Peavey Electronics XR-AT Audio mixer power amplifier User Manual UserMan
Peavey Electronics Corporation Audio mixer power amplifier UserMan
UserMan
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| Document Description | UserMan |
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| Date Submitted | 2015-05-20 00:00:00 |
| Date Available | 2015-05-20 00:00:00 |
| Creation Date | 2015-04-27 10:38:07 |
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XR®-AT Powered Mixer Operating Manual www.peavey.com FCC/ICES Compliancy Statement FCC Compliancy Statement This device complies with Part 15 of the FCC rules and Industry Canada license‐exempt RSS Standard(s). Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must This complies with Part 15 ofcause the FCC rules.operation. Operation is subject to the following two accept anydevice interference received, that may undesired conditions: (1) this device may not cause harmful interference, and (2) this device must accept any Le présent appareil est conforme auxcause CNR d’lndustrie Canada applicables aux appareils radio exempts de interference received, that may undesired operation. licence. L’exploitation est autorisée aux deux conditions suivantes: (1) I’appareil ne doit pas produire de brouillage, et (2) I’utilisateur de I’appareil doit accepter tout brouillage radioélectrique subi, même si le Warning: Changes or modifications to the equipment not approved by Peavey Electronics Corp. can brouillage estuser’s susceptible d’entocompromettre le fonctionnement. void the authority use the equipment. Warning: Changes or modifications to the equipment not approved by Peavey Electronics Corp. can void the - This to equipment has been tested and found to comply with the limits for a Class B digital device, user’sNote authority use the equipment. pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate Noteradio – Thisfrequency equipment has been and found to comply the limits forthe a Class B digital device, energy and,tested if not installed and used in with accordance with instructions, may cause pursuant to Part 15 of thetoFCC Rules. These limits are designed to provide reasonable against harmful interference radio communications. However, there is no guarantee thatprotection interference will not harmful interference in ainstallation. residential installation. This does equipment uses, and to canradio radiate radio occur in a particular If this equipment cause generates, harmful interference or television frequency energy and,can if not andby used in accordance with off theand instructions, may harmfulto try reception, which be installed determined turning the equipment on, the user is cause encouraged and correct the interference by oneHowever, or more ofthere the following measures. interference to radio communications. is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment • Reorient or relocate the receiving antenna. off and on, the user is encouraged to try and correct the • Increase theorseparation between themeasures. equipment and receiver. interference by one more of the following • Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. Reorient or relocate the receiving antenna. • Consult the dealer or an experienced radio/TV technician for help. Increase the separation between the equipment and receiver. Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. Consult the dealer or an experienced radio/TV technician for help. Caution The equipment complies with FCC radiation exposure limits set forth for an uncontrolled environment. Peavey Electronics Corporation • 5022 Hartley Peavey Drive • Meridian, MS • 39305 (601) 483-5365 • FAX (601) 486-1278 • www.peavey.com • 80305780 • ©2011 ENGLISH XR - AT ® Powered Mixer Congratulations on the purchase of your new XR® -AT powered mixer from Peavey®. The Peavey XR-AT is a revolutionary all-in-one powered mixer that provides everything a musician or DJ needs, including up to eight combination XLR and 1/4" inputs using Peavey’s award winning mic preamps and dual 500 Watt amplifiers for crystal clear audio reproduction. Plus, for the first time ever, the XR-AT mixer includes Antares® Auto-Tune® pitch correction technology. This technology can literally help anyone sing in key and is used on professional recordings and live performances throughout the world. The Peavey XR-AT uses exclusive features like Midmorph® to accurately improve tone and clarity of vocals. Feedback is quickly and easily identified and removed with Peavey’s dual 9-band graphic EQ’s combined with our patented and revolutionary FLS® Feedback Locating System. The XR-AT is equipped with Peavey’s exclusive Kosmos®-C technology, which drastically enhances the low end of the audio spectrum. Built-in 24-bit digital effects complement the already feature-packed unit. Before you begin using your powered mixer it is very important to ensure that the product has the proper AC voltage supplied. You can find the proper voltage for your amp printed next to the IEC line (power) cord on the rear panel of the unit. Features: • FLS® Feedback Locating System • Midmorph® EQ • Kosmos®-C • On-board 24-bit digital effects with mute button • Digital effects parameter control • Combination XLR and 1/4" input jacks • Dual 9-band graphic EQ with FLS® • Master mic mute • Footswitchable Effects Defeat • Global 48 volt phantom power • RCA, 3.5mm media Inputs • Bluetooth® streaming • USB Audio playback • Selectable main or monitor dual power amp • RCA record outputs • LED meter bridge • Power amp sub-sonic filter • Clip and signal present indicators • Main and monitor 1/4" line level outputs • DDT™ speaker protection circuit • Three channels of Antares® Auto-Tune® pitch correction VENTILATION: For proper ventilation, allow 6" (15.5 cm) clearance on all sides. Channel Controls Auto-Tune Auto-Tune CH. 1 comp COMPRESSOR CH. 2 min Auto-Tune CH. 3 CH. 4 comp min max comp max min CH. 5 comp max min CH. 6 comp max min CH. 7 comp max min CH. 8 CH. 9 USB MEDIA KOSMOS-C comp max min ANALOG MEDIA CHANNEL max DIGITAL RCAMEDIA CHANNEL ENABLE 3.5mm TRS min max min max min max min max min max min max min max PAD high high PAD high high PAD PAD high high min min min max MEDIA MID XLR-1/4” PAD high MID PAD min max MID-MORPH PAD min HIGH HIGH HIGH INPUTmaxSELECT min HIGH max LOWACTIVE MONITOR 63 max +12 MEDIA +6 INPUTS max 125 250 GLOBAL PHANTOM POWER max min max min min max min Auto-Tune