Fuji Film 02000002 Wireless LAN Module User Manual 00 LX11 OM 200 EN 01 indb

Download:
Mirror Download [FCC.gov]
Document ID	2852931
Application ID	QbJIgkCasEGM91Okajlenw==
Document Description	User manual 4
Short Term Confidential	No
Permanent Confidential	No
Supercede	No
Document Type	User Manual
Display Format	Adobe Acrobat PDF - pdf
Filesize	422.83kB (5285353 bits)
Date Submitted	2015-12-22 00:00:00
Date Available	2016-06-21 00:00:00
Creation Date	2015-12-11 16:12:27
Producing Software	Acrobat Distiller 9.5.5 (Windows)
Document Lastmod	2015-12-11 16:12:27
Document Title	$00 LX11_OM_200-EN_01.indb
Document Creator	Adobe InDesign CS4_J (6.0.6)
Document Author:	SCHREIBER

White Balance
Option
Description
Option
Description
AUTO White balance adjusted automatically.
i For subjects in direct sunlight.
j For subjects in the shade.
l Measure a value for white balance (P 62).
k Use under “daylight” fluorescent lights.
l Use under “warm white” fluorescent lights.
Selecting this option displays a list of color
m Use under “cool white” fluorescent lights.
temperatures (P 62); highlight a temperan Use under incandescent lighting.
k ture and press MENU/OK to select the highlighted option and display the fine-tuning g Reduces the blue cast typically associated
with underwater lighting.
dialog.
WB SHIFT
AUTO
R:0 B:0
SET
More on Photography and Playback
For natural colors, choose a white balance option that matches the
light source. Press the function (Fn5) button to display the options
shown below, then press the selector up or down to highlight an option and press MENU/OK to select.
R White balance is adjusted for flash lighting only in AUTO and g modes. Turn the flash off using other white
balance options (P 78).
R Results vary with shooting conditions. Play pictures back after shooting to check colors.
R White balance options can also be accessed using H IMAGE QUALITY SETTING > WHITE BALANCE (P 89).
61
White Balance
h: Custom White Balance
Choose h to adjust white balance for unusual lighting conditions. White balance measurement options will
be displayed; frame a white object so that it fills the display and press the shutter button all the way down to
measure white balance (to select the most recent custom value and exit without measuring white balance,
press DISP/BACK, or press MENU/OK to select the most recent value and display the fine-tuning dialog).
• If “COMPLETED!” is displayed, press MENU/OK to set white balance to the measured value.
• If “UNDER” is displayed, raise exposure compensation (P 57) and try again.
• If “OVER” is displayed, lower exposure compensation (P 57) and try again.
k: Color Temperature
Color temperature is an objective measure of the color of a light source, expressed in Kelvin (K). Light sources
with a color temperature close to that of direct sunlight appear white; light sources with a lower color temperature have a yellow or red cast, while those with a higher color temperature are tinged with blue. You can match
color temperature to the light source as shown in the following table, or choose options that differ sharply from
the color of the light source to make pictures “warmer” or “colder.”
Choose for redder light sources
or “colder” pictures
2,000 K
Candlelight
Sunset/sunrise
62
Choose for bluer light sources
or “warmer” pictures
5,000 K
Direct sunlight
15,000 K
Blue sky
Shade
Focus Mode
Reduce focus
distance
55
35
23 18
Increase focus
distance
XF
ZOOM
18-55
Focus distance
(white line)
Manual focus
mode icon
㹋


More on Photography and Playback
Use the focus mode selector to choose how the camera focuses (note
that regardless of the option selected, manual focus will be used
when the lens is in manual focus mode).
• S (single AF): Focus locks while the shutter button is pressed halfway.
Choose for stationary subjects.
• C (continuous AF): Focus is continually adjusted to reflect changes in the
distance to the subject while the shutter button is pressed halfway. Use for subjects that are in motion. Eye-detection AF is not available.
• M (manual): Focus manually using the lens focus ring. Rotate the ring left to reduce the focus distance,
right to increase. The manual focus indicator indicates how closely the focus distance matches the
distance to the subject in the focus brackets (the white line indicates the focus distance, the blue
bar the depth of field, or in other words the distance in front of and behind the focus point that appears to be in focus); you can also check focus visually in the viewfinder or LCD monitor. Choose for
manual control of focus or in situations in which the camera is unable to focus using autofocus (P 77).


Manual focus
indicator
Depth of field
(blue bar)
R Use D BUTTON/DIAL SETTING > FOCUS RING (P 112) to reverse the direction of rotation of the focus ring.
R To use autofocus to focus on the subject in the selected focus area (P 67), press the AF-L button (the size of
the focus area can be chosen with the rear command dial). In manual focus mode, you can use this feature
to quickly focus on a chosen subject using either single or continuous AF according to the option chosen for
G AF/MF SETTING > INSTANT AF SETTING (P 93).
63
Focus Mode
R The camera can show focus distance in meters or feet. Use D SCREEN SETTING > FOCUS SCALE UNITS (P 111)
to choose the units used.
R If ON is selected for G AF/MF SETTING > PRE-AF (P 91), focus will be adjusted continuously in modes S and C
even when the shutter button is not pressed.
■ The Focus Indicator
The focus indicator turns green when the subject is in focus and blinks white when
the camera is unable to focus. Brackets (“( )”) indicate that the camera is focusing
and are displayed continuously in mode C. j is displayed in manual focus mode.




Focus indicator
Checking Focus
To zoom in on the current focus area (P 67) for precise focus, press
the center of the rear command dial. Press the center of the rear
command dial again to cancel zoom. In manual focus mode, zoom
can be adjusted by rotating the rear command dial when STANM
DARD or FOCUS PEAK HIGHLIGHT is selected for G AF/MF SET- M
TING > MF ASSIST (P 93), while if ON is selected for G AF/MF SETTING > FOCUS CHECK (P 93), the camera will automatically zoom in on the selected focus area when the focus
ring is rotated. Focus zoom is not available in focus mode C or when G AF/MF SETTING > PRE-AF (P 91) is on
or an option other than r SINGLE POINT is selected for AF MODE (P 66).
