Fuji Film 02000002 Wireless LAN Module User Manual 00 LX11 OM 200 EN 01 indb

Fuji Film Corporation Wireless LAN Module 00 LX11 OM 200 EN 01 indb

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More on Photography and Playback

White Balance

For natural colors, choose a white balance option that matches the

light source. Press the function (Fn5) button to display the options

shown below, then press the selector up or down to highlight an op-

tion and press MENU/OK to select.

Option

Description

AUTO

AUTO White balance adjusted automatically.

Measure a value for white balance (P 62).

Selecting this option displays a list of color

temperatures (P 62); highlight a tempera-

ture and press MENU/OK to select the high-

lighted option and display the  ne-tuning

dialog.

Option

Description

iFor subjects in direct sunlight.

jFor subjects in the shade.

kUse under “daylight”  uorescent lights.

Use under “warm white”  uorescent lights.

mUse under “cool white”  uorescent lights.

nUse under incandescent lighting.

gReduces the blue cast typically associated

with underwater lighting.

R:0 B:0

WB SHIFT AUTO

SET

RWhite balance is adjusted for  ash lighting only in AUTO and g modes. Turn the  ash o using other white

balance options (P 78).

RResults vary with shooting conditions. Play pictures back after shooting to check colors.

RWhite balance options can also be accessed using H IMAGE QUALITY SETTING> WHITE BALANCE (P 89).

White Balance

: Custom White Balance

Choose h to adjust white balance for unusual lighting conditions. White balance measurement options will

be displayed; frame a white object so that it  lls the display and press the shutter button all the way down to

measure white balance (to select the most recent custom value and exit without measuring white balance,

press DISP/BACK, or press MENU/OK to select the most recent value and display the  ne-tuning dialog).

• If “COMPLETED!” is displayed, press MENU/OK to set white balance to the measured value.

• If “UNDER” is displayed, raise exposure compensation (P 57) and try again.

• If “OVER” is displayed, lower exposure compensation (P 57) and try again.

: Color Temperature

Color temperature is an objective measure of the color of a light source, expressed in Kelvin (K). Light sources

with a color temperature close to that of direct sunlight appear white; light sources with a lower color tempera-

ture have a yellow or red cast, while those with a higher color temperature are tinged with blue. You can match

color temperature to the light source as shown in the following table, or choose options that di er sharply from

the color of the light source to make pictures “warmer” or “colder.”

Choose for redder light sources

or “colder” pictures

Choose for bluer light sources

or “warmer” pictures

2,000 K

Candlelight

5,000 K

Direct sunlight

15,000 K

Blue sky

Sunset/sunrise Shade

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Focus Mode

Use the focus mode selector to choose how the camera focuses (note

that regardless of the option selected, manual focus will be used

when the lens is in manual focus mode).

• S (single AF): Focus locks while the shutter button is pressed halfway.

Choose for stationary subjects.

• C (continuous AF): Focus is continually adjusted to re ect changes in the

distance to the subject while the shutter button is pressed halfway. Use for subjects that are in mo-

tion. Eye-detection AF is not available.

• M (manual): Focus manually using the lens focus ring. Rotate the ring left to reduce the focus distance,

right to increase. The manual focus indicator indicates how closely the focus distance matches the

distance to the subject in the focus brackets (the white line indicates the focus distance, the blue

bar the depth of  eld, or in other words the distance in front of and behind the focus point that ap-

pears to be in focus); you can also check focus visually in the view nder or LCD monitor. Choose for

manual control of focus or in situations in which the camera is unable to focus using autofocus (P 77).

ZOOM

18-55

Reduce focus

distance

Increase focus

distance

   

㹋

Manual focus

indicator

Manual focus

mode icon

Focus distance

(white line)

Depth of  eld

(blue bar)

RUse D BUTTON/DIAL SETTING> FOCUS RING (P 112) to reverse the direction of rotation of the focus ring.

R To use autofocus to focus on the subject in the selected focus area (P 67), press the AF-L button (the size of

the focus area can be chosen with the rear command dial). In manual focus mode, you can use this feature

to quickly focus on a chosen subject using either single or continuous AF according to the option chosen for

G AF/MF SETTING> INSTANT AF SETTING (P 93).

Focus Mode

R The camera can show focus distance in meters or feet. Use D SCREEN SETTING> FOCUS SCALE UNITS ( P 111)

to choose the units used.

RIf ON is selected for G AF/MF SETTING> PRE-AF (P 91), focus will be adjusted continuously in modes S and C

even when the shutter button is not pressed.

■ The Focus Indicator

The focus indicator turns green when the subject is in focus and blinks white when

the camera is unable to focus. Brackets (“( )”) indicate that the camera is focusing

and are displayed continuously in mode C. j is displayed in manual focus mode.

   

Focus indicator

Checking Focus

To zoom in on the current focus area (P 67) for precise focus, press

the center of the rear command dial. Press the center of the rear

command dial again to cancel zoom. In manual focus mode, zoom

can be adjusted by rotating the rear command dial when STAN-

DARD or FOCUS PEAK HIGHLIGHT is selected for G AF/MF SET-

TING> MF ASSIST (P 93), while if ON is selected for G AF/MF SET-

TING> FOCUS CHECK (P 93), the camera will automatically zoom in on the selected focus area when the focus

ring is rotated. Focus zoom is not available in focus mode C or when G AF/MF SETTING> PRE-AF (P 91) is on

or an option other than r SINGLE POINT is selected for AF MODE (P 66).

M M

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Focus Mode

■ MF Assist

The G AF/MF SETTING> MF ASSIST (P 93) option can be used to check focus when pictures are

framed in the LCD monitor or electronic view nder in manual focus mode.

RThe MF ASSIST menu can be displayed by pressing and holding the center of the rear command dial.

