LCD DISPLAY

The top row of this LCD displays

the currently selected EFX preset

or Auto-Tune® preset and the

bottom row displays the status

of the media inputs of channel 9.

If channel 9 is in USB Playback

Mode, it can also be used for

navigating the folders on the USB

drive or displaying the current song

playing.

REW/PREV

A short press will rewind to the

beginning of the current song.

Pressing this button twice will take

you to the previous song on the

USB drive. A long press will rewind

through the current song; release

to play when you reach the desired

spot in the song.

PLAY/PAUSE

The play/pause button toggles the

current song between play and

pause. When the > II is displayed,

the song will be playing. When II

is displayed, the song is paused.

When [] is displayed, the song is

stopped.

FF/NEXT

A short press will advance the

media player to the next song on

the USB drive. A long press will fast

forward through the current song;

release to play when you reach the

desired spot in the song.

EFX SELECT/AUTO-TUNE ADJUST

The EFX Select/Auto-Tune Adjust

knob is a dual function control. It

can be used to navigate and select

the desired effect preset. In the

Auto-Tune edit mode, it can be

used to select presets and navigate

the Auto-Tune edit functions.

Please see the "Operating

the DSP" section for further

information.

Master Controls

28

23

24

25

29

30

26

27

31

32

33

34

comp

Auto-Tune

HIGHMID-MORPHLOW

LOW MID HIGH

MONITOREFFECTS COMPRESSOR

CH. 1

LEVEL

min max

comp

Auto-Tune

CH. 2

min max

high

min max

clip

sig

clip

sig

comp

Auto-Tune

CH. 3

min max

high

min max

clip

sig

comp

CH. 4

min max

high

min max

clip

sig

comp

CH. 5

min max

high

min max

clip

sig

comp

CH. 6

min max

high

min max

clip

sig

comp

CH. 7

min max

high

min max

clip

sig

CH. 8

min max

clip

sig

CH. 9

min max

min max min max

min max

clip

sig

LEVEL

MAIN

min max

+12

+6

0

-6

-12

63 125 250 500 1K 2K 4K 8K 12K

FLS FEEDBACK LOCATING SYSTEM

min max

high

LEVEL

MONITOR

min max

+12

+6

0

-6

-12

63 125 250 500 1K 2K 4K 8K 12K

FLS FEEDBACK LOCATING SYSTEM

SIGNAL

MON

MAIN

POWER AMP2 ASSIGN

EFX TO MON

Enable

KOSMOS-C

min max

USB

MIC

LOW

HIGH

EFX

Edit

Auto-

Tune

Press to Select

efx clip

EFX / AUTO-TUNE

MEDIA SELECT

CH 9 INPUT

USB MEDIA PLAYBACK

DIGITAL EFFECTS

MUTE DEFEAT

ANALOG

MEDIA

CHANNEL

DIGITAL

MEDIA

CHANNEL

USB MEDIA

-6

-12

LIMIT

-18

-24

-30

SIGNAL

-6

-12

LIMIT

-18

-24

-30

Auto-Tune

18

19

35

3430

36

282726

31

32

33

25

29

37

23

22

20

24

21

EDIT AUTO-TUNE

The Edit Auto-Tune® switch is used

to enter Auto-Tune editing mode.

When it is engaged (lit), the current

Auto-Tune preset will be displayed

on the LCD. When it is disengaged

(dark), the current EFX preset will

be displayed on the LCD.

MEDIA SELECT

This encoder is used to control

USB playback navigation. For

more information on this, see “USB

Playback.”

CH 9 INPUT SELECT (USB/BLUETOOTH)

This switch allows the user to

select the input signal being sent

to channel 9. It can select between

the USB A connector or a wireless

Bluetooth® connection from an

external device (Smart phone, iPod,

or tablet).

BLUETOOTH ACTIVE LED

The CH 9 INPUT button will

also function as the Bluetooth

Status LED. The blue backlit

switch indicates the status of the

Bluetooth connection. If the LED

is off, the Bluetooth module is

powered off and channel 9 is in

USB Playback Mode. If the LED

is slowly flashing, the XR-AT is

not paired with any device, but is

available for connection. When the

LED is lit solid, the source device

is properly paired to the mixer and

ready to play.

BLUETOOTH OPERATION

To listen to music via the Bluetooth

wireless connection, you must first

pair (link) your XR-AT mixer with

your Bluetooth phone and/or music

device.

Turn off any Bluetooth devices

previously paired with the XR-AT

mixer.

Turn on the Bluetooth feature on

your phone or music device.

Make sure the XR-AT is ready for a

Bluetooth connection.

The Bluetooth Active LED should

be blinking and the LCD will say,

“Bluetooth Input.”

Place your phone or music device in

Bluetooth search mode. The phone

or music device will begin searching

for the XR-AT.