64
Focus Mode
R The MF ASSIST menu can be displayed by pressing and holding the center of the rear command dial.
The following options are available:
• FOCUS PEAK HIGHLIGHT: Highlights high-contrast outlines. Rotate the focus ring until
the subject is highlighted.
• DIGITAL SPLIT IMAGE: Displays a split image in the center of the frame. Frame the
subject in the split-image area and rotate the focus ring until the three parts of the
split image are correctly aligned.
More on Photography and Playback
■ MF Assist
The G AF/MF SETTING > MF ASSIST (P 93) option can be used to check focus when pictures are
framed in the LCD monitor or electronic viewfinder in manual focus mode.
65
Focus Mode
Autofocus Options (AF Mode)
To choose the AF mode for focus modes S and C, press the function
button (Fn6) to display the options shown below, then press the selector up or down to highlight an option and press MENU/OK to select.
• r SINGLE POINT: The camera focuses on the subject in the selected focus point (P 68). The number of focus points available can
be selected using G AF/MF SETTING > NUMBER OF THE FOCUS
POINTS (P 91). Use for pin-point focus on a selected subject.
• y ZONE: The camera focuses on the subject in the selected focus zone (P 69). Focus zones include
multiple focus points (7 × 7, 5 × 5, or 3 × 3), making it easier to focus on subjects that are in motion.
• z WIDE/TRACKING: In focus mode C, the camera tracks focus on the subject in the selected focus
point while the shutter-release button is pressed halfway (P 70). In focus mode S, the camera automatically focuses on high-contrast subjects; the areas in focus are shown in the display. The camera
may be unable to focus on small objects or subjects that are moving rapidly.
R AF mode options can also be accessed using G AF/MF SETTING > AF MODE (P 91).
66
Focus Mode
R Focus-area selection can also be used to choose the focus point for manual focus and focus zoom.
R The focus-area grid is reduced to 9 × 7 at an aspect ratio of 1 : 1 (P 88).
Tilt the focus stick to position the focus frame, or press the center of the stick to return to the center
focus point.
More on Photography and Playback
Focus-Point Selection
Use the focus stick (focus lever) to choose a focus point for autofocus. The procedure for selecting the
focus point varies with the option chosen for AF mode (P 66).
Focus frame
Available Focus Points
Fewer focus points are available for intelligent hybrid AF, which combines phase-detection with TTL contrastdetect AF.
TTL contrast-detect
Intelligent hybrid AF
(TTL contrast-detect AF + phase-detection AF)
67
Focus Mode
The Focus Point Display
The focus stick (focus lever) can be used to display available focus points.
R Focus-area selection can also be accessed using G AF/MF SETTING > FOCUS AREA (P 91).
■ Single Point AF
Press the center of the focus stick to display the focus points (“+”) and
focus frame. Use the stick to position the focus frame over the desired
focus point, or press the center of the stick to return to the center point.
Focus point
Focus frame
To choose the size of the focus frame, rotate the rear command dial.
Rotate the dial left to reduce the frame by up to 50%, right to enlarge it
by up to 150%, or press the center of the dial to restore the frame to its
original size. Press MENU/OK to put your selection into effect.
68
Focus Mode
To choose the number of focus frames in the zone, rotate the rear command dial. Rotate the dial right to cycle through zone sizes in the order 3 × 3, 5 × 5, 7 × 7, 3 × 3…, left to cycle through zone sizes in reverse
order, or press the center of the dial to select a zone size of 3 × 3. Press
MENU/OK to put your selection into effect.
Focus zone
More on Photography and Playback
■ Zone AF
Press the center of the focus stick to display the focus zone. Use the
stick to position the zone or press the center of the stick to return the
zone to the center of the display.
69
Focus Mode
■ Tracking (Focus Mode C Only)
Press the center of the focus stick to display the focus frame. Use the
stick to position the focus frame, or press the center of the stick to return the frame to the center of the display. Press MENU/OK to put your
selection into effect. The camera will track focus on the subject while
the shutter button is pressed halfway.
Focus frame
Q Manual focus-frame selection is not available when wide/tracking is selected in focus mode S.
Burst Mode Focus-Frame Selection
When continuous high-speed (8.0 fps) is selected for drive mode, the number of focus frames available in focus
mode C drops.
Single point
70
Zone
Wide/Tracking
Long Time-Exposures (T/B)
R Use of a tripod is recommended to prevent the camera from moving during the exposure.
R To reduce “noise” (mottling) in long time-exposures, select ON for H IMAGE QUALITY SETTING > LONG EXPOSURE NR (P 90). Note that this may increase the time needed to record images after shooting.
Time (T)
1 Rotate the shutter speed dial to T.
2 Rotate the front command dial to
choose a shutter speed.
2”
Bulb (B)
1 Rotate the shutter speed dial to B.
2 Press the shutter button all the way
down. The shutter will remain open
for up to 60 minutes while the shutter button is pressed; the display
shows the time elapsed since the
exposure started.
More on Photography and Playback
Select a shutter speed of T (time) or B (bulb) for long time-exposures.
R Selecting an aperture of A fixes shutter speed at 30 s.
3 Press the shutter button all the way
down to take a picture at the selected shutter speed. A count-down
timer will be displayed while the exposure is in progress.
71
Long Time-Exposures (T/B)
Using a Remote Release
An optional RR-90 remote release can be used for
long time-exposures. See the manual provided
with the RR-90 for more information.
Third-Party Remote Releases
Electronic releases from thirdparty suppliers can be connected via the microphone/remote
release connector. A confirmation dialog will be displayed
when a third-party release is
connected; press MENU/OK and
select n REMOTE for MIC/REMOTE RELEASE.
