Roland KR107 ELECTRONIC PIANO WITH USB PORT User Manual KR 107 e

Roland Corporation ELECTRONIC PIANO WITH USB PORT KR 107 e

UserManual.wiki >

Roland >

KR107 User Manual >

USERS MANUAL 3 HTML Version

USERS MANUAL 3

Chapter 5 Recording and Saving the Performance

Chapter 5

Using External Memories

If you install separately available external memory or a floppy disk drive, you'll be

able to save songs you've recorded and listen to commercially available music data.

■Connecting and Ejecting a External Memory

1. Press the External Memory port cover and open the cover.

Press the cover in; the cover will open.

2. Connect the external memory to the External Memory port.

3. Press the cover in again to close the cover.

* Always keep the Ext Memory port cover closed except when connecting and

disconnecting external memory.

Locking the External Memory Port Cover

When connecting external memory (sold separately), you can lock the memory port

cover to prevent theft of the connected external memory.

1. Connect the external memory to the external memory port.

2. Press the External Memory port cover to close the cover.

3. Secure the lock using the anti-theft lock screws included with the

instrument.

NOTE

Use external memory available

from Roland. Proper

functioning cannot be

guaranteed if other external

memory products are used.

If connecting an optional

floppy disk drive, substitute

“floppy disk” wherever the

term “external memory”

appears here.

NOTE

Take care not to lose the anti-

theft lock screws. Also be sure

to use only the included

screws to secure the anti-theft

lock.

Chapter 5 Recording and Saving the Performance

Chapter 5

■

Formatting Media (Format)

The process of preparing external memory or disks so that they can be used with the

KR-107 is called “initialization” (formatting).

In certain cases, particularly with floppy disks, the media is formatted for a specific

type of device. If the media format does not match the KR-107's, you will not be able

to use that media with the KR-107.

fig.panel4-3

Connect the external memory to the external memory port.

Press the [Song/File] button.

Touch <File>.

A “File screen” like the one below appears.

fig.d-songfile.eps_60

Touch <Format>.

The following screen appears.

NOTE

When a external memory is

initialized, all of the data

saved on the external

memory is erased. If you’re

formatting a used external

memory for reuse, be sure to

check first to make sure the

external memory doesn’t

contain any data you don’t

want to lose.

NOTE

When initializing floppy disks,

check to make sure that the

disk's write protect tab is slid

to the “write” position.

NOTE

Do not eject the floppy disk

while data is being read from

or written to the disk. This

may scratch the disk's

magnetic surface, rendering

the disk unusable. (The disk

drive's indicator lights

brightly while data is being

read from or written to the

disk. At all other times, the

indicator is lit more dimly, or

is not lit at all.)

100

Chapter 5 Recording and Saving the Performance

Chapter 5

fig.d-format.eps_60

Press the [Exit] button to go back to the previous screen.

Touch <Media> ** ** to select the storage media to be initialized.

Touch <Execute>.

A confirmation screen appears. If you want to quit the initialization, touch <Cancel>.

Touch <OK>.

Initialization of the external memory begins.

When initialization is completed, you’re returned to the previous screen.

NOTE

Do not remove the storage

media until the initialization is

completed.

NOTE

If “Error” appears on screen,

take a look at “Error

Messages” (p. 169).

101

Chapter 5 Recording and Saving the Performance

Chapter 5

Saving Songs

A recorded performance is discarded when you switch off the power or choose

another song. Storing recorded performances and other data to external memories

or the Favorites is called “saving.” Be sure to save important songs to external

memories or Favorites.

What are “Favorites?”

You can register songs you are currently practicing or particularly like to

“Favorites,” allowing you to select these songs easily (p. 68).

When you register a song on a external memory to Favorites, you can then play back

the song without connecting the external memory to the external memory connector.

If a recorded performance is saved to Favorites, the performance won’t be erased

when the power is turned off.

Preparations for Saving Data

When saving to external memories, connect the external memory to the external

memory port.

Press the [Song/File] button.

Touch <File>.

Touch <Save>.

The following “Save Song screen” appears.

fig.d-songsave.eps_60

Substitute the words “floppy

disk drive” for “external

memory” if using a separately

purchased floppy disk drive.

When using a new strage

media, first initialize (format)

the external memory on the

KR. Take a look at “Formatting

Media (Format)” (p. 99).

NOTE

Some commercially available

music files cannot be saved

ecause they are copy

protected.

When saving to floppy disks,

first check to make sure that

the floppy disk’s protect tab is

set to the “Write” position

(p.*).

If not handled with care, a

floppy disk can be damaged,

or the data on it become

corrupted, making playback

impossible. We recommend

saving your songs on two

different floppy disks.

When you want to clear all of

the content saved to the

“Favorites” and restore the

settings to the original factory

condition on the KR, refer to

“Formatting the User

Memory” (p. 150).

102

Chapter 5 Recording and Saving the Performance

Chapter 5

Determining the name of the song to be saved

Touch <Rename>.

The following “Rename screen” appears.

fig.d-songname.eps_60

When you touch , the cursor moves.

When you touch the icon for the letter or character to be input, the character appears

at the cursor location. For example touching <ABC> in succession cycles you

through the available choices in that character group (“A”

→

”B”

→

”C”...).

Each touch of <A-a-0-!> cycles the type of characters through “English (upper case),”

“English (lower case),” “numerals,” “symbols,” then back to “English (upper case).”

When you touch <Del>, the character at the cursor position is deleted.

When you touch <Ins>, a space is inserted at the cursor position.

When you have finished with the name, press the [Exit] button.

Determining the Save Destination

Touch <Media>

to select the save-destination storage media.

Touch <Disk> if you are saving to a external memory; touch <Favorites> if you are

saving to Favorites.

Touch <File> to select the save-destination song number.

If a song name is displayed with a number a song is already saved to that number.

If you select a number with a previously saved song and then proceed to save a new

song, the previously saved song will be erased. If you do not want to lose a saved

song, select a number with no song name indicated in the save-destination column.

Selecting the Save Setting (when saving to external memories)

Touch <Save Setting>.

Touch “Tone Compatibility” to select the tone compatibility

format.

103

Chapter 5 Recording and Saving the Performance

Chapter 5

Some Tones are unique to the KR. Data that is recorded using these tones may not

play back correctly on other Roland Digital Pianos or Music Players. When you want

to save data so that it can be played back on another devices, save the data with

“MT” set as the Tone compatibility format.

<Note>

When data saved with “MT” as the Tone compatibility format is played back on this

instrument, some of the nuances that were part of the performance at the time the

data was recorded may be altered.

Even with data saved with “MT” as the Tone compatibility format, an exact

reproduction of the original performance may be unobtainable when using GS

devices other than Roland Pianos and Music Players.

10.

Touch <File Format> to select the file format.

The resulting file format will be different depending on whether <Save> or <As

SMF> is chosen, as described below.

11.

Press the [Exit] button.

Save

12.

Touch <OK> to start saving.

The time required for saving ranges from several seconds to half a minute or more.

Don’t take the external memory out of the external memory port until the saving

process is finished.

Press the [Exit] button to return to the Song File screen.

Display Explanation

Tone

Compati

bility

The song is saved as data capable of reproducing

performances with richness of expression using this

unit’s special Tones.

Data is saved in a form that can also be played on the

Roland Digital Pianos or Music Players other than this

unit.

You can listen to songs saved in this format on the

Roland HP-G/R series and KR series keyboards as

well as on Roland MT series devices.

Display Explanation

File

Format

Save

Saves the song in this unit’s format. You can listen to

songs saved in this format on the Roland HP-G/R

series and KR series keyboards as well as on Roland

MT series devices. This format is called “i-format”.

Save As

SMF

Saves the song as an SMF (Standard MIDI Files). Songs

saved in this SMF format can be listened to on many

instruments that can play SMF music files (p. 183).

A song recorded using commercial music files can’t be

saved in “Save As SMF” format for reasons of

NOTE

Depending on the playback

instrument, some notes may

drop out or sound different.

NOTE

Never turn off the power

while the saving operation is

in progress. Doing so will

damage the KR’s internal

memory, making it unusable.

It’s a good idea to get into the

habit of moving the write-

protect tab on the floppy disk

to the “Protect” position when

you’ve finished saving your

data. Keeping the tab at

“Protect” prevents operations

that could erase your songs by

mistake.

104

Chapter 5 Recording and Saving the Performance

Chapter 5

Deleting Saved Songs

This deletes songs that have been saved on external memories, or to Favorites.

To delete a song on a external memory, first connect the external memory to the

external memory port.

Press the [Song/File] button.

Touch <File>.

The “Song File screen” appears.

Touch <Delete>.

A “Delete Song screen” appears.

fig.d-songdel.eps_60

Touch <Media>

to select the storage media.

Touch <File>

to select the song to be deleted.

Touch <Execute>.

The selected song is deleted.

Do not eject the external memory from the external memory port until the operation

is finished.

Press the [Exit] button to return to the Song File screen.

NOTE

Never turn off the power

while the operation is in

progress. Doing so will

damage the KR’s internal

memory, making it unusable.

105

Chapter 5 Recording and Saving the Performance

Chapter 5

Copying Songs on External Memories

to Favorites

You can take songs saved on external memories and copy them to Favorites.

You can also copy songs in Favorites to external memories.

Connect the external memory with the song to be copied to the external

memory port.

Press the [Song/File] button.

3. Touch <File>.

4. Touch <Copy>.

The following “Copy Song screen” appears.

fig.d-songcopy.eps_60

Specifying the Copy Source

5. Touch the <Media> to select the copy source storage media.

6. Touch the <File> to select the song you want to copy.

When “Copy All” is selected, all of the songs on the external memory are copied to

Favorites.

Specifying the Copy Destination

7. Touch <Favorites> to select the copy destination for the

song.

If a song name is displayed with a number, a song is already saved to that number.

If you select a number with previously saved song data and proceed to copy to that

location, the previously saved song will be erased. If you don’t want to erase a

previously saved song, choose a number with no song name appears in the

destination column.

106

Chapter 5 Recording and Saving the Performance

Chapter 5

8. Touch <Execute>.

Do not eject the external memory from the external memory port until the copy is

finished.

The song from the external memory is copied to Favorites.

■Copying Songs Saved in Favorites to External

Memories

Songs that’ve been saved to Favorites can be copied onto external memories.

In this case, in the “Copy Song screen” in Step 4 above, touch the arrow icon in the

center to point the arrow upwards. This sets the KR to copy the song in Favorites to

the external memory.

fig.d-songcopy2.eps_60

The rest of the procedure is identical to that used for copying songs from external

memories to Favorites.

NOTE

Never turn off the power

while the operation is in

progress. Doing so will

damage the KR’s internal

memory, making it unusable.

Some song data cannot copy

ecause they are copy

protected.

107

Chapter 6

Chapter 6 User Program Registration

Saving Performance Settings

(User Program)

Any collection of settings, including those describing the

current status of your data selections or settings Automatic

Accompaniment, can be saved to the [User Program] button.

You can then call up the stored settings by pressing the [User

Program] button. Saving your preferred combinations of

Music Styles and Tones, as well as other frequently used

settings, makes it more convenient.

You can register up to 36 User Programs to the KR.

fig.panel_UPG

→For more on what can be registered to a User Program, refer to

“Parameters Stored in the User Program” (p. 182).

1. Set the Music Style, Tone, and other data until the

settings are the way you want them.

2. Press the [User Program] button.

A “User Program screen” like the one shown below

appears.

fig.d-upg.eps_50

3. Touch <Write>.

A “Write User Program screen” like the following

appears.

fig.d-upgwrite.eps_50

Determining the name of the User Programs

4. Touch <Rename>.

A “Rename screen” like the following appears.

fig.d-upgname.eps_50

When you touch , the cursor moves.

When you touch the icon for the character to be input,

the character appears of the cursor potion.

For example, touching the <ABC> icon in succession

cycles you through the available choices in that character

group (A→B→C→A...).

Each touch of <A-a-0-!> cycles the type of characters

through “English (upper case),” “English (lower case),”

“numerals,” “symbols,” then back to “English (upper

case).”

When you touch <Del>, the character at the cursor

position is deleted.

When you touch <Ins>, a space is inserted at the cursor

position.

5. When you have finished with the name, press the [Exit]

button.

You’re returned to the Write User Program screen.

Determining the write destination

6. Touch to select the write-destination

number.

7. Touch <Write>.

The confirmation message appears.

8. Touch <OK>.

The current performance settings are saved to the [User

Program] button.

* Never turn off the power while the display indicates

<Writing...>. Doing so will damage the KR’s internal

memory, making it unusable.

→You can restore the content registered to the [User Program]

button to the original factory settings. Refer to “Restoring the

Factory Settings (Factory Reset)” (p. 148).

108

Chapter 6 User Program Registration

Chapter 6

Calling Up Saved User

Programs

You can easily call up settings saved to the [User Program]

button.

1. Press the [User Program] button.

The “User Program screen” appears.

Touch the scroll bar and drag up or down to scroll

through the screen and display other options.

Touch the page icons to change pages.

2. Touch the name of the User Program you want to call

up.

When you touch the name of the User Program, the

buttons or other performance settings instantly change

to the previously saved settings.

■Changing the Way User

Programs Are Called Up

When calling up User Programs, you can prevent the settings

for Automatic Accompaniment from switching by not

touching the touch screen for a few moments.

1. Press the [User Program] button.

2. Press the [Option] button in the lower part of the

screen.

A settings screen like the following appears.

fig.d-upgopt.eps_50

3. Touch <Instant> or <Delayed> to select the setting.

Press the [Exit] button to return to the User Program

screen.

Saving the User Program Sets

You can take the 36 User Programs saved to the [User

Program] button and save them as a set to a floppy disk, or to

user memory.

When saving to an external memory, first connect an external

memory to the external memory port.

→For more on working with the disk drive, refer to “Using

External Memories” (p. 98).

1. Press the [User Program] button.

2. Touch <File>.

3. Touch <Save>.

A “Save User Program screen” like the following

appears.

fig.d-upgsave.eps_50

Giving a name to a set of User Programs

4. Touch <Rename>.

The Rename screen appears.

When you touch , the cursor moves.

When you touch the icon for the character to be input,

the character appears at the cursor position. For example

touching the <ABC> icon in succession cycles you

through the available choices in that character group

(A→B→C→A...).

Each touch of <A-a-0-!> cycles the type of characters

through “English (upper case),” “English (lower case),”

“numerals,” “symbols,” then back to “English (upper

case).”

When you touch <Del>, the character at the cursor

position is deleted.

When you touch <Ins>, a space is inserted at the cursor

position.

5. When you have finished with the name, press the [Exit]

button.

Display Explanation

Instant

Immediately after a User Program name is

touched, the Automatic Accompaniment

settings also switch.

Delayed

The Automatic Accompaniment settings

switch after you touch and road the User

Program name for a few moments.

109

Chapter 6 User Program Registration

Chapter 6

Determining the save destination

6. Touch <MEdia> to select the save-

destination strage media.

Touch <Disk> if you are saving to a floppy disk; touch

<User> if you are saving to user memory.

7. Touch <File> to select the save-

destination User Program number.

If a User Program set name is displayed, a User Program

set saved to that saved to that number is already.

If you select a number with previously saved User

Program set data, then save a new set of data to that

same number, the older User Program set will be

deleted. If you don’t want to lose any previously saved

User Programs, select a number in the save-destination

column that does not yet have a name.

Save

8. Touch <Save> to begin the save.

Press the [Exit] button to return to the User Program File

screen.

* Never turn off the power or eject the external

memory from the external memory port while the

operation is in progress. Doing so will damage the

KR’s internal memory, making it unusable.

→When clearing the set of saved User Programs, refer to

“Deleting Saved User Program Sets” (p. 110).

■Loading Saved User Program

Sets

User Programs that have been saved on floppy disks or in

user memory can be called up, on an individual set basis, to

the [User Program] button.

* Note that calling up these User Programs results in the

deletion of all User Programs currently recorded to the [User

Program] button.

When loading a set of User Programs from an external

memory, first connect the external memory to the external

memory port.

→For more on working with the external memory, refer to

“Using External Memories” (p. 98).

1. Press the [User Program] button.

2. Touch <File>.

3. Touch <Load>.

A “Load User Program screen” like the following

appears.

fig.d-upgload.eps_50

Specifying the set of User Programs to be

loaded

4. Touch < > < > to select the storage media to be

read from.

5. Touch the name of User Program to load.

6. Touch <Load>.

The confirmation message appears.

7. Touch <OK>.

The selected User Programs are loaded to the [User

Program] button.

* Never turn off the power or eject the external

memory from the external memory port while the

operation is in progress. Doing so will damage the

KR’s internal memory, making it unusable.

110

Chapter 6 User Program Registration

Chapter 6

Deleting Saved User

Program Sets

You can delete individual User Program sets saved to

external memories or in user memory.

When deleting a set of User Programs on an external

memory, first connect the external memory to the external

memory port.

→For more on working with the external memory, refer to

“Using External Memories” (p. 98).

1. Press the [User Program] button.

2. Touch <File>.

3. Touch <Delete>.

A “Delete User Program screen” like the following

appears.

fig.d-upgdel.eps_50

4. Touch <Media> to select the strage

media.

5. Touch to select the set of User Programs

to be deleted.

6. Touch <Delete>.

A screen like the one shown below appears.

fig.msg_filedel

7. Touch <OK>.

The selected User Programs are deleted.

Touching <Cancel> cancels deleting the file.

* Never turn off the power or eject the external

memory from the external memory port while the

operation is in progress. Doing so will damage the

KR’s internal memory, making it unusable.

Copying Sets of User Programs on

Floppy Disks to the User Memory

You can copy sets of User Programs saved on external

memories and to user memory.

You can also copy sets of User Programs saved in user

memory and to external memories.

1. Insert the external memory with the settings to be

copied in the disk drive.

2. Touch the [User Program] button.

3. Touch <File>.

4. Touch <Copy>.

A “Copy User Programs screen” like the following

appears.

fig.d-upgcopy.eps_50

Specifying the copy source

5. Touch <Media> to select the strage

media.

6. Touch <File> to select the set of User

Programs you want to copy.

When “All” is selected, all of the sets of User Programs

on the floppy disk are copied to user memory.

Specifying the copy destination

7. Touch <User> to select the copy

destination for the set of User Programs.

If a User Program name is displayed, already a User

Program saved to that number is already.

If you select a number with User Programs data, and

then copy data to that number, the previously saved

User Programs are deleted. If you do not want to delete

the saved User Programs, select a number in the save-

destination column for which no name is displayed.

8. Touch <Execute>.

The set of User Programs on the floppy disk is saved to

user memory.

111

Chapter 6 User Program Registration

Chapter 6

* Never turn off the power or eject the external

memory from the external memory port while the

operation is in progress. Doing so will damage the

KR’s internal memory, making it unusable.

■Coping Sets of User Programs

Stored in the User Memory to

Floppy Disks

You can take User Program sets saved in user memory and

copy them to floppy disks.

In this case, in the Copy User Programs screen in Step 4

above, touch the large arrow icon in the center to get the

arrow to point up. This sets the KR to copy the User Program

set in the user memory to the floppy disk.

The rest of the procedure is identical to that used for copying

sets of User Program set from external memories to user

memory.

Using the Pedal to Switch

User Programs

You can assign the function of the sequential switching of the

“User Programs” to the pedal. That way, each time you

depress the pedal, the KR107 switches to the next User

Program.

Great for use in concerts and similar situations, this allows

you to prepare and save your User Programs in the sequence

they are to be used, and then call up User Programs in the

appropriate order while you perform, simply by depressing

the pedal.

1. Press the [User Program] button.

2. Touch <Pedal> in the lower part of the screen.

A “Copy User Programs screen” like the following

appears.

fig.d-upgopt.eps_50

■Selecting the Pedal Used for

Switching Settings (Pedal Shift)

3. Touch <Pedal Shift> to select the setting.

Press the [Exit] button to return to the User Program

screen.

■Sequential Loading of User

Program Sets Stored in

External Memory (Load Next)

When using the pedal to switch your User Programs,

you can also call up sequential sets of User Programs as

saved to external memory. This feature is called the

“Load Next” function.

3. Touch <Load Next> to select the setting.

Press the [Exit] button to return to the User Program

screen.

Display Explanation

Off You can use a function assigned to the

pedal.

Left Pedal

The left pedal is dedicated to switching

User Programs.The function assigned to

the left pedal cannot be used.

Center Pedal

The center pedal is dedicated to

switching User Programs.The function

assigned to the center pedal cannot be

used.

Display Explanation

Off

Switches Load Next off. The next press of

the pedal after the 36th User Program is

called up returns you to the first User

Program of the same User Program set.

Switches Load Next on. The next press of

the pedal after the 36th User Program has

been called up takes you to the first User

Program in the next User Program set.

112

Chapter 6 User Program Registration

Chapter 6

Simultaneously Switching

User Program and

Transmitting PC Numbers

You can have PC (Program Change) numbers be transmitted

to an external MIDI device when you switch the User

Program on the KR.

You can register PC number settings to each of the User

Programs, just as you can with button settings and other

settings preferences.

Calling Up the Performance Settings to Be Set

1. Press the [User Program] button, then touch the name

of the performance setting you want to set.

Setting the Transmission of the PC

2. Touch <PC Set> in the User Program screen.

The following type of screen appears.

fig-upgPCset.eps_50

3. Touch for the parameter and make the

settings.

4. Press the [Exit] button.

The User Program screen returns to the display.

Touch <Write> to save the setting to the User Program.

For more detailed information, refer to “Saving

Performance Settings (User Program)” (p. 107).

Display Description

Tx PC

Channel

This prevents the PC number from being

transmitted (Off), or sets the transmission

channel (Channel 1–16).

Bank

Select MSB Sets the Bank Select MSB.

Bank

Select LSB Sets the Bank Select LSB.

Program

Change

Sets the Program Change messages

(Program Numbers).

113

Chapter 7

Chapter 7 Creating and Editing Songs

Multitrack Recording with 16

Parts (16-Track Sequencer)

Multitrack recording always you to listen to previously

recorded material while continuing to add performances of

other parts.

The KR is capable of multitrack recording of up to sixteen

parts. Since each part’s performance is recorded using one

tone, you can layer performances, using up to sixteen tones

for the data in one song. The function used to layer these

sixteen parts, one at a time, is called the “16-Track

Sequencer.”

fig.16track.e

16-Track Sequencer and Track Buttons

In addition to the “16-Track Sequencer” function, the “Track

Buttons” (p. 83) are another of the unit’s playing/recording

functions.

These five “Track buttons” are used for organizing the 16-

Track Sequencer’s sixteen parts. This allows you to use the

16-Track Sequencer to add more sounds to performances

recorded with the Track buttons, and make even more

detailed edits of the songs.

You can easily play back the original song data with the 16-

Track Sequencer, mute parts by pressing the Track buttons,

and more.

The Track buttons correspond to 16-track sequencer parts as

shown below.

Since the 16-Track Sequencer records one tone to one part,

you cannot use Layer performance (p. 25), Split performance

(p. 26), or other such functions to record two or more tones

simultaneously. Also, you can’t record the performance with

Automatic Accompaniment.

When you want to record with Automatic Accompaniment,

then you should use the Track buttons for recording. (Refer

to “Recording With Accompaniment” (p. 92))

Commercially Available Music Files

Commercially available song file recorded in Roland’s SMF

format is also composed of sixteen parts.

By loading the song file from the floppy disk and using the

16-Track Sequencer, you can then also edit the song file.

→Although with commercially available Roland SMF music

data, Part 11 is included in the [2/Bass Accomp] track button,

other tracks match to the corresponding Track buttons.

* With some commercially available music files, you cannot edit

the data.

■The 16-Track Sequencer Screen

When recording with 16-track Sequencer, display the 16-

track Sequencer screen.

1. Press the [Menu] button.

The Menu screen appears.

2. Touch <16trk Sequencer>.

A “16-track Sequencer screen” like the one shown below

appears.

fig.d-16tr.eps_50

Track button Part

[R/Rhythm] D (10), S (11)

[1/Whole] 1

[2/Bass Accomp] 2, 5–9, 12–16

[3/Lower] 3

[4/Upper] 4

Part 16

You can record performances for up to 16 parts,

overlaying them part by part, to create a single song.

16-Track Sequencer

Part 4

Piano Part (right hand)

•

Part 3

Piano Part (left hand)

Part 2

Bass Part

Part 1

Flute Part

Icon Explanation

<1>–<16>

Touch to select the part to be recorded, or the

part whose settings are to be changed. The

button for the selected part changes color.

This Part to be played back

The Part not to be played back (Muted Part)

Parts that do not have performance data

recorded to them.

Solo Only the selected Part is played back.

Mute This allows you to prevent the sound for the

selected part from playing.

Clear The performance data for the selected part is

deleted.

Options

This displays the Part Settings screen, in which

you can make detailed settings for each part.

For details refer to p. 114.

Tone Set The Tone Set screen appears. For details refer

to p. 115.

114

Chapter 7 Creating and Editing Songs

Chapter 7

■Modifying the Settings of Each Part

You can change the Tones and volume, as well as mute the

playback, for each individual part in songs recorded with the

16-track Sequencer and the internal songs.

→Because commercially available Roland SMF music files are

also made up of 16 Parts, you can change the settings for the

individual Parts and play them back in the same way.

First, select the song for which the settings are to be made

(p. 64).

1. Display the 16-track Sequencer screen (p. 113).

2. Touch the screen to choose the Part for which you want

to make settings.

Change the settings for the selected Part.

* When you touch <Clear>, a message asking you to confirm the

deletion appears. To erase the recorded sound, touch <OK>. If

you don’t want to erase the recorded sound, touch <Cancel>.

Once a performance has been erased, it can’t be restored.

* You cannot touch <Clear> during playback of the song.

3. Touch <Options> to make more detailed settings for

the selected part.

A screen like the one shown below appears.

fig.d-16trpart.eps_50

You can change the Tone for the selected Part by

pressing a Tone button while this screen is displayed.

When selecting Part 10 or 11, you can touch <Drum Set>

to select the drum set or effect sound.

The Part name and tone name are displayed at the top of

the screen.

4. Touch for the corresponding item to change

the setting.

You can adjust the values by touching the desired

parameter and turning the dial or by touching and

dragging the slider.

When you press the [ (Play/Stop)] button, you

hear what the song sounds like as you change the

settings. When you press the [ (Play/Stop)]

button, playback of the song stops.

5. Touch to make settings for other parts.

The Part name appears at the upper part of the screen.

Change the settings for other parts as needed.

6. Hold down the [ (Rec)] button and press the [

(Reset)] button.

This operation set the changes in the settings.

The song can then be saved to a floppy disk or to user

memory.

If you do not want to delete a song after changing the

settings for the individual parts, save the song to a

floppy disk or to user memory (p. 101).

* You cannot save the settings that determine whether sounds

for each individual part are played or not (solo and mute).

Display Function

Solo Only the selected Part is played back.

Mute Toggles playback of the selected Part to on

or off.

Clear The performance data for the selected part is

deleted.

Display Explanation

Volume Changes the volume level.

Reverb Changes the amount of reverb effect

applied to the sound.

Chorus Changes the amount of chorus applied.

Panpot

Shifts the direction from which the sound is

heard between left and right.

Touch to shift the sound to the right,

or touch to shift it to the left.

What’s Panpot?

Panpot is the control that determines the placement of

the sound in the stereo sound field between left and

right speakers. By altering the Panpot setting, you can

change the perceived location of the sound between the

left and right speakers.

115

Chapter 7 Creating and Editing Songs

Chapter 7

If the following message appears

If you try to display another screen after you’ve changed the

song’s settings for each Part, a message like the one below

may appear.

fig.m-songmod.eps

Touch <OK> to change the song’s settings.

Touch <Cancel> to discard the changes you’re made.

■Getting the Most Suitable Part

Tones for the Musical Genre

(Tone Set)

“Tone Set” is a function that automatically assigns the most

suitable tones for the selected musical style.

When you’re creating a song, you can assign Tone sets, then

change the Tones to suit the ideas you have for your song.

1. Display the 16-track Sequencer screen (p. 113).

2. Touch <Tone Set> in the lower part of the screen.

A screen like the one shown below appears.

fig.d-16trtone.eps_50

3. Touch the screen to select a musical genre.

4. Press the [Exit] button.

The 16-track Sequencer screen appears.

Tones for each part are assigned automatically.

* In some genres, some parts may have no tone assigned.

■Recording a Performance

❍Step 1 Prepare for Recording

Selecting the song to record

1. Hold down the [Song] button and press the [ (Rec)]

button.

The following screen is displayed if there is any

previously recorded performance or any song with

changed settings.

fig.m-songmod.eps

Touch <Yes> to delete the song.

If you want to overwrite while recording, select a song.

→If a song has already been recorded, or if the song’s settings

have been changed, the “OK to delete Song?” confirmation

prompt appears when you touch <0: (Song Name)>. For more

information, take a look at “If the following screen appears” (p.

89).

Determining the song’s beat and tempo

2. Press the [Metronome] button to select the beat (p. 43).

→You can’t change a song’s beat once it’s been recorded. If you

want to compose a song whose beat changes partway through

the song, take a look at “Changing the Beat in the Middle of a

Song (Beat Map)” (p. 127).

3. Press the Tempo [-] and [+] buttons to set the basic

tempo of the song.

If you do not need the metronome sound, press the

[Metronome] button once more.

→When using song data that has already been recorded, the

recording is made using the source song’s basic tempo. To

change the basic tempo of a song, please refer to “Changing the

Tempo of Recorded Songs” (p. 127).

116

Chapter 7 Creating and Editing Songs

Chapter 7

❍Step 2 Start Recording

If necessary, choose a recording method.

For more on how to record, refer to p. 116.

If you record for the first time, there’s no need to select the

recording method.

Selecting the Part to Record

1. Display the 16-track Sequencer screen (p. 113).

2. Touch the number for the Part you want to record.

The button for the touched part being set turns orange.

You can only record drum sounds or effect sounds on

Part D (10) or Part S (11). You can select drum sets or

effect sounds by selecting Part D (10) or Part S (11) and

touching <Drum Set>.

Selecting the sound to play

3. Use the Tone buttons to choose a Tone to play.

After selecting a Tone, press the [Exit] button to call up

the “16-Track Sequencer screen.”

Recording the performance

4. Press the [ (Reset)] button.

Recording will start at the beginning of the song.

If you want to record from a point other than the

beginning, use the [ (Bwd)] and [ (Fwd)]

buttons to select another measure to begin.

5. Press the [ (Rec)] button and watch the indicator is

light up.

The KR is put in recording standby.

6. Press the [ (Play/Stop)] button.

A two-bar count-in sounds, then recording starts.

* You cannot use the performance pads when recording with the

16-track sequencer.

7. Press the [ (Play/Stop)] button.

Recording stops.

When one part is recorded, continue by selecting and

recording another part. Continue layering parts to finish

recording the song.

→You only need to follow the procedure described in “Step 1 –

Prepare for Recording” when you’re recording the first Part.

For the second Part and after, you can skip step 1 and proceed

from “Step 2 Start Recording.”

