Fuji Film 02000002 Wireless LAN Module User Manual 00 LX11 OM 200 EN 01 indb
Fuji Film Corporation Wireless LAN Module 00 LX11 OM 200 EN 01 indb
Contents
User manual 3
| Download: |  |
| Mirror Download [FCC.gov] | |
| Document ID | 2852930 |
| Application ID | QbJIgkCasEGM91Okajlenw== |
| Document Description | User manual 3 |
| Short Term Confidential | No |
| Permanent Confidential | No |
| Supercede | No |
| Document Type | User Manual |
| Display Format | Adobe Acrobat PDF - pdf |
| Filesize | 161.81kB (2022580 bits) |
| Date Submitted | 2015-12-22 00:00:00 |
| Date Available | 2016-06-21 00:00:00 |
| Creation Date | 2015-12-11 16:15:00 |
| Producing Software | Acrobat Distiller 9.5.5 (Windows) |
| Document Lastmod | 2015-12-11 16:17:05 |
| Document Title | $00 LX11_OM_200-EN_01.indb |
| Document Creator | Adobe InDesign CS4_J (6.0.6) |
| Document Author: | SCHREIBER |
The Fn (Function) Buttons Using the Function Buttons The roles played by each of the six function buttons can be selected by pressing and holding the button. The default options are shown below: 50 Fn1 button Fn2 button Fn3 button Recording movies (P 44) Bright frame simulation (P 30) Metering (P 59) Fn4 button Fn5 button Fn6 button Film simulation (P 60) White balance (P 61) AF mode (P 66) Using the Function Buttons Assigning Roles to the Function Buttons To assign roles to the function buttons, press and hold the DISP/BACK button until the menu below is displayed. Select buttons to choose their roles. FUNCTION (Fn) SETTING SET PREVIEW DEPTH OF FIELD ISO AUTO SETTING SELF-TIMER IMAGE SIZE IMAGE QUALITY DYNAMIC RANGE FILM SIMULATION ⢠⢠⢠⢠⢠⢠⢠GRAIN EFFECT WHITE BALANCE PHOTOMETRY AF MODE FOCUS AREA FLASH MODE FLASH COMPENSATION ⢠⢠⢠⢠⢠⢠⢠SELECT CUSTOM SETTING MOVIE MODE FACE/EYE DETECTION SETTING RAW APERTURE SETTING WIRELESS COMMUNICATION SHUTTER TYPE ⢠⢠⢠⢠⢠PREVIEW EXP./WB IN MANUAL MODE PREVIEW PIC. EFFECT BRIGHT FRAME SIMULATOR BRIGHT FRAME BRIGHTNESS NONE R To disable the selected button, choose NONE. R You can also display options for any of the function buttons by pressing and holding the button. R The roles played by the six function buttons can also be selected using D BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING (P 112). The Fn (Function) Buttons ⢠⢠⢠⢠⢠⢠⢠CANCEL 51 More on Photography and Playback Drive Mode Use the DRIVE (e) button to choose the drive mode. 1 Press the DRIVE (e) button to display drive 2 Press the selector up or down to highlight a drive mode. Icon 52 Drive mode STILL IMAGE CONTINUOUS AE BKT ISO BKT FILM SIMULATION BKT WHITE BALANCE BKT DYNAMIC RANGE BKT MULTIPLE EXPOSURE ADVANCED FILTER 3 Press the selector left or right to choose a setting. ⢠Burst mode (CONTINUOUS): Choose the frameadvance rate. ⢠AE/ISO/WB BKT: Choose the bracketing increment. ⢠ADVANCED FILTER: Choose a filter effect. ⢠Other modes: Proceed to Step 4. mode options. 4 Press MENU/OK. AE BKT 5 Take pictures. â 53 54 56 55 R In burst mode, pictures will be taken while the shutter button is pressed. Shooting ends when the button is released, the maximum number of pictures has been taken, or the memory card is full. Drive Mode R Frame rate varies with the subject, shutter speed, sensitivity, and focus mode and may slow as more shots are taken. R Depending on shooting conditions, the frame rate may drop or the flash may not fire. R Additional time may be required to record pictures when shooting ends. R If file numbering reaches 999 before shooting is complete, the remaining pictures will be recorded to a new folder (P 115). R Burst shooting may not begin if the space available on the memory card is insufficient. Focus and Exposure To vary focus and exposure with each shot, select focus mode C; in other modes, focus and exposure are determined by the first shot in each series. More on Photography and Playback R Burst Mode (CONTINUOUS) Capture motion in a series of pictures. Q Selecting 8.0 fps in focus mode C restricts the choice of focus frames (P 70). Q Exposure and focus tracking performance may vary with aperture, sensitivity, and shooting conditions. 