CHECK MIC/REMOTE RELEASE
SETTING
SKIP
SET
72
The Self-Timer
1 Press MENU/OK in shooting mode to display the
shooting menu.
4 Press the shutter button halfway to focus.
Q Stand behind the camera when using the shutter button. Standing in front of the lens can interfere with focus and exposure.
5 Press the shutter button
2 Select the A SHOOTING SETTING tab (P 87),
then highlight SELF-TIMER and press MENU/OK.
3 Press the selector up or down to highlight the
desired option and press MENU/OK to select.
Option
Description
The shutter is released two seconds after the
shutter button is pressed. Use to reduce blur
R 2 SEC
caused by the camera moving when the shutter button is pressed.
The shutter is released ten seconds after the
S 10 SEC shutter button is pressed. Use for photographs
in which you wish to appear yourself.
OFF
Self-timer off.
the rest of the way down to
start the timer. The display
in the monitor shows the
number of seconds remaining until the shutter is released. To stop
the timer before the picture is taken, press
DISP/BACK.
More on Photography and Playback
Use the timer for self-portraits or to prevent blur caused by camera shake.
The self-timer lamp on
the front of the camera
will blink immediately
before the picture is
taken. If the two-second timer is selected,
the self-timer lamp will blink as the timer
counts down.
R The self-timer turns off automatically when the
camera is turned off.
73
Interval Timer Photography
Follow the steps below to configure the camera to take photos automatically at a preset interval.
1 Press MENU/OK in shooting mode to display the shooting menu.
Select the A SHOOTING SETTING tab (P 87), then highlight INTERVAL TIMER SHOOTING and press MENU/OK.
2 Use the selector to choose the interval and number of shots. Press MENU/OK to
INTERVAL/NUMBER OF TIMES
INTERVAL
NUMBER OF TIMES
proceed.
END
3 Use the selector to choose the starting time and then press MENU/OK. Shooting
CANCEL
START WAITING TIME
will start automatically.
LATER
ESTIMATED START TIME 11 : 00 PM
START
CANCEL
Q Interval timer photography can not be used at a shutter speed of B (bulb) or with multiple exposure photography. In burst mode, only one picture will be taken each time the shutter is released.
R Use of a tripod is recommended.
R Check the battery level before starting. We recommend using an optional AC-9V AC power adapter and
CP-W126 DC coupler.
R The display turns off between shots and lights a few seconds before the next shot is taken. The display can be
activated at any time by pressing the shutter button.
74
Focusing and Taking Pictures
1 Focus.
Frame the picture with your subject in the center of the display and press the shutter
button halfway to focus.
R If the subject is poorly lit, the AF-assist illuminator may light (P 91).
If the camera is able to focus, it will beep twice and the focus indicator and frame in
focus will glow green. Focus and exposure will lock while the shutter button is
pressed halfway.
Focus frame




Focus indicator
More on Photography and Playback
Press the shutter button halfway to focus and the rest of the way down to shoot.
If the camera is unable to focus, the focus frame will turn red, s will be displayed, and the focus indicator will blink white.
2 Shoot.
Smoothly press the shutter button the rest of the way down to take the picture.
75
Focus/Exposure Lock
To compose photographs with off-center subjects:
1 Focus: Position the subject in the focus frame and press the shutter button halfway to lock focus and exposure. Focus and exposure will remain locked while
the shutter button is pressed halfway (AF/AE lock).
R Focus and exposure can also be locked with the AF-L and AE-L buttons, respectively (if AE/AF LOCK is
selected for D BUTTON/DIAL SETTING > AF-LOCK MODE, pressing the AF-L button will lock both focus
and exposure; P 113).
2 Recompose: Keep the shutter button pressed halfway or keep the AF-L or AE-L button pressed.
R Focus and/or exposure will remain locked while the AF-L or AE-L button is pressed,
whether or not the shutter button is pressed halfway. If AE&AF ON/OFF SWITCH
is selected for D BUTTON/DIAL SETTING > AE/AF-LOCK MODE (P 113), focus and/
or exposure lock when the button is pressed and remain locked until the button is
pressed again.
3 Shoot: Press the button all the way down.
R The roles of the AE-L and AF-L buttons can be reversed using D BUTTON/DIAL SETTING > AE-L/AF-L BUTTON
SETTING (P 113).
76
Focus/Exposure Lock
• Fast-moving subjects.
•
•
•
•
Subjects photographed through a window or other reflective object.
Dark subjects and subjects that absorb rather than reflect light, such as hair or fur.
Insubstantial subjects, such as smoke or flame.
Subjects that show little contrast with the background (for example, subjects in clothing that is the same color
as the background).
• Subjects positioned in front of or behind a high-contrast object that is also in the focus frame (for example, a
subject photographed against a backdrop of highly contrasting elements).
More on Photography and Playback
Autofocus
Although the camera boasts a high-precision autofocus system, it may be unable to focus on the subjects listed
below.
• Very shiny subjects such as mirrors or car bodies.
77
Flash Photography
Use an optional flash unit for additional lighting when shooting at night or indoors under low light.
1 Remove the hot shoe cover and slide the flash
onto the hot shoe as shown, stopping when it
clicks into place.
2 Turn the flash on.
R For more information, see the documentation
provided with the flash unit.
78
3 Choose a flash mode in the F FLASH SETTING > FLASH MODE menu (P 87).
Mode
Description
A (AUTO FLASH)/
FLASH)/ The flash fires when required. RecomK (RED EYE REDUCTION) * mended in most situations.
The flash fires whenever a picture is
N (FORCED FLASH)/
FLASH)/ taken. Use for backlit subjects or for
L (FORCED FLASH) * natural coloration when shooting in
bright light.
Capture both the main subject and
F (SLOW SYNCHRO)/
SYNCHRO)/ the background under low light (note
M (RED EYE & SLOW) * that brightly lit scenes may be overexposed).
l (2ND CURTAIN SYNC.)/
SYNC.)/ The flash fires immediately before the
d (2ND CURTAIN SYNC.) * shutter closes.