* Any performance that has been recorded is deleted when the

power to the KR is turned off. It is a good idea to save song

data to a floppy disk or user memory. For more information,

refer to “Saving Songs” (p. 101).

Changing the Recording

Method (Rec Mode)

You can use any of the four methods below to record with

the KR.

Although you will normally be using “Replace Recording,”

where previously recorded material is erased when new

sounds are recorded, you’ll find that you can record songs

easily by using this method in combination with other

recording methods.

Replace Recording (p. 117)

This is the normal method for recording. New material is

recorded as previously recorded material is erased.

Mix Recording (p. 117)

New notes are recorded on top of notes previously recorded.

This convenient feature makes it easy for you to record

melodies over prerecorded accompaniment.

Loop Recording (p. 117)

Specified measures are recorded repeatedly, while new notes

are combined with existing music. A convenient feature for

creating rhythm parts. Loop Recording allows you to record

over and over within a selected segment, adding a different

percussion sound with each pass.

Punch-in Recording (p. 118)

You can re-record only a specified passage as you listen to a

recorded performance.

→Immediately after the power is turned on, Replace Recording is

selected.

Changing the Recording Method

1. Press the [Menu] button.

The Menu screen appears.

fig.d-menu1.eps_50

117

Chapter 7 Creating and Editing Songs

Chapter 7

2. Touch <Rec Mode>.

A “Rec Mode screen” like the following appears.

fig.d-recmode.eps_50

3. Touch <Rec Mode> to select the recording

mode.

4. Press the [Exit] button.

Returns to the Menu screen.

■Recording While Erasing the

Previous Recording (Replace

Recording)

The recording process where previous material is erased as

new material is recorded is called “replace recording.” This

setting is in effect when you turn on the power.

1. In the “Rec Mode screen” (p. 116), select <Replace>.

Press the [Exit] button to return to the Menu screen.

The KR is set to the replace recording mode.

Record the performance using the procedures described

in Chapter 4 (p. 89), “Multitrack Recording with 16 Parts

(16-Track Sequencer)” (p. 113).

■Layering a Recording Over

Previously Recorded Sounds

(Mix Recording)

You can record a performance layered over a previously

recorded performance. This method is called “Mix

Recording.”

1. In the “Rec Mode screen” (p. 116), select <Mix>.

Press the [Exit] button to return to the Menu screen.

Record the performance using the procedures described

in “Recording While Selecting the Track Buttons

(Redoing Recordings)” (p. 95), “Multitrack Recording

with 16 Parts (16-Track Sequencer)” (p. 113), or other

methods.

* After you have finished with mix recording, return to the

usual replace recording mode.

■Repeated Recording at the

Same Location (Loop Recording)

You can record a specified passage over and over, layering

sounds with each pass. This method is called “Loop

Recording.” This is handy when recording a Rhythm Part.

For example, use this method to make a Loop Recording of a

four-measure segment. First record the bass drum, the snare

drum next, then the hi-hat and so on, layering a different

instrument onto the same four measures. After you have

finished recording the four-measure rhythm pattern, you can

then use the procedure in “Copying Measures (Copy)” (p.

122) to create as many copies of the four measures as you

need to complete your Rhythm part.

1. Place A and B markers at the beginning and end of the

passage you want to record.

Take a look at “Setting Markers for Repeated Practice

(Marker)” (p. 84).

If you haven’t recorded anything yet, then use “Blank

Recording” to create the necessary number of measures

before placing the markers.

Display Recording Method

Replace Replace Recording

Mix Mix Recording

Loop Loop Recording

Auto Punch-

In/Out

Punch-in recording of the interval

between set markers.

Manual

Punch-In/Out

Punch-in recording starting from the

point at which the pedal, the

Performance Pad or the [ (Rec)]

button is pressed.

For more about Punch In Recording,

refer to p. 118.

Tempo You can add tempo changes to a

recorded composition. See p. 127.

118

Chapter 7 Creating and Editing Songs

Chapter 7

2. In the Rec Mode screen (p. 116), select <Loop>.

Press the [Exit] button to return to the menu screen.

The recording method changes to loop recording.

3. Press the [ (Rec)] button.

4. Press the Track button for the track to be recorded.

The KR is put in recording standby.

5. Press the [ (Play/Stop)] button to begin

recording.

Recording starts from Marker A.

When the song reaches Marker B, it then returns to

Marker A, where recording continues.

Each time the recording is looped, the newest sounds are

layered over previously recorded sounds.

6. When you press the [ (Play/Stop)] button,

recording stops.

* After you have finished with loop recording, return to the

usual replace recording mode (p. 116).

■Re-Recording Part of Your

Performance (Punch-in Recording)

You can re-record part of a passage as you listen to a

recorded performance. This recording method is called

“Punch-in Recording.” This convenient function lets you

record over a specified points in a part as you listen to a

prerecorded performance in another section.

User Punch-In Recording by the following two methods:

Recording the Region Defined by Markers A and B

(Auto Punch-In/Out)

Before you start recording, place markers A and B to

define the passage you want to re-record. Make the

setting for punch-in recording, and re-record just the

passage between markers A and B.

Recording From the Point at Which the Pedal or

Buttons Are Pressed (Manual Punch-In/Out)

You can play back a performance and depress the pedal

at the desired place to start re-recording. Depressing the

pedal a second time cancels recording and returns you to

playback.

Instead of pressing the pedal, you can press a

performance pad or the[ (Rec)] button to start and

cancel recording.

❍Recording a Passage Specified by Markers

1. Before you start re-recording, place markers A and B to

define the passage.

Following the procedures described in “Setting Markers

What is Blank Recording?

Blank Recording is recording a number of silent

measures with no content.

1. Set the basic tempo and beat of the song.

2. Hold down the [ (Rec)] button and press the

[ (Play/Stop)] button.

The indicators for the [ (Rec)] and [ (Play/

Stop)] buttons both light up, then after two

measures of the count sound, recording begins.

3. Without performing anything, record only the

required number of measures, then press the

[ (Play/Stop)] button.

The indicators for the [ (Rec)] and [ (Play/

Stop)] buttons both go out, and recording stops.

Loop Recording Shortcut

You can also use the method described below to set Loop

Recording.

1. Place A and B markers at the beginning and end of

the passage you want to record.

Take a look at “Setting Markers for Repeated

Practice (Marker)” (p. 84).

If you haven’t recorded anything yet, then perform

“Blank Recording” for the necessary number of

measures before placing the markers.

2. Touch the <Repeat> icon in the Marker screen

(p. 84).

This sets the loop recording mode.

Start a recording.

* After you have finished with loop recording, touch the

<Repeat> icon in the “Marker screen” once more to

return to the usual replace recording mode.

119

Chapter 7 Creating and Editing Songs

Chapter 7

for Repeated Practice (Marker)” (p. 84), use Markers A

and B to specify the passage.

2. In the Rec Mode screen (p. 116), select <Auto Punch-In/

Out>.

fig.d-rec-punch.eps_50

This changes the recording mode to “Punch-In

Recording.”

Press the [Exit] button to return to the Menu screen.

3. Begin recording.

Begin recording using the procedures described in

“Recording While Selecting the Track Buttons (Redoing

Recordings)” (p. 95) or “Multitrack Recording with 16

Parts (16-Track Sequencer)” (p. 113).

Up until the specified passage, the previously recorded

performance plays back.

When you reach the specified passage, sounds are erased

as recording starts; begin playing now.

When you reach the end of the specified passage,

recording stops, and the KR returns to playback of the

previously recorded performance.

4. When you press the [ (Play/Stop)] button, the

song stops.

❍Starting Recording from the Measure

Specified by Buttons and Pedals

If using the Performance Pads or pedals, you must first

change the function of the pedals and Pads. Follow the

procedures in “Assigning Functions to Pedals and

Performance Pads (Pedal Setting/User Functions)” (p. 142),

and assign <Auto Punch-In/Out> to the buttons or pedal.

1. In the Rec Mode screen (p. 116), select <Manual Punch-

In/Out>.

This changes the recording mode to “Punch-In

Recording.”

Press the [Exit] button to return to the Menu screen.

2. Begin recording.

Begin recording using the procedures described in

“Recording While Selecting the Track Buttons (Redoing

Recordings)” (p. 95) or “Multitrack Recording with 16

Parts (16-Track Sequencer)” (p. 113).

The previously recorded performance will be played

back.

Press the pedal to which Punch In/Out is assigned (p.

139), a performance pad, or the [[ (Rec)]] button to

begin recording, then start your performance.

Recording stops when you press the pedal, the

Performance Pad, or the [ (Rec)] button again, and

the previously recorded performance is played back.

3. When you press the [ (Play/Stop)] button, the

performance stops.

* When you’re finished with Punch-In Recording, return to the

ordinary Replace Recording mode. Take a look at “Changing

the Recording Method” (p. 116).

120

Chapter 7 Creating and Editing Songs

Chapter 7

Composing an

Accompaniment By Entering

Chords (Chord Sequencer)

You can enter a chord progression and choose the places

where the accompaniment pattern will change to create an

accompaniment for a song. This feature is called “Chord

Sequencer.”

Thanks to the chord sequencer, you can create an

accompaniment ahead of time and play along with your

right hand.

1. Press the [Menu] button and watch the indicator light

up.

The Menu screen appears.

2. Touch <Chord Sequencer>.

The screen like the one shown below is called “Chord

Sequencer screen.”

fig.d-chordseq.eps_50

3. Press a Music Style button or the touch screen to select

a Music Style (p. 50).

4. Press the [Exit] button.

You are returned to the Chord Sequencer screen.

5. Enter the chord progression and the accompaniment

pattern.

Refer to “Inputting Chords with the Chord Sequencer.”

6. When you have finished inputting all the data, touch

<Execute>.

The accompaniment you’ve composed is registered at “0:

New Song.”

When storage of the data is complete, return to the Menu

screen.

Now, press the [ (Play/Stop)] button, and try

playing the melody along with the accompaniment you

created.

* Songs you’ve created are discarded as soon as you turn off the

power. If you do not want to delete the song, save it to a floppy

disk or to user memory. Refer to “Saving Songs” (p. 101).

Inputting Chords with the Chord Sequencer

1. Use the dial to move the cursor to the input position.

Use the [ (Bwd)] and [ (Fwd)] buttons to move

the cursor one measure at a time.

2. Enter the chord progression and the changes in the

accompaniment pattern and arrangement.

Just as when performing with Automatic

Accompaniment, press the keys to specify a chord, and

press a button to select the accompaniment pattern (p.

57). You can change the Style Orchestrator with the

Performance Pads (p. 58).

3. Touch <Ins> once to insert one measure before the

measure where the cursor is currently positioned.

If you touch <Del>, the measure where the cursor is

currently positioned is deleted, while the measures that

follow are moved forward.

To remove what you have input, move the cursor to the

position with input you want to delete, then touch

<Clear>. This deletes the entered setting.

→You can only insert an intro at the beginning of a song. When

you add an intro, the number of bars corresponding to the

length of the intro is inserted automatically.

Display Explanation

Ins One measure is inserted before the measure

where the cursor is positioned.

Del The measure in which the cursor is

positioned is deleted.

Chords

Allows input of chords without playing the

keyboard. Refer to “Inputting Chords

without Playing the Keyboard” (p. 121).

All Clear Deletes all of the data that’s been input.

Clear Deletes the data at the cursor position.

Execute

Records the input chord progression.

Touch this icon when you have finished

inputting all of the chords.

This is the end of the song. When

continuing to add input, insert

measures by touching <Ins>.

This is the “cursor.” The cursor

shows where the chord change

or other information is input.

This indicates the position where the

accompaniment pattern (Division) or

the Style Orchestrator changes.

Change the accompaniment arrangements Move the cursor

Select the accompaniment pattern (Division)

121

Chapter 7 Creating and Editing Songs

Chapter 7

Functions That Can Be Assigned to the Pedals

and the Performance Pads

→For instructions on assigning functions, refer to “Assigning

Functions to Pedals and Performance Pads (Pedal Setting/

User Functions)” (p. 142).

• Inputting a short Intro and Ending

Assign “Intro 2/Ending 2" to a pedal or pad.

• Inputting a “Variation” or “Original” without a Fill-In

Assign “Original/Variation” to a pedal or pad.

• Using the keyboard to input slash chords (such as Fm/C)

Assign “Leading Bass” to a pedal or pad.

• Inputting a break somewhere within the song

Assign “Break” to a pedal or pad.

• Insert half fill-ins (fill-ins lasting half a measure)

Assign “Half Fill In” to a pedal or pad.

Check the accompaniment you inserted

Here’s how to play back as much of the accompaniment as

you have input.

1. Press the [ (Reset)] button to return to the

beginning of the song.

2. When you press the [ (Play/Stop)] button, the

performance is played back.

3. Playback stops when you press the [ (Play/Stop)]

button once more.

■Inputting Chords without

Playing the Keyboard

You can use <Chords> at the bottom right of the Chord

Sequencer screen to specify chords on the screen.

1. At the Chord Sequencer screen, touch <Chords>.

A screen like the one shown below appears.

fig.d-chordinput.eps_50

2. Touch in each to specify the chords.

3. Touch <Execute> to enter the chord.

You are returned to the Chord Sequencer screen.

Editing Songs

There are many ways you can edit performances recorded

using the KR Track button or 16-track sequencer.

■Basic Operation of the Editing

Functions

* While songs are being loaded, the measure number in the

upper right of the screen is highlighted (text and background

are inverted). Start editing the song only after the measure

number is no longer highlighted.

Selecting the editing function

Press the [Menu] button and watch the indicator light up.

The Menu screen appears.

2. Touch <Song Edit>.

A “Song Edit screen” like the following appears.

fig.d-edit1.eps_50

3. Touch an editing function to select that function.

For more detailed information, refer to the

corresponding page for each function.

Function Explanation Page

Undo Undoes editing operations that

have been performed. p. 122

Copy Copies measures and internal

rhythm patterns.

p. 122,

p. 137

Quantize Evens out sounds in recorded

performances. p. 123

Delete Deletes measures. p. 123

Insert Inserts a blank measure. p. 124

Transpose Transposes parts individually. p. 124

Erase Erases data in measures, creating

blank measures. p. 125

Part

Exchange Exchanges the sounds in parts. p. 125

Note Edit Allows corrections to be made

note by note. p. 126

PC Edit Allows editing of the Tones

changes that occur during a song. p. 126

122

Chapter 7 Creating and Editing Songs

Chapter 7

→”PC” stands for “Program Change,” which is a command that

tells an instrument to change the sound it’s using. With songs

that rely on the use of a variety of sounds, a “PC” needs to be

located at every point within the song where the Tone is to be

changed

* Some edits can’t be undone, not even by choosing “Undo.” We

recommend saving songs to floppy disks or to user memory before

editing. For more on how to save songs, refer to “Saving Songs”

(p. 101).

Editing

4. Touch the item to be edited.

The background of the item being set turns orange.

5. Set the value with the [-] [+] buttons or the dial.

To cancel the operation once it is underway, press the

[Exit] button.

6. When you’re done making all the settings, touch

<Execute>.

When you are finished editing the setting, return to the

“Song Edit screen.”

Press the [Exit] button to return to the Menu screen.

→You can play back edited songs by pressing the [ (Play/

Stop)] button in the “Song Edit screen.”

■Undoing Edits (Undo)

You can cancel an editing operation that you’ve just carried

out. This is handy when you want to undo an edit and

restore data to the way it was before.

* There are some edits that can’t be restored.

At Step 3 of “Selecting the editing function” (p. 121), select

<Undo>.

Editing functions that can be undone appear on screen.

fig.d-e-undo.eps_50

If you touch <Cancel>, the undo is cancelled, and you’re

returned to the Song Edit screen.

If you touch <OK>, the confirmation message appears on

screen. Touch <OK> to undone the most recent edit.

■Copying Measures (Copy)

You can copy a portion of a performance to a different bar in

the same Part or to a measure in another Part. This is handy

when you’re composing a song that repeats a similar phrase.

fig.e-copy.e

At Step 3 of “Selecting the editing function” (p. 121), select

<Copy>.

A screen like the one shown below appears.

fig.d-e-copy.eps_50

Item Content

From Measure number of the first measure of the

segment to be copied

For Number of measures to be copied

Src

Copy-source Track button or part number

Choosing “All” copies all Parts. “- - -” appears

in the <Dst> column.

If you choose a Track button, you can only copy

to the selected Track button. You cannot copy

to the other Track buttons.

Copy-destination measure number

When “End” is selected, the data is copied to

the end of the song.

Times Number of times the data is to be copied

Dst Copy-destination part number

Mode

Data can be copied in the following three ways:

Replace

If there is a performance recorded at the copy

destination, this previous recording is erased,

and the copied data is written in its place.

Mix

If there is a performance recorded at the copy

destination, the copied data is layered over the

previous recording. If the Tones used for the

copy source and copy destination are different,

the copy-destination Tone is used.

1234567

12345678910

Ex. To copy measures 5-7 to measure 8.

123

Chapter 7 Creating and Editing Songs

Chapter 7

■Correcting Timing

Discrepancies (Quantize)

You can correct for timing discrepancies in a recorded

performance by automatically aligning the music with the

timing you specify. This is called “Quantizing.”

As an example, let’s say that the timing of some quarter-

notes in a performance is a little off. In this case, you can

quantize the performance with quarter-note timing, thus

making the timing accurate.

fig.e-quantize.e

At Step 3 of “Selecting the editing function” (p. 121), select

<Quantize>.

A screen like the one shown below appears.

fig.d-e-quant.eps_50

When finished with the Quantize settings, return to the Song

Edit screen.

■Deleting Measures (Delete)

You can delete a part of a performance measure by measure.

When a portion of a performance is deleted, the rest of the

performance is shifted up to fill the gap. Erasing measures in

a specified passage is called “deleting.”

fig.e_delete.e

At Step 3 of “Selecting the editing function” (p. 121), select

<Delete>.

A screen like the one shown below appears.

fig.d-e-del.eps_50

Mode

Insert

If there is a performance recorded at the copy

destination, the copied portion is inserted

without erasing the previous recording. The

song is lengthened by the number of inserted

measures.

Item Content

From Measure number of the first measure of the

segment to be quantized

For Number of measures to be quantized

Tr/Pt

Track button or part number to be

quantized

Choosing “All” quantizes the same passage

in all Parts.

Item Content

1 2 3 4

Example: Quarter-note resolution

Example: Sixteenth-note resolution

Actual note data

Note data after quantization

Actual note data

Note data after quantization

Resolution

Quantization timing

Select one of the following values

1/2 (half note), 1/4 (quarter note),

1/6 (quarter-note triplet), 1/8 (eighth note),

1/12 (eighth-note triplet), 1/16 (sixteenth

note), 1/24 (sixteenth-note triplet),

1/32 (thirty-second note)

Item Content

From Measure number of the first measure of the

segment to be deleted

For Number of measures to be deleted

Tr/Pt

Track button or part number to be deleted

When “All” is selected, the same portion of all

parts is deleted.

Item Content

12345678910

123456

Ex. To delete measures (bars) 5-8

124

Chapter 7 Creating and Editing Songs

Chapter 7

■Inserting Blank Measures

(Insert)

You can add a blank measure at a location you specify. This

addition of a blank measure is called “insertion.”

fig.e_insert.e

At Step 3 of “Selecting the editing function” (p. 121), select

<Insert>.

A screen like the one shown below appears.

fig.d-e-ins.eps_50

■Transposing Individual Parts

(Transpose)

You can transpose specified parts and tracks individually.

At Step 3 of “Selecting the editing function” (p. 121), select

<Transpose>.

A screen like the one shown below appears.

fig.d-e-trans.eps_50

* You cannot transpose performances of the drum sets and

sound effect sets (such as the Rhythm Track).

Item Content

From Measure number of the first measure of the

segment to be inserted

For Number of measures to be inserted

Tr/Pt

Track button or part number where data will be

inserted

When “All” is selected, blank measures are

inserted at the same place in all parts.

1234567

Ex. To insert measures (bars) 5-7

12345678 9 10

Item Content

From Measure number of the first measure of the

segment to be transposed

For Number of measures to be transposed

Tr/Pt

Track button or part number to be transposed

When “All” is selected, the same portion of all

parts is transposed.

Bias

The range of transposition

You can select the range to transpose the data,

from -24 (two octaves down) to +24 (two

octaves up), adjustable in semitones.

125

Chapter 7 Creating and Editing Songs

Chapter 7

■Making Measures Blank

(Erase)

You can delete the performance data in a specified block of

measures, turning them into blank measures without

reducing the length of the song. This process is called

“erasing.”

fig.e_erase.e

Follow the steps in “Selecting the editing function” (p. 121) to

choose <Erase>.

A screen like the one shown below appears.

fig.d-e-erase.eps_50

■Exchanging Parts

(Part Exchange)

You can exchange the notes recorded for a particular part

with the notes recorded for another part. This process of

exchanging parts is called “part exchange.”

At Step 3 of “Selecting the editing function” (p. 121), select

<Part Exchange>.

A screen like the one shown below appears.

fig.d-e-partex.eps_50

Touch each to choose Parts you want to

exchange.

Item Content

From Measure number of the first measure of the

segment to be erased

For Number of measures to be erased

Tr/Pt

Track button or part number to be erased

When “All” is selected, the same portion of all

parts is erased.

Event

Select from the following types of performance

data to erase:

All

All performance data, including notes, tempos,

tones switches, volume changes, etc., are erased.

Tempo

Tempo data is erased. Erasing the tempo data for

all measures results in a single, constant tempo.

Prog.Change

Erases the data for switching Tones (p. 122).

Note

Erases only notes.

Except Notes

Erases all of the performance data except for the

notes.

12345678910

123456789 10

Blank measures

Ex. To erase measures (bars) 5-8

Event

Expression

Erases Expression (volume change) information.

Lyric

Erases only lyrics.

Item Content

126

Chapter 7 Creating and Editing Songs

Chapter 7

■Correcting Notes One by One

(Note Edit)

You can make corrections in a recorded performance one

note at a time. This process of making changes in individual

notes is called “note editing.”

You can make these corrections by using note editing:

• Deleting misplayed notes

• Changing the scale of a single note

• Changing the force used in playing a single key (velocity)

• Change the fingering

At Step 3 of “Selecting the editing function” (p. 121), select

<Note Edit>.

A screen like the one shown below appears.

fig.e-note.e

The note-location display uses “Measure: Beat: Tick” as the

format. A tick is a unit of time that’s shorter than a beat.

Touch to select the part with the note to be

corrected. The Part number appears at the top of the screen.

Use the [ (Bwd)] button and the [ (Fwd)] button or

use < > < > in the upper part of the screen to find the

note to be corrected.

When you’ve found the note you want to correct, touch

“Pitch” or “Velocity” for the note.

Use the [-] [+] buttons and the dial to correct the pitch or

velocity. If you want to delete the note, touch <Delete>.

When you’re done making all the settings, press the [Exit]

button.

Return to the Song Edit screen.

■Modifying the Tone Changes in

a Song (PC Edit)

In some songs, the instrument sound changes during the

course of the song (that is, the Tone changes in the middle of

a Part). In such songs, an instruction to switch the Tone is

inserted at the place where you want the sound to change.

This instruction is called a “Program Change” (PC), and

actions such as deleting program changes, or changing the

selected Tone by them are called “PC editing.”

* It is not possible to insert a program change into a measure or

beat that does not contain a program change.

At Step 3 of “Selecting the editing function” (p. 121), select

<PC Edit>.

A screen like the one shown below appears.

fig.d-e-pc.eps_50

The PC-location display uses “Measure: Beat: Tick” as the

format. A tick is a unit of time that’s shorter than a beat.

Touch to select the part with the program

change to be edited.

The Part number appears at the top of the screen.

Use the [ (Bwd)] button and the [ (Fwd)] button or

use < > < > in the upper part of the screen to find the

program change to be edited.

When you’ve found the Program Change you want to

modify, touch “Tone Name” on the screen.

Press a Tone button to select a Tone group, then select a Tone

with the [-] [+] buttons and the dial. When selecting Part 10

or 11, select the drum set or effect sound.

If you want to delete the Program Change, touch <Delete>.

When you’re done making all the settings, press the [Exit]

button.

Location Pitch Velocity

Location Tone name

127

Chapter 7 Creating and Editing Songs

Chapter 7

Changing the Beat in the Middle

of a Song (Beat Map)

You can create songs that have beat changes during the

course of the song.

* You can’t change a song’s beat once it’s been recorded. Before

recording the performance, determine the beat to be used.

1. Press the [Menu] button.

The Menu screen appears.

2. Touch <Beat Map>.

A screen like the one shown below appears.

fig.d-beatmap.eps_50

3. Use < >< > in the screen or the [ (Bwd)]

and [ (Fwd)] buttons to move to the measure

whose beat you want to change.

The measure number appears in the top-right area of the

screen.

Touch < > to move to the beginning of the song.

Touch < > to move to the end of the song.

4. Touch in each to set the beat.

5. Touch <Execute>.

The beat change starts with the measure you selected.

Repeat Steps 3–5 to make beat settings in other measures

as needed.

Recording the performance

6. Press the [Exit] button twice.

The screen displayed before you pressed the [Menu]

button appears.

7. Press the [ (Reset)] button to return the measure

number to “1.”

8. Start a recording.

Record the performance using the procedures described

in “Chapter 5 Recording and Saving the Performance”

(p. 89). Specify the measure, then change the beat.

Changing the Tempo of

Recorded Songs

You can change the basic tempo of a composition. The basic

tempo was initially set when the song was recorded.

1. Press the Tempo [-] and [+] buttons to choose a tempo.

2. Hold down the [ (Rec)] button and press the

[ (Reset)] button.

The song’s basic tempo changes.

The change in basic tempo is discarded when you turn

off the power or choose a different song. Save important

song data to floppy disks or to user memory (p. 101).

* If the song you’re working on has tempo changes, press the

[ (Reset)] button to go back to the beginning of the song

before you carry out this operation.

Changing the Tempo Within

the Song

You can add tempo changes to a recorded composition.

The KR stores song tempo information and performance data

separately. Therefore, when making changes to the tempo in

a song, you must record the changes in the tempo

information independently of the performance data.

This recording of the tempo is called “Tempo Recording.”

■Adjusting the Tempo While

Listening to a Song

You can add ritardando and other such gradual tempo

changes.

Setting the Rec Mode to “Tempo”

1. Press the [Menu] button.

The Menu screen appears.

2. Touch <Rec Mode>.

A screen like the one shown below appears.

fig.d-rec-tempo.eps_50

128

Chapter 7 Creating and Editing Songs

Chapter 7

3. Touch the <Rec Mode> to select <Tempo>.

This makes the setting for tempo recording.

Press the [Exit] button a number of times to switch to the

screen where the measure number is indicated in the

upper right of the screen.

When the KR goes into Tempo Recording, the tempo

indication is highlighted.

Recording the Tempo

4. Use the [ (Bwd)] and [ (Fwd)] buttons to

move slightly before the measure where you want to

change the tempo.

5. Press the [ (Rec)] button and watch the indicator is

flashing.

The KR is put in recording standby.

6. When you press the [ (Play/Stop)] button,

recording begins.

7. When you get to the place where you want to change

the tempo, use the Tempo [-] and [+] buttons or the dial

to vary the tempo as desired.

8. When you press the [ (Play/Stop)] button,

recording stops.

The song’s tempo changes.

* You cannot record performances while in Tempo Recording

mode. When you’re finished tempo recording, go back to the

ordinary Replace Recording. Take a look at “Changing the

Recording Method (Rec Mode)” (p. 116).

■Adjusting the Tempo at a

Particular Measure

You can create a tempo change at the beginning of a selected

measure. This is handy when you want to make a sudden

change in tempo.

First, carry out Steps 1–3 of “Changing the Tempo Within the

Song” (p. 127) to make the “Tempo Recording” settings.

1. Use the [ (Bwd)] and [ (Fwd)] buttons to

move to the measure where you want to change the

tempo.

The measure number appears in the top-right area of the

Basic screen.

2. Press the [ (Rec)] button and watch the indicator is

flashing.

The KR is put in recording standby.

3. Use the [-] [+] buttons or the dial to change the tempo.

4. Press the [ (Play/Stop)] button.

The song’s tempo changes starts with the measure you

selected.

→While tempo recording is being used to write tempo, the tempo

display in the screen will be highlighted.

5. When you press the [ (Play/Stop)] button, the

change in tempo stops.

* You cannot record performances while in Tempo Recording

mode. When you’re finished tempo recording, go back to the

ordinary Replace Recording. Take a look at “Changing the

Recording Method (Rec Mode)” (p. 116).

→If you want to restore the previous tempo, delete the tempo

data at the place where the tempo was recorded. For an

explanation of how to delete the information of tempo settings,

refer to “Making Measures Blank (Erase)” (p. 125).

Tempo Recording Shortcut

Hold down the [ (Rec)] button and press one of the

Tempo [-] [+] buttons to switch to the Tempo Recording

settings. Record tempo information. In this case, tempo

recording is canceled when recording ends.

129

Chapter 8

Chapter 8 Creating Music Styles

Creating Original Styles

(User Styles)

Although the KR features a variety of internal Music Styles,

you can also create your own. These original Styles are called

“User Styles.”

You can use either of the two methods described below to

create a User Style.

Style Composer

With this method, you combine internal Music Styles to

create new Styles. You can create a new Style by selecting

from among the Rhythm, Bass, Accompaniment 1,

Accompaniment 2, Accompaniment 3, Accompaniment 4,

Accompaniment 5, and Accompaniment 6 parts in different

styles.

Style Converter (p. 131)

Create a new Style by extracting the portions you need from

songs composed with the 16-track sequencer.

When you’re composing a song, there’s no need to specify all

the chords. You can specify just some of the chords, and the

KR automatically chooses the other chords and arranges the

Style.

Style Converter features an “Auto mode” that allows you to

easily create Styles from songs with a single chord, and a

“Manual mode,” in which you create Styles from songs with

three kinds of chords–major, minor, and seventh chords.

■Creating New Styles by

Combining Internal Music

Styles (Style Composer)

You can create a new style by selecting from among the

Rhythm, Bass, Accompaniment 1, Accompaniment 2,

Accompaniment 3, Accompaniment 4, Accompaniment

5,and Accompaniment 6 parts in different Styles. This

function is called the “Style Composer.”

* You can only combine the KR’s built-in Styles.

Displaying the Style Composer Screen

1. Press the [Menu] button.

The Menu screen appears.

fig.d-menu1.eps_50

2. Touch <Style Composer>.

* If a User Style has already been recorded, a message like the

one shown below appears.

fig.m-styledel.eps

Touch <Cancel> to return to the Menu screen. Save User

Styles to floppy disks, or to user memory (p. 134).

When you touch <OK>, the previously recorded User Style is

deleted, and a new User Style is created.

130

Chapter 8 Creating Music Styles

Chapter 8

A “Style Composer screen” like the one shown below

appears.

fig.d-stylecomp.eps_50

Selecting the Styles assigned to each part

3. Touch the part to be set.

The button for the touched part being set turns orange.

4. Press an Music Style button, then select a Style with

the touch screen or the [-]/[+] buttons and the dial.

When you have decided on a Style, press the [Exit]

button to display the Style Composer screen.