53 Drive Mode Bracketing Automatically vary settings over a series of pictures. Option O AE BKT W ISO BKT X FILM SIMULATION BKT H WHITE BALANCE BKT Y DYNAMIC RANGE BKT 54 Description Select a bracketing amount. Each time the shutter button is pressed, the camera will take three shots: one using the metered value for exposure (P 57), the second overexposed by the selected amount, and the third underexposed by the same amount (regardless of the amount selected, exposure will not exceed the limits of the exposure metering system). Select a bracketing amount. Each time the shutter is released, the camera will take a picture at the current sensitivity (P 58) and process it to create two additional copies, one with sensitivity raised and the other with sensitivity lowered by the selected amount (regardless of the amount selected, sensitivity will not exceed ISO 12800 or fall below ISO 200). Each time the shutter is released, the camera takes one shot and processes it to create copies at the settings chosen using A SHOOTING SETTING > FILM SIMULATION BKT (P 60, 95). Select a bracketing amount. Each time the shutter button is pressed, the camera takes three shots: one at the current white balanced setting (P 61), one with fine-tuning increased by the selected amount, and another with fine-tuning decreased by the selected amount. Each time the shutter button is pressed, the camera takes three shots with different dynamic ranges (P 89): 100% for the first, 200% for the second, and 400% for the third. While dynamic range bracketing is in effect, sensitivity will be restricted to a minimum of ISO 800 (or to a minimum of ISO 200 to 800 when an auto option is selected for sensitivity); the sensitivity previously in effect is restored when bracketing ends. Drive Mode Filter G TOY CAMERA H MINIATURE I POP COLOR J HIGH-KEY Z LOW-KEY K DYNAMIC TONE X SOFT FOCUS u PARTIAL COLOR (RED) v PARTIAL COLOR (ORANGE) w PARTIAL COLOR (YELLOW) x PARTIAL COLOR (GREEN) y PARTIAL COLOR (BLUE) z PARTIAL COLOR (PURPLE) Description Choose for a retro toy camera effect. The tops and bottoms of pictures are blurred for a diorama effect. Create high-contrast images with saturated colors. Create bright, low-contrast images. Create uniformly dark tones with few areas of emphasized highlights. Dynamic tone expression is used for a fantasy effect. Create a look that is evenly soft throughout the whole image. Areas of the image that are the selected color are recorded in that color. All other areas of the image are recorded in black-and-white. More on Photography and Playback Y Advanced Filters Take photos with filter effects. R Depending on the subject and camera settings, images may in some cases be grainy or vary in brightness and hue. 55 Drive Mode j Multiple Exposures Create a photograph that combines two exposures. 1 Select j for drive mode (P 52). 4 Take the second shot, using the first frame as a guide. 2 Take the first shot. EXIT 3 Press MENU/OK. The first shot will be shown superimposed on the view through the lens and you will be prompted to take the second shot. NEXT RETRY 2.0 5 Press MENU/OK to create the multiple exposure, or press the selector left to return to Step 4 and retake the second shot. EXIT R To return to Step 2 and retake the first shot, press the selector left. To save the first shot and exit without creating a multiple exposure, press DISP/BACK. 56 30 RETRY EXIT Exposure Compensation â C (Custom) When the exposure compensation dial is rotated to C, exposure compensation can be adjusted by rotating the front command dial. set Exposure compensation indicator Choose positive values (+) to increase exposure R The front command dial can be used to set exposure compensation to values between â5 and +5 EV. R The front command dial can be used to set shutter speed or exposure compensation. Press the dial to toggle between the two. More on Photography and Playback Rotate the exposure compensation dial to adjust exposure when photographing very bright, very dark, or high-contrast subjects. The effect is visible in the display. Choosing an Exposure Compensation Value ⢠Backlit subjects: Choose values from +2/3 EV to +12/3 EV. Choose negative values (â) to reduce exposure Q The amount of compensation available varies with the shooting mode. ⢠Highly reflective subjects or very bright scenes (e.g., snowfields): +1 EV ⢠Scenes that are mostly sky: +1 EV ⢠Spotlit subjects (particularly if photographed against dark backgrounds): â2/3 EV ⢠Subjects with low reflectivity (pine trees or dark-colored foliage): â2/3 EV 57 Sensitivity âSensitivityâ refers to the cameraâs sensitivity to light. Lift and rotate the ISO dial to choose from values