max Auto-Tune min Auto-Tune MONITOR TRS min max min max min max min max min -6 max -12 AMP 2 TRS BAL ENABLE max LOW min max MONITOR OUT 3.5mm RCA min LOW LOW max FLS F min max min max min max min max min max min MAIN max EFFECTS 63 PAD MEDIA INPUT SELECT clip min max clip min MEDIA INPUTS GLOBAL PHANTOM POWER min MIC/LINE INPUT (CH.1-8) This combination input jack can accept either a 1/4" (balanced or unbalanced) input or an XLR balanced, low-impedance connection. The tip is positive on the 1/4" balanced input, and pin 2 is positive on the XLR PAD (CH. 1-7) When engaged, the pad reduces the input signal by 25dB. If you notice distortion from a particular channel or if the channel becomes loud very quickly, try engaging this switch. In addition to increasing the dynamic range, the channel can now accommodate a higher input level before clipping occurs, which may be helpful when close-mic’ing a loud guitar amp or drum kit, for example. MEDIA INPUTS (CH.8 RCA and 3.5mm) These inputs, both RCA and 3.5mm jacks accept a stereo input from the output of an MP3 Player, CD player, tape deck or other similar device. max clip min max min SUB OUT sig MAIN OUT max clip min max TRS BAL min min max clip min max min max min 125 250 clip +12 clip +6 max max AMP 1 sig sig sig sig sig sig POWER AMP IN min max -12 FLS F min max INPUT SELECT SWITCH (CH. 8) This switch allows the user to select the input signal being sent to channel 8. In the “up” position, the Mic-Line preamp is active. In the “down” position, the RCA3.5mm media inputs are active. AUTO-TUNE ON/OFF (CH 1-3) Each of the first three channels of the XR-AT can be routed through the world famous Auto-Tune® processing for automatic pitch correction. These three backlit switches indicate the status of the Auto-Tune in each channel. They also allow the Auto-Tune process to be bypassed with the push of a button. When the switch is lit, Auto-Tune is active. When it is dark, the Auto-Tune process is bypassed. clip -6 sig NON-POWERED OUTPUTS max clip TRS BAL UNBALsig RECORD OUT LEVEL XLR-1/4” ACTIVE COMPRESSOR AND COMP LED (CH 1-7) This knob adjusts the amount of compression applied to the channel. As the knob is turned to the right, the mixer automatically raises the compression ratio while adjusting the output gain accordingly. The result is a min max min max min max min max narrower, more even dynamic range, as louder signals are softened while the overall level is boosted. Avoid setting the knob too high, however, as excess compression may lead to feedback. The LED will light red when the signal level is high enough to activate the compression. HIGH EQ This High EQ shelving type of active tone control varies the treble frequencies (+/- 15 dB at 12kHz) and is designed to remove noise or add brilliance to the signal, depending on the quality of the source. MID-MORPH EQ (CH. 1-7) Where most mid-range controls work at just one frequency, the Mid-Morph® works at two. When turned counterclockwise, it cuts at 250Hz to reduce frequencies that muddy the sound. When turned clockwise, it boosts at 4kHz to add intelligibility to vocals. Either way, improved vocal or instrument definition can be achieved. Channel Controls Auto-Tune CH. 1 Auto-Tune CH. 2 CH. 3 comp CH. 5 comp CH. 6 comp CH. 7 comp 17 CH. 8 CH. 9 ANALOG MEDIA CHANNEL DIGITAL MEDIA CHANNEL USB MEDIA KOSMOS-C comp COMPRESSOR comp CH. 4 min max min max min max min max min max min max min max HIGH comp Auto-Tune min max min max min max min max min max min max min max min HIGH DIGITAL EFFECTS max HIGH HIGH USB MEDIA PLAYBACK min max min min max LOW Enable max high high high high min MID high high high MID MID-MORPH MIC MUTE max EFX D MONITOR min 63 max 125 250 500 1K 2K 4K 8K 12K 8K 12K +12 +6 min max min max min max max min max min max min LOW min Auto-Tune max max Auto-Tune min min max Auto-Tune LOW min MONITOR 11 12 max min LOW 10 max min -6 max -12 FLS FEEDBACK LOCATING SYSTEM min max min max min max min max min max min MAIN max 13 EFFECTS 15 min min max 63 clip clip max clip min max clip min max clip min max clip min clip max min max min 125 250 500 1K 2K 4K clip +12 clip +6 max -6 sig sig LEVEL 14 sig max min max sig sig sig sig -12 FLS FEEDBACK LOCATING SYSTEM min MID EQ (CH. 8 & 9) The mid EQ is a band-pass (peak/notch) type of active tone control that varies the mid-range frequencies (+/-15dB at 450Hz). 10 LOW EQ A shelving type of EQ that varies the bass frequency levels (+/- 15dB at 80Hz). Low EQ adds depth to thin-sounding signals or cleans up the muddy ones. As with any EQ, use sparingly. Too much of this EQ can give you a booming bottom end. 12 sig 16 min 11 sig MONITOR SEND The monitor send adjusts the level of the channel signal added to the monitor mix. AUTO-TUNE TO MONITOR BUTTON (CH. 1-3) This allows the user to select whether to send the dry signal or the Auto-Tuned signal to the monitors in the Auto-Tune® capable channels. max min max min max min max min 13 EFFECTS SEND (CH. 1-8) This control adjusts the level of the channel signal added to the effects mix. The signal is sent to the internal effects processor. Turning the knob to the left (0) will turn off the effects on the associated channel, while turning the knob to the right will increase the amount of the selected effect. 14 LEVEL This control sets the signal level sent to the main mix. 15 CLIP When this LED turns on or blinks red, it is an indication that the signal in the channel is potentially too strong and could cause distortion. Turn down the Level control (14) until the Clip light is no longer present. If you are having difficulty getting a clean signal, try varying the output of the connected device, if possible. max min max min max 16 SIG When this LED is green, it is an indication the mixer is receiving signal at the input of the channel. If you are having trouble getting sound out of the mixer and this LED is not on, check the microphone, instrument or cable that is connected to the channel. 