Select “Peavey Mixer” from the

search results on your phone or

music device.

You will be prompted to enter a pin

number. Enter the pin#, it is 7878 (or

“PVPV” on a phone number pad).

If the pairing is successful, the

Bluetooth Active LED will blink

rapidly 5 times and then remain lit.

You are now ready to begin

streaming through Bluetooth to the

mixer. The level can be adjusted

from the connected source or by

the level control in Channel 9.

The XR-AT mixer will remember up

to 10 devices that it was previously

paired with and will automatically

connect to the last device with

which it was paired when turned

on. To clear the paired device

memory, make sure the mixer is

in Bluetooth mode and press and

hold the Ch 9 Input Select Button

(37) for 5 seconds. The XR-AT mixer

will ask if you would like to clear

the Bluetooth memory. Select "Y"

using the Media Select knob to

clear the memory. The XR-AT mixer

will go through the process of

clearing the memory, which should

take approximately 15 seconds.

Master Controls

35

36

37

comp

Auto-Tune

HIGHMID-MORPHLOW

LOW MID HIGH

MONITOREFFECTS COMPRESSOR

CH. 1

LEVEL

min max

comp

Auto-Tune

CH. 2

min max

high

min max

clip

sig

clip

sig

comp

Auto-Tune

CH. 3

min max

high

min max

clip

sig

comp

CH. 4

min max

high

min max

clip

sig

comp

CH. 5

min max

high

min max

clip

sig

comp

CH. 6

min max

high

min max

clip

sig

comp

CH. 7

min max

high

min max

clip

sig

CH. 8

min max

clip

sig

CH. 9

min max

min max min max

min max

clip

sig

LEVEL

MAIN

min max

+12

+6

0

-6

-12

63 125 250 500 1K 2K 4K 8K 12K

FLS FEEDBACK LOCATING SYSTEM

min max

high

LEVEL

MONITOR

min max

+12

+6

0

-6

-12

63 125 250 500 1K 2K 4K 8K 12K

FLS FEEDBACK LOCATING SYSTEM

SIGNAL

MON

MAIN

POWER AMP2 ASSIGN

EFX TO MON

Enable

KOSMOS-C

min max

USB

MIC

LOW

HIGH

EFX

Edit

Auto-

Tune

Press to Select

efx clip

EFX / AUTO-TUNE

MEDIA SELECT

CH 9 INPUT

USB MEDIA PLAYBACK

DIGITAL EFFECTS

MUTE DEFEAT

ANALOG

MEDIA

CHANNEL

DIGITAL

MEDIA

CHANNEL

USB MEDIA

-6

-12

LIMIT

-18

-24

-30

SIGNAL

-6

-12

LIMIT

-18

-24

-30

Auto-Tune

18

19

35

3430

36

282726

31

32

33

25

29

37

23

22

20

24

21

EFFECTS EDIT MODE:

In EFX Edit Mode, the EFX Select knob

is used to navigate through the EFX

presets. Turning the knob changes

the EFX preset in the display. The

new selection will be blinking in the

display; push the EFX Select knob

to choose the new effect. Once the

effect has been selected, you can

now edit the effect. To do this, press

the EFX Select knob and the display

will change to the current parameter

setting of the preset. Turn the EFX

Select knob to edit the parameter.

Press the knob again to exit EFX

preset edit mode. To restore the EFX

presets back to factory settings,

press and hold the EFX Select knob

for 5 seconds and select "Y" when

prompted.

AUTO-TUNE EDIT MODE:

In Auto-Tune® Edit Mode the EFX

Select knob is used to navigate

through the Auto-Tune presets.

Turning the knob changes the

Auto-Tune preset in the display. The

new selection will be blinking in the

display; push the EFX Select knob to

choose the new Auto-Tune preset.

Once the preset has been selected,

you can edit the preset by pressing

the EFX Select knob. The display will

change to the current Key setting.

Turn the EFX Select knob to change

the key and push the EFX Select knob

when you have chosen the key you

desire. The Key setting determines

which notes are enabled in the

Auto-Tune process. For example, in

the key of CMaj, the notes C, D, E, F,

G, A, and B are enabled, and all other

notes are disabled. To see which

notes are enabled or disabled for

each key, see the Key Table.

NOTE: If Custom Key is selected, the

display will enter Custom Key Edit

Mode. In this mode, you can create

a custom Auto-Tune Key. Use the

EFX Select knob to select the Root

(labeled "RT"). This will be the note

on which the custom key is based.

Then use the Media Select knob to

move the cursor and use the EFX

Select knob to activate or deactivate

the 12 notes in the key. Once you

have finished editing the custom key,

press the EFX Select knob to exit

Custom Key Edit Mode. The mixer is

capable of storing 9 different custom

keys, one for each preset slot.