5. Repeat steps 3 and 4 to determine the Styles for each

Part.

Deciding on a Style

6. Touch <Execute>.

You have created a new Style.

The User Style is recorded to the Music Style [User]

button. Try playing with the new Style.

* If you turn off the power or record a new User Style, any User

Style you’ve previously recorded is lost. If you do not want to

delete the Style, save it to a floppy disk or to user memory.

Take a look at “Saving a User Style” (p. 134).

❍Muting Parts for a particular division

You can mute the sound of particular Parts in specific

Divisions.

For example, all parts are played when you use a “Variation”

accompaniment pattern, whereas if you select the “Original”

accompaniment pattern, every part other than

“Accompaniment 1" is muted. With this arrangement, when

the accompaniment pattern changes from the original to the

variation, it creates a more elaborate effect in the

accompaniment.

→For more on Divisions, refer to the “Style Arrangements” (p.

131).

1. Touch the Style Composer screen to choose the Part

you want to mute out.

2. Press the Fill In [To Variation] or [To Original] button

to switch to the division that you want to mute.

3. Touch <Mute> on the screen.

The Part you chose is only muted out in the Division you

selected.

If you want to hear the muted-out Part, touch <Mute>

again.

* To mute out a Division that changes after a few seconds (intro,

ending, or fill-in), touch <Mute> immediately after switching

to the Division.

Display Part

RRhythm

BBass

A1 Accompaniment 1

A2 Accompaniment 2

A3 Accompaniment 3

A4 Accompaniment 4

A5 Accompaniment 5

A6 Accompaniment 6

Icon Function

All Clear Deletes all of the settings.

Mute

You can mute the sound of particular

Parts in specific Divisions. For more

information, take a look at “Muting

Parts for a particular division” (p. 130).

Clear Deletes the Styles in selected parts.

Options

The Part Settings screen is displayed,

allowing you to make detailed settings

to each part. For more information, take

a look at “Editing the volume and effect

settings for each Part” (p. 131).

Execute

Records the created Style to the Music

Style [User] button. Touch this when

you have finished creating the Style.

131

Chapter 8 Creating Music Styles

Chapter 8

❍Editing the volume and effect settings for

each Part

Displaying the Part settings screen

1. At the Style Composer screen, touch <Part>.

A screen like the one shown below appears.

fig.d-scomp-part.eps_50

Modifying the settings of each part

2. Touch the to select the part with the

settings to be changed.

The part name and Tone name are indicated in the upper

part of the screen.

3. Touch for each parameter to change the value.

You can also change the values by touching each

parameter name and then using the dial.

You can change the Tone for the selected Part by

pressing a Tone button to change the Tone while this

screen is displayed. When selecting Rhythm Part, you

can touch <Drum Set> to select the drum set or effect

sound.

Finishing the settings

4. Press the [Exit] button.

The Style Composer screen appears.

■Creating a Style from a Song

You Composed Yourself

(Style Converter)

You can take a song you’ve composed yourself and extract

the portions you need to create your own original Style.

When you’re composing a song, there’s no need to specify all

the chords. You can specify some of the chords, and the KR

automatically chooses the other chords and arranges the

style. This function is called the “Style Converter.”

Style Converter features an “Auto mode” that allows you to

easily create Styles from songs with a single chord, and a

“Manual mode,” in which you create Styles from songs with

three kinds of chords–major, minor, and seventh chords.

When creating a song in order to create an music style, it’s

good practice to consider the arrangement of the music style.

Style Arrangements

Music Styles created with the Style Converter function are

composed of eight parts: “Rhythm,”

“Bass,”“Accompaniment 1,“”Accompaniment 2,”

“Accompaniment 3,””Accompaniment 4,“”Accompaniment

5,” “Accompaniment 6.”

A song progresses in predictable a sequence, such as intro,

melody A, melody B, bridge and ending.

With the KR, such changes in songs are allocated to the

following six performance states. We call these six parts of a

song “Divisions.”

You can make a song more lively or more restrained by

increasing or reducing played parts by Divisions. You can

also modify a song by changing the Tone of the parts in the

Divisions.

Display Explanation

Volume Adjusts the volume.

Reverb Adjusts the amount of reverb effect applied

to the sound.

Chorus Adjusts the amount of chorus effect applied

to the sound.

Panpot

Changes the left-right direction from which

the sound appears to come.

When you touch , the sound moves to

the right; touch to move the sound to

the left.

Division Performance division

Intro The intro is played at the start of a song.

Ending This is played at the end of a song.

Original This is a basic accompaniment pattern.

Variation This is a developmental accompaniment

pattern. It is a variation on an Original.

Fill-In To

Variation

This is a one-measure phrase inserted at a

juncture where the mood changes. It is used

to make a song more lively.

Fill-In To

Original

This is a one-measure phrase inserted at a

juncture where the mood changes. It is used

to make a song more sedate.

132

Chapter 8 Creating Music Styles

Chapter 8

❍Creating Styles in Auto Mode

Points to note when creating songs

• Use one of the major, minor, or diminished seventh

chords to create the song. We recommend using

diminished seventh chords to compose the song.

• It is convenient to record the sounds shown below for

the Parts of the 16-track sequencer.

→When using parts other than Part 2, 7, 8, 9, and D, refer to

“Changing an Extracted Part” (p. 133).

Creating songs

1. Use the 16-track sequencer to record the song.

Record the song after referring to “Multitrack Recording

with 16 Parts (16-Track Sequencer)” (p. 113) and other

related sections.

When using music data, first select a song (p. 64).

Displaying the Style Converter screen

2. Press the [Menu] button.

The Menu screen appears.

3. Touch <Style Converter>.

* If no song for use in creating a new Style is selected, the

message “Please select a song” appears. Use the [Select/Listen

to a Song] button to select a song (p. 64), then start the

procedure again.

* If a User Style has already been recorded, a message like the

one shown below appears.

fig.m-styledel.eps

Touch <Cancel> to return to the Menu screen. Please save the

User Style on a floppy disk or in the internal memory (p. 134).

When you touch <OK>, the previously recorded User Style is

deleted, and a new User Style is created.

A “Style Converter screen” like the one shown appears.

fig.d-styleconv.eps_50

Making the settings

4. Touch <Conv.Mode>, then use the [-] [+] buttons or the

dial to switch the mode to “Auto.”

This makes the setting for the Auto mode.

5. Touch <Chord Root> and <Chord Type>, then use the

dial to input the chord root and type for the segment to

be extracted.

6. Touch <Division>, then use the dial to select the

Division.

* Only one measure can be extracted when “Fill To Vari” or

“Fill To Ori” is selected for the Division. The number of

measures may also be limited in other Divisions.

Rhythm Bass Accomp

Accomp

D (10) 2 7 8 9 Parameter

Name

Settings Content

Conv.Mode Switches the mode (Auto/Manual)

Chord Root Chord root for the segment to be

extracted

Chord Type Chord type for the segment to be

extracted (major/minor/seventh)

Division Division

From Measure number of the first measure of

the segment to be extracted

For Number of measures extracted

Display Performance division

Intro Intro

Original Original accompaniment pattern

Fill To

Vari From the fill-in to the variation

Variation Variation accompaniment pattern

Fill To Ori From the fill-in to the original

Ending Ending

133

Chapter 8 Creating Music Styles

Chapter 8

7. Touch <From> and <For>, then use the [-] [+] buttons or

the dial to select the measures to be extracted.

Touching <Play> at the bottom of the screen, you can

listen to performance of the portion which you chose.

8. Repeat Steps 5–7 to create Styles for all of the

Divisions.

* If no setting is made for a Division, it uses a simple drum pattern.

Deciding on a Style

9. When you’re done making all the Division settings,

touch <Execute>.

The User Style is recorded to the [User] button.

* If you turn off the power or record a new User Style, any User

Style you’ve previously recorded is lost. If you do not want to

delete the Style, save it to a floppy disk or to user memory.

Take a look at “Saving a User Style” (p. 134).

* The following data is saved to the User Style. If a song

includes data other than this, the results you get might not be

what was intended.

• Keyboard performance data

• Amount of Reverb effect applied

• Amount of Chorus effect applied

❍Creating a Style in Manual Mode

When you create a Music Style in the Manual mode, you can

clearly point up the differences in accompaniment for each

individual chord.

Points to note when creating songs

• Record your performance with the three chord types of

diminished seventh, major, and minor.

• It is convenient to record the sounds shown below for

the Parts of the 16-track sequencer.

→The chords all share the same Rhythm Part.

→If you want to use the performance of other part, check out

“Changing an Extracted Part” (p. 133)

Creating songs

1. Use the 16-track sequencer to record the song.

Record the song after referring to “Multitrack Recording

with 16 Parts (16-Track Sequencer)” (p. 113) and other

related sections.

When using music data, first select a song (p. 64).

Displaying the Style Converter screen

2. Press the [Menu] button.

3. Touch <Style Converter>.

The “Style Converter screen” appears.

4. Touch <Conv.Mode>, then use the dial to switch the

mode to “Manual.”

This makes the setting for the Manual mode.

After that, the steps are the same as for “Creating Styles

in Auto Mode” (p. 132).

When you touch <Play> in the lower part of the screen,

you can listen to the performance of the part selected

with <Options>.

❍Changing an Extracted Part

You can extract and change part of a song created with 16-

track sequencer.

1. At the Style Converter screen (p. 132), touch <Part>.

A screen like the one shown below appears.

fig.d-styleconv.eps_50

2. Touch the performance Part with settings you want to

change.

3. Use the dial to specify which 16-track Sequencer

performance part you want to extract.

→In the Manual mode, the type of chords appear at the bottom of

the screen. Set the Parts for all chords.

4. Press the [Exit] button to return to the Style Converter

screen.

The Style Converter screen appears.

Chords Rhythm Bass Accomp

Accomp

Major D (10) 3 4 5 6

Seventh - 2 7 8 9

Minor - 12 13 14 15

134

Chapter 8 Creating Music Styles

Chapter 8

Saving a User Style

You can save the User Styles you create to floppy disks and

the user memory. When saved to the user memory, User

Styles are not deleted when the power is turned off. You can

also select Styles saved to the user memory by pressing the

Music Style [User] button.

You can save up to 99 User Styles in user memory.

What is the User Memory?

The user memory is the area within the instrument

where User Styles created with the KR, sets of User

Programs, and other such data are stored.

You can also copy User Styles and sets of User Programs

saved on floppy disks.

Data saved to the user memory is not deleted, even

when the KR’s power is turned off.

→When you want to clear all of the content saved to the user

memory and restore the settings to the factory settings, refer to

“Formatting the User Memory” (p. 150).

Preparations for saving data

When saving to an external memory, first connect a external

memory to the external memory port.

1. Press the Music Style [User] button.

A “User Style screen” like the following appears.

fig.d-usrdisk.eps_50

If the User Style screen is not displayed, touch <User> in

the lower part of the screen.

2. Touch <User>.

3. Touch <File>.

4. Touch <Save>.

A “Save Style screen” like the following appears.

NOTE

This function is not available with songs on CDs.

fig.d-stylesave.eps_50

Determining the name of the Style to be saved

5. Touch <Rename>.

A “Rename screen” like the following appears.

fig.d-stylename.eps_50

When you touch , the cursor moves.

When you touch the icon for the character to be input,

the character appears at the cursor position.

For example, touching the <ABC> icon in succession

cycles you through the available choices in that character

group (A→B→C→A...).

Each touch of <A-a-0-!> cycles the type of characters

through “English (upper case),” “English (lower case),”

“numerals,” “symbols,” then back to “English (upper

case).”

When you touch <Del>, the character at the cursor

position is deleted.

When you touch <Ins>, a space is inserted at the cursor

position.

6. When you have finished with the name, press the [Exit]

button.

Determining the save destination

7. Touch <Media> to select the save-

destination strage media.

135

Chapter 8 Creating Music Styles

Chapter 8

8. Touch to select the save-destination

number.

If a Style name is displayed, a style is already saved to

that number.

If you select a number with a previously saved User

Style and then save to that number, the previously saved

User Style is deleted. If you do not want to delete the

User Style being saved, select a number in the save-

destination column that does not yet have a name.

9. Touch <Save>.

The saving process starts.

* Never turn off the power or eject the external

memory from the external memory port while the

operation is in progress. Doing so will damage the

KR’s internal memory, making it unusable.

■Deleting Saved User Styles

This deletes User Styles that have been saved to floppy disks

or in user memory.

When deleting a User Style on a floppy disk, first insert the

floppy disk in the disk drive.

1. Press the Music Style [User] button.

A “User Style screen” appears.

If the User Style screen is not displayed, touch <User> in

the lower part of the screen.

2. Touch <File>.

3. Touch <Delete>.

A “Delete Style screen” like the following appears.

fig.d-styledel.eps_50

4. Touch <Media> to select the strage

media.

5. Touch or to select the Style to be deleted.

6. Touch <Delete>.

A screen like the one shown below appears.

fig.m-filedel.eps

7. Touch <OK>.

The selected Style is deleted.

If you touch <Cancel>, the Style won’t be deleted.

* Never turn off the power or eject the external

memory from the external memory port while the

operation is in progress. Doing so will damage the

KR’s internal memory, making it unusable.

136

Chapter 8 Creating Music Styles

Chapter 8

Copying Styles on External

Memories to the User

Memory

You can take User Styles saved on floppy disks and copy

them to user memory.

You can also take User Styles saved in user memory and

copy them to floppy disks.

1. Insert the floppy disk with the Style to be copied in the

disk drive.

2. Press the [User] button.

A “User Style screen” like the following appears.

fig.d-usrdisk.eps_50

If the User Style screen is not displayed, touch <User> in

the lower part of the screen.

3. Touch <File>.

4. Touch <Copy>.

A “Copy Style screen” like the following appears.

fig.d-copystyle.eps_50

Specifying the copy source

5. Touch <Media> to select the copy source

media.

6. Touch <File> to select the Style you want to

copy.

When “All” is selected, all of the Styles on the floppy

disk are copied to user memory.

Specifying the Copy Destination

7. Touch <User> to select the copy destination

for the Style.

If a Style name is displayed, a style is already saved to

that number.

If you select a number with a previously saved Style and

then copy to that number, the previously saved Style is

deleted. If you do not want to lose the Style being saved,

select a number in the save-destination column that does

not yet have a name.

8. Touch <Execute>.

The Style on the floppy disk is copied to user memory.

* Never turn off the power or eject the external

memory from the external memory port while the

operation is in progress. Doing so will damage the

KR’s internal memory, making it unusable.

■Copying Styles Saved in the

User Memory to External

Memories

You can take Styles saved in user memory and copy them to

floppy disks.

In this case, touch the large arrow icon in the center of the

“Copy Style screen” in Step 4 above so that the arrow points

upwards. Turn the KR will copy user memory Styles to the

floppy disk.

The rest of the procedure is identical to that used for copying

Styles from floppy disks to user memory.

137

Chapter 9

Chapter 9 Various Settings

Changing the Settings for

One-Touch Arranger

■Procedure

1. Press the One Touch Program [Arranger] button to

display the Basic screen.

fig.d-arrbasic.eps_50

2. Touch <Functions>.

A screen like the one shown below appears.

fig.d-funcmenu1.eps_50

You set the tuning and make a variety of other settings

for the KR107 starting with the second page of the

settings screen.

3. Touch the name of the parameter to be set.

Refer to the corresponding page for each function.

4. Press the [Exit] button to return to the Basic screen.

■Adjusting the Keyboard Touch

(Key Touch)

You can vary the touch of the keyboard when you play the

keys.

At Step 3 in “Procedure” (p. 138), touch <Key Touch>.

fig.d-p-key.eps_50

Touch any of the icons <Fixed>, <Light>, <Medium>, or

<Heavy>, to set the key touch for the keyboard.

To make fine adjustments, touch the slider in the screen.

Move the slider to the right to add resistance, and to the right

to make the key touch lighter.

You can also change the key touch by pressing the

[Piano Designer] button. For more details, refer to the

Quick Start.

Parameter

Name Explanation

Key Touch Refer to “Adjusting the Keyboard Touch

(Key Touch)” (p. 137).

One Touch

Setting

Selects the setting to be specified when the

One Touch Program [Arranger] button is

pressed (p. 138).

Split Point Sets the key at which the keyboard is divided

(the split point) (p. 138).

Arranger

Config.

Sets the way the Automatic Accompaniment

plays sounds (p. 138).

Display Explanation

Fixed

Notes sound at an unchanging volume level,

regardless of how lightly or forcefully you

play the keyboard.

Light

This sets the keyboard to a light touch. You

can achieve fortissimo (ff) play with a less

forceful touch than usual, so the keyboard

feels lighter. This setting makes it easier for

children, whose hands have less strength.

Medium

This sets the keyboard to the standard touch.

You can play with the most natural touch.

This setting is closest to the response of an

acoustic piano.

Heavy

This sets the keyboard to a heavy touch. You

have to play the keyboard more forcefully

than usual in order to play fortissimo (ff), so

the keyboard touch feels heavier. This

setting allows you to add more expression

when playing dynamically.

138

Chapter 9 Various Settings

Chapter 9

■Changing the Keyboard’s Split

Point (Split Point)

This sets the point (the split point) where the keyboard is

divided when specifying chords in the left hand while using

the Automatic Accompaniment and when playing split

performances (p. 26).

The setting is at “F#3” when the KR is powered up.

fig.splitpoint.e

The key you chose for the split point belongs to the left-

hand section of the keyboard.

At Step 3 in “Procedure” (p. 137), touch <Split Point>.

fig.d-splitpoint.eps_50

Touch either <C3>, <F#3>, <C4>, or <F#4> in the lower part

of the screen.

The key you chose becomes the split point.

To set another key as the split point, touch in

the screen, then specify the key.

You can set the split point within a range of B1 to B6.

■Changing Music Styles Without

Changing the Tone or Tempo

(One Touch Setting)

Normally, when you select a Music Style, the Tone and

tempo settings suitable for that Music Style are selected

automatically. However, you can also set it so the tempo and

Tone settings don’t change when you change Music Styles.

At Step 3 “Procedure” (p. 137), touch <One Touch Setting>.

fig.d-1touchset.eps_50

Touch each icon to switch individual settings on and off.

All items are set to ON when you turn on the power.

Parameters switched to OFF (highlighted in orange) do not

change, even when the Music Style is changed.

■Changing How Chords Are

Played and Specified

(Arranger Config)

This changes the settings determining how Music Styles are

played, and how the keys are pressed to specify chords.

What are the Chord Tone and Bass Tone?

When the Automatic Accompaniment is stopped, and Sync

Start (p. 54) is turned off, chords are produced when you

play in the left-hand side of the keyboard. This is called the

“chord tone,” and the root of the chord that is played at the

same time is called the “bass tone.”

At Step 3 “Procedure” (p. 137), touch <Arranger Config>.

F 3 (Split Point)

Split Point Settings Range

B1 B6

Display Explanation

Suitable

Tone

The suitable tone for a Music Style is

selected automatically.

Suitable

Tempo

The suitable tempo for a Music Style is

selected automatically.

Other

Setting

Other settings (Style Orchestrator, phrases,

etc.) are changed automatically.

139

Chapter 9 Various Settings

Chapter9

fig.d-arrset.eps_50

Touch of each item to make settings.

What is Chord Intelligence?

“Chord Intelligence” (p. 47) is the name of the function that

recognizes the chords being specified for an accompaniment

when only one or two keys of the chords have been pressed,

which can be used while automatic accompaniment is active.

How to play chords in the Chord Intelligence mode:

Parame-

ter Name Value Explanation

Accomp

Accomp All Music Style parts are

played.

Chord&Bs

Only Music Style rhythm

parts, chord Tones, and

bass Tones are played.

Bass

Tone

OFF,

Acoustic Bs.,

A. Bass+Cymbl,

Fingered Bs.,

Picked Bs.,

Fretless Bs.,

Slap Bass,

Organ Bass,

Synth Bass 101,

Thum Voice

Selects the bass Tone or

chord Tone. When set to

“Off,” no tone is played.

Chord

Tone

OFF, E.Piano 1,

E. Piano 2,

Soft E. Piano,

Hard E. Piano,

Slow Strings,

Strings,

Choir,

Doos Voice

Chord

Intelli

Intelligence 1,

Intelligence 2,

Manual

This selects the way

chords are played with

the Chord Intelligence

function. When you set

this to “Manual,” play all

of the notes describing

the chord.

C maj 7

C 7

C m

C m7

C dim

Ex:

Major

Seventh

Major Seventh

Minor

Minor Seventh

Diminished

Play the chord root.

Play the root and

the second key above it.

Play the root and

the third key above it.

Play the root and

the sixth key above it.

Play the root,

the third key above it, and

the second key below it.

Play the root and

the first key below it.

• Intelligence 1

C 7

C m

C m7

Ex:

Major

Seventh

Minor

Minor Seventh

Play the root of the chord.

Play the root of the chord

and the white key to the

left of the root.

Play the root of the chord

and the black key to the

left of the root.

Play the root of the chord

and the black and white key

to the left of the root.

• Intelligence 2

140

Chapter 9 Various Settings

Chapter 9

Placing a Marker in the

Middle of a Measure

A marker is normally placed at the start of the selected

measure, but you can also set it so that a marker is placed at a

position partway through a measure.

For detailed information about Marker, refer to “Setting

Markers for Repeated Practice (Marker)” (p. 84).

1. Press the [Count/Marker] button.

The Count screen appears.

2. Touch <Marker>.

The Marker screen appears.

fig.d-funcmenu2.eps_50

3. Touch <Resolution> to choose the marker

setting.

4. Press the [Exit] button to go back to the Marker screen.

Changing the Settings for the

Count

For detailed information about count, refer to “Match the

Tempo Before You Begin Playing (Count)” (p. 82) and

“Having a Count Sound Play at the End of the Intro

(Countdown)” (p. 56).

1. Press the [Count/Marker] button.

The Count screen (p. 43) appears.

2. Touch of each item to make settings.

3. Press the [Exit] button to return to the Metronome

screen.

fig.d-funcmenu2.eps_50

Indication Explanation

Measure This lets you place a marker at the

beginning of the measure.

Beat This lets you place a marker at the

beginning of the beat.

Parameter Name Value

Count Mode

Specify what type of count

will be added.

Count In

(add a count before the

performance),

Countdown

(add a count only before

you begin playing),

Count In/down

(add both a count-in and

a countdown)

Countdown Sound

Specify the countdown

sound.

Voice (JP), Voice (ENG)

Part

Specify the track or part that

will determine the beginning

of the performance when

added a countdown.

Both Tracks

Lower Track

Upper Track

Part 1–16

Count-In Sound

Specify the count-in sound.

Stick, Click, Electronic,

Voice (JP), Voice (ENG),

Wood Block, Triangle

Castanets,

Handclap

Animal

Measures

Specify the length (number of

measures) of the count-in.

1, 2

Repeat

When “Repeat” is turned ON

on the Marker screen (p. 86)

this specified whether the

count-in will sound each time

the range between the

markers is repeated, or only

the first time.

First, Every

141

Chapter 9 Various Settings

Chapter9

Other Settings

You can change the tuning, the language shown on the

display, and other settings to make the KR easier to use.

■Procedure

1. Switch to the Basic screen, or press the One Touch

Program [Piano] button.

2. Press the [Option] button.

A “Functions screen” like the following appears.

fig.d-funcmenu2.eps_50

When you press the [Option] button on the Basic screen,

the first page displayed shows the parameters for the

Automatic Accompaniment settings (p. 137).

When you press the [Option] button on the Piano screen,

the parameters for the piano performance settings

continue into the second page (p. 138).

3. Touch the name of the parameter you want to set.

Refer to the corresponding page for each function.

4. Press the [Exit] button to return to the Functions screen.

■Changing the Tuning (Tuning)

❍Choosing the Tuning

You can play classical styles such as Baroque using historic

temperaments (tuning methods).

Most modern songs are composed for and played in equal

temperament, the most common tuning in use today. But at

one time, there were a wide variety of other tuning systems

in existence. By playing in the temperament that was in use

when a composition was created, you can experience the

sonorities of chords originally intended for that song.

At Step 3 in “Procedure” (p. 138), touch <Tuning>.

fig.d-p-temp.eps_50

You can choose from among the eight tunings described

below.

Parameter Explanation

Tuning Changing the tuning methods.

Pedal

Setting

Assigns functions to the pedal and

performance pad (p. 142).

Master Tune Sets the KR’s standard pitch (p. 145).

External Display Selects the content to be shown on the

connected external display (p. 163).

Language Selects the language used in the

display (p. 145).

User Image

Display

Selects the image data and display

used (p. 146).

Opening

Message

Sets the message that appears when

the power is turned on (p. 147).

MIDI Setting Refer to p. 159.

Program

Change Refer to p. 159.

Memory Backup Stores edited settings and other data to

the KR (p. 147).

MIDI Ensemble Refer to p. 159.

Factory Reset

Restores the content stored with

Memory Backup to the original factory

settings (p. 148).

V-LINK Refer to p. 157.

Remote Control Changing the Functions of the Remote

Control’s Buttons (p. 148).

USB Driver Refer to p. 164.

Remote Sensor Sets the remote sensor’s on or off(p.

149)

Touch Screen Allows for calibration of the touch

screen (p. 149).

Tuning

system Characteristics

Equal

This temperament divides the octave

into 12 equal parts. All intervals will be

slightly out of tune by the same amount.

This setting is in effect when you turn on

the power.

Just (Maj)

This temperament makes the 5th and

3rd intervals pure. It is unsuited to

playing melodies and cannot be

transposed, but is capable of beautiful

sonorities.

Just (min)

Just intonation differs between major

and minor keys. The same results as

major can be obtained in a minor key.

Parameter Explanation

142

Chapter 9 Various Settings

Chapter 9

Touch any one of the icons to choose the tuning system.

When playing in a temperament other than equal

temperament, you must specify the tonic (the note

corresponding to C for a major key, or to A for a minor key)

of the key in which you will play.

Touch <Key> to select the tonic.

If you have selected equal temperament, it is not necessary to

select the tonic.

❍Setting the Tuning Curve (Stretch Tuning)

Pianos are generally tuned so that the low range is flatter and

the high range is sharper than equal tempered pitches. This

method of tuning is unique to the piano, and is known as

“stretched tuning.”

A graph that shows the changes in pitch of actual tuning

compared with the changes in equal temperament pitch is

called a tuning curve. Changing the tuning curve produces

subtle variations in the reverberations of the chords you play.

Touch the Stretch Tuning <ON> or <OFF> icon to select the

tuning curve.

When set to “ON,” the tuning curve features extended low

and high ranges (Stretch Tuning). It is suitable for piano

solos. This setting is selected when the power is turned on.

When set to “OFF,” the standard tuning curve is used. It is

suitable when playing in an ensemble with other

instruments.

■Assigning Functions to Pedals

and Performance Pads (Pedal

Setting/User Functions)

You can assign a variety of functions to the left and center

pedals, the expression pedals, and the performance pads.

You can call up the assigned functions just by pressing the

corresponding pedal or pad.

925

NOTE

Use only the specified expression pedal (EV-7/5; sold

separately). By connecting any other expression pedals, you risk

causing malfunction and/or damage to the unit.

❍Assigning Functions to Pedals

At Step 3 “Procedure” (p. 137), touch <Pedal Setting>.

fig.d-pedalset.eps_50

Touch to assign functions to each of the pedals.

NOTE

Pressing the One Touch Program [Piano] button restores the

piano performance functions to the pedals (p. 18).

❍Assigning Functions to Performance Pads

1. Press the [User Function] button and watch the

indicator light up.

A screen like the one shown below appears.

fig.d-usrfunc.eps_50

2. Touch to assign functions to each of the

Performance Pads.

Arabic This tuning is suitable for the music of

Arabia.

Kirnberger

This temperament is a modification of

meantone temperament and just

intonation, allowing more freedom of

modulation. Performances are possible

in all keys (III).

Pythagorean

This temperament is based on the

theories of the Greek philosopher

Pythagoras, and has pure fourths and

fifths. Chords containing a third will

sound impure, but melodies will sound

good.

Meantone

This temperament is a partial

compromise of just intonation in order

to allow modulation.

Werkmeister

This temperament is a combination of

meantone and Pythagorean

temperaments. It allows you to play in

all keys. (First method, number three.)

Tuning

system Characteristics

143

Chapter 9 Various Settings

Chapter9

If you set the pedal as a dedicated switch for selecting

User Programs, the function assigned to the pedal

cannot be used. Refer to “Using the Pedal to Switch User

Programs” (p. 111).

❍Functions that can be assigned (Pedals,

Performance Pads)

* What is the leading bass function?

The function that sounds the lowest note of a fingered chord

as the bass tone is called “Leading Bass.” When this function

is turned on, the Bass Tone changes when chord inversions

are used. Usually the tonic of the chord you play sounds as

the bass tone.

* What is the rotary effect?

This adds a sort of spinning effect to the organ sound, similar

to the sound when a rotary speaker is used.

Changing the speed increases or decreases the speed of this

spinning effect.

Function Explanation

Leading

Bass

Toggles the Leading Bass function* on or

off. The function stays on as long as the

pedal to which this is assigned is pressed.

When assigned to a Performance Pad, this

is alternately switched on and off each time

the pad is pressed.

No Chord

Only the Moving Keys Rhythm part is

played. After No Chord is switched on,

specifying a chord by playing the actual

keys cancels the function, and all of the

accompaniment parts are played.

Break

During the performance of Automatic

Accompaniment, the accompaniment

stops for one measure only.

Fill In to

Variation

Performs the same function as the Fill In

[To Variation] button (p. 57).

Fill In to

Original

Performs the same function as the Fill In

[To Original] button (p. 57).

Fill In A fill-in is inserted, but the accompaniment

pattern after that doesn’t change.

Half Fill In

to Variation

This plays a fill-in half a measure long,

then switches to the Variation

accompaniment pattern.

Half Fill In

to Original

This plays a fill-in half a measure long,

then switches to the Original

accompaniment pattern.

Original/

Variation

This changes the accompaniment pattern

without inserting a fill-in.

Arranger

Reset

When this function is used during

Automatic Accompaniment, the

accompaniment returns to the beginning of

the Division (p. 46).

Intro 1/

Ending 1

Performs the same function as the [Intro/

Ending] button (p. 54). Intro 1 and Ending

1 are played.

Intro 2/

Ending 2

Performs the same function as the [Intro/

Ending] button (p. 54). Intro 2 and Ending

2 are played.

Arranger

Start/Stop

Performs the same function as the [Start/

Stop] button (p. 54).

Orchestrat

or Up

This changes the accompaniment to a more

elavorate arrangement (p. 58).

Orchestrat

or Down

Changes the accompaniment to a simpler

arrangement (p. 58).

Melody

Intelligence

Turns the Melody Intelligence function on

and off (p. 59).

Fade In/Out

This starts Automatic Accompaniment

with a fade-in (where the volume gets

progressively louder), ends it with a fade-

out (where the volume gets progressively

softer), then stops.

Rotary

Slow/Fast

This switches the speed of the rotary effect*

when you perform with an organ Tone.