17 USB MEDIA JACK (CH. 9) A-type USB connector to which a removable data storage device can be connected to play back music. Master Controls USB PLAYBACK: First, sure 9 6is in CH. 7 CH. make CH. 5channelCH. USB playback mode by checking the status of the Ch 9 INPUT button (37). When the switch is dark, channel 9 is in USB playback mode. If it is blinking or solid blue, it is in Bluetooth mode. The bottom of the LCD display will say “Insert USB Drive” when in USB playback mode. Insert your USB drive in the USB Media Jack (17) at the top of channel 9. The mixer will now go into folder navigation mode. In folder navigation mode, you can navigate through all of the folders present in the USB drive. The first folder in the list will always be “”. This is the root directory of the USB drive and will contain any that max min max songs min max are min not in max min a specific folder. To navigate, use the “Media Select” encoder (36). To select a folder, press the “Media Select” encoder. Once you select a folder, the mixer will enter song navigation mode and will display all of the playable songs in that folder. In song navigation mode, you can select a song by turning and pressing the “Media Select” encoder or by pressing the “Next” and “Previous” switches. If you were currently playing a song and selected a new song, the mixer will automatically start playing the new song. If you were paused or stopped, the mixer will select the new song and remain stopped. To fast forward a song, press and hold the “Next” switch, and to rewind a song, press and hold the “Previous” switch. To go back to folder navigation mode, scroll all the way to the left and there will be an option called “ ”. Selecting this item will enter folder navigation mode, where you can select another folder of songs. If a folder is selected that has no playable songs, “No Songs” will be displayed on the LCD. Scroll to the left and select “ ” to go back to folder navigation mode and select another folder. Auto-Tune min min max min high min Auto-Tune max max min clip max max min sig max min max min max min high min max min max min max min min max min max max min max max min CH. 9 ANALOG MEDIA CHANNEL DIGITAL MEDIA CHANNEL USB MEDIA KOSMOS-C DIGITAL EFFECTS max min max min min max min 25 HIGH MEDIA SELECT max min LOW CH 9 INPUT 32 Enable max USB MEDIA PLAYBACK 63 125 250 min max 18 min max 19 26 27 28 EFX DEFEAT min max min 1K 2K 4K 8K 12K SIGNAL -6 -12 -6 -18 -12 -24 max min 18 125 250 500 1K 2K 4K sig sig 19 min max MON 24 MAIN 8K 12K SIGNAL LEVEL -6 -12 sig 22 LIMIT 21 -18 -6 sig LEVEL POWER AMP2 ASSIGN +6 max 20 MAIN clip +12 clip 23 LIMIT +6 63 clip 29 -30 max 37 EFX TO MON 500 FLS FEEDBACK LOCATING SYSTEM max USB Press to Select efx clip MONITOR max 36 33 +12 max Edit AutoTune Press to Select max min 35 34 MIC MUTE high EFX /AUTO-TUNE 30 31 clip min sig min max clip min sig max high max clip min sig min min max clip min max max max min high Auto-Tune high max CH. 8 comp HIGH max max comp MID min comp LOW max comp HIGH comp MID CH. 3 comp LOW Auto-Tune -24 -12 -30 min max FLS FEEDBACK LOCATING SYSTEM max 18 19 min max min max MASTER CONTROLS FLS When feedback occurs, the corresponding LED of the frequency that is closest to the frequency that is feeding back will illuminate the slider to be adjusted. Slowly bring the corresponding slider down until feedback is gone. The LED will remain illuminated for a few seconds after the feedback is gone. If the feedback doesn’t return, all of the LEDs will become active again. GRAPHIC EQ These nine-band Equalizers are designed to either be used to reduce feedback or to adjust the overall frequency response of the signal being sent to the amplifiers. Subtle adjustments made with the graphic equalizer can improve the way your loudspeaker system sounds in the room. You should be aware however, that setting large amounts of boost or arbitrary curves can reduce amplifier headroom, leading to early distortion or just plain bad or unintelligible sound. Working with the FLS, the graphic EQ can also be used to reduce feedback. Each band of EQ can supply up to 12dB of boost or cut. 20 LEVEL LED LADDER These LEDs indicate the signal level of the main mix and the monitor mix. The top LED indicates LIMIT and activation of our revolutionary DDT speaker protection circuit. Peavey’s award winning speaker protection is built into the XR-AT powered mixer and is activated automatically to maximize the power amplifier without fear of distortion. 21 MAIN LEVEL The Main level control sets the level of the main mix and the overall volume of the powered mixer. 22 MONITOR LEVEL The Monitor level control adjusts the level of the signal coming out of the Monitor send 1/4" jack (41). It can also be assigned to feed the 2nd power amplifier via the selector switch (24). Master Controls 23 Auto-Tune EFX Auto-Tune CH. 3 comp TO MON This toggles the CH. EFX6 returnCH. 7 CH.switch CH. 5 signal being sent to the monitors. When it is lit, the effects signal is being sent to the monitors. comp max min comp max min comp max min comp max min max min CH. 8 CH. 9 ANALOG MEDIA CHANNEL DIGITAL MEDIA CHANNEL USB MEDIA KOSMOS-C comp max DIGITAL EFFECTS max min max max clip max min min 25 sig min 26 27 28 max min max min max min max min max max clip min min max min 25 HIGH high max sig sig min max min max LOW Enable max USB MEDIA PLAYBACK min max 63 max 125 250 min max 18 min max min max min max min 26 27 28 EFX DEFEAT 1K 2K 4K 8K 12K SIGNAL max min -6 -12 -6 -18 -12 -24 18 sig 125 250 500 1K 2K 4K 19 22 min max MON 24 MAIN 8K 12K SIGNAL LEVEL LIMIT -6 -12 sig LEVEL POWER AMP2 ASSIGN 21 -18 -6 sig 20 MAIN +6 max 23 LIMIT clip +12 clip 29 -30 max 37 EFX TO MON 500 +6 63 clip USB Press to Select efx clip MONITOR min 36 33 FLS FEEDBACK LOCATING SYSTEM sig -24 -12 -30 min max FLS FEEDBACK LOCATING SYSTEM max 29 30 MIC MUTE Depressing this button mutes the mic/line inputs in all 8 channels. The media input jacks (RCA and 3.5mm) on channel 8 and the USB/BT inputs on channel 9 are still “live”. This allows you to play break music, while muting all of the microphone inputs. EFX DEFEAT This button mutes the effects being sent to the main mix, allowing the user to listen to a dry signal at the main outputs. When muted, the switch will be red. This can also be activated with a momentary footswitch. See (50). min 19 min KOSMOS ENABLE When lit, the Kosmos enhanced signal is added to the main mix. This allows you to compare the enhanced signal with the dry with the press of a button. max CH 9 INPUT 32 +12 clip min min Edit AutoTune MEDIA SELECT max MIC MUTE KOSMOS-C The Kosmos®-C uses special circuitry tomaxenrich the ofmaxyourmin max min min max sound min system. This is not just a simple bass boost. It provides “natural bass enhancement” by adding harmonically related bass signals that track the envelope of the original