The built-in flash can be used to control
D (COMMANDER)
optional remote flash units.
The flash does not fire even when the
P (SUPPRESSED FLASH) subject is poorly lit. A tripod is recommended.
* Red-eye removal is available in these modes
when Intelligent Face Detection is active (P 92)
and red-eye removal is on (P 98). Red-eye removal minimizes “red-eye” caused when light
from the flash is reflected from the subject’s
retinas as shown in the illustration at right.
Flash Photography
Flash Sync Speed
The flash will synchronize with the shutter at shutter
speeds of 1/250 s or slower.
R Lowering the flash turns the flash off (P) and prevents it firing even when the subject is poorly lit; use
of a tripod is recommended. Lower the flash where
flash photography is prohibited or to capture natural lighting under dim light. We also recommend
that you lower the flash when the camera is off.
R If p is displayed when the shutter button is pressed
halfway, the flash will fire when the photo is taken.
R Except in commander mode, the flash may fire several times with each shot. Do not move the camera
until shooting is complete.
Optional Flash Units
The camera can also be used with optional FUJIFILM
shoe-mounted flash units (P 132). Do not use thirdparty flash units that apply over 300 V to the camera
hot shoe.
The Sync Terminal
Use the sync terminal to connect flash units that require a sync cable.
Flash Mode and Shooting Mode
The flash modes available vary with the shooting
mode (P 153):
Flash mode
✔
✔ ✔ ✔
✔
✔
✔ ✔ ✔
✔ ✔ ✔
✔ ✔ ✔
* Wireless remote photography.
✔
✔
✔
✔
j Y F r*
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
More on Photography and Playback
Q Depending on the distance to the subject, some
lenses may cast shadows in photos taken with the
flash.
✔
✔
✔
✔
✔
✔
79
Recording Pictures in RAW Format
To record raw, unprocessed data from the camera image sensor, select a RAW option for image quality
in the shooting menu as described below. JPEG copies of RAW images can be created using C PLAY
BACK MENU > RAW CONVERSION, or RAW images can be viewed on a computer using the RAW FILE
CONVERTER application (P 81, 123).
1 Press MENU/OK in shooting mode to display the shooting menu. Select the H IMAGE QUALITY
SETTING tab (P 87), then highlight IMAGE QUALITY (P 88) and press MENU/OK.
2 Highlight an option and press MENU/OK. Select RAW to record only RAW images, or FINE+RAW or
NORMAL+RAW to record both JPEG copy together with the RAW images. FINE+RAW uses lower
JPEG compression ratios for higher-quality JPEG images, while NORMAL+RAW uses higher JPEG
compression ratios to increase the number of images that can be stored.
The Function Buttons
To toggle RAW image quality on or off for a single shot, assign RAW to a function button (P 51). If a JPEG option
is currently selected for image quality, pressing the button temporarily selects the equivalent JPEG+RAW option.
If a JPEG+RAW option is currently selected, pressing the button temporarily selects the equivalent JPEG option,
while if RAW is selected, pressing the button temporarily selects FINE. Taking a picture or pressing the button
again restores the previous setting.
80
Recording Pictures in RAW Format
1 Press MENU/OK during playback to display
the playback menu, then press the selector up or down to highlight C PLAY BACK
MENU > RAW CONVERSION (P 101) and
press MENU/OK to display the settings listed
in the table at right.
R These options can also be displayed by pressing
Q button during playback.
2 Press the selector up or
RAW CONVERSION
REFLECT SHOOTING COND.
PUSH/PULL PROCESSING
DYNAMIC RANGE
FILM SIMULATION
GRAIN EFFECT
WHITE BALANCE
down to highlight a setting
and press the selector right
to select. Press the selector up or down to highlight
the desired option and press MENU/OK to select
and return to the settings list. Repeat this step
to adjust additional settings.
CREATE
CANCEL
3 Press the Q button to preview the JPEG copy
and press MENU/OK to save.
Setting
REFLECT SHOOTING
COND.
PUSH/PULL
PROCESSING
Description
Create a JPEG copy using the settings in effect at the time the photo was taken.
Adjust exposure by –1 EV to +3 EV in increments of 1/3 EV.
Enhance details in highlights for natural
DYNAMIC RANGE
contrast (P 89).
Simulate the effects of different types of film
FILM SIMULATION
(P 60).
GRAIN EFFECT
Add a film grain effect (P 89).
WHITE BALANCE Adjust white balance (P 61).
WB SHIFT
Fine-tune white balance (P 61).
HIGHLIGHT TONE Adjust highlights (P 89).
SHADOW TONE
Adjust shadows (P 89).
COLOR
Adjust color density (P 89).
SHARPNESS
Sharpen or soften outlines (P 89).
NOISE REDUCTION Process the copy to reduce mottling (P 89).
Improve definition by adjusting for diffracLENS MODULATION
tion and the slight loss of focus at the peOPTIMIZER
riphery of the lens (P 90).
Choose the color space used for color reproCOLOR SPACE
duction (P 90).
More on Photography and Playback
Creating JPEG Copies of RAW Pictures
RAW pictures store information on camera settings separately from the data captured by the camera
image sensor. Using C PLAY BACK MENU > RAW CONVERSION (P 102), you can create JPEG copies
of RAW pictures using different options for the settings listed below. The original image data are unaffected, allowing a single RAW image to be processed in a multitude of different ways.
81
Saving Settings
Save up to 7 sets of custom camera settings for commonly-encountered situations. Saved settings can
be recalled using H IMAGE QUALITY SETTING > SELECT CUSTOM SETTING (P 90).
1 Press MENU/OK in shooting mode to display the shooting menu. Select the H IMAGE QUALITY SETTING tab (P 87), then highlight EDIT/SAVE CUSTOM SETTING (P 90) and press MENU/OK.