Glide

While the pedal or Performance Pad is held

down, the pitch of the sound drops

temporarily, returning to the original pitch

when the pedal or Pad is released. This can

be effective for simulating the performance

of instruments like a Hawaiian guitar.

Composer

Play/Stop

Performs the same function as the [

(Play/Stop)] button (p. 64).

Page

Fwd 1

Press the pedal or the Pad turns the

notation appearing on the KR display to

the next page while the performance of a

song is stopped.

Page

Bwd 1

Press the pedal or the Pad turns the

notation appearing on the KR display to

the preceding page while the performance

of a song is stopped.

Page

Fwd 2

Press the pedal or the Pad turns the

notation appearing on the external display

to the next page while the performance of a

song is stopped.

Page

Bwd 2

Press the pedal or the Pad turns the

notation appearing on the external display

to the preceding page while the

performance of a song is stopped.

Punch In/

Out

During Punch-in Recording, this starts and

stops recording (p. 118).

Tap

Tempo

You can set the tempo according to the

interval at which the pedal or pad is

pressed

(p. 81).

Function Explanation

144

Chapter 9 Various Settings

Chapter 9

❍Functions that can be assigned (Pedals

Only)

NOTE

The effect may not be applied correctly when you press a pedal

if “Pedal EX1–4” is assigned to more than one pedal.

Using the “Bend Up” or “Bend Down” function during a

split performance (p. 25) changes the pitch of sounds in

the right-hand side of the keyboard. Additionally, the

range in which the pitch can change when the Bender

effect is used is called the “bend range”; refer to

“Changing the Bend Range (Pedal Setting)” (p. 145).

❍Functions that can be assigned (Expression

Pedals Only)

Function Explanation

Replay

Pressing the pedal during playback of a song

stops the playback. When the pedal is

released, playback resumes from the

beginning of the measure that was playing

when the pedal was pressed. When the pedal

is pressed in rapid succession, the playback

will resume backs up the same number of

measures as the number of times the pedal is

pressed.

Upper

Soft The pedal functions as a soft pedal (p. 18).

Upper

Sostenuto

The pedal functions as a sostenuto pedal

(p. 18).

Lower

Damper

Applies a damper pedal effect to the sounds

in the left-hand side of the keyboard.

Bend Up This raises the pitch of notes you play on the

keyboard.

Bend

Down

This lowers the pitch of notes you play on the

keyboard.

Pedal EX1

When the pedal is pressed during a layer

performance, the Tone volume changes

between two levels, depending on how

firmly the pedal is pressed.

Pressing the pedal with “Pedal EX1” selected

increases the layer Tone volume. The layer

Tone is played at a fixed volume, regardless

of how forcefully the keys are played.

Pedal EX2 Pressing the pedal with “Pedal EX2” selected

increases the layer Tone volume.

Pedal EX3

Pressing the pedal with “Pedal EX3” selected

increases the layer Tone volume, while the

volume of the left-hand Tone is decreased.

The layer Tone is played at a fixed volume,

regardless of how forcefully the keys are

played.

Pedal EX4

Pressing the pedal with “Pedal EX4” selected

increases the layer Tone volume, while the

volume of the right-hand Tone is decreased.

Function Explanation

Expressio

n Pedal Adjusts the overall volume.

Bend Up This raises the pitch of notes you play on the

keyboard.

Bend

Down

This lowers the pitch of notes you play on the

keyboard.

Pedal EX1

When the pedal is pressed during a layer

performance, the Tone volume changes

between two levels, depending on how

firmly the pedal is pressed.

Pressing the pedal with “Pedal EX1” selected

increases the layer Tone volume. The layer

Tone is played at a fixed volume, regardless

of how forcefully the keys are played.

Pedal EX2 Pressing the pedal with “Pedal EX2” selected

increases the layer Tone volume.

Pedal EX3

Pressing the pedal with “Pedal EX3” selected

increases the layer Tone volume, while the

volume of the left-hand Tone is decreased.

The layer Tone is played at a fixed volume,

regardless of how forcefully the keys are

played.

Pedal EX4

Pressing the pedal with “Pedal EX4” selected

increases the layer Tone volume, while the

volume of the right-hand Tone is decreased.

145

Chapter 9 Various Settings

Chapter9

■Changing the Bend Range

(Pedal Setting)

The effect of smoothly raising or lowering the pitch of a

played note is called the “bender effect.”

You can assign the bender function to a pedal, then apply the

bender effect by depressing and releasing the pedal.

You can also make a setting that determines how much the

pitch of the note changes when you apply the bender. The

maximum range of change in pitch is called the “bend

range.”

At Step 3 “Procedure” (p. 137), touch <Pedal Setting>.

fig.d-pedalset.eps_50

Touch <Bend Range> to adjust the bend range

setting.

You can set this to any value within a range of 1 to 12 (in

half-tone steps, up to one octave).

■Changing Standard Pitch

(Master Tune)

“Standard pitch” generally refers to the pitch that is heard

when you play middle A. When performing in an ensemble

with other instruments, adjust the standard pitch so that the

instruments of the ensemble match. Tuning all the

instruments to a standard pitch is called “master tuning.”

At Step 3 in “Procedure” (p. 141), touch <Master Tune>.

A screen like the one shown below appears.

fig.d-tuning.eps_50

Touch to change the pitch.

Standard pitch can be set to any value from 415.3–466.2 Hz.

■Changing the Language

(Language)

Five choices are available for the language used in displaying

information on the screen.

At Step 3 in “Procedure” (p. 141), touch <Language>.

A screen like the one shown below appears.

fig.d-lang.eps_50

Touch to select the language.

Available settings

English, Japanese, German, French, Spanish

NOTE

German, Spanish, and French are displayed for some functions.

Other screens will be displayed in English.

146

Chapter 9 Various Settings

Chapter 9

■Selecting Images To Be Shown

on the KR and External

Displays

(User Image Display)

You can have image data from computers and other devices

shown on the onboard display, or on an external display

you’ve connected. You can store two types of image data,

“KR-display-use” data, and “external-display-use” data.

“KR-display-use” images appear on the KR’s display

when the instrument’s power is turned on. Refer to the

procedure in “Changing the Settings for Showing

Images with the External Display (External Display)” (p.

163) to set the instrument so the “external-display-use”

image is displayed on the external display.

At Step 3 in “Procedure” (p. 141), touch <User Image

Display>.

A screen like the one shown below appears.

fig.d-usrimage.eps_50

Selecting the display to be set

1. Touch <KR Display> or <Ext. Display>.

Select the setting either for “KR-display-use” or

“external-display-use” images.

Selecting the images to be displayed

First, take a floppy disk to which the image data stored

in the KR has been saved, and insert the floppy disk in

the disk drive.

2. Touch <File>.

A screen like the one shown below appears.

fig.d-usrimage2.eps_50

3. Touch the name of the stored image data.

When you touch <Preview>, you can then show the

selected image data on the display selected in Step 1.

4. Touch <Save>.

The selected image data is stored.

5. Press the [Exit] button to return to the previous screen.

To clear the stored image data, touch <Erase>.

❍Image data that KR can display

Size 320 x 240 pixels (for KR display)

640 x 480 pixels (for external display)

Color 1/4/8 bit (2/16/256 colors)

Format

BMP format

* The KR cannot deal with compressed

image data.

Name

1–8 characters in length (lowercase is ok). A

filename extension of “.BMP” (uppercase

characters) must be added after the name.

The following characters can be used to

name an image.

A B C D E F G H I J K L M N O P Q R S T U

V W X Y Z a b c d e f g h i j k l m n o p q r s

t u v w x y z 0 1 2 3 4 5 6 7 8 9 # $ % & ‘ ( ) -

@ ~ { } ^ _ !

* If you use a character that cannot be used

in a name, it will be replaced by another

character when displayed.

147

Chapter 9 Various Settings

Chapter9

■Changing the Screen Message

When the Power Is Turned On

(Opening Message)

You can modify this screen to show your favorite phrase

when the power is turned on.

At Step 3 in “Procedure” (p. 141), touch <Opening Message>.

A screen like the one shown below appears.

fig.d-openmsg.eps_50

Use to move the cursor.

When you touch the character icon, the character is input

where at the position.

When you touch the icon for the character to be input, the

character appears at the cursor position. For example,

touching the <ABC> icon in succession cycles you through the

available choices in that character group (A→B→C→A...).

Each touch of <A-a-0-!> cycles the type of characters through

“English (upper case),” “English (lower case),” “numerals,”

“symbols,” then back to “English (upper case).”

When you touch <Del>, the character at the cursor position is

deleted.

When you touch <Ins>, a space is inserted at the cursor

position.

When you have finished inputting the characters, touch

<Execute>.

NOTE

Never turn off the power while the display indicates

<Executing...>. Doing so will damage the KR’s internal

memory, making it unusable.

If you touch <All Clear> at the bottom of the screen and

then touch <Execute>, the display reverts to the screen

that normally appears when you turn on the power to

the instrument.

■Remembering the Settings

Even When the Power is

Turned Off (Memory Backup)

Normally, the various settings revert to their default values

when the power is turned off. However, you can specify that

the settings will be remembered even when the power is

turned off. This function is called “Memory Backup.”

For more on the settings stored using Memory Backup,

refer to “Parameters Stored in Memory Backup” (p. 182).

At step 3 in “Procedure” (p. 141), touch <Memory Backup>.

A screen like the one shown below appears.

fig.d-memory.eps_50

Touch <Execute>.

The confirmation message appears on screen.

Touch <OK> to store the setting.

When the setting has been stored in memory, the previous

screen will reappear.

NOTE

Never turn off the power while the display indicates

<Executing...>. Doing so will damage the KR’s internal

memory, making it unusable.

148

Chapter 9 Various Settings

Chapter 9

■Restoring the Factory Settings

(Factory Reset)

You can return the content stored with “Memory Backup” (p.

147) and the User Programs (p. 107) to their original factory

settings. This operation is referred to as “Factory Reset.”

NOTE

When you perform a Factory Reset, all settings that have been

stored in memory up to then are erased and reset to their

factory defaults.

This operation does not return the touch screen

calibration settings to the original factory condition. To

return the touch screen calibration settings to the

original factory settings, refer to “Returning the touch

screen calibration settings to the original factory

settings” (p. 150)

When you want to restore the content registered to the

KR’s User memory to the factory condition, refer to

“Formatting the User Memory” (p. 150).

At step 3 in “Procedure” (p. 141), touch “Factory Reset.”

A screen like the one shown below appears.

fig.d-factory.eps_50

Touch <Execute>.

The confirmation message appears on screen.

Touch <OK> to restore the original factory settings.

When the setting is changed, the previous screen returns.

When you touch <Cancel>, the settings are left untouched,

and you’re returned to the previous screen.

NOTE

Never turn off the power while the display indicates

<Executing...>. Doing so will damage the KR’s internal

memory, making it unusable.

■Changing the Functions of the

Remote Control’s Buttons

You can change the functions assigned to the remote

control’s buttons.

At step 3 in “Procedure” (p. 141), touch <Remocon Setting>.

A screen like the one shown below appears.

Changing the [ ] (PLAY) Button Functions

6. Touch <PLAY> to assign functions to

[ ] (PLAY) button.

7. Press the [Exit] button to return to the Functions screen.

Display Explanation

All Song

Songs are played back continuously in

sequence, starting from the currently

selected song.

Internal Song

Songs in the selected genre are played

back continuously.

“Favorites” Songs

Songs registered to the “Favorites” are

played back in sequence.

Songs on External Memories

Songs within the selected folder are

played back continuously.

One Song Only the selected song is played back.

Playback stops when the song is finished.

Random

The songs are played back in random

order.

Internal Song

The songs in all genres are played back in

random order.

“Favorites” Songs

Songs registered to the “Favorites” are

played back in random order.

Songs on External Memories

Songs within the selected folder are

played back in random order.

149

Chapter 9 Various Settings

Chapter9

Changing the TEMPO [-] [+] Button and the

TRANSPOSE [+] [-] Button Functions

4. Touch <TEMPO> or <TRANSPOSE> to

assign functions to TEMPO [-] [+] and TANSPOSE [-]

[+] button.

5. Press the [Exit] button to return to the Functions screen.

Changing the [FUNC1] [FUNC2] Button

Functions

4. Touch <FUNC1> <FUNC2> to assign

functions to [FUNC1] [FUNC2] button.

5. Press the [Exit] button to return to the Functions screen.

NOTE

The remote control buttons’ original function assignments are

restored when the power is turned off. If you want to save the

changed settings, carry out the memory backup (p. 147).

■Switching the Remote Sensor

On and Off (iR function)

You set the Remote Sensor to On (active) or Off (disabled).

When switched on, infrared transmission of song data and

remote control information is received.

At step 3 in “Procedure” (p. 141), touch “iR function.”

A screen like the one shown below appears.

Touch <ON> or <OFF>

■Calibrating the Touch Screen

(Touch Screen)

If you’ve been using the touch screen for some time, the

pointer may be shifted, making the KR react incorrectly. You

should correct this displacement when necessary by

performing calibration (repositioning).

At step 3 in “Procedure” (p. 141), touch “Touch Screen.”

A screen like the one shown below appears.

fig.d-touchpanel.eps_50

Touch <Execute>.

Touch the points indicated.

NOTE

Do this carefully, because touching a location that’s different

from the one indicated for the pointer may make the

Display Explanation

Tempo

Changes the tempo. Pressing [-] slows the

tempo down; pressing [+] speeds up the

tempo.

Notation

Scrolls the score in the external display.

Press [-] to return to the previous page;

press [+] to advance to the next page.

Transpose

Transposes the song. Pressing [-] lowers

the pitch in semitone steps; pressing [+]

raises the pitch in semitone steps.

Bwd/Fwd

Fast forwards and rewinds the song.

When [-] is pressed, the song rewinds;

when [+] is pressed, the song is fast

forwarded.

Display Explanation

Track 3

Each time the [FUNC] button is pressed,

the left-hand track is switched on or off.

When turned off, the sound from the left-

hand track does not play.

Track 4

Each time the [FUNC] button is pressed,

the right-hand track is switched on or off.

When turned off, the sound from the

right-hand track does not play.

Pedal

Pressing the button while the song is

playing back stops the playback. When

you release the button, playback resumes

from the beginning of the measure being

played when you pressed the button.

Pressing the button a number of times in

rapid succession moves the playback

position back by the same the number of

measures, after which playback resumes.

Zoom Displays an enlarged notation.

Repeat Playback repeats within the marked

range.

150

Chapter 9 Various Settings

Chapter 9

displacement even worse. Be sure to touch the pointer

accurately.

When the calibration is finished, touch <Write> to store the

settings.

NOTE

If you don’t write them to memory, the calibration settings will

be discarded as soon as the power is switched off.

Returning the touch screen calibration settings

to the original factory settings

If you touch <Factory Reset> in the above screen, the touch

screen calibration settings revert to the original factory

settings.

Selecting the Part to Which

the Effect is Added

(EffectsPart)

You may find effects not being applied to certain parts when

different effects are applied to the right-hand tone, layer

tone, and left-hand tone. In such instances, you can select

which effect is to have priority.

1. Press any tone button, and select the tone (p.**).

2. Touch <Effect>.

3. Touch <Part>.

4. Touch to select the part which the effect is

added.

The effect will be applied to the selected part and other

parts to which the same effect has been applied.

Formatting the User Memory

The KR features an internal storage area where you can save

recorded performances and User Styles. This space is called

the “User Memory.”

The following content is stored to the user memory.

• Content registered to the “Favorites” (p. 68)

• Sets of saved User Programs (p. 108)

• User Styles saved on user memory (p. 134)

• Image files set with the “User Image settings” (p. 146)

To delete all of the content held in the user memory and

restore the original factory settings, carry out the following

procedure.

1. Press the [Song/File] button.

2. Touch <File>.

3. Touch <Format>.

4. Touch to select “User Memory.”

5. Touch <Execute>.

A screen like the one shown below appears.

fig.d-touchpanel.eps_50

6. Touch <OK>.

All of the content in the user memory is deleted.

If you touch <Cancel>, the deletion is cancelled, and

you’re returned to the previous screen.

NOTE

Never turn off the power while the display indicates

<Executing...>. Doing so will damage the KR’s internal

memory, making it unusable.

Carrying out this operation does not initialize any

settings other than the user memory settings. To restore

settings other than those for the user memory to the

original factory settings, carry out Factory Reset (p. 148).

151

Chapter 9 Various Settings

Chapter9

Automatically Starting the

Quick Tour

You can set the instrument so that the Quick Tour starts

automatically with no operation required.

1. Hold down the [Transpose] button and press the

[Ambience/Reverb] button.

The Quick Tour screen appears.

2. Press the [Option] button.

A screen like the one shown below appears.

fig.d-touchpanel.eps_50

3. Touch of each parameter to make settings.

When Auto Start is set to “On,” the demo starts playing

automatically when the KR-107's power is switched on.

The demo stops playing if the instrument is operated in

any way. After operation has ceased, and a period of five

to ten minutes passes without the instrument being

touched, the demo automatically starts again. When

Auto Start is set to “Off,” the demo does not start unless

you touch the icon in the Demo screen.

4. Press the [Exit] button to return to the Quick Tour

screen.

→This setting is saved even after the power is turned off.

* For more information about Quick Tour, refer to the Quick

Start.

Adjusting the Piano Designer

Resonance

You can made precise changes to the Piano Designer

“Resonance” setting.

More of the resonance effect is applied as the value is

increased.

1. Press the [Piano Designer] button.

2. Press the [Option] button.

A screen like the one shown below appears.

fig.d-touchpanel.eps_50

3. Touch of each item to make settings.

Item Display Explanation

Auto Start ON, OFF

This setting determines

whether or not Auto

Demo starts when no

adjustment or other

operation is performed

within a fixed period of

time.

BGM ON, OFF

This setting determines

whether or not

background music is

added when Auto Demo

begins.

Item Explanation

String resonance

With an acoustic piano, playing a

note causes the strings for other keys

already being pressed to resonate.

The function that reproduces this

resonant sound is called “String

Resonance.”

Damper Reso-

nance

When the damper pedal on an

acoustic piano is pressed, the sound

of the key that is played causes other

strings to resonate, adding rich

reverberation and breadth to the

sound. This function reproduces the

resonant sound created by pressing

the damper pedal (Damper

Resonance).

Key-off Reso-

nance

This reproduces the “key off” sound

(the subtle sound made when the

keys are released) produced when

playing an acoustic piano.

152

Chapter 9 Various Settings

Chapter 9

Registor Music Assistant

Disabling Functions Other

Than Piano Performance

(Panel Lock)

The “Panel Lock” function locks the KR in a state where only

piano performance can be used, and all buttons will be

disabled. This prevents the settings from being inadvertently

modified even if children press the buttons accidentally.

* In the Panel Lock state, only the grand piano sound can be

played.

1. Turn down the volume all the way.

2. Press the [Power] switch to turn off the power.

3. While holding down the [Wonderland/Game] button,

press the [Power] switch and turn on the power.

Then, continue to hold down the button for a few

seconds.

All buttons except for piano play are disabled.

Adjust the volume. When you play the keyboard, the

grand piano sound will be heard.

To undo the Panel Lock function, turn the volume down

to the minimum, and turn on the power once again.

Detailed Song Playback

Settings

■Changing the Tone Settings

When Playing Back Songs

(Play Mode)

With the normal setting, GS tones (sounds that are

compatible with other GS instruments) will normally be used

to play back song data. By changing this setting, you can play

back song using KR-specific tones for certain portions of the

data.

For detailed information about GS, refer to “About the

KR Sound Generator” (p. 183).

1. Press the [Menu] button.

The Menu screen appears.

Touch to switch the screens.

2. Touch <Play Mode>.

A screen like the one shown below appears.

fig.d-plymode.eps_60

3. Touch the icon to choose the setting.

4. Press the [Exit] button to go back to the Menu screen.

5. After changing this setting, try selecting the song once

again.

For more detailed information about selecting a song,

refer to “Playing a Song” (p. 64).

Icon Explanation

Playback uses GS-compatible tones for

performances that sound like other GS

instruments.

Playback uses KR tones for greater

expressiveness. However, differences

may appear when playing back using

devices other than the KR.

153

Chapter 9 Various Settings

Chapter9

■ Viewing Song Information

(Information)

You can view file names and other information concerning

songs.

1. Press the [Song/File] button.

2. Touch <File>.

3. Touch <Information>.

A song information is displayed.

■Hiding the Lyrics (Lyrics)

Some commercially available music files for use in karaoke,

as well as some of the internal songs include lyrics data.

When you play such music files, the lyrics automatically

appear in the screen. If you do not want lyrics to appear

automatically, set this to “OFF.”

1. Press the [Menu] button.

The Menu screen appears.

Touch to switch the screens.

2. Touch <Lyrics>.

A screen like the one shown below appears.

fig.d-lyric.eps_60

3. Touch to select the setting.

4. Press the [Exit] button to return to the Menu screen.

Even when this is set to “OFF,” you can still have the lyrics be

displayed by touching <lyrics> when it appears in the Piano or

Basic screen (p. 20).

The screen may be switched when you press the button

while the Lyrics screen is displayed. To have the lyrics

displayed again, touch <**~lyrics~**> on the Piano or

Basic screen, or stop playback of the song, then press the

[ (Play/Stop)] button.

■Changing the Parts Assigned

to the Track Buttons During

SMF Playback (Track Assign)

Normally, when playing back Roland Piano Digital-

compatible SMFs (p. 183), the left-hand part is assigned to the

[3/Lower] button, and the right-hand part is assigned to the

[4/Upper] button. However, assignment of the right-hand

and left-hand parts may differ with some SMF data.

If you cannot get the right-hand and left-hand parts to work

well set on “Auto,” then change the setting to “2/1 Part” or

“3/4 Part.”

This setting is effective with SMF format song data.

This is not effective with the internal songs.

1. Press the [Menu] button.

The Menu screen appears.

Touch to switch the screens.

2. Touch <Track Assign>.

A screen like the one shown below appears.

fig.d-trkasgn.eps_60

3. Touch to select the setting.

Display Explanation

Lyrics are displayed automatically (when

performance data containing lyrics is

played back).

OFF Lyrics are not displayed, even if the song

data being played back contains lyrics data.

Display Explanation

Auto

The part assigned to each track will be

determined automatically,

depending on the song data.

2/1 Part

Part 1 will be assigned to the right-hand

track, part 2 to the left-hand track, and part

3 to the user track.

3/4 Part

Part 4 will be assigned to the right-hand

track, part 3 to the left-hand track, and part

1 to the user track.

154

Chapter 9 Various Settings

Chapter 9

4. Press the [Exit] button to return to the Menu screen.

After changing this setting, try selecting the song once

again.

For more detailed information about selecting a song,

refer to “Playing a Song” (p. 64).

154

Chapter 10

Chapter 10 Connecting External Devices

You can connect the KR to external devices such as audio

equipment, MIDI instruments and computer.

❍ Connecting an External Display or Television

You can connect a computer monitor or other external

display or a television to the KR107, enabling you to display

the Song Select screen, your favorite images, song lyrics, and

notations on a larger screen.

❍ Connecting Video Equipment

With a V-LINK compatible device connected, you can switch

images with the keyboard.

❍Connecting MIDI Devices (p. 158)

You can connect a MIDI sequencer and record performance

data from the KR, or play performance data from the KR on

the sequencer. Also, when you connect a MIDI sound

module, you can perform on the KR and hear the sounds

played through the MIDI sound module.

❍ Connecting Audio Equipment (p. 161)

The KR has high-quality built-in stereo speakers, but you can

also hook it up a stereo system for an even more impressive

sound.

You can also connect it to a tape recorder or other recording

equipment and record your performances.

❍ Connecting a Computer (p. 163)

You can use a sequencer program (such as Roland Visual-

MT) to record performance data from the KR and play

performance data from the program on the KR.

❍Connecting an Expression Pedal

You can connect an expression pedal to the KR.

Insert the pedal cable into the Pedal connector on the

rear panel of the KR107.

925

NOTE

Use only the specified expression pedal (EV-7/5; sold

separately). By connecting any other expression pedals, you risk

causing malfunction and/or damage to the unit.

Connecting an External

Display or Television

You can connect a computer monitor or other external

display or a television to the KR107, enabling you to display

the Song Select screen, your favorite images, song lyrics, and

notations on a larger screen.

You can switch screens with the remote. For details, see

“Using the Remote Control” (p. 32).

For more information about external display settings, refer to

“Selecting What Is To Be Displayed on the External Display

or Television” (p. 50)

■Connecting an External

Display

Displays That Can Be Connected to This

Instrument

In general, a great many of the VGA monitors and multiscan

monitors that are available on the market are compatible

with this instrument. However, before you connect any

monitor, make sure it meets the following specifications:

NOTE

Confirm that the display to be used is compatible with the

frequencies mentioned above. Using a display that is not

compatible with the above frequencies may result in incorrect

image output when images move, and in certain cases may even

damage the display.

Resolution 640 x 480 pixels

Horizontal scan frequency 31.5 kHz

Vertical scan frequency 60 Hz

Connector 3-row, 15-pin D-Sub type

Signal Analog

You cannot simultaneously use both an external

display and a television with the KR107. Moreover,

neither the external display nor the television will be

able to display properly if both are connected at the

same time.

When using an external display, connect the display to

the Ext Display connector, but do not connect a

television to the Video Out connector.

If using a television, connect the television to the Video

Out connector, but do not connect any external display

to the Ext Display connector.

155

Chapter 10 Connecting External Devices

Chapter10

Making the Connections

NOTE

To prevent malfunction and/or damage to speakers or other devices,

always turn down the volume, and turn off the power on all devices

before making any connections.

1. Turn off the power to the KR107 and the display to be

connected.

2. Use display cable (sold separately) to connect the

display to the Ext Display connector on the KR107.

NOTE

You cannot display information or images with an external

display when a television is connected to the Video Out jack. To

use an external display, first disconnect the television from the

Video Out jack, then connect the external display.

3. Switch on the KR107.

4. This sets the display format (p. 157).

5. Switch on the connected display.

For more on handling the external display, refer to your display’s

owner’s manual.

You can also remove the music rest, then place the display there so

that it faces forward. For instructions on removing the music rest,

refer to “Removing the Music Stand” (p. 19).

When using the KR107 with a display placed on it, be sure to

note the following precautions.

• Make sure the display sits stably on the KR107 before

use.

• Do not let the base of the display rest on any of the music

rest’s moving parts. Keep the base of the display within

one of the areas shown by the dotted lines in the

illustration below.

• If you are placing the display on top of the KR, we

recommend using a liquid crystal display (LCD). If using

a cathode ray tube (CRT) display, take extra care to

ensure that the display rests stably on the instrument.

Turning the Power Off

After use, turn off the power using the following procedure.

1. Turn the volume all the way down on the KR107.

2. Turn off the KR107.

3. Turn off the connected display.

■Connecting a Television

Making the Connections

Always be sure to use the following procedure when

connecting a television.

NOTE

You cannot display information or images with a television

when an external display is connected to the Ext Display

connector. To use an television, first disconnect the external

display from the Ext Display connector, then connect the

external display.

1. Turn off the power to the KR107 and the television to

be connected.

2. Use a video cable (sold separately) to connect the

KR107’s Video Out jack with the television’s video

input jack.

3. Turn on the power to the KR107.

4. This sets the display format (p. 157).

5. Turn on the power to the television.

External Display

KR Bottom

Ext Display Connector

D-sub 15 pin

(Mini)

D-sub 15 pin

(Mini)

Display Cable

(Sold separately)

Areas for placing the display

Television

KR107’s Jack Panel

Video Out jack

Video Cable

(Sold separately)

156

Chapter 10 Connecting External Devices

Chapter 10

■Changing the Settings for Showing

Images with the External Display

and the Television (External

Display)

This selects the content shown on the external display or the

television connected to the KR.

1. Switch to the Basic screen, or press the One Touch

Program [Piano] button.

2. Press the [Option] button.

3. Touch <Ext Display>.

A screen like the following appears.

fig.d-extdisp.eps_50

4. Touch the parameter to make the settings.

5. Press the [Exit] button to return to the Function screen.

■Explanation of Each Items

Mode

Notes When Switching the Display on External

Displays and Televisions

• Lyrics are not displayed with audio CDs.

• You cannot display any lyrics screen when playing back

music data that does not include lyrics data.

• The internal songs include a number of jazz pieces that

are played in an improvised fashion, and you may find

notes not conforming to measure lines, odd divisions of

the parts played in the left and right hand, and other

such features that do not match what is shown in the

notation.

Lyric Color

Selects the color used for lyric in the display.

Value: White, Black, Red, Yellow, Green, Blue, Cyan,

Magenta

Device

If you find that the image quality of the television is poor,

try switching the television format.

Value: VGA, PAL, NTSC

Settings

Value Explanation

Auto

The display of notations, lyrics, notation

+ keyboard, and image data are switched

automatically.

Song List The Song select screen is normally

displayed.

Lyrics

The Lyrics screen is normally displayed.

However, lyrics are displayed only when

playing back music files that contains

lyrics data.

Notation The Notation screen is normally

displayed.

Notation and

Keyboard The notation and keyboard are displayed.

Panel Screens are shown the same way they

appear in the KR107's display.

User Image

Display The User Image is normally displayed

157

Chapter 10 Connecting External Devices

Chapter10

Connecting Video Equipment

(V-LINK)

Connecting the KR107 to a V-LINK compatible image device

allows you to control the images with the KR107.

V-LINK ( ) is functionality promoted by Roland

that allows linked performance of music and visual material.

By using V-LINK-compatible video equipment, visual effects

can be easily liked to, and made part of the expressive

elements of a performance.

921

NOTE

To prevent malfunction and/or damage to speakers or other

devices, always turn down the volume, and turn off the power

on all devices before making any connections.

Connection Examples:

fig.02-

■

Using the V-LINK function

Switch to the Basic screen, or press the One Touch

Program [Piano] button.

Press the [Option] button.

Touch <V-LINK>.

Touch <ON>.

Switches to Image Control mode.

You can control images using the twelve keys at the left

end of the keyboard.

fig.V-LINKkey

While V-LINK is switched on, no sound is produced

when you press any of the twelve keys at the left end of

the keyboard.

Touch <OFF> to cancel the V-LINK function.

External Display

KR Bottom

Ext Display Connector

D-sub 15 pin

(Mini)

D-sub 15 pin

(Mini)

Display Cable

(Sold separately)

KR107

V-LINK compatible image device

USB MIDI Interface

MIDI OUT

C1 D1 E1 F1 G1A0

A0 – G1#

158

Chapter 10 Connecting External Devices

Chapter 10

Connecting MIDI Devices

By connecting an external MIDI device and exchanging

performance data, you can control one device from the other.

For instance, you can output sound from the other

instrument or switch Tones on the other instrument.

What’s MIDI?

MIDI, short for “Musical Instrument Digital Interface,” was

developed as a universal standard for the exchange of

performance data between electronic instruments and

computers.

The KR is equipped with MIDI connectors and a Computer

connector to let it exchange performance data with external

devices. These connectors can be used to connect the KR to

an external device for even greater versatility.