signal. The Kosmos-C high control can be used to add clarity to dull signals. sig max HIGH max high max clip min min MID max high max clip min max high Auto-Tune min Auto-Tune max min LOW high high max HIGH min MID POWER AMP 2 ASSIGN This switch allows the user to select the signal that is assigned to power amp 2 (49). The user can elect to send either the Main mix signal or the Monitor mix signal to the second internal power amplifier. This allows the user to run both power amps for mains or use power amp 1 for mains and power amp 2 for monitors. max LOW 24 min 35 34 Press to Select 31 max EFX /AUTO-TUNE 30 31 min max min max EFX CLIP This LED blinks red when the signal being sent to the effects section is too high and is causing distortion. Find the source of the hot signal by reducing the EFX send (13) on each channel until the LED is no longer lighting (blinking red). LCD DISPLAY The top row of this LCD displays the currently selected EFX preset or Auto-Tune® preset and the bottom row displays the status of the media inputs of channel 9. If channel 9 is in USB Playback Mode, it can also be used for navigating the folders on the USB drive or displaying the current song playing. REW/PREV A short press will rewind to the beginning of the current song. Pressing this button twice will take you to the previous song on the USB drive. A long press will rewind through the current song; release to play when you reach the desired spot in the song. 32 PLAY/PAUSE The play/pause button toggles the current song between play and pause. When the > II is displayed, the song will be playing. When II is displayed, the song is paused. When [] is displayed, the song is stopped. 33 FF/NEXT A short press will advance the media player to the next song on the USB drive. A long press will fast forward through the current song; release to play when you reach the desired spot in the song. 34 EFX SELECT/AUTO-TUNE ADJUST The EFX Select/Auto-Tune Adjust knob is a dual function control. It can be used to navigate and select the desired effect preset. In the Auto-Tune edit mode, it can be used to select presets and navigate the Auto-Tune edit functions. Please see the "Operating the DSP" section for further information. Master Controls 35 Auto-Tune EDIT min min max min high 36 min Auto-Tune max max min 37 clip max min sig max max min max min max min high max min max min max max min min max min max min max min max min max clip clip min max min max clip min sig max sig DIGITAL MEDIA CHANNEL KOSMOS-C DIGITAL EFFECTS max min max min max max max min 25 HIGH MEDIA SELECT max min LOW CH 9 INPUT 32 Enable max USB MEDIA PLAYBACK 63 125 250 BLUETOOTH ACTIVE LED The CH 9 INPUT button will also function as the Bluetooth Status LED. The blue backlit switch indicates the status of the Bluetooth connection. If the LED is off, the Bluetooth module is powered off and channel 9 is in USB Playback Mode. If the LED is slowly flashing, the XR-AT is not paired with any device, but is available for connection. When the LED is lit solid, the source device is properly paired to the mixer and ready to play. BLUETOOTH OPERATION To listen to music via the Bluetooth wireless connection, you must first pair (link) your XR-AT mixer with your Bluetooth phone and/or music device. max 18 min max max min max min 27 28 EFX DEFEAT EFX TO MON 500 1K 2K 4K 8K 12K SIGNAL +6 -6 -12 -6 -18 -12 -24 -30 clip 125 250 500 1K 2K 4K 18 sig 24 19 8K 12K MAIN SIGNAL LEVEL -12 sig max MON -6 21 -18 -6 sig 22 min LIMIT +6 max 23 LEVEL POWER AMP2 ASSIGN clip +12 clip min 20 MAIN max 37 29 LIMIT 63 max USB Press to Select efx clip 26 MONITOR max 36 33 FLS FEEDBACK LOCATING SYSTEM min sig min Edit AutoTune Press to Select max min 35 34 MIC MUTE min EFX /AUTO-TUNE 30 19 min Turn off any Bluetooth devices previously paired with the XR-AT mixer. Turn on the Bluetooth feature on your phone or music device. Make sure the XR-AT is ready for a Bluetooth connection. ANALOG MEDIA CHANNEL USB MEDIA 31 clip min CH. 9 +12 CH 9 INPUT SELECT (USB/BLUETOOTH) This switch allows the user to select the input signal being sent to channel 9. It can select between max min min maxor amin max min the USB Amaxconnector wireless Bluetooth® connection from an external device (Smart phone, iPod, or tablet). max max high high MEDIA SELECT This encoder is used to control USB playback navigation. For more information on this, see “USB Playback.” sig min min high Auto-Tune high max CH. 8 comp HIGH max max comp MID min comp LOW max comp HIGH comp MID CH. 3 comp AUTO-TUNE TheCH.Edit 4 Auto-Tune CH. 5 ® switch CH. 6 is used CH. 7 to enter Auto-Tune editing mode. When it is engaged (lit), the current Auto-Tune preset will be displayed on the LCD. When it is disengaged (dark), the current EFX preset will be displayed on the LCD. LOW Auto-Tune -24 -12 -30 min max FLS FEEDBACK LOCATING SYSTEM max min max min max The Bluetooth Active LED should be blinking and the LCD will say, “Bluetooth Input.” Place your phone or music device in Bluetooth search mode. The phone or music device will begin searching for the XR-AT. Select “Peavey Mixer” from the search results on your phone or music device. You will be prompted to enter a pin number. Enter the pin#, it is 7878 (or “PVPV” on a phone number pad). If the pairing is successful, the Bluetooth Active LED will blink rapidly 5 times and then remain lit. You are now ready to begin streaming through Bluetooth to the mixer. The level can be adjusted from the connected source or by the level control in Channel 9. The XR-AT mixer will remember up to 10 devices that it was previously paired with and will automatically connect to the last device with which it was paired when turned on. To clear the paired device memory, make sure the mixer is in Bluetooth mode and press and hold the Ch 9 Input Select Button (37) for 5 seconds. The XR-AT mixer will ask if you would like to clear the Bluetooth memory. Select "Y" using the Media Select knob to clear the memory. The XR-AT mixer will go through the process of clearing the memory, which should take approximately 15 seconds. Operating The DSP EFFECTS EDIT MODE: In EFX Edit Mode, the EFX Select knob is used to navigate through the EFX presets. Turning the knob changes the EFX preset in the display. The new selection will be blinking in the display; push the EFX Select knob to choose the new effect. Once the effect has been selected, you can now edit the effect. To