The following options are available:

• FOCUS PEAK HIGHLIGHT: Highlights high-contrast outlines. Rotate the focus ring until

the subject is highlighted.

• DIGITAL SPLIT IMAGE: Displays a split image in the center of the frame. Frame the

subject in the split-image area and rotate the focus ring until the three parts of the

split image are correctly aligned.

Focus Mode

Autofocus Options (AF Mode)

To choose the AF mode for focus modes S and C, press the function

button (Fn6) to display the options shown below, then press the selec-

tor up or down to highlight an option and press MENU/OK to select.

• r SINGLE POINT: The camera focuses on the subject in the se-

lected focus point (P 68). The number of focus points available can

be selected using G AF/MF SETTING> NUMBER OF THE FOCUS

POINTS (P 91). Use for pin-point focus on a selected subject.

• y ZONE: The camera focuses on the subject in the selected focus zone (P 69). Focus zones include

multiple focus points (7 × 7, 5 × 5, or 3 × 3), making it easier to focus on subjects that are in motion.

• z WIDE/TRACKING: In focus mode C, the camera tracks focus on the subject in the selected focus

point while the shutter-release button is pressed halfway (P 70). In focus mode S, the camera auto-

matically focuses on high-contrast subjects; the areas in focus are shown in the display. The camera

may be unable to focus on small objects or subjects that are moving rapidly.

RAF mode options can also be accessed using G AF/MF SETTING> AF MODE (P 91).

More on Photography and Playback

Focus Mode

Focus-Point Selection

Use the focus stick (focus lever) to choose a focus point for autofocus. The procedure for selecting the

focus point varies with the option chosen for AF mode (P 66).

RFocus-area selection can also be used to choose the focus point for manual focus and focus zoom.

RThe focus-area grid is reduced to 9 × 7 at an aspect ratio of 1 : 1 (P 88).

Tilt the focus stick to position the focus frame, or press the center of the stick to return to the center

focus point.

Focus frame

Available Focus Points

Fewer focus points are available for intelligent hybrid AF, which combines phase-detection with TTL contrast-

detect AF.

Intelligent hybrid AF

(TTL contrast-detect AF + phase-detection AF)

TTL contrast-detect

Focus Mode

The Focus Point Display

The focus stick (focus lever) can be used to display available focus points.

RFocus-area selection can also be accessed using G AF/MF SETTING> FOCUS AREA (P 91).

■ Single Point AF

Press the center of the focus stick to display the focus points (“+”) and

focus frame. Use the stick to position the focus frame over the desired

focus point, or press the center of the stick to return to the center point.

Focus frame

Focus point

To choose the size of the focus frame, rotate the rear command dial.

Rotate the dial left to reduce the frame by up to 50%, right to enlarge it

by up to 150%, or press the center of the dial to restore the frame to its

original size. Press MENU/OK to put your selection into e ect.

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Focus Mode

■ Zone AF

Press the center of the focus stick to display the focus zone. Use the

stick to position the zone or press the center of the stick to return the

zone to the center of the display.

Focus zone

To choose the number of focus frames in the zone, rotate the rear com-

mand dial. Rotate the dial right to cycle through zone sizes in the or-

der 3 × 3, 5 × 5, 7 × 7, 3 × 3…, left to cycle through zone sizes in reverse

order, or press the center of the dial to select a zone size of 3 × 3. Press

MENU/OK to put your selection into e ect.

Focus Mode

■ Tracking (Focus Mode C Only)

Press the center of the focus stick to display the focus frame. Use the

stick to position the focus frame, or press the center of the stick to re-

turn the frame to the center of the display. Press MENU/OK to put your

selection into e ect. The camera will track focus on the subject while

the shutter button is pressed halfway.

Focus frame

QManual focus-frame selection is not available when wide/tracking is selected in focus mode S.

Burst Mode Focus-Frame Selection

When continuous high-speed (8.0 fps) is selected for drive mode, the number of focus frames available in focus

mode C drops.

Single point Zone Wide/Tracking

More on Photography and Playback

Long Time-Exposures (T/B)

Select a shutter speed of T (time) or B (bulb) for long time-exposures.

RUse of a tripod is recommended to prevent the camera from moving during the exposure.

RTo reduce “noise” (mottling) in long time-exposures, select ON for H IMAGE QUALITY SETTING> LONG EX-

POSURE NR (P 90). Note that this may increase the time needed to record images after shooting.

Time (T)

Rotate the shutter speed dial to T.

Rotate the front command dial to

choose a shutter speed.

”

Press the shutter button all the way

down to take a picture at the select-

ed shutter speed. A count-down

timer will be displayed while the ex-

posure is in progress.

Bulb (B)

Rotate the shutter speed dial to B.

Press the shutter button all the way

down. The shutter will remain open

for up to 60 minutes while the shut-

ter button is pressed; the display

shows the time elapsed since the

exposure started.

RSelecting an aperture of A  xes shutter speed at 30 s.

Long Time-Exposures (T/B)

Using a Remote Release

An optional RR-90 remote release can be used for

long time-exposures. See the manual provided

with the RR-90 for more information.

Third-Party Remote Releases

Electronic releases from third-

party suppliers can be

connect-

ed via the microphone/remote

release connector

. A con rma-

tion dialog will be displayed

when a third-party release is

connected; press MENU/OK and

select n REMOTE for MIC/RE-

MOTE RELEASE.

CHECK MIC/REMOTE RELEASE

SETTING

SKIP

SET

More on Photography and Playback

The Self-Timer

Use the timer for self-portraits or to prevent blur caused by camera shake.

Press MENU/OK in shooting mode to display the

shooting menu.

Select the A SHOOTING SETTING tab (P 87),

then highlight SELF-TIMER and press MENU/OK.