The scale degrees are numbered across the

top, with half-steps indicated by a dash.

"+" indicates the note will be allowed.

"-" indicates the note will not be allowed.

By looking at the sequence of

allowed and disallowed notes above,

this is a whole tone scale. There are

only two of those, so you can have

the other one just by changing the

root to C# or B.

*This screen cap shows an A blues scale. You

don't have to edit the whole scale to change

keys - just change the root.

Once you have selected the key and

pressed the EFX Select knob, the

display will change to the current

Speed setting. Turn the EFX Select

knob to change the Speed setting.

The Speed setting determines

how quickly and aggressively the

Auto-Tune will correct the pitch.

The range for this setting is 0 to 25,

where 0 is the quickest and 25 is the

slowest. Push the EFX Select knob

when you are done editing the speed

parameter.

The display will now change to

the current Detune setting. Turn

the EFX Select knob to change the

Detune setting. The Detune setting

determines how the Auto-Tune pitch

correction is calibrated. When the

Detune setting is 0 cents, this means

the Auto-Tune is calibrated to the

standard A440, or where the note

A4 equals 440 Hz. The range of the

Detune setting is -64 to 63 cents,

a width of 128 cents. The distance

between two notes, or semitones,

is 100 cents, which means that the

Auto-Tune can be detuned to fit any

possible environment.

NOTE: Detuning the Auto-Tune can

be very useful, especially when

being used in conjunction with an

instrument that is not easily tuned

on-the-fly. For example, if a piano is

accompanying Auto-Tuned vocals

and the piano is slightly out of tune

from the A440 standard, simply

change the Detune setting in the

Auto-Tune setting. This is much

easier and takes much less time

than having someone tune the entire

piano! Also, although the Detune

setting is changed in the Auto-Tune

preset edit mode, this is a global

parameter. This means if you change

the Detune setting and then later

change the Auto-Tune preset, the

Detune setting will not change.

Once you have selected the

appropriate Detune setting, press

the EFX Select knob to exit Auto-Tune

preset edit mode. To restore all

Auto-Tune presets back to factory

settings, press and hold the EFX

Select knob for 5 seconds and select

"Y" when prompted.

NOTE: Preset 9 is chromatic with

speed set to 7. It is recommended

for general purpose, safe, easy

use of Auto-Tune, without having

to adjust any settings. The slower

speed setting does not produce a

robotic effect on the voice, and all

twelve semitones are allowed. Just

remember to use footswitch #2 to

bypass Auto-Tune between songs,

otherwise your speaking will be

Auto-Tuned!

Operating The DSP

RT=Root or Key

*indicates the root or key is C

RT

*

Auto-Tune Key Table

Key Display Note Number (n)=

Key 0 1 2 3 4 5 6 7 8 9 10 11

Chrom C C# D D# E F F# G G# A A# B

C Maj C D E F G A B

C Mnr C D D# F G G# A#

C#Maj C C# D# F F# G# A#

C#Mnr C# D# E F# G# A B

D Maj C# D E F# G A B

D Mnr C D E F G A A#

D#Maj C D D# F G G# A#

D#Mnr C# D# F F# G# A# B

E Maj C# D# E F# G# A B

E Mnr C D E F# G A B

F Maj C D E F G A A#

F Mnr C C# D# F G G# A#

F#Maj C# D# F F# G# A# B

F#Mnr C# D E F# G# A B

G Maj C D E F# G A B

G Mnr C D D# F G A A#

G#Maj C C# D# F G G# A#

G#Mnr C# D# E F# G# A# B

A Maj C# D E F# G# A B

A Mnr C D E F G A B

A#Maj C D D# F G A A#

A#Mnr C C# D# F F# G# A#

B Maj C# D# E F# G# A#

B Mnr C# D E F# G A B

Inputs/Outputs

GLOBAL PHANTOM POWER

This switch, when depressed,

applies +48 VDC to all input XLR

connectors to power microphones

that need phantom power to work.

This switch applies +48

VDC voltage to the input

XLR connectors to power

microphones requiring phantom

power. If phantom power is

used, do not connect unbalanced

dynamic microphones or other

devices that cannot handle this

voltage to the XLR inputs.

RCA RECORD OUT

This pair of RCA jacks provides a

signal to the recording inputs of a

CD recorder, stereo tape deck or

other recording device.

NOTE: Do not connect a single

device to the Media Inputs (3) and

Record Outputs. This improper

setup forms a loop, which can

cause severe feedback.

MAIN OUT (TRS Balanced)

This 1/4" jack provides a signal

from the main mix (after the

graphic EQ) for an external power

amplifier. An external power

amplifier, such as our IPR® series

of amplifiers, can then drive

additional speakers.