do this, press the EFX Select knob and the display will change to the current parameter setting of the preset. Turn the EFX Select knob to edit the parameter. Press the knob again to exit EFX preset edit mode. To restore the EFX presets back to factory settings, press and hold the EFX Select knob for 5 seconds and select "Y" when prompted. AUTO-TUNE EDIT MODE: In Auto-Tune® Edit Mode the EFX Select knob is used to navigate through the Auto-Tune presets. Turning the knob changes the Auto-Tune preset in the display. The new selection will be blinking in the display; push the EFX Select knob to choose the new Auto-Tune preset. Once the preset has been selected, you can edit the preset by pressing the EFX Select knob. The display will change to the current Key setting. Turn the EFX Select knob to change the key and push the EFX Select knob when you have chosen the key you desire. The Key setting determines which notes are enabled in the Auto-Tune process. For example, in the key of CMaj, the notes C, D, E, F, G, A, and B are enabled, and all other notes are disabled. To see which notes are enabled or disabled for each key, see the Key Table. NOTE: If Custom Key is selected, the display will enter Custom Key Edit Mode. In this mode, you can create a custom Auto-Tune Key. Use the EFX Select knob to select the Root (labeled "RT"). This will be the note on which the custom key is based. Then use the Media Select knob to move the cursor and use the EFX Select knob to activate or deactivate the 12 notes in the key. Once you have finished editing the custom key, press the EFX Select knob to exit Custom Key Edit Mode. The mixer is capable of storing 9 different custom keys, one for each preset slot. The scale degrees are numbered across the top, with half-steps indicated by a dash. Detune setting is -64 to 63 cents, a width of 128 cents. The distance between two notes, or semitones, is 100 cents, which means that the Auto-Tune can be detuned to fit any possible environment. RT=Root or Key RT *indicates the root or key is C "+" indicates the note will be allowed. "-" indicates the note will not be allowed. By looking at the sequence of allowed and disallowed notes above, this is a whole tone scale. There are only two of those, so you can have the other one just by changing the root to C# or B. *This screen cap shows an A blues scale. You don't have to edit the whole scale to change keys - just change the root. Once you have selected the key and pressed the EFX Select knob, the display will change to the current Speed setting. Turn the EFX Select knob to change the Speed setting. The Speed setting determines how quickly and aggressively the Auto-Tune will correct the pitch. The range for this setting is 0 to 25, where 0 is the quickest and 25 is the slowest. Push the EFX Select knob when you are done editing the speed parameter. The display will now change to the current Detune setting. Turn the EFX Select knob to change the Detune setting. The Detune setting determines how the Auto-Tune pitch correction is calibrated. When the Detune setting is 0 cents, this means the Auto-Tune is calibrated to the standard A440, or where the note A4 equals 440 Hz. The range of the NOTE: Detuning the Auto-Tune can be very useful, especially when being used in conjunction with an instrument that is not easily tuned on-the-fly. For example, if a piano is accompanying Auto-Tuned vocals and the piano is slightly out of tune from the A440 standard, simply change the Detune setting in the Auto-Tune setting. This is much easier and takes much less time than having someone tune the entire piano! Also, although the Detune setting is changed in the Auto-Tune preset edit mode, this is a global parameter. This means if you change the Detune setting and then later change the Auto-Tune preset, the Detune setting will not change. Once you have selected the appropriate Detune setting, press the EFX Select knob to exit Auto-Tune preset edit mode. To restore all Auto-Tune presets back to factory settings, press and hold the EFX Select knob for 5 seconds and select "Y" when prompted. NOTE: Preset 9 is chromatic with speed set to 7. It is recommended for general purpose, safe, easy use of Auto-Tune, without having to adjust any settings. The slower speed setting does not produce a robotic effect on the voice, and all twelve semitones are allowed. Just remember to use footswitch #2 to bypass Auto-Tune between songs, otherwise your speaking will be Auto-Tuned! Auto-Tune Key Table Key Display Note Number (n)= Key 10 11 Chrom C# D# F# G# A# C Maj C Mnr D# G# A# C#Maj C# D# F# G# A# C#Mnr C# D# F# G# D Maj C# F# D# D Mnr D#Maj A# G# A# D#Mnr C# D# F F# G# A# E Maj F# F# A# C# D# G# E Mnr F Maj F Mnr C# D# G# A# F#Maj C# D# F# G# A# F#Mnr C# F# G# F# A# G Maj G Mnr D# G#Maj C# D# G# A# G#Mnr C# D# F# G# A# A Maj C# F# G# D# A Mnr A#Maj A#Mnr A# F# G# A# B Maj C# F# B Mnr C# F# C# D# F D# G# A# Inputs/Outputs 41 38 MONITOR OUT 3.5mm RCA 42 XLR-1/4” PAD PAD PAD PAD PAD PAD PAD ACTIVE MEDIA MEDIA INPUTS GLOBAL PHANTOM POWER 43 RECORD OUT INPUT SELECT AMP 2 TRS BAL ENABLE TRS UNBAL SUB OUT TRS BAL MAIN OUT TRS BAL 39 NON-POWERED OUTPUTS AMP 1 POWER AMP IN 40 38 GLOBAL PHANTOM POWER This switch, when depressed, applies +48 VDC to all input XLR connectors to power microphones that need phantom power to work. This switch applies +48 VDC voltage to the input XLR connectors to power microphones requiring phantom power. If phantom power is used, do not connect unbalanced dynamic microphones or other devices that cannot handle this voltage to the XLR inputs. 39 RCA RECORD OUT This pair of RCA jacks provides a signal to the recording inputs of a CD recorder, stereo tape deck or other recording device. NOTE: Do not connect a single device to the Media Inputs (3) and Record Outputs. This improper setup forms a loop, which can cause severe feedback. 40 MAIN OUT (TRS Balanced) This 1/4" jack provides a signal from the main mix (after the graphic EQ) for an external power amplifier. An external power amplifier, such as our IPR® series of amplifiers, can then drive additional speakers. 41 MONITOR OUT (TRS Balanced) This 1/4" jack provides a signal from the monitor mix (after the graphic EQ) for an external power amplifier. An external power amplifier, such as our IPR series of amplifiers, can then drive additional speakers. 