2 Highlight a custom settings bank and press MENU/OK to select. Adjust the following as desired and press DISP/BACK when adjustments are complete: DYNAMIC RANGE, FILM SIMULATION, GRAIN EFFECT, WHITE BALANCE, COLOR,
SHARPNESS, HIGHLIGHT TONE, SHADOW TONE, and NOISE REDUCTION.
IMAGE QUALITY SETTING
3/3
CUSTOM 1
SELECT CUSTOM SETTING
EDIT/SAVE CUSTOMCUSTOM
SETTING2
CUSTOM 3
CUSTOM 4
CUSTOM 5
CUSTOM 6
CUSTOM 7
CUSTOM 1
1/2
XXXXX
SAVE
CURRENT SETTINGS
DYNAMIC RANGE
FILM SIMULATION
GRAIN EFFECT
WHITE BALANCE
HIGHLIGHT TONE
SHADOW TONE
COLOR
AUTO
OFF
AUTO
BACK EXIT
R To replace the settings in the selected bank with the settings currently selected with the camera, select
K SAVE CURRENT SETTINGS and press MENU/OK.
3 A confirmation dialog will be displayed; highlight OK and press MENU/OK.
SAVE CUSTOM SETTING
CUSTOM 1 SET OK?
OK
CANCEL
82
Using a Mount Adapter
Pressing the function button on the mount
adapter displays l MOUNT ADAPTOR SETTING options.
R Mount adapter settings can also be accessing using
A SHOOTING SETTING > MOUNT ADAPTER SETTING (P 97).
R Before checking focus, set the focus mode selector
to M (P 63).
Bright Frame Brightness
Adjust the brightness of the bright frame in the
OVF display. Use the BRIGHT FRAME BRIGHTNESS option to adjust the brightness of the
bright frame in the OVF display.
Lens Registration
■ Choosing a Focal Length
If the lens has a focal length of
21, 24, 28, or 35 mm, choose a
matching option in the
l MOUNT ADAPTOR SETTING menu.
For other lenses, select option
5 or 6 and use the selector to
enter the focal length.
■ Distortion Correction
Choose from STRONG, MEDIUM, or WEAK options to correct BARREL or PINCUSHION
distortion.
Barrel distortion
LENS REGISTRATION
LENS 1
LENS 2
LENS 3
LENS 4
LENS 5
LENS 6
SET
LENS 5
INPUT FOCAL LENGTH
SET
CANCEL
LENS5 DISTORTION CORRECTION
BARREL STRONG
BARREL MEDIUM
BARREL WEAK
OFF
PINCUSHION WEAK
PINCUSHION MEDIUM
PINCUSHION STRONG
More on Photography and Playback
When M-mount lenses are attached using an
optional FUJIFILM M MOUNT ADAPTER, the camera
processes pictures as they are taken to maintain
image quality and correct for a variety of effects.
Pincushion distortion
R To determine the amount required, adjust distortion correction while taking photos of graph paper
or other objects featuring repeating vertical and
horizontal lines, such as the windows in a high-rise.
83
Using a Mount Adapter
■ Color Shading Correction
Color (shading) variations between the center and edges
of the frame can be adjusted
separately for each corner.
NEXT
SET
To use color shading correction, follow the steps
below.
1 Rotate the rear command dial to choose a
corner. The selected corner is indicated by a
triangle.
2 Use the selector to adjust shading until there
is no visible difference in color between the
selected corner and the center of the image.
Press the selector left or right to adjust colors
on the cyan–red axis, up or down to adjust
colors on the blue–yellow axis.
R To determine the amount required, adjust color
shading correction while taking photos of blue sky
or a sheet of gray paper.
84
■ Peripheral Illumination Correction
Choose from values between
–5 and +5. Choosing positive
values increases peripheral illumination, while choosing
negative values reduces peripheral illumination. Positive values are recommended for vintage lenses, negative values to
create the effect of images taken with an antique
lens or a pinhole camera.
SET
CANCEL
R To determine the amount required, adjust peripheral illumination correction while taking photos of
blue sky or a sheet of gray paper.
PhotoBook Assist
Creating a PhotoBook
1 Select NEW BOOK for C PLAY BACK
MENU > PHOTOBOOK ASSIST (P 101) and
choose from the following options:
• SELECT FROM ALL: Choose from all available
pictures.
• SELECT BY IMAGE SEARCH: Choose from pictures
matching selected search conditions.
R Neither photographs a or smaller nor movies
can be selected for photobooks.
3 Highlight COMPLETE PHOTOBOOK and
press MENU/OK (to select all photos or all photos matching the specified search conditions
for the book, choose SELECT ALL). The new
book will be added to the list in the photobook assist menu.
Q Books can contain up to 300 pictures.
Q Books that contain no photos are automatically deleted.
More on Photography and Playback
Create books from your favorite photos.
2 Scroll through the images and press the selector up to select or deselect. To display the
current image on the cover, press the selector
down. Press MENU/OK to exit when the book is
complete.
R The first picture selected becomes the cover image. Press the selector down to select a different
image for the cover.
85
PhotoBook Assist
Viewing Photobooks
Highlight a book in the photobook assist menu
and press MENU/OK to display the book, then press
the selector left or right to scroll through the pictures.
Editing and Deleting Photobooks
Display the photobook and press MENU/OK. The
following options will be displayed; select the
desired option and follow the on-screen instructions.
• EDIT: Edit the book as described in “Creating a
PhotoBook” (P 85).
• ERASE: Delete the book.
Photobooks
Photobooks can be copied to a computer using MyFinePix Studio software (P 123).
86
Menus
Using the Menus: Shooting Mode
The shooting menu is used to adjust settings for a wide range of shooting conditions. Frequently-used
options can be saved to a personalized custom menu (“my menu”).
Using the Shooting Menu
1 Press MENU/OK in shooting mode to display the
menus.
4 Press the selector right to place the
cursor in the menu.