MONITOR OUT (TRS Balanced)

This 1/4" jack provides a signal

from the monitor mix (after the

graphic EQ) for an external power

amplifier. An external power

amplifier, such as our IPR series

of amplifiers, can then drive

additional speakers.

SUB/MONO OUT (TRS Balanced)

This 1/4" jack provides a signal

that passes all signals under

150Hz. This can be used to drive

an external subwoofer amplifier or

a powered sub. The level of signal

tracks the main output.

POWER AMP INPUTS

These are 1/4" inputs that allow

an external line-level signal to be

connected to each of the built-in

power amps. Plugging an input into

these jacks breaks the signal from

the mixer to the built-in amplifier.

The mixer output is still available at

the Main out jack (40).

38

39

40

41

43

42

PAD

1

PAD

2

PAD

3

PAD

4

PAD

5

PAD

6

PAD

7 8

L

R

MEDIA

INPUTS

RCA 3.5mm

TRS

SUB OUT

TRS BAL

MAIN OUT

TRS BAL

MONITOR OUT

NON-POWERED OUTPUTS

L

R

RECORD OUT

UNBAL

AMP 2

AMP 1

POWER AMP IN

ENABLE

ACTIVE

GLOBAL

PHANTOM

POWER

INPUT SELECT

MEDIAXLR-1/4”

38

39

42

43

41

40

4

1

2

3

Rear Panel

POWER SWITCH

This is the main power switch.

FUSE

This is the main safety fuse for the

AC line voltage. Only replace with

a fuse of the exact type and rating.

If the fuse continues to open, do

not over fuse. Take the unit to an

authorized Peavey service center.

NOTE: If the main AC voltage is

changed, the fuse must also be

changed to one of the appropriate

rating for the voltage you are

switching to.

AC POWER INLET

This is the receptacle for an

IEC line cord, which provides

AC power to the unit. Connect

the line cord to this connector to

provide power to the unit. Damage

to the equipment may result if

improper line voltage is used. (See

line voltage marking on unit.)

Never break off the ground pin

on any equipment. It is provided

for your safety. If the outlet used

does not have a ground pin, a

suitable grounding adapter should

be used and the third wire should

be grounded properly. To prevent

risk of shock or fire hazard, always

make sure that the amplifier and all

associated equipment is properly

grounded.

NOTE: FOR UK ONLY

As the colors of the wires

in the mains lead of this

apparatus may not correspond

directly with the colored markings

identifying the terminals in your

plug, proceed as follows: (1) The

green and yellow wire must be

connected to the terminal which is

marked with the letter E, or by the

earth symbol, or is colored green, or

green and yellow. (2) The blue wire

must be connected to the terminal

which is marked with the letter N, or

the color black. (3) The brown wire

must be connected to the terminal

which is marked with the letter L, or

the color red.

VOLTAGE SELECTOR

SWITCH

This switch allows the user

to select between 115VAC / 60Hz

or 230VAC / 50Hz. To change the

voltage selector, you must first

unscrew and remove the plastic

cover that protects the switch.

After changing the voltage, please

replace the plastic cover to ensure

the voltage level is not inadvertently

altered.

NOTE: The fuse MUST be changed to

the appropriate value to match the

voltage you have selected. Please

see the note on the back of the

mixer for the correct value.

POWER AMP 1 SPEAKER OUTPUTS

(MAIN MIX)

Dual two-conductor 1/4" –

Speakon® combination jacks that

can be connected to your speakers.

Each amplifier has a minimum load

impedance of 4 ohms. This means

you can connect either one 4-ohm,

one 8-ohm or two 8-ohm speakers

to each amplifier. Do not operate

below rated minimum impedance.

For maximum power transfer and to

prevent damage to your amplifier, be

sure to use speaker cables and not

instrument cables to connect to the

speakers. We recommend the use of

18-gauge or larger speaker wire.

POWER AMP 2 SPEAKER OUTPUTS

(MAIN MIX or MONITOR MIX)

Dual two-conductor 1/4" – Speakon

combination jacks that can be

connected to your speakers. Each

amplifier has a minimum load

impedance of 4 ohms. This means

you can connect either one 4-ohm,

one 8-ohm or two 8-ohm speakers

to each amplifier. Do not operate

below rated minimum impedance.

For maximum power transfer and to

prevent damage to your amplifier,

be sure to use speaker cables and

not instrument cables to connect to

the speakers. We recommend the

use of 18-gauge or larger speaker

wire. The signal going to Power Amp

2 is determined by the position of

the Power Amp 2 Assign switch (24).

In the “MAIN” position, the main

mix is fed to power amp 1 and power

amp 2. In the “MON” position, the

main mix is fed to power amp 1 and the

monitor mix is fed to power amp 2.