42 SUB/MONO OUT (TRS Balanced) This 1/4" jack provides a signal that passes all signals under 150Hz. This can be used to drive an external subwoofer amplifier or a powered sub. The level of signal tracks the main output. 43 POWER AMP INPUTS These are 1/4" inputs that allow an external line-level signal to be connected to each of the built-in power amps. Plugging an input into these jacks breaks the signal from the mixer to the built-in amplifier. The mixer output is still available at the Main out jack (40). Rear Panel CAUTION WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, THIS APPARATUS SHOULD NOT BE EXPOSED TO RAIN OR MOISTURE AND OBJECTS FILLED WITH LIQUIDS, SUCH AS VASES, SHOULD NOT BE PLACED ON THIS APPARATUS. TO PREVENT THE RISK OF FIRE HAZARD, REPLACE WITH SAME TYPE 250 VOLT FUSE. AVIS: DANS LE BUT DE REDUIRE LES RISQUES D’INCENDIE OU DE DECHARGE ELECTRIQUE, CET APPAREIL NE DOIT PAS ETRE EXPOSE A LA PLUIE OU A L’HUMIDITE ET AUCUN OBJET REMPLI DE LIQUIDE, TEL QU’UN VASE, NE DOIT ETRE POSE SUR CELUI-CI. REMPLACER PAR UN FUSIBLE DE MEME TYPE ET DE 250 VOLTS. FOR 220-240V OPERATION, FUSE MUST BE CHANGED TO T5AH/250V 115V ON 230V 47 44 Consumo de energia 200 Wh 50/60 Hz 200 WATTS 115V T10AH/250V 220-240V T5AH/250V A/C 45 CAN-ICES-3B/NMB-3B IC: 3642B-XR-AT A PRODUCT OF PEAVEY ELECTRONICS CORP. DESIGNED AND ENGINEERED IN U.S.A. MADE IN CHINA MAIN CLASS 2 WIRING PINOUT NEG TWIST-LOCK 1- 1/4” SLV 49 FOOTSWITCH EFFECTS\ AUTO-TUNE DEFEAT AUTO-TUNE PRESETS 50 51 TIP- EFX DEFEAT RING- AT DEFEAT 8PIN/MIDI MAIN/MONITOR (WITH FRONT PANEL MONITOR SWITCH ACTIVE THESE OUTPUTS RECEIVE SIGNAL FROM MONITOR SECTION) 46 44 POWER SWITCH This is the main power switch. 45 FUSE This is the main safety fuse for the AC line voltage. Only replace with a fuse of the exact type and rating. If the fuse continues to open, do not over fuse. Take the unit to an authorized Peavey service center. NOTE: If the main AC voltage is changed, the fuse must also be changed to one of the appropriate rating for the voltage you are switching to. 46 CONNECTORS COMPATIBLE WITH TWIST-LOCK CONNECTORS AND 1/4” SPEAKER CABLE 48 FCC ID: I4S-XR-AT THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY CAUSE UNDESIRED OPERATION. FUSE MINIMUM LOAD 4 OHMS PER AMPLIFIER POWER AMP 1 POWER AMP 2 POWER SPEAKER OUTPUTS AVIS: RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR FOR 115V OPERATION, FUSE MUST BE CHANGED TO T10AH/250V green and yellow wire must be connected to the terminal which is marked with the letter E, or by the earth symbol, or is colored green, or green and yellow. (2) The blue wire must be connected to the terminal which is marked with the letter N, or the color black. (3) The brown wire must be connected to the terminal which is marked with the letter L, or the color red. 47 AC POWER INLET This is the receptacle for an IEC line cord, which provides AC power to the unit. Connect the line cord to this connector to provide power to the unit. Damage to the equipment may result if improper line voltage is used. (See line voltage marking on unit.) Never break off the ground pin on any equipment. It is provided for your safety. If the outlet used does not have a ground pin, a suitable grounding adapter should be used and the third wire should be grounded properly. To prevent risk of shock or fire hazard, always make sure that the amplifier and all associated equipment is properly grounded. NOTE: FOR UK ONLY As the colors of the wires in the mains lead of this apparatus may not correspond directly with the colored markings identifying the terminals in your plug, proceed as follows: (1) The 48 VOLTAGE SELECTOR SWITCH This switch allows the user to select between 115VAC / 60Hz or 230VAC / 50Hz. To change the voltage selector, you must first unscrew and remove the plastic cover that protects the switch. After changing the voltage, please replace the plastic cover to ensure the voltage level is not inadvertently altered. NOTE: The fuse MUST be changed to the appropriate value to match the voltage you have selected. Please see the note on the back of the mixer for the correct value. POWER AMP 1 SPEAKER OUTPUTS (MAIN MIX) Dual two-conductor 1/4" – Speakon® combination jacks that can be connected to your speakers. Each amplifier has a minimum load impedance of 4 ohms. This means you can connect either one 4-ohm, one 8-ohm or two 8-ohm speakers to each amplifier. Do not operate below rated minimum impedance. For maximum power transfer and to prevent damage to your amplifier, be sure to use speaker cables and not instrument cables to connect to the speakers. We recommend the use of 18-gauge or larger speaker wire. 49 POWER AMP 2 SPEAKER OUTPUTS (MAIN MIX or MONITOR MIX) Dual two-conductor 1/4" – Speakon combination jacks that can be connected to your speakers. Each amplifier has a minimum load impedance of 4 ohms. This means you can connect either one 4-ohm, one 8-ohm or two 8-ohm speakers to each amplifier. Do not operate below rated minimum impedance. For maximum power transfer and to prevent damage to your amplifier, be sure to use speaker cables and not instrument cables to connect to the speakers. We recommend the use of 18-gauge or larger speaker wire. The signal going to Power Amp 2 is determined by the position of the Power Amp 2 Assign switch (24). In the “MAIN” position, the main mix is fed to power amp 1 and power amp 2. In the “MON” position, the main mix is fed to power amp 1 and the monitor mix is fed to power amp 2. 50 FOOTSWITCH EFFECTS DEFEAT (TS) This 1/4" jack accepts a momentary, dual - footswitch (Peavey Part# 03014070) designed to defeat the effects on all channels or toggle the Auto-Tune® on/off. Pressing switch 1 of the footswitch will toggle the effects on and off. The condition will be indicated by the EFX Defeat button on the front panel. When defeated, the button will be red. When the effects are active, the button will be dark. Pressing switch 2 will toggle the Auto-Tune on / off (globally). The status will be indicated by the three Auto-Tune on/off switches (5) at the top of the first 3 channels. If Auto-Tune is active, the switch will be amber. If it is inactive, the switch will be dark. 51 AUTO-TUNE FOOTSWITCH MIDI In/Footswitch This 8-pin DIN connector is provided for the connection of the Peavey 5-Button MIDI Footswitch. Preferably this should be connected before the mixer is powered up. See the “Peavey 5-Button MIDI Footswitch” section of this manual for a more detailed explanation