IMAGE QUALITY SETTING
IMAGE SIZE
IMAGE QUALITY
RAW RECORDING
FILM SIMULATION
GRAIN EFFECT
DYNAMIC RANGE
WHITE BALANCE
HIGHLIGHT TONE
5 Press the selector up or down to
highlight the desired item.
EXIT
tions for the highlighted item.
the tab for the current menu.
Menus
6 Press the selector right to view op2 Press the selector left to highlight
7 Press the selector up or down to
IMAGE QUALITY SETTING
IMAGE SIZE
IMAGE QUALITY
RAW RECORDING
FILM SIMULATION
GRAIN EFFECT
DYNAMIC RANGE
WHITE BALANCE
HIGHLIGHT TONE
highlight the desired option.
EXIT
Tab
3 Press the selector down to highlight
the tab (H, G, A, F, B, or E) containing the desired item.
8 Press MENU/OK to select the highlighted option.
9 Press DISP/BACK to return to the
shooting display.
R Use the front command dial to scroll through the
menus a page at a time.
87
Using the Menus: Shooting Mode
H IMAGE QUALITY SETTING
To adjust shooting settings that affect image quality, press MENU/OK in the
shooting display and select the H (IMAGE QUALITY SETTING) tab (P 87).
IMAGE QUALITY SETTING
IMAGE SIZE
IMAGE QUALITY
RAW RECORDING
FILM SIMULATION
GRAIN EFFECT
DYNAMIC RANGE
WHITE BALANCE
HIGHLIGHT TONE
EXIT
IMAGE SIZE
Choose the size and aspect ratio at which still pictures are recorded.
Option
O3:2
O 16 : 9
O1:1
P3:2
P 16 : 9
IMAGE SIZE is not reset when the camera is turned off or another P 1 : 1
shooting mode is selected.
Aspect Ratio
Pictures with an aspect ratio of 3 : 2 have the same proportions as
a frame of 35 mm film, while an aspect ratio of 16 : 9 is suited to
display on High Definition (HD) devices. Pictures with an aspect
ratio of 1 : 1 are square.
Image size
6000 × 4000
6000 × 3376
4000 × 4000
4240 × 2832
4240 × 2384
2832 × 2832
Option
Q3:2
Q 16 : 9
Q1:1
Image size
3008 × 2000
3008 × 1688
2000 × 2000
IMAGE QUALITY
Choose a file format and compression ratio. Select FINE or NORMAL to record JPEG images, RAW to record RAW images, or
FINE+RAW or NORMAL+RAW to record both JPEG and RAW images. FINE and FINE+RAW use lower JPEG compression ratios
for higher-quality JPEG images, while NORMAL and NORMAL+RAW use higher JPEG compression ratios to increase the number of images that can be stored.
RAW RECORDING
Choose whether to compress RAW images.
Option
UNCOMPRESSED
Description
RAW images are not compressed.
RAW images are compressed using a reversible algorithm that reduces file size with no loss of image data.
LOSSLESS COMPRESSED
The images can be viewed in RAW FILE CONVERTER (P 123) or other compatible software.
88
Using the Menus: Shooting Mode
FILM SIMULATION
Simulate the effects of different types of film (P 60).
GRAIN EFFECT
Add a film grain effect.
DYNAMIC RANGE
Control contrast. Choose lower values to increase contrast when shooting indoors or under overcast skies, higher values to
reduce loss of detail in highlights and shadows when photographing high-contrast scenes. Higher values are recommended
for scenes that include both sunlight and deep shade, for such high-contrast subjects as sunlight on water, brightly-lit autumn
leaves, and portraits taken against a blue sky, and for white objects or people wearing white; note, however, that mottling may
appear in pictures taken at higher values.
R If AUTO is selected, the camera will automatically choose either V 100% or W 200% according to the subject and shooting conditions. Shutter speed and aperture will be displayed when the shutter button is pressed halfway.
R W 200% is available at sensitivities of ISO 400 and above, X 400% at sensitivities of ISO 800 and above.
HIGHLIGHT TONE
Adjust the appearance of highlights.
Menus
WHITE BALANCE
Adjust colors to match the light source (P 61).
SHADOW TONE
Adjust the appearance of shadows.
COLOR
Adjust color density.
SHARPNESS
Sharpen or soften outlines.
NOISE REDUCTION
Reduce noise in pictures taken at high sensitivities.
89
Using the Menus: Shooting Mode
LONG EXPOSURE NR
Select ON to reduce mottling in long time-exposures (P 71).
LENS MODULATION OPTIMIZER
Select ON to improve definition by adjusting for diffraction and the slight loss of focus at the periphery of the lens.
COLOR SPACE
Choose the gamut of colors available for color reproduction.
Option
sRGB
Adobe RGB
Description
Recommended in most situations.
For commercial printing.
PIXEL MAPPING
Use this option if you notice bright spots in your pictures.
1 Press MENU/OK in the shooting display and select the H IMAGE QUALITY SETTING tab (P 87).
2 Highlight PIXEL MAPPING and press MENU/OK to perform pixel mapping.
Results are not guaranteed.
Be sure the battery is fully charged before beginning pixel mapping.
Pixel mapping is not available when the camera temperature is elevated.
Processing may take a few seconds.
SELECT CUSTOM SETTING
Recall settings saved with EDIT/SAVE CUSTOM SETTING.
EDIT/SAVE CUSTOM SETTING
Save settings (P 82).
90
Using the Menus: Shooting Mode
G AF/MF SETTING
To adjust focus settings, press MENU/OK in the shooting display and select the
G (AF/MF SETTING) tab (P 87).
AF/MF SETTING
FOCUS AREA
AF MODE
NUMBER OF THE FOCUS POINTS
PRE-AF
AF ILLUMINATOR
FACE/EYE DETECTION SETTING
AF+MF
MF ASSIST
EXIT
FOCUS AREA
Choose the focus area (P 68). Focus-area selection can also be used to choose the focus point for manual focus and focus zoom.