Press the selector up or down to highlight the

desired option and press MENU/OK to select.

Option

Description

2 SEC

The shutter is released two seconds after the

shutter button is pressed. Use to reduce blur

caused by the camera moving when the shut-

ter button is pressed.

10 SEC

The shutter is released ten seconds after the

shutter button is pressed. Use for photographs

in which you wish to appear yourself.

OFF

OFF Self-timer o .

Press the shutter button halfway to focus.

QStand behind the camera when using the shut-

ter button. Standing in front of the lens can in-

terfere with focus and exposure.

Press the shutter button

the rest of the way down to

start the timer. The display

in the monitor shows the

number of seconds re-

maining until the shutter is released. To stop

the timer before the picture is taken, press

DISP/BACK.

The self-timer lamp on

the front of the camera

will blink immediately

before the picture is

taken. If the two-sec-

ond timer is selected,

the self-timer lamp will blink as the timer

counts down.

RThe self-timer turns o automatically when the

camera is turned o .

Interval Timer Photography

Follow the steps below to con gure the camera to take photos automatically at a preset interval.

Press MENU/OK in shooting mode to display the shooting menu.

Select the A SHOOTING SETTING tab (P 87), then highlight IN-

TERVAL TIMER SHOOTING and press MENU/OK.

Use the selector to choose the interval and number of shots. Press MENU/OK to

proceed.

CANCELEND

INTERVAL/NUMBER OF TIMES

INTERVAL

NUMBER OF TIMES

Use the selector to choose the starting time and then press MENU/OK. Shooting

will start automatically.

START WAITING TIME

ESTIMATED START TIME 11 : 00 PM

CANCELSTART

LATER

QInterval timer photography can not be used at a shutter speed of B (bulb) or with multiple exposure photog-

raphy. In burst mode, only one picture will be taken each time the shutter is released.

RUse of a tripod is recommended.

RCheck the battery level before starting. We recommend using an optional AC-9V AC power adapter and

CP-W126 DC coupler.

RThe display turns o between shots and lights a few seconds before the next shot is taken. The display can be

activated at any time by pressing the shutter button.

More on Photography and Playback

Focusing and Taking Pictures

Press the shutter button halfway to focus and the rest of the way down to shoot.

Focus.

Frame the picture with your subject in the center of the display and press the shutter

button halfway to focus.

RIf the subject is poorly lit, the AF-assist illuminator may light (P 91).

If the camera is able to focus, it will beep twice and the focus indicator and frame in

focus will glow green. Focus and exposure will lock while the shutter button is

pressed halfway.

Focus frame

   

Focus indicator

If the camera is unable to focus, the focus frame will turn red, s will be displayed, and the focus indi-

cator will blink white.

Shoot.

Smoothly press the shutter button the rest of the way down to take the picture.

Focus/Exposure Lock

To compose photographs with o -center subjects:

Focus: Position the subject in the focus frame and press the shutter button half-

way to lock focus and exposure. Focus and exposure will remain locked while

the shutter button is pressed halfway (AF/AE lock).

RFocus and exposure can also be locked with the AF-L and AE-L buttons, respectively (if AE/AF LOCK is

selected for D BUTTON/DIAL SETTING> AF-LOCK MODE, pressing the AF-L button will lock both focus

and exposure; P 113).

Recompose: Keep the shutter button pressed halfway or keep the AF-L or AE-L but-

ton pressed.

RFocus and/or exposure will remain locked while the AF-L or AE-L button is pressed,

whether or not the shutter button is pressed halfway. If AE&AF ON/OFF SWITCH

is selected for D BUTTON/DIAL SETTING> AE/AF-LOCK MODE (P 113), focus and/

or exposure lock when the button is pressed and remain locked until the button is

pressed again.

Shoot: Press the button all the way down.

RThe roles of the AE-L and AF-L buttons can be reversed using D BUTTON/DIAL SETTING> AE-L/AF-L BUTTON

SETTING (P 113).

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Focus/Exposure Lock

Autofocus

Although the camera boasts a high-precision autofocus system, it may be unable to focus on the subjects listed

below.

• Very shiny subjects such as mirrors or car bodies.

• Fast-moving subjects.

• Subjects photographed through a window or other re ective object.

• Dark subjects and subjects that absorb rather than re ect light, such as hair or fur.

• Insubstantial subjects, such as smoke or  ame.

• Subjects that show little contrast with the background (for example, subjects in clothing that is the same color

as the background).

• Subjects positioned in front of or behind a high-contrast object that is also in the focus frame (for example, a

subject photographed against a backdrop of highly contrasting elements).

Remove the hot shoe cover and slide the  ash

onto the hot shoe as shown, stopping when it

clicks into place.

Turn the  ash on.

RFor more information, see the documentation

provided with the  ash unit.

Choose a  ash mode in the F FLASH SET-

TING> FLASH MODE menu (P 87).

Mode

Description

(AUTO FLASH)

(RED EYE REDUCTION)

The  ash  res when required. Recom-

mended in most situations.

(FORCED FLASH)

The  ash  res whenever a picture is

taken. Use for backlit subjects or for

natural coloration when shooting in

bright light.

(SLOW SYNCHRO)

(RED EYE & SLOW)

Capture both the main subject and

the background under low light (note

that brightly lit scenes may be overex-

posed).

(2ND CURTAIN SYNC.)

The  ash  res immediately before the

shutter closes.

(COMMANDER)

(COMMANDER) The built-in  ash can be used to control

optional remote  ash units.

(SUPPRESSED FLASH)

The  ash does not  re even when the

subject is poorly lit. A tripod is recom-

mended.

* Red-eye removal is available in these modes

when Intelligent Face Detection is active (P 92)

and red-eye removal is on (P 98). Red-eye re-

moval minimizes “red-eye” caused when light

from the  ash is re ected from the subject’s

retinas as shown in the illustration at right.