984

* A separate publication titled “MIDI Implementation” is also

available. It provides complete details concerning the way

MIDI has been implemented on this unit. If you should require

this publication (such as when you intend to carry out byte-

level programming), please contact the nearest Roland Service

Center or authorized Roland distributor.

■

Connectors

fig.09-

MIDI Out Connector

Connect this to the MIDI In connector on an external MIDI

device using a MIDI cable (sold separately).

Performance data when you play the keyboard or depress a

pedal is sent from this connector to the external MIDI

connector.

MIDI In Connector

Connect this to the MIDI Out connector on an external MIDI

device using a MIDI cable (sold separately).

This receives MIDI messages that are sent from external

MIDI devices. The KR receiving MIDI messages can output

sounds, exchange tones and perform other operations.

* External MIDI devices can’t be used for remotely changing the

Tones played by the KR’s keyboard.

■

Making the Connections

* To prevent malfunction and/or damage to speakers or other

devices, always turn down the volume, and turn off the power

on all devices before making any connections.

Turn the volume all the way down on the KR and on

the device you’re about to connect.

Switch off the power to the KR and the device you’re

about to connect.

Use a MIDI cable (sold separately) to connect the MIDI

connectors to each other.

Please refer to the connection examples below.

Switch on the power to the KR and the connected

device.

Adjust the volume level on the KR and the connected

device.

You should also set the MIDI settings as needed.

For details on the MIDI-related settings, refer to

p. 159–p. 161.

Connection Examples:

Setup with a MIDI Sequencer

fig.09-10

* When the KR is connected to a MIDI sequencer, set it to Local

OFF. Refer to “Disconnecting the Keyboard from the Internal

Sound Generator (Local On/Off)” (p. 160).

Connecting with a MIDI Sound Module

fig.09-

InOut MIDI

Roland MT Series

KR107

OUTTHRU IN

MIDI

Sound Module

KR107

159

Chapter 10 Connecting External Devices

Chapter10

Performing in Ensemble with

MIDI Instruments

(MIDI Ensemble)

You can connect an electronic percussion device or other

MIDI instrument to the KR’s MIDI In connector for ensemble

playing. Making the MIDI settings for the instrument

connected to the MIDI In connector is easy. The sounds from

the connected MIDI instrument are played from the KR’s

speaker.

Switch to the Basic screen, or press the One Touch

Program [Piano] button.

Press the [Option] button.

Touch <MIDI Ensemble>.

A screen like the following appears.

fig.09-04.eps

Select the method for using the MIDI In connector.

When “Keyboard” is selected in Step 4 above, use

to select the Tone.

The connected keyboard plays using the selected Tone.

MIDI Settings

You can make MIDI settings like those described below.

“MIDI Setting Screen”

fig.09-04.eps

“Program Change Screen”

fig.09-04.eps

Displayed Meaning

Normal

Normal setting. Make changes in Tone and

other settings from the connected device.

Pad

Select this when you have percussion pads

(such as Roland’s SPD-20 Total Percussion

Pad) connected to the KR’s MIDI In

connector. You do not need to make any

MIDI settings on the KR. Select pad Tones

and make other settings from the connected

pads (for further details, refer to the Owner’s

Manual provided with the pads).

Keyboard

Select this when you have a keyboard (such

as a Roland A-37 or AX-7 MIDI Keyboard

Controller) connected to the KR’s MIDI In

connector. You can select tones for the

connected keyboard from the KR. No MIDI

settings need be made on the KR.

Display Explanation

Tx Channel

Chooses the MIDI send channel

(p. 160).

Local Control

Switches Local Control on or off

(p. 160).

Display Explanation

Bank Select MSB

Sends Bank Select MSB messages

(p. 161).

Bank Select LSB

Sends Bank Select LSB messages

(p. 161).

Program Change

Sends Program Change messages

(Program Numbers) (p. 161).

160

Chapter 10 Connecting External Devices

Chapter 10

Making the Settings

Switch to the Basic screen, or press the One Touch

Program [Piano] button.

Press the [Option] button.

Touch <MIDI Setting> or <Program Change>.

Touch to make the setting for each

item.

Press the [Exit] button to return to the Functions screen.

■

Selecting the Transmit Channel

(Tx Channel)

MIDI organizes things into “channels,” which are numbered

from 1 through 16. Simply connecting a cable is not enough

for communication to take place. The connected devices must

be set to use the same MIDI channels. Otherwise, no sound

will be produced, and no sounds can be selected.

Select the transmit channel (1–16) of the KR.

The channel setting is at “1” when the KR is powered up.

If the keyboard has been split into right-hand and left-hand

sections, messages from the left-hand section are fixed at “3.”

The KR receives messages on all channels from 1 through 16.

■

Disconnecting the Internal

Sound Generator and

Keyboard (Local Control)

When connecting a MIDI sequencer, set Local Control to

“OFF.” The setting is at “Local Control ON” when the KR is

powered up.

As illustrated, information describing what has been played

on the keyboard is passed to the sound module over two

different routes, (1) and (2). As a result, you hear overlapping

or intermittent sounds. To prevent this from happening,

route (1) must be disabled, by setting the unit to what is

known as “Local Off.”

fig.09-

Local On

: The keyboard and internal sound generator are

connected.

fig.09-

Local Off

: The keyboard and internal sound generator are

separated. No sound will be produced by the keyboard when

it is played.

fig.09-

→

When connecting a unit in the Roland MT series, you don’t

need to switch off Local Control. MT units transmit Local Off

messages when their power is switched on. First turn on the

power to the KR-107, then after a few moments, play a note on

the KR-107; when you turn on the power to the MT Series

device, Local Off is automatically enabled for the KR-107.

(1)

MIDI

(2)

IN OUT

OUT

Sequencer

Memory

Sound

Generator

Each note played is sounded twice Soft Tru On

Local On

Sound is emitted

Sound Generator

Local Off

No sound produced

Sound Generator

161

Chapter 10 Connecting External Devices

Chapter10

■

Sending Tone Change Messages

(Program Change/Bank Select

MSB/Bank Select LSB)

A Program Change is a message that means “change to the

Tone of the specified number.” The device that receives this

changes to the Tone of the corresponding number.

When you choose a Program Change message (Program

Number), the Program Number will be transmitted to the

MIDI device connected to the KR. The MIDI device that

receives the Program Number changes the tone to the

corresponding Program Number.

Normally, the Tone is selected from the 128 Tones available.

Some MIDI devices, however, have more than 128 Tones.

With such devices, the Tone is selected through a

combination of Program Change messages and Bank Select

messages. There are two parts of a Bank Select message: the

MSB (Controller 0, with a value of 0–127) and the LSB

(Controller 32, with a value of 0–127).

* Some MIDI instruments can’t handle Bank Select messages.

Others can handle Bank Selects, but do not recognize the LSB

part.

■

Sending Recorded

Performance Data to a MIDI

Device (Composer MIDI Out)

When Composer Out is active, you can send performance

data recorded with the KR to a connected MIDI device or

computer.

When you turn on the power, this is set to “OFF” (data is not

sent).

Press the [Menu] button.

Touch <Composer MIDI Out>.

fig.09-04.eps

Touch to set ON or OFF.

Press the [Exit] button to return to the Menu screen.

Connecting to Audio

Equipment

When you connect the KR to audio equipment, you can play

the sounds from the KR through the speakers on the audio

equipment or record your performances on a tape recorder

or other recording device.

When connecting, please use audio cables (sold separately)

with standard phone plugs.

■

Connectors

fig.09-

Output (Main) Jacks

You can connect audio equipment using audio cables (sold

separately) and play the sounds from the KR through the

speakers on the connected equipment, or record your

performances on a tape recorder or other recording device.

If the input of the connected device is monaural, you must

use the L (Mono) jack.

Input Jacks

You can connect another sound source, such as audio

equipment or an electronic instrument, using audio cables

(sold separately). Play the sounds from the connected device

through the speakers on the KR.

If the input of the connected device is monaural, you must

use the L (Mono) jack.

* You cannot use the KR to adjust the volume of the connected

sound generating device.

926a

* When connection cables with resistors are used, the volume

level of equipment connected to the inputs jacks may be low. If

this happens, use connection cables that do not contain

resistors, such as those from the Roland PCS series.

162

Chapter 10 Connecting External Devices

Chapter 10

■

Making the Connections

* To prevent malfunction and/or damage to speakers or other

devices, always turn down the volume, and turn off the power

on all devices before making any connections.

Playing Sounds from the KR Through the Speakers

on Audio Equipment or Recording Your

Performances on a Recording Device

fig.09-

Turn the volume all the way down on the KR and on

the device you’re about to connect.

Turn off the power to the KR and other connected

equipment.

3. Use audio cables (sold separately) to make the

connection.

4. Switch on the KR.

5. Switch on the connected device.

6. Adjust the volume level on the KR and the connected

device.

Recording KR Performances on a Recording Device

7. Start recording with the connected device.

8. Play the keyboard.

9. When the performance ends, stop recording on the

connected equipment.

Playing Audio Equipment Sounds Through the

Speakers on the KR

fig.09-

1. Turn the volume all the way down on the KR and on

the device you’re about to connect.

2. Turn off the power to the KR and other connected

equipment.

3. Use audio cables (sold separately) to make the

connection.

4. Turn on the connected equipment.

5. Turn on the KR.

6. Adjust the volume level on the KR and the connected

device.

After use, turn off the power using the following procedure.

1. Turn the volume all the way down on the KR and on

the device you’re about to connect.

2. Turn off the KR.

3. Turn off the connected equipment.

Input R/L

(Line In, Aux In)

KR107

Output R/L

(Line Out)

KR107

163

Chapter 10 Connecting External Devices

Chapter10

Connecting a Computer

■Connect to the MIDI Connectors

You can use a USB MIDI interface cable (sold separately) to

connect the KR to your computer.

If the KR is connected to a computer in which sequencer

software such as Roland’s “Visual MT” is installed, a song

you’ve recorded on the KR can be saved on your computer.

Connection examples

* To prevent malfunction and/or damage to speakers or other

devices, always turn down the volume, and turn off the power

on all devices before making any connections.

* In order to make connections to your computer, you must

install “MIDI driver” software on your computer. For details,

refer to the owner’s manual for your MIDI interface.

Use a USB MIDI interface cable to connect the USB

connector of your computer to the MIDI connectors of

the KR.

fig.comp.e

■Connect to the USB Connector

You can connect you computer with a USB cable to the USB

connector, located on the left underside of the KR-107, and

exchange MIDI data between the instrument and the

computer. You can use the KR to play SMF data created with

the computer and exchange performance data in the same

manner as with MIDI devices connected to the MIDI

connectors.

Connecting your computer to the KR107 for the first time requires

installation of the “USB Driver” (on the included CD-ROM) to the

computer.

The correct driver and the installation procedure will depend on

your system and on the other programs you are using. Be sure to

read the Readme file on the CD-ROM before installation.

Windows XP/2000

→ \W2kXP\Readme_E.htm

Windows Me/98/98SE

→ \W98Me\Readme_E.htm

Mac OS X

→ \Driver (Mac OS X)\Readme_e.htm

* Only MIDI data can be transmitted using USB.

* To prevent malfunction and/or damage to speakers or other devices,

always turn down the volume, and turn off the power on all devices

before making any connections.

* USB cables are not included. Consult your Roland dealer if you need

to purchase.

* Turn on the power to the KR107 before starting up MIDI applications

on the computer. Do not turn the KR107 on or off while any MIDI

application is running.

* If not using USB, disconnect the USB cable from the KR107.

* If during the transmission/reception of data, the computer switches to

energy-saving mode or suspended mode, or if the KR107’s power is

switched on or off, the computer may freeze, or the KR107’s operation

may become unstable.

* Do not connect or disconnect the USB cable while the KR107’s power

is on++++++++++++.

USB MIDI Interface

Computer

MIDI IN

MIDI OUT

USB Connector

of your Computer

Bottom left of the KR

For more on system requirements, refer to the “USB

Installation Guide.” However, note that the KR107 is

not compatible with Mac OS 9.

164

Chapter 10 Connecting External Devices

Chapter 10

Connection examples

fig.comp.e

1. Turn off the power to the KR107 and the computer.

2. Start up the computer.

3. Connect the KR-107 and the computer with a USB

cable.

4. Turn on the power to the KR-107.

→ Refer to the owner's manual that came with your computer

■Making the Settings for the

USB Driver

This sets the USB driver used when you have a computer

connected to the USB connector.

1. Open the Basic screen or press the One Touch [Piano]

button.

2. Touch the [Setting] button.

3. Touch <USB Driver>.

4. Touch to select the driver type.

5. After changing the settings, turn the power off, then on

again.

Indication Description

USB

Driver

Original

Select this when using the

supplied driver with a USB

connection.

Under ordinary circumstances,

use this mode.

Original 2 This is an auxiliary mode.

It is not normally used.

Generic

Select this when using a generic

USB driver included with the OS

with a USB connection.

Computer

USB connector

USB Connector

of your Computer

Bottom left of the KR

165

Appendices

Troubleshooting

Case Cause/Remedy

The power doesn’t

come on

Is the power cord connected and plugged

in correctly? (p. 16)

The button doesn’t

work

Is the panel locked? (p. 152)

Turn the power off, then back on.

Nothing appears

on screen

The KR uses a liquid-crystal screen, so text

may not be displayed when the ambient

temperature is below freezing.

Vertical lines

appear in the

screen/Color is

“washed out” at the

edges of the

screen

These occur due to the nature of a liquid

crystal display, and do not indicate a

malfunction. They can be minimized by

adjusting the brightness of the screen (p.

19).

The touch screen

doesn’t respond

correctly

The positioning of the touch screen may

become displaced if some time has passed

since it was last used. Take a look at

“Calibrating the Touch Screen (Touch

Screen)” (p. 149) to correct the positioning.

Depressing a

pedal has no

effect, or the pedal

effect doesn’t stop

Is the pedal connected correctly?

Make sure the pedal cord extending from

the stand is securely connected to the pedal

connector on the rear of the unit (p. 16).

Has a different function been assigned to

the pedal?

See “Assigning Functions to Pedals and

Performance Pads (Pedal Setting/User

Functions)” (p. 142).

Normal pedal operation is automatically

enabled when the One Touch Program

[Piano] button is pressed (p. 18).

The volume level

of the instrument

connected to Input

jacks is too low

Could you be using a connection cable that

contains a resistor?

Use a connection cable that does not

contain a resistor.

926b

external

memory+++++ ++++++++++++

Low hum coming

from external

device

Do you have different external devices

plugged into different power outlets?

When connecting external devices, always

draw power from the same outlet.

Mic volume has

changed+++++ Vocal Effect++++++++++++

Remocon is not

affected+++++ ++++++++++++

+++++++++++

Images not shown

on external display

when external

display is

connected

Is the external display properly connected (p.

154)?

Is the external display’s power turned on?

Are you using a display that is compatible

with the KR?

Refer to “Displays That Can Be Connected

to This Instrument” (p. 154).

Do you have a television and external

display connected at the same time?

Connect only one of these.

Are the KR’s settings correct?

Follow the instructions in “Selecting

Images To Be Shown on the KR and

External Displays (User Image Display)”

(p. 146) to set the “External Display” image.

Also refer to “Changing the Settings for

Showing Images with the External Display

and the Television (External Display)” (p.

156).

yokosen+++++ ++++++++++++

television+++++ ++++++++++++

No sound is heard

Is the volume level of the KR (p. 18) or

connected device turned all the way down?

Are headphones plugged in? (p. 18)

+++++++++++

Has the Balance knob been moved all the

way to the right or left?

Has the volume been set to “0” using the

Part Balance? (p. 62)

Are all sliders in the Equalizer screen at the

minimum level? (p. 33)

Has the footage been adjusted so that all

frequency components aren’t sounded? (p.

15 in the Quick Start)

Is the speaker cable connected and plugged

in correctly?

V-LINK++++++++++++

No sound is heard

(when a MIDI

instrument is

connected)

Have all devices been switched on?

Are the MIDI cables connected correctly?

(p. 158)

Does the MIDI channel match the

connected instrument? (p. 160)

Case Cause/Remedy

Appendices

If you think there’s a problem, read this first.

166

Troubleshooting

Appendices

No sound is heard

when the keyboard

is played

Has Local Control been set to “Off”?

When Local Control is set to Off, no sound

is produced by playing the keyboard.

Set Local Control to On (p. 160).

Not all played

notes are sounded

The maximum number of notes can play

simultaneously is 128. Frequent use of the

damper pedal during automatic

accompaniment or when playing along

with a song on floppy disk may result in

performance data with too many notes,

causing some notes to drop out.

The sound is strange

Sounds are heard

twice (doubled)

when the keyboard

is played

Is the KR in layer play? (p. 25)

When the KR is connected to an external

sequencer, set it to the Local OFF mode

(p. 160). Alternatively, the sequencer could

be set so its Soft Thru feature is OFF.

The tuning or pitch

of the keyboard or

song is off

Have you set transpose? (p. 87)

Are the settings for the “Temperament”

and “Stretch Tuning” correct? (p. 141)

Is the setting for the “Master Tune” correct?

(p. 145)

Effects cannot be

applied to Tones

If different effects have been selected for

the right-hand, left-hand, Layer, and other

Tones, and the effects for the Parts don't

match, only one of the effects is applied.

It’s not possible to apply more than one

effect at the same time, so when a

performance has been recorded on multiple

tracks or when playing along with a song as

it’s played back, the desired effect may not

be applied.+++++Are the settings for the

part to which the effect is applied assigned

to any part other than the one to which you

want to have the effect applied?

A note doesn’t stop

playing

Have the Chord Tone and Bass Tone been

changed? (p. 138)

Some Chord Tone and Bass Tone notes may

be sounded continuously.

Case Cause/Remedy

The Tone has

changed

During automatic accompaniment,

changing the Music Style automatically

changes the Tones and tempo of the upper

part of the keyboard to match the new

Music Style. If you want to change only the

Music Style without also altering the tempo

and Tone, check out “Changing Music

Styles Without Changing the Tone or

Tempo (One Touch Setting)” (p. 138).

When a performance made along with a

Music Files tune has been recorded,

recording the performance to button [1/

Whole] may make the Tones for buttons [3/

Lower] and [4/Upper] change as well.

Reverberation still

audible even with

Reverb turned off

Since the KR’s piano sounds faithfully

reproduce the sense of spaciousness and

reverberation of an actual acoustic piano’s

sound, a certain amount of reverberation is

still perceptible, even with the reverb effect

deactivated.

Sound from the

Output jacks is not

right

Have you made the correct Advanced 3D

settings for use with headphones?

Changing the Advanced 3D “Mode” to

“Headphones” or “Auto” and connecting a

pair of headphones configures the settings

for use with headphones.

In the upper range,

the sound changes

abruptly beyond a

certain key

On an acoustic piano, notes in the upper

one and a half octaves of the keyboard

continue to sound until they decay

naturally, regardless of the damper pedal.

There is a difference in the timbre as well.

Roland pianos faithfully simulate such

characteristics of the acoustic piano. The

range that is unaffected by the damper

pedal will change depending on the Key

Transpose setting.

A High-pitched

whine is produced

When listening through headphones:

Some of the more flamboyant and

effervescent piano tones feature an ample

high-end component, which may make the

sound appear to have metallic reverberation

added. Since this reverberation becomes

particularly audible when supplemented by

heavy reverb, you may be able to diminish

the problem by reducing the amount of

reverb applied to the sound.

When listening through speakers:

Here, a different cause (such as resonance

produced by the KR) would be suspect.

Consult your Roland dealer or nearest

Roland Service Center.

Case Cause/Remedy

167

Troubleshooting

Appendices

The bass range

sounds odd, or

there is a vibrating

resonance

When listening through speakers:

Playing at loud volumes may cause

instruments near the KR to resonate.

Resonation can also occur with fluorescent

light tubes, glass doors, and other objects.

In particular, this problem occurs more

easily when the bass component is

increased, and when the sound is played at

higher volumes. Use the following

measures to suppress such resonance.

• Place speakers so they are 10–15 cm from

walls and other surfaces.

• Reduce the volume.

• Move the speakers away from any

resonating objects.

When listening through headphones:

Here, a different cause (such as resonance

produced by the KR) would be suspect.

Consult your Roland dealer or nearest

Roland Service Center.

The automatic accompaniment doesn’t play

correctly

Can’t select a tone

or Music Style

Press the [Exit] button several times to

return to the Basic screen (p. 20), and then

select a tone or Music Style.

Automatic

accompaniment is

not heard

Has the Balance knob been moved all the

way to the right? (p. 62)

Have you pressed the One Touch Program

[Arranger] button?

If the One Touch Program [Arranger]

button has not been pressed, only the

rhythm pattern is played (p. 53).

Is the 16-track Sequencer screen displayed?

(p. 113)

Chord Intelligence

can’t be used

Has Chord Intelligence been switched off?

(p. 138)

Is the setting for “Piano Style Arranger”

active? (p. 61)

Accompaniment

tempo becomes

unstable

In certain cases, such as when playing

Music Styles on floppy disks, the

accompaniment may lag when excessive

amounts of performance data are used.

Song doesn’t play back correctly

Song doesn’t play

back

Does the screen indicate message, like “OK

to delete song?” (p. 89)

The internal songs cannot be played back

while recorded performance data remains

in the KR’s memory. Try playing back the

song after deleting the performance data.

Case Cause/Remedy

Only the sound of a

particular

instrument in a

song does not play

Is the light for the Track button

extinguished? (p. 83)

If the button light is out, the music on that

track is not heard. Press the track button so

the light is illuminated.

Have song settings been changed for each

Part on the 16-Track sequencer screen (p.

114)?

Pressing the [

(Reset)] button

doesn’t return to

the beginning of

the song

Some music files may contain settings that

stop play at a point partway through the

song. Press the [ (Reset)] button several

times more to return to the beginning of the

tune.

Has a Marker placed in the song? (p. 84)

The [ (Fwd)]

and [ (Bwd)]

buttons don’t work

The fast-forward and reverse buttons are

ignored while music files is being read in.

Wait until processing finishes.

If you attempt to play back performance

data that contains more data than the entire

capacity of the KR’s memory, you may find

that operations other than playback (such

as rewind or fast forward) become

unavailable.

There is a slight

delay before

playback of a song

on external

memory starts

There are two types of SMF music files:

format 0 and format 1. If the song uses SMF

format 1 data, there will be a slight delay

until playback starts. Refer to the booklet

that came with the music files you’re using

to determine the format type.

Lyrics are not

indicated properly

in the display

With some music files, the lyrics cannot be

displayed correctly.

If you press a button while the lyrics are

being shown in the display, the lyrics will

disappear. To recall them, touch <lyrics> in

the Piano or Basic screen, or press the

[ (Play/Stop)] button.

In the notation screen, some lyrics or notes

could extend beyond the edges of the

screen, and not be displayed.

Notation is not

indicated properly

in the display

If you select a part that does not contain

performance data, notes will not be

displayed in the notation. Change the part

that is displayed (p. 75).

The notation screen feature is particularly

unsuitable for the display of difficult,

complex musical works that demand

accurate notation. Refer to “Notes

Regarding the Notation Display” (p. 73).

In the notation screen, some lyrics or notes

could extend beyond the edges of the

screen, and not be displayed.

Case Cause/Remedy

168

Troubleshooting

Appendices

Song becomes

unstable

In certain cases, such as when playing

songs on floppy disks, the song may lag

when excessive amounts of performance

data are used.

internal song

cannot +++++ remocon [MUTE]++++++++++++

Unable to play

back audio files

The KR107 can play back audio files in the

following format.

• “.WAV” extension

• 16bit linear

• Sampling rate of “44.2 kHz”

• Stereo

Can’t record

Has one of the track buttons for recording

been selected? (p. 95)

Has the setting for “Punch-in Recording”

(p. 118) or “Tempo Recording” (p. 127)

been made?

Select the replace recording method (p.

117).

It is not possible to record while the

notation is being generated. Once the unit

has finished generating the notation (i.e.,

when the measure number in the screen is

no longer highlighted), try the operation

once again.

Audio file You cannot include audio files in

recordings.

Tempo of recorded

song or

metronome is off

If you select an internal song in which the

tempo changes during the song, and then

record, the tempo will change in the same

way for the performances that are recorded

on the other tracks. The tempo of the

metronome will also change in the same

way.

If you record additional material without

erasing the previously recorded song, the

song will be recorded at the first-recorded

tempo. Please erase the previously

recorded song before you re-record (p. 96).

The recorded

performance has

disappeared

Any performance that has been recorded is

deleted when the power to the KR is turned

off or a song is selected. A performance

cannot be restored once it’s been deleted.

Be sure to save it on a floppy disk or User

Memory before you turn off the power

(p. 101).

Case Cause/Remedy

169

Appendices

Error Messages

Indication Meaning

Error 01: You can only read the music file. It can not be saved.

Error 02: An error occurred during writing. The storage media’s protect tab may be in the “Protect” (writing

prohibited) position, or the storage media may not yet be initialized.

Error 10: No storage media is inserted.

Insert the storage media and try again.

Error 11: There is not sufficient free memory in the save destination.

Either insert other storage media or delete unneeded files and try again.

Error 14: An error occurred during writing. The storage media may be corrupted.

Insert other storage media and try again. Alternatively, you can initialize the storage media.

Error 15: The file is unreadable.

The data format is not compatible with the RG-7.

Error 16: Data was not called up in time for playback of the song.

After waiting several seconds, you may be able to play back the song by pressing the [ ] button again.

Error 17: The selected image data cannot be displayed.

Prepare image data that can be used with the RG-7 (p. **).

Error 30: The internal memory capacity of the RG-7 is full.

Error 40: The RG-7 cannot deal with the excessive MIDI data sent from the external MIDI device.

Reduce the amount of MIDI data sent to the RG-7.

Error 41: A MIDI cable has been disconnected.

Connect it properly and securely.

Error 43: A MIDI transmission error has occurred.

Check the MIDI cable and connected MIDI device.

Error 51:

There may be a problem with the system.

Repeat the procedure from the beginning. If it is not solved after you have tried several times, contact the

Roland service center.

Error 65: The Ext Memory port was subjected to excessive current.

Check the storage media to confirm that no damage has occurred to it.

170

Appendices

Tone List

[Piano]

NaturalGrand

Vintage EP

FM E.Piano

Natural Hps.

Vibraphone

Ariel Piano

Natural Gnd2

Honky-tonk

'60sE.Piano1

Phase Clav.2

Morning Lite

Jazzy Vib+Gt

Piano Str2

Piano Oohs

Rock Piano

NaturalMello

Stage EP

Stage Phazer

Vibrations

Celesta

Marimba

Xylophone

NaturalC.Hps

Clav.

Music Box

Glockenspiel

Grand Piano1

Grand Piano2

MellowPiano1

PianoStrings

Bright Piano

DetunedPiano

Honky-tonk 2

MellowPiano2

PianoKidsCho

Air Grand

Ballad Piano

UprightPiano

Mono Piano

FM+SA EP

MIDI Piano1

EG+E.Piano 1

EG+E.Piano 2

Bell Piano

E. Grand

Mild E.Grand

Soft E.Piano

Phase EP

E.Piano 1

Pop E.Piano

Tremolo EP

'60sE.Piano2

E.Piano 2

EP Phase

St.FM EP

EP Legend

Harpsichord

Coupled Hps.

Harpsichord2

Comp Clav.

Reso Clav.

Phase Clav.

Pulse Clav

Celesta 2

Soft Marimba

Vibe Tr.

Marimba Tr.

Kalimba

Music Box 2

Music Bell

Music Bell 2

Tubular-bell

Church Bell

Ballad Bells

Bell Monitor

Timeline

Vibra Bells

[Organ]

ChurchOrgan1

Combo Jz.Org

Ballad Organ

German Acco.

Blues Harp

L-Organ

Jazz Organ1

Masked Opera

Grand Pipe

Theater Org.

La Seine

ParisRomance

Mellow Bars

Organ 1

Organ 2

Lower Organ1

Trem. Organ

'70s E.Organ

'60s Organ

Jazz Organ2

Jazz Organ3

Jazz Organ4

Chorus Organ

Perc. Organ

Rock Organ1

Rotary Organ

Rotary Org.S

Rotary Org.F

ChurchOrgan2

Pipe Organ

Trem.Flute

Organ Flute

Nason flt 8'

Organ Bass

Pipe Org. Bs

Digi Church

VS Organ

Metalic Org.

CheeseOrgan

Accordion Fr

AccordionFr2

Accordion It

Bright Acco.

Soft Acco.

Bandoneon

Harmonica

[Guitar / Bass]

EX Nylon Gtr

EX Steel Gt.

Jazz Guitar2

Fl.Gtr Roll

Mandolin

JC Chorus Gt

TC Clean ff

Overdrive Gt

DistortionGt

Amore Story

EX A.Guitar2

Uncle Martin

Flamenco Gtr

Jazz Guitar

Wild Ac.Bs

A.Bass+Cymbl

Acoustic Bs.

Fingered Bs.

Picked Bass

Fretless Bs.

Nylon Guitar

Requint Gtr

EX Ac.Guitar

Steel-str.Gt

12-str.Gt

Steel + Body

Nylon+Steel

EX A.Guitar3

Steel Vox

Ukulele

Hawaiian Gt

Clean Gt.

JC Clean Gt.

Mid Tone GTR

TC Rear Pick

Acid Guitar

Open Hard

Feedback Gt.

Power Guitar

Guitar Pinch

Mystic Gtr

Funk Gt.

Funk Gt.2

Muted Gt.

Muted Dis.Gt

Rock Rhythm

Dist Rtm GTR

Wah Brush Gt

Wood Bass

W.Bass+Ride

Rockabilly

Finger Slap

Mr.Smooth

Slap Bass 1

Slap Bass 2

Synth Bass 1

Jungle Bass

Hammer

SynthBass101

ResoSH Bass

Acid Bass

Clavi Bass

Synth Bass 2

Beef FM Bass

Attack Pulse

Rubber Bass

Sitar

Sitar 2

Banjo

Shamisen

Koto

Taisho Koto

[Strings]

DolceStrings

Velo Strings

Dolce Qrt

Lunar Strngs

R&B SoftPad

Wind & Str

Aerial Harp

Violin

Cello

Harp Strings

Mellow Str

EX Orchestra

Slow Violin

PizzicatoStr

Strings

Oct Strings

Strings 2

DecayStrings

Bright Str

Slow Strings

SlowStrings2

Legato Str

Warm Strings

Sahara Str

Decay Str2

Tremolo Str

Orchestra

Orchestra 2

Farewell

Choir Str

Bell Strings

Pearly Harp

Harp

St. Harp

Viola

Contrabass

Santur

Yang Qin

Yang Qin 2

Er Hu

Soft Pad

Soft Pad 2

Syn.Strings1

Syn.Strings2

Syn.Slow Str

OB Strings

JP Saw Str

Timpani

Warm JP Str

OrchestraHit

Good Old Hit

Euro Hit

6th Hit

Bass Hit

Philly Hit

Philly Hit 2

Mix Hit 1

Mix Hit 2

[Sax/Brass]

BlowAltoVib

PowerBrass 2

Sax Section

Flute

Good Old Day

Brass Sect 2

EX Tp&Shake

Super Tenor

AltoSax Soft

Soprano Sax

Clarinet

Oboe

EX Trumpet

Flugel Horn

Pan Flute

Qu Di

SuperF.Horns

Angel Pipes

Trumpet

Tp Shake

Bright Tp.