AF MODE
Choose the AF mode for focus modes S and C (P 66).
Option
77 POINTS (7 × 11)
273 POINTS (13 × 21)
Description
Choose from 77 focus points arranged in a 7- by 11-point grid.
Choose from 273 focus points arranged in a 13- by 21-point grid.
Menus
NUMBER OF THE FOCUS POINTS
Choose the number of focus points available for focus-point selection in manual focus mode or when SINGLE POINT is selected
for AF MODE.
PRE-AF
If ON is selected, the camera will continue to adjust focus even when the shutter-release button is not pressed halfway. Note
that this increases the drain on the battery.
AF ILLUMINATOR
If ON is selected, the AF-assist illuminator will light to assist autofocus.
Q The camera may be unable to focus using the AF-assist illuminator in some cases. If the camera is unable to focus in macro
mode, try increasing the distance to the subject.
Q Avoid shining the AF-assist illuminator directly into your subject’s eyes.
91
Using the Menus: Shooting Mode
FACE/EYE DETECTION SETTING
Intelligent Face Detection sets focus and exposure for human faces anywhere in the frame, preventing the camera from focusing on the background in group portraits. Choose for shots that emphasize
portrait subjects. Faces can be detected with the camera in vertical or horizontal orientation; if a face is
detected, it will be indicated by a green border. If there is more than one face in the frame, the camera
will select the face closest to the center; other faces are indicated by white borders. You can also choose
whether the camera detects and focuses on eyes when Intelligent Face Detection is on. Choose from
the following options:
Option
FACE ON/EYE OFF
FACE ON/EYE AUTO
FACE ON/RIGHT EYE PRIORITY
FACE ON/LEFT EYE PRIORITY
FACE OFF/EYE OFF
Description
Intelligent Face Detection only.
The camera automatically chooses which eye to focus on when a face is detected.
The camera focuses on the right eye of subjects detected using Intelligent Face Detection.
The camera focuses on the left eye of subjects detected using Intelligent Face Detection.
Intelligent Face Detection and eye priority off.
R If the camera is unable to detect the subject’s eyes because they are hidden by hair, glasses, or other objects, the camera will
instead focus on faces.
Q In some modes, the camera may set exposure for the frame as a whole rather than the portrait subject.
Q If the subject moves as the shutter button is pressed, the face may not be in the area indicated by the green border when
the picture is taken.
92
Using the Menus: Shooting Mode
AF+MF
If ON is selected in focus mode S, focus can be adjusted manually by rotating the focus ring while the shutter button is pressed
halfway. Both standard and focus peaking MF assist options are supported. Lenses with a focus distance indicator must be set
to manual focus mode (MF) before this option can be used. Selecting MF disables the focus distance indicator. Set the focus
ring to the center of the focus distance indicator, as the camera may fail to focus if the ring is set to infinity or the minimum
focus distance.
AF + MF Focus Zoom
When ON is selected for G AF/MF SETTING > FOCUS CHECK and SINGLE POINT selected for AF MODE,
MODE, focus zoom can be
used to zoom in on the selected focus area. Focus zoom is not available when ZONE or WIDE/TRACKING is selected for AF
MODE.. The zoom ratio (2.5× — 6×) can be selected using the rear command dial.
MODE
MF ASSIST
Choose how focus is displayed in manual focus mode (P 65).
Menus
Option
Description
STANDARD
Focus is displayed normally (focus peaking and digital split image are not available).
DIGITAL SPLIT IMAGE
A black-and-white (MONOCHROME) or color (COLOR) split-image display.
FOCUS PEAK HIGHLIGHT The camera heightens high-contrast outlines. Choose a color and peaking level.
FOCUS CHECK
If ON is selected, the camera will automatically zoom in on the view through the lens when the focus ring is rotated in manual
focus mode (P 64).
INTERLOCK SPOT AE & FOCUS AREA
Select ON to meter the current focus frame when SINGLE POINT is selected for AF MODE (P 66) and SPOT is selected for
PHOTOMETRY (P 59).
INSTANT AF SETTING
Choose how the camera focuses when the AF-L button is pressed in manual focus mode (P 63).
93
Using the Menus: Shooting Mode
DEPTH-OF-FIELD SCALE
Choose FILM FORMAT BASIS to help you make practical assessments of depth of field for pictures that will be viewed as prints
and the like, PIXEL BASIS to help you assess depth of field for pictures that will be viewed at high resolutions on computers or
other electronic displays.
RELEASE/FOCUS PRIORITY
Choose how the camera focuses in focus mode AF-S or AF-C.
Option
RELEASE
FOCUS
Description
Shutter response is prioritized over focus. Pictures can be taken when the camera is not in focus.
Focus is prioritized over shutter response. Pictures can be only taken when the camera is in focus.
CORRECTED AF FRAME
If ON is selected, a second focus frame for focus distances of about 50 cm (1.6 ft) will be added to the display in the optical viewfinder. The focus frame for the current focus distance is displayed in green when the shutter button is pressed halfway.
ON
OFF
Focus frame for focus distance of infinity
Focus frame
Focus frame for focus distance of about 50 cm (1.6 ft)
94
Using the Menus: Shooting Mode
A SHOOTING SETTING
To adjust shooting options, press MENU/OK in the shooting display and select the
A (SHOOTING SETTING) tab (P 87).
SHOOTING SETTING
SELF-TIMER
INTERVAL TIMER SHOOTING
FILM SIMULATION BKT
PHOTOMETRY
SHUTTER TYPE
IS MODE
ISO AUTO SETTING
MOUNT ADAPTOR SETTING
EXIT
SELF-TIMER
Take pictures with the self-timer (P 73).
INTERVAL TIMER SHOOTING
Adjust settings for interval timer photography (P 74).
FILM SIMULATION BKT
Choose film types for film simulation bracketing (P 54, 60).
Menus
PHOTOMETRY
Choose how the camera meters exposure (P 59).