Flash Photography

Use an optional  ash unit for additional lighting when shooting at night or indoors under low light.

More on Photography and Playback

Flash Photography

QDepending on the distance to the subject, some

lenses may cast shadows in photos taken with the

 ash.

RLowering the  ash turns the  ash o (P) and pre-

vents it  ring even when the subject is poorly lit; use

of a tripod is recommended. Lower the  ash where

 ash photography is prohibited or to capture natu-

ral lighting under dim light. We also recommend

that you lower the  ash when the camera is o .

RIf p is displayed when the shutter button is pressed

halfway, the  ash will  re when the photo is taken.

RExcept in commander mode, the  ash may  re sev-

eral times with each shot. Do not move the camera

until shooting is complete.

The Sync Terminal

Use the sync terminal to connect  ash units that re-

quire a sync cable.

Flash Sync Speed

The  ash will synchronize with the shutter at shutter

speeds of 

 s or slower.

Optional Flash Units

The camera can also be used with optional FUJIFILM

shoe-mounted  ash units (P 132). Do not use third-

party  ash units that apply over 300 V to the camera

hot shoe.

Flash Mode and Shooting Mode

The  ash modes available vary with the shooting

mode (P 153):

Flash mode

✔

* Wireless remote photography.

Recording Pictures in RAW Format

To record raw, unprocessed data from the camera image sensor, select a RAW option for image quality

in the shooting menu as described below. JPEG copies of RAW images can be created using C PLAY

BACK MENU> RAW CONVERSION, or RAW images can be viewed on a computer using the RAW FILE

CONVERTER application (P 81, 123).

Press MENU/OK in shooting mode to display the shooting menu. Select the H IMAGE QUALITY

SETTING tab (P 87), then highlight IMAGE QUALITY (P 88) and press MENU/OK.

Highlight an option and press MENU/OK. Select RAW to record only RAW images, or FINE+RAW or

NORMAL+RAW to record both JPEG copy together with the RAW images. FINE+RAW uses lower

JPEG compression ratios for higher-quality JPEG images, while NORMAL+RAW uses higher JPEG

compression ratios to increase the number of images that can be stored.

The Function Buttons

To toggle RAW image quality on or o for a single shot, assign RAW to a function button (P 51). If a JPEG option

is currently selected for image quality, pressing the button temporarily selects the equivalent JPEG+RAW option.

If a JPEG+RAW option is currently selected, pressing the button temporarily selects the equivalent JPEG option,

while if RAW is selected, pressing the button temporarily selects FINE. Taking a picture or pressing the button

again restores the previous setting.

More on Photography and Playback

Recording Pictures in RAW Format

Creating JPEG Copies of RAW Pictures

RAW pictures store information on camera settings separately from the data captured by the camera

image sensor. Using C PLAY BACK MENU> RAW CONVERSION (P 102), you can create JPEG copies

of RAW pictures using di erent options for the settings listed below. The original image data are unaf-

fected, allowing a single RAW image to be processed in a multitude of di erent ways.

Press MENU/OK during playback to display

the playback menu, then press the selec-

tor up or down to highlight C PLAY BACK

MENU> RAW CONVERSION (P 101) and

press MENU/OK to display the settings listed

in the table at right.

RThese options can also be displayed by pressing

Q button during playback.

Press the selector up or

down to highlight a setting

and press the selector right

to select. Press the selec-

tor up or down to highlight

the desired option and press MENU/OK to select

and return to the settings list. Repeat this step

to adjust additional settings.

Press the Q button to preview the JPEG copy

and press MENU/OK to save.

Setting

Description

REFLECT SHOOTING

COND.

Create a JPEG copy using the settings in ef-

fect at the time the photo was taken.

PUSH/PULL

PROCESSING

Adjust exposure by –1 EV to +3 EV in incre-

ments of 

 EV.

DYNAMIC RANGE Enhance details in highlights for natural

contrast (P 89).

FILM SIMULATION Simulate the e ects of di erent types of  lm

(P 60).

GRAIN EFFECT Add a  lm grain e ect (P 89).

WHITE BALANCE Adjust white balance (P 61).

WB SHIFT Fine-tune white balance (P 61).

HIGHLIGHT TONE Adjust highlights (P 89).

SHADOW TONE Adjust shadows (P 89).

COLOR Adjust color density (P 89).

SHARPNESS Sharpen or soften outlines (P 89).

NOISE REDUCTION Process the copy to reduce mottling (P 89).

LENS MODULATION

OPTIMIZER

Improve de nition by adjusting for di rac-

tion and the slight loss of focus at the pe-

riphery of the lens (P 90).

COLOR SPACE Choose the color space used for color repro-

duction (P 90).

CREATE

REFLECT SHOOTING COND.

PUSH/PULL PROCESSING

DYNAMIC RANGE

FILM SIMULATION

GRAIN EFFECT

WHITE BALANCE

RAW CONVERSION

CANCEL

Saving Settings

Save up to 7 sets of custom camera settings for commonly-encountered situations. Saved settings can

be recalled using H IMAGE QUALITY SETTING> SELECT CUSTOM SETTING (P 90).

Press MENU/OK in shooting mode to display the shooting menu. Select the H IM-

AGE QUALITY SETTING tab (P 87), then highlight EDIT/SAVE CUSTOM SET-

TING (P 90) and press MENU/OK.

3/33

EDIT/SAVE CUSTOM SETTING

SELECT CUSTOM SETTING

IMAGE QUALITY SETTING

CUSTOM 2

CUSTOM 3

CUSTOM 4

CUSTOM 5

CUSTOM 6

CUSTOM 7

CUSTOM 1

Highlight a custom settings bank and press MENU/OK to select. Adjust the follow-

ing as desired and press DISP/BACK when adjustments are complete: DYNAM-

IC RANGE, FILM SIMULATION, GRAIN EFFECT, WHITE BALANCE, COLOR,

SHARPNESS, HIGHLIGHT TONE, SHADOW TONE, and NOISE REDUCTION.