Warm Tp.

Dark Trumpet

Romantic Tp

Trombone

Trombone 2

Twin bones

Bones Sect.

Bright Tb.

Tuba

MutedTrumpet

MuteTrumpet2

MuteTrumpet3

French Horns

French Horn2

OrchestraBrs

Brass 1

Brass 2

BrassSection

PowerBrass

Pop Orch

Contemp'Orch

Brass sfz

Brass Fall

Trumpet Fall

EX Alto Sax

AltoSax + Tp

Alto Sax

Grow Sax

BreathyTenor

Tenor Sax

Tenor Sax 2

Tenor Sax f

Tenor Sax B

Baritone Sax

English Horn

Bassoon

Piccolo

Flute 2

Recorder

Bottle Blow

Shakuhachi

Whistle

Ocarina

Bagpipe

Lochscape

Andes Mood

HimalayaPipe

Wide SynBrss

DeepSynBrass

Jump Brass

Saw Brass1

Saw Brass2

Synth Brass1

Synth Brass2

DetuneSawBrs

Pro Brass

SynBrass sfz

[Voice]

Aerial Choir

Jazz Scat

Kid's Choir

Dreaming Box

Rich Choir

Angels Choir

Boys Choir

Opera Voice

Mellow Choir

Holy Voices

Mystic Str

Trancy X

HPF Slicer

Side Band X

Glasswaves

Church Choir

Voice Oohs

Voice Oohs 2

Choir Hahs

Decay Choir

Doos Voice

Doot Accent

Dat Accent

Bap Accent

Thum Voice

Humming

SynVox

171

Tone List

Appendices

Analog Voice

InfinitePhsr

X Super Saws

Fat Stacks

Frgile Saws

SuperSawSlow

Electrostars

Bending Logo

2600 Sine

Square Wave

Mg Square

JP8 Square

LM Square

Syn.Square

CC Solo

Sleeper

Dual Sqr&Saw

Jupiter Lead

Sinetific

FM Lead 1

FM Lead 2

Saw Wave

Saw

Doctor Solo

Mg Lead

P5 Saw Lead

JP SuperSaw

Rhythmic Saw

Natural Lead

SequencedSaw

Waspy Synth

Velo SawLead

Attack Lead

DelyResoSaws

Wezcoast

Syn.Calliope

JP8 Pulse

LM PureLead

Orgaenia

Chiffer Lead

Cheese Saw

JP OctAttack

Charang

Reso Saw

Wire Lead

2600 SubOsc

Solo Vox

RAVE Vox

5th Saw Wave

Freeze Synth

Bass & Lead

Fat & Perky

Delayed Lead

Fantasia

Fantasia 2

New Age Pad

New Age Pad2

Sugar Key

FreezinNight

New Year Day

Warm Pad

Sine Pad

Nu Epic Pad

Hollow Pad

Decay Pad

Polysynth

P5 Poly

Poly King

Octave Stack

Hoovercraft

DOC Stack

Bustranza

Space Voice

Heaven II

Warm SquPad

Voyager

Film Cue

HumanKindnes

Bowed Glass

Metal Pad

Orbiting

Visionary

Halo Pad

JP8 Sqr Pad

Vox Sweep

Consolament

JP-8 Phase

Sweep Pad

Sweep Pad 2

Ice Rain

Clavi Pad

Toy Box

Soundtrack

Crystal

Syn Mallet

ChristmasBel

Clear Bells

Himalaya Ice

Glittery Pad

Atmosphere

Harpvox

Nylon Harp

Nylon + EP

HollowReleas

Tubulence

Landing Pad

Shangri-La

Motion Pad

Brightness

Org Bells

Goblin

Saturn Siren

RandomEnding

Echo Drops

Echo Bell

Echo Pan

Echo Pan 2

Big Panner

Ai-yai-a

Saturn Rings

Star Theme

Rising Osc

Galaxy Way

12th Planet

PolySweep Nz

En-co-re

Piano 1

Piano 1w

Piano 1d

Piano 2

Piano 2w

Piano 3

Piano 3w

Honky-tonk

Honky-tonk 2

E.Piano 1

E.Piano 2

'60s E.Piano

E.Piano 1v

E.Piano 2v

Detuned EP 1

Detuned EP 2

Harpsichord

Coupled Hps.

Harpsi.w

Harpsi.o

Clav.

Celesta

Glockenspiel

Music Box

Vibraphone

Vibe.w

Marimba

Marimba w

Xylophone

Tubular-bell

Church Bell

Carillon

Santur

Organ 1

Organ 2

Pop Organ 1

Detuned Or.1

Detuned Or.2

Church Org.1

Church Org.2

Church Org.3

Full Organ

Jazz Organ1

Rock Organ

Reed Organ

Accordion Fr

Accordion It

Harmonica

Bandoneon

Nylon-str.Gt

Nylon Gt.2

Nylon Gt.o

Ukulele

Steel-str.Gt

12-str.Gt

Mandolin

Jazz Guitar

Hawaiian Gt

Clean Gt.

Chorus Gt.

Muted Gt.

Funk Gt.

Funk Gt.2

Overdrive Gt

DistortionGt

Feedback Gt.

Gt.Harmonics

Gt. Feedback

Acoustic Bs.

Fingered Bs.

Picked Bs.

Fretless Bs.

Slap Bass 1

Slap Bass 2

SynthBass101

Synth Bass 1

Synth Bass 2

Synth Bass 3

Synth Bass 4

Rubber Bass

Violin

Slow Violin

Viola

Cello

Contrabass

Tremolo Str

PizzicatoStr

Harp

Timpani

Strings

Orchestra

Slow Strings

Syn.Strings1

Syn.Strings2

Syn.Strings3

Choir Aahs

Choir

Pop Voice

SynVox

OrchestraHit

Trumpet

Trombone

Trombone 2

Tuba

MutedTrumpet

French Horns

French Horn2

Brass 1

Brass 2

Synth Brass1

Synth Brass2

Synth Brass3

Synth Brass4

AnalogBrass1

AnalogBrass2

Soprano Sax

Alto Sax

Tenor Sax

Baritone Sax

Oboe

English Horn

Bassoon

Clarinet

Piccolo

Flute

Recorder

Pan Flute

Bottle Blow

Shakuhachi

Whistle

Ocarina

Square Wave

Square

Sine Wave

Saw Wave

Saw

Doctor Solo

Syn.Calliope

Chiffer Lead

Charang

Solo Vox

5th Saw Wave

Bass & Lead

Fantasia

Warm Pad

Polysynth

Space Voice

Bowed Glass

Metal Pad

Halo Pad

Sweep Pad

Ice Rain

Soundtrack

Crystal

Syn Mallet

Atmosphere

Brightness

Goblin

Echo Drops

Echo Bell

Echo Pan

Star Theme

Sitar

Sitar 2

Banjo

Shamisen

Koto

Taisho Koto

Kalimba

Bagpipe

Fiddle

Shanai

Tinkle Bell

Agogo

Steel Drums

Woodblock

Castanets

Taiko

Concert BD

Melo. Tom 1

Melo. Tom 2

Synth Drum

808 Tom

Elec Perc.

Reverse Cym.

Gt.FretNoise

Gt.Cut Noise

String Slap

Breath Noise

Fl.Key Click

Seashore

Rain

Thunder

Wind

Stream

Bubble

Bird

Dog

Horse-Gallop

Bird 2

Telephone 1

Telephone 2

DoorCreaking

Door

Scratch

Windchime

Helicopter

Car-Engine

Car-Stop

Car-Pass

Car-Crash

Siren

Train

Jetplane

Starship

Burst Noise

Applause

Laughing

Screaming

Punch

Heart Beat

Footsteps

Gun Shot

Machine Gun

Lasergun

Explosion

172

Appendices

Drum Set List

* -----: No sound.

* [EXC]: will not sound simultaneously with other percussion instruments of the same number.

R&B Snare

Rock Snare m 1

Rock Snare m 2

Pop Snare m 1

Pop Snare Ghost

Pop Snare m 1

Finger Snap

TR-707 Claps

Hand Clap [EXC7]

Hand Clap 2 [EXC7]

Hand Clap

Pop Pedal HH [EXC1]

Gospel Hand Clap

Snare Roll

Pop Kick 2

Pop Kick 1

Pop Side Stick

Pop Snare s 1

Pop Snare Ghost

Pop Snare s 2

Pop Low Tom f

Pop CHH 1 [EXC1]

Pop Low Tom

Pop CHH 2 [EXC1]

Pop Mid Tom f

Pop OHH [EXC1]

Pop Mid Tom

Pop High Tom f

Pop Crash Cymbal 1

Pop High Tom

Pop Ride Cymbal 1

Pop Chinees Cymbal

Pop Ride Bell

Tambourine 2

Splash Cymbal

Cha Cha CowBell

Pop Crash Cymbal 2

Vibra-slap

Pop Ride Cymbal 2

High Bongo 1

Low Bongo 1

Mute High Conga 1

Open High Conga 1

Low Conga 1

High Timbale

Low Timbale

High Agogo

Low Agogo

Shaker 3

Shaker 4

Short Hi Whistle [EXC2]

Long Low Whistle [EXC2]

Short Guiro [EXC3]

Long Guiro [EXC3]

Claves

High Wood Block

Low Wood Block

Mute Cuica [EXC4]

Open Cuica [EXC4]

Mute Triangle1 [EXC5]

Open Triangle 1 [EXC5]

Shaker

Jingle Bell

Bell Tree

Castanets

Mute Surdo [EXC6]

Open Surdo [EXC6]

Cana

Hi-Timbale Flam

Lo-Timbale Flam

Timbale Phrase

Shekere 1

Shekere 2

Low Bongo Mute

High Bongo Mute

----

Flamenco Hand Clap

Bongo CowBell

----

Bongo CowBell

----

R&B Snare

Pop Snare m 2

Pop Snare m 1

Pop Snare Ghost

Pop Snare m 2

Finger Snap 2

TR-707 Claps

Hand Clap [EXC7]

Hand Clap 2 [EXC7]

Hand Clap

Pop Pedal HH [EXC1]

Gospel Hand Clap

Snare Roll

Rock Kick 2

Rock Kick 1

Rock Side Stick

Rock Snare s 1

Pop Snare Ghost

Rock Snare s 2

Rock Low Tom f

Rock CHH 1 [EXC1]

Rock Low Tom

Rock CHH 2 [EXC1]

Rock Mid Tom f

Rock OHH [EXC1]

Rock Mid Tom

Rock High Tom f

Rock Crash Cymbal

Rock High Tom

Rock Ride Cymbal 1

Pop Chinees Cymbal

Pop Ride Bell

Tambourine 2

Splash Cymbal

Cha Cha CowBell

Chinees Cymbal

Vibra-slap

Pop Ride Cymbal 3

High Bongo 1

Low Bongo 1

Mute High Conga 1

Open High Conga 1

Low Conga 1

High Timbale

Low Timbale

High Agogo

Low Agogo

Shaker 3

Shaker 4

Short Hi Whistle [EXC2]

Long Low Whistle [EXC2]

Short Guiro [EXC3]

Long Guiro [EXC3]

Claves

High Wood Block

Low Wood Block

Mute Cuica [EXC4]

Open Cuica [EXC4]

Mute Triangle1 [EXC5]

Open Triangle 1 [EXC5]

Shaker

Jingle Bell

Bell Tree

Castanets

Mute Surdo [EXC6]

Open Surdo [EXC6]

Cana

Hi-Timbale Flam

Lo-Timbale Flam

Timbale Phrase

Shekere 1

Shekere 2

Low Bongo Mute

High Bongo Mute

----

Flamenco Hand Clap

Bongo CowBell

----

Bongo CowBell

----

Jungle BD 2

Metronome E.Click

Metronome Pi

Concert SD

Snare Roll

Finger Snap

High Q

Slap

Scratch Push [EXC7]

Scratch Pull [EXC7]

Sticks

Square Click

Metronome Click

Metronome Bell

Jungle BD 2

HipHop BD1

TR-808 Rimshot

Power Snare 1A

TR-707 Clap

Power Snare 2A

Low Tom 2

Pop CHH 1 [EXC1]

Low Tom 1

Pedal Hi-hat 3 [EXC1]

Mid Tom 2

Pop OHH [EXC1]

Mid Tom 1

High Tom 2

Crash Cymbal 3

High Tom 1

Ride Cymbal 1

Reverse Cymbal

Ride Bell

Shake Tambourine

Splash Cymbal

TR-808 Cowbell

Crash Cymbal 2

Vibra-slap

Ride Cymbal 2

High Bongo 2

Low Bongo 2

Mute High Conga 2

Open High Conga 2

Low Conga 2

High Timbale

Low Timbale

High Agogo

Low Agogo

Cabasa

Maracas

Short Hi Whistle [EXC2]

Long Low Whistle [EXC2]

Short Guiro [EXC3]

HipVibraslap [EXC3]

TR-808 Claves

High Wood Block

Low Wood Block

High Hoo [EXC4]

Low Hoo [EXC4]

Mute Triangle2 [EXC5]

Open Triangle 2 [EXC5]

Shaker

Jingle Bell

Bell Tree

Castanets

Mute Surdo [EXC6]

Open Surdo [EXC6]

Applause 2

HipHop SD 2

LoFi SD Rim

TR-808 Clap

Room Snare 1

Standard 1 Snare 2A

Room Snare 2

Standard 1 Snare 1

Standard 1 Snare 2B

----

Tape Rewind

Phono Noise

Room Snare 1

Room Snare 2A

Elec Snare 4A

Elec Snare 4B

R&B Snare

Rock Snare m 1

Rock Snare m 2

Pop Snare m 1

Pop Snare Ghost

Pop Snare m 1

Finger Snap

TR-707 Claps

Hand Clap [EXC7]

Hand Clap 2 [EXC7]

Hand Clap

Pop Pedal HH

Gospel Hand Clap

Vox Dut

Vox Dom

Vox Tuush

Vox Hehho

Vox Doyear

Vox Thu!

Vox That

Vox Aahhh

Vox Tu

Vox Dooh

Vox Ptu

Vox Down

Vox Pa

Vox Bom

Vox Toear

Vox Aahhu

Vox Toya

Vox Thu

Vox Cheey

Vox Cymm

Vox Tub

Vox Pruru

Vox Tut

Vox Tyun

Vox Tdum

Vox Afahhhh

High Bongo 1

Low Bongo 1

Mute High Conga 1

Open High Conga 1

Low Conga 1

High Timbale

Low Timbale

High Agogo

Low Agogo

Shaker 3

Shaker 4

Short Hi Whistle [EXC2]

Long Low Whistle [EXC2]

Short Guiro [EXC3]

Long Guiro [EXC3]

Claves

High Wood Block

Low Wood Block

Mute Cuica [EXC4]

Open Cuica [EXC4]

Mute Triangle1 [EXC5]

Open Triangle 1 [EXC5]

Shaker

Jingle Bell

Bell Tree

Castanets

Mute Surdo [EXC6]

Open Surdo [EXC6]

Cana

Hi-Timbale Flam

Lo-Timbale Flam

Timbale Phrase

Shekere 1

Shekere 2

Low Bongo Mute

High Bongo Mute

----

Flamenco Hand Clap

Bongo CowBell

----

Bongo CowBell

----

POP ROCK HIP HOP VOX DRUM

R&B Snare

Pop Snare m 1

Pop Snare m 2

Pop Snare m 1

Pop Snare Ghost

Pop Snare m 1

Finger Snap 2

TR-707 Claps

Hand Clap [EXC7]

Hand Clap 2 [EXC7]

Hand Clap

Pop Pedal HH [EXC1]

Gospel Hand Clap

Snare Roll

Jazz Kick 2

Jazz Kick 1

Jazz Snare Swing 1

Jazz Snare 1

Jazz Snare Swing 2

Jazz Snare 2

Jazz Low Tom f

Pop CHH 1 [EXC1]

Jazz Low Tom

Pop CHH 2 [EXC1]

Jazz Mid Tom f

Pop OHH [EXC1]

Jazz Mid Tom

Jazz High Tom f

Jazz Crash Cymbal 1

Jazz High Tom

Jazz Ride Cymbal 1

Jazz Chinees Cymbal

Jazz Ride Cymbal 2

Tambourine 2

Splash Cymbal

Cha Cha CowBell

Jazz Crash Cymbal 2

Vibra-slap

Jazz Ride Cymbal 3

High Bongo 1

Low Bongo 1

Mute High Conga 1

Open High Conga 1

Low Conga 1

High Timbale

Low Timbale

High Agogo

Low Agogo

Shaker 3

Shaker 4

Short Hi Whistle [EXC2]

Long Low Whistle [EXC2]

Short Guiro [EXC3]

Long Guiro [EXC3]

Claves

High Wood Block

Low Wood Block

Mute Cuica [EXC4]

Open Cuica [EXC4]

Mute Triangle1 [EXC5]

Open Triangle 1 [EXC5]

Shaker

Jingle Bell

Bell Tree

Castanets

Mute Surdo [EXC6]

Open Surdo [EXC6]

Cana

Hi-Timbale Flam

Lo-Timbale Flam

Timbale Phrase

Shekere 1

Shekere 2

Low Bongo Mute

High Bongo Mute

----

Flamenco Hand Clap

Bongo CowBell

----

Bongo CowBell

----

JAZZBRUSH

107

108

106

100

101

103

105

102

104

173

Drum Set List

Appendices

* -----: No sound.

* [EXC]: will not sound simultaneously with other percussion instruments of the same number.

----

Bar Chime

Snare Roll

Finger Snap

High Q

Slap

Scratch Push [EXC7]

Scratch Pull [EXC7]

Sticks

Square Click

Metronome Click

Metronome Bell

Standard 1 Kick 1

Standard 1 Kick 2

Side Stick 1

Standard 1 Snare 1

TR-909 Clap

Standard 1 Snare 2

Low Tom 2

Close Hi-hat1 [EXC1]

Low Tom 1

Pedal Hi-hat 1 [EXC1]

Mid Tom 2

Open Hi-hat 1 [EXC1]

Mid Tom 1

High Tom 2

Crash Cymbal 1

High Tom 1

Ride Cymbal 1

Chinese Cymbal

Ride Bell

Tambourine

Splash Cymbal

Cowbell

Crash Cymbal 2

Vibra-slap

Ride Cymbal 2

----

Cana

Ban Gu 1

Taiko 1

Nao Bo [EXC8]

Taiko 2

Xiao Bo 1 [EXC8]

Taiko 3

Open High HuYinLuo 2 [EXC8]

Taiko 4

Taiko 5

Open High HuYinLuo 1

Taiko 6

Shou Luo 1

Mute Low HuYinLuo 2

Shou Luo 2

Xiao Bo 2

Ban Gu 2

Xiao Bo 3

Open High HuYinLuo 3

Mute High HuYinLuo

Mute Low HuYinLuo 1

----

Open Sagat

Close Sagat

Ban Gu 1

Ban Gu 3

----

Bar Chime

Snare Roll

Finger Snap

High Q

Slap

Scratch Push [EXC7]

Scratch Pull [EXC7]

Sticks

Square Click

Metronome Click

Metronome Bell

Standard 1 Kick 1

Standard 1 Kick 2

Side Stick 1

Standard 1 Snare 1

TR-909 Clap

Standard 1 Snare 2

Low Tom 2

Close Hi-hat1 [EXC1]

Low Tom 1

Pedal Hi-hat 1 [EXC1]

Mid Tom 2

Open Hi-hat 1 [EXC1]

Mid Tom 1

High Tom 2

Crash Cymbal 1

High Tom 1

Ride Cymbal 1

Chinese Cymbal

Ride Bell

Tambourine

Splash Cymbal

Cowbell

Crash Cymbal 2

Vibra-slap

Ride Cymbal 2

High Bongo 1

Low Bongo 1

Mute High Conga 1

Open High Conga 1

Low Conga 1

High Timbale

Low Timbale

High Agogo

Low Agogo

Cabasa

Maracas

Short Hi Whistle [EXC2]

Long Low Whistle [EXC2]

Short Guiro [EXC3]

Long Guiro [EXC3]

Claves

High Wood Block

Low Wood Block

Mute Cuica [EXC4]

Open Cuica [EXC4]

Mute Triangle1 [EXC5]

Open Triangle 1 [EXC5]

Shaker

Jingle Bell

Bell Tree

Castanets

Mute Surdo [EXC6]

Open Surdo [EXC6]

----

Bar Chime

Snare Roll

Finger Snap

High Q

Slap

Scratch Push [EXC7]

Scratch Pull [EXC7]

Sticks

Square Click

Metronome Click

Metronome Bell

Standard 2 Kick 2

Standard 2 Kick 1

Side Stick 2

Standard 2 Snare 1

TR-808 Clap

Standard 2 Snare 2

Low Tom 2

Closed Hi-hat 2 [EXC1]

Low Tom 1

Pedal Hi-hat 2 [EXC1]

Mid Tom 2

Open Hi-hat 2 [EXC1]

Mid Tom 1

High Tom 2

Crash Cymbal 1

High Tom 1

Ride Cymbal 1

Chinese Cymbal

Ride Bell

Tambourine

Splash Cymbal

Cowbell

Crash Cymbal 2

Vibra-slap

Ride Cymbal 2

High Bongo 1

Low Bongo 1

Mute High Conga 1

Open High Conga 1

Low Conga 1

High Timbale

Low Timbale

High Agogo

Low Agogo

Cabasa

Maracas

Short Hi Whistle [EXC2]

Long Low Whistle [EXC2]

Short Guiro [EXC3]

Long Guiro [EXC3]

Claves

High Wood Block

Low Wood Block

Mute Cuica [EXC4]

Open Cuica [EXC4]

Mute Triangle1 [EXC5]

Open Triangle 1 [EXC5]

Shaker

Jingle Bell

Bell Tree

Castanets

Mute Surdo [EXC6]

Open Surdo [EXC6]

----

Bar Chime

Snare Roll

Finger Snap

High Q

Slap

Scratch Push [EXC7]

Scratch Pull [EXC7]

Sticks

Square Click

Metronome Click

Metronome Bell

Standard 3 Kick 2

Standard 3 Kick 1

Side Stick 2

Standard 3 Snare 1

TR-808 Clap

Standard 3 Snare 2

Low Tom 2

Closed Hi-hat 3 [EXC1]

Low Tom 1

Pedal Hi-hat 2 [EXC1]

Mid Tom 2

Open Hi-hat 3 [EXC1]

Mid Tom 1

High Tom 2

Crash Cymbal 1

High Tom 1

Ride Cymbal 1

Chinese Cymbal

Ride Bell

Tambourine

Splash Cymbal

Cowbell

Crash Cymbal 2

Vibra-slap

Ride Cymbal 2

High Bongo 1

Low Bongo 1

Mute High Conga 1

Open High Conga 1

Low Conga 1

High Timbale

Low Timbale

High Agogo

Low Agogo

Cabasa

Maracas

Short Hi Whistle [EXC2]

Long Low Whistle [EXC2]

Short Guiro [EXC3]

Long Guiro [EXC3]

Claves

High Wood Block

Low Wood Block

Mute Cuica [EXC4]

Open Cuica [EXC4]

Mute Triangle1 [EXC5]

Open Triangle 1 [EXC5]

Shaker

Jingle Bell

Bar Chime

Castanets

Mute Surdo [EXC6]

Open Surdo [EXC6]

----

STD CHINA STANDARD 1 STANDARD 2 STANDARD 3 ROOM

----

Bar Chime

Snare Roll

Finger Snap

High Q

Slap

Scratch Push [EXC7]

Scratch Pull [EXC7]

Sticks

Square Click

Metronome Click

Metronome Bell

Room Kick 2

Room Kick 1

Side Stick 2

Room Snare 1

TR-808 Clap

Room Snare 2

Room Low Tom 2

Closed Hi-hat 4 [EXC1]

Room Low Tom 1

Pedal Hi-hat 2 [EXC1]

Room Mid Tom 2

Open Hi-hat 4 [EXC1]

Room Mid Tom 1

Room High Tom 2

Crash Cymbal 1

Room High Tom 1

Ride Cymbal 1

Chinese Cymbal

Ride Bell

Tambourine

Splash Cymbal

Cowbell

Crash Cymbal 2

Vibra-slap

Ride Cymbal 2

High Bongo 1

Low Bongo 1

Mute High Conga 1

Open High Conga 1

Low Conga 1

High Timbale

Low Timbale

High Agogo

Low Agogo

Cabasa

Maracas

Short Hi Whistle [EXC2]

Long Low Whistle [EXC2]

Short Guiro [EXC3]

Long Guiro [EXC3]

Claves

High Wood Block

Low Wood Block

Mute Cuica [EXC4]

Open Cuica [EXC4]

Mute Triangle1 [EXC5]

Open Triangle 1 [EXC5]

Shaker

Jingle Bell

Bell Tree

Castanets

Mute Surdo [EXC6]

Open Surdo [EXC6]

----

100

101

174

Drum Set List

Appendices

* -----: No sound.

* [EXC]: will not sound simultaneously with other percussion instruments of the same number.

----

Bar Chime

Snare Roll

Finger Snap

High Q

Slap

Scratch Push [EXC7]

Scratch Pull [EXC7]

Sticks

Square Click

Metronome Click

Metronome Bell

Power Kick2

Power Kick1

Side Stick 2

Dance Snare1

TR-808 Clap

Power Snare 1

Power Low Tom 2

Closed Hi-hat 4 [EXC1]

Power Low Tom 1

Pedal Hi-hat 2 [EXC1]

Power Mid Tom 2

Open Hi-hat 4 [EXC1]

Power Mid Tom 1

Power High Tom 2

Crash Cymbal 1

Power High Tom 1

Ride Cymbal 1

Chinese Cymbal

Ride Bell

Tambourine

Splash Cymbal

Cowbell

Crash Cymbal 2

Vibra-slap

Ride Cymbal 2

High Bongo 1

Low Bongo 1

Mute High Conga 1

Open High Conga 1

Low Conga 1

High Timbale

Low Timbale

High Agogo

Low Agogo

Cabasa

Maracas

Short Hi Whistle [EXC2]

Long Low Whistle [EXC2]

Short Guiro [EXC3]

Long Guiro [EXC3]

Claves

High Wood Block

Low Wood Block

Mute Cuica [EXC4]

Open Cuica [EXC4]

Mute Triangle1 [EXC5]

Open Triangle 1 [EXC5]

Shaker

Jingle Bell

Bell Tree

Castanets

Mute Surdo [EXC6]

Open Surdo [EXC6]

----

Bar Chime

Snare Roll

Finger Snap

High Q

Slap

Scratch Push 2 [EXC7]

Scratch Pull 2 [EXC7]

Sticks

Square Click

Metronome Click

Metronome Bell

Elec Kick 2

Elec Kick 1

Side Stick 2

Elec Snare 1

TR-808 Clap

Elec Snare 2

Elec Low Tom 2

Closed Hi-hat 3 [EXC1]

Elec Low Tom 1

Pedal Hi-hat 2 [EXC1]

Elec Mid Tom 2

Open Hi-hat 3 [EXC1]

Elec Mid Tom 1

Elec High Tom 2

Crash Cymbal 1

Elec High Tom 1

Ride Cymbal 1

Reverse Cymbal

Ride Bell

Tambourine

Splash Cymbal

Cowbell

Crash Cymbal 2

Vibra-slap

Ride Cymbal 2

High Bongo 1

Low Bongo 1

Mute High Conga 1

Open High Conga 1

Low Conga 1

High Timbale

Low Timbale

High Agogo

Low Agogo

Cabasa

Maracas

Short Hi Whistle [EXC2]

Long Low Whistle [EXC2]

Short Guiro [EXC3]

Long Guiro [EXC3]

Claves

High Wood Block

Low Wood Block

Mute Cuica [EXC4]

Open Cuica [EXC4]

Mute Triangle1 [EXC5]

Open Triangle 1 [EXC5]

Shaker

Jingle Bell

Bell Tree

Castanets

Mute Surdo [EXC6]

Open Surdo [EXC6]

----

Bar Chime

Snare Roll

Finger Snap

High Q

Slap

Scratch Push 2 [EXC7]

Scratch Pull 2 [EXC7]

Sticks

Square Click

Metronome Click

Metronome Bell

TR-909 Kick

TR-808 Kick

TR-808 Rimshot

TR-808 Snare 1

TR-808 Clap

TR-909 Snare 1

TR-808 Low Tom 2

TR-808 CHH [EXC1]

TR-808 Low Tom 1

TR-808 CHH [EXC1]

TR-808 Mid Tom 2

TR-808 OHH [EXC1]

TR-808 Mid Tom 1

TR-808 High Tom 2

TR-808 Cymbal

TR-808 High Tom 1

Ride Cymbal 1

Chinese Cymbal

Ride Bell

Tambourine

Splash Cymbal

TR-808 Cowbell

Crash Cymbal 2

Vibra-slap

Ride Cymbal 2

High Bongo 1

Low Bongo 1

TR-808 High Conga

TR-808 Mid Conga

TR-808 Low Conga

High Timbale

Low Timbale

High Agogo

Low Agogo

Cabasa

TR-808 Maracas

Short Hi Whistle [EXC2]

Long Low Whistle [EXC2]

Short Guiro [EXC3]

Long Guiro [EXC3]

TR-808 Claves

High Wood Block

Low Wood Block

Mute Cuica [EXC4]

Open Cuica [EXC4]

Mute Triangle1 [EXC5]

Open Triangle 1 [EXC5]

Shaker

Jingle Bell

Bell Tree

Castanets

Mute Surdo [EXC6]

Open Surdo [EXC6]

----

POWER ELECTRONIC TR-808/909

----

Bar Chime

Snare Roll

Finger Snap

High Q

Slap

Scratch Push 2 [EXC7]

Scratch Pull 2 [EXC7]

Sticks

Square Click

Metronome Click

Metronome Bell

TR-808 Kick 2

HipHop BD1

Side Stick 2

Power Snare 2

TR-808 Clap

Elec Snare 3

Elec Low Tom 2

CR-78 CHH [EXC1]

Elec Low Tom 1

TR-808 CHH [EXC1]

Elec Mid Tom 2

CR-78 OHH [EXC1]

Elec Mid Tom 1

Elec High Tom 2

Crash Cymbal 1

Elec High Tom 1

Ride Cymbal 1

Reverse Cymbal

Ride Bell

Tambourine

Splash Cymbal

TR-808 Cowbell

Crash Cymbal 2

Vibra-slap

Ride Cymbal 2

High Bongo 1

Low Bongo 1

Mute High Conga 1

Open High Conga 1

Low Conga 1

High Timbale

Low Timbale

High Agogo

Low Agogo

Cabasa

TR-808 Maracas

Short Hi Whistle [EXC2]

Long Low Whistle [EXC2]

Short Guiro [EXC3]

Long Guiro [EXC3]

TR-808 Claves

High Wood Block

Low Wood Block

High Hoo [EXC4]

Low Hoo [EXC4]

Mute Triangle1 [EXC5]

Open Triangle 1 [EXC5]

Shaker

Jingle Bell

Bell Tree

Castanets

Mute Surdo [EXC6]

Open Surdo [EXC6]

----

DANCE

175

Drum Set List

Appendices

* -----: No sound.