between 200 and 12800, or select L (100), H (25600), or H (51200) for special situations (P 112). Higher values can be used to reduce blur when lighting is poor, while lower values allow slower shutter speeds or wider apertures in bright light; note, however, that mottling may appear in pictures taken at high sensitivities, particularly at H (51200), while choosing L (100) reduces dynamic range. Values of from ISO 200 to ISO 6400 are recommended in most situations. If A is selected, the camera will adjust sensitivity automatically in response to shooting conditions according to the option selected for A SHOOTING SETTING > ISO AUTO SETTING (P 97). Choose from AUTO 1, AUTO 2, and AUTO 3. R Sensitivity is not reset when the camera is turned off. 58 Metering Q The selected option will only take effect when G AF/MF SETTING > FACE/EYE DETECTION SETTING is off (P 92). Mode Description The camera instantly determines exposure based on an analysis of composition, color, and brightness distribution. Recommended in most situations. (MULTI) The camera meters the entire frame but assigns the greatest weight to the area at the center. (CENTER WEIGHTED) The camera meters lighting conditions in an area at the center of the frame equivalent to 2% of the total. Recommended with backlit subjects and in other cases in which the background is much brighter or (SPOT) darker than the main subject. Exposure is set to the average for the entire frame. Provides consistent exposure across multiple shots with the same lighting, and is particularly effective for landscapes and portraits of subjects dressed in (AVERAGE) black or white. More on Photography and Playback Choose how the camera meters exposure. Press the function (Fn3) button to display the options shown below, then use the selector to highlight an option and press MENU/OK to select. R Metering options can also be accessed using A SHOOTING SETTING > PHOTOMETRY (P 95). 59 Film Simulation Simulate the effects of different kinds of film, including black-andwhite (with or without color filters). Press the function (Fn4) button to display the options shown below, then use the selector to highlight an option and press MENU/OK to select. Option Description c (PROVIA/STANDARD) Standard color reproduction. Suited to a wide range of subjects, from portraits to landscapes. A high-contrast palette of saturated colors, suited to nature photos. > (Velvia/VIVID) Enhances the range of hues available for skin tones in portraits while preserving the bright blues of daye (ASTIA/SOFT) light skies. Recommended for outdoor portrait photography. i (CLASSIC CHROME) Soft color and enhanced shadow contrast for a calm look. g (PRO Neg. Hi) Offers slightly more contrast than h (PRO Neg. Std). Recommended for outdoor portrait photography. A soft-toned palette. The range of hues available for skin tones is enhanced, making this a good choice for h (PRO Neg. Std) studio portrait photography. Take black-and-white photos with rich gradation and outstanding sharpness. Available with yellow (Ye), a (ACROS) * red (R), and green (G) filters. b (MONOCHROME) * Take pictures in standard black and white. Available with yellow (Ye), red (R), and green (G) filters. Take pictures in sepia. f (SEPIA) * Filters deepen shades of gray corresponding to hues complementary to the selected color. The yellow (Ye) filter deepens purples and blues and the red (R) filter blues and greens. The green (G) filter deepens reds and browns, including skin tones, making it a good choice for portraits. R Film simulation options can be combined with tone and sharpness settings (P 89). R Film simulation options can also be accessed using H IMAGE QUALITY SETTING > FILM SIMULATION (P 89). 60
Source Exif Data:
File Type : PDF File Type Extension : pdf MIME Type : application/pdf PDF Version : 1.6 Linearized : No XMP Toolkit : Adobe XMP Core 5.4-c005 78.147326, 2012/08/23-13:03:03 Modify Date : 2015:12:11 16:17:05+08:00 Create Date : 2015:12:11 16:15+08:00 Metadata Date : 2015:12:11 16:17:05+08:00 Creator Tool : Adobe InDesign CS4_J (6.0.6) Format : application/pdf Title : $00 LX11_OM_200-EN_01.indb Creator : SCHREIBER Document ID : uuid:40f8460a-2683-4e17-8d1f-93b1e93ebbbc Instance ID : uuid:3834def8-1070-4c0b-a0d1-4d00172beee7 Producer : Acrobat Distiller 9.5.5 (Windows) Page Count : 11 Author : SCHREIBEREXIF Metadata provided by EXIF.tools