XXXXX

1/2

BACK

DYNAMIC RANGE

FILM SIMULATION

GRAIN EFFECT

WHITE BALANCE

HIGHLIGHT TONE

SHADOW TONE

COLOR

CUSTOM 1

AUTO

OFF

SAVE CURRENT SETTINGS

EXIT

RTo replace the settings in the selected bank with the settings currently selected with the camera, select

K SAVE CURRENT SETTINGS and press MENU/OK.

A con rmation dialog will be displayed; highlight OK and press MENU/OK.

CUSTOM 1 SET OK?

CANCEL

SAVE CUSTOM SETTING

More on Photography and Playback

Using a Mount Adapter

When M-mount lenses are attached using an

optional FUJIFILM M MOUNT ADAPTER, the camera

processes pictures as they are taken to maintain

image quality and correct for a variety of e ects.

Pressing the function button on the mount

adapter displays l MOUNT ADAPTOR SET-

TING options.

RMount adapter settings can also be accessing using

A SHOOTING SETTING> MOUNT ADAPTER SET-

TING (P 97).

RBefore checking focus, set the focus mode selector

to M (P 63).

Bright Frame Brightness

Adjust the brightness of the bright frame in the

OVF display. Use the BRIGHT FRAME BRIGHT-

NESS option to adjust the brightness of the

bright frame in the OVF display.

Lens Registration

■ Choosing a Focal Length

If the lens has a focal length of

21, 24, 28, or 35 mm, choose a

matching option in the

l MOUNT ADAPTOR SET-

TING menu.

For other lenses, select option

5 or 6 and use the selector to

enter the focal length.

■Distortion Correction

Choose from STRONG, MEDI-

UM, or WEAK options to cor-

rect BARREL or PINCUSHION

distortion.

LENS5 DISTORTION CORRECTION

BARREL MEDIUM

BARREL WEAK

BARREL STRONG

OFF

PINCUSHION WEAK

PINCUSHION MEDIUM

PINCUSHION STRONG

Barrel distortion Pincushion distortion

RTo determine the amount required, adjust distor-

tion correction while taking photos of graph paper

or other objects featuring repeating vertical and

horizontal lines, such as the windows in a high-rise.

SET

LENS REGISTRATION

LENS 1

LENS 2

LENS 3

LENS 4

LENS 5

LENS 6

LENS 5

INPUT FOCAL LENGTH

CANCELSET

Using a Mount Adapter

■Color Shading Correction

Color (shading) variations be-

tween the center and edges

of the frame can be adjusted

separately for each corner. NEXT SET

To use color shading correction, follow the steps

below.

Rotate the rear command dial to choose a

corner. The selected corner is indicated by a

triangle.

Use the selector to adjust shading until there

is no visible di erence in color between the

selected corner and the center of the image.

Press the selector left or right to adjust colors

on the cyan–red axis, up or down to adjust

colors on the blue–yellow axis.

RTo determine the amount required, adjust color

shading correction while taking photos of blue sky

or a sheet of gray paper.

■Peripheral Illumination Correction

Choose from values between

–5 and +5. Choosing positive

values increases peripheral il-

lumination, while choosing

negative values reduces pe-

ripheral illumination. Positive values are recom-

mended for vintage lenses, negative values to

create the e ect of images taken with an antique

lens or a pinhole camera.

RTo determine the amount required, adjust periph-

eral illumination correction while taking photos of

blue sky or a sheet of gray paper.

CANCEL

SET

More on Photography and Playback

PhotoBook Assist

Create books from your favorite photos.

Creating a PhotoBook

Select NEW BOOK for C PLAY BACK

MENU> PHOTOBOOK ASSIST (P 101) and

choose from the following options:

• SELECT FROM ALL: Choose from all available

pictures.

• SELECT BY IMAGE SEARCH: Choose from pictures

matching selected search conditions.

RNeither photographs a or smaller nor movies

can be selected for photobooks.

Scroll through the images and press the se-

lector up to select or deselect. To display the

current image on the cover, press the selector

down. Press MENU/OK to exit when the book is

complete.

RThe  rst picture selected becomes the cover im-

age. Press the selector down to select a di erent

image for the cover.

Highlight COMPLETE PHOTOBOOK and

press MENU/OK (to select all photos or all pho-

tos matching the speci ed search conditions

for the book, choose SELECT ALL). The new

book will be added to the list in the photo-

book assist menu.

QBooks can contain up to 300 pictures.

QBooks that contain no photos are automatically de-

leted.

PhotoBook Assist

Viewing Photobooks

Highlight a book in the photobook assist menu

and press MENU/OK to display the book, then press

the selector left or right to scroll through the pic-

tures.

Editing and Deleting Photobooks

Display the photobook and press MENU/OK. The

following options will be displayed; select the

desired option and follow the on-screen instruc-

tions.

• EDIT: Edit the book as described in “Creating a

PhotoBook” (P 85).

• ERASE: Delete the book.

Photobooks

Photobooks can be copied to a computer using MyFinePix Studio software (P 123).

Menus

Using the Menus: Shooting Mode

The shooting menu is used to adjust settings for a wide range of shooting conditions. Frequently-used

options can be saved to a personalized custom menu (“my menu”).

Using the Shooting Menu

Press MENU/OK in shooting mode to display the

menus.

EXIT

IMAGE QUALITY SETTING

IMAGE QUALITY

RAW RECORDING

FILM SIMULATION

GRAIN EFFECT

DYNAMIC RANGE

WHITE BALANCE

HIGHLIGHT TONE

IMAGE SIZE

Press the selector left to highlight

the tab for the current menu.