of operation. This can also be used as a MIDI IN connection, using a standard 5-pin MIDI cable, if the mixer is going to be controlled by a separate MIDI controller other than the Peavey footswitch. See the “MIDI” section of this manual for a more detailed explanation of the MIDI features. PEAVEY 5-BUTTON MIDI FOOTSWITCH The XR-AT Auto-Tune® can be controlled using the Peavey 5-Button MIDI Footswitch. Connect the footswitch to the XR-AT with the 8-pin MIDI cable provided with the footswitch. The 8-pin cable must be used because it provides power to the footswitch. The footswitch will initialize itself and reflect the current Auto-Tune preset selection. Below are the descriptions of each button on the Peavey 5-Button MIDI Footswitch for the XR-AT. 1 = Auto-Tune Enable/Disable (LED Green = Enabled, LED Red = Disabled) 2 = Preset Selector 1 3 = Preset Selector 2 4 = Preset Selector 3 5 = Preset Bank Selector (LED Off = Bank 1 , LED Red = Bank 2, LED Green = Bank 3) Pressing the Auto-Tune Enable/Disable button will globally disable all Auto-Tune channels. This is useful when a performer is speaking between songs at a performance; the performer can disable the Auto-Tune while speaking into the microphone so that the XR-AT does not apply Auto-Tune to their speech. Pressing the switch again will enable the Auto-Tune channels that were enabled previously. If the Auto-Tune is globally disabled and one of the Auto-Tune channel buttons on the XR-AT mixer is pressed, the Auto-Tune will automatically globally enable but will only enable the Auto-Tune channel that was selected. Buttons 2-4, the Preset Selector buttons, allow the performer to change Auto-Tune presets on-the-fly along with button 5, the Preset Bank Selector. Below is a table describing which Auto-Tune preset will be selected when using the Preset Selector buttons and the Preset Bank Selector button. BANK 1 (LED OFF) Preset 1 Preset 2 Preset 3 Preset Selector 1 Preset Selector 2 Preset Selector 3 BANK 2 (LED RED) Preset 4 Preset 5 Preset 6 BANK 3 (LED GREEN) Preset 7 Preset 8 Preset 9 MIDI The XR-AT Auto-Tune is also capable of being controlled with other types of MIDI controllers by using a standard 5-pin MIDI cable. It is capable of receiving Control Change messages and Program Change messages, as laid out by the MIDI standard. This is the information you need to use this mixer with other MIDI devices. MIDI CC: MIDI Control Change messages are used to change one function at a time. After selecting a preset (see MIDI Program below), modifications to that preset can be done with these messages. Note: The XR-AT is designed to receive MIDI messages on MIDI Channel 1, so the first byte of every Control Change message should be B0h. CONTROL Channel 1 Enable Channel 2 Enable Channel 3 Enable N/A Speed N/A N/A Detune CONTROLLER NUMBER 01h 02h 03h 04h 05h 06h 07h 08h DATA 00h-3Fh (Off) OR 40h-7Fh (On) 00h-3Fh (Off) OR 40h-7Fh (On) 00h-3Fh (Off) OR 40h-7Fh (On) N/A 00h-19h (0-25) N/A N/A 00h-7Fh (0-127) Example: B0 05 0F Changes Speed to 15 MIDI PROGRAM: MIDI Program Changes are used to recall Auto-Tune presets. The XR-AT is designed to receive MIDI messages on MIDI Channel 1, so the first byte of every Program Change message should be C0h. The second byte should be the preset number minus one. Example: C0 05 Recalls Auto-Tune preset 6 Effects (parameter) PLATE (TIME) DESCRIPTION PREDELAY ROOM ROOM SIZE FRONT END HP BACK END LP MORE DESCRIPTIVE DAMP FACTOR NAME P1 Bright 35 ms P2 Gentle LP 48 ms P3 Med LP 62 ms P4 Hard LP 78 ms P5 Dark 95 ms HALL (TIME) H1 Vox Fox 35 ms Med Med Subtle Subtle Med Hall H2 Vox Huge 42 ms Med Large Subtle Subtle Cathedral H3 Vox Glow 10 ms Med Large Subtle Subtle Auditorium H4 Strings 30 ms Med Med Subtle Subtle Concert Hall H5 Brass Hall 35 ms High Med Subtle Moderate Concert Hall 2 ROOM (TIME) R1 Vox Air 30 ms Low Small Aggressive Subtle Hard Walls R2 Vox Club 35 ms High Small Subtle Moderate Club R3 Snare Low 70 ms Low Small Moderate Subtle Bathroom R4 AC GTR 42 ms Med Small Moderate Subtle Med Walls R5 Brass Room 40 ms High Med Subtle Moderate Med Room Damped Walls DELAY (TIME) D1 Double D2 Slapback D3 Bright, Few Repeats D4 Bright, More Repeats D5 Bright, Most Repeats D6 Dark, Few Repeats D7 Dark, More Repeats D8 Dark, Most Repeats ENHANCE (CUTOFF FREQ) E1 Light Harmonics E2 Moderate Harmonics E3 Heavy Harmonics CHORUS (RATE) PREDELAY CHORUS TIME RATE MODULATION C1 High Depth, Slow Rate 10 ms 20 ms 0.1 – 1 Hz Random Sine C2 Mod Depth, Wide Rate 10 ms 5 ms 0.5 - 4 Hz Random Sine C3 Short Depth, Wide Rate 10 ms 2 ms 0.5 - 6 Hz Sine C4 Short Depth, Fast Rate 5 ms 1 ms 5 - 15 Hz Random Sine C5 High Depth, Mod Rate 2 ms 20 ms 0.2 - 3 Hz Random Sine 1 Block Diagram XLR LINE GND COMBO PHANTOM ON/OFF XLR LINE +48V PAD PHANTOM LO 80Hz EQ 4kHz HI 12kHz MID-MORPH 400Hz BLUETOOTH/ USB XLR-1/4" SELECT MUTE MICS MIC PRE COMP CHANNEL 8 GND USB INPUT BLUETOOTH INPUT STATUS CHANNEL 9 LINE COMBO LEFT RIGHT MP3 IN MIC PRE CHANNEL 1 - 7 ON/OFF AUTO-TUNE CH 1-3 ONLY MID HI EQ MID HI EQ PRESET FOOTSWITCH EQ LO EQ LO LEVEL LEVEL CLIP SIGNAL EFX MONITOR SIGNAL CLIP MONITOR EFX SIGNAL CLIP AUTO-TUNE TO MONITOR LEVEL MONITOR EFX MON CH. 1-7 CH. 8/9 EFX TO MONITOR MUTE MICS MUTE MICS CLIP EFX SELECTOR EFFECTS MEDIA PLAYER MEDIA SELECTOR 9 - BAND EQ Graphic EQ with FLS 9 - BAND EQ Graphic EQ with FLS EFX DEFEAT MONITOR VOLUME MASTER VOLUME KOSMOS ENABLE KOSMOS - C LOW HIGH LEVEL AMP2 ASSIGN LEVEL AMP2 IN AMP1 IN AMP1 LIMITER AMP2 LIMITER EFX DEFEAT / MUTE MICS FOOTSWITCH HI PASS HI PASS LO PASS 1+ 1- 1+ 1- 1+ 1- 1+ 1- MON OUT POWER AMP2 SPEAKER OUTPUTS POWER AMP1 MAIN OUT SUB OUT REC OUT Title: of XR Mer Peavey Sheet 2 Sheet Title: Specifications INPUT SENSITIVITY: Mic In to full power at the power amp. Master Volume Nom. Full Nominal -40 dBu -22 dBu Line In to full power at the power amp. Master Volume Nom. Full Nominal -10 dBu +8 dBu CHANNEL EQ: Shelving EQ Low EQ Mid-Morph Low High High EQ 80 Hz ±15 dB 250 Hz 4 kHz 12 kHz ±15 dB ±15 dB ±15 dB ±12 dB ±12 dB ±12 dB ±12 dB ±12 dB ±12 dB ±12 dB METER ARRAY: LIMIT -6 dB -12 dB -18 dB -24 dB -30 dB CLIP LED: Clip LEDs come on 3 dB before clipping. FREQUENCY RESPONSE: All controls nominal (detent) Mic to Main 20 Hz – 20 kHz Line to Main 20 Hz – 30 kHz Mic to Amp 50 Hz – 20 kHz Line to Amp 40 Hz – 20 kHz MASTER EQ: 80Hz 250Hz 500Hz 1kHz 2kHz 4kHz 10kHz AMP LIMITER: Limits amplifier power just before clipping. The