FOOTSWITCH EFFECTS DEFEAT (TS)

This 1/4" jack accepts a momentary,

dual - footswitch (Peavey Part#

03014070) designed to defeat the

effects on all channels or toggle the

Auto-Tune® on/off. Pressing switch

1 of the footswitch will toggle the

effects on and off. The condition

will be indicated by the EFX Defeat

button on the front panel. When

defeated, the button will be red.

When the effects are active, the

button will be dark. Pressing switch

2 will toggle the Auto-Tune on /

off (globally). The status will be

indicated by the three Auto-Tune

on/off switches (5) at the top of

the first 3 channels. If Auto-Tune is

active, the switch will be amber. If it

is inactive, the switch will be dark.

44

45

46

47

49

50

48

POWER

ON

A/C

MAIN

50/60 Hz 200 WATTS

Consumo de energia 200 Wh

POWER AMP 1

POWER AMP 2

SPEAKER OUTPUTS

MINIMUM LOAD

4 OHMS PER AMPLIFIER

CLASS 2 WIRING

MAIN/MONITOR

(WITH FRONT PANEL MONITOR SWITCH ACTIVE THESE

OUTPUTS RECEIVE SIGNAL FROM MONITOR SECTION)

FOOTSWITCH

8PIN/MIDI

AUTO-TUNE

PRESETS

EFFECTS\

AUTO-TUNE

DEFEAT

TIP- EFX DEFEAT

RING- AT DEFEAT

FUSE

115V

230V

FOR 220-240V OPERATION, FUSE

MUST BE CHANGED TO T5AH/250V

FOR 115V OPERATION, FUSE

MUST BE CHANGED TO T10AH/250V

220-240V

T5AH/250V

115V

T10AH/250V

HAZARD, REPLACE WITH SAME TYPE 250 VOLT FUSE.

PAR UN FUSIBLE DE MEME TYPE ET DE 250 VOLTS.

CAUTION

AVIS:

BE PLACED ON THIS APPARATUS. TO PREVENT THE RISK OF FIRE

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,

WARNING:

THIS APPARATUS SHOULD NOT BE EXPOSED TO RAIN OR MOISTURE

AND OBJECTS FILLED WITH LIQUIDS, SUCH AS VASES, SHOULD NOT

TEL QU’UN VASE, NE DOIT ETRE POSE SUR CELUI-CI. REMPLACER

DANS LE BUT DE REDUIRE LES RISQUES D’INCENDIE OU DE

DECHARGE ELECTRIQUE, CET APPAREIL NE DOIT PAS ETRE EXPOSE

A LA PLUIE OU A L’HUMIDITE ET AUCUN OBJET REMPLI DE LIQUIDE,

AVIS: RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR

MADE IN CHINA

DESIGNED AND ENGINEERED IN U.S.A.

A PRODUCT OF PEAVEY ELECTRONICS CORP.

CAN-ICES-3B/NMB-3B

FCC ID: I4S-XR-

AT

IC: 3642B-XR-

AT

THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES.

OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS:

(1) THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND

(2) THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED,

INCLUDING INTERFERENCE THAT MAY CAUSE UNDESIRED OPERATION.

CONNECTORS COMPATIBLE

WITH TWIST-LOCK

CONNECTORS AND 1/4”

SPEAKER CABLE

1-

NEG

PINOUT

TWIST-LOCK

1/4”

SLV

44

45 46

47

48 49 50 51

AUTO-TUNE FOOTSWITCH

MIDI In/Footswitch

This 8-pin DIN connector is provided for the connection of the Peavey 5-Button MIDI Footswitch. Preferably this should be connected before

the mixer is powered up. See the “Peavey 5-Button MIDI Footswitch” section of this manual for a more detailed explanation of operation.

This can also be used as a MIDI IN connection, using a standard 5-pin MIDI cable, if the mixer is going to be controlled by a separate MIDI

controller other than the Peavey footswitch. See the “MIDI” section of this manual for a more detailed explanation of the MIDI features.

PEAVEY 5-BUTTON MIDI FOOTSWITCH

The XR-AT Auto-Tune® can be controlled using the Peavey 5-Button MIDI Footswitch. Connect the footswitch to the XR-AT with the 8-pin MIDI

cable provided with the footswitch. The 8-pin cable must be used because it provides power to the footswitch. The footswitch will initialize

itself and reflect the current Auto-Tune preset selection. Below are the descriptions of each button on the Peavey 5-Button MIDI Footswitch for

the XR-AT.