Tab

EXIT

IMAGE QUALITY SETTING

IMAGE QUALITY

RAW RECORDING

FILM SIMULATION

GRAIN EFFECT

DYNAMIC RANGE

WHITE BALANCE

HIGHLIGHT TONE

IMAGE SIZE

Press the selector down to highlight

the tab (H, G, A, F, B, or E) con-

taining the desired item.

Press the selector right to place the

cursor in the menu.

Press the selector up or down to

highlight the desired item.

Press the selector right to view op-

tions for the highlighted item.

Press the selector up or down to

highlight the desired option.

Press MENU/OK to select the high-

lighted option.

Press DISP/BACK to return to the

shooting display.

RUse the front command dial to scroll through the

menus a page at a time.

Using the Menus: Shooting Mode

IMAGE QUALITY SETTING

To adjust shooting settings that a ect image quality, press MENU/OK in the

shooting display and select the H (IMAGE QUALITY SETTING) tab (P 87).

EXIT

IMAGE QUALITY SETTING

IMAGE QUALITY

RAW RECORDING

FILM SIMULATION

GRAIN EFFECT

DYNAMIC RANGE

WHITE BALANCE

HIGHLIGHT TONE

IMAGE SIZE

Choose the size and aspect ratio at which still pictures are recorded.

Aspect Ratio

Pictures with an aspect ratio of 3 : 2 have the same proportions as

a frame of 35 mm  lm, while an aspect ratio of 16 : 9 is suited to

display on

igh

e nition (HD) devices. Pictures with an aspect

ratio of 1 : 1 are square.

IMAGE SIZE is not reset when the camera is turned o or another

shooting mode is selected.

Option

Image size

Option

Image size

3 : 2

6000 × 4000

3 : 2

3008 × 2000

16 : 9

6000 × 3376

16 : 9

3008 × 1688

1 : 1

4000 × 4000

1 : 1

2000 × 2000

3 : 2

4240 × 2832

16 : 9

4240 × 2384

1 : 1

2832 × 2832

IMAGE QUALITY

Choose a  le format and compression ratio. Select FINE or NORMAL to record JPEG images, RAW to record RAW images, or

FINE+RAW or NORMAL+RAW to record both JPEG and RAW images. FINE and FINE+RAW use lower JPEG compression ratios

for higher-quality JPEG images, while NORMAL and NORMAL+RAW use higher JPEG compression ratios to increase the num-

ber of images that can be stored.

RAW RECORDING

Choose whether to compress RAW images.

Option

Description

UNCOMPRESSED

UNCOMPRESSED RAW images are not compressed.

LOSSLESS COMPRESSED

LOSSLESS COMPRESSED RAW images are compressed using a reversible algorithm that reduces  le size with no loss of image data.

The images can be viewed in RAW FILE CONVERTER (P 123) or other compatible software.

Menus

Using the Menus: Shooting Mode

FILM SIMULATION

Simulate the e ects of di erent types of  lm (P 60).

GRAIN EFFECT

Add a  lm grain e ect.

DYNAMIC RANGE

Control contrast. Choose lower values to increase contrast when shooting indoors or under overcast skies, higher values to

reduce loss of detail in highlights and shadows when photographing high-contrast scenes. Higher values are recommended

for scenes that include both sunlight and deep shade, for such high-contrast subjects as sunlight on water, brightly-lit autumn

leaves, and portraits taken against a blue sky, and for white objects or people wearing white; note, however, that mottling may

appear in pictures taken at higher values.

RIf AUTO is selected, the camera will automatically choose either

V 100% or

W 200% according to the subject and shoot-

ing conditions. Shutter speed and aperture will be displayed when the shutter button is pressed halfway.

W 200% is available at sensitivities of ISO 400 and above,

X 400% at sensitivities of ISO 800 and above.

WHITE BALANCE

Adjust colors to match the light source (P 61).

HIGHLIGHT TONE

Adjust the appearance of highlights.

SHADOW TONE

Adjust the appearance of shadows.

COLOR

Adjust color density.

SHARPNESS

Sharpen or soften outlines.

NOISE REDUCTION

Reduce noise in pictures taken at high sensitivities.

Using the Menus: Shooting Mode

LONG EXPOSURE NR

Select ON to reduce mottling in long time-exposures (P 71).

LENS MODULATION OPTIMIZER

Select ON to improve de nition by adjusting for di raction and the slight loss of focus at the periphery of the lens.

COLOR SPACE

Choose the gamut of colors available for color reproduction.

Option

Description

sRGB

sRGB Recommended in most situations.

Adobe RGB

Adobe RGB For commercial printing.

PIXEL MAPPING

Use this option if you notice bright spots in your pictures.

1 Press MENU/OK in the shooting display and select the H IMAGE QUALITY SETTING tab (P 87).

2 Highlight PIXEL MAPPING and press MENU/OK to perform pixel mapping.

QResults are not guaranteed.

QBe sure the battery is fully charged before beginning pixel mapping.

QPixel mapping is not available when the camera temperature is elevated.

QProcessing may take a few seconds.

SELECT CUSTOM SETTING

Recall settings saved with EDIT/SAVE CUSTOM SETTING.

EDIT/SAVE CUSTOM SETTING

Save settings (P 82).

Menus

Using the Menus: Shooting Mode

AF/MF SETTING

To adjust focus settings, press MENU/OK in the shooting display and select the

G (AF/MF SETTING) tab (P 87).

EXIT

AF/MF SETTING

AF MODE

NUMBER OF THE FOCUS POINTS

PRE-AF

AF ILLUMINATOR

FACE/EYE DETECTION SETTING

AF+MF

MF ASSIST

FOCUS AREA

Choose the focus area (P 68). Focus-area selection can also be used to choose the focus point for manual focus and focus zoom.