95
Using the Menus: Shooting Mode
SHUTTER TYPE
Choose the shutter type. Choose the electronic shutter to mute the shutter sound.
Option
Description
Take pictures with the mechanical shutter.
t MECHANICAL SHUTTER
Take pictures with the electronic shutter.
s ELECTRONIC SHUTTER
t MECHANICAL + s ELECTRONIC The camera chooses the shutter type according to shooting conditions.
R If s ELECTRONIC SHUTTER or t MECHANICAL + s ELECTRONIC is selected, shutter speeds faster than 1/4,000 s can be
chosen by rotating the shutter speed dial to 8000 and then rotating the front command dial.
R When the electronic shutter is used, shutter speed and sensitivity are restricted to values of 1/32,000–1 s and ISO 12800–200
respectively, and long exposure noise reduction has no effect. In burst mode, focus and exposure are fixed at the values for
the first shot in each burst.
Q Distortion may be visible in shots of moving subjects with electronic shutter, while banding and fog may occur in shots taken
under fluorescent lights or other flickering or erratic illumination. When taking pictures with the shutter muted, respect your
subjects’ image rights and right to privacy.
IS MODE
Reduce blur. This option is available only with lenses that support image stabilization.
Option
l CONTINUOUS
m SHOOTING ONLY
OFF
96
Description
Image stabilization on.
Image stabilization enabled only when the shutter button is pressed halfway or the shutter is released.
Image stabilization off ; x appears in the display (P 8, 10). Recommended when using a tripod.
Using the Menus: Shooting Mode
ISO AUTO SETTING
Choose the base sensitivity, maximum sensitivity, and minimum shutter speed for auto ISO sensitivity control, which is selected
by rotating the ISO dial to A. Settings for AUTO1, AUTO2, and AUTO3 can be adjusted separately.
Option
DEFAULT SENSITIVITY
MAX. SENSITIVITY
MIN. SHUTTER SPEED
Default
200
800 (AUTO1)/1600 (AUTO2)/3200 (AUTO3)
1/60
The camera automatically chooses a sensitivity between the default and maximum values. Sensitivity is only raised above the
default value if the shutter speed required for optimal exposure would be slower than the value selected for MIN. SHUTTER
SPEED.
MOUNT ADAPTOR SETTING
Adjust settings for M-mount lenses connected using an optional FUJIFILM M MOUNT ADAPTER (P 83).
Menus
R If the value selected for DEFAULT SENSITIVITY is higher than that selected for MAX. SENSITIVITY, DEFAULT SENSITIVITY
will be set to the value selected for MAX. SENSITIVITY.
R The camera may select shutter speeds slower than MIN. SHUTTER SPEED if pictures would still be underexposed at the
value selected for MAX. SENSITIVITY.
WIRELESS COMMUNICATION
Connect to a smartphone or tablet over a wireless network (P 122).
R For more information, visit http://fujifilm-dsc.com/wifi/.
97
Using the Menus: Shooting Mode
F FLASH SETTING
To adjust flash-related settings, press MENU/OK in the shooting display and select
the F (FLASH SETTING) tab (P 87).
FLASH SETTING
FLASH MODE
FLASH COMPENSATION
RED EYE REMOVAL
EXIT
FLASH MODE
Choose a flash mode (P 78).
FLASH COMPENSATION
Adjust flash brightness. Note that the desired results may not be achieved depending on shooting conditions and the distance
to the subject.
RED EYE REMOVAL
Choose ON to remove red-eye effects caused by the flash.
R Red-eye reduction is performed only when a face is detected.
R Red-eye removal is not available with RAW images.
98
Using the Menus: Shooting Mode
B MOVIE SETTING
To adjust options for movie recording, press MENU/OK in the shooting display
and select the B (MOVIE SETTING) tab (P 87).
MOVIE SETTING
MOVIE MODE
MIC LEVEL ADJUSTMENT
MIC/REMOTE RELEASE
EXIT
MOVIE MODE
Select a frame size and rate for movie recording.
• i 1080/60 P: 1920 × 1080 (60 fps)
• i 1080/50 P: 1920 × 1080 (50 fps)
• i 1080/30 P: 1920 × 1080 (30 fps)
• i 1080/25 P: 1920 × 1080 (25 fps)
• i 1080/24 P: 1920 × 1080 (24 fps)
•
•
•
•
•
h 720/60 P: 1280 × 720 (60 fps)
h 720/50 P: 1280 × 720 (50 fps)
h 720/30 P: 1280 × 720 (30 fps)
h 720/25 P: 1280 × 720 (25 fps)
h 720/24 P: 1280 × 720 (24 fps)
MIC/REMOTE RELEASE
Specify whether the device connected to the microphone/remote release connector is a microphone or a remote release (P 45,
72).
Menus
MIC LEVEL ADJUSTMENT
Adjust the microphone recording level.
99

---

Source Exif Data:

File Type                       : PDF
File Type Extension             : pdf
MIME Type                       : application/pdf
PDF Version                     : 1.6
Linearized                      : No
XMP Toolkit                     : Adobe XMP Core 5.4-c005 78.147326, 2012/08/23-13:03:03
Modify Date                     : 2015:12:11 16:12:27+08:00
Create Date                     : 2015:12:11 16:12:27+08:00
Metadata Date                   : 2015:12:11 16:12:27+08:00
Creator Tool                    : Adobe InDesign CS4_J (6.0.6)
Format                          : application/pdf
Title                           : $00 LX11_OM_200-EN_01.indb
Creator                         : SCHREIBER
Document ID                     : uuid:0ac55abe-78b6-425e-99fb-93c00c146d0f
Instance ID                     : uuid:ac0a1bd5-12b8-418d-aeef-3ca5d5dffef5
Producer                        : Acrobat Distiller 9.5.5 (Windows)
Page Count                      : 39
Author                          : SCHREIBER

EXIF Metadata provided by EXIF.tools