1 = Auto-Tune Enable/Disable (LED Green = Enabled, LED Red = Disabled)

2 = Preset Selector 1

3 = Preset Selector 2

4 = Preset Selector 3

5 = Preset Bank Selector (LED Off = Bank 1 , LED Red = Bank 2, LED Green = Bank 3)

Pressing the Auto-Tune Enable/Disable button will globally disable all Auto-Tune channels. This is useful when a performer is speaking

between songs at a performance; the performer can disable the Auto-Tune while speaking into the microphone so that the XR-AT does not

apply Auto-Tune to their speech. Pressing the switch again will enable the Auto-Tune channels that were enabled previously. If the Auto-Tune

is globally disabled and one of the Auto-Tune channel buttons on the XR-AT mixer is pressed, the Auto-Tune will automatically globally enable

but will only enable the Auto-Tune channel that was selected.

Buttons 2-4, the Preset Selector buttons, allow the performer to change Auto-Tune presets on-the-fly along with button 5, the Preset Bank

Selector. Below is a table describing which Auto-Tune preset will be selected when using the Preset Selector buttons and the Preset Bank

Selector button.

BANK 1 (LED OFF) BANK 2 (LED RED) BANK 3 (LED GREEN)

Preset Selector 1 Preset 1 Preset 4 Preset 7

Preset Selector 2 Preset 2 Preset 5 Preset 8

Preset Selector 3 Preset 3 Preset 6 Preset 9

MIDI

The XR-AT Auto-Tune is also capable of being controlled with other types of MIDI controllers by using a standard 5-pin MIDI cable. It is capable

of receiving Control Change messages and Program Change messages, as laid out by the MIDI standard. This is the information you need to

use this mixer with other MIDI devices.

MIDI CC:

MIDI Control Change messages are used to change one function at a time. After selecting a preset (see MIDI Program below), modifications to

that preset can be done with these messages.

Note: The XR-AT is designed to receive MIDI messages on MIDI Channel 1, so the first byte of every Control Change message should be B0h.

CONTROL CONTROLLER NUMBER DATA

Channel 1 Enable 01h 00h-3Fh (Off) OR 40h-7Fh (On)

Channel 2 Enable 02h 00h-3Fh (Off) OR 40h-7Fh (On)

Channel 3 Enable 03h 00h-3Fh (Off) OR 40h-7Fh (On)

N/A 04h N/A

Speed 05h 00h-19h (0-25)

N/A 06h N/A

N/A 07h N/A

Detune 08h 00h-7Fh (0-127)

Example: B0 05 0F

Changes Speed to 15

MIDI PROGRAM:

MIDI Program Changes are used to recall Auto-Tune presets.

The XR-AT is designed to receive MIDI messages on MIDI Channel 1, so the first byte of every Program Change message should be C0h. The

second byte should be the preset number minus one.

Example: C0 05

Recalls Auto-Tune preset 6

51

Effects (parameter)

PLATE (TIME) DESCRIPTION PREDELAY ROOM ROOM SIZE FRONT END HP BACK END LP MORE DESCRIPTIVE

DAMP FACTOR NAME

P1 Bright 35 ms

P2 Gentle LP 48 ms

P3 Med LP 62 ms

P4 Hard LP 78 ms

P5 Dark 95 ms

HALL (TIME)

H1 Vox Fox 35 ms Med Med Subtle Subtle Med Hall

H2 Vox Huge 42 ms Med Large Subtle Subtle Cathedral

H3 Vox Glow 10 ms Med Large Subtle Subtle Auditorium

H4 Strings 30 ms Med Med Subtle Subtle Concert Hall

H5 Brass Hall 35 ms High Med Subtle Moderate Concert Hall 2

ROOM (TIME)

R1 Vox Air 30 ms Low Small Aggressive Subtle Hard Walls

R2 Vox Club 35 ms High Small Subtle Moderate Club

R3 Snare Low 70 ms Low Small Moderate Subtle Bathroom

R4 AC GTR 42 ms Med Small Moderate Subtle Med Walls

R5 Brass Room 40 ms High Med Subtle Moderate Med Room Damped Walls

DELAY (TIME)

D1 Double

D2 Slapback

D3 Bright, Few Repeats

D4 Bright, More Repeats

D5 Bright, Most Repeats

D6 Dark, Few Repeats

D7 Dark, More Repeats

D8 Dark, Most Repeats

ENHANCE (CUTOFF FREQ)

E1 Light Harmonics

E2 Moderate Harmonics

E3 Heavy Harmonics

CHORUS (RATE) PREDELAY CHORUS TIME RATE MODULATION

C1 High Depth, Slow Rate 10 ms 20 ms 0.1 – 1 Hz Random Sine

C2 Mod Depth, Wide Rate 10 ms 5 ms 0.5 - 4 Hz Random Sine

C3 Short Depth, Wide Rate 10 ms 2 ms 0.5 - 6 Hz Sine

C4 Short Depth, Fast Rate 5 ms 1 ms 5 - 15 Hz Random Sine

C5 High Depth, Mod Rate 2 ms 20 ms 0.2 - 3 Hz Random Sine

HI PASS

HI PASS 1-

1+

Meridian, MS 39301

Peavey Electronics Corp.