AF MODE

Choose the AF mode for focus modes S and C (P 66).

NUMBER OF THE FOCUS POINTS

Choose the number of focus points available for focus-point selection in manual focus mode or when SINGLE POINT is selected

for AF MODE.

Option

Description

77 POINTS (7 × 11)

77 POINTS (7 × 11) Choose from 77 focus points arranged in a 7- by 11-point grid.

273 POINTS (13 × 21)

273 POINTS (13 × 21) Choose from 273 focus points arranged in a 13- by 21-point grid.

PRE-AF

If ON is selected, the camera will continue to adjust focus even when the shutter-release button is not pressed halfway. Note

that this increases the drain on the battery.

AF ILLUMINATOR

If ON is selected, the AF-assist illuminator will light to assist autofocus.

QThe camera may be unable to focus using the AF-assist illuminator in some cases. If the camera is unable to focus in macro

mode, try increasing the distance to the subject.

QAvoid shining the AF-assist illuminator directly into your subject’s eyes.

Using the Menus: Shooting Mode

FACE/EYE DETECTION SETTING

Intelligent Face Detection sets focus and exposure for human faces anywhere in the frame, prevent-

ing the camera from focusing on the background in group portraits. Choose for shots that emphasize

portrait subjects. Faces can be detected with the camera in vertical or horizontal orientation; if a face is

detected, it will be indicated by a green border. If there is more than one face in the frame, the camera

will select the face closest to the center; other faces are indicated by white borders. You can also choose

whether the camera detects and focuses on eyes when Intelligent Face Detection is on. Choose from

the following options:

Option

Description

FACE ON/EYE OFF

FACE ON/EYE OFF Intelligent Face Detection only.

FACE ON/EYE AUTO

FACE ON/EYE AUTO The camera automatically chooses which eye to focus on when a face is detected.

FACE ON/RIGHT EYE PRIORITY

FACE ON/RIGHT EYE PRIORITY The camera focuses on the right eye of subjects detected using Intelligent Face Detection.

FACE ON/LEFT EYE PRIORITY

FACE ON/LEFT EYE PRIORITY The camera focuses on the left eye of subjects detected using Intelligent Face Detection.

FACE OFF/EYE OFF

FACE OFF/EYE OFF Intelligent Face Detection and eye priority o .

RIf the camera is unable to detect the subject’s eyes because they are hidden by hair, glasses, or other objects, the camera will

instead focus on faces.

QIn some modes, the camera may set exposure for the frame as a whole rather than the portrait subject.

QIf the subject moves as the shutter button is pressed, the face may not be in the area indicated by the green border when

the picture is taken.

Menus

Using the Menus: Shooting Mode

AF+MF

If ON is selected in focus mode S, focus can be adjusted manually by rotating the focus ring while the shutter button is pressed

halfway. Both standard and focus peaking MF assist options are supported. Lenses with a focus distance indicator must be set

to manual focus mode (MF) before this option can be used. Selecting MF disables the focus distance indicator. Set the focus

ring to the center of the focus distance indicator, as the camera may fail to focus if the ring is set to in nity or the minimum

focus distance.

AF + MF Focus Zoom

When

is selected for

AF/MF SETTING

>

FOCUS CHECK

and

SINGLE POINT

selected for

AF MODE

, focus zoom can be

used to zoom in on the selected focus area. Focus zoom is not available when

ZONE

WIDE/TRACKING

is selected for

MODE

. The zoom ratio (2.5× — 6×) can be selected using the rear command dial.

MF ASSIST

Choose how focus is displayed in manual focus mode (P 65).

Option

Description

STANDARD

STANDARD Focus is displayed normally (focus peaking and digital split image are not available).

DIGITAL SPLIT IMAGE

DIGITAL SPLIT IMAGE A black-and-white (MONOCHROME) or color (COLOR) split-image display.

FOCUS PEAK HIGHLIGHT

FOCUS PEAK HIGHLIGHT The camera heightens high-contrast outlines. Choose a color and peaking level.

FOCUS CHECK

If ON is selected, the camera will automatically zoom in on the view through the lens when the focus ring is rotated in manual

focus mode (P 64).

INTERLOCK SPOT AE & FOCUS AREA

Select ON to meter the current focus frame when SINGLE POINT is selected for AF MODE (P 66) and SPOT is selected for

PHOTOMETRY (P 59).

INSTANT AF SETTING

Choose how the camera focuses when the AF-L button is pressed in manual focus mode (P 63).

Using the Menus: Shooting Mode

DEPTH-OF-FIELD SCALE

Choose FILM FORMAT BASIS to help you make practical assessments of depth of  eld for pictures that will be viewed as prints

and the like, PIXEL BASIS to help you assess depth of  eld for pictures that will be viewed at high resolutions on computers or

other electronic displays.

RELEASE/FOCUS PRIORITY

Choose how the camera focuses in focus mode AF-S or AF-C.

Option

Description

RELEASE

RELEASE Shutter response is prioritized over focus. Pictures can be taken when the camera is not in focus.

FOCUS

FOCUS Focus is prioritized over shutter response. Pictures can be only taken when the camera is in focus.

CORRECTED AF FRAME

If ON is selected, a second focus frame for focus distances of about 50 cm (1.6 ft) will be added to the display in the optical view-

 nder. The focus frame for the current focus distance is displayed in green when the shutter button is pressed halfway.

OFF

Focus frame

Focus frame for focus distance of in nity

Focus frame for focus distance of about 50 cm (1.6 ft)

Menus

Using the Menus: Shooting Mode

SHOOTING SETTING

To adjust shooting options, press MENU/OK in the shooting display and select the

A (SHOOTING SETTING) tab (P 87).