* [EXC]: will not sound simultaneously with other percussion instruments of the same number.

■SFX Set

-----

Bar Chime

Snare Roll

Finger Snap

High Q

Slap

Scratch Push [EXC7]

Scratch Pull [EXC7]

Sticks

Square Click

Metronome Click

Metronome Bell

Jazz Kick 2

Jazz Kick 1

Side Stick 2

Jazz Snare 1

Hand Clap 3

Standard 2 Snare 2

Low Tom 2

Closed Hi-hat 3 [EXC1]

Low Tom 1

Pedal Hi-hat 2 [EXC1]

Mid Tom 2

Open Hi-hat 3 [EXC1]

Mid Tom 1

High Tom 2

Crash Cymbal 1

High Tom 1

Ride Cymbal 1

Chinese Cymbal

Ride Bell

Tambourine

Splash Cymbal

Cowbell

Crash Cymbal 2

Vibra-slap

Ride Cymbal 2

High Bongo 1

Low Bongo 1

Mute High Conga 1

Open High Conga 1

Low Conga 1

High Timbale

Low Timbale

High Agogo

Low Agogo

Cabasa

Maracas

Short Hi Whistle [EXC2]

Long Low Whistle [EXC2]

Short Guiro [EXC3]

Long Guiro [EXC3]

Claves

High Wood Block

Low Wood Block

Mute Cuica [EXC4]

Open Cuica [EXC4]

Mute Triangle1 [EXC5]

Open Triangle 1 [EXC5]

Shaker

Jingle Bell

Bell Tree

Castanets

Mute Surdo [EXC6]

Open Surdo [EXC6]

-----

Bar Chime

Snare Roll

Finger Snap

High Q

Slap

Scratch Push [EXC7]

Scratch Pull [EXC7]

Sticks

Square Click

Metronome Click

Metronome Bell

Jazz Kick 2

Jazz Kick 1

Side Stick 2

Brush Tap

Brush Slap

Brush Swirl

Brush Low Tom 2

Brush Closed Hi-hat [EXC1]

Brush Low Tom 1

Pedal Hi-hat 2 [EXC1]

Brush Mid Tom 2

Brush Open Hi-hat [EXC1]

Brush Mid Tom 1

Brush High Tom 2

Brush Crash Cymbal

Brush High Tom 1

Brush Ride Cymbal

Chinese Cymbal

Brush Ride Bell

Tambourine

Splash Cymbal

Cowbell

Crash Cymbal 2

Vibra-slap

Ride Cymbal 2

High Bongo 1

Low Bongo 1

Mute High Conga 1

Open High Conga 1

Low Conga 1

High Timbale

Low Timbale

High Agogo

Low Agogo

Cabasa

Maracas

Short Hi Whistle [EXC2]

Long Low Whistle [EXC2]

Short Guiro [EXC3]

Long Guiro [EXC3]

Claves

High Wood Block

Low Wood Block

Mute Cuica [EXC4]

Open Cuica [EXC4]

Mute Triangle1 [EXC5]

Open Triangle 1 [EXC5]

Shaker

Jingle Bell

Bell Tree

Castanets

Mute Surdo [EXC6]

Open Surdo [EXC6]

-----

JAZZ BRUSH

-----

Bar Chime

Snare Roll

Finger Snap

Closed Hi-hat 3 [EXC1]

Pedal Hi-hat 2 [EXC1]

Open Hi-hat 3 [EXC1]

Ride Cymbal 1

Sticks

Square Click

Metronome Click

Metronome Bell

Jazz Kick 1

Concert BD

Side Stick 2

Concert SD

Castanets

Concert SD

Timpani F

Timpani F#

Timpani G

Timpani G#

Timpani A

Timpani A#

Timpani B

Timpani c

Timpani c#

Timpani d

Timpani d#

Timpani e

Timpani f

Tambourine

Splash Cymbal

Cowbell

Concert Cymbal 2

Vibra-slap

Concert Cymbal 1

High Bongo 1

Low Bongo 1

Mute High Conga 1

Open High Conga 1

Low Conga 1

High Timbale

Low Timbale

High Agogo

Low Agogo

Cabasa

Maracas

Short Hi Whistle [EXC2]

Long Low Whistle [EXC2]

Short Guiro [EXC3]

Long Guiro [EXC3]

Claves

High Wood Block

Low Wood Block

Mute Cuica [EXC4]

Open Cuica [EXC4]

Mute Triangle1 [EXC5]

Open Triangle 1 [EXC5]

Shaker

Jingle Bell

Bell Tree

Castanets

Mute Surdo [EXC6]

Open Surdo [EXC6]

Applause

-----

ORCHESTRA

-----

High Q

Slap

Scratch Push [EXC7]

Scratch Pull [EXC7]

Sticks

Square Click

Metronome Click

Metronome Bell

Guitar sliding Finger

Guitar cutting noise (up)

Guitar cutting noise (down)

String slap of double bass

Fl.Key Click

Laughing

Screaming

Punch

Heart Beat

Footsteps1

Footsteps2

Applause

Door Creaking

Door

Scratch

Wind Chimes

Car-Engine

Car-Stop

Car-Pass

Car-Crash

Siren

Train

Jetplane

Helicopter

Starship

Gun Shot

Machine Gun

Lasergun

Explosion

Dog

Horse-Gallop

Birds

Rain

Thunder

Wind

Seashore

Stream

Bubble

Cat

Bird

BabyLaughing

Boeeeen

SFX Set

Glass & Glam

Ice Ring

Crack Bottle

Pour Bottle

Car Horn

R.Crossing

SL 1

SL 2

Seal

Fancy Animal

Elephant

Bike

-----

Small Club

-----

100

101

103

105

102

104

176

Appendices

Effects List

Effect Type Explanation

Equalizer This is a four-band stereo equalizer (low, high).

Spectrum This is a stereo spectrum.

Enhancer Adds sparkle and tightness to the sound.

Isolator Adds a special effect to the sound by cutting the

volume in varying ranges.

Low Boost Boosts the volume of the lower range, creating

powerful lows.

High Pass Filter @@@@@@@@@@@@@@@@@@@@@

Overdrive Creates a soft distortion similar to that produced

by vacuum tube amplifiers.

Distortion Produces a more intense distortion than Over-

drive.

Overdrive2 This is an overdrive that provides heavy distor-

tion.

Distortion2 This is a distortion effect that provides heavy dis-

tortion.

Speaker Simula-

tor

Simulates the speaker type and mic settings used

to record the speaker sound.

Guitar Amp Sim-

ulator

This is an effect that simulates the sound of a gui-

tar amplifier.

Phaser A phase-shifted sound is added to the original

sound and modulated.

Multi Stage

Phaser

Extremely high settings of the phase difference

produce a deep phaser effect.

Infinite Phaser A phaser that continues raising/lowering the fre-

quency at which the sound is modulated.

Stereo Flanger It produces a metallic resonance that rises and

falls like a jet airplane taking off or landing.

3D Flanger This applies a 3D effect to the flanger sound.

2Band Flanger

A flanger that lets you apply an effect indepen-

dently to the low-frequency and high-frequency

ranges.

Auto Wah Cyclically controls a filter to create cyclic change

in timbre.

Humanizer Adds a vowel character to the sound, making it

similar to a human voice.

Ring Modulator

This is an effect that applies amplitude modula-

tion (AM) to the input signal, producing bell-like

sounds.

Tremolo Cyclically modulates the volume to add tremolo

effect to the sound.

Auto Pan Cyclically modulates the stereo location of the

sound.

Slicer

By applying successive cuts to the sound, this ef-

fect turns a conventional sound into a sound that

appears to be played as a backing phrase.

Compressor Flattens out high levels and boosts low levels,

smoothing out fluctuations in volume.

Limiter Compresses signals that exceed a specified vol-

ume level, preventing distortion from occurring.

Stereo Chorus This is a stereo chorus.

Hexa Chorus

Uses a six-phase chorus (six layers of chorused

sound) to give richness and spatial spread to the

sound.

Tremolo Chorus This is a chorus effect with added Tremolo (cyclic

modulation of volume).

Space D Produces a transparent chorus effect.

3D Chorus This applies a 3D effect to the chorus sound.

2 Band Chorus

A chorus effect that lets you apply an effect inde-

pendently to the low-frequency and high-fre-

quency ranges.

Rotary

The Rotary effect simulates the sound of the rota-

ry speakers often used with the electric organs of

the past.

Rotary2 This type provides modified response for the ro-

tary speaker, with the low end boosted further.

Rotary Multi It comprises vibrato/chorus, overdrive, and rota-

ry effects.

Stereo Delay1 This is a stereo delay.

@@@@@@@@@@@@@@@@@

Stereo Delay2 This is a stereo delay.

@@@@@@@@@@@@@@@@@

Stereo Delay3 This is a stereo delay.

@@@@@@@@@@@@@@@@@

Stereo Delay4 This is a stereo delay.

@@@@@@@@@@@@@@@@@

Stereo Delay5 This is a stereo delay.

@@@@@@@@@@@@@@@@@

Monaural Delay This is a monaural delay.

Modulation

Delay Adds modulation to the delayed sound.

Triple Tap Delay Produces three delay sounds; center, left and

right.

3D Delay This applies a 3D effect to the delay sound.

Tape Echo A virtual tape echo that produces a realistic tape

delay sound.

Reverse Delay This is a reverse delay that adds a reversed and

delayed sound to the input sound.

Lo-Fi This is an effect that intentionally degrades the

sound quality for creative purposes.

Telephone This applies a telephone sound.

Gate Cuts the reverb's delay according to the volume of

the sound sent into the effect.

Overdrive ->

Chorus

This effect connects an overdrive and a chorus in

series.

Overdrive ->

Flanger

This effect connects an overdrive and a flanger in

series.

Overdrive ->

Delay

This effect connects an overdrive and a delay in

series.

Distortion ->

Chorus

This effect connects an distortion and a chorus in

series.

Distortion ->

Flanger

This effect connects an distortion and a flanger in

series.

Distortion ->

Delay

This effect connects an distortion and a delay in

series.

Enhancer ->

Chorus

This effect connects an enhancer and a chorus in

series.

Enhancer ->

Flanger

This effect connects an enhancer and a flanger in

series.

Enhancer ->

Delay

This effect connects an enhancer and a delay in se-

ries.

Chorus -> Delay This effect connects a chorus and a delay in series.

Flanger -> Delay This effect connects a flanger and a delay in series.

Chorus ->

Flanger

This effect connects a chorus and a flanger in se-

ries.

Sympathetic

Resonance

On an acoustic piano, holding down the damper

pedal allows other strings to resonate in sympa-

thy with the notes you play, creating rich and spa-

cious resonances. This effect simulates these

damper resonances.

Effect Type Explanation

177

Appendices

Music Style List

[Pop/Rock]

Pop

'80s Pop 1

Funky Disco

AdultContemp

Uptown Rock

EZ Listening

Strumin'Away

'70s Disco 1

SmoothContmp

Simple Rock

'60s Feelin'

16Beat Pop

Light Pop

Bright Pop

Heart Beat

Easy Pop

'80s Pop 2

'80s Pop 3

Cute Pop

LovelyShuffl

'70s Disco 2

'70s Dance

Fever Dance

Euro Dance

Hard Tekno

Big House

'90s House

House Pop

Ibiza Dance

Cool Rap

Now Hip Hop

Twostep

HipHop Beat

Hip'n Hop

Easy Hop

MorningShffl

Groovy Pop

Smile Pop

Warm Pop

Sunny Pop

Feel Good

US Groove

Steady Rock

Shuffle Rock

Dyno Rock

Power Rock

Heavy Rock

Thump Rock

Asian Pop

[Ballad/Acoustic]

ModernBallad

'80s Ballad

AcoustBallad

AcoustEzLstn

UnpluggedPop

UnplugBallad

Adult Pop 1

Adult Pop 2

6/8 Ballad

Love Beat

UnplugShuffl

CoolLiveBand

Night Ballad

GuitarShuffl

Euro Ballad

Guitar Trio

MidnightBald

Pop Ballad

Piano Pop

Love Songs

12/8 Ballad

Scat Ballad

'60s Ballad

Torch Song 1

Torch Song 2

Strings

8BeatBallad1

8BeatBallad2

Fireside

Piano Ballad

Story Ballad

SimpleBallad

ClassicBalad

Symph Ballad

R.8-Beat 1

R.8-Beat 2

R.16-Beat 1

R.16-Beat 2

R.16-Beat 3

R.16-Beat 4

R.Afro&Swing

R.5BeatSwing

R.Shuffle 1

R.Waltz 1

R.March 1

R.5-Beat

R.7-Beat

P.Pop 1

P.Classic 1

P.Night

P.Bossa Nova

P.Ragtime

P.Classic 2

P.Ballad 2

P.Swing Pop

P.Rock'nRoll

P.Concerto 1

P.Concerto 2

P.Swing

P.Shuffle

P.Boogie

P.'50s Rock

P.Latin

[Oldies/Country]

Detroit Pop

'60s Rock'n

DreamSloRock

CountryRock1

CountryBald1

Groovin R&B

Oldies 1

Clock Rock'n

CountryPop 1

SwinginCntry

Soul

Rock'n Slow

Oldies 2

CountryBald2

CountrySwing

Rock'n Fever

Country Beat

Slow Country

CountryRock2

Country Fox

Blues

R&B

Slow Dance

Twist

'60s Beach

Slow Oldies

Early Rock

Go Go Rock

Mersey Beat

CountryPop 2

Cajun

Country

Cntry Dreams

Charleston

Bluegrass

Deep Country

[Big Band/

Swing]

MidnitSloSwg

BigBand Slow

Big Band

BigBand Med

BigBand Fast

Medium Swing

Jive

Slow Swing

Quick Step

StringsSwing

Foxtrot

Swing Fox

Fox Band

Gipsy Swing

Fast Swing

JzGuitrSwing

Jazz Waltz

Blue Boogie

BigBandBalad

'30s BigBand

Big Band 2

Jazz Ballad

LooseBigBand

Smooth Jazz

A Cappella

Scat Swing

Organ Swing

Dixieland

Hawaiian

Hula

[Gospel/Latin]

Latin Pop 1

Orch Bossa

Rhumba

GospelShuffl

ContPraise 1

ContPraise 2

Gospel

Samba

ModernChaCha

Salsa

Soft Gospel

Gospel Shout

AcoustRhumba

Acoust Samba

Trad Rhumba

Gospel Pop

GospelBallad

Latin Dance

Cha Cha

Trad Tango

SunshineBosa

Jazz Bossa

Merengue

GuitarRhumba

Mambo

Fast Samba

Fast Bossa

Big Samba

Luv Bossa

Mid Bossa

Latin Pop 2

Reggae

Tango

Beguine

Oye Son

Revival

Gospel Piano

Asian Rhumba

[Trad/World]

Musical

Pub Boogie

Vienna Waltz

Kids Shuffle

Movie March

Music Hall

Orch Bolero

Orch Waltz

Holiday 1

Classic

Jing Ju

MarchingBand

March

Slow Waltz

Fast Waltz

Paris

Quiet Waltz

Holiday 2

Holiday 3

2 Beat

Lager Polka

Slow Polka

AustrianPolk

AustrianWalz

Irish

Tejano

Celtic

Musette

Scotland

Japan

Ireland

Paso Doble

China Pop

Jiang Nan

Xi Bei

SchlagerBeat

PartySchlagr

'70sSchlager

Disco Fox

Party Polka

RockSchlager

ShufflSchlgr

SimpleMarch1

SimpleMarch2

Simple Waltz

Kids 4/4

Kids 6/8

Kids

Kids Dance

178

Appendices

Chord List

*● symbol: Indicates the constituent note of chords.

*★ symbol: Chord shown with an “★”can be played by pressing just the key marked with the “★” (p. 48).

Cm7 ( 5 )

C C# D E E F

Cmaj7 C#maj7 Dmaj7 E maj7 Emaj7 Fmaj7

C7 C#7 D7 E 7 E7 F7

Cm C#m Dm E m Em Fm

Cm7 C#m7 Dm7 E m7 Em7 Fm7

Cdim C#dim Ddim E dim Edim Fdim

Dm7 ( 5 ) Em7 ( 5 )

Caug C#aug Daug E aug Eaug Faug

Csus4 C#sus4 Dsus4 E sus4 Esus4 Fsus4

C7sus4 C#7sus4 D7sus4 E 7sus4 E7sus4 F7sus4

Fm7 ( 5 )E m7 ( 5 )C#m7 ( 5 )

C6 C#6 D6 E 6 E6

Cm6 Dm6 Em6

Fm6

C#m6 E m6

179

Chord List

Appendices

*● symbol: Indicates the constituent note of chords.

*★ symbol: Chord shown with an “★”can be played by pressing just the key marked with the “★” (p. 48).

F# G A A B B

F#maj7 Gmaj7 A maj7 Amaj7 B maj7 Bmaj7

F#7 G7 A 7 A7 B 7 B7

F#m Gm A m Am B m Bm

F#m7 Gm7 A m7 Am7 B m7 Bm7

F#dim Gdim A dim Adim B dim Bdim

Gm7 ( 5 ) Am7 ( 5 ) Bm7 ( 5 )

F#aug Gaug A aug Aaug B aug Baug

F#sus4 Gsus4 A sus4 Asus4 B sus4 Bsus4

F#7sus4 G7sus4 A 7sus4 A7sus4 B 7sus4 B7sus4

B m7 ( 5 )A m7 ( 5 )F#m7 ( 5 )

Gm6

A6A 6 B6

Bm6

B 6

B m6Am6A m6

F#6

F#m6

180

Appendices

Internal Song List

Folks

1 Greensleeves

2 Entertainer

3 Annie Laurie

4 Londonderry Air

5 Ave Maria

6 Amazing Grace

7 Little Brown Jug

8When The Saints Go Marchin'

9 Stagecoach

10 Hallelujah!

Jazzy

1 Fly Free

2 Secret Agent

3 Late Night Chopin

4 Blue Sky Rag

5 Preludelight

6 Sun Daze

7 Keepers Tale

8 Count On The Blues

9 One Down And Easy

10 A Prelude To ...

11 Bach’s A Boppin’

12 Kismet’s Salsa

13 From Matthew’s Passion

14 Roll Over Ludwig

Kids

1 Grandfather’s Clock

2 Old MacDonald Had A Farm

3 Twinkle Twinkle, Little Star

4 Mary Had A Little Lamb

5 London Bridge

6 Jingle Bells

7 Silent Night, Holy Night

8 Joy To The World

9 Puppy’s March

10 Frog Song

11 Little Fox

12 Lightly Row

13 The Cuckoo

EZ Classical

1 La Fille Aux Cheveux De Lin

2 La Campanell

3 Eine Kleine Nachtmusik

4 Les patineurs, Valse

5 Divertimento

6 Impromptu, Op.90-2

7 Gnossienne 1

8 Die Lorelei

9 Brindisi

10 Air sul G

11 FantaisieImpromptu

12 Grande Valse Brillante

13 Gymnopedie 1

14 Liebestraume 3

15 Mondschein

16 Nocturne No.2

17 Valse, op.64-1

18 Prelude, op.28-15

19 Traumerei

20 Turkischer Marsch(Mozart)

21 Ungarische Tanze 5

22 O’sole Mio

23 La Primavera

24 Trepak

25 Canon (Pachelbel)

26 Ombra maifu

27 Sonata (Haydn)

28 Italian Concerto

Kids

Classical

→Song files of this genre corresponds to

the included collection of printed music

entitled “Roland 60 Classical Piano

Masterpieces.”

1 Sonate No.15

2 Liebestraume 3

3 Etude, op.10-3

4 Je te veux

5 Valse, op.64-1

6 Golliwog’sCakewalk

7 FantaisieImpromptu

8 Arabesque 1

9 Blauen Donau

10 Auf Flugeln des Gesanges

11 Mazurka No.5

12 Gymnopedie 1

13 Etude, op.25-1

14 Clair de Lune

15 Etude, op.10-5

16 Dr.GradusAdParnassum

17 Grande Valse Brillante

18 La priere d’une Vierge

19 Course en Troika

20 To The Spring

21 Valse, op.64-2

22 Radetzky Marsch

23 Traumerei

24 Moments Musicaux 3

25 Prelude, op.28-15

26 Harmonious Blacksmith

27 Ungarische Tanze 5

28 Turkischer Marsch(Beethoven)

29 Nocturne No.2

30 Fruhlingslied

31 Praludium

32 Jagerlied

181

Internal Song List

Appendices

981a

of this material for purposes other than

private, personal enjoyment is a

violation of applicable laws.

33 Menuet Antique

34 Fur Elise

35 Turkischer Marsch(Mozart)

36 Standchen

37 Humoreske

38 Blumenlied

39 Alpenglockchen

40 Menuett G dur(Beethoven)

41 Venezianisches Gondellied

42 Alpenabendrote

43 Farewell to the Piano

44 Brautchor

45 Battle of Waterloo

46 Wiener Marsch

47 Le Coucou

48 Menuett G dur(Bach)

49 Spinnerlied

50 Gavotte

51 Heidenroslein

52 Zigeuner Tanz

53 La Cinquantaine

54 Csikos Post

55 Dolly’s Dreaming Awakening

56 La Violette

57 Frohlicher Landmann

58 Sonatine op.36-1(Clementi)

59 Sonatine op.20-1(Kuhlau)

60 Sonatine No.5(Beethoven)

Practice

1 Arabesque

2 Pastoral

3 A Small Gathering

4 Innocence

5 Progress

6 The Clear Stream

Classical

7 Gracefulness

8 The Hunt

9 Tender Flower

10 The Young Shepherdess

11 Farewell

12 Consolation

13 Austrian Dance

14 Ballad

15 Sighing

16 The Chatterbox

17 Restlessness

18 Ave Maria

19 Tarantella

20 Angelic Harmony

21 Gondola Song

22 The Return

23 The Swallow

24 The Knight Errant

25 Openness

26 Invention 1

27 Invention 2

28 Invention 3

29 Invention 4

30 Invention 5

31 Invention 6

32 Invention 7

33 Invention 8

34 Invention 9

35 Invention 10

36 Invention 11

37 Invention 12

38 Invention 13

39 Invention 14

40 Invention 15

41 Beyer 15

42 Beyer 21

Practice

43 Beyer 25

44 Beyer 29

45 Beyer 34

46 Beyer 38

47 Beyer 42

48 Beyer 46

49 Beyer 51

50 Beyer 55

51 Beyer 60

52 Beyer 64

53 Beyer 67

54 Beyer 73

55 Beyer 78

56 Beyer 81

57 Beyer 90

58 Beyer 93

59 Beyer 98

60 Beyer 103

61 Czerny 100- 1

62 Czerny 100-10

63 Czerny 100-20

64 Czerny 100-30

65 Czerny 100-38

66 Czerny 100-43

67 Czerny 100-60

68 Czerny 100-75

69 Czerny 100-86

70 Czerny 100-96

Practice

182

Appendices

Parameters Stored to Internal Memory

Parameters Stored in the User Program

→“Saving Performance Settings (User Program)” (p. 108)

Parameters Stored in Memory Backup

→“Remembering the Settings Even When the Power is Turned Off (Memory

Backup)” (p. 148)

Parameters That are Stored After the

Power is Turned Off

Parameters that switch immediately after the User Pro-

gram name is touched when <Option> on the User Pro-

gram screen is set to “Delayed”

Organ Rotary effect (Slow/Fast),

Footage (Upper, Lower), Percussion

Selected

Right-hand Tone,

Layer Tone,

Left-hand Tone

Tone, Octave Shift,

Effect (Type, Control 1, Control 2, On/Off,

+++++++ Part)

Bass Tone, Chord Tone

Part Balance Keyboard Parts

Melody

Intelligent On/Off, Type

Keyboard Mode

Split 1, Split 2, On/Off for the Part,

Layer 1, Layer 2, On/Off for the Part,

Keyboard Transpose, Split Point

Pedal Settings

Functions Assigning to the Left Pedal and

Center Pedal

Bend Range

Functions Assigning to the Expression Pedal

Performance Pad

Settings User Function

Reverb On/Off, Type, Depth

Vocal Effects

On/Off, Echo (Type, Depth),

Transformer Type, Harmonist Type,

Transformer/Harmonist, Music Files Part

MIDI Settings for

User Program

Bank Select LSB, Bank Select MSB,

Program Change, MIDI Transmit Channel

Equalizer On/Off, Each Sliders Level, Master Level

Dynamic Emphasis On/Off, Type

Parameters that switch after the User Program name is

touched for a few moments when <Option> on the User

Program screen is set to “Delayed”

Music Style

Tempo

Part Balance Accompaniment Part

Arranger

Settings

Accompaniment On/Off,

Chord Recognize Mode,

Leading Bass On/Off, Original/Variation,

Sync Start On/Off,

<Accomp> Setting for

Arranger Configuration,

Style Orchestrator, Division

Tone

Parameters

Octave Shift

Effects: On/Off, Type, Control 1, Control 2

System

Parameters

One-Touch Piano Settings:

Lid, Tuning (Tuning, Key, Stretch Tunings),

Resonance (Depth), Key Touch,

Hamper Response (Depth)

Master Tune

Effect: ++++++ Part

Metronome: Sound

Count-In: Measures, Sound

Countdown: Sound

Language

Track Assign

Reverb: On/Off, Type, Depth

Advanced 3D:

On/Off, On/Off for Each Part,

Various Settings

Remote Control’s Setting

External Display (Device)

iR Function

Touch Screen

Opening Message

Auto Demo Start: On/Off

BGM: On/Off

USB Driver

Equalizer User Settings

Jazz Organ Footage User Settings

Piano Designer User Settings

183

Appendices

Music Files That the KR Can Use

What Are Music Files?

Music Files contain information describing the details of a

musical performance, such as “the C3 key on a keyboard was

pressed for this amount of time, using this amount of force.”

By inserting the floppy disk into the disk drive on the KR, the

performance information is sent from the floppy disk to the

piano, and played faithfully by the piano. This is different

than a CD, since the music file does not contain a recording

of the sound itself. This makes it possible to erase certain

parts, or to change instruments, tempos and keys freely,

allowing you to use it in many different ways.

Regarding Copyright

Use of the song data supplied with the Data Disk attached to

this product for any purpose other than private, personal

enjoyment without the permission of the copyright holder is

prohibited by law. Additionally, this data must not be

copied, nor used in a secondary copyrighted work without

the permission of the copyright holder.

■The KR allows you to use the

following music files

●Floppy disks saved on a Roland MT Series, or Roland Piano

Digital HP-G/R and KR Series instrument

●Roland Digital Piano Compatible Music Files

Roland’s original music file is made specifically for practicing the

piano. Some follow an instructional curriculum, allowing for a

complete range of lessons, such as “practicing each hand

separately” or “listening to only the accompaniment.”

●SMF Music Files (720KB/1.44MB format)

SMFs (Standard MIDI Files) use a standard format for music file

that was formulated so that files containing music file could be

widely compatible, regardless of the manufacturer of the

listening device. An enormous variety of music is available,

whether it be for listening, for practicing musical instruments, for

Karaoke, etc.

* If you wish to purchase SMF Music Files, please consult the

retailer where you purchased your KR.

SMF with Lyrics

“SMF with Lyrics” refers to SMF (Standard MIDI File) that

contains the lyrics. When Music Files carrying the “SMF with

Lyrics” logo are played back on a compatible device (one

bearing the same logo), the lyrics will appear in its display.

■About the KR Sound Generator

The KR come equipped with GM 2/GS sound generators.

General MIDI

The General MIDI is a set of recommendations which seeks to

provide a way to go beyond the limitations of proprietary designs,

and standardize the MIDI capabilities of sound generating devices.

Sound generating devices and music files that meets the General

MIDI standard bears the General MIDI logo. Music files bearing the

General MIDI logo can be played back using any General MIDI

sound generating unit to produce essentially the same musical

performance.

General MIDI 2

The upwardly compatible General MIDI 2 recommendations pick up

where the original General MIDI left off, offering enhanced

expressive capabilities, and even greater compatibility. Issues that

were not covered by the original General MIDI recommendations,

such as how sounds are to be edited, and how effects should be

handled, have now been precisely defined. Moreover, the available

sounds have been expanded. General MIDI 2 compliant sound

generators are capable of reliably playing back music files that carry

either the General MIDI or General MIDI 2 logo.

In some cases, the conventional form of General MIDI, which does

not include the new enhancements, is referred to as “General MIDI

1” as a way of distinguishing it from General MIDI 2.

GS Format

The GS Format is Roland’s set of specifications for standardizing the

performance of sound generating devices. In addition to including

support for everything defined by the General MIDI, the highly

compatible GS Format additionally offers an expanded number of

sounds, provides for the editing of sounds, and spells out many

details for a wide range of extra features, including effects such as

reverb and chorus. Designed with the future in mind, the GS Format

can readily include new sounds and support new hardware features

when they arrive. Since it is upwardly compatible with the General

MIDI, Roland’s GS Format is capable of reliably playing back GM

Scores equally as well as it performs GS music files (music files that

have been created with the GS Format in mind). This product

supports both the General MIDI 2 and the GS Format, and can be

used to play back music data carrying either of these logos.

XG lite

XG is a tone generator format of YAMAHA Corporation, that

defines the ways in which voices are expanded or edited and the

structure and type of effects, in addition to the General MIDI 1

specification. XGlite is a simplified version of XG tone generation

format. You can play back any XG music files using an XGlite tone

generator. However, keep in mind that some music files may play

back differently compared to the original files, due to the reduced set

of control parameters and effects.

184

Function...

Basic

Channel

Mode

Note

Number :

Velocity

After

Touch

Pitch Bend

Control

Change

Prog

Change

System Exclusive

System

Common

System

Real Time

Aux

Message

Notes

Transmitted Recognized Remarks

Default

Changed

Default

Messages

Altered

True Voice

Note ON

Note OFF

Key’s

Ch’s

0, 32

6, 38

98, 99

100, 101

: True #

: Song Pos

: Song Sel

: Tune

: Clock

: Commands

: All sound off

Reset all controllers

: Local Control

: All Notes OFF

: Active Sense

: Reset

1–16

Mode 3

15–113

O (Reverb)

O (Chorus)

0–127

**************

1–16

Mode 3

Mode 3, 4 (M=1)

0–127

O (120, 126, 127)

O (123–125)

Bank select

Modulation

Portamento time

Data entry

Volume

Panpot

Expression

Hold 1

Portamento

Sostenuto

Soft

Portamento control

Effect1 depth

Effect3 depth

NRPN LSB, MSB

RPN LSB, MSB

* 1 O x is selectable by SysEx.

* 2 Recognized as M=1 even if M=1.