P. O. Box 2898

4

3

2

1

D

4

3

2

1

CBA

A B C D

Sheet Title:

Title:

Sheet Date:

of

D

LO PASS

+48V

EQ

LO MID HI

Graphic EQ with FLS

EQ

LO MID HI

LO

80Hz

4kHz

MID-MORPH

12kHz

HI

400Hz

1-

1+

1-

1+

1-

1+

3

GND

1

2

T

R

S

3

GND

1

2

T

R

S

OUTPUTS

ON/OFF

SELECTOR

EFX

OUT

CLIP

FOOTSWITCH

DEFEAT

REC

OUT

AMP2

OUT

AMP1

MAIN

OUT

MON

LEVEL

SIGNAL

CLIP

LEVEL

EFX

SIGNAL

LEFT

RIGHT

SIGNAL

MIC PRE

EFX

MON

EFX

LEVEL

USB INPUT

EQ LEVEL

MONITOR

CLIP

LIMITER

MUTE

MICS

DEFEAT / MUTE MICS

VOLUME

MASTER

ASSIGN

VOLUME

MONITOR

LOW

MUTE

LINE

INPUT

BLUETOOTH

SUB

EFX

EFFECTS

MEDIA

SELECTOR

MICS

MUTE

AMP2

EQ

9 - BAND EQ

EQ

HIGH

CHANNEL 8

MEDIA PLAYER

MIC PRE

USB

BLUETOOTH/

CHANNEL 9

CHANNEL 1 - 7

AMP2 IN

AMP1 IN

MICS

CH. 1-7

CH. 8/9

CLIP

MONITOR

COMP

LEVEL

KOSMOS ENABLE

MONITOR

STATUS

AUTO-TUNE

TO MONITOR

AUTO-TUNE

PAD

MONITOR

EFX TO

LINE

XLR

KOSMOS - C

XLR

LINE

XLR-1/4"

SELECT

MP3 IN

AMP2

SPEAKER

POWER

AMP1

POWER

CH 1-3 ONLY

ON/OFF

FOOTSWITCH

PRESET

COMBO

PHANTOM

XR_AT_BLK

8-22-2014_10:392 2

Block Diagram

Specifications

INPUT SENSITIVITY:

Mic In to full power at the power amp. Master Volume Nom.

Full Nominal

-40 dBu -22 dBu

Line In to full power at the power amp. Master Volume Nom.

Full Nominal

-10 dBu +8 dBu

CHANNEL EQ:

Shelving EQ

Low EQ 80 Hz ±15 dB

Mid-Morph

Low 250 Hz ±15 dB

High 4 kHz ±15 dB

High EQ 12 kHz ±15 dB

CLIP LED:

Clip LEDs come on 3 dB before clipping.

FREQUENCY RESPONSE:

All controls nominal (detent)

Mic to Main 20 Hz – 20 kHz +0, -1 dB

Line to Main 20 Hz – 30 kHz +0, -1 dB

Mic to Amp 50 Hz – 20 kHz +0, -3 dB

Line to Amp 40 Hz – 20 kHz +0, -3 dB

PHANTOM POWER:

+48 VOLTS

NOISE:

Main = Main line output, 22 – 22 kHz filter

Amp 1 = Amplifier output, loaded at 4 Ohms, through AP

AUX-0025 switching amplifier filter

All controls full down.

Main <-95 dBu

Amp 1 <-60 dBu

Master Volume nominal

Main <-88 dBu

Amp 1 <-55 dBu

THD:

All controls nominal

<0.01% @ main line output, -30 dBu in mic input Channel 1

<0.5% @ amp 1 @ 400 Watts into 4 Ohms

All controls nominal

<0.005% @ main line output, +4 dBu in line input Channel 1

<0.5% @ amp 1 @ 400 Watts into 4 Ohms

MASTER EQ:

80Hz ±12 dB

250Hz ±12 dB

500Hz ±12 dB

1kHz ±12 dB

2kHz ±12 dB

4kHz ±12 dB

10kHz ±12 dB

METER ARRAY:

LIMIT

-6 dB

-12 dB

-18 dB

-24 dB

-30 dB

AMP LIMITER:

Limits amplifier power just before clipping. The limiter holds the amp

power without clipping and can be driven up to 18 dB past maximum

output.

AMPLIFIER OUTPUT POWER:

120VAC

Both channels loaded at 8 ohms: 280 Watts RMS per ch

Both channels loaded at 4 ohms: 500 Watts RMS per ch

POWER REQUIREMENTS:

Domestic: 120VAC 50/60Hz 200 Watts Nominal

Export: 230VAC 50/60Hz 200 Watts

Nominal

SIZE:

Dimensions: H x W x D

9.5" x 19" x 9.5"

24.13cm x 48.26cm x 24.13cm

WEIGHT: 16 lbs.