EXIT

SHOOTING SETTING

INTERVAL TIMER SHOOTING

FILM SIMULATION BKT

PHOTOMETRY

SHUTTER TYPE

IS MODE

ISO AUTO SETTING

MOUNT ADAPTOR SETTING

SELF-TIMER

Take pictures with the self-timer (P 73).

INTERVAL TIMER SHOOTING

Adjust settings for interval timer photography (P 74).

FILM SIMULATION BKT

Choose  lm types for  lm simulation bracketing (P 54, 60).

PHOTOMETRY

Choose how the camera meters exposure (P 59).

Using the Menus: Shooting Mode

SHUTTER TYPE

Choose the shutter type. Choose the electronic shutter to mute the shutter sound.

Option

Description

MECHANICAL SHUTTER

MECHANICAL SHUTTER Take pictures with the mechanical shutter.

ELECTRONIC SHUTTER

ELECTRONIC SHUTTER Take pictures with the electronic shutter.

MECHANICAL +

ELECTRONIC

ELECTRONIC The camera chooses the shutter type according to shooting conditions.

RIf s ELECTRONIC SHUTTER or t MECHANICAL + s ELECTRONIC is selected, shutter speeds faster than 

s can be

chosen by rotating the shutter speed dial to 8000 and then rotating the front command dial.

RWhen the electronic shutter is used, shutter speed and sensitivity are restricted to values of 

–1s and ISO 12800–200

respectively, and long exposure noise reduction has no e ect. In burst mode, focus and exposure are  xed at the values for

the  rst shot in each burst.

QDistortion may be visible in shots of moving subjects with electronic shutter, while banding and fog may occur in shots taken

under  uorescent lights or other  ickering or erratic illumination. When taking pictures with the shutter muted, respect your

subjects’ image rights and right to privacy.

IS MODE

Reduce blur. This option is available only with lenses that support image stabilization.

Option

Description

CONTINUOUS

CONTINUOUS Image stabilization on.

SHOOTING ONLY

SHOOTING ONLY Image stabilization enabled only when the shutter button is pressed halfway or the shutter is released.

OFF

OFF Image stabilization o ; x appears in the display (P 8, 10). Recommended when using a tripod.

Menus

Using the Menus: Shooting Mode

ISO AUTO SETTING

Choose the base sensitivity, maximum sensitivity, and minimum shutter speed for auto ISO sensitivity control, which is selected

by rotating the ISO dial to A. Settings for AUTO1, AUTO2, and AUTO3 can be adjusted separately.

Option

Default

DEFAULT SENSITIVITY 200

MAX. SENSITIVITY 800 (AUTO1)/1600 (AUTO2)/3200 (AUTO3)

MIN. SHUTTER SPEED 1/60

The camera automatically chooses a sensitivity between the default and maximum values. Sensitivity is only raised above the

default value if the shutter speed required for optimal exposure would be slower than the value selected for MIN. SHUTTER

SPEED.

RIf the value selected for DEFAULT SENSITIVITY is higher than that selected for MAX. SENSITIVITY, DEFAULT SENSITIVITY

will be set to the value selected for MAX. SENSITIVITY.

RThe camera may select shutter speeds slower than MIN. SHUTTER SPEED if pictures would still be underexposed at the

value selected for MAX. SENSITIVITY.

MOUNT ADAPTOR SETTING

Adjust settings for M-mount lenses connected using an optional FUJIFILM M MOUNT ADAPTER (P 83).

WIRELESS COMMUNICATION

Connect to a smartphone or tablet over a wireless network (P 122).

RFor more information, visit http://fujifilm-dsc.com/wifi/.

Using the Menus: Shooting Mode

FLASH SETTING

To adjust  ash-related settings, press MENU/OK in the shooting display and select

the F (FLASH SETTING) tab (P 87).

EXIT

FLASH SETTING

FLASH COMPENSATION

RED EYE REMOVAL

FLASH MODE

Choose a  ash mode (P 78).

FLASH COMPENSATION

Adjust  ash brightness. Note that the desired results may not be achieved depending on shooting conditions and the distance

to the subject.

RED EYE REMOVAL

Choose ON to remove red-eye e ects caused by the  ash.

RRed-eye reduction is performed only when a face is detected.

RRed-eye removal is not available with RAW images.

Menus

Using the Menus: Shooting Mode

MOVIE SETTING

To adjust options for movie recording, press MENU/OK in the shooting display

and select the B ( MOVIE SETTING) tab (P 87).

EXIT

MOVIE SETTING

MIC LEVEL ADJUSTMENT

MIC/REMOTE RELEASE

MOVIE MODE

Select a frame size and rate for movie recording.

• i 1080/60 P: 1920 × 1080 (60 fps)

• i 1080/50 P: 1920 × 1080 (50 fps)

• i 1080/30 P: 1920 × 1080 (30 fps)

• i 1080/25 P: 1920 × 1080 (25 fps)

• i 1080/24 P: 1920 × 1080 (24 fps)

• h 720/60 P: 1280 × 720 (60 fps)

• h 720/50 P: 1280 × 720 (50 fps)

• h 720/30 P: 1280 × 720 (30 fps)

• h 720/25 P: 1280 × 720 (25 fps)

• h 720/24 P: 1280 × 720 (24 fps)

MIC LEVEL ADJUSTMENT

Adjust the microphone recording level.

MIC/REMOTE RELEASE

Specify whether the device connected to the microphone/remote release connector is a microphone or a remote release (P 45,

72).

Fuji Film 02000002 Wireless LAN Module User Manual 00 LX11 OM 200 EN 01 indb

Fuji Film Corporation Wireless LAN Module 00 LX11 OM 200 EN 01 indb

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