DIGITAL PIANO

Model KR-107

Date : Mar. 1, 2005

Version : 1.00

MIDI Implementation Chart

**************

Mode 1 : OMNI ON, POLY

Mode 3 : OMNI OFF, POLY

Mode 2 : OMNI ON, MONO

Mode 4 : OMNI OFF, MONO

O : Yes

X : No

* 2

Program number 1–128

185

Appendices

Main Specifications

Keyboard 88 keys (Progressive hammer action

keyboard with escapement)

Touch Sensitivity 100 levels

Keyboard Mode

Whole

Split (adjustable split point)

Layer

Arranger

Piano Style Arranger

Manual Drums / SFX

Conforms to GM2 / GS / XG Lite

Max. Polyphony 128 voices

Tones

(Tone Search by

terms and by letters)

6 groups 736 variations (including 8 tone

wheel Organs, 18 drum sets, SFX set)

Temperament 8 types, selectable tonic

Stretched Tuning 2 types

Master Tuning 415.3 Hz–466.2 Hz (adjustable in

increments of 0.1 Hz)

Transpose

Key Transpose (-6–+5 in units of semitone)

Playback Transpose (-24–+24 in units of

semitone)

Effects

Reverb (12 types, 127 levels)

Chours, Rotary and 60 other types

Advanced 3D

Grand Space

Dynamic Emphasis (3 types)

Equalizer (5 bands, Master level)

Music Styles

(Style Search by

terms and by letters)

6 groups 265 styles x 3 types (Style

Orchestrator)

Music Assistant

(Search by terms

and by letters)

Over 500 sets x 6 presets

Visual Music Assistant

Programmable

Music Styles

Style Converter

Style Composer

Melody Intelligence 24 types

Internal 36

External Memory Max. 99 sets

Tempo Quarter note = 10–500

Beat 2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8,

6/8, 9/8, 12/8

Volume 10 levels

Metronome Pattern 11 patterns

Metronome Sound 8 types

Tracks 5 tracks / 16 tracks

Song 1 song

Note Storage Approx. 30,000 notes

Resolution 120 ticks per quarter note

Recording Method

Realtime (Replace, Mix, Auto Punch In,

Manual Punch In, Loop, Tempo)

Step (Chord Sequencer)

Beat Map

Edit

Copy

Quantize

Delete

Insert

Erase

Transpose

Part Exchange

Note Edit

PC Edit

Other Functions

Touch the Notes

Replay

Super Tones

Piano Designer

Visual Lesson

Wonderland/Game

Demo

Audition

Panel Lock

User Image Display

BMP Export

V-LINK

<External Storage> USB Memory

Playable Software

Song: Standard MIDI Files (Format 0/1),

Roland Original Format (i-Format)

Music Style: MSA, MSD, MSE

Audio File: WAV Format (44.1 kHz 16 bits

linear, stereo)

Save

Song: Standard MIDI Files (Format 0),

Roland Original Format (i-Format)

Music Style: MSE

Internal Songs

(Song Search by

terms and by letters)

Over 190 songs

User Memory

Max. 200 songs on Favorites

Max. 99 User Styles

Max. 99 User Program Sets

Rated Power Output 60 W x 2

Speakers

20 cm x 2, 5 cm x 2, 10 cm x 2

Display

Bouncing Beat Indicator

Graphical Color LCD 320 x 240 dot (backlit

LCD)

Notation Grand staff / G Clef staff / F Clef staff,

with note name /lyrics/ chords / ﬁngering

Language English / Japanese / German / French /

Spanish

Lyrics Yes (built-in, external display, MIDI output)

One Touch Program One Touch Piano

One Touch Arranger

Pedals

Damper Pedal (half-pedal recognition)

Soft Pedal (half-pedal recognition,

functions assignable)

Sostenuto Pedal (functions assignable)

Vocal Effects

Echo

Voice Transformer

Vocal Keyboard

Harmonist

186

Main Specifications

Appendices

* In the interest of product improvement, the specifications and/or

appearance of this unit are subject to change without prior

notice.

962a

Connectors

USB memory connector

FDD connector

Output jacks (L/Mono, R)

Input jacks (L/Mono, R)

Mic Input jack

Headphones jack (Stereo) x 2

MIDI In connector x 2

MIDI Out connector

USB connector

Ext Display connector (15-pin D-Sub type)

Video Out jack

Expression Pedal jack

Power Supply AC 115 V, AC 117 V, AC 220 V, AC 230 V,

AC 240 V (50/60 Hz)

Power Consumption 155 W

Dimensions

(including the piano

stand)

1421 (W) x 550 (D) x 901 (H) mm

56 (W) x 21-11/16 (D) x 35-1/2 (H) inches

Including the music rest

1421 (W) x 550 (D) x 1116 (H) mm

56 (W) x 21-11/16 (D) x 43-15/16 (H) inches

Weights (including

the piano stand) 103 kg / 228 lbs

Accessories

Quick Start

Owner’s Manual

Roland 60 Classical Piano Masterpieces

Remote Control

Dry-cell Batteries

USB Installation Guide

CD-ROM (Roland Digital Piano USB

Driver)

Power cord

Headphones Hook

Anti-theft lock screws

Options USB Memory

Flopy Disk Drive

187

“QS **” refers to the page number in Quick Start.

Index

Numerics

16-Track Sequencer ..........................................................113

AC inlet .............................................................................16

Accompaniment

Start and Stop ...............................................................54

Sync Start .....................................................................54

Adjuster .............................................................................18

Advanced 3D .....................................................................30

[Ambience/Reverb] button ...............................................30

Arranger Config ..............................................................138

Audio Equipment ............................................................161

Auto Punch-In/Out .........................................................119

Automatic Accompaniment ...............................................46

Balance ..............................................................................62

Balance Knob .....................................................................62

Bank Select LSB ...............................................................160

Bank Select MSB ..............................................................160

Basic Screen .......................................................................20

Basic tempo .....................................................................127

Bass Tone ................................................................... 55, 138

Beat

Metronome ..................................................................44

Beat Map ..........................................................................127

Bend Range ......................................................................144

Blank Recording ..............................................................118

[Brilliance] knob ................................................................18

[Song] button .....................................................................64

[Bwd] button .....................................................................65

Calibration .......................................................................148

Chord Finder .....................................................................49

Chord Intelligence .............................................................48

Chord List ........................................................................178

Chord Sequencer .............................................................120

Chord Tone ................................................................ 55, 138

Chord type .........................................................................48

Chords .........................................................................48, 77

Clef L .................................................................................77

Clef R .................................................................................77

Compatibility ...................................................................103

Composer MIDI Out ........................................................161

Computer ........................................................................163

Connected

Expression Pedal ........................................................154

Connecting

Audio Equipment ......................................................161

Computer ...................................................................163

MIDI device ...............................................................158

Contrast .............................................................................19

Contrast knob ....................................................................19

Copy (Song Edit) .............................................................122

Copying

Songs ..........................................................................105

User Program .............................................................110

User Styles .................................................................136

Count In .............................................................................82

Countdown ........................................................................56

Damper pedal ....................................................................18

Delete (Song Edit) ............................................................123

Deleting

A song ........................................................................104

User Style ...................................................................135

Divisions ............................................................................46

Drum Set List ...................................................................172

Drums ................................................................................23

Dynamic Emphasis ............................................................32

Echo ...................................................................................37

Editing .............................................................................121

Effects ................................................................................35

Effects List .......................................................................176

Ending .........................................................................46, 55

Equalizer ............................................................................33

Erase (Song Edit) .............................................................124

Erasing

Performance on specific tracks .....................................96

Recorded performance .................................................96

Error Messages ................................................................169

Export ................................................................................78

Expression Pedal ..............................................................154

Ext Display connector ......................................................155

External Display ......................................................154, 156

External Memory ...............................................................98

Factory Reset ...................................................................147

Factory Setting

Touch Screen ..............................................................149

User Memory .............................................................149

Favorites ....................................................................68, 101

188

Index

“QS **” refers to the page number in Quick Start.

Registering ...................................................................68

Removing .....................................................................69

Fill In .................................................................................57

Fill In To Original ..............................................................46

Fill In To Variation ............................................................46

Finger Numbers .................................................................77

Format

Floppy disk ..................................................................99

Functions .........................................................................137

[Fwd] button ......................................................................65

General MIDI ...................................................................183

General MIDI 2 ................................................................183

GS ....................................................................................183

GS Format ........................................................................183

Harmonist ..........................................................................38

Harmony ...........................................................................59

Headphones ......................................................................18

Icon ....................................................................................20

i-format ............................................................................103

Insert (Song Edit) .............................................................124

Internal Song List ............................................................180

Intro .............................................................................46, 54

[Intro/Ending] button .......................................................54

Karaoke .............................................................................42

Key ....................................................................................77

Key Touch .......................................................................137

Language .........................................................................145

Layer ..................................................................................25

Layer tone ..........................................................................25

Leading bass ....................................................................143

Lid .....................................................................................17

Local Control ...................................................................160

Loop Recording ...............................................................118

Lower Tone ........................................................................60

Lyrics .........................................................................77, 152

lyrics ..................................................................................20

Manual Punch-In/Out .....................................................119

Marker .......................................................................84, 140

Erasing .........................................................................85

Moving .........................................................................85

Placing .........................................................................84

Repeat ..........................................................................86

Master Tuning .................................................................145

Melody Intelligence ...........................................................59

[Melody Intelligence] button .............................................59

Memory Backup ..............................................................146

Metronome ........................................................................43

Beat ..............................................................................44

Pattern ..........................................................................45

Sound ...........................................................................44

Volume .........................................................................44

[Metronome] button ..........................................................43

Mic In jack .........................................................................19

[Mic Volume] knob ............................................................19

Microphone .......................................................................19

MIDI ................................................................................158

MIDI Connector ...............................................................158

MIDI Devices ...................................................................158

MIDI Ensemble ................................................................159

MIDI Settings ...................................................................159

Minus One .........................................................................83

Mix Recording .................................................................117

Multitrack Recording .......................................................113

Music Files .........................................................................41

Music Holder .....................................................................16

Music Style ........................................................................46

On Disk ........................................................................51

Rhythm Pattern ............................................................53

Music Style Buttons ...........................................................50

Music Style List ................................................................177

Mute ..........................................................................83, 114

New Song ..........................................................................90

Notaion

Saving as image data ....................................................78

Notation .............................................................................73

Settings .........................................................................75

Note Edit (Song Edit) .......................................................126

Octave Shift .......................................................................27

One Touch Program [Arranger] button .............................47

One Touch Program [Piano] button ...................................21

One Touch Settings ..........................................................138

One-Touch Arranger .........................................................47

189

Index

“QS **” refers to the page number in Quick Start.

Settings ......................................................................137

One-Touch Piano ...............................................................21

Opening Message ............................................................146

Original .............................................................................46

[Original] button ................................................................57

Output Jacks ....................................................................161

Panel Lock .......................................................................151

Part Balance .......................................................................62

[Part Balance] button .........................................................62

Part Exchange (Song Edit) ...............................................125

PC Edit (Song Edit) ..........................................................126

Pedal ..................................................................................18

Pedal Cable ........................................................................16

Pedal connector .........................................................16, 154

Pedal Settings ..................................................................142

Percussion .........................................................................23

Performance Pad .......................................................58, 142

Phones jack ........................................................................18

Piano ..................................................................................21

Piano Screen ......................................................................20

Pickup ................................................................................97

Pitches ...............................................................................77

Play Mode ........................................................................151

[Play/Stop] button ............................................................65

Playing ...............................................................................64

All of the internal songs ...............................................64

At a fixed tempo (Tempo Mute) ..................................81

In random ....................................................................64

Repeat ..........................................................................86

Power Cord .......................................................................16

Power On and Off .............................................................17

[Power] switch ...................................................................17

Preset .................................................................................50

Program Change ..............................................................160

PU (Pickup) .......................................................................97

Punch-in Recording .........................................................119

Quantize (Song Edit) .......................................................123

Quick Tour

Automatically starting ...............................................150

Rec Mode ................................................................... 96, 116

Record/Playback Buttons ..................................................65

Recording ..........................................................................89

16-Track Sequencer ....................................................115

A new song ..................................................................90

Along with a Song ........................................................94

Redoing recordings ......................................................95

Track buttons ...............................................................95

With Accompaniment ..................................................92

Remote Control .................................................... 70–71, 147

Repeat ................................................................................86

Replace Recording ...........................................................117

[Reset] button ....................................................................65

Restoring the Factory Settings .........................................147

Reverb ................................................................................28

Right-hand tone .................................................................25

Root note ............................................................................48

Rotary effect .....................................................................143

Saving ..............................................................................101

Compatibility .............................................................103

User Style ...................................................................134

[Score Display] button .......................................................73

Screens

16-track Sequencer screen ..........................................113

Advanced 3D screen ....................................................30

Basic screen ............................................................20, 47

Chord Sequencer screen .............................................120

Copy Song screen .......................................................105

Copy Style screen .......................................................136

Copy User Programs screen ...............................110–111

Count In settings screen ...............................................82

Countdown settings screen ..........................................56

Delete Song screen .....................................................104

Delete Style screen .....................................................135

Delete User Program screen .......................................110

Effect screen .................................................................35

Equalizer screen .....................................................33–34

File screen ....................................................................99

Functions screen .........................................................141

Load User Program screen .........................................109

Marker screen ..............................................................84

Melody Intelligence screen ..........................................59

Metronome screen ........................................................43

MIDI Setting Screen ...................................................159

Notation screen ............................................................73

Part Balance screen ......................................................62

Piano screen ...........................................................20–21

Program Change Screen .............................................159

Rec Mode screen ........................................................117

Rename screen ........................................... 102, 107, 134

190

Index

“QS **” refers to the page number in Quick Start.

Reverb screen ...............................................................28

Save Song screen ........................................................101

Save Style screen ........................................................134

Save User Program screen .........................................108

Song Edit screen .........................................................121

Song Search screen .......................................................67

Song Selection screen ...................................................64

Style Composer screen ...............................................130

Style Converter screen ...............................................132

Style Search screen .......................................................52

Style Selection screen ...................................................50

Tone search screen .......................................................24

Tone selection screen ...................................................22

Transpose screen ..........................................................87

User Program screen ..................................................107

Vocal Effects screen ......................................................36

Write User Program screen ........................................107

Music Style ...................................................................52

Song .............................................................................67

Tone .............................................................................24

SMF .................................................................................183

SMF Music files ...............................................................183

Soft pedal ...........................................................................18

Solo ..................................................................................114

Song Search .......................................................................67

Sostenuto pedal .................................................................18

[Sound Control] button .....................................................33

Sound Effects .....................................................................23

Sound Generator .............................................................183

Speaker Cable ....................................................................16

Split ...................................................................................61

Split Point ........................................................................138

[Start/Stop] button ............................................................54

Stretch Tuning .................................................................142

Style Composer ...............................................................129

Style Converter ................................................................131

Style Orchestrator ..............................................................58

[Style Orchestrator] button ................................................58

Style Search .......................................................................52

Sync ...................................................................................54

Tap Tempo ........................................................................80

Temperament ..................................................................141

Tempo ................................................................... 44, 53, 80

Tempo [-] [+] buttons .........................................................80

Tempo Mute ......................................................................81

Tempo Recording ............................................................127

Tone Buttons ......................................................................22

Tone List ..........................................................................170

Tone Search .......................................................................24

Tone Set ...........................................................................115

Touch Screen .............................................................19, 148

Touch the Notes .................................................................74

Track Assign ....................................................................152

Track Buttons ......................................................... 83, 91, 93

Transformer .......................................................................37

Transpose ..........................................................................87

Transpose (Song Edit) ......................................................124

[Transpose] button .............................................................87

Troubleshooting ..............................................................165

Tuning .............................................................................141

Tuning Curve ..................................................................142

Tx Channel .......................................................................160

Undo (Song Edit) .............................................................122

USB Driver .......................................................................164

User Functions .................................................................142

User Image Display .........................................................145

User Memory ...................................................................134

Formatting .................................................................149

User Program ...................................................................107

Calling up ..................................................................108

Copying .....................................................................110

Deleting ......................................................................110

Loading ......................................................................109

Registering .................................................................107

Saving ........................................................................108

Transmitting PC Numbers .........................................111

User Style ...................................................................51, 129

Copying .....................................................................136

Deleting ......................................................................135

Saving ........................................................................134

Variation ............................................................................46

[Variation] button ..............................................................57

V-LINK ............................................................................157

Vocal Count-In ...................................................................39

Vocal Effect ........................................................................36

[Vocal Effect] button ..........................................................36

Vocal Keyboard .................................................................40

Volume

CD ................................................................................72

191

Index

“QS **” refers to the page number in Quick Start.

Metronome ..................................................................44

Microphone ..................................................................19

Overall .........................................................................18

[Volume] knob ...................................................................18

XG lite ..............................................................................183

As of January 15, 2005 (ROLAND)

Information

When you need repair service, call your nearest Roland Service Center or authorized Roland

distributor in your country as shown below.

EGYPT

Al Fanny Trading Office

9, EBN Hagar A1 Askalany

Street,

ARD E1 Golf, Heliopolis,

Cairo 11341, EGYPT

TEL: 20-2-417-1828

REUNION

Maison FO - YAM Marcel

25 Rue Jules Hermann,

Chaudron - BP79 97 491

Ste Clotilde Cedex,

REUNION ISLAND

TEL: (0262) 218-429

SOUTH AFRICA

That Other Music Shop(PTY)Ltd.

11 Melle St., Braamfontein,

Johannesbourg,

SOUTH AFRICA

TEL: (011) 403 4105

FAX: (011) 403 1234

Paul Bothner(PTY)Ltd.

17 Werdmuller Centre,

Main Road, Claremont 7708

SOUTH AFRICA

TEL: (021) 674 4030

CHINA

Roland Shanghai Electronics

Co.,Ltd.

5F. No.1500 Pingliang Road

Shanghai 200090, CHINA

TEL: (021) 5580-0800

Roland Shanghai Electronics

Co.,Ltd.

(BEIJING OFFICE)

10F. No.18 3 Section Anhuaxili

Chaoyang District Beijing

100011 CHINA

TEL: (010) 6426-5050

Roland Shanghai Electronics

Co.,Ltd.

(GUANGZHOU OFFICE)

2/F., No.30 Si You Nan Er Jie

Yi Xiang, Wu Yang Xin Cheng,

Guangzhou 510600, CHINA

TEL: (020) 8736-0428

HONG KONG

Tom Lee Music Co., Ltd.

Service Division

22-32 Pun Shan Street, Tsuen

Wan, New Territories,

HONG KONG

TEL: 2415 0911

Parsons Music Ltd.

8th Floor, Railway Plaza, 39

Chatham Road South, T.S.T,

Kowloon, HONG KONG

TEL: 2333 1863

INDIA

Rivera Digitec (India) Pvt. Ltd.

409, Nirman Kendra

Mahalaxmi Flats Compound

Off. Dr. Edwin Moses Road,

Mumbai-400011, INDIA

TEL: (022) 2493 9051

INDONESIA

PT Citra IntiRama

J1. Cideng Timur No. 15J-150

Jakarta Pusat

INDONESIA

TEL: (021) 6324170

KOREA

Cosmos Corporation

1461-9, Seocho-Dong,

Seocho Ku, Seoul, KOREA

TEL: (02) 3486-8855

MALAYSIA

Roland Asia Pacific Sdn. Bhd.

45-1, Block C2, Jalan PJU 1/39,

Dataran Prima, 47301 Petaling

Jaya, Selangor, MALAYSIA

TEL: (03) 7805-3263

PHILIPPINES

G.A. Yupangco & Co. Inc.

339 Gil J. Puyat Avenue

Makati, Metro Manila 1200,

PHILIPPINES

TEL: (02) 899 9801

SINGAPORE

SWEE LEE MUSIC

COMPANY PTE. LTD.

150 Sims Drive,

SINGAPORE 387381

TEL: 6846-3676

CRISTOFORI MUSIC PTE LTD

Blk 3014, Bedok Industrial Park E,

#02-2148, SINGAPORE 489980

TEL: 6243-9555

TAIWAN

ROLAND TAIWAN

ENTERPRISE CO., LTD.

Room 5, 9fl. No. 112 Chung

Shan N.Road Sec.2, Taipei,

TAIWAN, R.O.C.

TEL: (02) 2561 3339

THAILAND

Theera Music Co. , Ltd.

330 Verng NakornKasem, Soi 2,

Bangkok 10100, THAILAND

TEL: (02) 2248821

VIETNAM

Saigon Music

Suite DP-8

40 Ba Huyen Thanh Quan Street

Hochiminh City, VIETNAM

TEL: (08) 930-1969

AUSTRALIA/

NEW ZEALAND

Roland Corporation

Australia Pty.,Ltd.

38 Campbell Avenue

Dee Why West. NSW 2099

AUSTRALIA

For Australia

Tel: (02) 9982 8266

For New Zealand

Tel: (09) 3098 715

ARGENTINA

Instrumentos Musicales S.A.

Av.Santa Fe 2055

(1123) Buenos Aires

ARGENTINA

TEL: (011) 4508-2700

BARBADOS

A&B Music Supplies LTD

12 Webster Industrial Park

Wildey, St.Michael, Barbados

TEL: (246)430-1100

BRAZIL

Roland Brasil Ltda.

Rua San Jose, 780 Sala B

Parque Industrial San Jose

Cotia - Sao Paulo - SP, BRAZIL

TEL: (011) 4615 5666

CHILE

Comercial Fancy II S.A.

Rut.: 96.919.420-1

Nataniel Cox #739, 4th Floor

Santiago - Centro, CHILE

TEL: (02) 688-9540

COLOMBIA

Centro Musical Ltda.

Cra 43 B No 25 A 41 Bododega 9

Medellin, Colombia

TEL: (574)3812529

COSTA RICA

JUAN Bansbach Instrumentos

Musicales

Ave.1. Calle 11, Apartado 10237,

San Jose, COSTA RICA

TEL: 258-0211

CURACAO

Zeelandia Music Center Inc.

Orionweg 30

Curacao, Netherland Antilles

TEL:(305)5926866

DOMINICAN REPUBLIC

Instrumentos Fernando Giraldez

Calle Proyecto Central No.3

Ens.La Esperilla

Santo Domingo,

Dominican Republic

TEL:(809) 683 0305

ECUADOR

Mas Musika

Rumichaca 822 y Zaruma

Guayaquil - Ecuador

TEL:(593-4)2302364

EL SALVADOR

OMNI MUSIC

75 Avenida Norte y Final

Alameda Juan Pablo II,

Edificio No.4010 San Salvador,

EL SALVADOR

TEL: 262-0788

GUATEMALA

Casa Instrumental

Calzada Roosevelt 34-01,zona 11

Ciudad de Guatemala

Guatemala

TEL:(502) 599-2888

HONDURAS

Almacen Pajaro Azul S.A. de C.V.

BO.Paz Barahona

3 Ave.11 Calle S.O

San Pedro Sula, Honduras

TEL: (504) 553-2029

MARTINIQUE

Musique & Son

Z.I.Les Mangle

97232 Le Lamantin

Martinique F.W.I.

TEL: 596 596 426860

Gigamusic SARL

10 Rte De La Folie

97200 Fort De France

Martinique F.W.I.

TEL: 596 596 715222

MEXICO

Casa Veerkamp, s.a. de c.v.

Av. Toluca No. 323, Col. Olivar

de los Padres 01780 Mexico

D.F. MEXICO

TEL: (55) 5668-6699

NICARAGUA

Bansbach Instrumentos

Musicales Nicaragua

Altamira D'Este Calle Principal

de la Farmacia 5ta.Avenida

1 Cuadra al Lago.#503

Managua, Nicaragua

TEL: (505)277-2557

PANAMA

SUPRO MUNDIAL, S.A.

Boulevard Andrews, Albrook,

Panama City, REP. DE

PANAMA

TEL: 315-0101

PARAGUAY

Distribuidora De

Instrumentos Musicales

J.E. Olear y ESQ. Manduvira

Asuncion PARAGUAY

TEL: (595) 21 492147

PERU

Audionet

Distribuciones Musicales SAC

Juan Fanning 530

Miraflores

Lima - Peru

TEL: (511) 4461388

NORWAY

Roland Scandinavia Avd.

Kontor Norge

Lilleakerveien 2 Postboks 95

Lilleaker N-0216 Oslo

NORWAY

TEL: 2273 0074

POLAND

MX MUSIC SP.Z.O.O.

UL. Gibraltarska 4.

PL-03664 Warszawa POLAND

TEL: (022) 679 44 19

PORTUGAL

Roland Iberia, S.L.

Portugal Office

Cais das Pedras, 8/9-1 Dto

4050-465, Porto, PORTUGAL

TEL: 22 608 00 60

ROMANIA

FBS LINES

Piata Libertatii 1,

535500 Gheorgheni,

ROMANIA

TEL: (266) 364 609

RUSSIA

MuTek

3-Bogatyrskaya Str. 1.k.l

107 564 Moscow, RUSSIA

TEL: (095) 169 5043

SPAIN

Roland Iberia, S.L.

Paseo García Faria, 33-35

08005 Barcelona SPAIN

TEL: 93 493 91 00

SWEDEN

Roland Scandinavia A/S

SWEDISH SALES OFFICE

Danvik Center 28, 2 tr.

S-131 30 Nacka SWEDEN

TEL: (0)8 702 00 20

SWITZERLAND

Roland (Switzerland) AG

Landstrasse 5, Postfach,

CH-4452 Itingen,

SWITZERLAND

TEL: (061) 927-8383

UKRAINE

TIC-TAC

Mira Str. 19/108

P.O. Box 180

295400 Munkachevo,

UKRAINE

TEL: (03131) 414-40

UNITED KINGDOM

Roland (U.K.) Ltd.

Atlantic Close, Swansea

Enterprise Park, SWANSEA

SA7 9FJ,

UNITED KINGDOM

TEL: (01792) 702701

BAHRAIN

Moon Stores

No.16, Bab Al Bahrain Avenue,

P.O.Box 247, Manama 304,

State of BAHRAIN

TEL: 17 211 005

CYPRUS

Radex Sound Equipment Ltd.

17, Diagorou Street, Nicosia,

CYPRUS

TEL: (022) 66-9426

IRAN

MOCO INC.

No.41 Nike St., Dr.Shariyati Ave.,

Roberoye Cerahe Mirdamad

Tehran, IRAN

TEL: (021) 285-4169

ISRAEL

Halilit P. Greenspoon & Sons

Ltd.

8 Retzif Ha'aliya Hashnya St.

Tel-Aviv-Yafo ISRAEL

TEL: (03) 6823666

TRINIDAD

AMR Ltd

Ground Floor

Maritime Plaza

Barataria Trinidad W.I.

TEL: (868)638 6385

URUGUAY

Todo Musica S.A.

Francisco Acuna de Figueroa

1771

C.P.: 11.800

Montevideo, URUGUAY

TEL: (02) 924-2335

VENEZUELA

Instrumentos Musicales

Allegro,C.A.

Av.las industrias edf.Guitar

import

#7 zona Industrial de Turumo

Caracas, Venezuela

TEL: (212) 244-1122

AUSTRIA

Roland Elektronische

Musikinstrumente HmbH.

Austrian Office

Eduard-Bodem-Gasse 8,

A-6020 Innsbruck, AUSTRIA

TEL: (0512) 26 44 260

BELGIUM/FRANCE/

HOLLAND/

LUXEMBOURG

Roland Central Europe N.V.

Houtstraat 3, B-2260, Oevel

(Westerlo) BELGIUM

TEL: (014) 575811

CZECH REP.

K-AUDIO

Kardasovska 626.

CZ-198 00 Praha 9,

CZECH REP.

TEL: (2) 666 10529

DENMARK

Roland Scandinavia A/S

Nordhavnsvej 7, Postbox 880,

DK-2100 Copenhagen

DENMARK

TEL: 3916 6200

FINLAND

Roland Scandinavia As, Filial

Finland

Elannontie 5

FIN-01510 Vantaa, FINLAND

TEL: (0)9 68 24 020

GERMANY

Roland Elektronische

Musikinstrumente HmbH.

Oststrasse 96, 22844

Norderstedt, GERMANY

TEL: (040) 52 60090

GREECE

STOLLAS S.A.

Music Sound Light

155, New National Road

Patras 26442, GREECE

TEL: 2610 435400

HUNGARY

Roland East Europe Ltd.

Warehouse Area ‘DEPO’ Pf.83

H-2046 Torokbalint,

HUNGARY

TEL: (23) 511011

IRELAND

Roland Ireland

G2 Calmount Park, Calmount

Avenue, Dublin 12

Republic of IRELAND

TEL: (01) 4294444

ITALY

Roland Italy S. p. A.

Viale delle Industrie 8,

20020 Arese, Milano, ITALY

TEL: (02) 937-78300

JORDAN

AMMAN Trading Agency

245 Prince Mohammad St.,

Amman 1118, JORDAN

TEL: (06) 464-1200

KUWAIT

EASA HUSAIN AL-YOUSIFI

& SONS CO.

Abdullah Salem Street,

Safat, KUWAIT

TEL: 243-6399

LEBANON

Chahine S.A.L.

Gerge Zeidan St., Chahine

Bldg., Achrafieh, P.O.Box: 16-

5857

Beirut, LEBANON

TEL: (01) 20-1441

OMAN

TALENTZ CENTRE L.L.C.

P.O. BOX 37, MUSCAT,

POSTAL CODE 113

TEL: 931-3705

QATAR

Al Emadi Co. (Badie Studio &

Stores)

P.O. Box 62, Doha, QATAR

TEL: 4423-554

SAUDI ARABIA

aDawliah Universal

Electronics APL

Corniche Road, Aldossary

Bldg., 1st Floor, Alkhobar,

SAUDI ARABIA

P.O.Box 2154, Alkhobar 31952

SAUDI ARABIA

TEL: (03) 898 2081

SYRIA

Technical Light & Sound

Center

Rawda, Abdul Qader Jazairi St.

Bldg. No. 21, P.O.BOX 13520,

Damascus, SYRIA

TEL: (011) 223-5384

TURKEY

Ant Muzik Aletleri Ithalat Ve

Ihracat Ltd Sti

Siraselviler Caddesi

Siraselviler Pasaji No:74/20

Taksim - Istanbul, TURKEY

TEL: (0212) 2449624

U.A.E.

Zak Electronics & Musical

Instruments Co. L.L.C.

Zabeel Road, Al Sherooq Bldg.,

No. 14, Grand Floor, Dubai,

U.A.E.

TEL: (04) 3360715

CANADA

Roland Canada Music Ltd.

(Head Office)

5480 Parkwood Way

Richmond B. C., V6V 2M4

CANADA

TEL: (604) 270 6626

Roland Canada Music Ltd.

(Toronto Office)

170 Admiral Boulevard

Mississauga On L5T 2N6

CANADA

TEL: (905) 362 9707

U. S. A.

Roland Corporation U.S.

5100 S. Eastern Avenue

Los Angeles, CA 90040-2938,

U. S. A.

TEL: (323) 890 3700

ASIA

AFRICA

AUSTRALIA/

NEW ZEALAND

EUROPE

CENTRAL/LATIN

AMERICA

MIDDLE EAST NORTH AMERICA

Roland KR107 ELECTRONIC PIANO WITH USB PORT User Manual KR 107 e

Roland Corporation ELECTRONIC PIANO WITH USB PORT KR 107 e

Contents

USERS MANUAL 3

Navigation menu

Namespaces

Views

Navigation