7.25 kgs

Features and specifications subject to change without notice.

Peavey Electronics Corporation • 5022 Hartley Peavey Drive • Meridian, MS • 39305

Logo referenced in Directive 2002/96/EC Annex IV

(OJ(L)37/38,13.02.03 and defined in EN 50419: 2005

The bar is the symbol for marking of new waste and

is applied only to equipment manufactured after

13 August 2005

Notes

______________________________________________________________________________________________________________________

Notes

______________________________________________________________________________________________________________________

U.S. CUSTOMER WARRANTY REGISTRATION

Optional Product Extended Warranty Registration

Give us some information and put your extended warranty into effect!

9. How would you describe your level of musicianship/technical expertise?

1.

First Name Initial Last Name

Street Address

City State/Province Postal Code

( )

Telephone Number E-mail Address

( ) - -

Fax Number Date of birth

2.

Model 8-Digit Serial Number

Date of Purchase Price Paid

3.

Name of store where purchased

City State

4. Top two (2) reasons why you purchased from this store/dealer:

8. Which other brands/models did you consider?

❒ Past favorable experience

❒ Best price

❒ Advertised special

❒ Convenient location

❒ Received as a gift

❒ Other

❒ Availability of product

❒ Friend/Relative’s recommendation

❒ Store credit card

❒ Knowledgeable staff

❒ Availability of lessons

❒ Technical instruction

6. What two (2) factors most influenced your purchase of this product?

❒ Peavey brand name

❒ Craftsmanship

❒ Features for price

❒ Bundled accessories

❒ Sound quality

❒ Product appearance

❒ Durability

❒ Prior experience with Peavey

❒ Packaging

❒ Other

❒ Beginner - Never played or taken less than one (1) year of lessons

❒ Intermediate - One (1) to five (5) years of lessons or playing

❒ Advanced - More than five (5) years of lessons or playing; play professionally

10. Education: (select best answer)

❒ High school

❒ Some college

❒ Completed college

❒ Graduate school

Gender ❒ M ❒ F

11. Which best describe your family income? (select best answer)

12. Which of the following is your primary source of information on musical

products: (select best answer)

Please take a few minutes to fill out this information/survey sheet to help us get to know and serve you better.

To save time, submit your warranty registration online at www.peavey.com/support/warrantyregistration

❒ Under $15,000

❒ $15,000 - $24,999

❒ $25,000 - $34,999

❒ $35,000 - $49,999

❒ $50,000 - $74,999

❒ Television

❒ Radio

❒ Internet

❒ Newspaper

❒ Magazines

❒ Mail order catalogs

❒ Direct mail

❒ Literature from manufacturer

❒ Other

❒ $75,000 - $99,999

❒ $100,000 - $149,999

❒ Over - $150,000

13. What is your main motivation for buying new equipment?

❒ Replacing old product

❒ Want new and leading edge

equipment

❒ Fullfill a specific need

❒ Supplement existing products

❒ Value

❒ Impulse

❒ Need for improved performance

❒ New technology

❒ Availability of product

❒ Other

7. How did you learn about this Peavey product? (select best answer)

❒ Magazine review

❒ Newspaper review

❒ Radio advertisement

❒ Advertised special

❒ Friend/Relative’s recommendation

❒ Salesperson’s recommendation

❒ Teacher’s recommendation

❒ Catalog or flyer

❒ Saw in store

❒ Use by professional

❒ Other

15. In your opinion, what could Peavey do to improve its products and/or service? Please use the space below to tell us your answer.

Thank you for taking the time to fill out our survey! Don’t forget to fold and tape (with

Peavey address facing out), affix postage stamp and drop in the mail!

5. Where do you most often shop for music and sound products?

❒ Independent retailer

❒ Mass market retailer

❒ Mail order magazines

❒ Newspaper ads

❒ Internet/Web sites

❒ Other

Revised 1/11

14. Please list your three most frequently visited Web sites.

1. http://__________________________________________

2. http://__________________________________________

3. http://__________________________________________

Logo referenced in Directive 2002/96/EC Annex IV

(OJ(L)37/38,13.02.03 and defined in EN 50419: 2005

The bar is the symbol for marking of new waste and

is applied only to equipment manufactured after

13 August 2005

Peavey Electronics

Corporation

Attn: Warranty Department

P.O. Box 1150

Meridian, Ms 39302-1150

FROM:

Place

Postage

Here

Peavey Electronics XR-AT Audio mixer power amplifier User Manual UserMan

Peavey Electronics Corporation Audio mixer power amplifier UserMan

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