limiter holds the amp power without clipping and can be driven up to 18 dB past maximum output. +0, -1 dB +0, -1 dB +0, -3 dB +0, -3 dB AMPLIFIER OUTPUT POWER: 120VAC Both channels loaded at 8 ohms: 280 Watts RMS per ch Both channels loaded at 4 ohms: 500 Watts RMS per ch PHANTOM POWER: +48 VOLTS NOISE: Main = Main line output, 22 – 22 kHz filter Amp 1 = Amplifier output, loaded at 4 Ohms, through AP AUX-0025 switching amplifier filter All controls full down. Main <-95 dBu Amp 1 <-60 dBu Master Volume nominal Main <-88 dBu Amp 1 <-55 dBu POWER REQUIREMENTS: Domestic: 120VAC 50/60Hz Export: 230VAC 50/60Hz Nominal 200 Watts Nominal 200 Watts SIZE: Dimensions: HxWxD 9.5" x 19" x 9.5" 24.13cm x 48.26cm x 24.13cm WEIGHT: 16 lbs. 7.25 kgs THD: All controls nominal <0.01% @ main line output, -30 dBu in mic input Channel 1 <0.5% @ amp 1 @ 400 Watts into 4 Ohms All controls nominal <0.005% @ main line output, +4 dBu in line input Channel 1 <0.5% @ amp 1 @ 400 Watts into 4 Ohms Features and specifications subject to change without notice. Peavey Electronics Corporation • 5022 Hartley Peavey Drive • Meridian, MS • 39305 (601) 483-5365 • FAX (601) 486-1278 • www.peavey.com • 31700107 • ©2015 Logo referenced in Directive 2002/96/EC Annex IV (OJ(L)37/38,13.02.03 and defined in EN 50419: 2005 The bar is the symbol for marking of new waste and is applied only to equipment manufactured after 13 August 2005 Notes ______________________________________________________________________________________________________________________ ______________________________________________________________________________________________________________________ ______________________________________________________________________________________________________________________ ______________________________________________________________________________________________________________________ ______________________________________________________________________________________________________________________ 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______________________________________________________________________________________________________________________ ______________________________________________________________________________________________________________________ ______________________________________________________________________________________________________________________ ______________________________________________________________________________________________________________________ ______________________________________________________________________________________________________________________ U.S. CUSTOMER WARRANTY REGISTRATION Optional Product Extended Warranty Registration Give us some information and put your extended warranty into effect! Please take a few minutes to fill out this information/survey sheet to help us get to know and serve you better. To save time, submit your warranty registration online at www.peavey.com/support/warrantyregistration 1. 7. How did you learn about this Peavey product? (select best answer) First Name Initial ❒ ❒ ❒ ❒ ❒ ❒ Last Name Street Address Magazine review Newspaper review Radio advertisement Advertised special Friend/Relative’s recommendation Salesperson’s recommendation ❒ ❒ ❒ ❒ ❒ Teacher’s recommendation Catalog or flyer Saw in store Use by professional Other 8. Which other brands/models did you consider? City State/Province Postal Code Telephone Number E-mail Address 9. How would you describe your level of musicianship/technical expertise? Fax Number Date of birth ❒ Beginner - Never played or taken less than one (1) year of lessons ❒ Intermediate - One (1) to five (5) years of lessons or playing ❒ Advanced - More than five (5) years of lessons or playing; play professionally Gender ❒M ❒F 10. Education: (select best answer) 2. Model 8-Digit Serial Number Date of Purchase ❒ ❒ ❒ ❒ ❒ 3. Name of store where purchased Availability of product Friend/Relative’s recommendation Store credit card Knowledgeable staff Availability of lessons Technical instruction ❒ ❒ ❒ ❒ ❒ ❒ Past favorable experience Best price Advertised special Convenient location Received as a gift Other 5. Where do you most often shop for music and sound products? ❒ Independent retailer ❒ Mass market retailer ❒ Mail order magazines ❒ Newspaper ads ❒ Internet/Web sites ❒ Other 6. What two (2) factors most influenced your purchase of this product? ❒ ❒ ❒ ❒ ❒ Peavey brand name Craftsmanship Features for price Bundled accessories Sound quality Under $15,000 $15,000 - $24,999 $25,000 - $34,999 $35,000 - $49,999 $50,000 - $74,999 ❒ $75,000 - $99,999 ❒ $100,000 - $149,999 ❒ Over - $150,000 12. Which of the following is your primary source of information on musical products: (select best answer) State 4. Top two (2) reasons why you purchased from this store/dealer: ❒ ❒ ❒ ❒ ❒ ❒ High school Some college Completed college Graduate school 11. Which best describe your family income? (select best answer) Price Paid City ❒ ❒ ❒ ❒ ❒ ❒ ❒ ❒ ❒ Product appearance Durability Prior experience with Peavey Packaging Other ❒ ❒ ❒ ❒ ❒ Television Radio Internet Newspaper Magazines ❒ ❒ ❒ ❒ Mail order catalogs Direct mail Literature from manufacturer Other 13. What is your main motivation for buying new equipment? ❒ Replacing old product ❒ Want new and leading edge equipment ❒ Fullfill a specific need ❒ Supplement existing products ❒ Value ❒ ❒ ❒ ❒ ❒ Impulse Need for improved performance New technology Availability of product Other 14. Please list your three most frequently visited Web sites. 1. http://__________________________________________ 2. http://__________________________________________ 3. http://__________________________________________ 15. In your opinion, what could Peavey do to improve its products and/or service? Please use the space below to tell us your answer. Revised 1/11 Thank you for taking the time to fill out our survey! Don’t forget to fold and tape (with Peavey address facing out), affix postage stamp and drop in the mail! Logo referenced in Directive 2002/96/EC Annex IV (OJ(L)37/38,13.02.03 and defined in EN 50419: 2005 The bar is the symbol for marking of new waste and is applied only to equipment manufactured after 13 August 2005 FROM: Place Postage Here Peavey Electronics Corporation Attn: Warranty Department P.O. Box 1150 Meridian, Ms 39302-1150
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